1. Cluer Dicey and Richard Marshall,
A catalogue of maps, , copy-books, drawing-books, histories, ... printed
and sold by Cluer Dicey, and Richard Marshall, at the Printing-Office,
in Aldermary Church-Yard, London. [London]: Printed in the year, 1764.
104p. ; 12mo. Glasgow University Library Shelfmark: Mu34-g.4. E[nglish]
S[hort] T[itle] C[atalogue] t162594.
2. Printed
in the year, 1754. pp.1-56. At the Bodleian Library, Oxford (Shelfmark
258 c.109.).This is a copy that was interleaved and annotated by Thomas
Percy.
3. See
P[ublic] R[ecor]d O[ffice], C12/28/53. Hill versus Dicey. Richard Marshall
is listed on his own at Aldermary in The London Directory, 1779.
4. Victor
Neuberg, "The Diceys and the Chapbook Trade." The Library:
Transactions of the Bibliographical Society), Fifth Series, Vol. XXIV,
No. 3, (September 1969) was a pioneering work. See also the same author’s
Chapbooks: a guide to reference material on English, Scottish and American
chapbook literature of the eighteenth and nineteenth centuries, (2nd
ed. London, 1972); R. S. Thomson, The development of the broadside
ballad (Cambridge Ph.D., 1974); Gilles Duval, "The Diceys revisited"
[on their chapbooks.] Factotum, No. 35, (1992) pp. 9-11. Gilles
Duval, Littérature de colportage et imaginaire collectif en
Angleterre à l'époque des Dicey (1720-c.1800) (Lille,
Université de Lille, 1986.)
5. Neil
McKendrick, John Brewer and J. H. Plumb, eds. The birth of a consumer
society: the commercialization of eighteenth-century England, (London,1983)
was a pioneering work. For recent treatments, theoretical discussions,
criticisms and other studies see John Brewer and Roy Porter, eds. Consumption
and the world of goods (London and New York, 1994) and Ann Bermingham
and John Brewer, eds., The consumption of culture 1600-1800: image
, object, text, ( London and New York, 1995).
6. Compare
Peter Burke, Popular Culture in Early Modern Europe, (London, 1978),
pp. 256-7 with Roger Chartier, The Culture of Print. Power and the
uses of print in Early Modern Europe, (London, 1989), p. 4. French
publishers altered and updated the Bibliotheque Bleue.
7. Sheila
O'Connell, The popular print in England 1550-1850, (London, 1999),
p. 14; John Brewer, The pleasures of the imagination: English culture
in the eighteenth century (London, 1997), p. xxi.
8. A full
set of the Northampton Mercury is available at the Northampton
Central Library, Northampton.
9. PRO
C11/1425/5. Baskett versus Dicey.
10. Benjamin
Okell, An abstract of A treatise of the virtues of Dr. Bateman's pectoral
drops. Publish'd by vertue of the King's letters patent, under the great
seal of Great-Britain. And sold by William Dicey, and Benjamin Okell,
the patentee, at their wholesale warehouse, ... London. [London,
1739]. ESTC n14961.
11. John
Cluer’s will, PRO PROB 11/625, shows that he had a share in these drops,
which he left to his wife.
12. PRO
C11/1550/50. Stationers Company versus Dicey.
13. "The
Diceys revisited,"Factotum: Newsletter of the XVIII century
ESTC, No. 35 (August, 1992), pp. 9-11.
14. Cf.
Anthony Daffy, Daffy's original and famous elixir salutis..., (London:
printed with allowance for the author, 1698). [8] p. 4to. British Library,
RB.23.a.6501(1). ESTC r213391.
15. Henrietta
Hill, The following medicines have some years been in the first estimation
for the cure of the several disorders for which they are recommended...
. none are genuine, but what are sold at her house, ... and by her appointment
at the following places. Mr. Joliff, ... Mr. Newberry, ... Mr. Baldwin,
... Mr. Dicey, ... Mr. Wray, ... Mr. Price, Mess. Stallard and Co. and
Mr. Wedderurn and Co. ... Mr. Jackson, ... Mr. Bailey, ... Mr. Robertson,
... and Mess. T. and J. Egerton, ... [London, 1780?] ESTC t225774.
16. Northampton
Mercury, 4 July, 1720.
17. PRO
C12/28/25. Hill v. Dicey.
18. PRO
PROB 11/829.
19. PRO
PROB 11/118
20. Aulay
Macaulay, The history and antiquities of Claybrook, in the county of
Leicester; including the hamlets of Bittesby, Ullesthorpe, Wibtoft, and
Little Wigston, (Northampton, 1791).
21. PRO
PROB 11/1012.
22. The
correspondence of Thomas Percy & William Shenstone , edited by
Cleanth Brooks, The Percy letters, vol. 7, (New Haven, 1977), pp.
108-9.
23. John
Nichols, History and Antiquities of Leicester, Vol IV, pt 1, (London,
1807) p. 115. The arms are illustrated opposite p. 107, figure 29.
24. PRO
C12/9222/21 Rigby v. Dicey.
25. Advertisements
in Countway Library of Medicine, Harvard University.
26. William
Roberts, ed., Memoirs of the life and correspondence of Mrs. Hannah
More, 3rd ed, revised, with an additional preface, 4 vols. (London,
1835) II, 49.
27. G.
H. Spinney, "Cheap Repository Tracts; Hazard and Marshall edition,"
The Library, Vol. 20, Fourth Series, (1939-40), pp. 295-340.
28. For
various discussions see Spinney, "Cheap Repository Tracts..."
; Susan Pederson, "Hannah More Meets Simple Simon: Tracts, Chapbooks,
and Popular Culture in Late Eighteenth-Century England," Journal
of British Studies, 25 (1986): 84-113; Gary Kelly, 'Revolution, Reaction,
and the Expropriation of Popular Culture: Hannah More's Cheap Repository,"
Man and Nature 6 (1987): 147-59.
29. Harry
B. Weiss, Hannah More's Cheap repository tracts in America, (New
York Public Library, 1946).
30. A
Sermon [on 1 Cor. xv. 26] preached in ... Claybrook ... at the funeral
of Emma Dicey, etc. (Dicey & Sutton: Northampton, 1805), p. 2.
31. General
information the Diceys in the nineteenth century can be found in Robert
S. Rait , Memorials of Albert Venn Dicey: being chiefly letters and
diaries, (London, 1925).
32. Such
statements about the newness of their titles were not unknown among other
purveyors. In her early eighteenth-century catalogue La veuve Oudot in
Paris emphasised that she stocked "des petites pieces nouvelles"
and was actively seeking out other materials. Catalogue des livres
qui se vendent en la Boutique de la Veuve de Nicole Oudot, ( Bibliotheque
Nationale, NQ 9153).
33. Neil
McKendrick, "Josiah Wedgwood: An Eighteenth-Century Entrepreneur
in Salesmanship and Marketing Techniques," Economic History Review,
2nd ser. Vol. XII (1960), pp. 408-433; Eric Robinson, "Eighteenth-Century
Commerce and Fashion. Matthew Boulton’s Marketing Techniques," Economic
History Review, 2nd ser. XV!, no. 1 (1963), pp. 39-60; McKendrick
et al., Birth of a Consumer Society, pp. 31-2, 93-4, 107-119, 122-7.
34. Gilles
Duval categorises some of the themes of these in the Dicey and Marshall
Catalogue and in Bowles and Carver, "Les themes des images populaires
chez les Dicey," Dix-Huitieme Siecle, Vol. 14 (1982) 263-276.
See also his discussion of the Diceys’ prints in Factotum: Newsletter
of the XVIII century ESTC, No. 40 (December, 1995) pp. 13-18. O’Connell,
The popular print in England, pp. 82-89 discusses "patriotism
and the status quo."
35. Catchpenny
prints. 163 popular engravings from the eighteenth century. Originally
published by Bowles and Carver, (New York, 1970). See also O’Connell,
Popular Print, pp. 176-7 for a list of prints sold at auction at
Leeds in 1716.
36. J.
L. Gaunt, "Popular fiction and the ballad market in the second half
of the seventeenth century", Papers of the Bibliographical Society
of America, Vol 72, (Charlottesville, 1978), pp. 1-13.
37. Tessa
Watt, Cheap print and popular piety 1550-1640, (Cambridge, 1991)
is a pioneering study of an earlier period. O’Connell, The popular
print in England, pp. 68-82.
38. Margaret
Spufford has published extensively on seventeenth-century chapmen. See
her Small books and pleasant histories. Popular fiction and its readership
in seventeenth-century England, (Cambridge, 1985) and The great
reclothing of rural England: petty chapmen and their wares in the seventeenth
century (London, 1984). See also her collected essays, Figures
in the landscape: rural society in England, 1500-1750, (Aldershot,
1999), especially "The Peddlar and the Historian." Michael Harris,
"A few shillings for small books: the experience of a flying stationer
in the 18th Century," in Robin Myers and Michael Harris, eds., Spreading
the word: the distribution networks of print 1550-1850, (Winchester:
St. Paul's Bibliographies,1990), pp. 83-108 is an excellent discussion
of eighteenth-century hawkers and newsmen.
39. Robinson,
"Eighteenth-Century Commerce and Fashion...", p. 59; McKendrick,
"Josiah Wedgwood... pp. 423, 425, 433; McKendrick et al, Birth
of a Consumer Society, pp. 131-2.
40. Richard
Landon, "‘Small Profits Do Great Things’: James Lackington and Eighteenth-Century
Bookselling, Studies in 18th-Century Culture, Vol. 5 (1976) 387-399.
41. Dianne
Dugaw, "The Popular marketing of ‘Old Ballads’: The Ballad revival
and Eighteenth-Century Antiquarianism Reconsidered, " Eighteenth-Century
Studies 21, no. 1 Autumn, 1987 pp. 71-90.
42. McKendrick
et al., Birth of a Consumer Society, pp. 34-94, Robinson, "Eighteenth-Century
Commerce and Fashion," p. 33.
43. A
collection of old ballads: corrected from the best and most ancient copies
extant: with introductions historical, critical or humorous: illustrated
with copper plates, (London, 1871), pp. vii-viii. (Facsimile reprint
of 1723-5 edition.)
44. Duval, "The Diceys revisited,
" pp. 9-11.
45. See
note 2 above.
46. Dugaw,
"Popular marketing of ‘Old Ballads’ ", p. 72; Brewer, Pleasures
of the Imagination, pp. xxi.
47. When
Sawney Beane first made his appearance I am not sure. However, he did
feature in Charles Johnson, A general history of the lives and adventures
of the most famous highwaymen, murderers, street-robbers, & c. ....
(London, 1736). I have not been able to consult S. Hobbs and D. Cornwell,
"Sawney Bean, the Scottish cannibal." Folklore, vol. 108, (London,
1997), pp. 49-54.
48. Brewer,
"Culture as Commodity" in Bermingham and Brewer, Consumption
of Culture, pp. 347-8; Hugh Cunningham, Leisure in the Industrial
Revolution, c.1780-c.1880, (London, 1980). See also J. H. Plumb on
the commercialisation of leisure in eighteen-century England in McKendrick
et al., Birth of a Consumer Society, chapter six.
49. See
a general discussion by Kathleen Wilson on imperialism and identity in
Bermingham and Brewer, Consumption of Culture, pp. 237-262.
50. See
James Craft, The Saphirah in triumph: or, British valour display'd.
Compos'd by James Craft, who lost his arm in the action, (London?,
1745); Madeline Sutherland, Mass culture in the Age of Enlightenment:
the blindman's ballads of eighteenth-century Spain, (New York, 1991).
51. A
good series of these is to be found for Newcastle in the Newcastle Central
Library and for Coventry in the Bodleian Library, Oxford. A York printer,
Thomas Lashley, found it worthwhile to issue a collection "of all the
letters, ballads, advertisements, paragraphs in the news-papers, &c.
that have been published by both parties since the contest about the late
city and county elections first begun. ..." See Lashley's York Miscellany,
(York, 1734).
52. Diana
R. Mackarill, "A History of Bellman's Verses," Journal of the
Printing History Society, no. 26, (1997), pp. 14-32.
53. Karen
F. Beall, Kaufrufe und Strassenhändler: eine Bibliographie,
(Hamburg, 1975) provides a pan-European overview.
54.
Nick Groom, The making of Percy's Reliques (Oxford, 1999) has an
excellent discussion of Percy’s relationship to the Diceys and his treatment
of ballads, although his statement that the Dicey and Marshall Catalogue
included a "staggering 3000 ballads" is confusing since these
were slips and the number of "Old Ballads" was 286. For another
view of Percy and other collectors, see Dave Harker, Fakesong the manufacture
of British "folksong" 1700 to the present day (Milton Keynes, 1985).
55. p.
4. British Library 1140.a.26. ESTC t93206.
56. Spinney
"Cheap Repository Tracts...", p. 303.
57. David
Alexander, Retailing in England during the Industrial Revolution
(London, 1970), pp. 88-109; Carol Shammas, The pre-industrial consumer
in England and America (Oxford, 1990) pp. 224-265; John Benson and
Gareth Shaw, eds., The retailing industry: Perspectives and the early
modern period, (London, 1999), pp. 292-388.
58. W.
W. Hadley, The Bi-centenary Record of the Northampton Mercury,
(Northampton, [1920]), p. 34.
59. Hadley,
Bi-centenary Record, p. 14.
60. C.
Y. Ferdinand, Benjamin Collins and the Provincial Newspaper Trade in
the Eighteenth Century (Oxford, 1997 contains an excellent discussion
of his business, including his distribution strategies. See also the same
author’s "Local distribution networks in 18th-Century England",
in Myers and Harris, eds., Spreading the word.., pp. 131-149, David
Shaw and Sarah Gray, "James Abree (1691?-1768) Canterbury’s First
‘Modern’ Printer", in The Reach of Print, Making, Selling
and Using Print, (Winchester and Delaware, 1988) pp. 21-36.
61. C.f.
Okell, An abstract... (note 10 above); A Short treatise
of the virtues of Dr. Bateman's pectoral drops: the nature of the distemperr
[sic] they cure, and the manner of their operation. Publish'd by the King's
letter patents under the great seal of Great Britain. The seal of each
bottle. To be sold only by James Wallace, in New-York, (J. Peter Zenger,
New-York, [1731]) A cut of the seal, depicting a boar and with the words
"By the King's patent" appears before the words "each bottle" on the title
page. Bristol B856, ESTC w3996; Pennsylvania Gazette, March 17
1737, advertisement by William Shippen, chemist. See also James Harvey
Young, The toadstool millionaires: a social history of patent medicines
in America before federal regulation (Princeton, 1961), pp. 9 -10.
62. For
example, Tales and fables selected by T. Ticklepitcher, from the works
of eminent writers, both ancient and modern; ... Adorned with fifty-nine
pictures, by P. Van Grave, ( London, printed and sold by R. Marshall,
no.4, Aldermary Church Yard, Bow Lane; printer and bookseller to the good
children of Great Britain, Ireland, and the plantations, [1777?]), ESTC
n63820.
63. Timothy
Breen, "An Empire of Goods: the Anglicization of colonial America, 1690-1776,"
Journal of British Studies xxv (October 1986), 467-99; "`Baubles
of Britain': the American and consumer revolutions of the eighteenth century,"
Past and Present, cxix (May 1988), pp. 73-104.
64. Victor
Neuberg, "Chapbooks in America: Reconstructing the Popular Reading of
Early America" in Cathy N. Davidson, ed. Reading in America: Literature
and Social History, (Baltimore and London 1989), p. 85.
65. Autobiography, ed. Max Farrand,
(Berkeley and Los Angeles, 1949), p. 15.
66. Hugh
Amory and David D. Hall, eds., A history of the book in America
, Vol.1: The colonial book in the Atlantic world (New York, 2000),
p. 267.
67. Edwin
Wolf II, The Book Culture of a Colonial American City. Philadelphia
books, bookmen and booksellers (Oxford, 1988), p. 61.
68. Wolf,
Book Culture... p. 68 ; William Strahan’s ledger, British Library,
London, Add MSS 48800.
69. Warren
McDougall, "Scottish books for America," in Myers and Harris,
eds., Spreading the Word..., p. 38.
70. See
above, footnote 17.
71. Neuberg,
"Chapbooks in America... " pp. 91-4; Knox, Henry, A catalogue
of books, imported and to be sold by Henry Knox, at the London Book-Store,
a little southward of the Town-House, in Cornhill, Boston, (Boston,
1773), pp. 39-40.
72. David
D. Hall in Amory and Hall, eds., History of the Book in America,
p.127; Music in Colonial Massachusetts, 1630-1820 Part I: Music in
public places: a conference held by the Colonial Society of Massachusetts
May 17 and 18, 1973 (Boston: Publications of the Colonial Society
of Massachusetts, 1985), vol. 53, p. 162.
73. Ibid.,
p. 163; Franklin, Autobiography, quoted in Amory and Hall, eds.,
History of the Book in America, p. 262.
74. In
The Virgin's advice... See footnote 85, below.
75. In,
for example, Merry Andrew's almanack, or, The entertaining and comical
city and country register; for the year of our Lord, 1762 ... (Philadelphia,
1761?); Neuberg, "Chapbooks in America...,": pp. 87-8. See Charles
Welsh and William Tillinghast, Catalogue of English and American Chap-Books
and Broadside Ballads in Harvard College Library. (Cambridge, Mass.,
1905), passim.
76. Pennsylvania
Gazette, June 21, 1750.
77. Dicey
and Marshall, Catalogue, under "Collections"; ESTC t12264.
78. Melchior,
Journals, quoted in Music in Colonial Massachusetts, 1630-1820,
Part II Music in Homes and Churches, (Boston: Publications of the
Colonial Society of Massachusetts, 1985), vol. 54, p. 771.
79. Arthur
F. Schrader, "Songs to Cultivate the Sensations of Freedom,"
Music in Colonial Massachusetts,Part I, pp. 105-156.
80. W.
C Ford, Massachusetts Broadsides, 1639-1800, Collections of
the Massachusetts Historical Society Vol 75, (Boston, 1922), p. 14.
81. Arthur
Palmer Hudson, "Songs of the North Carolina Regulators", William
and Mary Quarterly, 3rd series (Oct 1947), p. 476; see alsoAmory
and Hall, eds., History of the Book in America, p. 457.
82. Robert
D. Harlan," David Hall’s bookshop and its British sources of supply"
in David Kaser, ed. Books in America’s Past (Charlottesville, 1966),
pp. 9, 20-1.
83. There
is a large literature the trade in European cheap print. See O’Connell
Popular print in England, pp. 210-222 for an excellent introduction.
84. Rosalind
Remer, Printers and men of capital: Philadelphia book publishers in
the New Republic, (Philadelphia, 1996), pp. 16-17.
85. The
Virgin's advice: or The Oxfordshire tragedy. In two parts shewing how
a knight's daughter in Oxford was courted by a gentleman, who after many
vows and promises to marry her, and threatening to kill himself, got her
with child, and afterwards murder'd her. Also how a damask rose-bush grew
over her grave which flourish'd winter and summer, till being touch'd
by him it immediately wither'd; upon which he confess'd the murder, (Printed
and sold by James Franklin at his printing house on Tillinghast's Wharf:
where may be had many other sorts of verses, [Newport, R.I. 1730?,]
Evans 3368, ESTC w6665.
86. Bristol
B1314; ESTC w27977. See the discussion in Music in Colonial Massachusetts,
Part I, pp. 304ff.
87. Isaiah
Thomas, The History of Printing in America. With a biography of printers,
and an account of newspapers, (Worcester, Mass., 1810), vol. I, pp.
294-5.
88. The
information provided by the on-line English Short Title Catalogue
is indispensable.
89. Evans
7446, ESTC w6977. See Music in Colonial Massachusetts, Part
II, p. 771.
90. Thomas
L. Philbrick, "British Authorship of Ballads in the Isaiah Thomas
Collection", Studies in Bibliography, Vol. 9, (Charlottesville,
1957)
91. Not
in Shaw & Shoemaker or W.C. Ford, Broadsides, Not on Readex
Microprints. Printed in Jamieson's Popular Ballads in 1783
and by later editors as Lord Beichan. Some British versions have
"Lord Bateman was a noble Lord."
92. See
the discussion and citations in Music in Colonial Massachusetts,
Part I, pp. 301-4.
93. David
Jafee, "Peddlers of Progress and the Transformation of the Rural
North, 1760-1860", Journal of American History, Vol 78, (September
1991), p. 514.
94. ESTC
t188374.
95. See
Richard Butsch, The Making of American Audiences from Stage to Television,
(Cambridge, Mass., 2000) p. 301 and the sources cited there. Rollo G.
Silver, The American printer, 1787-1825, (Charlottesville, 1967),
pp.11-15 provides some information on printers' wages.
96. See
Richardson L. Wright, Hawkers & Walkers in Early America. Strolling
peddlers, preachers, lawyers, doctors, players, and others, from the beginning
to the Civil War ... (Philadelphia, 1927), William Gilmore, Reading
Becomes a Necessity of Life: Material and Cultural Life in Rural New England,
1780-1830 (University of Tennessee Press, 1989), Jafee, "Peddlers
of Progress...".
97. Amory
and Hall, eds., History of the Book in America, pp. 102, 264.
98. Gilmore,
Reading becomes a Necessity, pp. 176, 192-3.
99. Remer,
Printers and men of capital, pp.130-6.
100.
Amory and Hall, eds. History of the Book in America, p. 482.
101.
Gilmore, Reading becomes a Necessity, p. 212.