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            <title type="main">Far from the madding crowd</title>
            <author>Hardy, Thomas, 1840-1928</author>
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            <idno type="ota">https://hdl.handle.net/20.500.14106/3042</idno>
            <idno type="isbn10">1106000412</idno>
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               <titleStmt>
                  <title>Far from the madding crowd</title>
                  <author>Hardy, Thomas, 1840-1928</author>
                  <editor>Blythe, Ronald, 1922-</editor>
               </titleStmt>
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                  <publisher>Penguin Books</publisher>
                  <pubPlace>Harmondsworth</pubPlace>
                  <date>1978</date>
                  <idno type="isbn">0140431268</idno>
                  <idno type="callNo">Copy consulted for validation: Bodleian Library, H.1298.21</idno>
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                  <note>1st ed. published in 1874</note>
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         <titlePage>
            <docTitle>
               <titlePart type="main">
                  <title type="main">Far from the Madding Crowd</title>
               </titlePart>
            </docTitle>
            <byline>by 
<docAuthor>Thomas Hardy</docAuthor>
            </byline>
         </titlePage>
      </front>
      <body>
         <div n="C1" type="chapter">
            <pb n="51"/>
            <head>DESCRIPTION OF FARMER OAK — AN INCIDENT</head>
            <p>When Farmer Oak smiled, the corners of his mouth 
spread till they were within an unimportant distance of 
his ears, his eyes were reduced to chinks, and diverging 
wrinkles appeared round them, extending upon his 
countenance like the rays in a rudimentary sketch of 
the rising sun. 
</p>
            <p>His Christian name was Gabriel, and on working 
days he was a young man of sound judgement, easy 
motions, proper dress, and general good character. On 
Sundays he was a man of misty views, rather given to 
postponing, and hampered by his best clothes and 
umbrella: upon the whole, one who felt himself to 
occupy morally that vast middle space of Laodicean 
neutrality which lay between the Communion people 
of the parish and the drunken section, — that is, he went 
to church, but yawned privately by the time the congegation 
reached the Nicene creed, and thought of 
what there would be for dinner when he meant to be 
listening to the sermon. Or, to state his character as 
it stood in the scale of public opinion, when his friends 
and critics were in tantrums, he was considered rather a 
bad man; when they were pleased, he was rather a good 
man; when they were neither, he was a man whose 
moral colour was a kind of pepper-and-salt mixture. 
</p>
            <p>Since he lived six times as many working-days as 
Sundays, Oak's appearance in his old clothes was most 
peculiarly his own — the mental picture formed by his 
neighbours in imagining him being always dressed in 
that way. He wore a low-crowned felt hat, spread out 
at the base by tight jamming upon the head for security 
in high winds, and a coat like Dr Johnson's; his lower 
extremities being encased in ordinary leather leggings 
and boots emphatically large, affording to each foot a 
roomy apartment so constructed that any wearer might 
stand in a river all day long and know nothing of <pb n="52"/>
damp — their maker being a conscientious man who 
endeavoured to compensate for any weakness in his cut 
by unstinted dimension and solidity. 
</p>
            <p>Mr Oak carried about him, by way of watch, 
what may be called a small silver clock; in other 
words, it was a watch as to shape and intention, and 
a small clock as to size. This instrument being several 
years older than Oak's grandfather, had the peculiarity 
of going either too fast or not at all. The smaller 
of its hands, too, occasionally slipped round on the 
pivot, and thus, though the minutes were told with 
precision, nobody could be quite certain of the hour 
they belonged to. The stopping peculiarity of his 
watch Oak remedied by thumps and shakes, and he 
escaped any evil consequences from the other two 
defects by constant comparisons with and observations 
of the sun and stars, and by pressing his face close 
to the glass of his neighbours' windows, till he could 
discern the hour marked by the green-faced timekeepers 
within. It may be mentioned that Oak's fob being 
difficult of access, by reason of its somewhat high 
situation in the waistband of his trousers (which also 
lay at a remote height under his waistcoat), the watch 
was as a necessity pulled out by throwing the body to 
one side, compressing the mouth and face to a mere 
mass of ruddy flesh on account of the exertion, and 
drawing up the watch by its chain, like a bucket from a 
well. 
</p>
            <p>But some thoughtful persons, who had seen him 
walking across one of his fields on a certain December 
morning — sunny and exceedingly mild — might have 
regarded Gabriel Oak in other aspects than these. In 
his face one might notice that many of the hues and 
curves of youth had tarried on to manhood: there even 
remained in his remoter crannies some relics of the boy. 
His height and breadth would have been sufficient to 
make his presence imposing, had they been exhibited 
with due consideration. But there is a way some men 
have, rural and urban alike, for which the mind is more 
responsible than flesh and sinew: it is a way of curtailing 
their dimensions by their manner of showing them. 
And from a quiet modesty that would have become a 
vestal which seemed continually to impress upon him 
that he had no great claim on the world's <pb n="53"/>
room.  Oak 
walked unassumingly and with a faintly perceptible 
bend, yet distinct from a bowing of the shoulders. 
This may be said to be a defect in an individual if he 
depends for his valuation more upon his appearance 
than upon his capacity to wear well, which Oak did not. 
</p>
            <p>He had just reached the time of life at which ‘young’ 
is ceasing to be the prefix of ‘man’ in speaking of one. 
He was at the brightest period of masculine growth, 
for his intellect and his emotions were clearly separated: 
he had passed the time during which the influence of 
youth indiscriminately mingles them in the character 
of impulse, and he had not yet arrived at the stage 
wherein they become united again, in the character of 
prejudice, by the influence of a wife and family. In 
short, he was twenty-eight, and a bachelor. 
</p>
            <p>The field he was in this morning sloped to a 
ridge called Norcombe Hill. Through a spur of this 
hill ran the highway between Emminster and Chalk-Newton. 
Casually glancing over the hedge, Oak saw 
coming down the incline before him an ornamental 
spring waggon, painted yellow and gaily marked, 
drawn by two horses, a waggoner walking alongside 
bearing a whip perpendicularly. The waggon was 
laden with household goods and window plants, and 
on the apex of the whole sat a woman, young and 
attractive. Gabriel had not beheld the sight for more 
than half a minute, when the vehicle was brought to a 
standstill just beneath his eyes. 
</p>
            <p>‘The tailboard of the waggon is gone, Miss,’ said the 
waggoner. 
</p>
            <p>‘Then I heard it fall,’ said the girl, in a soft, though 
not particularly low voice. ‘I heard a noise I could 
not account for when we were coming up the hill.’ 
</p>
            <p>‘I'll run back.’ 
</p>
            <p>‘Do,’ she answered. 
</p>
            <p>The sensible horses stood perfectly still, and the 
waggoner's steps sank fainter and fainter in the distance. 
</p>
            <p>The girl on the summit of the load sat motionless, 
surrounded by tables and chairs with their legs upwards, 
backed by an oak settle, and ornamented in front by 
pots of geraniums, myrtles, and cactuses, together with 
a caged canary — <pb n="54"/>
all probably from the windows of the 
house just vacated. There was also a cat in a willow 
basket, from the partly-opened lid of which she gazed 
with half-closed eyes, and affectionately-surveyed the 
small birds around. 
</p>
            <p>The handsome girl waited for some time idly in her 
place, and the only sound heard in the stillness was the 
hopping of the canary up and down the perches of its 
prison. Then she looked attentively downwards. It 
was not at the bird, nor at the cat; it was at an oblong 
package tied in paper, and lying between them. She 
turned her head to learn if the waggoner were coming. 
He was not yet in sight; and her eyes crept back to 
the package, her thoughts seeming to run 'upon what 
was inside it. At length she drew the article into her 
lap, and untied the paper covering; a small swing 
looking-glass was disclosed, in which she proceeded to 
survey herself attentively. She parted her lips and 
smiled. 
</p>
            <p>It was a fine morning, and the sun lighted up to a 
scarlet glow the crimson jacket she wore, and painted 
a soft lustre upon her bright face and dark hair. The 
myrtles, geraniums, and cactuses packed around her 
were fresh and green, and at such a leafless season they 
invested the whole concern of horses, waggon, furniture, 
and girl with a peculiar vernal charm. What possessed 
her to indulge in such a performance in the sight of the 
sparrows, blackbirds, and unperceived farmer who were 
alone its spectators, — whether the smile began as a 
factitious one, to test her capacity in that art, — nobody 
knows; it ended certainly in a real smile. She blushed 
at herself, and seeing her reflection blush, blushed the 
more. 
</p>
            <p>The change from the customary spot and necessary 
occasion of such an act — from the dressing hour in a 
bedroom to a time of travelling out of doors — lent to 
the idle deed a novelty it did not intrinsically possess. 
The picture was a delicate one. Woman's prescriptive 
infirmity had stalked into the sunlight, which had 
clothed it in the freshness of an originality. A 
cynical inference was irresistible by Gabriel Oak as he 
regarded the scene, generous though he fain would have 
been. There was no necessity whatever for her looking
in the glass. She did not adjust her hat, or pat her 
hair, or press a dimple into <pb n="55"/>
shape, or do one thing to 
signify that any such intention had been her motive in 
taking up the glass. She simply observed herself as a 
fair product of Nature in the feminine kind, her thoughts 
seeming to glide into far-off though likely dramas in 
which men would play a part — vistas of probable 
triumphs — the smiles being of a phase suggesting that 
hearts were imagined as lost and won. Still, this was 
but conjecture, and the whole series of actions was so 
idly put forth as to make it rash to assert that intention 
had any part in them at all. 
</p>
            <p>The waggoner's steps were heard returning. She 
put the glass in the paper, and the whole again into its 
place. 
</p>
            <p>When the waggon had passed on, Gabriel withdrew 
from his point of espial, and descending into the road, 
followed the vehicle to the turnpike-gate some way 
beyond the bottom of the hill, where the object of his 
contemplation now halted for the payment of toll. About 
twenty steps still remained between him and the gate, 
when he heard a dispute. lt was a difference concerning 
twopence between the persons with the waggon 
and the man at the toll-bar. 
</p>
            <p>‘Mis'ess's niece is upon the top of the things, and 
she says that's enough that I've offered ye, you great 
miser, and she won't pay any more.’ These were the 
waggoner's words. 
</p>
            <p>‘Very well; then mis'ess's niece can't pass,’ said the 
turnpike-keeper, closing the gate. 
</p>
            <p>Oak looked from one to the other of the disputants, 
and fell into a reverie. There was something in the 
tone of twopence remarkably insignificant. Threepence 
had a definite value as money — it was an appreciable 
infringement on a day's wages, and, as such, a higgling 
matter; but twopence —  ‘Here,’ he said, stepping 
forward and handing twopence to the gatekeeper; ‘let 
the young woman pass.’ He looked up at her then; 
she heard his words, and looked down. 
</p>
            <p>Gabriel's features adhered throughout their form so 
exactly to the middle line between the beauty of St 
John and the ugliness of Judas Iscariot, as represented 
in a window of the church he attended, that not a single 
lineament could be selected and called worthy either of 
distinction or notoriety. The redjacketed and dark-haired maiden 
seemed to think so <pb n="56"/>
too, for she carelessly 
glanced over him, and told her man to drive on. She 
might have looked her thanks to Gabriel on a minute 
scale, but she did not speak them; more probably she 
felt none, for in gaining her a passage he had lost her 
her point, and we know how women take a favour of 
that kind. 
</p>
            <p>The gatekeeper surveyed the retreating vehicle. 
‘That's a handsome maid’ he said to Oak 
</p>
            <p>‘But she has her faults,’ said Gabriel. 
</p>
            <p>‘True, farmer.’ 
</p>
            <p>‘And the greatest of them is — well, what it is 
always.’ 
</p>
            <p>‘Beating people down? ay, 'tis so.’ 
</p>
            <p>‘O no.’ 
</p>
            <p>‘What, then?’ 
</p>
            <p>Gabriel, perhaps a little piqued by the comely 
traveller's indifference, glanced back to where he had 
witnessed her performance over the hedge, and said, 
‘Vanity.’ 
</p>
         </div>
         <div n="C2" type="chapter">
            <pb n="57"/>
            <head>NIGHT — THE FLOCK — AN INTERIOR — ANOTHER INTERIOR</head>
            <p>IT was nearly midnight on the eve of St. Thomas's, the 
shortest day in the year. A desolating wind wandered 
from the north over the hill whereon Oak had watched 
the yellow waggon and its occupant in the sunshine of 
a few days earlier. 
</p>
            <p>Norcombe Hill — not far from lonely Toller-Down 
— was one of the spots which suggest to a passer-by 
that he is in the presence of a shape approaching the 
indestructible as nearly as any to be found on earth. 
It was a featureless convexity of chalk and soil — an 
ordinary specimen of those smoothly-outlined protuberances 
of the globe which may remain undisturbed on 
some great day of confusion, when far grander heights 
and dizzy granite precipices topple down. 
</p>
            <p>The hill was covered on its northern side by an 
ancient and decaying plantation of beeches, whose 
upper verge formed a line over the crest, fringing its 
arched curve against the sky, like a mane. To-night 
these trees sheltered the southern slope from the keenest 
blasts, which smote the wood and floundered through 
it with a sound as of grumbling, or gushed over its 
crowning boughs in a weakened moan. The dry leaves 
in the ditch simmered and boiled in the same breezes, 
a tongue of air occasionally ferreting out a few, and 
sending them spinning across the grass. A group or 
two of the latest in date amongst the dead multitude 
had remained till this very mid-winter time on the twigs 
which bore them and in falling rattled against the trunks 
with smart taps. 
</p>
            <p>Between this half-wooded, half-naked hill, and the 
vague still horizon that its summit indistinctly commanded, 
was a mysterious sheet of fathomless shade 
— the sounds from which suggested that what it concealed 
bore some reduced resemblance to features here. 
The thin grasses, more or less <pb n="58"/>
coating the hill, were 
touched by the wind in breezes of differing powers, and 
almost of differing natures — one rubbing the blades 
heavily, another raking them piercingly, another brushing 
them like a soft broom. The instinctive act of human-kind 
was to stand and listen, and learn how the trees 
on the right and the trees on the left wailed or chaunted 
to each other in the regular antiphonies of a cathedral 
choir; how hedges and other shapes to leeward them 
caught the note, lowering it to the tenderest sob; and 
how the hurrying gust then plunged into the south, to 
be heard no more. 
</p>
            <p>The sky was clear — remarkably clear — and the 
twinkling of all the stars seemed to be but throbs of 
one body, timed by a common pulse. The North Star 
was directly in the wind's eye, and since evening the 
Bear had swung round it outwardly to the east, till he 
was now at a right angle with the meridian. A 
difference of colour in the stars — oftener read of than 
seen in England — was really perceptible here. The 
sovereign brilliancy of Sirius pierced the eye with a steely 
glitter, the star called Capella was yellow, Aldebaran and 
Betelgueux shone with a fiery red. 
</p>
            <p>To persons standing alone on a hill during a clear 
midnight such as this, the roll of the world eastward is 
almost a palpable movement. The sensation may be 
caused by the panoramic glide of the stars past earthly 
objects, which is perceptible in a few minutes of stillness, 
or by the better outlook upon space that a hill 
affords, or by the wind, or by the solitude; but whatever 
be its origin, the impression of riding along is vivid and 
abiding. The poetry of motion is a phrase much in 
use, and to enjoy the epic form of that gratification it 
is necessary to stand on a hill at a small hour of the 
night, and, having first expanded with a sense of difference 
from the mass of civilized mankind, who are 
dreamwrapt and disregardful of all such proceedings at 
this time, long and quietly watch your stately progress 
through the stars. After such a nocturnal reconnoitre 
it is hard to get back to earth, and to believe that the 
consciousness of such majestic speeding is derived from 
a tiny human frame. 
</p>
            <p>Suddenly an unexpected series of sounds began to 
be heard <pb n="59"/>
in this place up against the sky. They had a 
clearness which was to be found nowhere in the wind, 
and a sequence which was to be found nowhere in 
nature. They were the notes of Farmer Oak's flute. 
</p>
            <p>The tune was not floating unhindered into the open 
air: it seemed muffled in some way, and was altogether 
too curtailed in power to spread high or wide. It came 
from the direction of a small dark object under the 
plantation hedge — a shepherd's hut — now presenting 
an outline to which an uninitiated person might have 
been puzzled to attach either meaning or use. 
</p>
            <p>The image as a whole was that of a small Noah's 
Ark on a small Ararat, allowing the traditionary outlines 
and general form of the Ark which are followed by toy-makers 
— and by these means are established in men's 
imaginations among their firmest, because earliest impressions 
— to pass as an approximate pattern. The 
hut stood on little wheels, which raised its floor about a 
foot from the ground. Such shepherds' huts are dragged 
into the fields when the lambing season comes on, to 
shelter the shepherd in his enforced nightly attendance. 
</p>
            <p>It was only latterly that people had begun to call 
Gabriel ‘Farmer’ Oak. During the twelvemonth preceding 
this time he had been enabled by sustained 
efforts of industry and chronic good spirits to lease the 
small sheep farm of which Norcombe Hill was a portion, 
and stock it with two hundred sheep. Previously he 
had been a bailiff for a short time, and earlier still a 
shepherd only, having from his childhood assisted his 
father in tending the floeks of large proprietors, till old 
Gabriel sank to rest. 
</p>
            <p>This venture, unaided and alone, into the paths of 
farming as master and not as man, with an advance of 
sheep not yet paid for, was a critical juncture with 
Gabriel Oak, and he recognised his position clearly. 
The first movement in his new progress was the lambing 
of his ewes, and sheep having been his speciality from 
his youth, he wisely refrained from deputing the task 
of tending them at this season to a hireling or a novice. 
</p>
            <p>The wind continued to beat about the corners of the 
hut, but the flute-playing ceased. A rectangular space 
of light <pb n="60"/>
appeared in the side of the hut, and in the 
opening the outline of Farmer Oak's figure. He carried 
a lantern in his hand, and closing the door behind him, 
came forward and busied himself about this nook of the 
field for nearly twenty minutes, the lantern light appearing 
and disappearing here and there, and brightening 
him or darkening him as he stood before or behind it. 
</p>
            <p>Oak's motions, though they had a quiet-energy, were 
slow, and their deliberateness accorded well with his 
occupation. Fitness being the basis of beauty, nobody 
could have denied that his steady swings and turns 
in and about the flock had elements of grace, Yet, 
although if occasion demanded he could do or think a 
thing with as mercurial a dash as can the men of towns 
who are more to the manner born, his special power, 
morally, physically, and mentally, was static, owing 
little or nothing to momentum as a rule. 
</p>
            <p>A close examination of the ground hereabout, even 
by the wan starlight only, revealed how a portion of 
what would have been casually called a wild slope had 
been appropriated by Farmer Oak for his great purpose 
this winter. Detached hurdles thatched with straw 
were stuck into the ground at various scattered points, 
amid and under which the whitish forms of his meek 
ewes moved and rustled. The ring of the sheep-bell, 
which had been silent during his absence, recommenced, 
in tones that had more mellowness than clearness, owing 
to an increasing growth of surrounding wool. This 
continued till Oak withdrew again from the flock. He 
— returned to the hut, bringing in his arms a new-born 
lamb, consisting of four legs large enough for a full-grown 
sheep, united by a seemingly inconsiderable membrane 
about half the substance of the legs collectively, 
which constituted the animal's entire body just at present. 
</p>
            <p>The little speck of life he placed on a wisp of hay 
before the small stove, where a can of milk was simmering. 
Oak extinguished the lantern by blowing into it 
and then pinching the snuff, the cot being lighted 
by a candle suspended by a twisted wire. A rather 
hard couch, formed of a few corn sacks thrown carelessly 
down, covered half the floor of this little <pb n="61"/>
habitation, and 
here the young man stretched himself along, loosened 
his woollen cravat, and closed his eyes. In about the 
time a person unaccustomed to bodily labour would have 
decided upon which side to lie, Farmer Oak was asleep. 
</p>
            <p>The inside of the hut, as it now presented itself, was 
cosy and alluring, and the scarlet handful of fire in 
addition to the candle, reflecting its own genial colour 
upon whatever it could reach, flung associations of 
enjoyment even over utensils and tools. In the corner 
stood the sheep-crook, and along a shelf at one side 
were ranged bottles and canisters of the simple preparations 
pertaining to ovine surgery and physic; spirits of 
wine, turpentine, tar, magnesia, ginger, and castor-oil 
being the chief. On a triangular shelf across the corner 
stood bread, bacon, cheese, and a cup for ale or cider, 
which was supplied from a flagon beneath. Beside the 
provisions lay the flute, whose notes had lately been 
called forth by the lonely watcher to beguile a tedious 
hour. The house was ventilated by two round holes, 
like the lights of a ship's cabin, with wood slides. 
</p>
            <p>The lamb, revived by the warmth, began to bleat, 
and the sound entered Gabriel's ears and brain with an 
instant meaning, as expected sounds will. Passing 
from the profoundest sleep to the most alert wakefulness 
with the same ease that had accompanied the reverse 
operation, he looked at his watch, found that the hour-hand 
had shifted again, put on his hat, took the lamb 
in his arms, and carried it into the darkness. After 
placing the little creature with its mother, he stood and 
carefully examined the sky, to ascertain the time of 
night from the altitude of the stars. 
</p>
            <p>The Dog-star and Aldebaran, pointing to the restless 
Pleiades, were half-way up the Southern sky, and between 
them hung Orion, which gorgeous constellation never 
burnt more vividly than now, as it soared forth above 
the rim of the landscape. Castor and Pollux with 
their quiet shine were almost on the meridian:  the barren 
and gloomy Square of Pegasus was creeping round to 
the north-west; far away through the plantation Vega 
and Cassiopeia's chair stood daintily poised on the 
uppermost boughs. <pb n="62"/>
            </p>
            <p>‘One o'clock,’ said Gabriel. 
</p>
            <p>Being a man not without a frequent consciousness 
that there was some charm in this life he led, he stood 
still after looking at the sky as a useful instrument, and 
regarded it in an appreciative spirit, as a work of art 
superlatively beautiful. For a moment he seemed 
impressed with the speaking loneliness of the scene, or 
rather with the complete abstraction from all its compass 
of the sights and sounds of man. Human shapes,interferences, 
troubles, and joys were all as if they were not, and there 
seemed to be on the shaded hemisphere of the globe no sentient 
being 
save himself; he could fancy them all gone round to the sunny 
side. 
</p>
            <p>Occupied thus, with eyes stretched afar, Oak gradually perceived 
that what he had previously taken to be a star low 
down behind the outskirts of the plantation was in reality no 
such thing. It was an artificial light, almost close at hand. 
</p>
            <p>To find themselves utterly alone at night where company 
is desirable and expected makes some people fearful; but a 
case more trying by far to the nerves is to discover some 
mysterious companionship when intuition, sensation, memory, 
analogy, testimony, probability, induction — every kind of 
evidence in the logician's list — have united to persuade consciousness 
that it is quite in isolation. 
</p>
            <p>Farmer Oak went towards the plantation and pushed 
through its lower boughs to the windy side. A dim mass under 
the slope reminded him that a shed occupied a place here, 
the site being a cutting into the slope of the hill, so that at 
its back part the roof was almost level with the ground. In 
front it was formed of board nailed to posts and covered with 
tar as a preservative. Through crevices in the roof and side 
spread streaks and spots of light, a combination of which made 
the radiance that had attracted him. Oak stepped up behind, 
where,leaning down upon the roof and putting his eye close 
to a hole, he could see into the interior clearly. 
</p>
            <p>The place contained two women and two cows. By the side 
of the latter a steaming bran-mash stood in a bucket. One 
of the women was past middle age. Her companion was apparently 
young and graceful; he could form no decided opinion <pb n="63"/>
upon her looks, her position being almost beneath his eye, so 
that he saw her in a bird's-eye view, as Milton's Satan first saw 
Paradise. She wore no bonnet or hat, but had enveloped herself 
in a large cloak, which was carelessly flung over her head 
as a covering. 
</p>
            <p>‘There, now we'll go home,’ said the elder of the two, resting 
her knuckles upon her hips, and looking at their goings-on as 
a whole. ‘I do hope Daisy will fetch round again now. I have 
never been more frightened in my life, but I don't mind breaking 
my rest if she recovers.’ 
</p>
            <p>The young woman, whose eyelids were apparently inclined 
to fall together on the smallest provocation of silence, yawned 
in sympathy. 
</p>
            <p>‘I wish we were rich enough to pay a man to do these 
things,’ she said. 
</p>
            <p>‘As we are not, we must do them ourselves,’ said the other; 
‘for you must help me if you stay.’ 
</p>
            <p>‘Well, my hat is gone, however,’ continued the younger. ‘It 
went over the hedge, I think. The idea of such a slight wind 
catching it.’ 
</p>
            <p>The cow standing erect was of the Devon breed, and was 
encased in a tight warm hide of rich Indian red, as absolutely 
uniform from eyes to tail as if the animal had been dipped in 
a dye of that colour, her long back being mathematically level. 
The other was spotted, grey and white. Beside her Oak now 
noticed a little calf about a day old, looking idiotically at 
the two women, which showed that it had not long been 
accustomed to the phenomenon of eyesight, and often turning 
to the lantern, which it apparently mistook for the moon, 
inherited instinct having as yet had little time for correction 
by experience. Between the sheep and the cows Lucina had 
been busy on Norcombe hill lately. 
</p>
            <p>‘I think we had better send for some oatmeal,’ said the 
elder woman: ‘there's no more bran.’ 
</p>
            <p>‘Yes, aunt; and I'll ride over for it as soon as it is 
light.’ 
</p>
            <p>‘But there's no side-saddle.’ <pb n="64"/>
            </p>
            <p>‘I can ride on the other: trust me.’ 
</p>
            <p>Oak, upon hearing these remarks, became more 
curious to observe her features, but this prospect being 
denied him by the hooding efect of the cloak, and by his 
aerial position, he felt himself drawing upon his fancy 
for their details. In making even horizontal and clear 
inspections we colour and mould according to the wants 
within us whatever our eyes bring in. Had Gabriel 
been able from the first to get a distinct view of her 
countenance, his estimate of it as very handsome or 
slightly so would have been as his soul required a 
divinity at the moment or was ready supplied with one. 
Having for some time known the want of a satisfactory 
form to fill an increasing void within him, his position 
moreover affording the widest scope for his fancy, he 
painted her a beauty. 
</p>
            <p>By one of those whimsical coincidences in which 
Nature, like a busy mother, seems to spare a moment 
from her unremitting labours to turn and make her 
children smile, the girl now dropped the cloak, and 
forth tumbled ropes of black hair over a red jacket. 
Oak knew her instantly as the heroine of the yellow 
waggon, myrtles, and looking-glass: prosily, as the 
woman who owed him twopence. 
</p>
            <p>They placed the calf beside its mother again, took 
up the lantern, and went out, the light sinking down 
the hill till it was no more than a nebula. Gabriel 
Oak returned to his flock. 
</p>
         </div>
         <div n="C3" type="chapter">
            <pb n="65"/>
            <head>A GIRL ON HORSEBACK — CONVERSATION</head>
            <p>THE sluggish day began to break. Even its position 
terrestrially is one of the elements of a new interest, 
and for no particular reason save that the incident of 
the night had occurred there Oak went again into 
the plantation. Lingering and musing here he heard 
the steps of a horse at the foot of the hill, and soon 
there appeared in view an auburn pony with a girl on 
its back, ascending by the path leading past the cattleshed. 
She was the young woman of the night before. 
Gabriel instantly thought of the hat she had mentioned 
as having lost in the wind; possibly she had come to 
look for it. He hastily scanned the ditch and after 
walking about ten yards along it found the hat among the 
leaves. Gabriel took it in his hand and returned to his 
hut. Here he ensconced himself, and peeped through 
the loophole in the direction of the rider's approach. 
</p>
            <p>She came up and looked around — then on the other 
side of the hedge. Gabriel was about to advance and 
restore the missing article when an unexpected performance 
induced him to suspend the action for the 
present. The path, after passing the cowshed, bisected 
the plantation. It was not a bridle-path — merely a 
pedestrian's track, and the boughs spread horizontally 
at a height not greater than seven feet above the ground, 
which made it impossible to ride erect beneath them. 
The girl, who wore no riding-habit, looked around for 
a moment, as if to assure herself that all humanity was 
out of view, then dexterously dropped backwards flat 
upon the pony's back, her head over its tail, her feet 
against its shoulders, and her eyes to the sky. The 
rapidity of her glide into this position was that of a 
kingfisher — its noiselessness that of a hawk. Gabriel's 
eyes had scarcely been able to follow her. The tall lank 
pony seemed used to such doings, and ambled <pb n="66"/>
along unconcerned. Thus she passed under the level boughs. 
</p>
            <p>The performer seemed quite at home anywhere 
between a horse's head and its tail, and the necessity 
for this abnormal attitude having ceased with the 
passage of the plantation, she began to adopt another, 
even more obviously convenient than the first. She had 
no side-saddle, and it was very apparent that a firm 
seat upon the smooth leather beneath her was unattainable 
sideways. Springing to her accustomed 
perpendicular like a bowed sapling, and satisfying her, 
self that nobody was in sight, she seated herself in the 
manner demanded by the saddle, though hardly expected 
of the woman, and trotted off in the direction of Tewnell 
Mill. 
</p>
            <p>Oak was amused, perhaps a little astonished, and 
hanging up the hat in his hut, went again among his 
ewes. An hour passed, the girl returned, properly 
seated now, with a bag of bran in front of her. On 
nearing the cattle-shed she was met by a boy bringing 
a milking-pail, who held the reins of the pony whilst 
she slid off. The boy led away the horse, leaving the 
pail with the young woman. 
</p>
            <p>Soon soft spirts alternating with loud spirts came 
in regular succession from within the shed, the obvious 
sounds of a person milking a cow. Gabriel took the 
lost hat in his hand, and waited beside the path she 
would follow in leaving the hill. 
</p>
            <p>She came, the pail in one hand, hanging against her 
knee. The left arm was extended as a balance, enough 
of it being shown bare to make Oak wish that the event 
ha happened in the summer, when the whole would 
have been revealed. There was a bright air and manner 
about her now, by which she seemed to imply that the 
desirability of her existence could not be questioned; 
and this rather saucy assumption failed in being offensive, 
because a beholder felt it to be, upon the whole, true. 
Like exceptional emphasis in the tone of a genius, that 
which would have made mediocrity ridiculous was an 
addition to recognised power. It was with some 
surprise that she saw Gabriel's face rising like the 
moon behind the hedge. 
</p>
            <p>The adjustment of the farmer's hazy conceptions of 
her <pb n="67"/>
charms to the portrait of herself she now presented 
him with was less a diminuition than a difference. The 
starting-point selected by the judgement was her height 
She seemed tall, but the pail was a small one, and the 
hedge diminutive; hence, making allowance for error 
by comparison with these, she could have been not 
above the height to be chosen by women as best. All 
features of consequence were severe and regular. It 
may have been observed by persons who go about the 
shires with eyes for beauty, that in Englishwoman a 
classically-formed face is seldom found to be united 
with a figure of the same pattern, the highly-finished 
features being generally too large for the remainder of 
the frame; that a graceful and proportionate figure of 
eight heads usually goes off into random facial curves. 
Without throwing a Nymphean tissue over a milkmaid, 
let it be said that here criticism checked itself as out 
of place, and looked at her proportions with a long 
consciousness of pleasure. From the contours of her 
figure in its upper part, she must have had a beautiful 
neck and shoulders; but since her infancy nobody had 
ever seen them. Had she been put into a low dress 
she would have run and thrust her head into a bush. 
Yet she was not a shy girl by any means; it was merely 
her instinct to draw the line dividing the seen from the 
unseen higher than they do it in towns. 
</p>
            <p>That the girl's thoughts hovered about her face 
and form as soon as she caught Oak's eyes conning the 
same page was natural, and almost certain. The self-consciousness 
shown would have been vanity if a little 
more pronounced, dignity if a little less. Rays of male 
vision seem to have a tickling effect upon virgin faces 
in rural districts; she brushed hers with her hand, as if 
Gabriel had been irritating its pink surface by actual 
touch, and the free air of her previous movements was 
reduced at the same time to a chastened phase of 
itself. Yet it was the man who blushed, the maid not 
at all. 
</p>
            <p>‘I found a hat,’ said Oak. 
</p>
            <p>‘It is mine,’ said she, and, from a sense of proportion, 
kept down to a small smile an inclination to laugh distinctly: 
‘it flew away last night.’ 
</p>
            <p>‘One o'clock this morning?’ <pb n="68"/>
            </p>
            <p>‘Well — it was.’ She was surprised. ‘How did you 
know?’ she said. 
</p>
            <p>‘I was here.’ 
</p>
            <p>‘You are Farmer Oak, are you not?’ 
</p>
            <p>‘That or thereabouts. I'm lately come to this place.’ 
</p>
            <p>‘A large farm?’ she inquired, casting her eyes round, 
and swinging back her hair, which was black in the 
shaded hollows of its mass; but it being now an hour 
past sunrise, the rays touched its prominent curves with 
a colour of their own. 
</p>
            <p>‘No; not large. About a hundred.’ (In speaking 
of farms the word ‘acres’ is omitted by the natives, by 
analogy to such old expressions as ‘a stag of ten.’) 
</p>
            <p>‘I wanted my hat this morning,’ she went on. 
‘I had to ride to Tewnell Mill.’ 
</p>
            <p>‘Yes you had.’ 
</p>
            <p>‘How do you know?’ 
</p>
            <p>‘I saw you.’ 
</p>
            <p>‘Where?’ she inquired, a misgiving bringing every 
muscle of her lineaments and frame to a standstill. 
</p>
            <p>‘Here — going through the plantation, and all down 
the hill,’ said Farmer Oak, with an aspect excessively 
knowing with regard to some matter in his mind, as he 
gazed at a remote point in the direction named, and then 
turned back to meet his colloquist's eyes. 
</p>
            <p>A perception caused him to withdraw his own eyes 
from hers as suddenly as if he had been caught in a 
theft. Recollection of the strange antics she had 
indulged in when passing through the trees, was succeeded 
in the girl by a nettled palpitation, and that by 
a hot face. It was a time to see a woman redden who 
was not given to reddening as a rule; not a point in 
the milkmaid but was of the deepest rose-colour. From 
the Maiden's Blush, through all varieties of the Provence 
down to the Crimson Tuscany, the countenance of Oak's 
acquaintance quickly graduated; whereupon he, in considerateness, 
turned away his head. 
</p>
            <p>The sympathetic man still looked the other way, and 
wondered when she would recover coolness sufficient to 
justify him in facing her again. He heard what seemed 
to be the flitting of a <pb n="69"/>
dead leaf upon the breeze, and looked. She had gone away. 
</p>
            <p>With an air between that of Tragedy and Comedy! 
Gabriel returned to his work. 
</p>
            <p>Five mornings and evenings passed. The young 
woman came regularly to milk the healthy cow or to 
attend to the sick one, but never allowed her vision to 
stray in the direction of Oak's person. His want of 
tact had deeply offended her — not by seeing what he 
could not help, but by letting her know that he had 
seen it. For, as without law there is no sin, without 
eyes there is no indecorum; and she appeared to feel 
that Gabriel's espial had made her an indecorous woman 
without her own connivance. It was food for great regret 
with him; it was also a <foreign xml:lang="fre">contretemps</foreign> which touched into 
life a latent heat he had experienced in that direction. 
</p>
            <p>The acquaintanceship might, however, have ended in 
a slow forgetting, but for an incident which occurred at 
the end of the same week. One afternoon it began to 
freeze, and the frost increased with evening, which drew 
on like a stealthy tightening of bonds. It was a time 
when in cottages the breath of the sleepers freezes to 
the sheets; when round the drawing-room fire of a 
thick-walled mansion the sitters' backs are cold, even 
whilst their faces are all aglow. Many a small bird went 
to bed supperless that night among the bare boughs. 
</p>
            <p>As the milking-hour drew near, Oak kept his usual 
watch upon the cowshed. At last he felt cold, and 
shaking an extra quantity of bedding round the yeaning 
ewes he entered the hut and heaped more fuel upon 
the stove. The wind came in at the bottom of the door, 
and to prevent it Oak laid a sack there and wheeled the 
cot round a little more to the south. Then the wind 
spouted in at a ventilating hole — of which there was one 
on each side of the hut. 
</p>
            <p>Gabriel had always known that when the fire was 
lighted and the door closed one of these must be kept 
open — that chosen being always on the side away from 
the wind. Closing the slide to windward, he turned to 
open the other; on second thoughts the farmer considered 
that he would first sit down leaving both 
closed for a minute or two, till the temperature of the 
hut was a little raised. He sat down. <pb n="70"/>
            </p>
            <p>His head began to ache in an unwonted manner, and, 
fancying himself weary by reason of the broken rests of 
the preceding nights, Oak decided to get up, open the 
slide, and then allow himself to fall asleep. He fell 
asleep, however, without having performed the necessary 
preliminary. 
</p>
            <p>How long he remained unconscious Gabriel never 
knew. During the first stages of his return to perception 
peculiar deeds seemed to be in course of enactment. 
His dog was howling, his head was aching fearfully — 
somebody was pulling him about, hands were loosening 
his neckerchief. 
</p>
            <p>On opening his eyes he found that evening had sunk 
to dusk in a strange manner of unexpectedness. The 
young girl with the remarkably pleasant lips and white 
teeth was beside him. More than this — astonishingly 
more — his head was upon her lap, his face and neck 
were disagreeably wet, and her fingers were unbuttoning 
his collar. 
</p>
            <p>‘Whatever is the matter?’ said Oak, vacantly. 
</p>
            <p>She seemed to experience mirth, but of too insignificant 
a kind to start enjoyment. 
</p>
            <p>‘Nothing now’, she answered, ‘since you are not 
dead. It is a wonder you were not suffocated in this 
hut of yours.’ 
</p>
            <p>‘Ah, the hut!’ murmured Gabriel. ‘I gave ten 
pounds for that hut. But I'll sell it, and sit under 
thatched hurdles as they did in old times, curl up 
to sleep in a lock of straw! It played me nearly the 
same trick the other day!’ Gabriel, by way of emphasis, 
brought down his fist upon the floor. 
</p>
            <p>‘It was not exactly the fault of the hut,’ she observed 
in a tone which showed her to be that novelty 
among women — one who finished a thought before 
beginning the sentence which was to convey it. ‘You 
should I think, have considered, and not have been so 
foolish as to leave the slides closed.’ 
</p>
            <p>‘Yes I suppose I should,’ said Oak, absently. He 
was endeavouring to catch and appreciate the sensation 
of being thus with her, his head upon her dress, before 
the event passed on into the heap of bygone things. 
He wished she knew his impressions; but he would as 
soon have thought of carrying an odour in a net as of 
attempting to convey the intangibilities <pb n="71"/>
of his feeling in the coarse meshes of language. So he remained 
silent. 
</p>
            <p>She made him sit up, and then Oak began wiping 
his face and shaking himself like a Samson. ‘How 
can I thank 'ee?’ he said at last, gratefully, some of the 
natural, rusty red having returned to his face. 
</p>
            <p>‘Oh, never mind that,’ said the girl, smiling, and 
allowing her smile to hold good for Gabriel's next 
remark, whatever that might prove to be. 
</p>
            <p>‘How did you find me?‘ 
</p>
            <p>‘I heard your dog howling and scratching at the 
door of the hut when I came to the milking (it was so 
lucky, Daisy's milking is almost over for the season, and 
I shall not come here after this week or the next). The 
dog saw me, and jumped over to me, and laid hold of 
my skirt. I came across and looked round the hut the 
very first thing to see if the slides were closed. My 
uncle has a hut like this one, and I have heard him tell 
his shepherd not to go to sleep without leaving a slide 
open. I opened the door, and there you were like 
dead. I threw the milk over you, as there was no 
water, forgetting it was warm, and no use.’ 
</p>
            <p>‘I wonder if I should have died?’ Gabriel said, in a 
low voice, which was rather meant to travel back to 
himself than to her. 
</p>
            <p>‘O no!‘the girl replied. She seemed to prefer a 
less tragic probability; to have saved a man from death 
involved talk that should harmonise with the dignity of 
such a deed — and she shunned it. 
</p>
            <p>‘I believe you saved my life, Miss — I don't know 
your name. I know your aunt's, but not yours.’ 
</p>
            <p>‘I would just as soon not tell it — rather not. There 
is no reason either why I should, as you probably will 
never have much to do with me.’ 
</p>
            <p>‘Still, I should like to know.’ 
</p>
            <p>‘You can inquire at my aunt's — she will tell you.’ 
</p>
            <p>‘My name is Gabriel Oak.’ 
</p>
            <p>‘And mine isn't. You seem fond of yours in 
speaking it so decisively Gabriel Oak.’ <pb n="72"/>
            </p>
            <p>‘You see, it is the only one I shall ever have, and I 
must make the most of it.’ 
</p>
            <p>‘I always think mine sounds odd and disagreeable.’ 
</p>
            <p>‘I should think you might soon get a new one.’ 
</p>
            <p>‘Mercy! — how many opinions you keep about you 
concerning other people, Gabriel Oak.’ 
</p>
            <p>‘Well, Miss — excuse the words — I thought you 
would like them.  But I can't match you, I know, in 
mapping out my mind upon my tongue. I never was 
very clever in my inside. But I thank you. Come, 
give me your hand!’ 
</p>
            <p>She hesitated, somewhat disconcerted at Oak's old-fashioned 
earnest conclusion to a dialogue lightly 
carried on. ‘Very well,’ she said, and gave him her 
hand, compressing her lips to a demure impassivity. 
He held it but an instant, and in his fear of being too 
demonstrative, swerved to the opposite extreme, touching 
her fingers with the lightness of a small-hearted person. 
</p>
            <p>‘I am sorry,’ he said, the instant after. 
</p>
            <p>‘What for?’ 
</p>
            <p>‘Letting your hand go so quick.’ 
</p>
            <p>‘You may have it again if you like; there it is.’ 
She gave him her hand again. 
</p>
            <p>Oak held it longer this time — indeed, curiously long. 
‘How soft it is — being winter time, too — not chapped 
or rough or anything!’ he said. 
</p>
            <p>‘There — that's long enough,’ said she, though without 
pulling it away.  ‘But I suppose you are thinking 
you would like to kiss it?  You may if you want to.’ 
</p>
            <p>‘I wasn't thinking of any such thing,’ said Gabriel 
simply; ‘but I will—’ 
</p>
            <p>‘That you won't!’ She snatched back her hand. 
</p>
            <p>Gabriel felt himself guilty of another want of tact. 
</p>
            <p>‘Now find out my name,’ she said teasingly; and 
withdrew. 
</p>
         </div>
         <div n="C4" type="chapter">
            <pb n="73"/>
            <head>GABRIEL'S RESOLVE — THE VISIT — THE MISTAKE</head>
            <p>THE only superiority in women that is tolerable to the 
rival sex is, as a rule, that of the unconscious kind; but 
a superiority which recognizes itself may sometimes 
please by suggesting possibilities of capture to the 
subordinated man. 
</p>
            <p>This well-favoured and comely girl soon made appreciable 
inroads upon the emotional constitution of young 
Farmer Oak. 
</p>
            <p>Love, being an extremely exacting usurer (a sense of 
exorbitant profit, spiritually, by an exchange of hearts, 
being at the bottom of pure passions, as that of exorbitant 
profit, bodily or materially, is at the bottom of 
those of lower atmosphere), every morning Oak's feelings 
were as sensitive as the money-market in calculations 
upon his chances. His dog waited for his meals in a 
way so like that in which Oak waited for the girl's 
presence, that the farmer was quite struck with the 
resemblance, felt it lowering, and would not look at the 
dog. However, he continued to watch through the 
hedge for her regular coming, and thus his sentiments 
towards her were deepened without any corresponding 
effect being produced upon herself. Oak had nothing 
finished and ready to say as yet, and not being able 
to frame love phrases which end where they begin; 
passionate tales — 
<q>
                  <l> —Full of sound and fury </l>
                  <l> —signifying nothing — </l>
               </q>
he said no word at all. 
</p>
            <p>By making inquiries he found that the girl's name 
was Bathsheba Everdene, and that the cow would go 
dry in about seven days. He dreaded the eighth day. 
</p>
            <p>At last the eighth day came. The cow had ceased 
to give milk for that year, and Bathsheba Everdene 
came up the hill no more. Gabriel had reached a 
pitch of existence he never <pb n="74"/>
could have anticipated a 
short time before. He liked saying 'Bathsheba' as a 
private enjoyment instead of whistling; turned over his 
taste to black hair, though he had sworn by brown ever 
since he was a boy, isolated himself till the space he 
filled in the public eye was contemptibly small.  Love is 
a possible strength in an actual weakness. Marriage 
transforms a distraction into a support, the power of 
which should be, and happily often is, in direct proportion 
to the degree of imbecility it supplants. Oak 
began now to see light in this direction, and said to 
himself, ‘I'll make her my wife, or upon my soul I shall 
be good for nothing!’ 
</p>
            <p>All this while he was perplexing himself about an 
errand on which he might consistently visit the cottage 
of Bathsheba's aunt. 
</p>
            <p>He found his opportunity in the death of a ewe, 
mother of a living lamb. On a day which had a 
summer face and a winter constitution — a fine January 
morning, when there was just enough blue sky visible to 
make cheerfully-disposed people wish for more, and an 
occasional gleam of silvery sunshine, Oak put the lamb 
into a respectable Sunday basket, and stalked across the 
fields to the house of Mrs Hurst, the aunt — George, 
the dog walking behind, with a countenance of great 
concern at the serious turn pastoral affairs seemed to be 
taking. 
</p>
            <p>Gabriel had watched the blue wood-smoke curling 
from the chimney with strange meditation. At evening 
he had fancifully traced it down the chimney to the 
spot of its origin — seen the hearth and Bathsheba 
beside it — beside it in her out-door dress; for the 
clothes she had worn on the hill were by association 
equally with her person included in the compass of his 
affection; they seemed at this early time of his love a 
necessary ingredient of the sweet mixture called Bathsheba 
Everdene. 
</p>
            <p>He had made a toilet of a nicely-adjusted kind — of a 
nature between the carefully neat and the carelessly 
ornate — of a degree between fine-market-day and wet-Sunday 
selection. He thoroughly cleaned his silver 
watch-chain with whiting, put new lacing straps to his 
boots, looked to the brass eyelet-holes, <pb n="75"/>
went to the inmost heart of the plantation for a new walking-stick, 
and trimmed it vigorously on his way back; took a new 
handkerchief from the bottom of his clothes-box, put 
on the light waistcoat patterned all over with sprigs 
of an elegant flower uniting the beauties of both rose 
and lily without the defects of either, and used all the 
hair-oil he possessed upon his usually dry, sandy, and 
inextricably curly hair, till he had deepened it to a 
splendidly novel colour, between that of guano and 
Roman cement, making it stick to his head like mace 
round a nutmeg, or wet seaweed round a boulder after 
the ebb. 
</p>
            <p>Nothing disturbed the stillness of the cottage save 
the chatter of a knot of sparrows on the eaves; one 
might fancy scandal and rumour to be no less the 
staple topic of these little coteries on roofs than of 
those under them. It seemed that the omen was an 
unpropitious one, for, as the rather untoward commencement 
of Oak's overtures, just as he arrived by the garden 
gate, he saw a cat inside, going into various arched shapes 
and fiendish convulsions at the sight of his dog George. 
The dog took no notice, for he had arrived at an age 
at which all superfluous barking was cynically avoided 
as a waste of breath —in fact he never barked even 
at the sheep except to order, when it was done with 
an absolutely neutral countenance, as a sort of Commination-service, 
which, though offensive, had to be 
gone through once now and then to frighten the flock 
for their own good. 
</p>
            <p>A voice came from behind some laurel-bushes into 
which the cat had run: 
</p>
            <p>‘Poor dear!  Did a nasty brute of a dog want to 
kill it; — did he poor dear!’ 
</p>
            <p>‘I beg your pardon,’ said Oak to the voice, ‘but 
George was walking on behind me with a temper as 
mild as milk.’ 
</p>
            <p>Almost before he had ceased speaking, Oak was 
seized with a misgiving as to whose ear was the recipient 
of his answer. Nobody appeared, and he heard the 
person retreat among the bushes. 
</p>
            <p>Gabriel meditated, and so deeply that he brought 
small furrows into his forehead by sheer force of 
reverie. Where the <pb n="76"/>
issue of an interview is as likely 
to be a vast change for the worse as for the better, 
any initial difference from expectation causes nipping 
sensations of failure. Oak went up to the door a little 
abashed: his mental rehearsal and the reality had had 
no common grounds of opening. 
</p>
            <p>Bathsheba's aunt was indoors. ‘Will you tell Miss 
Everdene that somebody would be glad to speak to 
her?’ said Mr Oak. (Calling one's self merely Somebody, 
without giving a name, is not to be taken as 
an example of the ill-breeding of the rural world: it 
springs from a refined modesty, of which townspeople, 
with their cards and announcements, have no notion 
whatever.) 
</p>
            <p>Bathsheba was out. The voice had evidently been 
hers. 
</p>
            <p>‘Will you come in, Mr Oak?’ 
</p>
            <p>‘Oh, thank 'ee, said Gabriel, following her to the 
fireplace. 
</p>
            <p>‘I've brought a lamb for Miss Everdene. 
I thought she might like one to rear; girls do.’ 
</p>
            <p>‘She might,’ said Mrs Hurst, musingly; ‘though 
she's only a visitor here. If you will wait a minute, 
Bathsheba will be in.’ 
</p>
            <p>‘Yes, I will wait,’ said Gabriel, sitting down. ‘The 
lamb isn't really the business I came about, Mrs Hurst. 
In short, I was going to ask her if she'd like to be 
married.’ 
</p>
            <p>‘And were you indeed?’ 
</p>
            <p>‘Yes. Because if she would, I should be very glad 
to marry her. D'ye know if she's got any other young 
man hanging about her at all?’ 
</p>
            <p>‘Let me think,‘said Mrs Hurst, poking the fire 
superfluously.... ‘Yes — bless you, ever so many young 
men. You see, Farmer Oak, she's so good-looking, and 
an excellent scholar besides — she was going to be a 
governess once, you know, only she was too wild. Not 
that her young men ever come here — but, Lord, in the 
nature of women, she must have a dozen!’ 
</p>
            <p>‘That's unfortunate,’ said Farmer Oak, contemplating 
a crack in the stone floor with sorrow. ‘I'm only an 
every-day sort of man, and my only chance was in being 
the first comer... Well, there's no use in my waiting, 
for that was all I came about: so I'll take myself off 
home-along, Mrs Hurst.’ 
</p>
            <p>When Gabriel had gone about two hundred yards 
along the <pb n="77"/>
down, he heard a ‘hoi-hoi!’ uttered behind 
him, in a piping note of more treble quality than that 
in which the exclamation usually embodies itself when 
shouted across a field. He looked round, and saw a girl 
racing after him, waving a white handkerchief. 
</p>
            <p>Oak stood still — and the runner drew nearer. It was 
Bathsheba Everdene. Gabriel's colour deepened: hers 
was already deep, not, as it appeared, from emotion, 
but from running. 
</p>
            <p>‘Farmer Oak — I —’ she said, pausing for want of 
breath pulling up in front of him with a slanted face 
and putting her hand to her side. 
</p>
            <p>‘I have just called to see you’ said Gabriel, pending 
her further speech. 
</p>
            <p>‘Yes—I know that,’ she said panting like a robin, 
her face red and moist from her exertions, like a peony 
petal before the sun dries off the dew. ‘I didn't know 
you had come to ask to have me, or I should have come 
in from the garden instantly. I ran after you to say — 
that my aunt made a mistake in sending you away from 
courting me.’ 
</p>
            <p>Gabriel expanded. ‘I'm sorry to have made you 
run so fast, my dear,’ he said, with a grateful sense of 
favours to come. ‘Wait a bit till you've found your 
breath.’ 
</p>
            <p>‘—It was quite a mistake—aunt's telling you I had 
a young man already,’ Bathsheba went on. ‘I haven't 
a sweetheart at all — and I never had one, and I thought 
that, as times go with women, it was <hi>such</hi> a pity to send 
you away thinking that I had several.’ 
</p>
            <p>‘Really and truly I am glad to hear that!’ said 
Farmer Oak, smiling one of his long special smiles, and 
blushing with gladness. He held out his hand to take 
hers, which, when she had eased her side by pressing 
it there, was prettily extended upon her bosom to still 
her loud-beating heart. Directly he seized it she put 
it behind her, so that it slipped through his fingers like 
an eel. 
</p>
            <p>‘I have a nice snug little farm,’ said Gabriel, with 
half a degree less assurance than when he had seized 
her hand. 
</p>
            <p>‘Yes; you have.’ 
</p>
            <p>‘A man has advanced me money to begin with, but 
still, it <pb n="78"/>
will soon be paid off and though I am only an 
every-day sort of man, I have got on a little since I was 
a boy.’ Gabriel uttered ‘a little’ in a tone to show 
her that it was the complacent form of ‘a great deal.’ 
He continued: ‘When we be married, I am quite sure 
I can work twice as hard as I do now.’ 
</p>
            <p>He went forward and stretched out his arm again. 
Bathsheba had overtaken him at a point beside which 
stood a low stunted holly bush, now laden with red 
berries. Seeing his advance take the form of an attitude 
threatening a possible enclosure, if not compression, of 
her person, she edged off round the bush. 
</p>
            <p>‘Why, Farmer Oak,’ she said, over the top, looking 
at him with rounded eyes, ‘I never said I was going to 
marry you.’ 
</p>
            <p>‘Well — that is a tale!’ said Oak,  with dismay. ‘To 
run after anybody like this, and then say you don't 
want him!’ 
</p>
            <p>‘What I meant to tell you was only this,’ she said 
eagerly, and yet half conscious of the absurdity of the 
position she had made for herself — ‘that nobody has 
got me yet as a sweetheart, instead of my having a 
dozen, as my aunt said; I <hi>hate</hi> to be thought men's 
property in that way, though possibly I shall be had 
some day. Why, if I'd wanted you I shouldn't have 
run after you like this; 'twould have been the <hi>forwardest</hi>
thing! But there was no harm in hurrying to correct 
a piece of false news that had been told you.’ 
</p>
            <p>‘Oh, no — no harm at all.‘But there is such a thing 
as being too generous in expressing a judgment impulsively, 
and Oak added with a more appreciative sense 
of all the circumstances — ‘ Well, I am not quite certain 
it was no harm.’ 
</p>
            <p>‘Indeed, I hadn't time to think before starting 
whether I wanted to marry or not, for you'd have been 
gone over the hill.’ 
</p>
            <p>‘Come,’ said Gabriel, freshening again; ‘think a 
minute or two. I'll wait a while, Miss Everdene. Will 
you marry me?  Do, Bathsheba. I love you far more 
than common!’ 
</p>
            <p>‘I'll try to think,’ she observed, rather more timorously; 
‘if I can think out of doors; my mind spreads 
away so.’ 
</p>
            <p>‘But you can give a guess.’ <pb n="79"/>
            </p>
            <p>‘Then give me time.’ Bathsheba looked thoughtfully 
into the distance, away from the direction in which 
Gabriel stood. 
</p>
            <p>‘I can make you happy,’ said he to the back of her 
head, across the bush.  ‘You shall have a piano in a 
year or two —farmers' wives are getting to have pianos 
now —  and I'll practise up the flute right well to play 
with you in the evenings.’ 
</p>
            <p>‘Yes; I should like that.’ 
</p>
            <p>‘And have one of those little ten-pound gigs for 
market — and nice flowers, and birds — cocks and hens 
I mean, because they be useful,’ continued Gabriel, 
feeling balanced between poetry and practicality. 
</p>
            <p>‘I should like it very much.’ 
</p>
            <p>‘And a frame for cucumbers — like a gentleman and 
lady.’ 
</p>
            <p>‘Yes.’ 
</p>
            <p>‘And when the wedding was over, we'd have it put 
in the newspaper list of marriages.’ 
</p>
            <p>‘Dearly I should like that!’ 
</p>
            <p>‘And the babies in the births — every man jack of 
'em! And at home by the fire, whenever you look up, 
there I shall be — and whenever I look up, there will 
be you.’ 
</p>
            <p>‘Wait, wait, and don't be improper!’ 
Her countenance fell, and she was silent awhile. 
He regarded the red berries between them over and 
over again, to such an extent, that holly seemed in 
his after life to be a cypher signifying a proposal of 
marriage. Bathsheba decisively turned to him. 
</p>
            <p>‘No; 'tis no use,’ she said. ‘I don't want to marry 
you.’ 
</p>
            <p>‘Try.’ 
</p>
            <p>‘I have tried hard all the time I've been thinking; 
for a marriage would be very nice in one sense. 
People would talk about me, and think I had won my 
battle, and I should feel triumphant, and' all that. 
But a husband —’ 
</p>
            <p>‘Well!’ 
</p>
            <p>‘Why, he'd always be there, as you say; whenever 
I looked up, there he'd be.’ 
</p>
            <p>‘Of course he would — I, that is.’ <pb n="80"/>
            </p>
            <p>‘Well, what I mean is that I shouldn't mind being 
a bride at a wedding, if I could be one without having 
a husband. But since a woman can't show off in that 
way by herself, I shan't marry — at least yet.’ 
</p>
            <p>‘That's a terrible wooden story!’ 
At this criticism of her statement Bathsheba made 
an addition to her dignity by a slight sweep away 
from him. 
</p>
            <p>‘Upon my heart and soul, I don't know what a 
maid can say stupider than that,’ said Oak. ‘But 
dearest,’ he continued in a palliative voice, ‘don't be 
like it!’ Oak sighed a deep honest sigh — none the 
less so in that, being like the sigh of a pine plantation, 
it was rather noticeable as a disturbance of the atmosphere. 
‘Why won't you have me?’ he appealed, 
creeping round the holly to reach her side. 
</p>
            <p>‘I cannot,’ she said, retreating. 
</p>
            <p>‘But why?’ he persisted, standing still at last in 
despair of ever reaching her, and facing over the 
bush. 
</p>
            <p>‘Because I don't love you.’ 
</p>
            <p>‘Yes, but —’ 
</p>
            <p>She contracted a yawn to an inoffensive smallness, 
so that it was hardly ill-mannered at all. ‘I don't love 
you,’ she said. 
</p>
            <p>‘But I love you — and, as for myself, I am content 
to be liked.’ 
</p>
            <p>‘O Mr Oak — that's very fine! You'd get to 
despise me.’ 
</p>
            <p>‘Never,’ said Mr Oak, so earnestly that he seemed 
to be coming, by the force of his words, straight 
through the bush and into her arms. ‘I shall do one 
thing in this life — one thing certain — that is, love you, 
and long for you, and <hi>keep wanting</hi> you till I die.’ His 
voice had a genuine pathos now, and his large brown 
hands perceptibly trembled. 
</p>
            <p>‘It seems dreadfully wrong not to have you when 
you feel so much!’ she said with a little distress, and 
looking hopelessly around for some means of escape 
from her moral dilemma. ‘How I wish I hadn't run 
after you!’ However, she seemed to have a short cut 
for getting back to cheerfulness and set her face to 
signify archness. ‘It wouldn't do, Mr Oak. I want 
somebody to tame me; I am too independent; and 
you would never be able to, I know.’ <pb n="81"/>
            </p>
            <p>Oak cast his eyes down the field in a way implying 
that it was useless to attempt argument. 
</p>
            <p>‘Mr Oak,’ she said, with luminous distinctness and 
common sense, ‘you are better off than I.  I have 
hardly a penny in the world — I am staying with my 
aunt for my bare sustenance. I am better educated 
than you — and I don't love you a bit:  that's my side 
of the case.  Now yours:  you are a farmer just begining; 
and you ought in common prudence, if you marry 
at all (which you should certainly not think of doing 
at present), to marry a woman with money, who would 
stock a larger farm for you than you have now.’ 
</p>
            <p>Gabriel looked at her with a little surprise and 
much admiration. 
</p>
            <p>‘That's the very thing I had been thinking myself!’ 
he naively said. 
</p>
            <p>Farmer Oak had one-and-a-half Christian characteristics 
too many to succeed with Bathsheba: his humility, 
and a superfluous moiety of honesty. Bathsheba was 
decidedly disconcerted. 
</p>
            <p>‘Well, then, why did you come and disturb me?’ 
she said, almost angrily, if not quite, an enlarging red 
spot rising in each cheek. 
</p>
            <p>‘I can't do what I think would be — would be —’ 
</p>
            <p>‘Right?’ 
</p>
            <p>‘No:  wise.’ 
</p>
            <p>‘You have made an admission <hi>now</hi>, Mr Oak,’ she 
exclaimed, with even more hauteur, and rocking her 
head disdainfully. ‘After that, do you think I could 
marry you? Not if I know it.’ 
</p>
            <p>He broke in passionately:  ‘But don't mistake me 
like that!  Because I am open enough to own what 
every man in my shoes would have thought of, you 
make your colours come up your face, and get crabbed 
with me.  That about you not being good enough for 
me is nonsense.  You speak like a lady — all the parish 
notice it, and your uncle at Weatherbury is, I have 
heerd, a large farmer — much larger than ever I shall 
be. May I call in the evening, or will you walk along 
with me o' Sundays? I don't want you to make up 
your mind at once, if you'd rather not.’ <pb n="82"/>
            </p>
            <p>‘No — no — I cannot. Don't press me any more — 
don't. I don't love you — so 'twould be ridiculous,’ 
she said, with a laugh. 
</p>
            <p>No man likes to see his emotions the sport of a 
merry-go-round of skittishness. ‘Very well,’ said Oak, 
firmly, with the bearing of one who was going to give 
his days and nights to Ecclesiastes for ever. ‘Then 
I'll ask you no more.’ 
</p>
         </div>
         <div n="C5" type="chapter">
            <pb n="83"/>
            <head>DEPARTURE OF BATHSHEBA — A PASTORAL TRAGEDY</head>
            <p>THE news which one day reached Gabriel that Bathsheba 
Everdene had left the neighbourhood, had an 
influence upon him which might have surprised any 
who never suspected that the more emphatic the renunciation 
the less absolute its character. 
</p>
            <p>It may have been observed that there is no regular 
path for getting out of love as there is for getting in. 
Some people look upon marriage as a short cut that way, 
but it has been known to fail. Separation, which was 
the means that chance offered to Gabriel Oak by 
Bathsheba's disappearance though effectual with people 
of certain humours is apt to idealise the removed object 
with others — notably those whose affection, placid and 
regular as it may be, flows deep and long.  Oak belonged 
to the even-tempered order of humanity, and felt the 
secret fusion of himself in Bathsheba to be burning with 
a finer flame now that she was gone — that was all. 
</p>
            <p>His incipient friendship with her aunt had been 
nipped by the failure of his suit, and all that Oak learnt 
of Bathsheba's movements was done indirectly.  It appeared 
that she had gone to a place called Weatherbury, 
more than twenty miles off, but in what capacity — 
whether as a visitor or permanently, he could not 
discover. 
</p>
            <p>Gabriel had two dogs. George, the elder, exhibited 
an ebony-tipped nose, surrounded by a narrow margin 
of pink flesh, and a coat marked in random splotches 
approximating in colour to white and slaty grey; but the 
grey, after years of sun and rain, had been scorched and 
washed out of the more prominent locks, leaving them 
of a reddish-brown, as if the blue component of the grey 
had faded, like the indigo from the same kind of colour in 
Turner's pictures. In substance it had originally been 
hair, but long contact with sheep seemed <pb n="84"/>
to be turning 
it by degrees into wool of a poor quality and staple. 
</p>
            <p>This dog had originally belonged to a shepherd of 
inferior morals and dreadful temper, and the result was 
that George knew the exact degrees of condemnation 
signified by cursing and swearing of all descriptions 
better than the wickedest old man in the neighbourhood. 
Long experience had so precisely taught the animal the 
difference between such exclamations as ‘Come in!’ 
and ‘D— ye, come in!’ that he knew to a hair's 
breadth the rate of trotting back from the ewes' tails 
that each call involved, if a staggerer with the sheep 
crook was to be escaped. Though old, he was clever 
and trustworthy still. 
</p>
            <p>The young dog, George's son, might possibly have 
been the image of his mother, for there was not much 
resemblance between him and George.  He was learning 
the sheep-keeping business, so as to follow on at 
the flock when the other should die, but had got no 
further than the rudiments as yet — still finding an 
insuperable difficulty in distinguishing between doing a 
thing well enough and doing it too well.  So earnest 
and yet so wrong-headed was this young dog (he had no 
name in particular, and answered with perfect readiness 
to any pleasant interjection), that if sent behind the 
flock to help them on, he did it so thoroughly that he 
would have chased them across the whole county with 
the greatest pleasure if not called off or reminded when 
to step by the example of old George. 
</p>
            <p>Thus much for the dogs. On the further side of 
Norcombe Hill was a chalk-pit, from which chalk had 
been drawn for generations, and spread over adjacent 
farms. Two hedges converged upon it in the form of 
a V, but without quite meeting. The narrow opening 
left, which was immediately over the brow of the pit, 
was protected by a rough railing. 
</p>
            <p>One night, when Farmer Oak had returned to his 
house, believing there would be no further necessity for 
his attendance on the down, he called as usual to the 
dogs, previously to shutting them up in the outhouse till 
next morning. Only one responded — old George; the 
other could not be found, either in the house, lane, or 
garden.  Gabriel then remembered <pb n="85"/>
that he had left the 
two dogs on the hill eating a dead lamb (a kind of meat 
he usually kept from them, except when other food ran 
short), and concluding that the young one had not 
finished his meal, he went indoors to the luxury of a bed, 
which latterly he had only enjoyed on Sundays. 
</p>
            <p>It was a still, moist night. Just before dawn he was 
assisted in waking by the abnormal reverberation of 
familiar music. To the shepherd, the note of the sheep-bell, 
like the ticking of the clock to other people, is a 
chronic sound that only makes itself noticed by ceasing 
ever distant, that all is well in the fold. In the solemn 
calm of the awakening morn that note was heard by Gabriel, 
beating with unusual violence and rapidity. 
This exceptional ringing may be caused in two ways — 
by the rapid feeding of the sheep bearing the bell, as 
when the flock breaks into new pasture, which gives it 
an intermittent rapidity, or by the sheep starting off in 
a run, when the sound has a regular palpitation. The 
experieced ear of Oak knew the sound he now heard 
to be caused by the running of the flock with great 
velocity. 
</p>
            <p>He jumped out of bed, dressed, tore down the lane 
through a foggy dawn, and ascended the hill. The 
forward ewes were kept apart from those among which 
the fall of lambs would be later, there being two hundred 
of the latter class in Gabriel's flock. These two hundred 
seemed to have absolutely vanished from the hill. There 
were the fifty with their lambs, enclosed at the other end 
as he had left them, but the rest, forming the bulk of 
the flock, were nowhere. Gabriel called at the top of 
his voice the shepherd's call. 
</p>
            <p>‘Ovey, ovey, ovey!’ 
</p>
            <p>Not a single bleat. He went to the hedge — a gap 
had been broken through it, and in the gap were the 
footprints of the sheep. Rather surprised to find 
them break fence at this season, yet putting it down 
instantly to their great fondness for ivy in winter-time, 
of which a great deal grew in the plantation, he followed 
through the hedge. They were not in the plantation. 
He called again:  the valleys and farthest hills <pb n="86"/>
resounded 
as when the sailors invoked the lost Hylas on the Mysian 
shore; but no sheep. He passed through the trees and 
along the ridge of the hill. On the extreme summit, 
where the ends of the two converging hedges of which 
we have spoken were stopped short by meeting the brow 
of the chalk-pit, he saw the younger dog standing against 
the sky — dark and motionless as Napoleon at St. 
Helena. 
</p>
            <p>A horrible conviction darted through Oak. With 
a sensation of bodily faintness he advanced:  at one 
point the rails were broken through, and there he saw 
the footprints of his ewes. The dog came up, licked 
his hand, and made signs implying that he expected 
some great reward for signal services rendered. Oak 
looked over the precipice. The ewes lay dead and dying 
at its foot — a heap of two hundred mangled careases, 
representing in their condition just now at least two 
hundred more. 
</p>
            <p>Oak was an intensely humane man: indeed, his 
humanity often tore in pieces any politic intentions of 
his which bordered on strategy, and carried him on as 
by gravitation. A shadow in his life had always been 
that his flock ended in mutton — that a day came and 
found every shepherd an arrant traitor to his defenceless 
sheep. His first feeling now was one of pity for the 
untimely fate of these gentle ewes and their unborn 
lambs. 
</p>
            <p>It was a second to remember another phase of the 
matter. The sheep were not insured. All the savings 
of a frugal life had been dispersed at a blow; his hopes 
of being an independent farmer were laid low — possibly 
for ever. Gabriel's energies, patience, and industry had 
been so severely taxed during the years of his life between 
eighteen and eight-and-twenty, to reach his present stage 
of progress that no more seemed to be left in him. He 
leant down upon a rail, and covered his face with his hands. 
</p>
            <p>Stupors, however, do not last for ever, and Farmer 
Oak recovered from his. It was as remarkable as it was 
characteristic that the one sentence he uttered was in 
thankfulness: — 
</p>
            <p>‘Thank God I am not married: what would <hi>she</hi> have 
done in the poverty now coming upon me!’ <pb n="87"/>
            </p>
            <p>Oak raised his head, and wondering what he could 
do listlessly surveyed the scene. By the outer margin 
of the pit was an oval pond, and over it hung the 
attenuated skeleton of a chrome-yellow moon which 
had only a few days to last — the morning star dogging 
her on the left hand. The pool glittered like a dead 
man's eye, and as the world awoke a breeze blew, 
shaking and elongating the reflection of the moon 
without breaking it, and turning the image of the star 
to a phosphoric streak upon the water. All this Oak 
saw and remembered. 
</p>
            <p>As far as could be learnt it appeared that the poor 
young dog, still under the impression that since he was 
kept for running after sheep, the more he ran after 
them the better, had at the end of his meal off the 
dead lamb, which may have given him additional energy 
and spirits, collected all the ewes into a corner, driven 
the timid creatures through the hedge, across the upper 
field, and by main force of worrying had given them 
momentum enough to break down a portion of the 
rotten railing, and so hurled them over the edge. 
</p>
            <p>George's son had done his work so thoroughly that 
he was considered too good a workman to live, and was, 
in fact, taken and tragically shot at twelve o'clock that 
same day — another instance of the untoward fate which 
so often attends dogs and other philosophers who 
follow out a train of reasoning to its logical conclusion, 
and attempt perfectly consistent conduct in a world 
made up so largely of compromise. 
</p>
            <p>Gabriel's farm had been stocked by a dealer — on the 
strength of Oak's promising look and character — who 
was receiving a percentage from the farmer till such 
time as the advance should be cleared off Oak found 
that the value of stock, plant, and implements which 
were really his own would be about sufficient to pay his 
debts, leaving himself a free man with the clothes he 
stood up in, and nothing more. 
</p>
         </div>
         <div n="C6" type="chapter">
            <pb n="88"/>
            <head>THE FAIR — THE JOURNEY — THE FIRE</head>
            <p>TWO months passed away. We are brought on to a 
day in February, on which was held the yearly statute 
or hiring fair in the county-town of Casterbridge. 
</p>
            <p>At one end of the street stood from two to three 
hundred blithe and hearty labourers waiting upon Chance 
— all men of the stamp to whom labour suggests nothing 
worse than a wrestle with gravitation, and pleasure 
nothing better than a renunciation of the same.  Among 
these, carters and waggoners were distinguished by 
having a piece of whip-cord twisted round their hats; 
thatchers wore a fragment of woven straw; shepherds 
held their sheep-crooks in their hands; and thus the 
situation required was known to the hirers at a 
glance. 
</p>
            <p>In the crowd was an athletic young fellow of somewhat 
superior appearance to the rest — in fact, his 
superiority was marked enough to lead several ruddy 
peasants standing by to speak to him inquiringly, as to 
a farmer, and to use 'Sir' as a finishing word. His 
answer always was,— 
</p>
            <p>‘I am looking for a place myself — a bailiff's. Do 
Ye know of anybody who wants one?’ 
</p>
            <p>Gabriel was paler now. His eyes were more meditative, 
and his expression was more sad. He had 
passed through an ordeal of wretchedness which had 
given him more than it had taken away. He had sunk 
from his modest elevation as pastoral king into the very 
slime-pits of Siddim; but there was left to him a dignified 
calm he had never before known, and that indifference 
to fate which, though it often makes a villain of 
a man, is the basis of his sublimity when it does not. 
And thus the abasement had been exaltation, and the 
loss gain. 
</p>
            <p>In the morning a regiment of cavalry had left the 
town, and a sergeant and his party had been beating up 
for recruits through the four streets. As the end of the 
day drew on, and <pb n="89"/>
he found himself not hired, Gabriel 
almost wished that he had joined them, and gone off to 
serve his country. Weary of standing in the market-place, 
and not much minding the kind of work he 
turned his hand to, he decided to offer himself in some 
other capacity than that of bailiff. 
</p>
            <p>All the farmers seemed to be wanting shepherds. 
Sheep-tending was Gabriel's speciality. Turning down 
an obscure street and entering an obscurer lane, he went 
up to a smith's shop. 
</p>
            <p>‘How long would it take you to make a shepherd's 
crook?’ 
</p>
            <p>‘Twenty minutes.’ 
</p>
            <p>‘How much?’ 
</p>
            <p>‘Two shillings.’ 
</p>
            <p>He sat on a bench and the crook was made, a stem 
being given him into the bargain. 
</p>
            <p>He then went to a ready-made clothes shop, the 
owner of which had a large rural connection. As the 
crook had absorbed most of Gabriel's money, he 
attempted, and carried out, an exchange of his overcoat 
for a shepherd's regulation smock-frock. 
</p>
            <p>This transaction having been completed, he again 
hurried off to the centre of the town, and stood on the 
kerb of the pavement, as a shepherd, crook in hand. 
</p>
            <p>Now that Oak had turned himself into a shepherd, it 
seemed that bailifs were most in demand. However, two 
or three farmers noticed him and drew near. Dialogues 
followed, more or less in the subjoined form: — 
</p>
            <p>‘Where do you come from?’ 
</p>
            <p>‘Norcombe.’ 
</p>
            <p>‘That's a long way. 
</p>
            <p>‘Fifteen miles.’ 
</p>
            <p>‘Whose farm were you on last?’ 
</p>
            <p>‘My own.’ 
</p>
            <p>This reply invariably operated like a rumour of 
cholera. The inquring farmer would edge away and 
shake his head dubiously. Gabriel, like his dog, was 
too good to be trustworthy, and he never made advance 
beyond this point. 
</p>
            <p>It is safer to accept any chance that offers itself, and <pb n="90"/>
extemporize a procedure to fit it, than to get a good 
plan matured, and wait for a chance of using it.  Gabriel 
wished he had not nailed up his colours as a 
shepherd, but had laid himself out for anything in the 
whole cycle of labour that was required in the fair. It 
grew dusk. Some merry men were whistling and 
singing by the corn-exchange. Gabriel's hand, which 
had lain for some time idle in his smock-frock pocket, 
touched his flute which he carried there. Here was 
an opportunity for putting his dearly bought wisdom 
into practice. 
</p>
            <p>He drew out his flute and began to play 'Jockey to 
the Fair' in the style of a man who had never known 
moment's sorrow. Oak could pipe with Arcadian 
sweetness, and the sound of the well-known notes 
cheered his own heart as well as those of the loungers. 
He played on with spirit, and in half an hour had 
earned in pence what was a small fortune to a destitute 
man. 
</p>
            <p>By making inquiries he learnt that there was another 
fair at Shottsford the next day. 
</p>
            <p>‘How far is Shottsford?’ 
</p>
            <p>‘Ten miles t'other side of Weatherbury.’ 
</p>
            <p>Weatherbury! It was where Bathsheba had gone 
two months before. This information was like coming 
from night into noon. 
</p>
            <p>‘How far is it to Weatherbury?’ 
</p>
            <p>‘Five or six miles.’ 
</p>
            <p>Bathsheba had probably left Weatherbury long before 
this time, but the place had enough interest attaching 
to it to lead Oak to choose Shottsford fair as his next 
field of inquiry, because it lay in the Weatherbury 
quarter. Moreover, the Weatherbury folk were by no 
means uninteresting intrinsically. If report spoke truly 
they were as hardy, merry, thriving, wicked a set as 
any in the whole county. Oak resolved to sleep at 
Weatherbury that night on his way to Shottsford, 
and struck out at once into the high road which had 
been recommended as the direct route to the village in 
question. 
</p>
            <p>The road stretched through water-meadows traversed 
by little brooks, whose quivering surfaces were braided 
along their centres, and folded into creases at the sides; 
or, where the flow was more rapid, the stream was pied 
with spots of white froth, <pb n="91"/>
which rode on in undisturbed 
serenity. On the higher levels the dead and dry carcases 
of leaves tapped the ground as they bowled along helter-skelter 
upon the shoulders of the wind, and little birds 
in the hedges were rustling their feathers and tucking 
themselves in comfortably for the night, retaining their 
places if Oak kept moving, but flying away if he 
stopped to look at them. He passed by Yalbury-Wood 
where the game-birds were rising to their roosts, and 
heard the crack-voiced cock-pheasants' ‘cu-uck, cuck,’ 
and the wheezy whistle of the hens. 
</p>
            <p>By the time he had walked three or four miles every 
shape in the landscape had assumed a uniform hue of 
blackness. He descended Yalbury Hill and could just 
discern ahead of him a waggon, drawn up under a great 
over-hanging tree by the roadside. 
</p>
            <p>On coming close, he found there were no horses 
attached to it, the spot being apparently quite deserted. 
The waggon, from its position, seemed to have been left 
there for the night, for beyond about half a truss of hay 
which was heaped in the bottom, it was quite empty. 
Gabriel sat down on the shafts of the vehicle and considered 
his position. He calculated that he had walked 
a very fair proportion of the journey; and having been 
on foot since daybreak, he felt tempted to lie down upon 
the hay in the waggon instead of pushing on to the 
village of Weatherbury, and having to pay for a lodging. 
</p>
            <p>Eating his last slices of bread and ham, and drinking 
from the bottle of cider he had taken the precaution to 
bring with him, he got into the lonely waggon. Here 
he spread half of the hay as a bed, and, as well as he 
could in the darkness, pulled the other half over him 
by way of bed-clothes, covering himself entirely, and 
feeling, physically, as comfortable as ever he had been 
in his life. Inward melancholy it was impossible for 
a man like Oak, introspective far beyond his neighbours, 
to banish quite, whilst conning the present, untoward 
page of his history. So, thinking of his misfortunes, 
amorous and pastoral, he fell asleep, shepherds enjoying, 
in common with sailors, the privilege of being able to 
summon the god instead of having to wait for him. <pb n="92"/>
            </p>
            <p>On somewhat suddenly awaking after a sleep of 
whose length he had no idea, Oak found that the waggon 
was in motion. He was being carried along the road 
at a rate rather considerable for a vehicle without 
springs, and under circumstances of physical uneasiness, 
his head being dandled up and down on the bed of 
the waggon like a kettledrum-stick. He then distinguished 
voices in conversation, coming from the 
forepart of the waggon. His concern at this dilemma 
(which would have been alarm, had he been a thriving 
man; but misfortune is a fine opiate to personal terror) 
led him to peer cautiously from the hay, and the first 
sight he beheld was the stars above him. Charles's 
Wain was getting towards a right angle with the Pole 
star, and Gabriel concluded that it must be about nine 
o'clock — in other words, that he had slept two hours. 
This small astronomical calculation was made without 
any positive effort, and whilst he was stealthily turning 
to discover, if possible, into whose hands he had fallen. 
</p>
            <p>Two figures were dimly visible in front, sitting with 
their legs outside the waggon, one of whom was driving. 
Gabriel soon found that this was the waggoner, and it 
appeared they had come from Casterbridge fair, like 
himself. 
</p>
            <p>A conversation was in progress, which continued 
thus: — 
</p>
            <p>‘Be as 'twill, she's a fine handsome body as far's 
looks be concerned. But that's only the skin of the 
woman, and these dandy cattle be as proud as a lucifer 
in their insides.’ 
</p>
            <p>‘Ay — so 'a do seem, Billy Smallbury — so 'a do seem.’ 
This utterance was very shaky by nature, and more so 
by circumstance, the jolting of the waggon not being 
without its effect upon the speaker's larynx. It came 
from the man who held the reins. 
</p>
            <p>‘She's a very vain feymell — so 'tis said here and 
there.’ 
</p>
            <p>‘Ah, now. If so be 'tis like that, I can't look her in 
the face. Lord, no: not I — heh-heh-heh! Such a shy 
man as I be!’ 
</p>
            <p>‘Yes — she's very vain. 'Tis said that every night at 
going to bed she looks in the glass to put on her nightcap 
properly.’ 
</p>
            <p>‘And not a married woman. Oh, the world!’ 
</p>
            <p>‘And 'a can play the peanner, so 'tis said. Can 
play so clever <pb n="93"/>
that 'a can make a psalm tune sound as 
well as the merriest loose song a man can wish for.’ 
</p>
            <p>‘D'ye tell o't! A happy time for us, and I feel quite 
a new man! And how do she pay?’ 
</p>
            <p>‘That I don't know, Master Poorgrass.’ 
</p>
            <p>On hearing these and other similar remarks, a wild 
thought flashed into Gabriel's mind that they might 
be speaking of Bathsheba. There were, however, no 
grounds for retaining such a supposition, for the waggon, 
though going in the direction of Weatherbury, might be 
going beyond it, and the woman alluded to seemed to be 
the mistress of some estate. They were now apparently 
close upon Weatherbury and not to alarm the speakers 
unnecessarily, Gabriel slipped out of the waggon unseen. 
He turned to an opening in the hedge, which he 
found to be a gate, and mounting thereon, he sat 
meditating whether to seek a cheap lodging in the 
village, or to ensure a cheaper one by lying under 
some hay or corn-stack. The crunching jangle of the 
waggon died upon his ear. He was about to walk on, 
when he noticed on his left hand an unusual light — 
appearing about half a mile distant. Oak watched it, 
and the glow increased. Something was on fire. 
</p>
            <p>Gabriel again mounted the gate, and, leaping down 
on the other side upon what he found to be ploughed 
soil, made across the field in the exact direction of the 
fire. The blaze, enlarging in a  double ratio by his 
approach and its own increase, showed him as he drew 
nearer the outlines of ricks beside it, lighted up to great 
distinctness. A rick-yard was the source of the fire. 
His weary face now began to be painted over with a 
rich orange glow, and the whole front of his smock-frock 
and gaiters was covered with a dancing shadow 
pattern of thorn-twigs — the light reaching him through 
a leafless intervening hedge — and the metallic curve of 
his sheep-crook shone silver-bright in the same abounding 
rays. He came up to the boundary fence, and 
stood to regain breath. It seemed as if the spot was 
unocupied by a living soul. 
</p>
            <p>The fire was issuing from a long straw-stack, which 
was so <pb n="94"/>
far gone as to preclude a possibility of saving it. 
A rick burns differently from a house. As the wind 
blows the fire inwards, the portion in flames completely 
disappears like melting sugar, and the outline is lost 
to the eye. However, a hay or a wheat-rick, well put 
together, will resist combustion for a length of time, if 
it begins on the outside. 
</p>
            <p>This before Gabriel's eyes was a rick of straw, loosely 
put together, and the flames darted into it with lightning 
swiftness. It glowed on the windward side, rising and 
falling in intensity, like the coal of a cigar. Then a 
superincumbent bundle rolled down, with a whisking 
noise; flames elongated, and bent themselves about 
with a quiet roar, but no crackle. Banks of smoke 
went off horizontally at the back like passing clouds, 
and behind these burned hidden pyres, illuminating 
the semi-transparent sheet of smoke to a lustrous yellow 
uniformity. Individual straws in the foreground were 
consumed in a creeping movement of ruddy heat, as 
if they were knots of red worms, and above shone 
imaginary fiery faces, tongues hanging from lips, glaring 
eyes, and other impish forms, from which at intervals 
sparks flew in clusters like birds from a nest. 
</p>
            <p>Oak suddenly ceased from being a mere spectator 
by discovering the case to be more serious than he had 
at first imagined. A scroll of smoke blew aside and 
revealed to him a wheat-rick in startling juxtaposition 
with the decaying one, and behind this a series of 
others, composing the main corn produce of the farm; 
so that instead of the straw-stack standing, as he had 
imagined, comparatively isolated, there was a regular 
connection between it and the remaining stacks of the 
group. 
</p>
            <p>Gabriel leapt over the hedge, and saw that he was 
not alone. The first man he came to was running 
about in a great hurry, as if his thoughts were several 
yards in advance of his body, which they could never 
drag on fast enough. 
</p>
            <p>‘O, man — fire, fire! A good master and a bad 
servant is fire, fire! — I mane a bad servant and a good 
master O, Mark Clark — come!  And you, Billy 
Smallbury — and you, Maryann Money — and you, Jan 
Coggan, and Matthew there!’ Other figures now 
appeared behind this shouting man and among the 
smoke, and <pb n="95"/>
Gabriel found that, far from being alone 
he was in a great company — whose shadows danced 
merrily up and down, timed by the jigging of the 
flames, and not at all by their owners' movements. 
The assemblage — belonging to that class of society 
which casts its thoughts into the form of feeling, and 
its feelings into the form of commotion — set to work 
with a remarkable confusion of purpose. 
</p>
            <p>‘Stop the draught under the wheat-rick!’ cried 
Gabriel to those nearest to him. The corn stood on 
stone staddles, and between these, tongues of yellow 
hue from the burning straw licked and darted playfully. 
If the fire once got <hi>under</hi> this stack, all would be 
lost. 
</p>
            <p>‘Get a tarpaulin — quick!’ said Gabriel. 
A rick-cloth was brought, and they hung it like a 
curtain across the channel. The flames immediately 
ceased to go under the bottom of the corn-stack, and 
stood up vertical. 
</p>
            <p>‘Stand here with a bucket of water and keep the 
cloth wet,’ said Gabriel again. 
</p>
            <p>The flames, now driven upwards, began to attack 
the angles of the huge roof covering the wheat-stack. 
</p>
            <p>‘A ladder,’ cried Gabriel. 
</p>
            <p>‘The ladder was against the straw-rick and is burnt 
to a cinder,’ said a spectre-like form in the smoke. 
</p>
            <p>Oak seized the cut ends of the sheaves, as if he 
were going to engage in the operation of ‘reed-drawing,’ 
and digging in his feet, and occasionally sticking in the 
stem of his sheep-crook, he clambered up the beetling 
face. He at once sat astride the very apex, and began 
with his crook to beat off the fiery fragments which had 
lodged thereon, shouting to the others to get him a 
bough and a ladder, and some water. 
</p>
            <p>Billy Smallbury — one of the men who had been on 
the waggon — by this time had found a ladder, which 
Mark Clark ascended, holding on beside Oak upon the 
thatch. The smoke at this corner was stifling, and 
Clark, a nimble fellow, having been handed a bucket 
of water, bathed Oak's face and sprinkled him generally, 
whilst Gabriel, now with a long beech-bough in one 
hand, in addition to his crook in the other, kept 
sweeping the stack and dislodging all fiery particles. <pb n="96"/>
            </p>
            <p>On the ground the groups of villagers were still 
occupied in doing all they could to keep down the 
conflagration, which was not much. They were all 
tinged orange, and backed up by shadows of varying 
pattern. Round the corner of the largest stack, out 
of the direct rays of the fire, stood a pony, bearing a 
young woman on its back. By her side was another 
woman, on foot. These two seemed to keep at a 
distance from the fire, that the horse might not beome 
restive. 
</p>
            <p>‘He's a shepherd,’ said the woman on foot. ‘Yes — 
he is. See how his crook shines as he beats the rick 
with it. And his smock-frock is burnt in two holes, I 
declare!  A fine young shepherd he is too, ma'am.’ 
</p>
            <p>‘Whose shepherd is he?’ said the equestrian in a 
clear voice. 
</p>
            <p>‘Don't know, ma'am.’ 
</p>
            <p>‘Don't any of the others know?’ 
</p>
            <p>‘Nobody at all — I've asked 'em. Quite a stranger, 
they say.’ 
</p>
            <p>The young woman on the pony rode out from the 
shade and looked anxiously around. 
</p>
            <p>‘Do you think the barn is safe?‘ she said. 
</p>
            <p>‘D'ye think the barn is safe, Jan Coggan?’ said 
the second woman, passing on the question to the 
nearest man in that direction. 
</p>
            <p>‘Safe now — leastwise I think so. If this rick had 
gone the barn would have followed. 'Tis that bold 
shepherd up there that have done the most good — he 
sitting on the top o' rick, whizzing his great long-arms 
about like a windmill.’ 
</p>
            <p>‘He does work hard,’ said the young woman on 
horseback, looking up at Gabriel through her thick 
woollen veil. ‘I wish he was shepherd here. Don't 
any of you know his name.’ 
</p>
            <p>‘Never heard the man's name in my life, or seed 
his form afore.’ 
</p>
            <p>The fire began to get worsted, and Gabriel's elevated 
position being no longer required of him, he made as 
if to descend. 
</p>
            <p>‘Maryann,’ said the girl on horseback, ‘go to him 
as he comes down, and say that the farmer wishes to 
thank him for the great service he has done.’ 
</p>
            <p>Maryann stalked off towards the rick and met 
Oak at the foot of the ladder. She delivered ber 
message. <pb n="97"/>
            </p>
            <p>‘Where is your master the farmer?’ asked Gabriel, 
kindling with the idea of getting employment that 
seemed to strike him now. 
</p>
            <p>‘'Tisn't a master; 'tis a mistress, shepherd.’ 
</p>
            <p>‘A woman farmer?’ 
</p>
            <p>‘Ay, 'a b'lieve, and a rich one too!’ said a bystander. 
‘Lately 'a came here from a distance. Took 
on her uncle's farm, who died suddenly. Used to 
measure his money in half-pint cups. They say now 
that she've business in every bank in Casterbridge, and 
thinks no more of playing pitch-and-toss sovereign than 
you and I, do pitch-halfpenny — not a bit in the world, 
shepherd.’ 
</p>
            <p>‘That's she, back there upon the pony,’ said Maryann; 
‘wi' her face a-covered up in that black cloth with 
holes in it.’ 
</p>
            <p>Oak, his features smudged, grimy, and undiscoverable 
from the smoke and heat, his smock-frock burnt into 
holes and dripping with water, the ash stem of his sheep-crook 
charred six inches shorter, advanced with the 
humility stern adversity had thrust upon him up to 
the slight female form in the saddle. He lifted his 
hat with respect, and not without galantry: stepping 
close to her hanging feet he said in a hesitating voice, — 
</p>
            <p>‘Do you happen to want a shepherd, ma'am?’ 
She lifted the wool veil tied round her face, and 
looked all astonishment. Gabriel and his cold-hearted 
darling, Bathsheba Everdene, were face to face. 
</p>
            <p>Bathsheba did not speak, and he mechanically 
repeated in an abashed and sad voice, — 
</p>
            <p>‘Do you want a shepherd, ma'am?’ 
</p>
         </div>
         <div n="C7" type="chapter">
            <pb n="98"/>
            <head>RECOGNITION — A TIMID GIRL</head>
            <p>BATHSHEBA withdrew into the shade. She scarcely 
knew whether most to be amused at the singularity of 
the meeting, or to be concerned at its awkwardness. 
There was room for a little pity, also for a very little 
exultation: the former at his position, the latter at her 
own. Embarrassed she was not, and she remembered 
Gabriel's declaration of love to her at Norcombe only 
to think she had nearly forgotten it. 
</p>
            <p>‘Yes,’ she murmured, putting on an air of dignity, 
and turning again to him with a little warmth of cheek; 
‘I do want a shepherd. But —’ 
</p>
            <p>‘He's the very man, ma'am,’ said one of the villagers, 
quietly. 
</p>
            <p>Conviction breeds conviction. ‘Ay, that 'a is,’ said 
a second, decisively. 
</p>
            <p>‘The man, truly!’ said a third, with heartiness. 
</p>
            <p>‘He's all there!’ said number four, fervidly. 
</p>
            <p>‘Then will you tell him to speak to the bailiff?’ said 
Bathsheba. 
</p>
            <p>All was practical again now. A summer eve and 
loneliness would have been necessary to give the 
meeting its proper fulness of romance. 
</p>
            <p>The bailiff was pointed out to Gabriel, who, checkingw3 
the palpitation within his breast at discovering that this 
Ashtoreth of strange report was only a modification of 
Venus the well-known and admired, retired with him to 
talk over the necessary preliminaries of hiring. 
</p>
            <p>The fire before them wasted away. ‘Men,’ said 
Bathsheba, ‘you shall take a little refreshment after this 
extra work. Will you come to the house?’ 
</p>
            <p>‘We could knock in a bit and a drop a good deal 
freer, Miss, <pb n="99"/>
if so be ye'd send it to Warren's Malthouse,’ 
replied the spokesman. 
</p>
            <p>Bathsheba then rode off into the darkness, and the 
men straggled on to the village in twos and threes — Oak 
and the bailiff being left by the rick alone. 
</p>
            <p>‘And now,’ said the bailiff, finally, ‘all is settled, I 
think, about your coming, and I am going home-along. 
Good-night to ye, shepherd.’ 
</p>
            <p>‘Can you get me a lodging?’ inquired Gabriel. 
</p>
            <p>‘That I can't, indeed,‘he said, moving past Oak as 
a Christian edges past an offertory-plate when he does 
not mean to contribute. ‘If you follow on the road till 
you come to Warren's Malthouse, where they are all 
gone to have their snap of victuals, I daresay some of 
'em will tell you of a place. Good-night to ye, shepherd.’ 
</p>
            <p>The bailiff who showed this nervous dread of loving 
his neighbour as himself, went up the hill, and Oak 
walked on to the village, still astonished at the rencounter 
with Bathsheba, glad of his nearness to her, and 
perplexed at the rapidity with which the unpractised girl 
of Norcombe had developed into the supervising and cool 
woman here. But some women only require an emergency 
to make them fit for one. 
</p>
            <p>Obliged to some extent to forgo dreaming in order 
to find the way, he reached the churchyard, and passed 
round it under the wall where several ancient trees grew. 
There was a wide margin of grass along here, and 
Gabriel's footsteps were deadened by its softness, even 
at this indurating period of the year. When abreast of 
a trunk which appeared to be the oldest of the old, he 
became aware that a figure was standing behind it. 
Gabriel did not pause in his walk, and in another 
moment he accidentally kicked a loose stone. The noise 
was enough to disturb the motionless stranger, who 
started and assumed a careless position. 
</p>
            <p>It was a slim girl, rather thinly clad. 
</p>
            <p>‘Good-night to you,’ said Gabriel, heartily. 
</p>
            <p>‘Good-night,’ said the girl to Gabriel. 
The voice was unexpectedly attractive; it was ‘the 
low and <pb n="100"/>
dulcet note suggestive of romance; common in 
descriptions, rare in experience. 
</p>
            <p>‘I'll thank you to tell me if I'm in the way for 
Warren's Malthouse?’ Gabriel resumed, primarily to gain 
the information, indirectly to get more of the music. 
</p>
            <p>‘Quite right. It's at the bottom of the hill. And 
do you know — ’ The girl hesitated and then went 
on again. ‘Do you know how late they keep open 
the Buck's Head Inn?’ She seemed to be won by 
Gabriel's heartiness, as Gabriel had been won by her 
modulations. 
</p>
            <p>‘I don't know where the Buck's Head is, or anything 
about it. Do you think of going there to-night?’ 
</p>
            <p>‘Yes —’ The woman again paused. There was 
no necessity for any continuance of speech, and the fact 
that she did add more seemed to proceed from an 
unconscious desire to show unconcern by making a 
remark, which is noticeable in the ingenuous when they 
are acting by stealth. ‘You are not a Weatherbury man?’ 
she said, timorously. 
</p>
            <p>‘I am not. I am the new shepherd — just arrived.’ 
</p>
            <p>‘Only a shepherd — and you seem almost a farmer by 
your ways.’ 
</p>
            <p>‘Only a shepherd,’ Gabriel repeated, in a dull cadence 
of finality. His thoughts were directed to the past, his 
eyes to the feet of the girl; and for the first time he 
saw lying there a bundle of some sort. She may have 
perceived the direction of his face, for she said 
coaxingly, — 
</p>
            <p>‘You won't say anything in the parish about having 
seen me here, will you — at least, not for a day or two?’ 
</p>
            <p>‘I won't if you wish me not to,’ said Oak. 
</p>
            <p>‘Thank you, indeed,’ the other replied. ‘I am 
rather poor, and I don't want people to know anything 
about me.’  Then she was silent and shivered. 
</p>
            <p>‘You ought to have a cloak on such a cold night,’ 
Gabriel observed. ‘I would advise 'ee to get indoors.’ 
</p>
            <p>‘O no! Would you mind going on and leaving 
me? I thank you much for what you have told me.’ 
</p>
            <p>‘I will go on,’ he said; adding hesitatingly, — ‘Since 
you are <pb n="101"/>
not very well off, perhaps you would accept this 
trifle from me. It is only a shilling, but it is all I have 
to spare.’ 
</p>
            <p>‘Yes, I will take it,’ said the stranger, gratefully. 
She extended her hand; Gabriel his. In feeling for 
each other's palm in the gloom before the money could 
be passed, a minute incident occurred which told much. 
Gabriel's fingers alighted on the young woman's wrist. 
It was beating with a throb of tragic intensity. He had 
frequently felt the same quick, hard beat in the femoral 
artery of — his lambs when overdriven. It suggested a 
consumption too great of a vitality which, to judge from 
her figure and stature, was already too little. 
</p>
            <p>‘What is the matter?’ 
</p>
            <p>‘Nothing.’ 
</p>
            <p>‘But there is?’ 
</p>
            <p>‘No, no, no! Let your having seen me be a secret!’ 
</p>
            <p>‘Very well; I will. Good-night, again.’ 
</p>
            <p>‘Good-night.’ 
</p>
            <p>The young girl remained motionless by the tree, and 
Gabriel descended into the village of Weatherbury, or 
Lower Longpuddle as it was sometimes called. He 
fancied that he had felt himself in the penumbra of a 
very deep sadness when touching that slight and fragile 
creature. But wisdom lies in moderating mere impressions, 
and Gabriel endeavoured to think little of this. 
</p>
         </div>
         <div n="C8" type="chapter">
            <pb n="102"/>
            <head>THE MALTHOUSE — THE CHAT — NEWS</head>
            <p>WARREN'S Malthouse was enclosed by an old wall 
inwrapped with ivy, and though not much of the exterior 
was visible at this hour, the character and purposes of 
the building were clearly enough shown by its outline 
upon the sky. From the walls an overhanging thatched 
roof sloped up to a point in the centre, upon which rose 
a small wooden lantern, fitted with louvre-boards on all 
the four sides, and from these openings a mist was dimly 
perceived to be escaping into the night air. There was 
no window in front; but a square hole in the door was 
glazed with a single pane, through which red, comfortable 
rays now stretched out upon the ivied wall in front. 
Voices were to be heard inside. 
</p>
            <p>Oak's hand skimmed the surface of the door with 
fingers extended to an Elymas-the-Sorcerer pattern, till 
he found a leathern strap, which he pulled. This lifted 
a wooden latch, and the door swung open. 
</p>
            <p>The room inside was lighted only by the ruddy glow 
from the kiln mouth, which shone over the floor with 
the streaming horizontality of the setting sun, and threw 
upwards the shadows of all facial irregularities in those 
assembled around. The stone-flag floor was worn into 
a path from the doorway to the kiln, and into undulations 
everywhere. A curved settle of unplaned oak 
stretched along one side, and in a remote corner was a 
small bed and bedstead, the owner and frequent occupier 
of which was the maltster. 
</p>
            <p>This aged man was now sitting opposite the fire, his 
frosty white hair and beard overgrowing his gnarled 
figure like the grey moss and lichen upon a leafless 
apple-tree. He wore breeches and the laced-up shoes 
called ankle-jacks; he kept his eyes fixed upon the 
fire. <pb n="103"/>
            </p>
            <p>Gabriel's nose was greeted by an atmosphere laden 
with the sweet smell of new malt. The conversation 
(which seemed to have been concerning the origin of the 
fire) immediately ceased, and every one ocularly criticised 
him to the degree expressed by contracting the flesh of 
their foreheads and looking at him with narrowed eyelids, 
as if he had been a light too strong for their sight. 
Several exclaimed meditatively, after this operation had 
been completed: — 
</p>
            <p>‘Oh, 'tis the new shepherd, 'a b'lieve.’ 
</p>
            <p>‘We thought we heard a hand pawing about the 
door for the bobbin, but weren't sure 'twere not a dead 
leaf blowed across,’ said another. ‘Come in, shepherd; 
sure ye be welcome, though we don't know yer name.’ 
</p>
            <p>‘Gabriel Oak, that's my name, neighbours.’ 
The ancient maltster sitting in the midst turned up 
this — his turning being as the turning of a rusty 
crane. 
</p>
            <p>‘That's never Gable Oak's grandson over at Norcombe 
— never!’ he said, as a formula expressive of 
surprise, which nobody was supposed to take literally. 
</p>
            <p>‘My father and my grandfather were old men of the 
name of Gabriel,’ said the shepherd, placidly. 
</p>
            <p>‘Thought I knowed the man's face as I seed him 
on the rick! — thought I did! And where be ye trading 
o't to now, shepherd?’ 
</p>
            <p>‘I'm thinking of biding here,’ said Mr Oak. 
</p>
            <p>‘Knowed yer grandfather for years and years!’ 
continued the maltster, the words coming forth of their 
own accord as if the momentum previously imparted 
had been sufficient. 
</p>
            <p>‘Ah — and did you!’ 
</p>
            <p>‘Knowed yer grandmother.’ 
</p>
            <p>‘And her too!’ 
</p>
            <p>‘Likewise knowed yer father when he was a child. 
Why, my boy Jacob there and your father were sworn 
brothers — that they were sure — weren't ye, Jacob?’ 
</p>
            <p>‘Ay, sure,’ said his son, a young man about sixty-five, 
with a semi-bald head and one tooth in the left 
centre of his upper jaw, which made much of itself by 
standing prominent, like a <pb n="104"/>
milestone in a bank. ‘But 
'twas Joe had most to do with him. However, my son 
William must have knowed the very man afore us — 
didn't ye, Billy, afore ye left Norcombe?’ 
</p>
            <p>‘No, 'twas Andrew,’ said Jacob's son Billy, a child 
of forty, or thereabouts, who manifested the peculiarity 
of possessing a cheerful soul in a gloomy body, and 
whose whiskers were assuming a chinchilla shade here 
and there. 
</p>
            <p>‘I can mind Andrew,’ said Oak, ‘as being a man in 
the place when I was quite a child.’ 
</p>
            <p>‘Ay — the other day I and my youngest daughter, 
Liddy, were over at my grandson's christening,’ continued 
Billy.  ‘We were talking about this very family, and 
'twas only last Purification Day in this very world, when 
the use-money is gied away to the second-best poor 
folk, you know, shepherd, and I can mind the day 
because they all had to traypse up to the vestry — yes, 
this very man's family.’ 
</p>
            <p>‘Come, shepherd, and drink. 'Tis gape and 
swaller with us — a drap of sommit, but not of much 
account,’ said the maltster, removing from the fire his 
eyes, which were vermilion-red and bleared by gazing 
into it for so many years. ‘Take up the God-forgive-me, 
Jacob. See if 'tis warm, Jacob.’ 
</p>
            <p>Jacob stooped to the God-forgive-me, which was a 
two-handled tall mug standing in the ashes, cracked 
and charred with heat: it was rather furred with extraneous 
matter about the outside, especially in the 
crevices of the handles, the innermost curves of which 
may not have seen daylight for several years by reason 
of this encrustation thereon — formed of ashes accidentally 
wetted with cider and baked hard; but to the mind 
of any sensible drinker the cup was no worse for that, 
being incontestably clean on the inside and about the 
rim. It may be observed that such a class of mug is 
called a God-forgive-me in Weatherbury and its vicinity 
for uncertain reasons; probably because its size makes 
any given toper feel ashamed of himself when he sees 
its bottom in drinking it empty. 
</p>
            <p>Jacob, on receiving the order to see if the liquor was 
warm enough, placidly dipped his forefinger into it by 
way of thermometer, and having pronounced it nearly 
of the proper degree, raised the cup and very civilly 
attempted to dust some of the <pb n="105"/>
ashes from the bottom 
with the skirt of his smock-frock, because Shepherd Oak 
was a stranger. 
</p>
            <p>‘A clane cup for the shepherd,’ said the maltster 
commandingly. 
</p>
            <p>‘No — not at all,‘said Gabriel, in a reproving tone 
of considerateness. ‘I never fuss about dirt in its pure 
state, and when I know what sort it is.’ Taking the 
mug he drank an inch or more from the depth of its 
contents, and duly passed it to the next man. 
‘ I wouldn't think of giving such trouble to neighbours in 
washing up when there's so much work to be done in 
the world already,’ continued Oak in a moister tone, 
after recovering from the stoppage of breath which is 
occasioned by pulls at large mugs. 
</p>
            <p>‘A right sensible man,’ said Jacob. 
</p>
            <p>‘True, true; it can't be gainsaid!’ observed a brisk 
young man — Mark Clark by name, a genial and pleasant 
gentleman, whom to meet anywhcre in your travels was 
to know, to know was to drink with, and to drink with 
was, unfortunately, to pay for. 
</p>
            <p>‘And here's a mouthful of bread and bacon that 
mis'ess have sent, shepherd. The cider will go down 
better with a bit of victuals. Don't ye chaw quite close, 
shepherd, for I let the bacon fall in the road outside as 
I was bringing it along, and may be 'tis rather gritty. 
There, 'tis clane dirt; and we all know what that is, 
as you say, and you bain't a particular man we see, 
shepherd.’ 
</p>
            <p>‘True, true — not at all,’ said the friendly Oak. 
</p>
            <p>‘Don't let your teeth quite meet, and you won't feel 
the sandiness at all. Ah! 'tis wonderful what can be 
done by contrivance!’ 
</p>
            <p>‘My own mind exactly, neighbour.’ 
</p>
            <p>‘Ah, he's his grandfer's own grandson! — his grandfer 
were just such a nice unparticular man!’ said the maltster. 
</p>
            <p>‘Drink, Henry Fray — drink,’ magnanimously said 
Jan Coggan, a person who held Saint-Simonian notions 
of share and share alike where liquor was concerned, as 
the vessel showed signs of approaching him in its gradual 
revolution among them. 
</p>
            <p>Having at this moment reached the end of a wistful 
gaze <pb n="106"/>
into mid-air, Henry did not refuse. He was a man 
of more than middle age, with eyebrows high up in his 
forehead, who laid it down that the law of the world 
was bad, with a long-suffering look through his listeners 
at the world alluded to, as it presented itself to his 
imagination. He always signed his name ‘Henery’ — 
strenuously insisting upon that spelling, and if any 
passing schoolmaster ventured to remark that the second 
‘e’ was superfluous and old-fashioned, he received the 
reply that ‘H-e-n-e-r-y’ was the name he was christened 
and the name he would stick to — in the tone of one 
to whom orthographical differences were matters which 
had a great deal to do with personal character. 
</p>
            <p>Mr Jan Coggan, who had passed the cup to Henery, 
was a crimson man with a spacious countenance, and 
private glimmer in his eye, whose name had appeared 
on the marriage register of Weatherbury and neighbouring 
parishes as best man and chief witness in countless 
unions of the previous twenty years; he also very 
frequently filled the post of head godfather in baptisms 
of the subtly-jovial kind. 
</p>
            <p>‘Come, Mark Clark — come. Ther's plenty more 
in the barrel,’ said Jan. 
</p>
            <p>‘Ay — that I will; 'tis my only doctor,’ replied Mr 
Clark, who, twenty years younger than Jan Coggan, 
revolved in the same orbit. He secreted mirth on all 
occasions for special discharge at popular parties. 
</p>
            <p>‘Why, Joseph Poorgrass, ye han't had a drop!’ said 
Mr Coggan to a self-conscious man in the background, 
thrusting the cup towards him. 
</p>
            <p>‘Such a modest man as he is!’ said Jacob Smallbury. 
‘Why, ye've hardly had strength of eye enough to look 
in our young mis'ess's face, so I hear, Joseph?’ 
</p>
            <p>All looked at Joseph Poorgrass with pitying reproach. 
</p>
            <p>‘No — I've hardly looked at her at all,’ simpered 
Joseph, reducing his body smaller whilst talking, 
apparently from a meek sense of undue prominence. 
</p>
            <p>‘And when I seed her, 'twas nothing but blushes with 
me!’ 
</p>
            <p>‘Poor feller,’ said Mr Clark. 
</p>
            <p>‘Tis a curious nature for a man,’ said Jan Coggan. <pb n="107"/>
            </p>
            <p>‘Yes,’ continued Jdseph Poorgrass — his shyness, 
which was so painful as a defect, filling him with a 
mild complacency now that it was regarded as an 
interesting study. ‘'Twere blush, blush, blush with 
me every minute of the time, when she was speaking 
to me.’ 
</p>
            <p>‘I believe ye, Joseph Poorgrass, for we all know ye 
to be a very bashful man.’ 
</p>
            <p>‘'Tis a' awkward gift for a man, poor soul,’ said the 
maltster. ‘And ye have suffered from it a long time, 
we know.’ 
</p>
            <p>‘Ay, ever since I was a boy. Yes — mother was 
concerned to her heart about it — yes. But twas all 
nought.’ 
</p>
            <p>‘Did ye ever go into the world to try and stop it, 
Joseph Poorgrass?’ 
</p>
            <p>‘Oh ay, tried all sorts o' company. They took me 
to Greenhill Fair, and into a great gay jerry-go-nimble 
show, where there were women-folk riding round — 
standing upon horses, with hardly anything on but their 
smocks; but it didn't cure me a morsel. And then I 
was put errand-man at the Women's Skittle Alley at the 
back of the Tailor's Arms in Casterbridge. 'Twas a 
horrible sinful situation, and a very curious place for a 
good man. I had to stand and look ba'dy people in 
the face from morning till night; but 'twas no use — I 
was just as-bad as ever after all. Blushes hev been 
in the family for generations. There, 'tis a happy providence 
that I be no worse.’ 
</p>
            <p>‘True,’ said Jacob Smallbury, deepening his thoughts 
to a profounder view of the subject. ‘'Tis a thought 
to look at, that ye might have been worse; but even 
as you be, 'tis a very bad affliction for 'ee, Joseph. For 
ye see, shepherd, though 'tis very well for a woman, 
dang it all, 'tis awkward for a man like him, poor 
feller?’ 
</p>
            <p>‘'Tis — 'tis,’ said Gabriel, recovering from a meditation. 
‘Yes, very awkward for the man.’ 
</p>
            <p>‘Ay, and he's very timid, too,’ observed Jan Coggan. 
</p>
            <p>‘Once he had been working late at Yalbury Bottom, 
and had had a drap of drink, and lost his way as he was 
coming home-along through Yalbury Wood, didn't ye, 
Master Poorgrass?’ 
</p>
            <p>‘No, no, no; not that story!’ expostulated the 
modest man, forcing a laugh to bury his concern. <pb n="108"/>
            </p>
            <p>‘—  And so 'a lost himself quite,’ continued Mr 
Coggan, with an impassive face, implying that a true 
narrative, like time and tide, must run its course and 
would respect no man. ‘And as he was coming along 
in the middle of the night, much afeared, and not able 
to find his way out of the trees nohow, 'a cried out, 
“Man-a-lost! man-a-lost!”  A owl in a tree happened 
to be crying “Whoo-whoo-whoo!” as owls do, you 
know, shepherd. (Gabriel nodded), ‘and Joseph, all 
in a tremble, said, “Joseph Poorgrass, of Weatherbury, 
sir!” 
</p>
            <p>‘No, no, now — that's too much!’ said the timid 
man, becoming a man of brazen courage all of a sudden. 
‘I didn't say sir. I'll take my oath I didn't say “Joseph 
Poorgrass o' Weatherbury, sir.” No, no; what's right 
is right, and I never said sir to the bird, knowing very 
well that no man of a gentleman's rank would be 
hollering there at that time o' night. “Joseph Poorgrass 
of Weatherbury,”— that's every word I said, and 
I shouldn't ha' said that if 't hadn't been for Keeper 
Day's metheglin... There, 'twas a merciful thing it 
ended where it did.’ 
</p>
            <p>The question of which was right being tacitly waived 
by the company, Jan went on meditatively: — 
</p>
            <p>‘And he's the fearfullest man, bain't ye, Joseph? 
Ay, another time ye were lost by Lambing-Down Gate, 
weren't ye, Joseph?’ 
</p>
            <p>‘I was,’ replied Poorgrass, as if there were some 
conditions too serious even for modesty to remember 
itself under, this being one. 
</p>
            <p>‘Yes; that were the middle of the night, too. The 
gate would not open, try how he would, and knowing 
there was the Devil's hand in it, he kneeled down.’ 
</p>
            <p>‘Ay,’ said Joseph, acquiring confidence from the 
warmth of the fire, the cider, and a perception of the 
narrative capabilities of the experience alluded to. 
</p>
            <p>‘My heart died within me, that time; but I kneeled 
down and said the Lord's Prayer, and then the Belief 
right through, and then the Ten Commandments, in 
earnest prayer. But no, the gate wouldn't open; and 
then I went on with Dearly Beloved Brethren, and, 
thinks I, this makes four, and 'tis all I know out of 
book, and if this don't do it nothing will, and I'm a 
lost man. Well, when I got to <pb n="109"/>
Saying After Me, I 
rose from my knees and found the gate would open 
— yes, neighbours, the gate opened the same as ever.’ 
</p>
            <p>A meditation on the obvious inference was indulged 
in by all, and during its continuance each directed his 
vision into the ashpit, which glowed like a desert in 
the tropics under a vertical sun, shaping their eyes long 
and liny, partly because of the light, partly from the 
depth of the subject discussed. 
</p>
            <p>Gabriel broke the silence. ‘What sort of a place 
is this to live at, and what sort of a mis'ess is she to 
work under?’ Gabriel's bosom thrilled gently as he 
thus slipped under the notice of the assembly the innermost 
subject of his heart. 
</p>
            <p>‘We d'know little of her — nothing. She only 
showed herself a few days ago. Her uncle was took 
bad, and the doctor was called with his world-wide 
skill; but he couldn't save the man. As I take it, 
she's going to keep on the farm. 
</p>
            <p>‘That's about the shape o't, 'a b'lieve,’ said Jan 
Coggan.  ‘Ay, 'tis a very good family.  I'd as soon be under 
'em as under one here and there.  Her 
uncle was a very fair sort of man. Did ye know en, 
shepherd—a bachelor-man?’ 
</p>
            <p>‘Not at all.’ 
</p>
            <p>‘I used to go to his house a-courting my first wife, 
Charlotte, who was his dairymaid. Well, a very good-hearted 
man were Farmer Everdene, and I being a 
respectable young fellow was allowed to call and see 
her and drink as much ale as I liked, but not to carry 
away any — outside my skin I mane of course.’ 
</p>
            <p>‘Ay, ay, Jan Coggan; we know yer maning.’ 
</p>
            <p>‘And so you see 'twas beautiful ale, and I wished 
to value his kindness as much as I could, and not to 
be so ill-mannered as to drink only a thimbleful, which 
would have been insulting the man's generosity — —’ 
</p>
            <p>‘True, Master Coggan, 'twould so,’ corroborated 
Mark Clark. 
</p>
            <p>‘—  — And so I used to eat a lot of salt fish afore 
going, and then by the time I got there I were as dry 
as a lime-basket — so thorough dry that that ale would 
slip down  — ah, 'twould slip down sweet! Happy 
times! heavenly times! Such lovely drunks as I 
used to have at that house! You can mind, Jacob? 
You used to go wi' me sometimes.’ <pb n="110"/>
            </p>
            <p>‘I can — I can,’ said Jacob. ‘That one, too, that 
we had at Buck's Head on a White Monday was a 
pretty tipple.’ 
</p>
            <p>‘'Twas. But for a wet of the better class, that 
brought you no nearer to the horned man than you were 
afore you begun, there was none like those in Farmer 
Everdene's kitchen. Not a single damn allowed; no, 
not a bare poor one, even at the most cheerful moment 
when all were blindest, though the good old word of 
sin thrown in here and there at such times is a great 
relief to a merry soul.’ 
</p>
            <p>‘True,’ said the maltster. ‘Nater requires her 
swearing at the regular times, or she's not herself; and 
unholy exclamations is a necessity of life.’ 
</p>
            <p>‘But Charlotte,’ continued Coggan — ‘not a word of 
the sort would Charlotte allow, nor the smallest item of 
taking in vain... Ay, poor Charlotte, I wonder if she 
had the good fortune to get into Heaven when 'a died! 
But 'a was never much in luck's way, and perhaps 'a 
went downwards after all, poor soul.’ 
</p>
            <p>‘And did any of you know Miss Everdene's father 
and mother?’ inquired the shepherd, who found some 
difficulty in keeping the conversation in the desired 
channel. 
</p>
            <p>‘I knew them a little,’ said Jacob Smallbury; ‘but 
they were townsfolk, and didn't live here. They've 
been dead for years. Father, what sort of people were 
mis'ess' father and mother?’ 
</p>
            <p>‘Well,’ said the maltster, ‘he wasn't much to look 
at; but she was a lovely woman. He was fond enough 
of her as his sweetheart.’ 
</p>
            <p>‘Used to kiss her scores and long-hundreds o' times, 
so 'twas said,’ observed Coggan. 
</p>
            <p>‘He was very proud of her, too, when they were 
married, as I've been told,’ said the maltster. 
</p>
            <p>‘Ay,’ said Coggan. ‘He admired her so much that 
he used to light the candle three time a night to look 
at her.’ 
</p>
            <p>‘Boundless love; I shouldn't have supposed it in the 
universe!’ murmered Joseph Poorgrass, who habitually 
spoke on a large scale in his moral reflections. 
</p>
            <p>‘Well, to be sure,’ said Gabriel. 
</p>
            <p>‘Oh, 'tis true enough. I knowed the man and 
woman both well. Levi Everdene — that was the man's 
name, sure. “Man,” <pb n="111"/>
saith I in my hurry, but he were 
of a higher circle of life than that — 'a was a gentleman-tailor 
really, worth scores of pounds. And he became 
a very celebrated bankrupt two or three times.’ 
</p>
            <p>‘Oh, I thought he was quite a common man!’ said 
Joseph. 
</p>
            <p>‘O no, no! That man failed for heaps of money; 
hundreds in gold and silver.’ 
</p>
            <p>The maltster being rather short of breath, Mr Coggan, 
after absently scrutinising a coal which had fallen among 
the ashes, took up the narrative, with a private twirl of 
his eye: — 
</p>
            <p>‘Well, now, you'd hardly believe it, but that man — 
our Miss Everdene's father—was one of the ficklest 
husbands alive, after a while. Understand, 'a didn't 
want to be fickle, but he couldn't help it. The poor 
feller were faithful and true enough to her in his wish, 
but his heart would rove, do what he would. He spoke 
to me in real tribulation about it once. “Coggan,” 
he said, “I could never wish for a handsomer woman 
than I've got, but feeling she's ticketed as my lawful 
wife, I can't help my wicked heart wandering, do what 
I will.” But at last I believe he cured it by making her 
take off her wedding-ring and calling her by her maiden 
name as they sat together after the shop was shut, and 
so 'a would get to fancy she was only his sweetheart, and 
not married to him at all. And as soon as he could 
thoroughly fancy he was doing wrong and committing 
the seventh, 'a got to like her as well as ever, and they 
lived on a perfect picture of mutel love.’ 
</p>
            <p>‘Well, 'twas a most ungodly remedy,’ murmured 
Joseph Poorgrass; ‘but we ought to feel deep cheerfulness 
that a happy Providence kept it from being any 
worse. You see, he might have gone the bad road and 
given his eyes to unlawfulness entirely — yes, gross unlawfulness, 
so to say it.’ 
</p>
            <p>‘You see,’ said Billy Smallbury, ‘The man's will was 
to do right, sure enough, but his heart didn't chime in.’ 
</p>
            <p>‘He got so much better, that he was quite godly 
in his later years, wasn't he, Jan?’ said Joseph Poorgrass. 
‘He got himself confirmed over again in a more 
serious way, and took to saying “Amen” almost as loud 
as the clerk, and he liked to copy comforting verses 
from the tombstones. He used, too, to hold the money-plate 
at Let Your Light so Shine, and stand <pb n="112"/>
godfather 
to poor little come-by-chance children; and he kept a 
missionary box upon his table to nab folks unawares 
when they called; yes, and he would-box the charity-boys' 
ears, if they laughed in church, till they could 
hardly stand upright, and do other deeds of piety 
natural to the saintly inclined.’ 
</p>
            <p>‘Ay, at that time he thought of nothing but high 
things,’ added Billy Smallbury. ‘One day Parson Thirdly 
met him and said, “Good-Morning, Mister Everdene; 'tis 
a fine day!” “Amen” said Everdene, quite absent-like, 
thinking only of religion when he seed a parson. 
Yes, he was a very Christian man.’ 
</p>
            <p>‘Their daughter was not at all a pretty chiel at that 
time,’ said Henery Fray. ‘Never should have thought 
she'd have growed up such a handsome body as she is.’ 
</p>
            <p>‘'Tis to be hoped her temper is as good as her face.’ 
</p>
            <p>‘Well, yes; but the baily will have most to do with 
the business and ourselves. Ah!’ Henery gazed into 
the ashpit, and smiled volumes of ironical knowledge. 
</p>
            <p>‘A queer Christian, like the Devil's head in a cowl, 
as the saying is,’ volunteered Mark Clark. 
</p>
            <p>‘He is,’ said Henery, implying that irony must cease 
at a certain point. ‘Between we two, man and man, I 
believe that man would as soon tell a lie Sundays as 
working-days — that I do so.’ 
</p>
            <p>‘Good faith, you do talk!’ said Gabriel. 
</p>
            <p>‘True enough,’ said the man of bitter moods, looking 
round upon the company with the antithetic laughter 
that comes from a keener appreciation of the miseries 
of life than ordinary men are capable of. ‘Ah, there's 
people of one sort, and people of another, but that man 
— bless your souls!’ 
</p>
            <p>Gabriel thought fit to change the subject. ‘You 
must be a very aged man, malter, to have sons growed 
mild and ancient,’ he remarked. 
</p>
            <p>‘Father's so old that 'a can't mind his age, can ye, 
father?’ interposed Jacob. ‘And he's growed terrible 
crooked too, lately,’ Jacob continued, surveying his 
father's figure, which <pb n="113"/>
was rather more bowed than his own. 
‘Really one may say that father there is three-double.’ 
</p>
            <p>‘Crooked folk will last a long while,’ said the maltster, 
grimly, and not in the best humour. 
</p>
            <p>‘Shepherd would like to hear the pedigree of yer 
life, father — wouldn't ye, shepherd?’ 
</p>
            <p>‘Ay, that I should,’ said Gabriel with the heartiness 
of a man who had longed to hear it for several months. 
‘What may your age be, malter?’ 
</p>
            <p>The maltster cleared his throat in an exaggerated 
form for emphasis, and elongating his gaze to the 
remotest point of the ashpit, said, in the slow speech 
justifiable when the importance of a subject is so 
generally felt that any mannerism must be tolerated 
in getting at it, ‘Well, I don't mind the year I were 
born in, but perhaps I can reckon up the places I've 
lived at, and so get it that way. I bode at Upper Longpuddle 
across there’ (nodding to the north) ‘till I were 
eleven. I bode seven at Kingsbere’ (nodding to the 
east) ‘where I took to malting. I went therefrom to 
Norcombe, and malted there two-and-twenty years, 
and-two-and-twenty years I was there turnip-hoeing and 
harvesting. Ah, I knowed that old place, Norcombe, 
years afore you were thought of, Master Oak’ (Oak smiled 
sincere belief in the fact). ‘Then I malted at Durnover 
four year, and four year turnip-hoeing; and 
I was fourteen times eleven months at Millpond St. 
Jude's’ (nodding north-west-by-north). ‘Old Twills 
wouldn't hire me for more than eleven months at a 
time, to keep me from being chargeable to the parish 
if so be I was disabled. Then I was three year at 
Mellstock, and I've been here one-and-thirty year come 
Candlemas. How much is that?‘ 
</p>
            <p>‘Hundred and seventeen,’ chuckled another old 
gentleman, given to mental arithmetic and little conversation, 
who had hitherto sat unobserved in a corner. 
</p>
            <p>‘Well, then, that's my age,’ said the maltster, emphatically. 
</p>
            <p>‘O no, father!’ said Jacob. ‘Your turnip-hoeing 
were in the summer and your malting in the winter of 
the same years, and ye don't ought to count-both halves 
father.’ <pb n="114"/>
            </p>
            <p>‘Chok' it all! I lived through the summers, didn't 
I? That's my question. I suppose ye'll say next I be 
no age at all to speak of?’ 
</p>
            <p>‘Sure we shan't,’ said Gabriel, soothingly. 
</p>
            <p>‘Ye be a very old aged person, malter,’ attested Jan 
Coggan, also soothingly. ‘We all know that, and y 
must have a wonderful talented constitution to be able 
to live so long, mustn't he, neighbours?’ 
</p>
            <p>‘True, true; ye must, malter, wonderful;’ said the 
meeting unanimously. 
</p>
            <p>The maltster, being now pacified, was even generous 
enough to voluntarily disparage in a slight degree the 
virtue of having lived a great many years, by mentioning 
that the cup they were drinking out of was three years 
older than he. 
</p>
            <p>While the cup was being examined, the end of 
Gabriel Oak's flute became visible over his smock-frock 
pocket, and Henery Fray exclaimed, ‘Surely, shepherd, 
I seed you blowing into a great flute by now at Casterbridge?’ 
</p>
            <p>‘You 
did,’ said Gabriel, blushing faintly. ‘I've been 
in great trouble, neighbours, and was driven to it. 
I used not to be soo poor as I be now.’ 
</p>
            <p>‘Never mind, heart!’ said Mark Clark.  ‘You should 
take it careless-like, shepherd and your time will come 
But we could thank ye for a tune, if ye bain't too 
tired?’ 
</p>
            <p>‘Neither drum nor trumpet have I heard since 
Christmas,’ said Jan Coggan. ‘Come, raise a tune, 
Master Oak!’ 
</p>
            <p>‘That I will,’ said Gabriel, pulling out his flute and 
putting it together. ‘A poor tool, neighbours; but 
such as I can do ye shall have and welcome.’ 
</p>
            <p>Oak then struck up ‘Jockey to the Fair,’ and played 
that sparkling melody three times through accenting the 
notes in the third round in a most artistic and lively 
manner by bending his body in small jerks and tapping 
with his foot to beat time. 
</p>
            <p>‘He can blow the flute very well — that 'a can,’ said 
a young married man, who having no individuality worth 
mentioning was known as ‘Susan Tall's husband.’ He 
continued, ‘I'd as lief as not be able to blow into a 
flute as well-as that.’ <pb n="115"/>
            </p>
            <p>‘He's a clever man, and 'tis a true comfort for us to 
have such a shepherd,’ murmured Joseph Poorgrass, in 
a soft cadence. ‘We ought to feel full o' thanksgiving 
that he's not a player of ba'dy songs instead of these 
merry tunes; for 'twould have been just as easy for God 
to have made the shepherd a loose low man — a man of 
iniquity, so to speak it — as what he is. Yes, for our wives' 
and daughters' sakes we should feel real thanksgiving.’ 
</p>
            <p>‘True, true, — real thanksgiving!’ dashed in Mark 
Clark conclusively, not feeling it to be of any consequence 
to his opinion that he had only heard about a 
word and three-quarters of what Joseph had said. 
</p>
            <p>‘Yes,’ added Joseph, beginning to feel like a man in 
the Bible; ‘for evil do thrive so in these times that ye 
may be as much deceived in the clanest shaved and 
whitest shirted man as in the raggedest tramp upon the 
turnpike, if I may term it so.’ 
</p>
            <p>‘Ay, I can mind yer face now, shepherd,’ said 
Henery Fray, criticizing Gabriel with misty eyes as he 
entered upon his second tune. ‘Yes — now I see 'ee 
blowing into the flute I know 'ee to be the same man 
I see play at Casterbridge, for yer mouth were scrimped 
up and yer eyes a-staring out like a strangled man's — 
just as they be now.’ 
</p>
            <p>‘'Tis a pity that playing the flute should make a man 
look such a scarecrow,’ observed Mr Mark Clark, with 
additional criticism of Gabriel's countenance, the latter 
person jerking out, with the ghastly grimace required by 
the instrument, the chorus of ‘Dame Durden! 
</p>
            <p>'Twas Moll and Bet, and Doll and Kate 
</p>
            <p>And Dor-othy Drag-gle Tail. 
</p>
            <p>‘I hope you don't mind that young man's bad 
manners in naming your features?’ whispered Joseph to 
Gabriel. 
</p>
            <p>‘Not at all,’ said Mr Oak. 
</p>
            <p>‘For by nature ye be a very handsome man, 
shepherd,’ continued Joseph Poorgrass, with winning 
sauvity. 
</p>
            <p>‘Ay, that ye be, shepherd,’ said the company. 
</p>
            <p>‘Thank you very much,’ said Oak, in the modest 
tone good <pb n="116"/>
manners demanded, thinking, however, that 
he would never let Bathsheba see him playing the 
flute; in this resolve showing a discretion equal to that 
related to its sagacious inventress, the divine Minerva 
herself. 
</p>
            <p>‘Ah, when I and my wife were married at Norcombe 
Church,’ said the old maltster, not pleased at finding 
himself left out of the subject ‘we were called the 
handsomest couple in the neighbourhood — everybody 
said so.’ 
</p>
            <p>‘Danged if ye bain't altered now, malter,’ said a voice 
with the vigour natural to the enunciation of a remarkably 
evident truism. It came from the old man in the 
background, whose offensiveness and spiteful ways were 
barely atoned for by the occasional chuckle he contributed 
to general laughs. 
</p>
            <p>‘O no, no,’ said Gabriel. 
</p>
            <p>‘Don't ye play no more shepherd,’  said Susan Tall's 
husband, the young married man who had spoken once 
before. ‘I must be moving and when there's tunes 
going on I seem as if hung in wires. If I thought after 
I'd left that music was still playing, and I not there, I 
should be quite melancholy-like.’ 
</p>
            <p>‘What's yer hurry then, Laban?’ inquired Coggan. 
‘You used to bide as late as the latest.’ 
</p>
            <p>‘Well, ye see, neighbours, I was lately married to a 
woman, and she's my vocation now, and so ye see —  — ’ 
The young man halted lamely. 
</p>
            <p>‘New Lords new laws, as the saying is, I suppose,’ 
remarked Coggan. 
</p>
            <p>‘Ay, 'a b'lieve — ha, ha!’ said Susan Tall's husband, 
in a tone intended to imply his habitual reception of 
jokes without minding them at all.  The young man 
then wished them good-night and withdrew. 
</p>
            <p>Henery Fray was the first to follow. Then Gabriel 
arose and went off with Jan Coggan, who had offered 
him a lodging. A few minutes later, when the remaining 
ones were on their legs and about to depart, Fray came 
back again in a hurry. Flourishing his finger ominously 
he threw a gaze teeming with tidings just where his eye 
alighted by accident, which happened to be in Joseph 
Poorgrass's face. <pb n="117"/>
            </p>
            <p>‘O — what's the matter, what's the matter, Henery?’ 
said Joseph, starting back. 
</p>
            <p>‘What's a-brewing, Henrey?’ asked Jacob and Mark 
Clark. 
</p>
            <p>‘Baily Pennyways — Baily Pennyways — I said so; yes, 
I said so!’ 
</p>
            <p>‘What, found out stealing anything?’ 
</p>
            <p>‘Stealing it is. The news is, that after Miss 
Everdene got home she went out again to see all was 
safe, as she usually do, and coming in found Baily 
Pennyways creeping down the granary steps with half a 
a bushel of barley. She fleed at him like a cat — never 
such a tomboy as she is — of course I speak with closed 
doors?’ 
</p>
            <p>‘You do — you do, Henery.’ 
</p>
            <p>‘She fleed at him, and, to cut a long story short, 
he owned to having carried off five sack altogether, upon 
her promising not to persecute him. Well, he's turned 
out neck and crop, and my question is, who's going to 
be baily now?’ 
</p>
            <p>The question was such a profound one that Henery 
was obliged to drink there and then from the large 
cup till the bottom was distinctly visible inside. Before 
he had replaced it on the table, in came the young man, 
Susan Tall's husband, in a still greater hurry. 
</p>
            <p>‘Have ye heard the news that's all over parish?’ 
</p>
            <p>‘About Baily Pennyways?’ 
</p>
            <p>‘But besides that?’ 
</p>
            <p>‘No — not a morsel of it!’ they replied, looking into 
the very midst of Laban Tall as if to meet his words 
half-way down his throat. 
</p>
            <p>‘What a night of horrors!’ murmured Joseph Poorgrass, 
waving his hands spasmodically. ‘I've had the 
news-bell ringing in my left ear quite bad enough for a 
murder, and I've seen a magpie all alone!’ 
</p>
            <p>‘Fanny Robin — Miss Everdene's youngest servant — 
can't be found. They've been wanting to lock up the 
door these two hours, but she isn't come in. And they 
don't know what to do about going to bed for fear of 
locking her out. They wouldn't be so concerned if she 
hadn't been noticed in such low spirits <pb n="118"/>
these last few 
days, and Maryann d'think the beginning of a crowner's 
inquest has happened to the poor girl.’ 
</p>
            <p>‘O — 'tis burned — 'tis burned!’ came from Joseph 
Poorgrass's dry lips. 
</p>
            <p>‘No — 'tis drowned!’ said Tall. 
</p>
            <p>‘Or 'tis her father's razor!’ suggested Billy Smallbury 
with a vivid sense of detail. 
</p>
            <p>‘Well — Miss Everdene wants to speak to one or two 
of us before we go to bed. What with this trouble about 
the baily, and now about the girl, mis'ess is almost wild.’ 
</p>
            <p>They all hastened up the lane to the farmhouse, 
excepting the old maltster, whom neither news, fire, 
rain, nor thunder could draw from his hole. There, as 
the others' footsteps died away he sat down again and 
continued gazing as usual into the furnace with his red, 
bleared eyes. 
</p>
            <p>From the bedroom window above their heads Bathsheba's 
head and shoulders, robed in mystic white, were 
dimly seen extended into the air. 
</p>
            <p>‘Are any of my men among you?’ she said anxiously. 
</p>
            <p>‘Yes, ma'am, several,’ said Susan Tall's husband. 
</p>
            <p>‘Tomorrow morning I wish two or three of you to 
make inquiries in the villages round if they have seen 
such a person as Fanny Robin. Do it quietly; there is 
no reason for alarm as yet. She must have left whilst 
we were all at the fire.’ 
</p>
            <p>‘I beg yer pardon, but had she any young man courting 
her in the parish, ma'am?‘ asked Jacob Smallbury. 
</p>
            <p>‘I don't know,’ said Bathsheba. 
</p>
            <p>‘I've never heard of any such thing, ma'am,’ said 
two or three. 
</p>
            <p>‘It is hardly likely, either,’ continued Bathsheba. 
‘For any lover of hers might have come to the house if 
he had been a respectable lad. The most mysterious 
matter connected with her absence — indeed, the only 
thing which gives me serious alarm — is that she was 
seen to go out of the house by Maryann with only her 
indoor working gown on — not even a bonnet.’ 
</p>
            <p>‘And you mean, ma'am, excusing my words, that a 
young <pb n="119"/>
woman would hardly go to see her young man 
without dressing up,’ said Jacob, turning his mental 
vision upon past experiences. ‘That's true — she would 
not, ma'am.’ 
</p>
            <p>‘She had, I think, a bundle, though I couldn't see 
very well,’ said a female voice from another window, 
which seemed that of Maryann. ‘But she had no 
young man about here. Hers lives in Casterbridge, and 
I believe he's a soldier.’ 
</p>
            <p>‘Do you know his name?’ Bathsheba said. 
</p>
            <p>‘No, mistress; she was very close about it.’ 
</p>
            <p>‘Perhaps I might be able to find out if I went to 
Casterbridge barracks,’ said William Smallbury. 
</p>
            <p>‘Very well; if she doesn't return tomorrow, mind 
you go there and try to discover which man it is, and 
see him. I feel more responsible than I should if she 
had had any friends or relations alive. I do hope she 
has come to no harm through a man of that kind... 
And then there's this disgraceful affair of the bailiff — 
but I can't speak of him now.’ 
</p>
            <p>Bathsheba had so many reasons for uneasiness that 
it seemed she did not think it worth while to dwell 
upon any particular one. ‘Do as I told you, then' 
she said in conclusion, closing the casement. 
</p>
            <p>‘Ay, ay, mistress; we will,’ they replied, and moved 
away. 
</p>
            <p>That night at Coggan's, Gabriel Oak, beneath the 
screen of closed eyelids, was busy with fancies, and full 
of movement, like a river flowing rapidly under its ice. 
Night had always been the time at which he saw Bathsheba 
most vividly, and through the slow hours of 
shadow he tenderly regarded her image now. It is 
rarely that the pleasures of the imagination will compensate 
for the pain of sleeplessness, but they possibly did 
with Oak to-night, for the delight of merely seeing her 
effaced for the time his perception of the great difference 
between seeing and possessing. 
</p>
            <p>He also thought of plans for fetching his few utensils 
and books from Norcombe. <title>The Young Man's Best 
Companion</title>, <title>The Farrier's Sure Guide</title>, <title>The Veterinary 
Surgeon</title>, <title>Paradise Lost</title>, <title>The Pilgrim's Progress</title>, <title>Robinson 
Crusoe</title>, Ash's <title>Dictionary</title>, and Walkingame's <title>Arithmetic</title>, 
constituted his library; <pb n="120"/>
and though a limited series, it was 
one from which he had acquired more sound information 
by diligent perusal than many a man of opportunities 
has done from a furlong of laden shelves. 
</p>
         </div>
         <div n="C9" type="chapter">
            <pb n="121"/>
            <head>THE HOMESTEAD — A VISITOR — HALF-CONFIDENCES</head>
            <p>By daylight, the bower of Oak's new-found mistress, 
Bathsheba Everdene, presented itself as a hoary building, 
of the early stage of Classic Renaissance as regards 
its architecture, and of a proportion which told at a 
glance that, as is so frequently the case, it had once 
been the manorial hall upon a small estate around it, 
now altogether effaced as a distinct property, and merged 
in the vast tract of a non-resident landlord, which comprised 
several such modest demesnes. 
</p>
            <p>Fluted pilasters, worked from the solid stone, 
decorated its front, and above the roof the chimneys 
were panelled or columnar, some coped gables with 
finials and like features still retaining traces of their 
Gothic extraction. Soft Brown mosses, like faded 
velveteen, formed cushions upon the stone tiling, and 
tufts of the houseleek or sengreen sprouted from the 
eaves of the low surrounding buildings. A gravel walk 
leading from the door to the road in front was encrusted 
at the sides with more moss — here it was a silver-green 
variety, the nut-brown of the gravel being visible to the 
width of only a foot or two in the centre. This circumstance, 
and the generally sleepy air of the whole prospect 
here, together with the animated and contrasting state 
of the reverse facade, suggested to the imagination that 
on the adaptation of the building for farming purposes 
the vital principles of the house had turned round inside 
its body to face the other way. Reversals of this kind, 
strange deformities, tremendous paralyses, are often seen 
to be inflicted by trade upon edifices — either individual 
or in the aggregate as streets and towns — which were 
originally planned for pleasure alone. 
</p>
            <p>Lively voices were heard this morning in the upper 
rooms, the main staircase to which was of hard oak, the 
balusters, heavy as bed-posts, being turned and moulded 
in the quaint <pb n="122"/>
fashion of their century, the handrail as 
stout as a parapet-top, and the stairs themselves continually 
twisting round like a person trying to look over 
his shoulder. Going up, the floors above were found 
to have a very irregular surface, rising to ridges, sinking 
into valleys; and being just then uncarpeted, the face 
of the boards was seen to be eaten into innumerable 
vermiculations.  Every window replied by a clang to 
the opening and shutting of every door, a tremble 
followed every bustling movement, and a creak accompanied 
a walker about the house like a spirit, wherever 
he went. 
</p>
            <p>In the room from which the conversation proceeded, 
Bathsheba and her servant-companion, Liddy Smallbury, 
were to be discovered sitting upon the floor, and 
sorting a complication of papers, books, bottles, and 
rubbish spread out thereon — remnants from the household 
stores of the late occupier. Liddy, the maltster's 
great-granddaughter, was about Bathsheba's equal in 
age, and her face was a prominent advertisement of the 
light-hearted English country girl.  The beauty her 
features might have lacked in form was amply made up 
for by perfection  of hue, which at this winter-time was 
the softened ruddiness on a surface of high rotundity 
that we meet with in a Terburg or a Gerard Douw; 
and, like the presentations of those great colourists, it 
was a face which kept well back from the boundary 
between comeliness and the ideal. Though elastic in 
nature she was less daring than Bathsheba, and occasionally 
showed some earnestness, which consisted half 
of genuine feeling, and half of mannerliness superadded 
by way of duty. 
</p>
            <p>Through a partly-opened door the noise of a scrubbing-brush 
led up to the charwoman, Maryann Money, a person 
who for a face had a circular disc, furrowed less by age 
than by long gazes of perplexity at distant objects. To 
think of her was to get good-humoured; to speak of 
her was to raise the image of a dried Normandy 
pippin. 
</p>
            <p>‘Stop your scrubbing a moment,’ said Bathsheba 
through the door to her. ‘I hear something.’ 
</p>
            <p>Maryann suspended the brush. <pb n="123"/>
            </p>
            <p>The tramp of a horse was apparent, approaching the 
front of the building. The paces slackened, turned in 
at the wicket, and, what was most unusual, came up 
the mossy path close to the door. The door was 
tapped with the end of a crop or stick. 
</p>
            <p>‘What impertinence!’ said Liddy, in a low voice. 
‘To ride up the footpath like that! Why didn't he 
stop at the gate? Lord! 'tis a gentleman! I see the 
top of his hat.’ 
</p>
            <p>‘Be quiet!’ said Bathsheba. 
</p>
            <p>The further expression of Liddy's concern was continued 
by aspect instead of narrative. 
</p>
            <p>‘Why doesn't Mrs Coggan go to the door?’ Bathsheba 
continued. 
</p>
            <p>Rat-tat-tat-tat, resounded more decisively from Bathsheba's 
oak. 
</p>
            <p>‘Maryann, you go!’ said she, fluttering under the 
onset of a crowd of romantic possibilities. 
</p>
            <p>‘O ma'am — see, here's a mess!’ 
</p>
            <p>The argument was unanswerable after a glance at 
Maryann. 
</p>
            <p>‘Liddy — you must,’ said Bathsheba. 
</p>
            <p>Liddy held up her hands and arms, coated with dust 
from the rubbish they were sorting, and looked imploringly 
at her mistress. 
</p>
            <p>‘There — Mrs Coggan is going!’ said Bathsheba, 
exhaling her relief in the form of a long breath which 
had lain in her bosom a minute or more. 
</p>
            <p>The door opened, and a deep voice said — 
</p>
            <p>‘Is Miss Everdene at home?’ 
</p>
            <p>‘I'll see, sir,’ said Mrs Coggan, and in a minute 
appeared in the room. 
</p>
            <p>‘Dear, what a thirtover place this world is!’ continued 
Mrs Coggan (a wholesome-looking lady who 
had a voice for each class of remark according to the 
emotion involved; who could toss a pancake or twirl 
a mop with the accuracy of pure mathematics, and 
who at this moment showed hands shaggy with fragments 
of dough and arms encrusted with flour). ‘I 
am never up to my elbows, Miss, in making a pudding 
but one of two things do happen — either my nose must 
needs begin <pb n="124"/>
tickling, and I can't live without scratching 
it, or somebody knocks at the door.  Here's Mr. 
Boldwood wanting to see you, Miss Everdene.’ 
</p>
            <p>A woman's dress being a part of her countenance, 
and any disorder in the one being of the same nature 
with a malformation or wound in the other, Bathsheba 
said at once — 
</p>
            <p>‘I can't see him in this state. Whatever shall I do?’ 
</p>
            <p>Not-at-homes were hardly naturalized in Weatherbury 
farmhouses, so Liddy suggested — ‘Say you're a fright 
with dust, and can't come down.’ 
</p>
            <p>‘Yes — that sounds very well,’ said Mrs Coggan, 
critically. 
</p>
            <p>‘Say I can't see him — that will do.’ 
</p>
            <p>Mrs Coggan went downstairs, and returned the 
answer as requested, adding, however, on her own 
responsibility, ‘Miss is dusting bottles, sir, and is quite 
a object — that's why 'tis.’ 
</p>
            <p>‘Oh, very well,’ said the deep voice indifferently. 
‘All I wanted to ask was, if anything had been heard 
of Fanny Robin?’ 
</p>
            <p>‘Nothing, sir — but we may know to-night. William 
Smallbury is gone to Casterbridge, where her young 
man lives, as is supposed, and the other men be inquiring 
about everywhere.’ 
</p>
            <p>The horse's tramp then recommenced and retreated, 
and the door closed. 
</p>
            <p>‘Who is Mr Boldwood?’ said Bathsheba. 
</p>
            <p>‘A gentleman-farmer at Little Weatherbury.’ 
</p>
            <p>‘Married?’ 
</p>
            <p>‘No, miss.’ 
</p>
            <p>‘How old is he?’ 
</p>
            <p>‘Forty, I should say — very handsome — rather 
stern-looking — and rich.’ 
</p>
            <p>‘What a bother this dusting is!  I am always in 
some unfortunate plight or other;' Bathsheba said, 
complainingly. ‘Why should he inquire aboat Fanny?’ 
</p>
            <p>‘Oh, because, as she had no friends in her childhood, 
he took her and put her to school, and got her her 
place here under your uncle. He's a very kind man 
that way, but Lord — there!’ 
</p>
            <p>‘What?’ 
</p>
            <p>‘Never was such a hopeless man for a woman! 
He's been <pb n="125"/>
courted by sixes and sevens — all the girls, 
gentle and simple, for miles round, have tried him. Jane 
Perkins worked at him for two months like a slave, 
and the two Miss Taylors spent a year upon him, 
and he cost Farmer Ives's daughter nights of tears 
and twenty pounds' worth of new clothes; but Lord — 
the money might as well have been thrown out of the 
window.’ 
</p>
            <p>A little boy came up at this moment and looked in 
upon them. This child was one of the Coggans, who, 
with the Smallburys, were as common among the 
families of this district as the Avons and Derwents 
among our rivers. He always had a loosened tooth or 
a cut finger to show to particular friends, which he did 
with an air of being thereby elevated above the common 
herd of afflictionless humanity — to which exhibition 
people were expected to say ‘Poor child!’ with a dash 
of congratulation as well as pity. 
</p>
            <p>‘I've got a pen-nee!’ said Master Coggan in a 
scanning measure. 
</p>
            <p>‘Well — who gave it you, Teddy?’ said Liddy. 
</p>
            <p>‘Mis-terr Bold-wood! He gave it to me for opening 
the gate.’ 
</p>
            <p>‘What did he say?’ 
</p>
            <p>‘He said “Where are you going, my little man?” 
and I said, “To Miss Everdene's please;” and he said, 
‘She is a staid woman, isn't she, my little man?’ and 
I said, “Yes.”’ 
</p>
            <p>‘You naughty child! What did you say that for?’ 
</p>
            <p>‘Cause he gave me the penny!’ 
</p>
            <p>‘What a pucker everything is in!’ said Bathsheba, 
discontentedly when the child had gone. ‘Get away, 
Maryann, or go on with your scrubbing, or do something! 
You ought to be married by this time, and not 
here troubling me!’ 
</p>
            <p>‘Ay, mistress — so I did. But what between the poor 
men I won't have, and the rich men who won't have me, 
I stand as a pelican in the wilderness!’ 
</p>
            <p>‘Did anybody ever want to marry you, miss?’ Liddy 
ventured to ask when they were again alone. ‘Lots of 
'em, I daresay.?’ 
</p>
            <p>Bathsheba paused, as if about to refuse a reply, but 
the temptation to say yes, since it was really in her 
power, was irresistible by aspiring virginity, in spite of 
her spleen at having been published as old. <pb n="126"/>
            </p>
            <p>‘A man wanted to once,’ she said, in a highly experienced 
tone and the image of Gabriel Oak, as the farmer, 
rose before her. 
</p>
            <p>‘How nice it must seem!’ said Liddy, with the fixed 
features of mental realization. ‘And you wouldn't have 
him?’ 
</p>
            <p>‘He wasn't quite good enough for me.’ 
</p>
            <p>‘How sweet to be able to disdain, when most of us 
are glad to say, “Thank you!” I seem I hear it. 
“No, sir — I'm your better,” or “Kiss my foot, sir; my 
face is for mouths of consequence.” And did you love 
him, miss?’ 
</p>
            <p>‘Oh, no. But I rather liked him.’ 
</p>
            <p>‘Do you now?’ 
</p>
            <p>‘Of course not — what footsteps are those I hear?’ 
</p>
            <p>Liddy looked from a back window into the courtyard 
behind, which was now getting low-toned and dim with 
the earliest films of night. A crooked file of men was 
approaching the back door. The whole string of trailing 
individuals advanced in the completest balance of intention, 
like the remarkable creatures known as Chain 
Salpae, which, distinctly organized in other respects, have 
one will common to a whole family. Some were, as 
usual, in snow-white smock-frocks of Russia duck, and 
some in whitey-brown ones of drabbet — marked on the 
wrists, breasts, backs, and sleeves with honeycomb-work. 
Two or three women in pattens brought up the rear. 
</p>
            <p>‘The Philistines be upon us,’ said Liddy, making her 
nose white against the glass. 
</p>
            <p>‘Oh, very well. Maryann, go down and keep them 
in the kitchen till I am dressed, and then show them in 
to me in the hall.’ 
</p>
         </div>
         <div n="C10" type="chapter">
            <pb n="127"/>
            <head>MISTRESS AND MEN</head>
            <p>HALF-AN-HOUR later Bathsheba, in finished dress, 
and followed by Liddy, entered the upper end of the old 
hall to find that her men had all deposited themselves on 
a long form and a settle at the lower extremity. She sat 
down at a table and opened the time-book, pen in her 
hand, with a canvas money-bag beside her. From this 
she poured a small heap of coin. Liddy chose a 
position at her elbow and began to sew, sometimes 
pausing and looking round, or with the air of a privileged 
person, taking up one of the half-sovereigns lying before 
her and surveying it merely as a work of art, while 
strictly preventing her countenance from expressing any 
wish to possess it as money. 
</p>
            <p>‘Now before I begin, men,’ said Bathsheba, ‘I have 
two matters to speak of. The first is that the bailiff is 
dismissed for thieving, and that I have formed a resolution 
to have no bailiff at all, but to manage everything 
with my own head and hands.’ 
</p>
            <p>The men breathed an audible breath of amazement. 
</p>
            <p>‘The next matter is, have you heard anything of 
Fanny?’ 
</p>
            <p>‘Nothing, ma'am. 
</p>
            <p>‘Have you done anything?’ 
</p>
            <p>‘I met Farmer Boldwood,’ said Jacob Smallbury, ‘and 
I went with him and two of his men, and dragged Newmill 
Pond, but we found nothing.’ 
</p>
            <p>‘And the new shepherd have been to Buck's Head, 
by Yalbury, thinking she had gone there, but nobody 
had seed her,’ said Laban Tall. 
</p>
            <p>‘Hasn't William Smallbury been to Casterbridge?’ 
</p>
            <p>‘Yes, ma'am, but he's not yet come home. He 
promised to be back by six.’ 
</p>
            <p>‘It wants a quarter to six at present,’ said Bathsheba, <pb n="128"/>
looking at her watch. ‘I daresay he'll be in directly. 
Well, now then’ — she looked into the book — ‘Joseph 
Poorgrass, are you there?’ 
</p>
            <p>‘Yes, sir — ma'am I mane,’ said the person addressed. 
‘I be the person name of Poorgrass.’ 
</p>
            <p>‘And what are you?’ 
</p>
            <p>‘Nothing in my own eye. In the eye of other people 
— well, I don't say it; though public thought will out.’ 
</p>
            <p>‘What do you do on the farm?’ 
</p>
            <p>‘I do do carting things all the year, and in seed time I 
shoots the rooks and sparrows, and helps at pig-killing, sir.’ 
</p>
            <p>‘How much to you?’ 
</p>
            <p>‘Please nine and ninepence and a good halfpenny 
where 'twas a bad one, sir — ma'am I mane.’ 
</p>
            <p>‘Quite correct. Now here are ten shillings in addition 
as a small present, as I am a new comer.’ 
</p>
            <p>Bathsheba blushed slightly at the sense of being 
generous in public, and Henery Fray, who had drawn 
up towards her chair, lifted his eyebrows and fingers to 
express amazement on a small scale. 
</p>
            <p>‘How much do I owe you — that man in the corner — 
what's your name?’ continued Bathsheba. 
</p>
            <p>‘Matthew Moon, ma'am,’ said a singular framework of 
clothes with nothing of any consequence inside them, 
which advanced with the toes in no definite direction 
forwards, but turned in or out as they chanced to swing. 
</p>
            <p>‘Matthew Mark, did you say? — speak out — I shall 
not hurt you,’ inquired the young farmer, kindly. 
</p>
            <p>‘Matthew Moon, memi,’ said Henery Fray, correctingly, 
from behind her chair, to which point he had 
edged himself. 
</p>
            <p>‘Matthew Moon,’ murmured Bathsheba, turning her 
bright eyes to the book. ‘Ten and twopence halfpenny 
is the sum put down to you, I see?’ 
</p>
            <p>‘Yes, mis'ess,’ said Matthew, as the rustle of wind 
among dead leaves. 
</p>
            <p>‘Here it is and ten shillings. Now the next — Andrew 
Randle, you are a new man, I hear. How come you to 
leave your last farm?’ <pb n="129"/>
            </p>
            <p>‘P-p-p-p-p-pl-pl-pl-pl-l-l-l-l-ease, ma'am, p-p-p-p-pl-pl-pl-pl-please, 
ma'am-please'm-please'm —’ 
</p>
            <p>‘'A's a stammering man, mem,’ said Henery Fray in 
an undertone, ‘and they turned him away because the 
only time he ever did speak plain he said his soul was 
his own, and other iniquities, to the squire. ‘A can cuss, 
mem, as well as you or I, but 'a can't speak a common 
speech to save his life.’ 
</p>
            <p>‘Andrew Randle, here's yours — finish thanking me 
in a day or two. Temperance Miller — oh, here's another, 
Soberness — both women I suppose?’ 
</p>
            <p>‘Yes'm. Here we be, 'a b'lieve,’ was echoed in shrill 
unison. 
</p>
            <p>‘What have you been doing?’ 
</p>
            <p>‘Tending thrashing-machine and wimbling haybonds, 
and saying “Hoosh!” to the cocks and hens when they 
go upon your seeds and planting Early Flourballs and 
Thompson's Wonderfuls with a dibble.’ 
</p>
            <p>‘Yes — I see. Are they satisfactory women?’ she 
inquired softly of Henery Fray. 
</p>
            <p>‘O mem — don't ask me! Yielding women? — as 
scarlet a pair as ever was!’ groaned Henery under his 
breath. 
</p>
            <p>‘Sit down.’ 
</p>
            <p>‘Who, mem?’ 
</p>
            <p>‘Sit down,’ 
</p>
            <p>Joseph Poorgrass, in the background, twitched, and 
his lips became dry with fear of some terrible consequences, 
as he saw Bathsheba summarily speaking, and 
Henery slinking off to a corner. 
</p>
            <p>‘Now the next. Laban Tall, you'll stay on working 
for me?’ 
</p>
            <p>‘For you or anybody that pays me well, ma'am,’ 
replied the young married man. 
</p>
            <p>‘True — the man must live!’ said a woman in the 
back quarter, who had just entered with clicking pattens. 
</p>
            <p>‘What woman is that?‘ Bathsheba asked. 
</p>
            <p>‘I be his lawful wife!’ continued the voice with 
greater prominence of manner and tone. This lady 
called herself five-and-twenty, looked thirty, passed as 
thirty-five, and was forty. She was a woman who never, 
like some newly married, showed <pb n="130"/>
conjugal tenderness in 
public, perhaps because she had none to show. 
</p>
            <p>‘Oh, you are,’ said Bathsheba. ‘Well, Laban, will 
you stay on?’ 
</p>
            <p>‘Yes, he'll stay, ma'am!’ said again the shrill tongue 
of Laban's lawful wife. 
</p>
            <p>‘Well, he can speak for himself, I suppose.’ 
</p>
            <p>‘O Lord, not he, ma'am! A simple tool. Well 
enough, but a poor gawkhammer mortal,’ the wife replied 
</p>
            <p>‘Heh-heh-heh!’ laughed the married man with a 
hideous effort of appreciation, for he was as irrepressibly 
good-humoured under ghastly snubs as a parliamentary 
candidate on the hustings. 
</p>
            <p>The names remaining were called in the same 
manner. 
</p>
            <p>‘Now I think I have done with you,’ said Bathsheba, 
closing the book and shaking back a stray twine of hair. 
‘Has William Smallbury returned?’ 
</p>
            <p>‘No, ma'am.’ 
</p>
            <p>‘The new shepherd will want a man under him,’ 
suggested Henery Fray, trying to make himself official 
again by a sideway approach towards her chair. 
</p>
            <p>‘Oh — he will. Who can he have?’ 
</p>
            <p>‘Young Cain Ball is a very good lad,’ Henery said, 
‘and Shepherd Oak don't mind his youth?’ he added, 
turning with an apologetic smile to the shepherd, who 
had just appeared on the scene, and was now leaning 
against the doorpost with his arms folded. 
</p>
            <p>‘No, I don't mind that,’ said Gabriel. 
</p>
            <p>‘How did Cain come by such a name?’ asked 
Bathsheba. 
</p>
            <p>‘Oh you see, mem, his pore mother, not being a 
Scripture-read woman made a mistake at his christening, 
thinking 'twas Abel killed Cain, and called en Cain, 
but 'twas too late, for the name could never be got rid 
of in the parish. 'Tis very unfortunate for the boy.’ 
</p>
            <p>‘It is rather unfortunate.’ 
</p>
            <p>‘Yes. However, we soften it down as much as we 
can, and call him Cainey. Ah, pore widow-woman! 
she cried her heart <pb n="131"/>
out about it almost. She was 
brought up by a very heathen father and mother, who 
never sent her to church or school, and it shows how 
the sins of the parents are visited upon the children, 
mem.’ 
</p>
            <p>Mr Fray here drew up his features to the mild degree 
of melancholy required when the persons involved in 
the given misfortune do not belong to your own family. 
</p>
            <p>‘Very well then, Cainey Ball to be under-shepherd 
And you quite understand your duties? — you I mean, 
Gabriel Oak?’ 
</p>
            <p>‘Quite well, I thank you Miss Everdene,’ said 
Shepard Oak from the doorpost. ‘If I don't, I'll 
inquire.’ Gabriel was rather staggered by the remarkable 
coolness of her manner. Certainly nobody without 
previous information would have dreamt that Oak and 
the handsome woman before whom he stood had ever 
been other than strangers. But perhaps her air was 
the inevitable result of the social rise which had advanced 
her from a cottage to a large house and fields. The 
case is not unexampled in high places. When, in the 
writings of the later poets, Jove and his family are found 
to have moved from their cramped quarters on the peak 
of Olympus into the wide sky above it, their words show 
a proportionate increase of arrogance and reserve. 
Footsteps were heard in the passage, combining in 
their character the qualities both of weight and measure, 
rather at the expense of velocity. 
</p>
            <p>(All.) ‘Here's Billy Smallbury come from Casterbridge.’ 
</p>
            <p>‘And what's the news?’ said Bathsheba, as William, 
after marching to the middle of the hall, took a handkerchief 
from his hat and wiped his forehead from its 
centre to its remoter boundaries. 
</p>
            <p>‘I should have been sooner, miss,’ he said, ‘if it 
hadn't been for the weather.’ He then stamped with 
each foot severely, and on looking down his boots were 
perceived to be clogged with snow. 
</p>
            <p>‘Come at last, is it?’ said Henery. 
</p>
            <p>‘Well, what about Fanny?’ said Bathsheba. 
</p>
            <p>‘Well, ma'am, in round numbers, she's run away with 
the soldiers,’ said William. <pb n="132"/>
            </p>
            <p>‘No; not a steady girl like Fanny!’ 
</p>
            <p>‘I'll tell ye all particulars. When I got to Caster, 
bridge Barracks, they said, “The Eleventh Dragoon-Guards 
be gone away, and new troops have come.” 
The Eleventh left last week for Melchester and onwards. 
The Route came from Government like a thief in the 
night, as is his nature to, and afore the Eleventh knew 
it almost, they were on the march. They passed near 
here.’ 
</p>
            <p>Gabriel had listened with interest. ‘I saw them go,’ 
he said. 
</p>
            <p>‘Yes,’ continued William, ‘they pranced down the 
street playing “The Girl I Left Behind Me,” so 'tis 
said, in glorious notes of triumph. Every looker-on's 
inside shook with the blows of the great drum to his 
deepest vitals, and there was not a dry eye throughout 
the town among the public-house people and the nameless 
women!’ 
</p>
            <p>‘But they're not gone to any war?’ 
</p>
            <p>‘No, ma'am; but they be gone to take the places 
of them who may, which is very close connected. And 
so I said to myself, Fanny's young man was one of the 
regiment, and she's gone after him. There, ma'am, 
that's it in black and white.’ 
</p>
            <p>‘Did you find out his name?’ 
</p>
            <p>‘No; nobody knew it.  I believe he was higher 
in rank than a private.’ 
</p>
            <p>Gabriel remained musing and said nothing, for he 
was in doubt. 
</p>
            <p>‘Well, we are not likely to know more to-night, at 
any rate,’ said Bathsheba. ‘But one of you had better 
run across to Farmer Boldwood's and tell him that 
much.’ 
</p>
            <p>She then rose; but before retiring, addressed a few 
words to them with a pretty dignity, to which her 
mourning dress added a soberness that was hardly to 
be found in the words themselves. 
</p>
            <p>‘Now mind, you have a mistress instead of a master. 
I don't yet know my powers or my talents in farming; 
but I shall do my best, and if you serve me well, so 
shall I serve you. Don't any unfair ones among you 
(if there are any such, but I hope not) suppose that 
because I'm a woman I don't understand the difference 
between bad goings-on and good.’ <pb n="133"/>
            </p>
            <p>(All.) ‘No'm!’ 
</p>
            <p>(Liddy.) ‘Excellent well said.’ 
</p>
            <p>‘I shall be up before you are awake; I shall be 
afield before you are up; and I shall have breakfasted 
before you are afield. In short, I shall astonish you all. 
</p>
            <p>(All.) ‘Yes'm!’ 
</p>
            <p>‘And so good-night.’ 
</p>
            <p>(All.) ‘Good-night, ma'am.’ 
</p>
            <p>Then this small thesmothete stepped from the table, 
and surged out of the hall, her black silk dress licking 
up a few straws and dragging them along with a scratching 
noise upon the floor. Liddy, elevating her feelings 
to the occasion from a sense of grandeur, floated off 
behind Bathsheba with a milder dignity not entirely 
free from travesty, and the door was closed. 
</p>
         </div>
         <div n="C11" type="chapter">
            <pb n="134"/>
            <head>OUTSIDE THE BARRACKS — SNOW — A MEETING</head>
            <p>FOR dreariness nothing could surpass a prospect in the 
outskirts of a certain town and military station, many 
miles north of Weatherbury, at a later hour on this 
same snowy evening — if that may be called a prospect 
of which the chief constituent was darkness. 
</p>
            <p>It was a night when sorrow may come to the 
brightest without causing any great sense of incongruity: 
when, with impressible persons, love becomes solicitousness, 
hope sinks to misgiving, and faith to hope: when 
the exercise of memory does not stir feelings of regret 
at opportunities for ambition that have been passed by, 
and anticipation does not prompt to enterprise. 
</p>
            <p>The scene was a public path, bordered on the left 
hand by a river, behind which rose a high wall. On 
the right was a tract of land, partly meadow and partly 
moor, reaching, at its remote verge, to a wide undulating 
upland. 
</p>
            <p>The changes of the seasons are less obtrusive on 
spots of this kind than amid woodland scenery. Still, 
to a close observer, they are just as perceptible; the 
difference is that their media of manifestation are less 
trite and familiar than such well-known ones as the 
bursting of the buds or the fall of the leaf. Many are 
not so stealthy and gradual as we may be apt to 
imagine in considering the general torpidity of a moor 
or waste. Winter, in coming to the country hereabout, 
advanced in well-marked stages, wherein might have 
been successively observed the retreat of the snakes, 
the transformation of the ferns, the filling of the pools, 
a rising of fogs, the embrowning by frost, the collapse 
of the fungi, and an obliteration by snow. 
</p>
            <p>This climax of the series had been reached to-night on 
the aforesaid moor, and for the first time in the season 
its <pb n="135"/>
irregularities were forms without features; suggestive 
of anything, proclaiming nothing, and without more 
character than that of being the limit of something 
else — the lowest layer of a firmament of snow. From 
this chaotic skyful of crowding flakes the mead and 
moor momentarily received additional clothing, only 
to appear momentarily more naked thereby. The vast 
arch of cloud above was strangely low, and formed as 
it were the roof of a large dark cavern, gradually sinking 
in upon its floor; for the instinctive thought was that 
the snow lining the heavens and that encrusting the 
earth would soon unite into one mass without any 
intervening stratum of air at all. 
</p>
            <p>We turn our attention to the left-hand characteristics; 
which were flatness in respect of the river, verticality 
in respect of the wall behind it, and darkness as to 
both. These features made up the mass. If anything 
could be darker than the sky, it was the wall, and if any 
thing could be gloomier than the wall it was the river 
beneath. The indistinct summit of the facade was 
notched and pronged by chimneys here and there, and 
upon its face were faintly signified the oblong shapes 
of windows, though only in the upper part. Below, 
down to the water's edge, the flat was unbroken by 
hole or projection. 
</p>
            <p>An indescribable succession of dull blows, perplexing 
in their regularity, sent their sound with difficulty 
through the fluffy atmosphere. It was a neighbouring 
clock striking ten. The bell was in the open air, and 
being overlaid with several inches of muffling snow, had 
lost its voice for the time. 
</p>
            <p>About this hour the snow abated: ten flakes fell 
where twenty had fallen, then one had the room of 
ten. Not long after a form moved by the brink of 
the river. 
</p>
            <p>By its outline upon the colourless background, a close 
observer might have seen that it was small. This was 
all that was positively discoverable, though it seemed 
human. 
</p>
            <p>The shape went slowly along, but without much 
exertion, for the snow, though sudden, was not as yet 
more than two inches deep. At this time some words 
were spoken aloud: — 
</p>
            <p>‘One. Two. Three. Four. Five.’ 
</p>
            <p>Between each utterance the little shape advanced 
about half a dozen yards. It was evident now that 
the windows high <pb n="136"/>
in the wall were being counted. 
The word 'Five' represented the fifth window from 
the end of the wall. 
</p>
            <p>Here the spot stopped, and dwindled smaller. The 
figure was stooping. Then a morsel of snow flew 
across the river towards the fifth window. It smacked 
against the wall at a point several yards from its mark. 
The throw was the idea of a man conjoined with the 
execution of a woman. No man who had ever seen bird, 
rabbit, or squirrel in his childhood, could possibly have 
thrown with such utter imbecility as was shown here. 
</p>
            <p>Another attempt, and another; till by degrees the 
wall must have become pimpled with the adhering 
lumps of snow.  At last one fragment struck the fifth 
window. 
</p>
            <p>The river would have been seen by day to be of 
that deep smooth sort which races middle and sides 
with the same gliding precision, any irregularities of 
speed being immediately corrected by a small whirlpool. 
Nothing was heard in reply to the signal but 
the gurgle and cluck of one of these invisible wheels — 
together with a few small sounds which a sad man 
would have called moans, and a happy man laughter — 
caused by the flapping of the waters against trifling 
objects in other parts of the stream. 
</p>
            <p>The window was struck again in the same manner. 
</p>
            <p>Then a noise was heard, apparently produced by 
the opening of the window. This was followed by a 
voice from the same quarter: 
</p>
            <p>‘Who's there?’ 
</p>
            <p>The tones were masculine, and not those of surprise. 
The high wall being that of a barrack, and marriage 
being looked upon with disfavour in the army, assignations 
and communications had probably been made 
across the river before tonight. 
</p>
            <p>‘Is it Sergeant Troy?’ said the blurred spot in the 
snow, tremulously. 
</p>
            <p>This person was so much like a mere shade upon 
the earth, and the other speaker so much a part of 
the building, that one would have said the wall was 
holding a conversation with the snow. <pb n="137"/>
            </p>
            <p>‘Yes,’ came suspiciously from the shadow. ‘What 
girl are you?’ 
</p>
            <p>‘O, Frank — don't you know me?’ said the spot. 
‘Your wife, Fanny Robin.’ 
</p>
            <p>‘Fanny!’ said the wall, in utter astonishment. 
</p>
            <p>‘Yes,’ said the girl, with a half-suppressed gasp of 
emotion. 
</p>
            <p>There was something in the woman's tone which is 
not that of the wife, and there was a manner in the man 
which is rarely a husband's. The dialogue went on: 
</p>
            <p>‘How did you come here?’ 
</p>
            <p>‘I asked which was your window. Forgive me!’ 
</p>
            <p>‘I did not expect you to-night. Indeed, I did not 
think you would come at all. It was a wonder you 
found me here. I am orderly to-morrow.’ 
</p>
            <p>‘You said I was to come.’ 
</p>
            <p>‘Well — I said that you might.’ 
</p>
            <p>‘Yes, I mean that I might. You are glad to see me, 
Frank?’ 
</p>
            <p>‘O yes — of course.’ 
</p>
            <p>‘Can you — come to me?’ 
</p>
            <p>‘My dear Fan, no! The bugle has sounded, the 
barrack gates are closed, and I have no leave. We are 
all of us as good as in the county gaol till to-morrow 
morning.’ 
</p>
            <p>‘Then I shan't see you till then!’ The words were 
in a faltering tone of disappointment. 
</p>
            <p>‘How did you get here from Weatherbury?’ 
</p>
            <p>‘I walked — some part of the way — the rest by the 
carriers.’ 
</p>
            <p>‘I am surprised.’ 
</p>
            <p>‘Yes — so am I. And Frank, when will it be?’ 
</p>
            <p>‘What?’ 
</p>
            <p>‘That you promised.’ 
</p>
            <p>‘I don't quite recollect.’ 
</p>
            <p>‘O You do! Don't speak like that. It weighs me 
to the earth. It makes me say what ought to be said 
first by you.’ 
</p>
            <p>‘Never mind — say it.’ 
</p>
            <p>‘O, must I? — it is, when shall we be married, 
Frank?’ 
</p>
            <p>‘Oh, I ‘see. Well —  you have to get proper 
clothes.’ 
</p>
            <p>‘I have money. Will it be by banns or license?’ <pb n="138"/>
            </p>
            <p>‘Banns, I should think.’ 
</p>
            <p>‘And we live in two parishes.’ 
</p>
            <p>‘Do we? What then?’ 
</p>
            <p>‘My lodgings are in St. Mary's, and this is not. So 
they will have to be published in both.’ 
</p>
            <p>‘Is that the law?’ 
</p>
            <p>‘Yes. O Frank — you think me forward, I am 
afraid! Don't, dear Frank — will you — for I love you so. 
And you said lots of times you would marry me, and 
and — I — I — I —  — ’ 
</p>
            <p>‘Don't cry, now! It is foolish. If I said so, of 
course I will.’ 
</p>
            <p>‘And shall I put up the banns in my parish, and will 
you in yours?’ 
</p>
            <p>‘Yes’ 
</p>
            <p>‘Tomorrow?’ 
</p>
            <p>‘Not tomorrow. We'll settle in a few days.’ 
</p>
            <p>‘You have the permission of the officers?’ 
</p>
            <p>‘No — not yet.’ 
</p>
            <p>‘O — how is it? You said you almost had before 
you left Casterbridge.’ 
</p>
            <p>‘The fact is, I forgot to ask. Your coming like this 
is so sudden and unexpected.’ 
</p>
            <p>‘Yes — yes — it is.  It was wrong of me to worry you. 
I'll go away now. Will you come,and see me to-morrow, 
at Mrs Twills's, in North Street? I don't like to come 
to the Barracks. There are bad women about, and they 
think me one.’ 
</p>
            <p>‘Quite, so. I'll come to you, my dear. Good-night.’ 
</p>
            <p>‘Good-night, Frank — good-night!’ 
</p>
            <p>And the noise was again heard of a window closing 
The little spot moved away. When she passed the 
corner a subdued exclamation was heard inside the 
wall. 
</p>
            <p>‘Ho — ho — Sergeant — ho — ho!’ An expostulation 
followed, but it was indistinct; and it became lost amid 
a low peal of laughter, which was hardly distinguishable 
from the gurgle of the tiny whirlpools outside. 
</p>
         </div>
         <div n="C12" type="chapter">
            <pb n="139"/>
            <head>FARMERS — A RULE — IN EXCEPTION</head>
            <p>THE first public evidence of Bathsheba's decision to 
be a farmer in her own person and by proxy no more 
was her appearance the following market-day in the 
cornmarket at Casterbridge. 
</p>
            <p>The low though extensive hall, supported by beams 
and pillars, and latterly dignified by the name of Corn Exchange, 
was thronged with hot men who talked among 
each other in twos and threes, the speaker of the minute 
looking sideways into his auditor's face and concentrating 
his argument by a contraction of one eyelid during delivery. 
The greater number carried in their hands 
ground-ash saplings, using them partly as walking-sticks 
and partly for poking up pigs, sheep, neighbours with 
their backs turned, and restful things in general, which 
seemed to require such treatment in the course of their 
peregrinations. During conversations each subjected 
his sapling to great varieties of usage — bending it round 
his back, forming an arch of it between his two hands, 
overweighting it on the ground till it reached nearly a 
semicircle; or perhaps it was hastily tucked under the 
arm whilst the sample-bag was pulled forth and a handful 
of corn poured into the palm, which, after criticism, 
was flung upon the floor, an issue of events perfectly 
well known to half-a-dozen acute town-bred fowls which 
had as usual crept into the building unobserved, and 
waited the fulfilment of their anticipations with a high-stretched 
neck and oblique eye. 
</p>
            <p>Among these heavy yeomen a feminine figure glided, 
the single one of her sex that the room contained. She 
was prettily and even daintily dressed. She moved 
between them as a chaise between carts, was heard after 
them as a romance after sermons, was felt among them 
like a breeze among furnaces. It had required a little 
determination — far more than she had at <pb n="140"/>
first imagined 
— to take up a position here, for at her first entry the 
lumbering dialogues had ceased, nearly every face had 
been turned towards her, and those that were already 
turned rigidly fixed there. 
</p>
            <p>Two or three only of the farmers were personally 
known to Bathsheba, and to these she had made her 
way. But if she was to be the practical woman she had 
intended to show herself, business must be carried on, 
introductions or none, and she ultimately acquired confidence 
enough to speak and reply boldly to men merely 
known to her by hearsay. Bathsheba too had her 
sample-bags, and by degrees adopted the professional 
pour into the hand — holding up the grains in her narrow 
palm for inspection, in perfect Casterbridge manner. 
</p>
            <p>Something in the exact arch of her upper unbroken 
row of teeth, and in the keenly pointed corners of her 
red mouth when, with parted lips, she somewhat 
defiantly turned up her face to argue a point with a 
tall man, suggested that there was potentiality enough 
in that lithe slip of humanity for alarming exploits of 
sex, and daring enough to carry them out. But her eyes 
had a softness — invariably a softness — which, had they 
not been dark, would have seemed mistiness; as they 
were, it lowered an expression that might have been 
piercing to simple clearness. 
</p>
            <p>Strange to say of a woman in full bloom and vigor, 
she always allowed her interlocutors to finish their statements 
before rejoining with hers. In arguing on prices, 
he held to her own firmly, as was natural in a dealer, 
and reduced theirs persistently, as was inevitable in a 
woman. But there was an elasticity in her firmness 
which removed it from obstinacy, as there was a <foreign xml:lang="fre">naïveté</foreign>
in her cheapening which saved it from meanness. 
</p>
            <p>Those of the farmers with whom she had no dealings 
(by far the greater part) were continually asking each 
other, ‘Who is she?’ The reply would be — 
‘Farmer Everdene's niece; took on Weatherbury 
Upper Farm; turned away the baily, and swears she'll do 
verything herself.’ 
</p>
            <p>The other man would then shake his head. <pb n="141"/>
            </p>
            <p>‘Yes, 'tis a pity she's so headstrong,’ the first would 
say. ‘But we ought to be proud of her here — she 
lightens up the old place. 'Tis such a shapely maid, 
however, that she'll soon get picked up.’ 
</p>
            <p>It would be ungallant to suggest that the novelty of 
her engagement in such an occupation had almost as 
much to do with the magnetism as had the beauty of 
her face and movements. However, the interest was 
general, and this Saturday's <foreign xml:lang="fre">début</foreign> in the forum, whatever 
it may have been to Bathsheba as the buying and selling 
farmer, was unquestionably a triumph to her as the 
maiden. Indeed, the sensation was so pronounced that 
her instinct on two or three occasions was merely to 
walk as a queen among these gods of the fallow, like a 
little sister of a little Jove, and‘to neglect closing prices 
altogether. 
</p>
            <p>The numerous evidences of her power to attract were 
only thrown into greater relief by a marked exception. 
Women seem to have eyes in their ribbons for such 
matters as these. Bathsheba, without looking within 
a right angle of him, was conscious of a black sheep 
among the flock. 
</p>
            <p>It perplexed her first. If there had been a respectable 
minority on either side, the case would have been 
most natural. If nobody had regarded her, she would 
have —taken the matter indifferently — such cases had 
occurred. If everybody, this man included, she would 
have taken it as a matter of course — people had done 
so before. But the smallness of the exception made the 
mystery. 
</p>
            <p>She soon knew thus much of the recusant's appearance. 
He was a gentlemanly man, with full and 
distinctly outlined Roman features, the prominences 
of which glowed in the sun with a bronze-like richness 
of tone. He was erect in attitude, and quiet in 
demeanour. One characteristic pre-eminently marked 
him — dignity. 
</p>
            <p>Apparently he had some time ago reached that 
entrance to middle age at which a man's aspect naturally 
ceases to alter for the term of a dozen years or so; and, 
artificially, a woman's does likewise.   Thirty-five and 
fifiy were his limits of variation — he might have been 
either, or anywhere between the two. 
</p>
            <p>It may be said that married men of forty are usually 
ready <pb n="142"/>
and generous enough to fling passing glances at 
any specimen of moderate beauty they may discern by 
the way. Probably, as with persons playing whist for 
love, the consciousness of a certain immunity under 
any circumstances from that worst possible ultimate, 
the having to pay, makes them unduly speculative. 
Bathsheba was convinced that this unmoved person 
was not a married man. 
</p>
            <p>When marketing was over, she rushed off to Liddy, 
who was waiting for her — beside the yellowing in which 
they had driven to town. The horse was put in, and 
on they trotted Bathsheba's sugar, tea, and drapery 
parcels being packed behind, and expressing in some 
indescribable manner, by their colour, shape, and 
general lineaments, that they were that young lady-farmer's 
property, and the grocer's and draper's no 
more. 
</p>
            <p>‘I've been through it, Liddy, and it is over. I shan't 
mind it again, for they will all have grown accustomed 
to seeing me there; but this morning it was as bad as 
being married — eyes everywhere!’ 
</p>
            <p>‘I knowed it would. be,’ Liddy said ‘Men be such 
a terrible class of society to look at a body.’ 
</p>
            <p>‘But there was one man who had more sense than 
to waste his time upon me.’ The information was put 
in this form that Liddy might not for a moment suppose 
her mistress was at all piqued. ‘A very good-looking 
man,’ she continued, ‘upright; about forty, I should 
think. Do you know at all who he could be?’ 
Liddy couldn't think. 
</p>
            <p>‘Can't you guess at all?’ said Bathsheba with some 
disappointment. 
</p>
            <p>‘I haven't a notion; besides, 'tis no difference, since 
he took less notice of you than any of the rest. Now, 
if he'd taken more, it would have mattered a great deal.’ 
Bathsheba was suffering from the reverse feeling just 
then, and they bowled along in silence. A low carriage, 
bowling along still more rapidly behind a horse of unimpeachable 
breed, overtook and passed them. 
</p>
            <p>‘Why, there he is!’ she said. 
Liddy looked. ‘That! That's Farmer Boldwood — 
of course <pb n="143"/>
'tis — the man you couldn't see the other day 
when he called.’ 
</p>
            <p>‘Oh, Farmer Boldwood,’ murmured Bathsheba, and 
looked at him as he outstripped them. The farmer had 
never turned his head once, but with eyes fixed on the 
most advanced point along the road, passed as unconsciously 
and abstractedly as if Bathshea and her charms 
were thin air. 
</p>
            <p>‘He's an interesting man — don't you think so?’ she 
remarked. 
</p>
            <p>‘O yes, very. Everybody owns it,’ replied Liddy. 
</p>
            <p>‘I wonder why he is so wrapt up and indifferent, and 
seemingly so far away from all he sees around him.’ 
</p>
            <p>‘It is said — but not known for certain — that he met 
with some bitter disappointment when he was a young 
man and merry. A woman jilted him, they say.’ 
</p>
            <p>‘People always say that — and we know very well 
women scarcely ever jilt men; 'tis the men who jilt us. 
I expect it is simply his nature to be so reserved.’ 
</p>
            <p>‘Simply his nature — I expect so, miss — nothing else 
in the world.’ 
</p>
            <p>‘Still, 'tis more romantic to think he has been served 
cruelly, poor thing! Perhaps, after all, he has! 
</p>
            <p>‘Depend upon it he has. O yes, miss, he has! I 
feel he must have.’ 
</p>
            <p>‘However, we are very apt to think extremes of 
people. I shouldn't wonder after all if it wasn't a 
little of both — just between the two — rather cruelly 
used and rather reserved.’ 
</p>
            <p>‘O dear no, miss — I can't think it between the 
two!’ 
</p>
            <p>‘That's most likely.’ 
</p>
            <p>‘Well, yes, so it is. I am convinced it is most likely. 
You may —  take my word, miss, that that's what's the 
matter with him.’ 
</p>
         </div>
         <div n="C13" type="chapter">
            <pb n="144"/>
            <head>SORTES SANCTORUM — THE VALENTINE</head>
            <p>IT was Sunday afternoon in the farmhouse, on the 
thirteenth of February. Dinner being over, Bathsheba, 
for want of a better companion, had asked Liddy to 
come and sit with her. The mouldy pile was dreary 
in winter-time before the candles were lighted and the 
shutters closed; the atmosphere of the place seemed 
as old as the walls; every nook behind the furniture 
had a temperature of its own, for the fire was not 
kindled in this part of the house early in the day; 
and Bathsheba's new piano, which was an old one 
in other annals, looked particularly sloping and out 
of level on the warped floor before night threw a 
shade over its less prominent angles and hid the 
unpleasantness. Liddy, like a little brook, though 
shallow, was always rippling; her presence had not so 
much weight as to task thought, and yet enough to 
exercise it. 
</p>
            <p>On the table lay an old quarto Bible, bound in 
leather. Liddy looking at it said, — 
</p>
            <p>‘Did you ever find out, miss, who you are going to 
marry by means of the Bible and key?’ 
</p>
            <p>‘Don't be so foolish, Liddy. As if such things 
could be.’ 
</p>
            <p>‘Well, there's a good deal in it, all the same.’ 
</p>
            <p>‘Nonsense, child.’ 
</p>
            <p>‘And it makes your heart beat fearful. Some believe 
in it; some don't; I do.’ 
</p>
            <p>‘Very well, let's try it,’ said Bathsheba, bounding 
from her seat with that total disregard of consistency 
which can be indulged in towards a dependent, and 
entering into the spirit of divination at once. ‘Go and 
get the front door key.’ 
</p>
            <p>Liddy fetched it. ‘I wish it wasn't Sunday,’ she 
said, on returning. ‘Perhaps 'tis wrong.’ 
</p>
            <p>‘What's right week days is right Sundays,’ replied her 
mistress in a tone which was a proof in itself. <pb n="145"/>
            </p>
            <p>The book was opened — the leaves, drab with age, 
being quite worn away at much-read verses by the forefingers 
of unpractised readers in former days, where they 
were moved along under the line as an aid to the vision. 
The special verse in the Book of Ruth was sought out 
by Bathsheba, and the sublime words met her eye. They 
slightly thrilled and abashed her. It was Wisdom in 
the abstract facing Folly in the concrete. Folly in the 
concrete blushed, persisted in her intention, and placed 
the key on the book. A rusty patch immediately upon 
the verse, caused by previous pressure of an iron 
substance thereon, told that this was not the first time 
the old volume had been used for the purpose. 
</p>
            <p>‘Now keep steady, and be silent,’ said Bathsheba. 
</p>
            <p>The verse was repeated; the book turned round; 
Bathsheba blushed guiltily. 
</p>
            <p>‘Who did you try?’ said Liddy curiously. 
</p>
            <p>‘I shall not tell you.’ 
</p>
            <p>‘Did you notice Mr Boldwood's doings in church 
this morning, miss?’ Liddy continued, adumbrating by 
the remark the track her thoughts had taken. 
</p>
            <p>‘No, indeed,’ said Bathsheba, with serene indifference 
</p>
            <p>‘His pew is exactly opposite yours, miss.’ 
</p>
            <p>‘I know it.’ 
</p>
            <p>‘And you did not see his goings on!’ 
</p>
            <p>‘Certainly I did not, I tell you.’ 
</p>
            <p>Liddy assumed a smaller physiognomy, and shut 
her lips decisively. 
</p>
            <p>This move was unexpected, and proportionately dis 
concerting. ‘What did he do?’ Bathsheba said perforce. 
</p>
            <p>‘Didn't turn his head to look at you once all the 
service. 
</p>
            <p>‘Why should he?’ again demanded her mistress, 
wearing a nettled look. ‘I didn't ask him to. 
</p>
            <p>‘Oh no. But everybody else was noticing you; and 
it was odd he didn't. There, 'tis like him. Rich and 
gentlemanly, what does he care?’ 
</p>
            <p>Bathsheba dropped into a silence intended to express 
that she had opinions on the matter too abstruse 
for Liddy's comprehension, rather than that she had 
nothing to say. <pb n="146"/>
            </p>
            <p>‘Dear me — I had nearly forgotten the valentine 
I bought yesterday,’ she exclaimed at length. 
</p>
            <p>‘Valentine! who for, miss?’ said Liddy. ‘Farmer 
Boldwood?’ 
</p>
            <p>It was the single name among all possible wrong 
ones that just at this moment seemed to Bathsheba 
more pertinent than the right. 
</p>
            <p>‘Well, no. It is only for little Teddy Coggan. 
have promised him something, and this will be a pretty 
surprise for him. Liddy, you may as well bring me 
my desk and I'll direct it at once.’ 
</p>
            <p>Bathsheba took from her desk a gorgeously illuminated 
and embossed design in post-octavo, which had 
been bought on the previous market-day at the chief 
stationer's in Casterbridge. In the centre was a small 
oval enclosure; this was left blank, that the sender 
might insert tender words more appropriate to the 
special occasion than any generalities by a printer 
could possibly be. 
</p>
            <p>‘Here's a place for writing,’ said Bathsheba. ‘What 
shall I put?’ 
</p>
            <p>‘Something of this sort, I should think,’ returned 
Liddy promptly: — 
</p>
            <l>‘The rose is red, </l>
            <l>The violet blue, </l>
            <l>Carnation's sweet, </l>
            <l>And so are you.’ 
</l>
            <p>‘Yes, that shall be it. It just suits itself to a chubby-faced 
child like him,’ said Bathsheba. She inserted the 
words in a small though legible handwriting; enclosed 
the sheet in an envelope, and dipped her pen for the 
direction. 
</p>
            <p>‘What fun it would be to send it to the stupid old 
Boldwood, and how he would wonder!’ said the 
irrepressible Liddy, lifting her eyebrows, and indulging 
in an awful mirth on the verge of fear as she thought 
of the moral and social magnitude of the man contemplated. 
</p>
            <p>Bathsheba paused to regard the idea at full length. 
Boldwood's had begun to be a troublesome image — a 
species of Daniel in her kingdom who persisted in 
kneeling eastward <pb n="147"/>
when reason and common sense 
said that he might just as well follow suit with the 
rest, and afford her the official glance of admiration 
which cost nothing at all. She was far from being 
seriously concerned about his nonconformity. Still, 
it was faintly depressing that the most dignified and 
valuable man in the parish should withhold his eyes, 
and that a girl like Liddy should talk about it. So 
Liddy's idea was at first rather harassing than piquant. 
</p>
            <p>‘No, I won't do that. He wouldn't see any humour 
in it.’ 
</p>
            <p>‘He'd worry to death,’ said the persistent Liddy. 
</p>
            <p>‘Really, I don't care particularly to send it to 
Teddy,’ remarked her mistress. ‘He's rather a naughty 
child sometimes.’ 
</p>
            <p>‘Yes — that he is.’ 
</p>
            <p>‘Let's toss as men do,’ said Bathsheba, idly. ‘Now 
then, head, Boldwood; tail, Teddy. No, we won't toss 
money on a Sunday, that would be tempting the devil 
indeed.’ 
</p>
            <p>‘Toss this hymn-book; there can't be no sinfulness 
in that, miss.’ 
</p>
            <p>‘Very well. Open, Boldwood — shut, Teddy. No; 
it's more likely to fall open. Open, Teddy — shut, 
Boldwood.’ 
</p>
            <p>The book went fluttering in the air and came down shut. 
Bathsheba, a small yawn upon her mouth, took the 
pen, and with off-hand serenity directed the missive to 
Boldwood. 
</p>
            <p>‘Now light a candle, Liddy. Which seal shall we 
use? Here's a unicorn's head —  there's nothing in 
that. What's this? — two doves — no. It ought to be 
something extraodinary, ought it not, Lidd? Here's 
one with a motto — I remember it is some funny one, 
but I can't read it. We'll try this, and if it doesn't 
do we'll have another.’ 
</p>
            <p>A large red seal was duly affixed. Bathsheba looked 
closely at the hot wax to discover the words. 
</p>
            <p>‘Capital!’ she exclaimed, throwing down the letter 
frolicsomely. ‘Twould upset the solemnity of a parson 
and clerk too.’ 
</p>
            <p>Liddy looked at the words of the seal, and read — 
</p>
            <p>‘MARRY ME.’ 
<pb n="148"/>
            </p>
            <p>The same evening the letter was sent, and was duly 
sorted in Casterbridge post-office that night, to be 
returned to Weatherbury again in the morning. 
</p>
            <p>So very idly and unreflectingly was this deed done. 
Of love as a spectacle Bathsheba had a fair knowledge; 
but of love subjectively she knew nothing. 
</p>
         </div>
         <div n="C14" type="chapter">
            <pb n="149"/>
            <head>EFFECT OF THE LETTER — SUNRISE</head>
            <p>AT dusk, on the evening of St. Valentine's Day, Boldwood 
sat down to supper as usual, by a beaming fire 
of aged logs. Upon the mantel-shelf before him was 
a time-piece, surmounted by a spread eagle, and upon 
the eagle's wings was the letter Bathsheba had sent. 
Here the bachelor's gaze was continually fastening 
itself, till the large red seal became as a blot of blood 
on the retina of his eye; and as he ate and drank he 
still read in fancy the words thereon, although they 
were too remote for his sight — 
</p>
            <p>‘MARRY ME.’ 
</p>
            <p>The pert injunction was like those crystal substances 
which, colourless themselves, assume the tone of objects 
about them. Here, in the quiet of Boldwood's parlour, 
where everything that was not grave was extraneous, 
and where the atmosphere was that of a Puritan Sunday 
lasting all the week, the letter and its dictum changed 
their tenor from the thoughtlessness of their origin to 
a deep solemnity, imbibed from their accessories 
now. 
</p>
            <p>Since the receipt of the missive in the morning, 
Boldwood had felt the symmetry of his existence to 
be slowly getting distorted in the direction of an ideal 
passion. The disturbance was as the first floating 
weed to Columbus — the contemptibly little suggesting 
possibilities of the infinitely great. 
</p>
            <p>The letter must have had an origin and a motive. 
That the latter was of the smallest magnitude compatible 
with its existence at all, Boldwood, of course, 
did not know. And such an explanation did not 
strike him as a possibility even. It is foreign to a 
mystified condition of mind to realize of the mystifier 
that the processes of approving a course suggested by 
circumstance, and of striking out a course from inner 
impulse, would look the same in the result. The vast 
difference between <pb n="150"/>
starting a train of events, and directing 
into a particular groove a series already started, is 
rarely apparent to the person confounded by the 
issue. 
</p>
            <p>When Boldwood went to bed he placed the valentine 
in the corner of the looking-glass. He was 
conscious of its presence, even when his back was 
turned upon it. It was the first time in Boldwood's 
life that such an event had occurred. The same 
fascination that caused him to think it an act which had 
a deliberate motive prevented him from regarding it as 
an impertinence. He looked again at the direction. 
The mysterious influences of night invested the writing 
with the presence of the unknown writer. Somebody's 
—some <hi>woman's</hi> — hand had travelled softly over the 
paper bearing his name; her unrevealed eyes had 
watched every curve as she formed it; her brain had 
seen him in imagination the while. Why should 
she have imagined him? Her mouth — were the lips 
red or pale, plump or creased? — had curved itself to a 
certain expression as the pen went on — the corners had 
moved with all their natural tremulousness: what had 
been the expression? 
</p>
            <p>The vision of the woman writing, as a supplement to 
the words written, had no individuality. She was a 
misty shape, and well she might be, considering that 
her original was at that moment sound asleep and 
oblivious of all love and letter-writing under the sky. 
Whenever Boldwood dozed she took a form, and comparatively 
ceased to be a vision: when he awoke there 
was the letter justifying the dream. 
</p>
            <p>The moon shone to-night, and its light was not of 
a customary kind. His window admitted only a 
reflection of its rays, and the pale sheen had that 
reversed direction which snow gives, coming upward 
and lighting up his ceiling in an unnatural way, casting 
shadows in strange places, and putting lights where 
shadows had used to be. 
</p>
            <p>The substance of the epistle had occupied him but 
little in comparison with the fact of its arrival. He 
suddenly wondered if anything more might be found in 
the envelope than what he had withdrawn. He jumped 
out of bed in the weird light, took the letter, pulled out 
the flimsy sheet, shook the envelope — searched it. 
Nothing more was there. Boldwood looked, as he <pb n="151"/>
had a hundred times the preceding day, at the insistent red 
seal: ‘Marry me,’ he said aloud. 
</p>
            <p>The solemn and reserved yeoman again closed the 
letter, and stuck it in the frame of the glass. In doing 
so he caught sight of his reflected features, wan in 
expression, and insubstantial in form. He saw how 
closely compressed was his mouth, and that his eyes 
were wide-spread and vacant. Feeling uneasy and dissatisfied 
with himself for this nervous excitability, he 
returned to bed. 
</p>
            <p>Then the dawn drew on. The full power of the 
clear heaven was not equal to that of a cloudy sky at 
noon, when Boldwood arose and dressed himself. He 
descended the stairs and went out towards the gate of 
a field to the east, leaning over which he paused and 
looked around. 
</p>
            <p>It was one of the usual slow sunrises of this time of 
the year, and the sky, pure violet in the zenith, was 
leaden to the northward, and murky to the east, where, 
over the snowy down or ewe-lease on Weatherbury 
Upper Farm, and apparently resting upon the ridge, the 
only half of the sun yet visible burnt rayless, like a red 
and flameless fire shining over a white hearthstone. 
The whole effect resembled a sunset as childhood 
resembles age. 
</p>
            <p>In other directions, the fields and sky were so much 
of one colour by the snow, that it was difficult in a 
hasty glance to tell whereabouts the horizon occurred; 
and in general there was here, too, that before-mentioned 
preternatural inversion of light and shade which attends 
the prospect when the garish brightness commonly in 
the sky is found on the earth, and the shades of earth 
are in the sky. Over the west hung the wasting moon, 
now dull and greenish-yellow, like tarnished brass. 
Boldwood was listlessly noting how the frost had 
hardened and glazed the surface of the snow, till it 
shone in the red eastern light with the polish of marble; 
how, in some portions of the slope, withered grass-bents, 
encased in icicles, bristled through the smooth wan 
coverlet in the twisted and curved shapes of old 
Venetian glass; and how the footprints of a few birds, 
which had hopped over the snow whilst it lay in the 
state of a soft fleece, were now frozen to a short permanency. <pb n="152"/>
A half-muffled noise of light wheels interrupted 
him. Boldwood turned back into the road. It was 
the mail-cart — a crazy, two-wheeled vehicle, hardly 
heavy enough to resist a puff of wind. The driver held 
out a letter. Boldwood seized it and opened it, expecting 
another anonymous one — so greatly are people's 
ideas of probability a mere sense that precedent will 
repeat itself. 
</p>
            <p>‘I don't think it is for you, sir,’ said the man, when 
he saw Boldwood's action. ‘Though there is no name 
I think it is for your shepherd.’ 
</p>
            <p>Boldwood looked then at the address — 
</p>
            <p/>
            <p>To the New Shepherd, 
</p>
            <p/>
            <p> Weatherbury Farm, 
</p>
            <p/>
            <p>  Near Casterbridge. 
</p>
            <p>‘Oh — what a mistake! — it is not mine. Nor is it 
for my shepherd. It is for Miss Everdene's.’ You had 
better take it on to him — Gabriel Oak — and say I opened 
it in mistake.‘ 
</p>
            <p>At this moment, on the ridge, up against the blazing 
sky, a figure was visible, like the black snuff in the 
midst of a candle-flame. Then it moved and began to 
bustle about vigorously from place to place, carrying 
square skeleton masses, which were riddled by the same 
rays. A small figure on all fours followed behind. The 
tall form was that of Gabriel Oak; the small one that 
of George; the articles in course of transit were hurdles. 
</p>
            <p>‘Wait,’ said Boldwood. ‘That's the man on the hill. 
I'll take the letter to him myself.‘ 
</p>
            <p>To Boldwood it was now no longer merely a letter to 
another man. It was an opportunity. Exhibiting a 
face pregnant with intention, he entered the snowy field. 
Gabriel, at that minute, descended the hill towards 
the right. The glow stretched down in this direction 
now, and touched the distant roof of Warren's Malthouse 
whither the shepherd was apparently bent:  Boldwood 
followed at a distance. 
</p>
         </div>
         <div n="C15" type="chapter">
            <pb n="153"/>
            <head>A MORNING MEETING — THE LETTER AGAIN</head>
            <p>THE scarlet and orange light outside the malthouse did 
not penetrate to its interior, which was, as usual, lighted 
by a rival glow of similar hue, radiating from the hearth. 
</p>
            <p>The maltster, after having lain down in his clothes 
for a few hours, was now sitting beside a three-legged 
table, breakfasting off bread and bacon. This was 
eaten on the plateless system, which is performed by 
placing a slice of bread upon the table, the meat flat 
upon the bread, a mustard plaster upon the meat, and 
a pinch of salt upon the whole, then cutting them 
vertically downwards with a large pocket-knife till wood 
is reached, when the severed lamp is impaled on the 
knife, elevated, and sent the proper way of food. 
</p>
            <p>The maltster's lack of teeth appeared not to sensibly 
diminish his powers as a mill. He had been without 
them for so many years that toothlessness was felt less 
to be a defect than hard gums an acquisition. Indeed, 
he seemed to approach the grave as a hyperbolic curve 
approaches a stmight line — less directly as he got nearer, 
till it was doubtful if he would ever reach it at all. 
</p>
            <p>In the ashpit was a heap of potatoes roasting, and a 
boiling pipkin of charred bread, called ‘coffee,’ for the 
benefit of whomsoever should call, for Warren's was a 
sort of clubhouse. used as an alternative to the inn. 
</p>
            <p>‘I say, says I, we get a fine day, and then down 
comes a snapper at night,’ was a remark now suddenly 
heard spreading into the malthouse from the door, which 
had been opened the previous moment. The form of 
Henery Fray advanced to the fire, stamping the snow 
from his boots when about half-way there. The speech 
and entry had not seemed to be at all an abrupt beginning 
to the maltster, introductory matter being often 
omitted in this neighbourhood, both from word and <pb n="154"/>
deed, and the maltster having the same latitude allowed 
him, did not hurry to reply. He picked up a fragment 
of cheese, by pecking upon it with his knife, as a butcher 
picks up skewers. 
</p>
            <p>Henery appeared in a drab kerseymere great-coat, 
buttoned over his smock-frock, the white skirts of the 
latter being visible to the distance of about a foot below 
the coat-tails, which, when you got used to the style of 
dress, looked natural enough, and even ornamental — it 
certainly was comfortable. 
</p>
            <p>Matthew Moon, Joseph Poorgrass, and other carters 
and waggoners followed at his heels, with great lanterns 
dangling from their hands, which showed that they had 
just come from the cart-horse stables, where they had 
been busily engaged since four o'clock that morning. 
</p>
            <p>‘And how is she getting on without a baily?’ the 
maltster inquired. 
</p>
            <p>Henery shook his head, and smiled one of the bitter 
smiles, dragging all the flesh of his forehead into a 
corrugated heap in the centre. 
</p>
            <p>‘She'll rue it — surely, surely!’ he said ‘Benjy 
Pennyways were not a true man or an honest baily — 
as big a betrayer as Joey Iscariot himself. But to think 
she can carr' on alone!’  He allowed his head to swing 
laterally three or four times in silence. ‘Never in all my 
creeping up — never!’ 
</p>
            <p>This was recognized by all as the conclusion of some 
gloomy speech which had been expressed in thought 
alone during the shake of the head; Henery meanwhile 
retained several marks of despair upon his face, to 
imply that they would be required for use again directly 
he should go on speaking. 
</p>
            <p>‘All will be ruined, and ourselves too, or there's no 
meat in gentlemen's houses!’ said Mark Clark. 
</p>
            <p>‘A headstrong maid, that's what she is — and won't 
listen to no advice at all. Pride and vanity have ruined 
many a cobbler's dog. Dear, dear, when I think o' it, 
I sorrows like a man in travel!’ 
</p>
            <p>‘True, Henery, you do, I've heard ye,’ said Joseph 
Poorgrass in a voice of thorough attestation, and with 
a wire-drawn smile of misery. 
</p>
            <p>‘'Twould do a martel man no harm to have what's 
under <pb n="155"/>
her bonnet,’ said Billy Smallbury, who had just 
entered, bearing his one tooth before him. ‘She can 
spaik real language, and must have some sense somewhere. 
Do ye foller me?’ 
</p>
            <p>‘I do: but no baily — I deserved that place,’ wailed 
Henery, signifying wasted genius by gazing blankly at 
visions of a high destiny apparently visible to him on 
Billy Smallbury's smock-frock. ‘There, 'twas to be, I 
suppose. Your lot is your lot, and Scripture is nothing; 
for if you do good you don't get rewarded according to 
your works, but be cheated in some mean way out of 
your recompense.’ 
</p>
            <p>‘No, no; I don't agree with'ee there,’ said Mark 
Clark. ‘God's a perfect gentleman in that respect.’ 
</p>
            <p>‘Good works good pay, so to speak it,’ attested 
Joseph Poorgrass. 
</p>
            <p>A short pause ensued, and as a sort of <foreign xml:lang="fre">entré</foreign>
Henery turned and blew out the lanterns, which the 
increase of daylight rendered no longer necessary even 
in the malthouse, with its one pane of glass. 
</p>
            <p>‘I wonder what a farmer-woman can want with a 
harpsichord, dulcimer, pianner, or whatever 'tis they d'call 
it?’ said the maltster. ‘Liddy saith she've a new one.’ 
</p>
            <p>‘Got a pianner?’ 
</p>
            <p>‘Ay. Seems her old uncle's things were not good 
enough for her. She've bought all but everything new. 
There's heavy chairs for the stout, weak and wiry ones 
for the slender; great watches, getting on to the size 
of clocks, to stand upon the chimbley-piece.’ 
</p>
            <p>‘Pictures, for the most part wonderful frames.’ 
</p>
            <p>‘And long horse-hair settles for the drunk, with horse-hair 
pillows at each end,’ said Mr Clark. ‘Likewise 
looking-glasses for the pretty, and lying books for the 
wicked.’ 
</p>
            <p>A firm loud tread was now heard stamping outside; 
the door was opened about six inches, and somebody on 
the other side exclaimed — 
</p>
            <p>‘Neighbours, have ye got room for a few new-born 
lambs?’ 
</p>
            <p>‘Ay, sure, shepherd,’ said the conclave. 
The door was flung back till it kicked the wall and 
trembled from top to bottom with the blow. Mr 
Oak appeared in the <pb n="156"/>
entry with a steaming face, haybands 
wound about his ankles to keep out the snow, a 
leather strap round his waist outside the smock-frock, 
and looking altogether an epitome of the world's health 
and vigour. Four lambs hung in various embarrassing 
attitudes over his shoulders, and the dog George, whom 
Gabriel had contrived to fetch from Norcombe, stalked 
solemnly behind. 
</p>
            <p>‘Well, Shepherd Oak, and how's lambing this year, 
if I mid say it?’ inquired Joseph Poorgrass. 
</p>
            <p>‘Terrible trying,‘said Oak. ‘I've been wet through 
twice a-day, either in snow or rain, this last fortnight. 
Cainy and I haven't tined our eyes to-night.’ 
</p>
            <p>‘A good few twins, too, I hear?’ 
</p>
            <p>‘Too many by half. Yes; 'tis a very queer lambing 
this year. We shan't have done by Lady Day.’ 
</p>
            <p>‘And last year 'twer all over by Sexajessamine 
Sunday,’ Joseph remarked. 
</p>
            <p>‘Bring on the rest, Cain,’ said Gabriel, ‘and then run 
back to the ewes. I'll follow you soon.’ 
Cainy Ball — a cheery-faced young lad, with a small 
circular orifice by way of mouth, advanced and deposited 
two others, and retired as he was bidden. Oak lowered 
the lambs from their unnatural elevation, wrapped them 
in hay, and placed them round the fire. 
</p>
            <p>‘We've no lambing-hut here, as I used to have at 
Norcombe,’ said Gabriel, ‘and 'tis such a plague to bring 
the weakly ones to a house. If 'twasn't for your place 
here, malter, I don't know what I should do! this keen 
weather. And how is it with you to-day, malter?’ 
</p>
            <p>‘Oh, neither sick nor sorry, shepherd; but no 
younger.’ 
</p>
            <p>‘Ay — I understand. 
</p>
            <p>‘Sit down, Shepherd Oak’, continued the ancient man 
of malt. ‘And how was the old place at Norcombe, 
when ye went for your dog? I should like to see the 
old familiar spot; but faith, I shouldn't know a soul 
there now.’ 
</p>
            <p>‘I suppose you wouldn't. 'Tis' altered very much.’ 
</p>
            <p>‘Is it true that Dicky Hill's wooden cider-house is 
pulled down?’ <pb n="157"/>
            </p>
            <p>‘O yes — years ago, and Dicky's cottage just above it.’ 
</p>
            <p>‘Well, to be sure!’ 
</p>
            <p>‘Yes; and Tompkins's old apple-tree is rooted that 
used to bear two hogsheads of cider; and no help from 
other trees.’ 
</p>
            <p>‘Rooted? — you don't say it! Ah! stirring times we 
live in — stirring times.’ 
</p>
            <p>‘And you can mind the old well that used to be in 
the middle of the place? That's turned into a solid 
iron pump with a large stone trough, and all complete.’ 
</p>
            <p>‘Dear, dear — how the face of nations alter, and 
what we live to see nowadays! Yes — and 'tis the same 
here. They've been talking but now of the mis'ess's 
strange doings.’ 
</p>
            <p>‘What have you been saying about her?’ inquired 
Oak, sharply turning to the rest, and getting very 
warm. 
</p>
            <p>‘These middle-aged men have been pulling her over 
the coals for pride and vanity,’ said Mark Clark; ‘but 
I say, let her have rope enough. Bless her pretty face 
shouldn't I like to do so — upon her cherry lips!’ 
The gallant Mark Clark here made a peculiar and well 
known sound with his own. 
</p>
            <p>‘Mark,’ said Gabriel, sternly, ‘now you mind this! 
none of that dalliance-talk — that smack-and-coddle style 
of yours — about Miss Everdene. I don't allow it. Do 
you hear?’ 
</p>
            <p>‘With all my heart, as I've got no chance,’ replied 
Mr Clark, cordially. 
</p>
            <p>‘I suppose you've been speaking against her?’ said 
Oak, turning to Joseph Poorgrass with a very grim 
look. 
</p>
            <p>‘No, no — not a word I — 'tis a real joyful thing that 
she's no worse, that's what I say,’ said Joseph, trembling 
and blushing with terror. ‘Matthew just said —  — ’ 
</p>
            <p>‘Matthew Moon, what have you been saying?’ asked 
Oak. 
</p>
            <p>‘I? Why ye know I wouldn't harm a worm — no, 
not one underground worm?’ said Matthew Moon, 
looking very uneasy. 
</p>
            <p>‘Well, somebody has — and look here, neighbours.’ 
Gabriel, though one of the quietest and most gentle 
men on earth, rose to the occasion, with martial 
promptness and vigour. ‘That's my fist.’ Here he 
placed his fist, rather smaller in size than a common 
loaf, in the mathematical centre of the maltster's little 
table, and with it gave a bump or two thereon, as if <pb n="158"/>
to ensure that their eyes all thoroughly took in the 
idea of fistiness before he went further. ‘Now — the 
first man in the parish that I hear prophesying bad of 
our mistress, why’ (here the fist was raised and let fall 
as T'hor might have done with his hammer in assaying 
it) — ‘he'll smell and taste that — or I'm a Dutchman.’ 
</p>
            <p>All earnestly expressed by their features that their 
minds did not wander to Holland for a moment on 
account of this statement, but were deploring the 
difference which gave rise to the figure; and Mark 
Clark cried ‘Hear, hear; just what I should ha' said.’ 
The dog George looked up at the same time after the 
shepherd's menace, and though he understood English 
but imperfectly, began to growl. 
</p>
            <p>‘Now, don't ye take on so, shepherd, and sit down!’ 
said Henery, with a deprecating peacefulness equal to 
anything of the kind in Christianity. 
</p>
            <p>‘We hear that ye be a extraordinary good and 
clever man, shepherd,’ said Joseph Poorgrass with 
considerable anxiety from behind the maltster's bedstead 
whither he had retired for safety. ‘'Tis a great 
thing to be clever, I'm sure,’ he added, making movements 
associated with states of mind rather than body; 
</p>
            <p>‘we wish we were, don't we, neighbours?’ 
</p>
            <p>‘Ay, that we do, sure,’ said Matthew Moon, with 
a small anxious laugh towards Oak, to show how very 
friendly disposed he was likewise. 
</p>
            <p>‘Who's been telling you I'm clever?’ said Oak. 
</p>
            <p>‘'Tis blowed about from pillar to post quite common,’ 
said Matthew. ‘We hear that ye can tell the t1me as 
well by the stars as we can by the sun and moon, 
shepherd.’ 
</p>
            <p>‘Yes, I can do a little that way,’ said Gabriel, as a 
man of medium sentiments on the subject. 
</p>
            <p>‘And that ye can make sun-dials, and prent folks' 
names upon their waggons almost like copper-plate, 
with beautiful flourishes, and great long tails. A 
excellent fine thing for ye to be such a clever man, 
shepherd. Joseph Poorgrass used to prent to Farmer 
James Everdene's waggons before you came, and 'a 
could never mind which way to turn the J's and E's 
— could ye, Joseph?’ Joseph shook his head to express 
how absolute was <pb n="159"/>
the fact that he couldn't. ‘And so 
you used to do 'em the wrong way, like this, didn't ye, 
Joseph?’ Matthew marked on the dusty floor with his 
whip-handle 
</p>
            <p>LAMES 
<note anchored="true">Above paragraph centered. The E in centered text is reversed</note>
            </p>
            <p>‘And how Farmer James would cuss, and call thee a 
fool, wouldn't he, Joseph, when 'a seed his name 
looking so inside-out-like?’ continued Matthew Moon 
with feeling. 
</p>
            <p>‘Ay — 'a would,’ said Joseph, meekly. ‘But, you see, 
I wasn't so much to blame, for them J's and E's be 
such trying sons o' witches for the memory to mind 
whether they face backward or forward; and I always 
had such a forgetful memory, too.’ 
</p>
            <p>‘'Tis a bad afiction for ye, being such a man of 
calamities in other ways.’ 
</p>
            <p>‘Well, 'tis; but a happy Providence ordered that it 
should be no worse, and I feel my thanks. As to 
shepherd, there, I'm sure mis'ess ought to have made 
ye her baily — such a fitting man for't as you be.’ 
</p>
            <p>‘I don't mind owning that I expected it,’ said Oak, 
frankly. ‘Indeed, I hoped for the place. At the same 
time, Miss Everdene has a right to be her own baily if 
she choose — and to keep me down to be a common 
shepherd only.’ Oak drew a slow breath, looked sadly 
into the bright ashpit, and seemed lost in thoughts not 
of the most hopeful hue. 
</p>
            <p>The genial warmth of the fire now began to stimulate 
the nearly lifeless lambs to bleat and move their limbs 
briskly upon the hay, and to recognize for the first time 
the fact that they were born. Their noise increased to a 
chorus of baas, upon which Oak pulled the milk-can from 
before the fire, and taking a small tea-pot from the pocket 
of his smock-frock, filled it with milk, and taught those of 
the helpless creatures which were not to be restored to 
their dams how to drink from the spout — a trick they 
acquired with astonishing aptitude. 
</p>
            <p>‘And she don't even let ye have the skins of the 
dead lambs, I hear?’ resumed Joseph Poorgrass, his 
eyes lingering on the operations of Oak with the necessary 
melancholy. 
</p>
            <p>‘I don't have them,’ said Gabriel. 
</p>
            <p>‘Ye be very badly used, shepherd,’ hazarded Joseph 
again, in <pb n="160"/>
the hope of getting Oak as an ally in lamentation 
after all. ‘I think she's took against ye — that 
I do.’ 
</p>
            <p>‘O no — not at all,’ replied Gabriel, hastily, and a 
sigh escaped him, which the deprivation of lamb skins 
could hardly have caused. 
</p>
            <p>Before any further remark had been added a shade 
darkened the door, and Boldwood entered the malthouse, 
bestowing upon each a nod of a quality between friendliness 
and condescension. 
</p>
            <p>‘Ah! Oak, I thought you were here,’ he said. ‘I 
met the mail-cart ten minutes ago, and a letter was put 
into my hand, which I opened without reading the 
address. I believe it is yours. You must excuse the 
accident please.’ 
</p>
            <p>‘O yes — not a bit of difference, Mr Boldwood — 
not a bit,’ said Gabriel, readily. He had not a correspondent 
on earth, nor was there a possible letter coming 
to him whose contents the whole parish would not have 
been welcome to persue. 
</p>
            <p>Oak stepped aside, and read the following in an 
unknown hand: — 
</p>
            <p>DEAR FRIEND, — I do not know your name, but I think 
these few lines will reach you, which I wrote to thank you 
for your kindness to me the night I left Weatherbury in a 
reckless way. I also return the money I owe you, which 
you will excuse my not keeping as a gift. All has ended 
well, and I am happy to say I am going to be married to 
the young man who has courted me for some time — Sergeant 
Troy, of the 11th Dragoon Guards, now quartered in this 
town. He would, I know, object to my having received 
anything except as a loan, being a man of great respectability 
and high honour — indeed, a nobleman by blood. 
</p>
            <p>I should be much obliged to you if you would keep the 
contents of this letter a secret for the present, dear friend. 
We mean to surprise Weatherbury by coming there soon 
as husband and wife, though I blush to state it to one nearly 
a stranger. The sergeant grew up in Weatherbury. Thanking 
you again for your kindness, 
</p>
            <p>I am, your sincere well-wisher, 
</p>
            <p>FANNY ROBIN 
</p>
            <p>‘Have you read it, Mr Boldwood?’ said Gabriel; 
</p>
            <p>‘if not, you had better do so. I know you are interested 
in Fanny Robin.’ <pb n="161"/>
            </p>
            <p>Boldwood read the letter and looked grieved. 
</p>
            <p>‘Fanny — poor Fanny! the end she is so confident 
of has not yet come, she should remember — and may 
never come. I see she gives no address.’ 
</p>
            <p>‘What sort of a man is this Sergeant Troy?’ said 
Gabriel. 
</p>
            <p>‘H'm — I'm afraid not one to build much hope upon 
in such a case as this,’ the farmer murmured, ‘though 
he's a clever fellow, and up to everything. A slight 
romance attaches to him, too. His mother was a French 
governess, and it seems that a secret attachment existed 
between her and the late Lord Severn. She was married 
to a poor medical man, and soon after an infant was 
horn; and while money was forthcoming all went on 
well. Unfortunately for her boy, his best friends died; 
and he got then a situation as second clerk at a lawyer's 
in Casterbridge. He stayed there for some time, and 
might have worked himself into a dignified position of 
some sort had he not indulged in the wild freak of 
enlisting. I have much doubt if ever little Fanny will 
surprise us in the way she mentions — very much doubt 
A silly girl! — silly girl!’ 
</p>
            <p>The door was hurriedly burst open again, and in 
came running Cainy Ball out of breath, his mouth red 
and open, like the bell of a penny trumpet, from which 
he coughed with noisy vigour and great distension of face. 
</p>
            <p>‘Now, Cain Ball,’ said Oak, sternly, ‘why will you 
run so fast and lose your breath so? I'm always telling 
you of it.’ 
</p>
            <p>‘Oh — I — a puff of mee breath — went — the — wrong 
way, please, Mister Oak, and made me cough — hok — 
hok!’ 
</p>
            <p>‘Well —  what have you come for?’ 
</p>
            <p>‘I've run to tell ye,’ said the junior shepherd, 
supporting his exhausted youthful frame against the 
doorpost, ‘that you must come directly. Two more ewes 
have twinned — that's what's the matter, Shepherd Oak.’ 
</p>
            <p>‘Oh, that's it,’ said Oak, jumping up, and dimissing 
for the present his thoughts on poor Fanny. ‘You are 
a good boy to run and tell me, Cain, and you shall 
smell a large plum pudding some day as a treat. But, 
before we go, Cainy, bring the tarpot, and we'll mark 
this lot and have done with 'em.’ <pb n="162"/>
Oak took from his illimitable pockets a marking iron, 
dipped it into the pot, and imprinted on the buttocks 
of the infant sheep the initials of her he delighted to 
muse on — ‘B. E.,’ which signified to all the region 
round that henceforth the lambs belonged to Farmer 
Bathsheba Everdene, and to no one else. 
</p>
            <p>‘Now, Cainy, shoulder your two, and off. Good 
morning, Mr Boldwood.’ The shepherd lifted the 
sixteen large legs and four small bodies he had himself 
brought, and vanished with them in the direction of 
the lambing field hard by — their frames being now in a 
sleek and hopeful state, pleasantly contrasting with their 
death's-door plight of half an hour before. 
Boldwood followed him a little way up the field, 
hesitated, and turned back. He followed him again 
with a last resolve, annihilating return. On approaching 
the nook in which the fold was constructed, the farmer 
drew out his pocket-book, unfastened it, and allowed it 
to lie open on his hand. A letter was revealed — Bathsheba's. 
</p>
            <p>‘I 
was going to ask you, Oak,’ he said, with unreal 
carelessness, ‘if you know whose writing this is?’ 
Oak glanced into the book, and replied instantly, 
with a flushed face, ‘Miss Everdene's.’ 
Oak had coloured simply at the consciousness of 
sounding her name. He now felt a strangely distressing 
qualm from a new thought. The letter could of course 
be no other than anonymous, or the inquiry would not 
have been necessary. 
</p>
            <p>Boldwood mistook his confusion: sensitive persons 
are always ready with their ‘Is it I?’ in preference to 
objective reasoning. 
</p>
            <p>‘The question was perfectly fair,’ he returned — and 
there was something incongruous in the serious earnestness 
with which he applied himself to an argument on 
a valentine. ‘You know it is always expected that 
privy inquiries will be made: that's where the — fun 
lies.’ If the word ‘fun’ had been ‘torture,’ it could 
not have been uttered with a more constrained and 
restless countenance than was Boldwood's then. 
</p>
            <p>Soon parting from Gabriel, the lonely and reserved 
man returned to his house to breakfast — feeling twinges 
of shame and regret at having so far exposed his mood 
by those fevered <pb n="163"/>
questions to a stranger. He again 
placed the letter on the mantelpiece, and sat down to 
think of the circumstances attending it by the light of 
Gabriel's information. 
</p>
         </div>
         <div n="C16" type="chapter">
            <pb n="164"/>
            <head>ALL SAINTS' AND ALL SOULS'</head>
            <p>ON a week-day morning a small congregation, consisting 
mainly of women and girls, rose from its knees 
in the mouldy nave of a church called All Saints', in 
the distant barrack-town before mentioned, at the end 
of a service without a sermon. They were about to 
disperse when a smart footstep, entering the porch and 
coming up the central passage, arrested their attention. 
The step echoed with a ring unusual in a church; it 
was the clink of spurs. Everybody looked. A young 
cavalry soldier in a red uniform, with the three chevrons 
of a sergeant upon his sleeve, strode up the aisle, with 
an embarrassment which was only the more marked 
by the intense vigour of his step, and by the determination 
upon his face to show none. A slight flush 
had mounted his cheek by the time he had run the 
gauntlet between these women; but, passing on through 
the chancel arch, he never paused till he came close 
to the altar railing. Here for a moment he stood 
alone. 
</p>
            <p>The officiating curate, who had not yet doffed his 
surplice, perceived the new-comer, and followed him 
to the communion-space. He whispered to the soldier, 
and then beckoned to the clerk, who in his turn 
whispered to an elderly woman, apparently his wife, and 
they also went up the chancel steps. 
</p>
            <p>‘'Tis a wedding!’ murmured some of the women, 
brightening. ‘Let's wait!’ 
</p>
            <p>The majority again sat down. 
There was a creaking of machinery behind, and 
some of the young ones turned their heads. From the 
interior face of the west wall of the tower projected a 
little canopy with a quarter-jack and small bell beneath 
it, the automaton being driven by the same clock 
machinery that struck the large bell in the tower. Between 
the tower and the church was a close screen, the 
door of which was kept shut during services, hiding 
this <pb n="165"/>
grotesque clockwork from sight. At present, however, 
the door was open, and the egress of the jack, the 
blows on the bell, and the mannikin's retreat into the 
nook again, were visible to many, and audible throughout 
the church. 
</p>
            <p>The jack had struck half-past eleven. 
</p>
            <p>‘Where's the woman?‘ whispered some of the 
spectators. 
</p>
            <p>The young sergeant stood still with the abnormal 
rigidity of the old pillars around. He faced the south-east, 
and was as silent as he was still. 
</p>
            <p>The silence grew to be a noticeable thing as the 
minutes went on, and nobody else appeared, and not a 
soul moved. The rattle of the quarter-jack again from 
its niche, its blows for three-quarters, its fussy retreat, 
were almost painfully abrupt, and caused many of the 
congregation to start palpably. 
</p>
            <p>‘I wonder where the woman is!’ a voice whispered 
again. 
</p>
            <p>There began now that slight shifting of feet, that 
artificial coughing among several, which betrays a 
nervous suspense. At length there was a titter. But 
the soldier never moved. There he stood, his face to 
the south-east, upright as a column, his cap in his hand. 
</p>
            <p>The clock ticked on. The women threw off their 
nervousness, and titters and giggling became more 
frequent. Then came a dead silence. Every one was 
waiting for the end. Some persons may have noticed 
how extraordinarily the striking of quarters seems to 
quicken the flight of time. It was hardly credible that 
the jack had not got wrong with the minutes when the 
rattle began again, the puppet emerged, and the four 
quarters were struck fitfully as before: One could almost 
be positive that there was a malicious leer upon 
the hideous creature's face, and a mischievous delight 
in its twitchings. Then followed the dull and remote 
resonance of the twelve heavy strokes in the tower 
above. The women were impressed, and there was no 
giggle this time. 
</p>
            <p>The clergyman glided into the vestry, and the clerk 
vanished. The sergeant had not yet turned; every 
woman in the church was waiting to see his face, and 
he appeared to know it. At last he did turn, and 
stalked resolutely down the nave, braving them all, 
with a compressed lip. Two bowed and toothless old <pb n="166"/>
almsmen then looked at each other and chuckled, 
innocently enough; but the sound had a strange weird 
effect in that place. 
</p>
            <p>Opposite to the church was a paved square, around 
which several overhanging wood buildings of old time 
cast a picturesque shade. The young man on leaving 
the door went to cross the square, when, in the middle, 
he met a little woman. The expression of her face, 
which had been one of intense anxiety, sank at the 
sight of his nearly to terror. 
</p>
            <p>‘Well?’ he said, in a suppressed passion, fixedly 
looking at her. 
</p>
            <p>‘O, Frank — I made a mistake! — I thought that 
church with the spire was All Saints', and I was at the 
door at half-past eleven to a minute as you said. 
waited till a quarter to twelve, and found then that I 
was in All Souls'. But I wasn't much frightened, for 
I thought it could be to-morrow as well.’ 
</p>
            <p>‘You fool, for so fooling me! But say no more.’ 
</p>
            <p>‘Shall it be to-morrow, Frank?’ she asked blankly. 
</p>
            <p>‘To-morrow!’ and he gave vent to a hoarse laugh. 
</p>
            <p>‘I don't go through that experience again for some 
time, I warrant you!’ 
</p>
            <p>‘But after all,’ she expostulated in a trembling voice, 
‘the mistake was not such a terrible thing! Now, dear 
Frank, when shall it be?’ 
</p>
            <p>‘Ah, when? God knows!’ he said, with a light 
irony, and turning from her walked rapidly away. 
</p>
         </div>
         <div n="C17" type="chapter">
            <pb n="167"/>
            <head>IN THE MARKET-PLACE</head>
            <p>ON Saturday Boldwood was in Casterbridge market 
house as usual, when the disturber of his dreams entered 
and became visible to him. Adam had awakened from 
his deep sleep, and behold! there was Eve. The 
farmer took courage, and for the first time really looked 
at her. 
</p>
            <p>Material causes and emotional effects are not to be 
arranged in regular equation. The result from capital 
employed in the production of any movement of a 
mental nature is sometimes as tremendous as the cause 
itself is absurdly minute. When women are in a freakish 
mood, their usual intuition, either from carelessness or 
inherent defect, seemingly fails to teach them this, and 
hence it was that Bathsheba was fated to be astonished 
today. 
</p>
            <p>Boldwood looked at her — not slily, critically, or 
understandingly, but blankly at gaze, in the way a 
reaper looks up at a passing train — as something foreign 
to his element, and but dimly understood. To Boldwood 
women had been remote phenomena rather than 
necessary complements — comets of such uncertain 
aspect, movement, and permanence, that whether 
their orbits were as geometrical, unchangeable, and 
as subject to laws as his own, or as absolutely erratic 
as they superficially appeared, he had not deemed it 
his duty to consider. 
</p>
            <p>He saw her black hair, her correct facial curves 
and profile, and the roundness of her chin and throat. 
He saw then the side of her eyelids, eyes, and lashes, 
and the shape of her ear. Next he noticed her figure, 
her skirt, and the very soles of her shoes. 
</p>
            <p>Boldwood thought her beautiful, but wondered 
whether he was right in his thought, for it seemed 
impossible that this romance in the flesh, if so sweet 
as he imagined, could have <pb n="168"/>
been going on long without 
creating a commotion of delight among men, and provoking 
more inquiry than Bathsheba had done, even 
though that was not a little. To the best of his judgment 
neither nature nor art could improve this perfect 
one of an imperfect many. His heart began to move 
within him. Boldwood, it must be remembered, though 
forty years of age, had never before inspected a woman 
with the very centre and force of his glance; they had 
struck upon all his senses at wide angles. 
</p>
            <p>Was she really beautiful? He could not assure 
himself that his opinion was true even now. He furtively 
said to a neighbour, ‘Is Miss Everdene considered 
handsome?’ 
</p>
            <p>‘O yes; she was a good deal noticed the first 
time she came, if you remember. A very handsome 
girl indeed.’ 
</p>
            <p>A man is never more credulous than in receiving 
favourable opinions on the beauty of a woman he is 
half, or quite, in love with; a mere child's word on the 
point has the weight of an R.A.'s. Boldwood was 
satisfied now. 
</p>
            <p>And this charming woman had in effect said to 
him, ‘Marry me.’ Why should she have done that 
strange thing? Boldwood's blindness to the difference 
between approving of what circumstances suggest, and 
originating what they do not suggest, was well matched 
by Bathsheba's insensibility to the possibly great issues 
of little beginnings. 
</p>
            <p>She was at this moment coolly dealing with a dashing 
young farmer, adding up accounts with him as indifferently 
as if his face had been the pages of a ledger. It 
was evident that such a nature as his had no attraction 
for a woman of Bathsheba's taste. But Boldwood grew 
hot down to his hands with an incipient jealousy; he 
trod for the first time the threshold of ‘the injured 
lover's hell.’ His first impulse was to go and thrust 
himself between them. This could be done, but only 
in one way — by asking to see a sample of her corn. 
Boldwood renounced the idea. He could not make 
the request; it was debasing loveliness to ask it to 
buy and sell, and jarred with his conceptions of her. 
</p>
            <p>All this time Bathsheba was conscious of having 
broken into that dignified stronghold at last. His 
eyes, she knew, were <pb n="169"/>
following her everywhere. This 
was a triumph; and had it come naturally, such a 
triumph would have been the sweeter to her for this 
piquing delay. But it had been brought about by 
misdirected ingenuity, and she valued it only as she 
valued an artificial flower or a wax fruit. 
</p>
            <p>Being a woman with some good sense in reasoning 
on subjects wherein her heart was not involved, Bathsheba 
genuinely repented that a freak which had owed 
its existence as much to Liddy as to herself, should 
ever have been undertaken, to disturb the placidity of 
a man she respected too highly to deliberately tease. 
</p>
            <p>She that day nearly formed the intention of begging 
his pardon on the very next occasion of their meeting. 
The worst features of this arrangement were that, if 
he thought she ridiculed him, an apology would increase 
the offence by being disbelieved; and if he 
thought she wanted him to woo her, it would read 
like additional evidence of her forwardness. 
</p>
         </div>
         <div n="C18" type="chapter">
            <pb n="170"/>
            <head>BOLDWOOD IN MEDITATION — REGRET</head>
            <p>BOLDWOOD was tenant of what was called Little 
Weatherbury Farm, and his person was the nearest approach 
to aristocracy that this remoter quarter of the 
parish could boast of. Genteel strangers, whose god 
was their town, who might happen to be compelled to 
linger about this nook for a day, heard the sound of 
light wheels, and prayed to see good society, to the 
degree of a solitary lord, or squire at the very least, 
but it was only Mr Boldwood going out for the day. 
They heard the sound of wheels yet once more, and 
were re-animated to expectancy: it was only Mr Boldwood 
coming home again. 
</p>
            <p>His house stood recessed from the road, and the 
stables, which are to a farm what a fireplace is to a 
room, were behind, their lower portions being lost 
amid bushes of laurel. Inside the blue door, open 
half-way down, were to be seen at this time the backs 
and tails of half-a-dozen warm and contented horses 
standing in their stalls; and as thus viewed, they presented 
alternations of roan and bay, in shapes like a 
Moorish arch, the tail being a streak down the midst 
of each. Over these, and lost to the eye gazing in 
from the outer light, the mouths of the same animals 
could be heard busily sustaining the above-named 
warmth and plumpness by quantities of oats and hay. 
The restless and shadowy figure of a colt wandered 
about a loose-box at the end, whilst the steady grind 
of all the eaters was occasionally diversified by the 
rattle of a rope or the stamp of a foot. 
</p>
            <p>Pacing up and down at the heels of the animals was 
Farmer Boldwood himself. This place was his almonry 
and cloister in one: here, after looking to the feeding 
of his four-footed dependants, the celibate would walk 
and meditate of an evening till the moon's rays streamed 
in through the cobwebbed windows, or total darkness 
enveloped the scene. <pb n="171"/>
            </p>
            <p>His square-framed perpendicularity showed more fully 
now than in the crowd and bustle of the market-house. 
In this meditative walk his foot met the floor with heel 
and toe simultaneously, and his fine reddish-fleshed face 
was bent downwards just enough to render obscure the 
still mouth and the well-rounded though rather prominent 
and broad chin. A few clear and thread-like horizontal 
lines were the only interruption to the otherwise smooth 
surface of his large forehead. 
</p>
            <p>The phases of Boldwood's life were ordinary enough, 
but his was not an ordinary nature. That stillness, 
which struck casual observers more than anything else 
in his character and habit, and seemed so precisely 
like the rest of inanition, may have been the perfect 
balance of enormous antagonistic forces — positives and 
negatives in fine adjustment. His equilibrium disturbed, 
he was in extremity at once. If an emotion possessed 
him at all, it ruled him; a feeling not mastering him 
was entirely latent. Stagnant or rapid, it was never 
slow. He was always hit mortally, or he was missed. 
</p>
            <p>He had no light and careless touches in his constitution, 
either for good or for evil. Stern in the outlines of 
action, mild in the details, he was serious throughout all. 
He saw no absurd sides to the follies of life, and thus, 
though not quite companionable in the eyes of merry 
men and scoffers, and those to whom all things show 
life as a jest, he was not intolerable to the earnest and 
those acquainted with grief. Being a man who read 
all the dramas of life seriously, if he failed to please 
when they were comedies, there was no frivolous treatment 
to reproach him for when they chanced to end 
tragically. 
</p>
            <p>Bathsheba was far from dreaming that the dark and 
silent shape upon which she had so carelessly thrown a 
seed was a hotbed of tropic intensity. Had she known 
Boldwood's moods, her blame would have been fearful, 
and the stain upon her heart ineradicable. Moreover, 
had she known her present power for good or evil over 
this man, she would have trembled at her responsibility. 
Luckily for her present, unluckily for her future tranquillity, 
her understanding had not yet told her what 
Boldwood was. Nobody knew entirely; for though it 
was possible to form guesses concerning his wild 
capabilities from old flood-marks <pb n="172"/>
faintly visible, he had never 
been seen at the high tides which caused them. 
</p>
            <p>Farmer Boldwood came to the stable-door and looked 
forth across the level fields. Beyond the first enclosure 
was a hedge, and on the other side of this a meadow 
belonging to Bathsheba's farm. 
</p>
            <p>It was now early spring — the time of going to grass 
with the sheep, when they have the first feed of the 
meadows, before these are laid up for mowing. The 
wind, which had been blowing east for several weeks, 
had veered to the southward, and the middle of spring 
had come abruptly — almost without a beginning. It 
was that period in the vernal quarter when we may 
suppose the Dryads to be waking for the season. The 
vegetable world begins to move and swell and the saps 
to rise, till in the completest silence of lone gardens 
and trackless plantations, where everything seems helpless 
and still after the bond and slavery of frost, there 
are bustlings, strainings, united thrusts, and pulls-all-together, 
in comparison with which the powerful tugs of 
cranes and pulleys in a noisy city are but pigmy efforts. 
</p>
            <p>Boldwood, looking into the distant meadows, saw 
there three figures. They were those of Miss Everdene, 
Shepherd Oak, and Cainy Ball. 
</p>
            <p>When Bathsheba's figure shone upon the farmer's 
eyes it lighted him up as the moon lights up a great 
tower. A man's body is as the shell; or the tablet, of 
his soul, as he is reserved or ingenuous, overflowing or 
self-contained. There was a  change in Boldwood's 
exterior from its former impassibleness; and his face 
showed that he was now living outside his defences 
for the first time, and with a fearful sense of exposure. 
It is the usual experience of strong natures when they 
love. 
</p>
            <p>At last he arrived at a conclusion. It was to go 
across and inquire boldly of her. 
</p>
            <p>The insulation of his heart by reserve during these 
many years, without a channel of any kind for disposable 
emotion, had worked its effect. It has been observed 
more than once that the causes of love are chiefly 
subjective, and Boldwood was a <pb n="173"/>
living testimony to 
the truth of the proposition. No mother existed to 
absorb his devotion, no sister for his tenderness, no 
idle ties for sense. He became surcharged with the 
compound, which was genuine lover's love. 
</p>
            <p>He approached the gate of the meadow. Beyond 
it the ground was melodious with ripples, and the sky 
with larks; the low bleating of the flock mingling with 
both. Mistress and man were engaged in the operation 
of making a lamb ‘take,’ which is performed whenever 
an ewe has lost her own offspring, one of the twins of 
another ewe being given her as a substitute. Gabriel 
had skinned the dead lamb, and was tying the skin 
over the body of the live lamb, in the customary manner, 
whilst Bathsheba was holding open a little pen of four 
hurdles, into which the Mother and foisted lamb were 
driven, where they would remain till the old sheep 
conceived an affection for the young one. 
</p>
            <p>Bathsheba looked up at the completion of the 
manouvre, and saw the farmer by the gate, where he 
was overhung by a willow tree in full bloom. Gabriel, 
to whom her face was as the uncertain glory of an April 
day, was ever regardful of its faintest changes, and 
instantly discerned thereon the mark of some influence 
from without, in the form of a keenly self-conscious 
reddening. He also turned and beheld Boldwood. 
</p>
            <p>At once connecting these signs with the letter Boldwood 
had shown him, Gabriel suspected her of some 
coquettish procedure begun by that means, and carried 
on since, he knew not how. 
</p>
            <p>Farmer Boldwood had read the pantomime denoting 
that they were aware of his presence, and the perception 
was as too much light turned upon his new sensibility. 
He was still in the road, and by moving on he hoped 
that neither would recognize that he had originally 
intended to enter the field. He passed by with an 
utter and overwhelming sensation of ignorance, shyness, 
and doubt. Perhaps in her manner there were signs 
that she wished to see him — perhaps not — he could not 
read a woman. The cabala of this erotic philosophy 
seemed to consist of the subtlest meanings expressed in 
misleading ways. <pb n="174"/>
            </p>
            <p>Every turn, look, word, and accent 
contained a mystery quite distinct from its obvious 
import, and not one had ever been pondered by him 
until now. 
</p>
            <p>As for Bathsheba, she was not deceived into the 
belief that Farmer Boldwood had walked by on business 
or in idleness. She collected the probabilities of the 
case, and concluded that she was herself responsible for 
Boldwood's appearance there. It troubled her much 
to see what a great flame a little Wildfire was likely to 
kindle. Bathsheba was no schemer for marriage, nor 
was she deliberately a trifler with the affections of men, 
and a censor's experience on seeing an actual flirt after 
observing her would have been a feeling of surprise 
that Bathsheba could be so different from such a one, 
and yet so like what a flirt is supposed to be. 
</p>
            <p>She resolved never again, by look or by sign, to 
interrupt the steady flow of this man's life. But a 
resolution to avoid an evil is seldom framed till the evil 
is so far advanced as to make avoidance impossible. 
</p>
         </div>
         <div n="C19" type="chapter">
            <pb n="175"/>
            <head>THE SHEEP-WASHING — THE OFFER</head>
            <p>BOLDWOOD did eventually call upon her. She was 
not at home. ‘Of course not,’ he murmured. In contemplating 
Bathsheba as a woman, he had forgotten the 
accidents of her position as an agriculturist — that being 
as much of a farmer, and as extensive a farmer, as 
himself, her probable whereabouts was out-of-doors at 
this time of the year. This, and the other oversights 
Boldwood was guilty of, were natural to the mood, and 
still more natural to the circumstances. The great aids 
to idealization in love were present here: occasional 
observation of her from a distance, and the absence of 
social intercourse with her — visual familiarity, oral 
strangeness. The smaller human elements were kept 
out of sight; the pettinesses that enter so largely into 
all earthly living and doing were disguised by the 
accident of lover and loved-one not being on visiting 
terms; and there was hardly awakened a thought in 
Boldwood that sorry household realities appertained to 
her, or that she, like all others, had moments of 
commonplace, when to be least plainly seen was to be 
most prettily remembered. Thus a mild sort of 
apotheosis took place in his fancy, whilst she still lived 
and breathed within his own horizon, a troubled creature 
like himself. 
</p>
            <p>It was the end of May when the farmer determined 
to be no longer repulsed by trivialities or distracted by 
suspense. He had by this time grown used to being in 
love; the passion now startled him less even when it 
tortured him more, and he felt himself adequate to the 
situation. On inquiring for her at her house they had 
told him she was at the sheepwashing, and he went off 
to seek her there. 
</p>
            <p>The sheep-washing pool was a perfectly circular basin 
of brickwork in the meadows, full of the clearest water. 
To birds on the wing its glassy surface, reflecting the 
light sky, must <pb n="176"/>
have been visible for miles around as a 
glistening Cyclops' eye in a green face. The grass 
about the margin at this season was a sight to remember 
long — in a minor sort of way. Its activity in sucking 
the moisture from the rich damp sod was almost a process 
observable by the eye. The outskirts of this level 
water-meadow were diversified by rounded and hollow 
pastures, where just now every flower that was not a 
buttercup was a daisy. The river slid along noiselessly 
as a shade, the swelling reeds and sedge forming a 
flexible palisade upon its moist brink. To the north 
of the mead were trees, the leaves of which were new, 
soft, and moist, not yet having stiffened and darkened 
under summer sun and drought, their colour being 
yellow beside a green — green beside a yellow. 
&gt;From the recesses of this knot of foliage the loud 
notes of three cuckoos were resounding through the 
still air. 
</p>
            <p>Boldwood went meditating down the slopes with his 
eyes on his boots, which the yellow pollen from the 
buttercups had bronzed in artistic gradations. A tributary 
of the main stream flowed through the basin of the 
pool by an inlet and outlet at opposite points of its 
diameter. Shepherd Oak, Jan Coggan, Moon, Poorgrass, 
Cain Ball, and several others were assembled 
here, all dripping wet to the very roots of their hair, 
and Bathsheba was standing by in a new riding-habit — 
the most elegant she had ever worn — the reins of her 
horse being looped over her arm. Flagons of cider 
were rolling about upon the green. The meek sheep 
were pushed into the pool by Coggan and Matthew 
Moon, who stood by the lower hatch, immersed to their 
waists; then Gabriel, who stood on the brink, thrust 
them under as they swam along, with an instrument 
like a crutch, formed for the purpose, and also for 
assisting the exhausted animals when the wool became 
saturated and they began to sink. They were let out 
against the stream, and through the upper opening, all 
impurities flowing away below. Cainy Ball and Joseph, 
who performed this latter operation, were if possible 
wetter than the rest; they resembled dolphins under a 
fountain, every protuberance and angle of their clothes 
dribbling forth a small rill. <pb n="177"/>
            </p>
            <p>Boldwood came close and bade her good-morning, with 
such constraint that she could not but think he had 
stepped across to the washing for its own sake, hoping 
not to find her there; more, she fancied his brow severe 
and his eye slighting. Bathsheba immediately contrived 
to withdraw, and glided along by the river till she was 
a stone's throw off. She heard footsteps brushing the 
grass, and had a consciousness that love was encircling 
her like a perfume. Instead of turning or waiting, 
Bathsheba went further among the high sedges, but 
Boldwood seemed determined, and pressed on till they 
were completely past the bend of the river. Here, 
without being seen, they could hear the splashing and 
shouts of the washers above. 
</p>
            <p>‘Miss Everdene!’ said the farmer. 
She trembled, turned, and said ‘Good morning.’ 
His tone was so utterly removed from all she had 
expected as a beginning. It was lowness and quiet 
accentuated: an emphasis of deep meanings, their form, 
at the same time, being scarcely expressed. Silence 
has sometimes a remarkable power of showing itself as 
the disembodied soul of feeling wandering without its 
carcase, and it is then more impressive than speech. 
In the same way, to say a little is often to tell more 
than to say a great deal. Boldwood told everything in 
that word. 
</p>
            <p>As the consciousness expands on learning that what 
was fancied to be the rumble of wheels is the reverberation 
of thunder, so did Bathsheba's at her intuitive 
conviction. 
</p>
            <p>‘I feel — almost too much — to think,’ he said, with a 
solemn simplicity. ‘I have come to speak to you without 
preface. My life is not my own since I have beheld 
you clearly, Miss Everdene — I come to make you an 
offer of marriage.’ 
</p>
            <p>Bathsheba tried to preserve an absolutely neutral 
countenance, and all the motion she made was that of 
closing lips which had previously been a little parted. 
</p>
            <p>‘I am now forty-one years old,’ he went on. ‘I may 
have been called a confirmed bachelor, and I was a 
confirmed bachelor. I had never any views of myself 
as a husband in my earlier days, nor have I made any 
calculation on the subject since I have been older. 
But we all change, and my change, in this matter, <pb n="178"/>
came with seeing you. I have felt lately, more and more, 
that my present way of living is bad in every respect. 
Beyond all things, I want you as my wife.’ 
</p>
            <p>‘I feel, Mr Boldwood, that though I respect you 
much, I do not feel — what would justify me to — in 
accepting your offer,’ she stammered. 
</p>
            <p>This giving back of dignity for dignity seemed to 
open the sluices of feeling that Boldwood had as yet 
kept closed. 
</p>
            <p>‘My life is a burden without you,’ he exclaimed, in 
a low voice. ‘I want you — I want you to let me say 
I love you again and again!’ 
</p>
            <p>Bathsheba answered nothing, and the mare upon 
her arm seemed so impressed that instead of cropping 
the herbage she looked up. 
</p>
            <p>‘I think and hope you care enough for me to listen 
to what I have to tell!‘ 
</p>
            <p> Bathsheba's momentary impulse at hearing this was 
to ask why he thought that, till she remembered that, 
far from being a conceited assumption on Boldwood's 
part, it was but the natural conclusion of serious reflection 
based on deceptive premises of her own offering. 
</p>
            <p>‘I wish I could say courteous flatteries to you,’ the 
farmer continued in an easier tone, ‘and put my rugged 
feeling into a graceful shape: but I have neither power 
nor patience to learn such things. I want you for my 
wife — so wildly that no other feeling can abide in me; 
but I should not have spoken out had I not been led 
to hope.’ 
</p>
            <p>‘The valentine again! O that valentine!’ she 
said to herself, but not a word to him. 
</p>
            <p>‘If you can love me say so, Miss Everdene. If not 
— don't say no!’ 
</p>
            <p>‘Mr Boldwood, it is painful to have to say I am 
surprised, so that I don't know how to answer you with 
propriety and respect — but am only just able to speak 
out my feeling — I mean my meaning; that I am afraid 
I can't marry you, much as I respect you. You are too 
dignified for me to suit you, sir.’ 
</p>
            <p>‘But, Miss Everdene!’ 
</p>
            <p>‘I — I didn't — I know I ought never to have dreamt 
of sending <pb n="179"/>
that valentine — forgive me, sir — it was a 
wanton thing which no woman with any self-respect 
should have done. If you will only pardon my thoughtlessness, 
I promise never to —  — ’ 
</p>
            <p>‘No, no, no. Don't say thoughtlessness! Make me 
think it was something more — that it was a sort of 
prophetic instinct — the beginning of a feeling that you 
would like me. You torture me to say it was done in 
thoughtlessness — I never thought of it in that light, and 
I can't endure it. Ah! I wish I knew how to win you! 
but that I can't do — I can only ask if I have already got 
you. If I have not, and it is not true that you have 
come unwittingly to me as I have to you, I can say no 
more.’ 
</p>
            <p>‘I have not fallen in love with you, Mr Boldwood — 
certainly I must say that.’ She allowed a very small 
smile to creep for the first time over her serious face in 
saying this, and the white row of upper teeth, and keenly-cut 
lips already noticed, suggested an idea of heartlessness, 
which was immediately contradicted by the pleasant 
eyes. 
</p>
            <p>‘But you will just think — in kindness and condescension 
think — if you cannot bear with me as a husband! 
I fear I am too old for you, but believe me I will take 
more care of you than would many a man of your own 
age. I will protect and cherish you with all my strength 
— I will indeed! You shall have no cares — be worried 
by no household affairs, and live quite at ease, Miss 
Everdene. The dairy superintendence shall be done by 
a man — I can afford it well — you shall never have so 
much as to look out of doors at haymaking time, or to 
think of weather in the harvest. I rather cling to the 
chaise, because it is he same my poor father and mother 
drove, but if you don't like it I will sell it, and you shall 
have a pony-carriage of your own. I cannot say how 
far above every other idea and object on earth you seem 
to me — nobody knows — God only knows — how much 
you are to me!’ 
</p>
            <p>Bathsheba's heart was young, and it swelled with 
sympathy for the deep-natured man who spoke so 
simply. 
</p>
            <p>‘Don't say it! don't! I cannot bear you to feel so 
much, and me to feel nothing. And I am afraid they 
will notice us, Mr Boldwood. Will you let the matter 
rest now? I cannot think <pb n="180"/>
collectedly. I did not know 
you were going to say this to me. O, I am wicked to 
have made you suffer so!’ She was frightened as well 
as agitated at his vehemence. 
</p>
            <p>‘Say then, that you don't absolutely refuse. Do not 
quite refuse?’ 
</p>
            <p>‘I can do nothing. I cannot answer.’ 
</p>
            <p>‘I may speak to you again on the subject?’ 
</p>
            <p>‘Yes.’ 
</p>
            <p>‘I may think of you?’ 
</p>
            <p>‘Yes, I suppose you may think of me.’ 
</p>
            <p>‘And hope to obtain you?’ 
</p>
            <p>‘No — do not hope! Let us go on.’ 
</p>
            <p>‘I will call upon you again to-morrow.’ 
</p>
            <p>‘No — please not. Give me time.’ 
</p>
            <p>‘Yes — I will give you any time,’ he said earnestly and 
gratefully. ‘I am happier now.’ 
</p>
            <p>‘No — I beg you! Don't be happier if happiness 
only comes from my agreeing. Be neutral, Mr Boldwood! 
I must think.’ 
</p>
            <p>‘I will wait,’ he said. 
And then she turned away. Boldwood dropped his 
gaze to the ground, and stood long like a man who did not 
know where he was. Realities then returned upon him 
like the pain of a wound received in an excitement 
which eclipses it, and he, too, then went on. 
</p>
         </div>
         <div n="C20" type="chapter">
            <pb n="181"/>
            <head>PERPLEXITY — GRINDING THE SHEARS — A QUARREL</head>
            <p>‘HE is so disinterested and kind to offer me all that I 
can desire,’ Bathsheba mused. 
</p>
            <p>Yet Farmer Boldwood, whether by nature kind or 
the reverse to kind, did not exercise kindness here. 
The rarest offerings of the purest loves are but a self-indulgence, 
and no generosity at all. 
</p>
            <p>Bathsheba, not being the least in love with him, was 
eventually able to look calmly at his offer. It was one 
which many women of her own station in the neighbourhood, 
and not a few of higher rank, would have been 
wild to accept and proud to publish. In every point of 
view, ranging from politic to passionate, it was desirable 
that she, a lonely girl, should marry, and marry this 
earnest, well-to-do, and respected man. He was close 
to her doors: his standing was sufficient: his qualities 
were even supererogatory. Had she felt, which she did 
not, any wish whatever for the married state in the 
abstract, she could not reasonably have rejected him, 
being a woman who frequently appealed to her under, 
standing for deliverance from her whims. Boldwood as 
a means to marriage was unexceptionable: she esteemed 
and liked him, yet she did not want him. It appears 
that ordinary men take wives because possession is not 
possible without marriage, and that ordinary women 
accept husbands because marriage is not possible with, 
out possession; with totally differing aims the method is 
the same on both sides. But the understood incentive 
on the woman's part was wanting here. Besides, Bathsheba's 
position as absolute mistress of a farm and house 
was a novel one, and the novelty had not yet begun to 
wear off. 
</p>
            <p>But a disquiet filled her which was somewhat to her 
credit, for it would have affected few. Beyond the mentioned 
reasons with which she combated her objections, 
she had a strong <pb n="182"/>
feeling that, having been the one who 
began the game, she ought in honesty to accept the consequences. 
Still the reluctance remained. She said in the 
same breath that it would be ungenerous not to marry 
Boldwood, and that she couldn't do it to save her life. 
Bathsheba's was an impulsive nature under a deliberative 
aspect.  An Elizabeth in brain and a Mary Stuart 
in spirit, she often performed actions of the greatest 
temerity with a manner of extreme discretion. Many of 
her thoughts were perfect syllogisms; unluckily they 
always remained thoughts. Only a few were irrational 
assumptions; but, unfortunately, they were the ones 
which most frequently grew into deeds. 
</p>
            <p>The next day to that of the declaration she found 
Gabriel Oak at the bottom of her garden, grinding his 
shears for the sheep-shearing. All the surrounding 
cottages were more or less scenes of the same operation; 
the scurr of whetting spread into the sky from all parts 
of the village as from an armury previous to a campaign. 
Peace and war kiss each other at their hours of preparation 
— sickles, scythes, shears, and pruning-hooks, ranking 
with swords, bayonets, and lances, in their common 
necessity for point and edge. 
</p>
            <p>Cainy Ball turned the handle of Gabriel's grindstone, 
his head performing a melancholy see-saw up and down 
with each turn of the wheel. Oak stood somewhat as 
Eros is represented when in the act of sharpening his 
arrows: his figure slightly bent, the weight of his body 
thrown over on the shears, and his head balanced sideways, 
with a critical compression of the lips and contraction 
of the eyelids to crown the attitude. 
</p>
            <p>His mistress came up and looked upon them in 
silence for a minute or two; then she said — 
</p>
            <p>‘Cain, go to the lower mead and catch the bay mare. 
I'll turn the winch of the grindstone. I want to speak 
to you, Gabriel. 
</p>
            <p>Cain departed, and Bathsheba took the handle. 
Gabriel had glanced up in intense surprise, quelled its 
expression, and looked down again. Bathsheba turned 
the winch, and Gabriel applied the shears. 
</p>
            <p>The peculiar motion involved in turning a wheel 
has a wonderful tendency to benumb the mind. It 
is a sort of <pb n="183"/>
attenuated variety of Ixion's punishment, 
and contributes a dismal chapter to the history of 
heavy, and the body's centre of gravity seems to 
settle by degrees in a leaden lump somewhere between 
the eyebrows and the crown. Bathsheba felt 
the unpleasant symptoms after two or three dozen 
turns. 
</p>
            <p>‘Will you turn, Gabriel, and let me hold the shears?‘ 
she said. ‘My head is in a whirl, and I can't talk. 
</p>
            <p>Gabriel turned. Bathsheba then began, with some 
awkwardness, allowing her thoughts to stray occasionally 
from her story to attend to the shears, which 
required a little nicety in sharpening. 
</p>
            <p>‘I wanted to ask you if the men made any observations 
on my going behind the sedge with Mr Boldwood 
yesterday?’ 
</p>
            <p>‘Yes, they did,’ said Gabriel. ‘You don't hold 
the shears right, miss — I knew you wouldn't know the 
way — hold like this.’ 
</p>
            <p>He relinquished the winch, and inclosing her two 
hands completely in his own (taking each as we sometimes 
slasp a child's hand in teaching him to write), 
grasped the shears with her. ‘Incline the edge so,’ 
he said. 
</p>
            <p>Hands and shears were inclined to suit the words, 
and held thus for a peculiarly long time by the instructor 
as he spoke. 
</p>
            <p>‘That will do,’ exclaimed Bathsheba. ‘Loose my 
hands. I won't have them held! Turn the winch.’ 
Gabriel freed her hands quietly, retired to his 
handle, and the grinding went on. 
</p>
            <p>‘Did the men think it odd?’ she said again. 
</p>
            <p>‘Odd was not the idea, miss.’ 
</p>
            <p>‘What did they say?’ 
</p>
            <p>‘That Farmer Boldwood's name and your own 
were likely to be flung over pulpit together before the 
year was out.’ 
</p>
            <p>‘I thought so by the look of them! Why, there's 
nothing in it. A more foolish remark was never made, 
and I want you to contradict it! that's what I came for.’ 
</p>
            <p>Gabriel looked incredulous and sad, but between 
his moments of incredulity, relieved. 
</p>
            <p>‘They must have heard our conversation,’ she 
continued. <pb n="184"/>
            </p>
            <p>‘Well, then, Bathsheba!’ said Oak, stopping the 
handle, and gazing into her face with astonishment. 
</p>
            <p>‘Miss Everdene, you mean,‘she said, with dignity. 
</p>
            <p>‘I mean this, that if Mr Boldwood really spoke of 
marriage, I bain't going to tell a story and say he 
didn't to please you. I have already tried to please 
you too much for my own good!’ 
</p>
            <p>Bathsheba regarded him with round-eyed perplexity. 
She did not know whether to pity him for disappointed 
love of her, or to be angry with him for having got 
over it — his tone being ambiguous. 
</p>
            <p>‘I said I wanted you just to mention that it was 
not true I was going to be married to him,’ she murmured, 
with a slight decline in her assurance. 
</p>
            <p>‘I can say that to them if you wish, Miss Everdene. 
And I could likewise give an opinion to 'ee on what 
you have done.’ 
</p>
            <p>‘I daresay. But I don't want your opinion.’ 
</p>
            <p>‘I suppose not,’ said Gabriel bitterly, and going on 
with his turning, his words rising and falling in a 
regular swell and cadence as he stooped or rose with 
the winch, which directed them, according to his 
position, perpendiculary into the earth, or horizontally 
along the garden, his eyes being fixed on a leaf upon 
the ground. 
</p>
            <p>With Bathsheba a hastened act was a rash act; 
but, as does not always happen, time gained was 
prudence insured. It must be added, however, that 
time was very seldom gained. At this period the 
single opinion in the parish on herself and her doings 
that she valued as sounder than her own was Gabriel 
Oak's. And the outspoken honesty of his character 
was such that on any subject, even that of her love 
for, or marriage with, another man, the same disinterestedness 
of opinion might be calculated on, and be 
had for the asking. Thoroughly convinced of the 
impossibility of his own suit, a high resolve constrained 
him not to injure that of another. This is a lover's 
most stoical virtue, as the lack of it is a lover's most 
venial sin. Knowing he would reply truly, she asked 
the question, painful as she must have known the subject 
would be. Such is the selfishness of some charming 
women. Perhaps it was some excuse for her thus 
torturing honesty to her own advantage, that she had <pb n="185"/>
absolutely no other sound judgment within easy reach. 
</p>
            <p>‘Well, what is your opinion of my conduct,’ she 
said, quietly. 
</p>
            <p>‘That it is unworthy of any thoughtful, and meek, 
and comely woman.’ 
</p>
            <p>In an instant Bathsheba's face coloured with the 
angry crimson of a Danby sunset. But she forbore 
to utter this feeling, and the reticence of her tongue 
only made the loquacity of her face the more noticeable. 
</p>
            <p>The 
next thing Gabriel did was to make a mistake. 
</p>
            <p>‘Perhaps you don't like the rudeness of my reprimanding 
you, for I know it is rudeness; but I thought 
it would do good.’ 
</p>
            <p>She instantly replied sarcastically — 
</p>
            <p>‘On the contrary, my opinion of you is so low, that 
I see in your abuse the praise of discerning people!’ 
</p>
            <p>‘I am glad you don't mind it, for I said it honestly 
and with every serious meaning.’ 
</p>
            <p>‘I see. But, unfortunately, when you try not to 
speak in jest you are amusing — just as when you wish 
to avoid seriousness you sometimes say a sensible word.’ 
</p>
            <p>It was a hard hit, but Bathsheba had unmistakably 
lost her temper, and on that account Gabriel had 
never in his life kept his own better. He said nothing. 
She then broke out — 
</p>
            <p>‘I may ask, I suppose, where in particular my 
unworthiness lies? In my not marrying you, perhaps! 
</p>
            <p>‘Not by any means,’ said Gabriel quietly. ‘I have 
long given up thinking of that matter.’ 
</p>
            <p>‘Or wishing it, I suppose,’ she said; and it was 
apparent that she expected an unhesitating denial of 
this supposition. 
</p>
            <p>Whatever Gabriel felt, he coolly echoed her words — 
</p>
            <p>‘Or wishing it either.’ 
</p>
            <p>A woman may be treated with a bitterness which 
is sweet to her, and with a rudeness which is not 
offensive. Bathsheba would have submitted to an 
indignant chastisement for her levity had Gabriel protested 
that he was loving her at the same time; the 
impetuosity of passion unrequited is bearable, even if 
it stings and anathematizes there is a triumph in the 
humiliation, and a tenderness in the strife. This was 
what she had been expecting, and what she had not 
got. To be lectured <pb n="186"/>
because the lecturer saw her in 
the cold morning light of open-shuttered disillusion 
was exasperating. He had not finished, either. He 
continued in a more agitated voice: — 
</p>
            <p>‘My opinion is (since you ask it) that you are 
greatly to blame for playing pranks upon a man like 
Mr Boldwood, merely as a pastime. Leading on a 
man you don't care for is not a praiseworthy action. 
And even, Miss Everdene, if you seriously inclined 
towards him, you might have let him find it out in 
some way of true loving-kindness, and not by sending 
him a valentine's letter.’ 
</p>
            <p>Bathsheba laid down the shears. 
</p>
            <p>‘I cannot allow any man to — to criticise my private 
Conduct!’ she exclaimed. ‘Nor will I for a minute. 
So you'll please leave the farm at the end of the week!’ 
</p>
            <p>It may have been a peculiarity — at any rate it was 
a fact — that when Bathsheba was swayed by an emotion 
of an earthly sort her lower lip trembled: when by a 
refined emotion, her upper or heavenward one. Her 
nether lip quivered now. 
</p>
            <p>‘Very well, so I will,’ said Gabriel calmly. He had 
been held to her by a beautiful thread which it pained 
him to spoil by breaking, rather than by a chain he 
could not break. ‘I should be even better pleased to 
go at once,’ he added. 
</p>
            <p>‘Go at once then, in Heaven's name!’ said she,her 
eyes flashing at his, though never meeting them. 
</p>
            <p>‘Don't let me see your face any more.’ 
</p>
            <p>‘Very well, Miss Everdene — so it shall be.’ 
</p>
            <p>And he took his shears and went away from her in 
placid dignity, as Moses left the presence of Pharaoh. 
</p>
         </div>
         <div n="C21" type="chapter">
            <pb n="187"/>
            <head>TROUBLES IN THE FOLD — A MESSAGE</head>
            <p>GABRIEL OAK had ceased to feed the Weatherbury 
flock for about four-and-twenty hours, when on Sunday 
afternoon the elderly gentlemen Joseph Poorgrass, 
Matthew Moon, Fray, and half-a-dozen others, came 
running up to the house of the mistress of the Upper 
Farm. 
</p>
            <p>‘Whatever is the matter, men?’ she said, meeting 
them at the door just as she was coming out on her 
way to church, and ceasing in a moment from the close 
compression of her two red lips, with which she had 
accompanied the exertion of pulling on a tight glove. 
</p>
            <p>‘Sixty!’ said Joseph Poorgrass. 
</p>
            <p>‘Seventy!’ said Moon. 
</p>
            <p>‘Fifty-nine!’ said Susan Tall's husband. 
</p>
            <p>‘— Sheep have broken fence,’ said Fray. 
</p>
            <p>‘— And got into a field of young clover,’ said Tall. 
</p>
            <p>‘— Young clover!’ said Moon. 
</p>
            <p>‘— Clover!’ said Joseph Poorgrass. 
</p>
            <p>‘And they be getting blasted,’ said Henery Fray. 
</p>
            <p>‘That they be,’ said Joseph. 
</p>
            <p>‘And will all die as dead as nits, if they bain't got 
out and cured!’said Tall. 
</p>
            <p>Joseph's countenance was drawn into lines and 
puckers by his concern. Fray's forehead was wrinkled 
both perpendicularly and crosswise, after the pattern of 
a portcullis, expressive of a double despair. Laban 
Tall's lips were thin, and his face were rigid. Matthew's 
jaws sank, and his eyes turned whichever way the 
strongest muscle happened to pull them. 
</p>
            <p>‘Yes,’ said Joseph, ‘and I was sitting at home, 
looking for Ephesians, and says I to myself, “'Tis 
nothing but Corinthians and Thessalonians in this 
danged Testament,” when <pb n="188"/>
who should come in but 
Henery there: “Joseph,” he said, “the sheep have 
blasted theirselves —”’ 
</p>
            <p>With Bathsheba it was a moment when thought was 
speech and speech exclamation. Moreover, she had 
hardly recovered her equanimity since the disturbance 
which she had suffered from Oak's remarks. 
</p>
            <p>‘That's enough — that's enough! — oh, you fools!’ 
she cried, throwing the parasol and Prayer-book into 
the passage, and running out of doors in the direction 
signified. ‘To come to me, and not go and get them 
out directly! Oh, the stupid numskulls!’ 
</p>
            <p>Her eyes were at their darkest and brightest now. 
Bathsheba's beauty belonged rather to the demonian 
than to the angelic school, she never looked so well as 
when she was angry — and particularly when the effect 
was heightened by a rather dashing velvet dress, carefully 
put on before a glass. 
</p>
            <p>All the ancient men ran in a jumbled throng after 
her to the clover-field, Joseph sinking down in the 
midst when about half-way, like an individual withering 
in a world which was more and more insupportable. 
Having once received the stimulus that her presence 
always gave them they went round among the sheep 
with a will. The majority of the afflicted animals were 
lying down, and could not be stirred. These were 
bodily lifted out, and the others driven into the adjoining 
field. Here, after the lapse of a few minutes, several 
more fell down, and lay helpless and livid as the rest. 
Bathsheba, with a sad, bursting heart, looked at these 
primest specimens of her prime flock as they rolled 
there — 
</p>
            <p>Swoln with wind and the rank mist they drew. 
</p>
            <p>Many of them foamed at the mouth, their breathing 
being quick and short, whilst the bodies of all were 
fearfully distended. 
</p>
            <p>‘O, what can I do, what can I do!’ said Bathsheba, 
helplessly. ‘Sheep are such unfortunate animals! — 
there's always something happening to them! I never 
knew a flock pass a year without getting into some scrape 
or other.’ 
</p>
            <p>‘There's only one way of saving them,’ said Tall. <pb n="189"/>
            </p>
            <p>‘What way? Tell me quick!’ 
</p>
            <p>‘They must be pierced in the side with a thing made 
on purpose.’ 
</p>
            <p>‘Can you do it? Can I?’ 
</p>
            <p>‘No, ma'am. We can't, nor you neither. It must 
be done in a particular spot. If ye go to the right or 
left but an inch you stab the ewe and kill her. Not 
even a shepherd can do it, as a rule.’ 
</p>
            <p>‘Then they must die,’ she said, in a resigned tone. 
</p>
            <p>‘Only one man in the neighbourhood knows the way,’ 
said Joseph, now just come up. ‘He could cure 'em 
all if he were here.’ 
</p>
            <p>‘Who is he? Let's get him!’ 
</p>
            <p>‘Shepherd Oak,‘said Matthew. ‘Ah, he's a clever 
man in talents!’ 
</p>
            <p>‘Ah, that he is so!’ said Joseph Poorgrass. 
</p>
            <p>‘True — he's the man,’ said Laban Tall. 
</p>
            <p>‘How dare you name that man in my presence!’ she 
said excitedly. ‘I told you never to allude to him, nor 
shall you if you stay with me. Ah!’ she added, brightening, 
‘Farmer Boldwood knows!’ 
</p>
            <p>‘O no, ma'am' said Matthew. ‘Two of his store 
ewes got into some vetches t'other day, and were just 
like these. He sent a man on horseback here post-haste 
for Gable, and Gable went and saved 'em, Farmer 
Boldwood hev got the thing they do it with. 'Tis a 
holler pipe, with a sharp pricker inside. Isn't it, 
Joseph?’ 
</p>
            <p>‘Ay — a holler pipe,’ echoed Joseph. ‘That's what 
'tis.’ 
</p>
            <p>‘Ay, sure — that's the machine,’ chimed in Henery 
Fray, reflectively, with an Oriental indifference to the 
flight of time. 
</p>
            <p>‘Well,‘burst out Bathsheba, ‘don't stand there with 
your “ayes” and your “sures,” talking at me! Get 
somebody to cure the sheep instantly!’ 
</p>
            <p>All then stalked or in consternation, to get somebody 
as directed, without any idea of who it was to be. 
In a minute they had vanished through the gate, and 
she stood alone with the dying flock. 
</p>
            <p>‘Never will I send for him never!’ she said firmly. <pb n="190"/>
One of the ewes here contracted its muscles horribly, 
extended itself, and jumped high into the air. The 
leap was an astonishing one. The ewe fell heavily, and 
lay still. 
</p>
            <p>Bathsheba went up to it. The sheep was dead. 
</p>
            <p>‘O, what shall I do — what shall I do!’ she again 
exclaimed, wringing her hands. ‘I won't send for him. No, I won't!’ 
</p>
            <p>The most vigorous expression of a resolution does 
not always coinicide with the greatest vigour of the 
resolution itself. It is often flung out as a sort of prop 
to support a decaying conviction which, whilst strong, 
required no enunciation to prove it so. The ‘No, I 
won't’ of Bathsheba meant virtually, ‘I think I must.’ 
</p>
            <p>She followed her assistants through the gate, and 
lifted her hand to one of them. Laban answered to her 
signal. 
</p>
            <p>‘Where is Oak staying?’ 
</p>
            <p>‘Across the valley at Nest Cottage!’ 
</p>
            <p>‘Jump on the bay mare, and ride across, and say he 
must return instantly — that I say so.’ 
Tall scrambled off to the field, and in two minutes 
was on Poll, the bay, bare-backed, and with only a 
halter by way of rein. He diminished down the 
hill. 
</p>
            <p>Bathsheba watched. So did all the rest. Tall 
cantered along the bridle-path through Sixteen Acres, 
Sheeplands, Middle Field The Flats, Cappel's Piece, 
shrank almost to a point, crossed the bridge, and 
ascended from the valley through Springmead and 
Whitepits on the other side. The cottage to which 
Gabriel had retired before taking his final departure 
from the locality was visible as a white spot on the 
opposite hill, backed by blue firs. Bathsheba walked 
up and down. The men entered the field and 
endeavoured to ease the anguish of the dumb creatures 
by rubbing them. Nothing availed. 
</p>
            <p>Bathsheba continued walking. The horse was seen 
descending the hill, and the wearisome series had to be 
repeated in reverse order: Whitepits, Springmead, 
Cappel's Piece, The Flats, Middle Field, Sheeplands, 
Sixteen Acres. She hoped Tall had had presence of 
mind enough to give the mare up to Gabriel, and return 
himself on foot. The rider neared them. It was Tall. <pb n="191"/>
            </p>
            <p>‘O, what folly!’ said Bathsheba. 
</p>
            <p>Gabriel was not visible anywhere. 
</p>
            <p>‘Perhaps he is already gone!’ she said. 
</p>
            <p>Tall came into the inclosure, and leapt off, his face 
tragic as Morton's after the battle of Shrewsbury. 
</p>
            <p>‘Well?’ said Bathsheba, unwilling to believe that 
her verbal <foreign xml:lang="fre">lettre-de-cachet</foreign> could possibly have miscarried. 
</p>
            <p>‘He says <hi>beggars mustn't be choosers</hi>,’ replied Laban. 
</p>
            <p>‘What!’ said the young farmer, opening her eyes 
and drawing in her breath for an outburst. Joseph 
Poorgrass retired a few steps behind a hurdle. 
</p>
            <p>‘He says he shall not come onless you request en 
to come civilly and in a proper manner, as becomes any 
'ooman begging a favour.’ 
</p>
            <p>‘Oh, oh, that's his answer! Where does he get his 
airs? Who am I, then, to be treated like that? Shall 
I beg to a man who has begged to me?’ 
</p>
            <p>Another of the flock sprang into the air, and fell 
dead. 
</p>
            <p>The men looked grave, as if they suppressed opinion. 
Bathsheba turned aside, her eyes full of tears. The 
strait she was in through pride and shrewishness could 
not be disguised longer: she burst out crying bitterly; 
they all saw it; and she attempted no further concealment. 
</p>
            <p>‘I wouldn't cry about it, miss,’ said William Smallbury, 
compassionately. ‘Why not ask him softer like? 
I'm sure he'd come then. Gable is a true man in that 
way.’ 
</p>
            <p>Bathsheba checked her grief and wiped her eyes. 
</p>
            <p>‘O, it is a wicked cruelty to me — it is — it is!’ she 
murmured. ‘And he drives me to do what I wouldn't; 
yes, he does! — Tall, come indoors.’ 
</p>
            <p>After this collapse, not very dignified for the head 
of an establishment, she went into the house, Tall at 
her heels. Here she sat down and hastily scribbled a 
note between the small convulsive sobs of convalescence 
which follow a fit of crying as a ground-swell follows a 
storm. The note was none the less polite for being 
written in a hurry. She held it at a distance, was 
about to fold it, then added these words at the 
bottom: — 
</p>
            <p>Do not desert me, Gabriel! 
<pb n="193"/>
            </p>
            <p>She looked a little redder in refolding it, and closed 
her lips, as if thereby to suspend till too late the action 
of conscience in examining whether such strategy were 
justifiable. The note was despatched as the message 
had been, and Bathsheba waited indoors for the result. 
</p>
            <p>It was an anxious quarter of an hour that intervened 
between the messenger's departure and the sound of the 
horse's tramp again outside. She could not watch this 
time, but, leaning over the old bureau at which she had 
written the letter, closed her eyes, as if to keep out both 
hope and fear. 
</p>
            <p>The case, however, was a promising one. Gabriel 
was not angry: he was simply neutral, although her first 
command had been so haughty. Such imperiousness 
would have damned a little less beauty; and on the 
other hand, such beauty would have redeemed a little 
less imperiousness. 
</p>
            <p>She went out when the horse was heard, and looked 
up. A mounted figure passed between her and the 
sky, and drew on towards the field of sheep, the rider 
turning his face in receding. Gabriel looked at her. 
It was a moment when a woman's eyes and tongue tell 
distinctly opposite tales. Bathsheba looked full of 
gratitude, and she said: — 
</p>
            <p>‘O, Gabriel, how could you serve me so unkindly!’ 
Such a tenderly-shaped reproach for his previous 
delay was the one speech in the language that he could 
pardon for not being commendation of his readiness 
now. 
</p>
            <p>Gabriel murmured a confused reply, and hastened 
on. She knew from the look which sentence in her 
note had brought him. Bathsheba followed to the 
field. 
</p>
            <p>Gabriel was already among the turgid, prostrate forms. 
He had flung off his coat, rolled up his shirt-sleeves, 
and taken from his pocket the instrument of salvation. 
It was a small tube or trochar, with a lance passing 
down the inside; and Gabriel began to use it with a 
dexterity that would have graced a hospital surgeon. 
Passing his hand over the sheep's left flank, and 
selecting the proper point, he punctured the skin and 
rumen with the lance as it stood in the tube; then he 
suddenly withdrew the lance, retaining the tube in its 
place. A current of air rushed up the tube, forcible 
enough to have extinguished a candle held at the 
orifice. 
</p>
            <p>It has been said that mere ease after torment is delight 
for a time; and the countenances of these poor 
creatures expressed it now. Forty-nine operations were 
successfully performed. Owing to the great hurry 
necessitated by the far-gone state of some of the flock, 
Gabriel missed his aim in one case, and in one only — 
striking wide of the mark, and inflicting a mortal blow 
at once upon the suffering ewe. Four had died; three 
recovered without an operation. The total number of 
sheep which had thus strayed and injured themselves 
so dangerously was fifty-seven. 
</p>
            <p>When the love-led man had ceased from his labours, 
Bathsheba came and looked him in the face. 
</p>
            <p>‘Gabriel, will you stay on with me?’ she, said, 
smiling winningly, and not troubling to bring her lips 
quite together again at the end, because there was going 
to be another smile soon. 
</p>
            <p>‘I will,’ said Gabriel. 
</p>
            <p>And she smiled on him again. 
</p>
         </div>
         <div n="C22" type="chapter">
            <pb n="194"/>
            <head>THE GREAT BARN AND THE SHEEP-SHEARERS</head>
            <p>MEN thin away to insignificance and oblivion quite as 
often by not making the most of good spirits when they 
have them as by lacking good spirits when they are 
indispensable. Gabriel lately, for the first time since 
his prostration by misfortune, had been independent in 
thought and vigorous in action to a marked extent — 
conditions which, powerless without an opportunity as 
an opportunity without them is barren, would have 
given him a sure lift upwards when the favourable conjunction 
should have occurred. But this incurable 
loitering beside Bathsheba Everdene stole his time 
ruinously. The spring tides were going by without 
floating him off, and the neap might soon come which 
could not. 
</p>
            <p>It was the first day of June, and the sheep-shearing 
season culminated, the landscape, even to the leanest 
pasture, being all health and colour. Every green was 
young, every pore was open, and every stalk was swollen 
with racing currents of juice. God was palpably present 
in the country, and the devil had gone with the world 
to town. Flossy catkins of the later kinds, fern-sprouts 
like bishops' croziers, the square-headed moschatel, the 
odd cuckoo-pint, — like an apoplectic saint in a niche 
of malachite, — snow-white ladies'-smocks, the toothwort, 
approximating to human flesh, the enchanter's nightshade, 
and the black-petaled doleful-bells, were among 
the quainter objects of the vegetable world in and about 
Weatherbury at this teeming time; and of the animal, 
the metamorphosed figures of Mr Jan Coggan, the 
master-shearer; the second and third shearers, who 
travelled in the exercise of their calling, and do not require 
definition by name; Henery Fray the fourth 
shearer, Susan Tall's husband the fifth, Joseph Poorgrass 
the sixth, young Cain Ball as assistant-shearer, and 
Gabriel Oak as general supervisor. None of these were 
clothed <pb n="195"/>
to any extent worth mentioning, each appearing 
to have hit in the matter of raiment the decent mean 
between a high and low caste Hindoo. An angularity 
of lineament, and a fixity of facial machinery in general, 
proclaimed that serious work was the order of the day. 
</p>
            <p>They sheared in the great barn, called for the nonce 
the Shearing-barn, which on ground-plan resembled a 
church with transepts. It not only emulated the form 
of the neighbouring church of the parish, but vied with 
it in antiquity. Whether the barn had ever formed one 
of a group of conventual buildings nobody seemed to be 
aware; no trace of such surroundings remained. The 
vast porches at the sides, lofty enough to admit a waggon 
laden to its highest with corn in the sheaf, were spanned 
by heavy-pointed arches of stone, broadly and boldly cut, 
whose very simplicity was the origin of a grandeur not 
apparent in erections where more ornament has been 
attempted. The dusky, filmed, chestnut roof, braced 
and tied in by huge collars, curves, and diagonals, was 
far nobler in design, because more wealthy in material, 
than nine-tenths of those in our modern churches. 
</p>
            <p>Along each side wall was a range of striding buttresses, 
throwing deep shadows on the spaces between them, 
which were perforated by lancet openings, combining 
in their proportions the precise requirements both of 
beauty and ventilation. 
</p>
            <p>One could say about this barn, what could hardly 
be said of either the church or the castle, akin to it in 
age and style, that the purpose which had dictated its 
original erection was the same with that to which it 
was still applied. Unlike and superior to either of 
those two typical remnants of mediaevalism, the old 
barn embodied practices which had suffered no mutilation 
at the hands of time. Here at least the spirit of 
the ancient builders was at one with the spirit of the 
modern beholder. Standing before this abraded pile, 
the eye regarded its present usage, the mind dwelt upon 
its past history, with a satisfied sense of functional 
continuity throughout — a feeling almost of gratitude, 
and quite of pride, at the permanence of the idea 
which had heaped it up. The fact that four centuries 
had neither proved it to be founded on a mistake, 
inspired any <pb n="196"/>
hatred of its purpose, nor given rise to 
any reaction that had battered it down, invested this 
simple grey effort of old minds with a repose, if not a 
grandeur, which a too curious reflection was apt to 
disturb in its ecclesiastical and military compeers. For 
once medievalism and modernism had a common standpoint. 
The lanceolate windows, the time-eaten archstones 
and chamfers, the orientation of the axis, the 
misty chestnut work of the rafters, referred to no exploded 
fortifying art or worn-out religious creed. The defence 
and salvation of the body by daily bread is still a study, 
a religion, and a desire. 
</p>
            <p>To-day the large side doors were thrown open 
towards the sun to admit a bountiful light to the 
immediate spot of the shearers' operations, which was 
the wood threshing-floor in the centre, formed of thick 
oak, black with age and polished by the beating of flails 
for many generations, till it had grown as slippery and 
as rich in hue as the state-room floors of an Elizabethan 
mansion. Here the shearers knelt, the sun slanting in 
upon their bleached shirts, tanned arms, and the polished 
shears they flourished, causing these to bristle with a 
thousand rays strong enough to blind a weak-eyed man. 
Beneath them a captive sheep lay panting, quickening 
its pants as misgiving merged in terror, till it quivered 
like the hot landscape outside. 
</p>
            <p>This picture of to-day in its frame of four hundred 
years ago did not produce that marked contrast between 
ancient and modern which is implied by the contrast 
of date. In comparison with cities, Weatherbury was 
immutable. The citizen's Then is the rustic's Now. 
In London, twenty or thirty-years ago are old times; 
in Paris ten years, or five; in Weatherbury three or 
four score years were included in the mere present, 
and nothing less than a century set a mark on its 
face or tone. Five decades hardly modified the cut of 
a gaiter, the embroidery of a smock-frock, by the breadth 
of a hair. Ten generations failed to alter the turn of 
a single phrase. In these Wessex nooks the busy outsider's 
ancient times are only old; his old times are still 
new; his present is futurity. 
</p>
            <p>So the barn was natural to the shearers, and the 
shearers were in harmony with the barn. 
The spacious ends of the building, answering ecclesiastically <pb n="197"/>
to nave and chancel extremities, were fenced 
off with hurdles, the sheep being all collected in a crowd 
within these two enclosures; and in one angle a catching-pen 
was formed, in which three or four sheep were 
continuously kept ready for the shearers to seize without 
loss of time. In the background, mellowed by tawny 
shade, were the three women, Maryann Money, and 
Temperance and Soberness Miller, gathering up the 
fleeces and twisting ropes of wool with a wimble for 
tying them round. They were indifferently well assisted 
by the old maltster, who, when the malting season from 
October to April had passed, made himself useful upon 
any of the bordering farmsteads. 
</p>
            <p>Behind all was Bathsheba, carefully watching the 
men to see that there was no cutting or wounding 
through carelessness, and that the animals were shorn 
close. Gabriel, who flitted and hovered under her 
bright eyes like a moth, did not shear continuously, 
half his time being spent in attending to the others 
and selecting the sheep for them. At the present 
moment he was engaged in handing round a mug of 
mild liquor, supplied from a barrel in the corner, 
and cut pieces of bread and cheese. 
</p>
            <p>Bathsheba, after throwing a glance here, a caution 
there, and lecturing one of the younger operators who 
had allowed his last finished sheep to go off among 
the flock without re-stamping it with her initials, came 
again to Gabriel, as he put down the luncheon to drag 
a frightened ewe to his shear-station, flinging it over 
upon its back with a dexterous twist of the arm. 
He lopped off the tresses about its head, and opened 
up the neck and collar, his mistress quietly looking 
on: 
</p>
            <p>‘She blushes at the insult,’ murmured Bathsheba, 
watching the pink flush which arose and overspread 
the neck and shoulders of the ewe where they were 
left bare by the clicking shears — a flush which was 
enviable, for its delicacy, by many queens of coteries, 
and would have been creditable, for its promptness, to 
any woman in the world. 
</p>
            <p>Poor Gabriel's soul was fed with a luxury of content 
by having her over him, her eyes critically regarding 
his skilful shears, which apparently were going to gather 
up a piece of the flesh at every close, and yet never did 
so. Like Guildenstern, <pb n="198"/>
Oak was happy in that he was 
not over happy. He had no wish to converse with her: 
that his bright lady and himself formed one group, 
exclusively their own, and containing no others in the 
world, was enough. 
</p>
            <p>So the chatter was all on her side. There is a 
loquacity that tells nothing, which was Bathsheba's; 
and there is a silence which says much: that was 
Gabriel's. Full of this dim and temperate bliss, he 
went on to fling the ewe over upon her other side, 
covering her head with his knee, gradually running 
the shears line after line round her dewlap; thence 
about her flank and back, and finishing over the tail. 
</p>
            <p>‘Well done, and done quickly!’ said Bathsheba, 
looking at her watch as the last snip resounded. 
</p>
            <p>‘How long, miss?’ said Gabriel, wiping his brow. 
</p>
            <p>‘Three-and-twenty minutes and a half since you took 
the first lock from its forehead. It is the first time that 
I have ever seen one done in less than half an hour.’ 
The clean, sleek creature arose from its fleece — how 
perfectly like Aphrodite rising from the foam should 
have been seen to be realized — looking startled and 
shy at the loss of its garment, which lay on the floor 
in one soft cloud, united throughout, the portion visible 
being the inner surface only, which, never before exposed, 
was white as snow, and without flaw or blemish of the 
minutest kind. 
</p>
            <p>‘Cain Ball!’ 
</p>
            <p>‘Yes, Mister Oak; here I be!’ 
</p>
            <p>Cainy now runs forward with the tar-pot. ‘B. E.’ is 
newly stamped upon the shorn skin, and away the simplc 
dam leaps, panting, over the board into the shirtless 
flock outside. Then up comes Maryann; throws the 
loose locks into the middle of the fleece, rolls it up, 
and carries it into the background as three-and-a-half 
pounds of unadulterated warmth for the winter enjoyment 
of persons unknown and far away, who will, 
however, never experience the superlative comfort 
derivable from the wool as it here exists, new and pure 
— before the unctuousness of its nature whilst in a 
living state has dried, stiffened, and been washed out 
— rendering it just now as superior to anything woollen 
as cream is superior to milk-and-water. <pb n="199"/>
            </p>
            <p>But heartless circumstance could not leave entire 
Gabriel's happiness of this morning. The rams, old 
ewes, and two-shear ewes had duly undergone their 
stripping, and the men were proceeding with the shearlings 
and hogs, when Oak's belief that she was going to 
stand pleasantly by and time him through another 
performance was painfully interrupted by Farmer Boldwood's 
appearance in the extremest corner of the barn. 
Nobody seemed to have perceived his entry, but there 
he certainly was. Boldwood always carried with him a 
social atmosphere of his own, which everybody felt who 
came near him; and the talk, which Bathsheba's 
presence had somewhat suppressed, was now totally 
suspended. 
</p>
            <p>He crossed over towards Bathsheba, who turned to 
greet him with a carriage of perfect ease. He spoke to 
her in low tones, and she instinctively modulated her 
own to the same pitch, and her voice ultimately even 
caught the inflection of his. She was far from having 
a wish to appear mysteriously connected with him; but 
woman at the impressionable age gravitates to the larger 
body not only in her choice of words, which is apparent 
every day, but even in her shades of tone and humour, 
when the influence is great. 
</p>
            <p>What they conversed about was not audible to 
Gabriel, who was too independent to get near, though 
too concerned to disregard. The issue of their dialogue 
was the taking of her hand by the courteous farmer to 
help her over the spreading-board into the bright June 
sunlight outside. Standing beside the sheep already 
shorn, they went on talking again. Concerning the 
flock? Apparently not. Gabriel theorized, not without 
truth, that in quiet discussion of any matter within reach 
of the speakers' eyes, these are usually fixed upon it. 
Bathsheba demurely regarded a contemptible straw lying 
upon the ground, in a way which suggested less ovine 
criticism than womanly embarrassment. She became 
more or less red in the cheek, the blood wavering in 
uncertain flux and reflux over the sensitive space between 
ebb and flood. Gabriel sheared on, constrained and 
sad. 
</p>
            <p>She left Boldwood's side, and he walked up and 
down alone for nearly a quarter of an hour. Then she 
reappeared in her <pb n="200"/>
new riding-habit of myrtle-green, which 
fitted her to the waist as a rind fits its fruit; and young 
Bob Coggan led on her mare, Boldwood fetching his 
own horse from the tree under which it had been tied. 
</p>
            <p>Oak's eyes could not forsake them; and in endeavouring 
to continue his shearing at the same time 
that he watched Boldwood's manner, he snipped the 
sheep in the groin. The animal plunged; Bathsheba 
instantly gazed towards it, and saw the blood. 
</p>
            <p>‘O, Gabriel!’ she exclaimed, with severe remonstrance 
‘you who are so strict with the other men — see 
what you are doing yourself!’ 
</p>
            <p>To an outsider there was not much to complain of 
in this remark; but to Oak, who knew Bathsheba to be 
well aware that she herself was the cause of the poor 
ewe's wound, because she had wounded the ewe's shearer 
in a still more vital part, it had a sting which the abiding 
sense of his inferiority to both herself and Boldwood was 
not calculated to heal. But a manly resolve to recognize 
boldly that he had no longer a lover's interest in her, 
helped him occasionally to conceal a feeling. 
</p>
            <p>‘Bottle!’ he shouted, in an unmoved voice of routine. 
Cainy Ball ran up, the wound was anointed, and the 
shearing continued. 
</p>
            <p>Boldwood gently tossed Bathsheba into the saddle, 
and before they turned away she again spoke out to Oak 
with the same dominative and tantalizing graciousness. 
</p>
            <p>‘I am going now to see Mr Boldwood's Leicesters. 
Take my place in the barn, Gabriel, and keep the men 
carefully to their work.’ 
</p>
            <p>The horses' heads were put about, and they trotted 
away. 
</p>
            <p>Boldwood's deep attachment was a matter of great 
interest among all around him; but, after having been 
pointed out for so many years as the perfect exemplar 
of thriving bachelorship, his lapse was an anticlimax 
somewhat resembling that of St. John Long's death by 
consumption in the midst of his proofs that it was not 
a fatal disease. <pb n="201"/>
            </p>
            <p>‘That means matrimony,’ said Temperance Miller, 
following them out of sight with her eyes. 
</p>
            <p>‘I reckon that's the size o't,’ said Coggan, working 
along without looking up. 
</p>
            <p>‘Well, better wed over the mixen than over the moor,’ 
said Laban Tall, turning his sheep. 
</p>
            <p>Henery Fray spoke, exhibiting miserable eyes at the 
same time: ‘I don't see why a maid should take a 
husband when she's bold enough to fight her own 
battles, and don't want a home; for 'tis keeping another 
woman out. But let it be, for 'tis a pity he and she 
should trouble two houses.’ 
</p>
            <p>As usual with decided characters, Bathsheba invariably 
provoked the criticism of individuals like Henery 
Fray. Her emblazoned fault was to be too pronounced 
in her objections, and not sufficiently overt in her 
likings. We learn that it is not the rays which bodies 
absorb, but those which they reject, that give them the 
colours they are known by; and in the same way people 
are specialized by their dislikes and antagonisms, whilst 
their goodwill is looked upon as no attribute at all. 
Henery continued in a more complaisant mood: ‘I 
once hinted my mind to her on a few things, as nearly 
as a battered frame dared to do so to such a froward 
piece. You all know, neighbours, what a man I be, 
and how I come down with my powerful words when 
my pride is boiling wi' scarn?’ 
</p>
            <p>‘We do, we do, Henery.’ 
</p>
            <p>‘So I said, “Mistress Everdene, there's places empty, 
and there's gifted men willing; but the spite” — no. not 
the spite — I didn't say spite — “but the villainy of the 
contrarikind,” I said (meaning womankind), “keeps 'em 
out.” That wasn't too strong for her, say?’ 
</p>
            <p>‘Passably well put.’ 
</p>
            <p>‘Yes; and I would have said it, had death and 
salvation overtook me for it. Such is my spirit when I 
have a mind.’ 
</p>
            <p>‘A true man, and proud as a lucifer.’ 
</p>
            <p>‘You see the artfulness? Why, 'twas about being 
baily really; but I didn't put it so plain that she could 
understand my meaning, so I could lay it on all the 
stronger.  That was my <pb n="202"/>
depth! ... However, let her 
marry an she will. Perhaps 'tis high time. I believe 
Farmer Boldwood kissed her behind the spear-bed at the 
sheep-washing t'other day — that I do.’ 
</p>
            <p>‘What a lie!’ said Gabriel. 
</p>
            <p>‘Ah, neighbour Oak — how'st know?’ said, Henery, 
mildly. 
</p>
            <p>‘Because she told me all that passed,’ said Oak, with 
a pharisaical sense that he was not as other shearers in 
this matter. 
</p>
            <p>‘Ye have a right to believe it,’ said Henery, with 
dudgeon; ‘a very true right. But I mid see a little 
distance into things! To be long-headed enough for a 
baily's place is a poor mere trifle — yet a trifle more than 
nothing. However, I look round upon life quite cool. 
Do you heed me, neighbours? My words, though made 
as simple as I can, mid be rather deep for some heads.’ 
</p>
            <p>‘O yes, Henery, we quite heed ye.’ 
</p>
            <p>‘A strange old piece, goodmen — whirled about from 
here to yonder, as if I were nothing! A little warped, 
too. But I have my depths; ha, and even my great 
depths! I might gird at a certain shepherd, brain to 
brain. But no — O no!’ 
</p>
            <p>‘A strange old piece, ye say!’ interposed the maltster, 
in a querulous voice. ‘At the same time ye be no old 
man worth naming — no old man at all. Yer teeth 
bain't  half  gone  yet; and what's a old  man's standing 
if se be his teeth bain't gone? Weren't I stale in 
wedlock afore ye were out  of arms? 'Tis a poor thing 
to be sixty, when there's people far past four-score — a 
boast weak as water.’ 
</p>
            <p>It was the unvarying custom in Weatherbury to 
sink minor differences when the maltster had to be 
pacified. 
</p>
            <p>‘Weak as-water! yes,’ said Jan Coggan. ‘Malter, 
we feel ye to be a wonderful veteran man, and nobody 
can gainsay it.’ 
</p>
            <p>‘Nobody,’ said Joseph Poorgrass. ‘Ye be a very 
rare old spectacle, malter, and we all admire ye for that 
gift.’ 
</p>
            <p>‘Ay, and as a young man, when my senses were in 
prosperity, I was likewise liked by a good-few who 
knowed me,’ said the maltster. 
</p>
            <p>‘'Ithout doubt you was — 'ithout doubt.’ 
</p>
            <p>The bent and hoary man was satisfied, and so 
apparently was Henery Frag. That matters should 
continue pleasant Maryann <pb n="203"/>
spoke, who, what with her 
brown complexion, and the working wrapper of rusty 
linsey, had at present the mellow hue of an old sketch 
in oils — notably some of Nicholas Poussin's: — 
</p>
            <p>‘Do anybody know of a crooked man, or a lame, or 
any second-hand fellow at all that would do for poor 
me?’ said Maryann. ‘A perfect one I don't expect to 
at my time of life. If I could hear of such a thing 
twould do me more good than toast and ale.’ 
</p>
            <p>Coggan furnished a suitable reply. Oak went on 
with his shearing, and said not another word. Pestilent 
moods had come, and teased away his quiet. Bathsheba 
had shown indications of anointing him above his 
fellows by installing him as the bailiff that the farm 
imperatively required. He did not covet the post 
relatively to the farm: in relation to herself, as beloved 
by him and unmarried to another, he had coveted it. 
His readings of her seemed now to be vapoury and 
indistinct. His lecture to her was, he thought, one of 
the absurdest mistakes. Far from coquetting with 
Boldwood, she had trifled with himself in thus feigning 
that she had trifled with another. He was inwardly 
convinced that, in accordance with the anticipations of 
his easy-going and worse-educated comrades, that day 
would see Boldwood the accepted husband of Miss 
Everdene. Gabriel at this time of his life had outgrown 
the instinctive dislike which every Christian 
boy has for reading the Bible, perusing it now quite 
frequently, and he inwardly said, ‘“I find more bitter 
than death the woman whose heart is snares and 
nets!”’ This was mere exclamation — the froth of the 
storm. He adored Bathsheba just the same. 
</p>
            <p>‘We workfolk shall have some lordly junketing 
to-night,’ said Cainy Ball, casting forth his thoughts in 
a new direction. ‘This morning I see 'em making the 
great puddens in the milking-pails — lumps of fat as big 
as yer thumb, Mister Oak! I've never seed such 
splendid large knobs of fat before in the days of my 
life — they never used to be bigger then a horse-bean. 
And there was a great black crock upon the brandise 
with his legs a-sticking out, but I dont know what was 
in within.‘ 
</p>
            <p>‘And there's two bushels of biffins for apple-pies,’ 
said Maryann. <pb n="204"/>
            </p>
            <p>‘Well, I hope to do my duty by it all,’ said Joseph 
Poorgrass, in a pleasant, masticating manner of anticipation. 
‘Yes; victuals and drink is a cheerful thing, 
and gives nerves to the nerveless, if the form of words 
may be used. 'Tis the gospel of the body, without 
which we perish, so to speak it.’ 
</p>
         </div>
         <div n="C23" type="chapter">
            <pb n="205"/>
            <head>EVENTIDE — A SECOND DECLARATION</head>
            <p>FOR the shearing-supper a long table was placed on the 
grass-plot beside the house, the end of the table being 
thrust over the sill of the wide parlour window and a 
foot or two into the room. Miss Everdene sat inside 
the window, facing down the table. She was thus at 
the head without mingling with the men. 
</p>
            <p>This evening Bathsheba was unusually excited, her 
red cheeks and lips contrasting lustrously with the mazy 
skeins of her shadowy hair. She seemed to expect 
assistance, and the seat at the bottom of the table was 
at her request left vacant until after they had begun 
and the duties appertaining to that end, which he did 
with great readiness. 
</p>
            <p>At this moment Mr Boldwood came in at the gate, 
and crossed the green to Bathsheba at the window. 
He apologized for his lateness: his arrival was evidently 
by arrangement. 
</p>
            <p>‘Gabriel,’ said she, ‘will you move again, please, 
and let Mr Boldwood come there?’ 
</p>
            <p>Oak moved in silence back to his original seat. 
</p>
            <p>The gentleman-farmer was dressed in cheerful style, 
in a new coat and white waistcoat, quite contrasting 
with his usual sober suits of grey. Inwardly, too, he 
was blithe, and consequently chatty to an exceptional 
degree. So also was Bathsheba now that he had come, 
though the uninvited presence of Pennyways, the bailiff 
who had been dismissed for theft, disturbed her equanimity 
for a while. 
</p>
            <p>Supper being ended, Coggan began on his own 
private account, without reference to listeners: — 
<q>
                  <l>l've lost my love and I care not, </l>
                  <l>I've lost my love, and I care not; </l>
                  <l>I shall soon have another <pb n="206"/>
                  </l>
                  <l>That's better than t'other! </l>
                  <l>I've lost my love, and I care not. </l>
               </q>
This lyric, when concluded, was received with a 
silently appreciative gaze at the table, implying that the 
performance, like a work by those established authors 
who are independent of notices in the papers, was a 
well-known delight which required no applause. 
</p>
            <p>‘Now, Master Poorgass, your song!’ said Coggan. 
</p>
            <p>‘I be all but in liquor, and the gift is wanting in 
me,’ said Joseph, diminishing himself. 
</p>
            <p>‘Nonsense; wou'st never be so ungrateful, Joseph — 
never!’ said Coggan, expressing hurt feelings by an 
inflection of voice. ‘And mistress is looking hard at 
ye, as much as to say, “Sing at once, Joseph Poorgrass.”’ 
</p>
            <p>‘Faith, 
so she is; well, I must suffer it! ... Just 
eye my features, and see if the tell-tale blood overheats 
me much, neighbours?’ 
</p>
            <p>‘No, yer blushes be quite reasonable,’ said Coggan. 
</p>
            <p>‘I always tries to keep my colours from rising when 
a beauty's eyes get fixed on me,’ said Joseph, differently; 
</p>
            <p>‘but if so be 'tis willed they do, they must.’ 
</p>
            <p>‘Now, Joseph, your song, please,’ said Bathsheba, 
from the window. 
</p>
            <p>‘Well, really, ma'am,’ he replied, in a yielding tone, 
</p>
            <p>‘I don't know what to say. It would be a poor plain 
ballet of my own composure.’ 
</p>
            <p>‘Hear, hear!’ said the supper-party. 
Poorgrass, thus assured, trilled forth a flickering yet 
commendable piece of sentiment, the tune of which 
consisted of the key-note and another, the latter being 
the sound chiefly dwelt upon. This was so successful 
that he rashly plunged into a second in the same 
breath, after a few false starts: — 
<q>
                  <l>I sow'-ed th'-e </l>
                  <l>I sow'-ed </l>
                  <l>I sow'-ed the'-e seeds' of love', </l>
                  <l>I-it was' all' i'-in the'-e spring', </l>
                  <l>I-in A'-pril', Ma'-ay, a'-nd sun'-ny' June', </l>
                  <l>When sma'-all bi'-irds they' do' sing. <pb n="207"/>
                  </l>
               </q>
            </p>
            <p>‘Well put out of hand,’ said Coggan, at the end of the 
verse. ‘“They do sing” was a very taking paragraph.’ 
</p>
            <p>‘Ay; and there was a pretty place at “seeds of 
love,” and 'twas well heaved out. Though “love” is 
a nasty high corner when a man's voice is getting 
crazed. Next verse, Master Poorgrass.’ 
</p>
            <p>But during this rendering young Bob Coggan exhibited 
one of those anomalies which will afflict little 
people when other persons are particularly serious: in 
trying to check his laughter, he pushed down his throat 
as much of the tablecloth as he could get hold of, when, 
after continuing hermetically sealed for a short time, his 
mirth burst out through his nose. Joseph perceived it, 
and with hectic cheeks of indignation instantly ceased 
singing. Coggan boxed Bob's ears immediately. 
</p>
            <p>‘Go on, Joseph — go on, and never mind the young 
scamp,’ said Coggan. ‘'Tis a very catching ballet. 
Now then again — the next bar; I'll help ye to flourish 
up the shrill notes where yer wind is rather wheezy: — 
</p>
            <l>O the wi'-il-lo'-ow tree' will' twist', </l>
            <l>And the wil'-low' tre'-ee wi'ill twine'. 
</l>
            <p>But the singer could not be set going again. Bob 
Coggan was sent home for his ill manners, and tranquility 
was restored by Jacob Smallbury, who volunteered 
a ballad as inclusive and interminable as that with which 
the worthy toper old Silenus amused on a similar occasion 
the swains Chromis and Mnasylus, and other jolly dogs 
of his day. 
</p>
            <p>It was still the beaming time of evening, though 
night was stealthily making itself visible low down upon 
the ground, the western lines of light taking the earth 
without alighting upon it to any extent, or illuminating 
the dead levels at all. The sun had crept round the 
tree as a last effort before death, and then began to 
sink, the shearers' lower parts becoming steeped in 
embrowning twilight, whilst their heads and shoulders 
were still enjoying day, touched with a yellow of self-sustained 
brilliancy that seemed inherent rather than 
acquired. 
</p>
            <p>The sun went down in an ochreous mist; but they 
sat, and <pb n="208"/>
talked on, and grew as merry as the gods in 
Homer's heaven. Bathsheba still remained enthroned 
inside the window, and occupied herself in knitting, 
from which she sometimes looked up to view the fading 
scene outside. The slow twilight expanded and enveloped 
them completely before the signs of moving were shown. 
</p>
            <p>Gabriel suddenly missed Farmer Boldwood from his 
place at the bottom of the table. How long he had 
been gone Oak did not know; but he had apparently 
withdrawn into the eneircling dusk. Whilst he was 
thinking of this, Liddy brought candles into the back 
part of the room overlooking the shearers, and their 
lively new flames shone down the table and over the 
men, and dispersed among the green shadows behind. 
Bathsheba's form, still in its original position, was now 
again distinct between their eyes and the light, which 
revealed that Boldwood had gone inside the room, and 
was sitting near her. 
</p>
            <p>Next came the question of the evening. Would Miss 
Everdene sing to them the song she always sang so 
charmingly — ‘The Banks of Allan Water’ — before they 
went home? 
</p>
            <p>After a moment's consideration Bathsheba assented, 
beckoning to Gabriel, who hastened up into the coveted 
atmosphere. 
</p>
            <p>‘Have you brought your flute?’ she whispered. 
</p>
            <p>‘Yes, miss.’ 
</p>
            <p>‘Play to my singing, then.’ 
</p>
            <p>She stood up in the window-opening, facing the 
men, the candles behind her, Gabriel on her right hand, 
immediately outside the sash-frame. Boldwood had 
drawn up on her left, within the room. Her singing 
was soft and rather tremulous at first, but it soon swelled 
to a steady clearness. Subsequent events caused one 
of the verses to be remembered for many months, and 
even years, by more than one of those who were gathered 
there: — 
<q>
                  <l>For his bride a soldier sought her, </l>
                  <l>And a winning tongue had he: </l>
                  <l>On the banks of Allan Water </l>
                  <l>None was gay as she! </l>
               </q>
               <pb n="209"/>
            </p>
            <p>In addition to the dulcet piping of Gabriel's flute, 
Boldwood supplied a bass in his customary profound 
voice, uttering his notes so softly, however, as to abstain 
entirely from making anything like an ordinary duet of 
the song; they rather formed a rich unexplored shadow, 
which threw her tones into relief. The shearers reclined 
against each other as at suppers in the early ages of the 
world, and so silent and absorbed were they that her 
breathing could almost be heard between the bars; and 
at the end of the ballad, when the last tone loitered on 
to an inexpressible close, there arose that buzz of 
pleasure which is the attar of applause. 
</p>
            <p>It is scarcely necessary to state that Gabriel could 
not avoid noting the farmer's bearing to-night towards 
their entertainer. Yet there was nothing exceptional in 
his actions beyond what appertained to his time of 
performing them. It was when the rest were all looking 
away that Boldwood observed her; when they regarded 
her he turned aside; when they thanked or praised he 
was silent; when they were inattentive he murmured 
his thanks. The meaning lay in the difference between 
actions, none of which had any meaning of itself; 
and the necessity of being jealous, which lovers are 
troubled with, did not lead Oak to underestimate these 
signs. 
</p>
            <p>Bathsheba then wished them good-night, withdrew 
from the window, and retired to the back part of the 
room, Boldwood thereupon closing the sash and the 
shutters, and remaining inside with her. Oak wandered 
away under the quiet and scented trees. Recovering 
from the softer impressions produced by Bathsheba's 
voice, the shearers rose to leave, Coggan turning to 
Pennyways as he pushed back the bench to pass out: — 
</p>
            <p>‘I like to give praise where praise is due, and the 
man deserves it — that 'a do so,’ he remarked, looking at 
the worthy thief, as if he were the masterpiece of some 
world-renowned artist. 
</p>
            <p>‘I'm sure I should never have believed it if we hadn't 
proved it, so to allude,’ hiccupped Joseph Poorgrass, ‘that 
every cup, every one of the best knives and forks, and 
every empty bottle be in their place as perfect now as 
at the beginning, and not one stole at all. 
<pb n="210"/>
            </p>
            <p>‘I'm sure I don't deserve half the praise you give 
me,’ said the virtuous thief, grimly. 
</p>
            <p>‘Well, I'll say this for Pennyways,’ added Coggan, 
‘that whenever he do really make up his mind to do a 
noble thing in the shape of a good action, as I could 
see by his face he did to-night afore sitting down, he's 
generally able to carry it out. Yes, I'm proud to say, 
neighbours, that he's stole nothing at all. 
</p>
            <p>‘Well, 'tis an honest deed, and we thank ye for it, 
Pennyways,’ said Joseph; to which opinion the remainder 
of the company subscribed unanimously. 
</p>
            <p>At this time of departure, when nothing more was 
visible of the inside of the parlour than a thin and still 
chink of light between the shutters, a passionate scene 
was in course of enactment there. 
</p>
            <p>Miss Everdene and Boldwood were alone. Her 
cheeks had lost a great deal of their healthful fire from 
the very seriousness of her position; but her eye was 
bright with the excitement of a triumph — though it was 
a triumph which had rather been contemplated than 
desired. 
</p>
            <p>She was standing behind a low arm-chair, from which 
she had just risen, and he was kneeling in it — inclining 
himself over its back towards her, and holding her hand 
in both his own. His body moved restlessly, and it was 
with what Keats daintily calls a too happy happiness. 
This unwonted abstraction by love of all dignity from 
a man of whom it had ever seemed the chief component, 
was, in its distressing incongruity, a pain to her which 
quenched much of the pleasure she derived from the 
proof that she was idolized. 
</p>
            <p>‘I will try to love you,’ she was saying, in a trembling 
voice quite unlike her usual self-confidence. ‘And if I 
can believe in any way that I shall make you a good 
wife I shall indeed be willing to marry you. But, Mr 
Boldwood, hesitation on so high a matter is honourable 
in any woman, and I don't want to give a solemn 
promise to-night. I would rather ask you to wait a few 
weeks till I can see my situation better.’ 
</p>
            <p>‘But you have every reason to believe that <hi>then</hi> —’ 
</p>
            <p>‘I have every reason to hope that at the end of the five or <pb n="211"/>
six weeks, between this time and harvest, that 
you say you are going to be away from home, I shall be 
able to promise to be your wife,’ she said, firmly. ‘But 
remember this distinctly, I don't promise yet.’ 
</p>
            <p>‘It is enough I don't ask more. I can wait on 
those dear words. And now, Miss Everdene, goodnight!’ 
</p>
            <p>‘Good-night,’ 
she said, graciously — almost tenderly; 
and Boldwood withdrew with a serene smile. 
</p>
            <p>Bathsheba knew more of him now; he had entirely 
bared his heart before her, even until he had almost 
worn in her eyes the sorry look of a grand bird without 
the feathers that make it grand. She had been awestruck 
at her past temerity, and was struggling to make 
amends without thinking whether the sin quite deserved 
the penalty she was schooling herself to pay. To have 
brought all this about her ears was terrible; but after a 
while the situation was not without a fearful joy. The 
facility with which even the most timid woman sometimes 
acquire a relish for the dreadful when that is 
amalgamated with a little triumph, is marvellous. 
</p>
         </div>
         <div n="C24" type="chapter">
            <pb n="212"/>
            <head>THE SAME NIGHT — THE FIR PLANTATION</head>
            <p>AMONG the multifarious duties which Bathsheba had 
voluntarily imposed upon herself by dispensing with the 
services of a bailiff, was the particular one of looking 
round the homestead before going to bed, to see that 
all was right and safe for the night. Gabriel had almost 
constantly preceded her in this tour every evening, 
watching her affairs as carefully as any specially appointed 
officer of surveillance could have done; but this tender 
devotion was to a great extent unknown to his mistress, 
and as much as was known was somewhat thanklessly 
received. Women are never tired of bewailing man's 
fickleness in love, but they only seem to snub his constancy. 
</p>
            <p>As watching is best done invisibly, she usually carried 
a dark lantern in her hand, and every now and then 
turned on the light to examine nooks and corners with 
the coolness of a metropolitan policeman. This coolness 
may have owed its existence not so much to her 
fearlessness of expected danger as to her freedom from 
the suspicion of any; her worst anticipated discovery 
being that a horse might not be well bedded, the fowls 
not all in, or a door not closed. 
</p>
            <p>This night the buildings were inspected as usual, 
and she went round to the farm paddock. Here the 
only sounds disturbing the stillness were steady munchings 
of many mouths, and stentorian breathings from all 
but invisible noses, ending in snores and puffs like the 
blowing of bellows slowly. Then the munching would 
recommence, when the lively imagination might assist 
the eye to discern a group of pink-white nostrils, shaped 
as caverns, and very clammy and humid on their surfaces, 
not exactly pleasant to the touch until one got 
used to them; the mouths beneath having a great 
partiality for closing upon any loose end of Bathsheba's 
apparel which came within <pb n="213"/>
reach of their tongues. 
Above each of these a still keener vision suggested a 
brown forehead and two staring though not unfriendly 
eyes, and above all a pair of whitish crescent-shaped 
horns like two particularly new moons, an occasional 
stolid ‘moo!’ proclaiming beyond the shade of a doubt 
that these phenomena were the features and persons of 
Daisy, Whitefoot, Bonny-lass, Jolly-O, Spot, Twinkle-eye, 
etc., etc. — the respectable dairy of Devon cows belonging 
to Bathsheba aforesaid. 
</p>
            <p>Her way back to the house was by a path through a 
young plantation of tapering firs, which had been planted 
some years earlier to shelter the premises from the north 
wind. By reason of the density of the interwoven foliage 
overhead, it was gloomy there at cloudless noontide, 
twilight in the evening, dark as midnight at dusk, and 
black as the ninth plague of Egypt at midnight. To 
describe the spot is to call it a vast, low, naturally formed 
hall, the plumy ceiling of which was supported by slender 
pillars of living wood, the floor being covered with a soft 
dun carpet of dead spikelets and mildewed cones, with 
a tuft of grass-blades here and there. 
</p>
            <p>This bit of the path was always the crux of the 
night's ramble, though, before starting, her apprehensions 
of danger were not vivid enough to lead her to 
take a companion. Slipping along here covertly as 
Time, Bathsheba fancied she could hear footsteps entering 
the track at the opposite end. It was certainly a 
rustle of footsteps. Her own instantly fell as gently as 
snowflakes. She reassured herself by a remembrance 
that the path was public, and that the traveller was 
probably some villager returning home; regetting, at 
the same time, that the meeting should be about to 
occur in the darkest point of her route, even though 
only just outside her own door. 
</p>
            <p>The noise approached, came close, and a figure was 
apparently on the point of gliding past her when something 
tugged at her skirt and pinned it forcibly to the 
ground. The instantaneous check nearly threw Bathsheba 
off her balance. In recovering she struck against 
warm clothes and buttons. 
</p>
            <p>‘A rum start, upon my soul!’ said a masculine voice, 
a foot or so above her head. ‘Have I hurt you, mate?’ 
</p>
            <p>‘No,’ said Bathsheba, attempting to shrink away. 
<pb n="214"/>
            </p>
            <p>‘We have got hitched together somehow, I think.’ 
</p>
            <p>‘Yes.’ 
</p>
            <p>‘Are you a woman?’ 
</p>
            <p>‘Yes.’ 
</p>
            <p>‘A lady, I should have said.’ 
</p>
            <p>‘It doesn't matter.’ 
</p>
            <p>‘I am a man.’ 
</p>
            <p>‘Oh!’ 
</p>
            <p>Bathsheba softly tugged again, but to no purpose. 
</p>
            <p>‘Is that a dark lantern you have? I fancy so,’ said 
the man. 
</p>
            <p>‘Yes.’ 
</p>
            <p>‘If you'll allow me I'll open it, and set you free.’ 
</p>
            <p>A hand seized the lantern, the door was opened, the 
rays burst out from their prison, and Bathsheba beheld 
her position with astonishment. 
</p>
            <p>The man to whom she was hooked was brilliant in 
brass and scarlet. He was a soldier. His sudden 
appearance was to darkness what the sound of a trumpet 
is to silence. Gloom, the genius loci at all times hitherto, 
was now totally overthrown, less by the lantern-light 
than by what the lantern lighted. The contrast of this 
revelation with her anticipations of some sinister figure 
in sombre garb was so great that it had upon her the 
effect of a fairy transformation. 
</p>
            <p>It was immediately apparent that the military man's 
spur had become entangled in the gimp which decorated 
the skirt of her dress. He caught a view of her face. 
</p>
            <p>‘I'll unfasten you in one moment, miss,’ he said, 
with new-born gallantry. 
</p>
            <p>‘O no — I can do it, thank you,’ she hastily replied, 
and stooped for the performance. 
</p>
            <p>The unfastening was not such a trifling affair. The 
rowel of the spur had so wound itself among the gimp 
cords in those few moments, that separation was likely 
to be a matter of time. 
</p>
            <p>He too stooped, and the lantern standing on the 
ground betwixt them threw the gleam from its open side 
among the fir-tree needles and the blades of long damp 
grass with the effect of a large glowworm. It radiated 
upwards into their <pb n="215"/>
faces, and sent over half the plantation 
gigantic shadows of both man and woman, each 
dusky shape becoming distorted and mangled upon the 
tree-trunks till it wasted to nothing. 
</p>
            <p>He looked hard into her eyes when she raised them 
for a moment; Bathsheba looked down again, for his 
gaze was too strong to be received point-blank with her 
own. But she had obliquely noticed that he was young 
and slim, and that he wore three chevrons upon his 
sleeve. 
</p>
            <p>Bathsheba pulled again. 
</p>
            <p>‘You are a prisoner, miss; it is no use blinking the 
matter,’ said the soldier, drily. ‘I must cut your dress 
if you are in such a hurry.’ 
</p>
            <p>‘Yes — please do!’ she exclaimed, helplessly. 
</p>
            <p>‘It wouldn't be necessary if you could wait a 
moment;’ and he unwound a cord from the little 
wheel. She withdrew her own hand, but, whether by 
accident or design, he touched it. Bathsheba was 
vexed; she hardly knew why. 
</p>
            <p>His unravelling went on, but it nevertheless seemed 
coming to no end. She looked at him again. 
</p>
            <p>‘Thank you for the sight of such a beautiful face!’ 
said the young sergeant, without ceremony. 
</p>
            <p>She coloured with embarrassment. ‘'Twas unwillingly 
shown,’ she replied, stiffly, and with as much 
dignity — which was very little — as she could infuse into 
a position of captivity. 
</p>
            <p>‘I like you the better for that incivility, miss,’ he 
said. 
</p>
            <p>‘I should have liked — I wish — you had never shown 
yourself to me by intruding here!’ She pulled again, 
and the gathers of her dress began to give way like 
lilliputian musketry. 
</p>
            <p>‘I deserve the chastisement your words give me. 
But why should such a fair and dutiful girl have such 
an aversion to her father's sex?’ 
</p>
            <p>‘Go on your way, please.’ 
</p>
            <p>‘What, Beauty, and drag you after me? Do but 
look; I never saw such a tangle!’ 
</p>
            <p>‘O, 'tis shameful of you; you have been making 
it worse on purpose to keep me here — you have!’ 
</p>
            <p>‘Indeed, I don't think so,’ said the sergeant, with a 
merry twinkle. <pb n="216"/>
            </p>
            <p>‘I tell you you have!’ she exclaimed, in high 
temper. ‘I insist upon undoing it. Now, allow me!’ 
</p>
            <p>‘Certainly, miss; I am not of steel.’ He added a 
sigh which had as much archness in it as a sigh could 
possess without losing its nature altogether. ‘I am 
thankful for beauty, even when 'tis thrown to me like 
a bone to a dog. These moments will be over too 
soon!’ 
</p>
            <p>She closed her lips in a determined silence. 
Bathsheba was revolving in her mind whether by a 
bold and desperate rush she could free herself at the 
risk of leaving her skirt bodily behind her. The 
thought was too dreadful. The dress — which she had 
put on to appear stately at the supper — was the head 
and front of her wardrobe; not another in her stock 
became her so well. What woman in Bathsheba's 
position, not naturally timid, and within call of her 
retainers, would have bought escape from a dashing 
soldier at so dear a price? 
</p>
            <p>‘All in good time; it will soon be done, I perceive,’ 
said her cool friend. 
</p>
            <p>‘This trifling provokes, and — and —  —’ 
</p>
            <p>‘Not too cruel!’ 
</p>
            <p>‘—  Insults me!’ 
</p>
            <p>‘It is done in order that I may have the pleasure 
of apologizing to so charming a woman, which I 
straightway do most humbly, madam,’ he said, bowing 
low. 
</p>
            <p>Bathsheba really knew not what to say. 
</p>
            <p>‘I've seen a good many women in my time, 
continued the young man in a murmur, and more 
thoughtfully than hitherto, critically regarding her bent 
head at the same time; ‘but I've never seen a woman 
so beautiful as you. Take it or leave it — be offended 
or like it — I don't care.’ 
</p>
            <p>‘Who are you, then, who can so well afford to 
despise opinion?’ 
</p>
            <p>‘No stranger. Sergeant Troy. I am staying in 
this place. — There! it is undone at last, you see. 
Your light fingers were more eager than mine. I wish it 
had been the knot of knots, which there's no untying!’ 
This was worse and worse. She started up, and so 
did he. <pb n="217"/>
            </p>
            <p>How to decently get away from him — that 
was her difficulty now. She sidled off inch by inch, 
the lantern in her hand, till she could see the redness 
of his coat no longer. 
</p>
            <p>‘Ah, Beauty; good-bye!’ he said. 
She made no reply, and, reaching a distance of 
twenty or thirty yards, turned about, and ran indoors. 
Liddy had just retired to rest. In ascending to her 
own chamber, Bathsheba opened the girl's door an 
inch or two, and, panting, said — 
</p>
            <p>‘Liddy, is any soldier staying in the village — 
sergeant somebody — rather gentlemanly for a sergeant, 
and good looking — a red coat with blue facings?’ 
</p>
            <p>‘No, miss ... No, I say; but really it might be 
Sergeant Troy home on furlough, though I have not 
seen him. He was here once in that way when the 
regiment was at Casterbridge.’ 
</p>
            <p>‘Yes; that's the name. Had he a moustache — no 
whiskers or beard?’ 
</p>
            <p>‘He had.’ 
</p>
            <p>‘What kind of a person is he?’ 
</p>
            <p>‘O! miss — I blush to name it — a gay man! But 
I know him to be very quick and trim, who might have 
made his thousands, like a squire. Such a clever 
young dand as he is! He's a doctor's son by name, 
which is a great deal; and he's an earl's son by 
nature!’ 
</p>
            <p>‘Which is a great deal more. Fancy! Is it true?’ 
</p>
            <p>‘Yes. And, he was brought up so well, and sent to 
Casterbridge Grammar School for years and years. 
Learnt all languages while he was there; and it was 
said he got on so far that he could take down Chinese 
in shorthand; but that I don't answer for, as it was 
only reported. However, he wasted his gifted lot, 
and listed a soldier; but even then he rose to be a 
sergeant without trying at all. Ah! such a blessing it 
is to be high-born; nobility of blood will shine out even 
in the ranks and files. And is he really come home, 
miss?‘ 
</p>
            <p>‘I believe so. Good-night, Liddy.’ 
After all, how could a cheerful wearer of skirts 
be permanently offended with the man? There are 
occasions when girls like Bathsheba will put up with 
a great deal of unconventional <pb n="218"/>
behaviour. When they 
want to be praised, which is often, when they want to 
be mastered, which is sometimes; and when they want 
no nonsense, which is seldom. Just now the first 
feeling was in the ascendant with Bathsheba, with a dash 
of the second. Moreover, by chance or by devilry, the 
ministrant was antecedently made interesting by being 
a handsome stranger who had evidently seen better 
days. 
</p>
            <p>So she could not clearly decide whether it was her 
opinion that he had insulted her or not. 
</p>
            <p>‘Was ever anything so odd!’ she at last exclaimed 
to herself, in her own room. ‘And was ever anything 
so meanly done as what I did to to sulk away like that 
from a man who was only civil and kind!’ Clearly she 
did not think his barefaced praise of her person an 
insult now. 
</p>
            <p>It was a fatal omission of Boldwood's that he had 
never once told her she was beautiful. 
</p>
         </div>
         <div n="C25" type="chapter">
            <pb n="219"/>
            <head>THE NEW ACQUAINTANCE DESCRIBED</head>
            <p>IDIOSYNCRASY and vicissitude had combined to 
stamp Sergeant Troy as an exceptional being. 
</p>
            <p>He was a man to whom memories were an incumbrance, 
and anticipations a superfluity. Simply 
feeling, considering, and caring for what was before his 
eyes, he was vulnerable only in the present. His outlook 
upon time was as a transient flash of the eye now 
and then: that projection of consciousness into days 
gone by and to come, which makes the past a synonym 
for the pathetic and the future a word for circumspection, 
was foreign to Troy. With him the past 
was yesterday; the future, to-morrow; never, the day 
after. 
</p>
            <p>On this account he might, in certain lights, have 
been regarded as one of the most fortunate of his 
order. For it may be argued with great plausibility 
that reminiscence is less an endowment than a disease, 
and that expectation in its only comfortable form — that 
of absolute faith — is practically an impossibility; whilst 
in the form of hope and the secondary compounds, 
patience, impatience, resolve, curiosity, it is a constant 
fluctuation between pleasure and pain. 
</p>
            <p>Sergeant Troy, being entirely innocent of the 
practice of expectation, was never disappointed. To 
set against this negative gain there may have been 
some positive losses from a certain narrowing of the 
higher tastes and sensations which it entailed. But 
limitation of the capacity is never recognized as a loss 
by the loser therefrom: in this attribute moral or 
aesthetic poverty contrasts plausibly with material, since 
those who suffer do not mind it, whilst those who mind 
it soon cease to suffer. It is not a denial of anything 
to have been always without it, and what Troy had 
never enjoyed he did not miss; but, being fully 
conscious that what sober <pb n="220"/>
people missed he enjoyed, 
his capacity, though really less, seemed greater than 
theirs. 
</p>
            <p>He was moderately truthful towards men, but to 
women lied like a Cretan — a system of ethics above all 
others calculated to win popularity at the first flush of 
admission into lively society; and the possibility of the 
favour gained being transitory had reference only to 
the future. 
</p>
            <p>He never passed the line which divides the spruce 
vices from the ugly; and hence, though his morals had 
hardly been applauded, disapproval of them‘had frequently 
been tempered with a smile. This treatment 
had led to his becoming a sort of regrater of other 
men's gallantries, to his own aggrandizement as a 
Corinthian, rather than to the moral profit of his 
hearers. 
</p>
            <p>His reason and his propensities had seldom any 
reciprocating influence, having separated by mutual 
consent long ago: thence it sometimes happened that, 
while his intentions were as honourable as could be 
wished, any particular deed formed a dark background 
which threw them into fine relief. The sergeant's 
vicious phases being the offspring of impulse, and 
his virtuous phases of cool meditation, the latter 
had a modest tendency to be oftener heard of than 
seen. 
</p>
            <p>Troy was full of activity, but his activities were less of 
a locomotive than a vegetative nature; and, never being 
based upon any original choice of foundation or direction, 
they were exercised on whatever object chance 
might place in their way. Hence, whilst he sometimes 
reached the brilliant in speech because that was 
spontaneous, he fell below the commonplace in action, 
from inability to guide incipient effort. He had a 
quick comprehension and considerable force of character; 
but, being without the power to combine them, 
the comprehension became engaged with trivialities 
whilst waiting for the will to direct it, and the force 
wasted itself in useless grooves through unheeding the 
comprehension. 
</p>
            <p>He was a fairly well-educated man for one of middle 
class — exceptionally well educated for a common soldier. 
He spoke fluently and unceasingly. He could in this 
way be one thing and seem another: for instance, he 
could speak of love and <pb n="221"/>
think of dinner; call on the husband to look at the wife; 
 be eager to pay and 
intend to owe. 
</p>
            <p>The wondrous power of flattery in passados at woman 
is a perception so universal as to be remarked upon by 
many people almost as automatically as they repeat a 
proverb, or say that they are Christians and the like, 
without thinking much of the enormous corollaries 
which spring from the proposition. Still less is it acted 
upon for the good of the complemental being alluded 
to. With the majority such an opinion is shelved with 
all those trite aphorisms which require some catastrophe 
to bring their tremendous meanings thoroughly home. 
When expressed with some amount of reflectiveness it 
seems co-ordinate with a belief that this flattery must 
be reasonable to be effective. It is to the credit of 
men that few attempt to settle the question by experiment, 
and it is for their happiness, perhaps, that accident 
has never settled it for them. Nevertheless, that a 
male dissembler who by deluging her with untenable 
fictions charms the female wisely, may acquire powers 
reaching to the extremity of perdition, is a truth taught 
to many by unsought and wringing occurrences. And 
some profess to have attained to the same knowledge 
by experiment as aforesaid, and jauntily continue their 
indulgence in such experiments with terrible effect. 
Sergeant Troy was one. 
</p>
            <p>He had been known to observe casually that in 
dealing with womankind the only alternative to flattery 
was cursing and swearing. There was no third method. 
‘Treat them fairly, and you are a lost man,’ he would 
say. 
</p>
            <p>This philosopher's public appearance in Weatherbury 
promptly followed his arrival there. A week or two 
after the shearing, Bathsheba, feeling a nameless relief 
of spirits on account of Boldwood's absence, approached 
her hayfields and looked over the hedge towards the 
haymakers. They consisted in about equal proportions 
of gnarled and flexuous forms, the former being the 
men, the latter the women, who wore tilt bonnets 
covered with nankeen, which hung in a curtain upon 
their shoulders. Coggan and Mark Clark were mowing 
in a less forward meadow, Clark humming a tune to 
the strokes of <pb n="222"/>
his scythe, to which Jan made no attempt 
to keep time with his. In the first mead they were 
already loading hay, the women raking it into cocks 
and windrows, and the men tossing it upon the 
waggon. 
</p>
            <p>From behind the waggon a bright scarlet spot 
emerged, and went on loading unconcernedly with the 
rest. It was the gallant sergeant, who had come haymaking 
for pleasure; and nobody could deny that he 
was doing the mistress of the farm real knight-service 
by this voluntary contribution of his labour at a busy 
time. 
</p>
            <p>As soon as she had entered the field Troy saw her, 
and sticking his pitchfork into the ground and picking 
up his crop or cane, he came forward. Bathsheba 
blushed with half-angry embarrassment, and adjusted 
her eyes as well as her feet to the direct line of her 
path. 
</p>
         </div>
         <div n="C26" type="chapter">
            <pb n="223"/>
            <head>SCENE ON THE VERGE OF THE HAY-MEAD</head>
            <p>‘AH, Miss Everdene!’ said the sergeant, touching his 
diminutive cap. ‘Little did I think it was you I was 
speaking to the other night. And yet, if I had reflected, 
the “Queen of the Corn-market” (truth is truth at any 
hour of the day or night, and I heard you so named in 
Casterbridge yesterday), the “Queen of the Corn-market,” 
I say, could be no other woman. I step across now to 
beg your forgiveness a thousand times for having been 
led by my feelings to express myself too strongly for a 
stranger. To be sure I am no stranger to the place — 
I am Sergeant Troy, as I told you, and I have assisted 
your uncle in these fields no end of times when I was a 
lad. I have been doing the same for you today.’ 
</p>
            <p>‘I suppose I must thank you for that, Sergeant 
Troy,’ said the Queen of the Corn-market, in an indifferently 
grateful tone. 
</p>
            <p>The sergeant looked hurt and sad. ‘Indeed you 
must not, Miss Everdene,’ he said. ‘Why could you 
think such a thing necessary?’ 
</p>
            <p>‘I am glad it is not.’ 
</p>
            <p>‘Why? if I may ask without offence.’ 
</p>
            <p>‘Because I don't much want to thank you for any‘ 
thing.’ 
</p>
            <p>‘I am afraid I have made a hole with my tongue 
that my heart will never mend. O these intolerable 
times: that ill-luck should follow a man for honestly 
telling a woman she is beautiful! 'Twas the most I 
said — you must own that; and the least I could say — 
that I own myself.’ 
</p>
            <p>‘There is some talk I could do without more easily 
than money.’ 
</p>
            <p>‘Indeed. That remark is a sort of digression.’ 
</p>
            <p>‘No. It means that I would rather have your room 
than your company.’ <pb n="224"/>
            </p>
            <p>‘And I would rather have curses from you than 
kisses from any other woman; so I'll stay here.’ 
Bathsheba was absolutely speechless. And yet she 
could not help feeling that the assistance he was rendering 
forbade a harsh repulse. 
</p>
            <p>‘Well,’ continued Troy, ‘I suppose there is a praise 
which is rudeness, and that may be mine. At the 
same time there is a treatment which is injustice, and 
that may be yours. Because a plain blunt man, who 
has never been taught concealment, speaks out his 
mind without exactly intending it, he's to be snapped 
off like the son of a sinner.’ 
</p>
            <p>‘Indeed there's no such case between us,’ she said, 
turning away. ‘I don't allow strangers to be bold and 
impudent — even in praise of me.’ 
</p>
            <p>‘Ah — it is not the fact but the method which offends 
you,’ he said, carelessly. ‘But I have the sad satisfaction 
of knowing that my words, whether pleasing or 
offensive, are unmistakably true. Would you have had 
me look at you, and tell my acquaintance that you are 
quite a common-place woman, to save you the embarrassment 
of being stared at if they come near you? 
Not I. I couldn't tell any such ridiculous lie about 
a beauty to encourage a single woman in England in 
too excessive a modesty.’ 
</p>
            <p>‘It is all pretence — what you are saying!’ exclaimed 
Bathsheba, laughing in spite of herself at the sergeant's 
sly method. ‘You have a rare invention, Sergeant 
Troy. Why couldn't you have passed by me that 
night, and said nothing? — that was all I meant to 
reproach you for.’ 
</p>
            <p>‘Because I wasn't going to. Half the pleasure of 
a feeling lies in being able to express it on the spur of 
the moment, and I let out mine. It would have been 
just the same if you had been the reverse person — ugly 
and old — I should have exclaimed about it in the same 
way.’ 
</p>
            <p>‘How long is it since you have been so afflicted with 
strong feeling, then?’ 
</p>
            <p>‘Oh, ever since I was big enough to know loveliness 
from deformity.’ <pb n="225"/>
            </p>
            <p>‘'Tis to be hoped your sense of the difference you 
speak of doesn't stop at faces, but extends to morals as 
well.’ 
</p>
            <p>‘I won't speak of morals or religion — my own or 
anybody else's. Though perhaps I should have been a 
very good Christian if you pretty women hadn't made 
me an idolater.’ 
</p>
            <p>Bathsheba moved on to hide the irrepressible dimplings 
of merriment. Troy followed, whirling his crop. 
</p>
            <p>‘But — Miss Everdene — you do forgive me?’ 
</p>
            <p>‘Hardly.’ 
</p>
            <p>‘Why?’ 
</p>
            <p>‘You say such things.’ 
</p>
            <p>‘I said you were beautiful, and I'll say so still; for, 
by —  so you are! The most beautiful ever I saw, or 
may I fall dead this instant! Why, upon my —  —’ 
</p>
            <p>‘Don't — don't! I won't listen to you — you are so 
profane!’ she said, in a restless state between distress 
at hearing him and a <foreign xml:lang="fre">penchant</foreign> to hear more. 
</p>
            <p>‘I again say you are a most fascinating woman. 
There's nothing remarkable in my saying so, is there? 
I'm sure the fact is evident enough. Miss Everdene, 
my opinion may be too forcibly let out to please you, 
and, for the matter of that, too insignificant to convince 
you, but surely it is honest, and why can't it be excused?’ 
</p>
            <p>‘Because 
it — it isn't a correct one,’ she femininely 
murmured. 
</p>
            <p>‘O, fie — fie! Am I any worse for breaking the 
third of that Terrible Ten than you for breaking the 
ninth?‘ 
</p>
            <p>‘Well, it doesn't seem quite true to me that I am 
fascinating,’ she replied evasively. 
</p>
            <p>‘Not so to you: then I say with all respect that, if 
so, it is owing to your modesty, Miss Everdene. But 
surely you must have been told by everybody of what 
everybody notices? and you should take their words 
for it.’ 
</p>
            <p>‘They don't say so exactly.’ 
</p>
            <p>‘O yes, they must!’ 
</p>
            <p>‘Well, I mean to my face, as you do,’ she went on, 
allowing <pb n="226"/>
herself to be further lured into a conversation 
that intention had rigorously forbidden. 
</p>
            <p>‘But you know they think so?’ 
</p>
            <p>‘No — that is — I certainly have heard Liddy say 
they do, but —  — ’ She paused. 
</p>
            <p>Capitulation — that was the purport of the simple 
reply, guarded as it was — capitulation, unknown to herself. 
Never did a fragile tailless sentence convey a 
more perfect meaning. The careless sergeant smiled 
within himself, and probably too the devil smiled from 
a loop-hole in Tophet, for the moment was the turning-point 
of a career. Her tone and mien signified beyond 
mistake that the seed which was to lift the foundation 
had taken root in the chink: the remainder was a mere 
question of time and natural changes. 
</p>
            <p>‘There the truth comes out!’ said the soldier, in 
reply. ‘Never tell me that a young lady can live in a 
buzz of admiration without knowing something about it. 
Ah, well, Miss Everdene, you are — pardon my blunt 
way — you are rather an injury to our race than otherwise. 
</p>
            <p>‘How — indeed?’ she said, opening her eyes. 
</p>
            <p>‘O, it is true enough. I may as well be hung for 
a sheep as a lamb (an old country saying, not of much 
account, but it will do for a rough soldier), and so I 
will speak my mind, regardless of your pleasure, and 
without hoping or intending to get your pardon. Why, 
Miss Everdene, it is in this manner that your good 
looks may do more harm than good in the world.’ 
</p>
            <p>The sergeant looked down the mead in critical abstracion. 
‘Probably some one man on an average falls in 
love, with each ordinary woman. She can marry him: 
he is content, and leads a useful life. Such women as 
you a hundred men always covet — your eyes will bewitch 
scores on scores into an unavailing fancy for you — 
you can only marry one of that many. Out of these 
say twenty will endeavour to drown the bitterness of 
despised love in drink; twenty more will mope away 
their lives without a wish or attempt to make a mark in 
he world, because they have no ambition apart from 
their attachment to you; twenty more — the susceptible 
person <pb n="227"/>
myself possibly among them — will be always 
draggling after you, getting where they may just see 
you, doing desperate things. Men are such constant 
fools! The rest may try to get over their passion with 
more or less success. But all these men will be 
saddened. And not only those ninety-nine men, but 
the ninety-nine women they might have married are 
saddened with them. There's my tale. That's why I 
say that a woman so charming as yourself, Miss Everdene, 
is hardly a blessing to her race.’ 
</p>
            <p>The handsome sergeant's features were during this 
speech as rigid and stern as John Knox's in addressing 
his gay young queen. 
</p>
            <p>Seeing she made no reply, he said, ‘Do you read 
French?’ 
</p>
            <p>‘No; I began, but when I got to the verbs, father 
died,’ she said simply. 
</p>
            <p>‘I do — when I have an opportunity, which latterly 
has not been often (my mother was a Parisienne) — and 
there's a proverb they have, <foreign xml:lang="fre">Qui aime bien châtie bien</foreign>
— ‘He chastens who loves well.‘Do you understand 
me? 
</p>
            <p>‘Ah!’ she replied, and there was even a little tremulousness 
in the usually cool girl's voice; ‘if you can 
only fight half as winningly as you can talk, you are 
able to make a pleasure of a bayonet wound!’ And 
then poor Bathsheba instanly perceived her slip in 
making this admission: in hastily trying to retrieve it, 
she went from bad to worse. ‘Don't, however, suppose 
that <hi>I</hi> derive any pleasure from what you tell me.’ 
</p>
            <p>‘I know you do not — I know it perfectly,’ said Troy, 
with much hearty conviction on the exterior of his face: 
and altering the expression to moodiness; ‘when a 
dozen men are ready to speak tenderly to you, and 
give the admiration you deserve without adding the 
warning you need, it stands to reason that my poor 
rough-and-ready mixture of praise and blame cannot 
convey much pleasure. Fool as I may be, I am not so 
conceited as to suppose that!’ 
</p>
            <p>‘I think you —are conceited, nevertheless,’ said 
Bathsheba, looking askance at a reed she was fitfully 
pulling with one hand, having lately grown feverish 
under the soldier's <pb n="228"/>
system of procedure — not because the nature of 
his cajolery was entirely unperceived, but because its 
vigour was overwhelming. 
</p>
            <p>‘I would not own it to anybody else — nor do I 
exactly to you. Still, there might have been some self-conceit 
in my foolish supposition the other night. I 
knew that what I said in admiration might be an 
opinion too often forced upon you to give any pleasure, 
but I certainly did think that the kindness of your 
nature might prevent you judging an uncontrolled 
tongue harshly — which you have done — and thinking 
badly of me and wounding me this morning, when I 
am working hard to save your hay.’ 
</p>
            <p>‘Well, you need not think more of that: perhaps you 
did not mean to be rude to me by speaking out your 
mind: indeed, I believe you did not,’ said the shrewd 
woman, in painfully innocent earnest. ‘And I thank 
you for giving help here. But —but mind you don't 
speak to me again in that way, or in any other, unless 
I speak to you.’ 
</p>
            <p>‘O, Miss Bathsheba! That is too hard!’ 
</p>
            <p>‘No, it isn't. Why is it?’ 
</p>
            <p>‘You will never speak to me; for I shall not be 
here long. I am soon going back again to the miserable 
monotony of drill — and perhaps our regiment will 
be ordered out soon. And yet you take away the one 
little ewe-lamb of pleasure that I have in this dull life 
of mine. Well, perhaps generosity is not a woman's 
most marked characteristic.’ 
</p>
            <p>‘When are you going from here?’ she asked, with 
some interest. 
</p>
            <p>‘In a month.’ 
</p>
            <p>‘But how can it give you pleasure to speak to me?’ 
</p>
            <p>‘Can you ask Miss Everdene — knowing as you do 
— what my offence is based on?’ 
</p>
            <p>‘I you do care so much for a silly trifle of that 
kind, then, I don't mind doing it,’ she uncertainly and 
doubtingly answered. ‘But you can't really care for a 
word from me? you only say so — I think you only 
say so.’ 
</p>
            <p>‘that's unjust — but I won't repeat the remark. I 
am too <pb n="229"/>
gratified to get such a mark of your friendship 
at any price to cavil at the tone. I do Miss Everdene, 
care for it. You may think a man foolish to want a 
mere word —  just a good morning. Perhaps he is — I 
don't know. But you have never been a man looking 
upon a woman, and that woman yourself.’ 
</p>
            <p>‘Well.’ 
</p>
            <p>‘Then you know nothing of what such an experience 
is like — and Heaven forbid that you ever should!’ 
</p>
            <p>‘Nonsense, flatterer! What is it like? I am 
interested in knowing.‘ 
</p>
            <p>‘Put shortly, it is not being able to think, hear, or 
look in any direction except one without wretchedness, 
nor there without torture.’ 
</p>
            <p>‘Ah, sergeant, it won't do — you are pretending!’ she 
said, shaking her head. ‘Your words are too dashing 
to be true.’ 
</p>
            <p>‘I am not, upon the honour of a soldier.’ 
</p>
            <p>‘But <hi>why</hi> is it so? — Of course I ask for mere pastime.’ 
</p>
            <p>‘Because you are so distracting — and I am so distracted.’ 
</p>
            <p>‘You look like it.’ 
</p>
            <p>‘I am indeed.’ 
</p>
            <p>‘Why, you only saw me the other night!’ 
</p>
            <p>‘That makes no difference. The lightning works instantaneously. 
I loved you then, at once — as I do now.’ 
</p>
            <p>Bathsheba surveyed him curiously, from the feet 
upward, as high as she liked to venture her glance, 
which was not quite so high as his eyes. 
</p>
            <p>‘You cannot and you don't,’ she said demurely. 
‘There is no such sudden feeling in people. I won't 
listen to you any longer. Hear me, I wish I knew what 
o'clock it is — I am going — I have wasted too much time 
here already!‘ 
</p>
            <p>The sergeant looked at his watch and told her. 
‘What, haven't you a watch, miss?’ he inquired. 
</p>
            <p>‘I have not just at present — I am about to get a 
new one.’ 
</p>
            <p>‘No. You shall be given one. Yes — you  shall. 
A gift, Miss Everdene — a gift.‘ 
</p>
            <p>And before she knew what the young man was intending, 
a heavy gold watch was in her hand. <pb n="230"/>
            </p>
            <p>‘It is an unusually good one for a man like me to 
possess,’ he quietly said. ‘That watch has a history. 
Press the spring and open the back.’ 
</p>
            <p>She did so. 
</p>
            <p>‘What do you see?’ 
</p>
            <p>‘A crest and a motto.’ 
</p>
            <p>‘A coronet with five points, and beneath, <foreign xml:lang="lat">Cedit amor 
rebus</foreign> — “Love yields to circumstance.” It's the motto 
of the Earls of Severn. That watch belonged to the 
last lord, and was given to my mother's husband, a 
medical man, for his use till I came of age, when it was 
to be given to me. It was all the fortune that ever I 
inherited. That watch has regulated imperial interests 
in its time — the stately ceremonial, the courtly assignation, 
pompous travels, and lordly sleeps. Now it is 
yours. 
</p>
            <p>‘But, Sergeant Troy, I cannot take this — I cannot!’ 
she exclaimed, with round-eyed wonder. ‘A gold watch! 
What are you doing? Don't be such a dissembler!‘ 
</p>
            <p>The sergeant retreated to avoid receiving back his 
gift, which she held out persistently towards him. 
Bathsheba followed as he retired. 
</p>
            <p>‘Keep it — do, Miss Everdene — keep it!’ said the 
erratic child of impulse. ‘The fact of your possessing 
it makes it worth ten times as much to me. A more 
plebeian one will answer my purpose just as well, and 
the pleasure of knowing whose heart my old one beats 
against — well, I won't speak of that. It is in far 
worthier hands than ever it has been in before.’ 
</p>
            <p>‘But indeed I can't have it!’ she said, in a perfect 
simmer of distress. ‘O, how can you do such a thing; 
that is if you really mean it! Give me your dead 
father's watch, and such a valuable one! You should 
not be so reckless, indeed, Sergeant Troy!’ 
</p>
            <p>‘I loved my father: good; but better, I love you 
more. That's how I can do it,’ said the sergeant, with 
an intonation of such exquisite fidelity to nature that it 
was evidently not all acted now. Her beauty, which, 
whilst it had been quiescent, he had praised in jest, 
had in its animated phases moved him to <pb n="231"/>
earnest; and 
though his seriousness was less than she imagined, it 
was probably more than he imagined himself. 
</p>
            <p>Bathsheba was brimming with agitated bewilderment, 
and she said, in half-suspicious accents of feeling, ‘Can 
it be! O, how can it be, that you care for me, and 
so suddenly,! You have seen so little of me: I may 
not be really so — so nice-looking as I seem to you. 
Please, do take it; O, do! I cannot and will not have 
it. Believe me, your generosity is too great. I have 
never done you a single kindness, and why should you 
be so kind to me?’ 
</p>
            <p>A factitious reply had been again upon his lips, but 
it was again suspended, and he looked at her with an 
arrested eye. The truth was, that as she now stood — 
excited, wild, and honest as the day —  her alluring 
beauty bore out so fully the epithets he had bestowed 
upon it that he was quite startled at his temerity in 
advancing them as false. He said mechanically, ‘Ah, 
why?’ and continued to look at her. 
</p>
            <p>‘And my workfolk see me following you about the 
field, and are wondering. O, this is dreadful!’ she 
went on, unconscious of the transmutation she was 
effecting. 
</p>
            <p>‘I did not quite mean you to accept it at first, for it 
as my one poor patent of nobility,’ he broke out, 
bluntly; ‘but, upon my soul, I wish you would now. 
Without any shamming, come! Don't deny me the 
happiness of wearing it for my sake? But you are too 
lovely even to care to be kind as others are.’ 
</p>
            <p>‘No, no; don't say so! I have reasons for reserve 
which I cannot explain.’ 
</p>
            <p>‘bet it be, then, let it be,’ he said, receiving back 
the watch at last; ‘I must be leaving you now. And 
will you speak to me for these few weeks of my stay?’ 
</p>
            <p>‘Indeed I will. Yet, I don't know if I will! O, 
why did you come and disturb me so!’ 
</p>
            <p>‘Perhaps in setting a gin, I have caught myself. 
Such things have happened. Well, will you let me 
work in your fields?’ he coaxed. 
</p>
            <p>‘Yes, I suppose so; if it is any pleasure to you.’ 
</p>
            <p>‘Miss Everdene, I thank you. 
</p>
            <p>‘No, no.’ <pb n="232"/>
            </p>
            <p>‘Good-bye!’ 
The sergeant brought his hand to the cap on the 
slope of his head, saluted, and returned to the distant 
group of haymakers. 
</p>
            <p>Bathsheba could not face the haymakers now. Her 
heart erratically flitting hither and thither from perplexed 
excitement, hot, and almost tearful, she retreated 
homeward, murmuring, O, what have I done! What 
does it mean! I wish I knew how much of it was 
true! 
</p>
         </div>
         <div n="C27" type="chapter">
            <pb n="233"/>
            <head>HIVING THE BEES</head>
            <p>THE Weatherbury bees were late in their swarming this 
year. It was in the latter part of June, and the day after 
the interview with Troy in the hayfield, that Bathsheba 
was standing in her garden, watching a swarm in the 
air and guessing their probable settling place. Not only 
were they late this year, but unruly. Sometimes throughout 
a whole season all the swarms would alight on the 
lowest attainable bough — such as part of a currant-bush 
or espalier apple-tree; next year they would, with just 
the same unanimity, make straight off to the uppermost 
member of some tall, gaunt costard, or quarrenden, 
and there defy all invaders who did not come armed 
with ladders and staves to take them. 
</p>
            <p>This was the case at present. Bathsheba's eyes, 
shaded by one hand, were following the ascending 
multitude against the unexplorable stretch of blue till 
they ultimately halted by one of the unwieldy trees 
spoken of. A process somewhat analogous to that of 
alleged formations of the universe, time and times ago, 
was observable. The bustling swarm had swept the sky 
in a scattered and uniform haze, which now thickened to 
a nebulous centre: this glided on to a bough and grew 
still denser, till it formed a solid black spot upon the 
light. 
</p>
            <p>The men and women being all busily engaged in 
saving the hay — even Liddy had left the house for the 
purpose of lending a hand — Bathsheba resolved to hive 
the bees herself, if possible. She had dressed the hive 
with herbs and honey, fetched a ladder, brush, and 
crook, made herself impregnable with armour of leather 
gloves, straw hat, and large gauze veil — once green but 
now faded to snuff colour — and ascended a dozen rungs 
of the ladder. At once she heard, not ten yards off, 
a voice that was beginning to have a strange power in 
agitating her. <pb n="234"/>
            </p>
            <p>‘Miss Everdene, let me assist you; you should not 
attempt such a thing alone.’ 
</p>
            <p>Troy was just opening the garden gate. 
</p>
            <p>Bathsheba flung down the brush, crook, and empty 
hive, pulled the skirt of her dress tightly round her 
ankles in a tremendous flurry, and as well as she could 
slid down the ladder. By the time she reached the 
bottom Troy was there also, and he stooped to pick 
up the hive. 
</p>
            <p>‘How fortunate I am to have dropped in at this 
moment!’ exclaimed the sergeant. 
</p>
            <p>She found her voice in a minute. ‘What! and will 
you shake them in for me?’ she asked, in what, for a 
defiant girl, was a faltering way; though, for a timid 
girl, it would have seemed a brave way enough. 
</p>
            <p>‘Will I!’ said Troy. ‘Why, of course I will. How 
blooming you are to-day!’ Troy flung down his cane 
and put his foot on the ladder to ascend. 
</p>
            <p>‘But you must have on the veil and gloves, or you'll 
be stung fearfully!’ 
</p>
            <p>‘Ah, yes. I must put on the veil and gloves. Will 
you kindly show me how to fix them properly?’ 
</p>
            <p>‘And you must have the broad-brimmed hat, too;, for 
your cap has no brim to keep the veil off, and they'd 
reach your face.’ 
</p>
            <p>‘The broad-brimmed hat, too, by all means.’ 
So a whimsical fate ordered that her hat should be 
taken off — veil and all attached — and placed upon his 
head, Troy tossing his own into a gooseberry bush. 
Then the veil had to be tied at its lower edge round 
his collar and the gloves put on him. 
</p>
            <p>He looked such an extraordinary object in this guise 
that, flurried as she was, she could not avoid laughing 
outright. It was the removal of yet another stake from 
the palisade of cold manners which had kept him off. 
</p>
            <p>Bathsheba looked on from the ground whilst he was 
busy sweeping and shaking the bees from the tree, 
holding up the hive with the other hand for them to 
fall into. She made use of an unobserved minute 
whilst his attention was absorbed in <pb n="235"/>
the operation to 
arrange her plumes a little. He came down holding 
the hive at arm's length, behind which trailed a cloud 
of bees. 
</p>
            <p>‘Upon my life,’ said Troy, through the veil, ‘holding 
up this hive makes one's arm ache worse than a week 
of sword-exercise.’ When the manoeuvre was complete 
he approached her. ‘Would you be good enough to 
untie me and let me out? I am nearly stifled inside 
this silk cage.’ 
</p>
            <p>To hide her embarrassment during the unwonted 
process of untying the string about his neck, she said: — 
</p>
            <p>‘I have never seen that you spoke of.’ 
</p>
            <p>‘What?’ 
</p>
            <p>‘The sword-exercise.’ 
</p>
            <p>‘Ah! would you like to?’ said Troy. 
</p>
            <p>Bathsheba hesitated. She had heard wondrous 
reports from time to time by dwellers in Weatherbury, 
who had by chance sojourned awhile in Casterbridge, 
near the barracks, of this strange and glorious performance, 
the sword-exercise. Men and boys who had 
peeped through chinks or over walls into the barrack-yard 
returned with accounts of its being the most 
flashing affair conceivable; accoutrements and weapons 
glistening like stars— here, there, around— yet all by rule 
and compass. So she said mildly what she felt strongly. 
</p>
            <p>‘Yes; I should like to see it very much.’ 
</p>
            <p>‘And so you shall; you shall see me go through it.’ 
</p>
            <p>‘No! How?’ 
</p>
            <p>‘Let me consider.’ 
</p>
            <p>‘Not with a walking-stick — I don't care to see that. 
lt must be a real sword.’ 
</p>
            <p>‘Yes, I know; and I have no sword here; but I 
think I could get one by the evening. Now, will you 
do this?’ 
</p>
            <p>‘O no, indeed!’ said Bathsheba, blushing. ‘Thank 
you very much, but I couldn't on any account.’ 
</p>
            <p>‘Surely you might? Nobody would know.’ 
She shook her head, but with a weakened negation. 
</p>
            <p>‘If I were to,’ she said, ‘I must bring Liddy too. Might 
I not?’ 
<pb n="236"/>
            </p>
            <p>Troy looked far away. ‘I don't see why you want 
to bring her,’ he said coldly. 
</p>
            <p>An unconscious look of assent in Bathsheba's eyes 
betrayed that something more than his coldness had 
made her also feel that Liddy would be superfluous in 
the suggested scene. She had felt it, even whilst making 
the proposal. 
</p>
            <p>‘Well, I won't bring Liddy — and I'll come. But 
only for a very short time,’ she added; ‘a very short 
time.’ 
</p>
            <p>‘It will not take five minutes,’ said Troy. 
</p>
         </div>
         <div n="C28" type="chapter">
            <pb n="237"/>
            <head>THE HOLLOW AMID THE FERNS</head>
            <p>THE hill opposite Bathsheba's dwelling extended, a 
mile off, into an uncultivated tract of land, dotted at 
this season with tall thickets of brake fern, plump and 
diaphanous from recent rapid growth, and radiant in 
hues of clear and untainted green. 
</p>
            <p>At eight o'clock this midsummer evening, whilst the 
bristling ball of gold in the west still swept the tips of 
the ferns with its long, luxuriant rays, a soft brushing-by 
of garments might have been heard among them, 
and Bathsheba appeared in their midst, their soft, 
feathery arms caressing her up to her shoulders. She 
paused, turned, went back over the hill and half-way 
to her own door, whence she cast a farewell glance upon 
the spot she had just left, having resolved not to remain 
near the place after all. 
</p>
            <p>She saw a dim spot of artificial red moving round 
the shoulder of the rise. It disappeared on the other 
side. 
</p>
            <p>She waited one minute — two minutes — thought of 
Troy's disappointment at her non-fulfilment of a promised 
engagement, till she again ran along the field, clambered 
over the bank, and followed the original direction. She 
was now literally trembling and panting at this her 
temerity in such an errant undertaking; her breath 
came and went quickly, and her eyes shone with an infrequent 
light. Yet go she must. She reached the 
verge of a pit in the middle of the ferns. Troy stood 
in the bottom, looking up towards her. 
</p>
            <p>‘I heard you rustling through the fern before I saw 
you,’ he said, coming up and giving her his hand to help 
her down the slope. 
</p>
            <p>The pit was a saucer-shaped concave, naturally 
formed, with a top diameter of about thirty feet, and 
shallow enough to allow the sunshine to reach their 
heads. Standing in the <pb n="238"/>
centre, the sky overhead was 
met by a circular horizon of fern: this grew nearly to 
the bottom of the slope and then abruptly ceased. The 
middle within the belt of verdure was floored with a 
thick flossy carpet of moss and grass intermingled, so 
yielding that the foot was half-buried within it. 
</p>
            <p>‘Now,’ said Troy, producing the sword, which, as he 
raised it into the sunlight, gleamed a sort of greeting, 
like a living thing, ‘first, we have four right and four 
left cuts; four right and four left thrusts. Infantry cuts 
and guards are more interesting than ours, to my mind; 
but they are not so swashing. They have seven cuts 
and three thrusts. So much as a preliminary. Well, 
next, our cut one is as if you were sowing your corn — 
so.’ Bathsheba saw a sort of rainbow, upside down in 
the air, and Troy's arm was still again. ‘Cut two, as if 
you were hedging — so. Three, as if you were reaping 
— so. Four, as if you were threshing — in that way. 
Then the same on the left. The thrusts are these: one, 
two, three, four, right; one, two, three, four, left.’ He 
repeated them. ‘Have 'em again?’ he said. ‘One, 
two —’ 
</p>
            <p>She hurriedly interrupted: ‘I'd rather not; though 
I don't mind your twos and fours; but your ones and 
threes are terrible!’ 
</p>
            <p>‘Very well. I'll let you off the ones and threes. 
Next, cuts, points and guards altogether.’ Troy duly 
exhibited them. ‘Then there's pursuing practice, in 
this way.’ He gave the movements as before. ‘There, 
those are the stereotyped forms. The infantry have 
two most diabolical upward cuts, which we are too 
humane to use. Like this — three, four.’ 
</p>
            <p>‘How murderous and bloodthirsty!’ 
</p>
            <p>‘They are rather deathy. Now I'll be more interesting, 
and let you see some loose play — giving all the 
cuts and points, infantry and cavalry, quicker than 
lightning, and as promiscuously — with just enough rule 
to regulate instinct and yet not to fetter it. You are 
my antagonist, with this difference from real warfare, 
that I shall miss you every time by one hair's breadth, 
or perhaps two. Mind you don't flinch, whatever you 
do.’ <pb n="239"/>
            </p>
            <p>‘I'll be sure not to!’ she said invincibly. 
</p>
            <p>He pointed to about a yard in front of him. 
</p>
            <p>Bathsheba's adventurous spirit was beginning to find 
some grains of relish in these highly novel proceedings. 
She took up her position as directed, facing Troy. 
</p>
            <p>‘Now just to learn whether you have pluck enough 
to let me do what I wish, I'll give you a preliminary 
test.’ 
</p>
            <p>He flourished the sword by way of introduction 
number two, and the next thing of which she was 
conscious was that the point and blade of the sword 
were darting with a gleam towards her left side, just 
above her hip; then of their reappearance on her right 
side, emerging as it were from between her ribs, having 
apparently passed through her body. The third item 
of consciousness was that of seeing the same sword, 
perfectly clean and free from blood held vertically in 
Troy's hand (in the position technically called 'recover 
swords'). All was as quick as electricity. 
</p>
            <p>‘Oh!’ she cried out in affright, pressing her hand to 
her side. ‘Have you run me through? — no, you have 
not! Whatever have you done!’ 
</p>
            <p>‘I have not touched you,’ said Troy, quietly. ‘It 
was mere sleight of hand. The sword passed behind 
you. Now you are not afraid, are you? Because if 
you are I can't perform. I give my word that I will 
not only not hurt you, but not once touch you.’ 
</p>
            <p>‘I don't think I am afraid. You are quite sure you 
will not hurt me?’ 
</p>
            <p>‘Quite sure.’ 
</p>
            <p>‘Is the sword very sharp?’ 
</p>
            <p>‘O no — only stand as still as a statue. Now!’ 
</p>
            <p>In an instant the atmosphere was transformed to 
Bathsheba's eyes. Beams of light caught from the low 
sun's rays, above, around, in front of her, well-nigh shut 
out earth and heaven — all emitted in the marvellous 
evolutions of Troy's reflecting blade, which seemed 
everywhere at once, and yet nowherre specially. These 
circling gleams were accompanied by a keen rush that 
was almost a whistling — also springing <pb n="240"/>
from all sides of 
her at once. In short, she was enclosed in a firmament 
of light, and of sharp hisses, resembling a sky-full of 
meteors close at hand. 
</p>
            <p>Never since the broadsword became the national 
weapon had there been more dexterity shown in its 
management than by the hands of Sergeant Troy, and 
never had he been in such splendid temper for the 
performance as now in the evening sunshine among the 
ferns with Bathsheba. It may safely be asserted with 
respect to the closeness of his cuts, that had it been 
possible for the edge of the sword to leave in the air a 
permanent substance wherever it flew past, the space 
left untouched would have been almost a mould of 
Bathsheba's figure. 
</p>
            <p>Behind the luminous streams of this aurora militaris, 
she could see the hue of Troy's sword arm, spread in a 
scarlet haze over the space covered by its motions, like 
a twanged harpstring, and behind all Troy himself, 
mostly facing her; sometimes, to show the rear cuts, 
half turned away, his eye nevertheless always keenly 
measuring her breadth and outline, and his lips tightly 
closed in sustained effort. Next, his movements lapsed 
slower, and she could see them individually. The 
hissing of the sword had ceased, and he stopped 
entirely. 
</p>
            <p>‘That outer loose lock of hair wants tidying, he 
said, before she had moved or spoken. ‘Wait: I'll do 
it for you.’ 
</p>
            <p>An arc of silver shone on her right side: the sword 
had descended. The lock dropped to the ground. 
</p>
            <p>‘Bravely borne!’ said Troy. ‘You didn't flinch a 
shade's thickness. Wonderful in a woman!’ 
</p>
            <p>‘It was because I didn't expect it. O, you have 
spoilt my hair!’ 
</p>
            <p>‘Only once more.’ 
</p>
            <p>‘No — no! I am afraid of you — indeed I am!’ she 
cried. 
</p>
            <p>‘I won't touch you at all — not even your hair. I 
am only going to kill that caterpillar settling on you. 
Now: still!’ 
</p>
            <p>It appeared that a caterpillar had come from the 
fern and chosen the front of her bodice as his resting 
place. She saw the point glisten towards her bosom, 
and seemingly enter it. Bathsheba closed her eyes in 
the full persuasion that she was <pb n="241"/>
killed at last. However, feeling just as usual, she opened them again. 
</p>
            <p>‘There it is, look,’ said the sergeant, holding his 
sword before her eyes. 
</p>
            <p>The caterpillar was spitted upon its point. 
</p>
            <p>‘Why, it is magic!’ said Bathsheba, amazed. 
</p>
            <p>‘O no — dexterity. I merely gave point to your 
bosom where the caterpillar was, and instead of running 
you through checked the extension a thousandth of an 
inch short of your surface.’ 
</p>
            <p>‘But how could you chop off a curl of my hair with 
a sword that has no edge?’ 
</p>
            <p>‘No edge! This sword will shave like a razor. 
Look here.’ 
</p>
            <p>He touched the palm of his hand with the blade, 
and then, lifting it, showed her a thin shaving of scarf-skin 
dangling therefrom. 
</p>
            <p>‘But you said before beginning that it was blunt and 
couldn't cut me!’ 
</p>
            <p>‘That was to get you to stand still, and so make sure 
of your safety. The risk of injuring you through your 
moving was too great not to force me to tell you a 
fib to escape it.’ 
</p>
            <p>She shuddered. ‘I have been within an inch of my 
life, and didn't know it!’ 
</p>
            <p>‘More precisely speaking, you have been within half 
an inch of being pared alive two hundred and ninety-five 
times.’ 
</p>
            <p>‘Cruel, cruel, 'tis of you!’ 
</p>
            <p>‘You have been perfectly safe, nevertheless. My 
sword never errs.’ And Troy returned the weapon to 
the scabbard. 
</p>
            <p>Bathsheba, overcome by a hundred tumultuous feelings 
resulting from the scene, abstractedly sat down on 
a tuft of heather. 
</p>
            <p>‘I must leave you now,’ said Troy, softly. ‘And I'll 
venture to take and keep this in remembrance of you.’ 
She saw him stoop to the grass, pick up the winding 
lock which he had severed from her manifold tresses, 
twist it round his fingers, unfasten a button in the hreast 
of his coat, and carefully put it inside. She felt powerless 
to withstand or deny him. He was altogether too 
much for her, and Bathsheba <pb n="242"/>
seemed as one who, facing 
a reviving wind, finds it blow so strongly that it stops 
the breath. 
</p>
            <p>He drew near and said, ‘I must be leaving you.’ 
He drew nearer still. A minute later and she saw his 
scarlet form disappear amid the ferny thicket, almost in 
a flash, like a brand swiftly waved. 
</p>
            <p>That minute's interval had brought the blood beating 
into her face, set her stinging as if aflame to the very 
hollows of her feet, and enlarged emotion to a compass 
which quite swamped thought. It had brought upon 
her a stroke resulting, as did that of Moses in Horeb, in 
a liquid stream — here a stream of tears. She felt like 
one who has sinned a great sin. 
</p>
            <p>The circumstance had been the gentle dip of Troy's 
mouth downwards upon her own. He had kissed her. 
</p>
         </div>
         <div n="C29" type="chapter">
            <pb n="243"/>
            <head>PARTICULARS OF A TWILIGHT WALK</head>
            <p>WE now see the element of folly distinctly mingling 
with the many varying particulars which made up the 
character of Bathsheba Everdene. It was almost foreign 
to her intrinsic nature. Introduced as lymph on the 
dart of Eros, it eventually permeated and coloured 
her whole constitution. Bathsheba, though she had too 
much understanding to be entirely governed by her 
womanliness, had too much womanliness to use her 
understanding to the best advantage. Perhaps in no 
minor point does woman astonish her helpmate more 
than in the strange power she possesses of believing 
cajoleries that she knows to be false — except, indeed, in 
that of being utterly sceptical on strictures that she 
knows to be true. 
</p>
            <p>Bathsheba loved Troy in the way that only self-reliant 
women love when they abandon their self-reliance. 
When a strong woman recklessly throws away her 
strength she is worse than a weak woman who has never 
had any strength to throw away. One source of her 
inadequacy is the novelty of the occasion. She has 
never had practice in making the best of such a 
condition. Weakness is doubly weak by being new. 
</p>
            <p>Bathsheba was not conscious of guile in this matter. 
Though in one sense a woman of the world, it was, after 
all, that world of daylight coteries and green carpets 
wherein cattle form the passing crowd and winds the 
busy hum; where a quiet family of rabbits or hares lives 
on the other side of your party-wall, where your neighbour 
is everybody in the tything, and where calculation 
formulated self-indulgence of bad, nothing at all. Had 
her utmost thoughts in this direction been distinctly 
worded (and by herself they never were), they would <pb n="244"/>
only have amounted to such a matter as that she felt 
her impulses to be pleasanter guides than her discretion. 
Her love was entire as a child's, and though warm as 
summer it was fresh as spring. Her culpability lay in 
her making no attempt to control feeling by subtle and 
careful inquiry into consuences. She could show others 
the steep and thorny way, but ‘reck'd not her own rede,’ 
</p>
            <p>And Troy's deformities lay deep down from a 
woman's vision, whilst his embellishments were upon 
the very surface; thus contrasting with homely Oak, 
whose defects were patent to the blindest, and whose 
vertues were as metals in a mine. 
</p>
            <p>The difference between love and respect was markedly 
shown in her conduct. Bathsheba had spoken of 
her interest in Boldwood with the greatest freedom to 
Liddy, but she had only communed with her own heart 
concerning ‘Troy’. 
</p>
            <p>All this infatuation Gabriel saw, and was troubled 
thereby from the time of his daily journey a-field to the 
time of his return, and on to the small hours of many a 
night. That he was not beloved had hitherto been his 
great sorrow; that Bathsheba was getting into the toils 
was now a sorrow greater than the first, and one which 
nearly obscured it. It was a result which paralleled 
the oft-quoted observation of Hippocrates concerning 
physical pains. 
</p>
            <p>That is a noble though perhaps an unpromising love 
which not even the fear of breeding aversion in the 
bosom of the one beloved can deter from combating his 
or her errors. Oak determined to speak to his mistress. 
He would base his appeal on what he considered her 
unfair treatment of Farmer Boldwood, now absent from 
home. 
</p>
            <p>An opportunity occurred one evening when she had 
gone for a short walk by a path through the neighbouring 
cornfields. It was dusk when Oak, who had not 
been far a-field that day, took the same path and met 
her returning, quite pensively, as he thought. 
</p>
            <p>The wheat was now tall, and the path was narrow; 
thus the way was quite a sunken groove between the 
embowing thicket on either side. Two persons could 
not walk abreast <pb n="245"/>
without damaging the crop, and Oak 
stood aside to let her pass. 
</p>
            <p>‘Oh, is it Gabriel?’ she said. ‘You are taking a 
walk too. Good-night.’ 
</p>
            <p>‘I thought I would come to meet you, as it is rather 
late,‘ said Oak, turning and following at her heels when 
she had brushed somewhat quickly by him. 
</p>
            <p>‘Thank you, indeed, but I am not very fearful.’ 
</p>
            <p>‘O no; but there are bad characters about.’ 
</p>
            <p>‘I never meet them.’ 
</p>
            <p>Now Oak, with marvellous ingenuity, had been going 
to introduce the gallant sergeant through the channel of 
‘bad characters.’ But all at once the scheme broke 
down, it suddenly occurring to him that this was rather a 
clumsy way, and too barefaced to begin with. He tried 
another preamble. 
</p>
            <p>‘And as the man who would naturally come to meet 
you is away from home, too — I mean Farmer Boldwood 
— why, thinks I, I'll go,’ he said. 
</p>
            <p>‘Ah, yes.’ She walked on without turning her head, 
and for many steps nothing further was heard from her 
quarter than the rustle of her dress against the heavy 
corn-ears. Then she resumed rather tartly — 
</p>
            <p>‘I don't quite understand what you meant by saying 
that Mr Boldwood would naturally come to meet me.’ 
</p>
            <p>‘I meant on account of the wedding which they say 
is likely to take place between you and him, miss. Forgive 
my speaking plainly.’ 
</p>
            <p>‘They say what is not true,’ she returned quickly. 
‘No marriage is likely to take place between us.’ 
</p>
            <p>Gabriel now put forth his unobscured opinion, for 
the moment had come. ‘Well, Miss Everdene,’ he 
said, ‘putting aside what people say, I never in my life 
saw any courting if his is not a courting of you.’ 
</p>
            <p>Bathsheba would probably have terminated the conversation 
there and then by flatly forbidding the subject, 
had not her conscious weakness of position allured her 
to palter and argue in endeavours to better it. <pb n="246"/>
            </p>
            <p>‘Since this subject has been mentioned,’ she said 
very emphatically, ‘I am glad of the opportunity of 
clearing up a mistake which is very common and very 
provoking. I didn't definitely promise Mr Boldwood 
anything. I have never cared for him. I respect him, 
and he has urged me to marry him. But I have given 
him no distinct answer. As soon as he returns I shall 
do so; and the answer will be that I cannot think of 
marrying him.’ 
</p>
            <p>‘People are full of mistakes, seemingly.’ 
</p>
            <p>‘They are.’ 
</p>
            <p>‘The other day they said you were trifling with him, 
and you almost proved that you were not; lately they 
have said that you be not, and you straightway begin 
to show —’ 
</p>
            <p>‘That I am, I suppose you mean.’ 
</p>
            <p>‘Well, I hope they speak the truth.’ 
</p>
            <p>‘They do, but wrongly applied. I don't trifle with 
him; but then, I have nothing to do with him.’ 
</p>
            <p>Oak was unfortunately led on to speak of Boldwood's 
rival in a wrong tone to her after all. ‘I wish you had 
never met that young Sergeant Troy, miss,’ he sighed. 
</p>
            <p>Bathsheba's steps became faintly spasmodic. ‘Why?’ 
she asked. 
</p>
            <p>‘He is not good enough for 'ee.’ 
</p>
            <p>‘Did any one tell you to speak to me like this?’ 
</p>
            <p>‘Nobody at all.’ 
</p>
            <p>‘Then it appears to me that Sergeant Troy does not 
concern us here,’ she said, intractably. ‘Yet I must say 
that Sergeant Troy is an educated man, and quite worthy 
of any woman. He is well born.’ 
</p>
            <p>‘His being higher in learning and birth than the 
ruck o' soldiers is anything but a proof of his worth. It 
shows his course to be down'ard.’ 
</p>
            <p>‘I cannot see what this has to do with our conversation. 
Mr Troy's course is not by any means downward; 
and his superiority <hi>is</hi> a proof of his worth!’ 
</p>
            <p>‘I believe him to have no conscience at all. And I 
cannot help begging you, miss, to have nothing to do 
with him. Listen to me this once — only this once! 
I don't say he's such <pb n="247"/>
a bad man as I have fancied — I 
pray to God he is not. But since we don't exactly 
know what he is, why not behave as if he <hi>might</hi> be bad, 
simply for your own safety? Don't trust him, mistress; 
I ask you not to trust him so.’ 
</p>
            <p>‘Why, pray?’ 
</p>
            <p>‘I like soldiers, but this one I do not like,’ he said, 
sturdily. ‘His cleverness in his calling may have 
tempted him astray, and what is mirth to the neighbours 
is ruin to the woman. When he tries to talk to 'ee again, 
why not turn away with a short “Good day”; and when 
you see him coming one way, turn the other. When 
he says anything laughable, fail to see the point 
and don't smile, and speak of him before those who will 
report your talk as “that fantastical man,” or “that 
Sergeant What's-his-name.” “That man of a family 
that has come to the dogs.” Don't be unmannerly 
towards en, but harmless-uncivil, and so get rid of the 
man.’ 
</p>
            <p>No Christmas robin detained by a window-pane ever 
pulsed as did Bathsheba now. 
</p>
            <p>‘I say — I say again — that it doesn't become you to 
talk about him. Why he should be mentioned passes 
me quite!’ she exclaimed desperately. ‘I know this, 
th-th-that he is a thoroughly conscientious man — blunt 
sometimes even to rudeness — but always speaking his 
mind about you plain to your face!’ 
</p>
            <p>‘Oh.’ 
</p>
            <p>‘He is as good as anybody in this parish! He is 
very particular, too, about going to church — yes, he 
is!’ 
</p>
            <p>‘I am afraid nobody saw him there. I never 
did certainly.’ 
</p>
            <p>‘The reason of that is,’ she said eagerly, ‘that he goes 
in privately by the old tower door, just when the service 
commences, and sits at the back of the gallery. He 
told me so.’ 
</p>
            <p>This supreme instance of Troy's goodness fell upon 
Gabriel ears like the thirteenth stroke of a crazy clock. 
It was not only received with utter incredulity as regarded 
itself, but threw a doubt on all the assurances 
that had preceded it. 
</p>
            <p>Oak was grieved to find how entirely she trusted him. 
He brimmed with deep feeling as he replied in a steady 
voice, the <pb n="248"/>
steadiness of which was spoilt by the palpableness 
of his great effort to keep it so: — 
</p>
            <p>‘You know, mistress, that I love you, and shall love 
you always. I only mention this to bring to your mind 
that at any rate I would wish to do you no harm: 
beyond that I put it aside. I have lost in the race for 
money and good things, and I am not such a fool as to 
pretend to 'ee now I am poor, and you have got altogether 
above me. But Bathsheba, dear mistress, this 
I beg you to consider — that, both to keep yourself well 
honoured among the workfolk, and in common generosity 
to an honourable man who loves you as well as I, you 
should be more discreet in your bearing towards this 
soldier.’ 
</p>
            <p>‘Don't, don't, don't!’ she exclaimed, in a choking 
voice. 
</p>
            <p>‘Are ye not more to me than my own affairs, and 
even life!’ he went on. ‘Come, listen to me! I am 
six years older than you, and Mr Boldwood is ten years 
older than I, and consider — I do beg of 'ee to consider 
before it is too late — how safe you would be in his 
hands!’ 
</p>
            <p>Oak's allusion to his own love for her lessened, to 
some extent, her anger at his interference; but she 
could not really forgive him for letting his wish to marry 
her be eclipsed by his wish to do her good, any more 
than for his slighting treatment of Troy. 
</p>
            <p>‘I wish you to go elsewhere,’ she commanded, a 
paleness of face invisible to the eye being suggested by 
the trembling words. ‘Do not remain on this farm any 
longer. I don't want you — I beg you to go!’ 
</p>
            <p>‘That's nonsense,’ said Oak, calmly. ‘This is the 
second time you have pretended to dismiss me; and 
what's the use o' it?’ 
</p>
            <p>‘Pretended! You shall go, sir — your lecturing I 
will not hear! I am mistress here.’ 
</p>
            <p>‘Go, indeed — what folly will you say next? Treating 
me like Dick, Tom and Harry when you know that a 
short time ago my position was as good as yours! Upon 
my life, Bathsheba, it is too barefaced. You know, too, 
that I can't go without putting things in such a strait as 
you wouldn't get out of <pb n="249"/>
I can't tell when. Unless, indeed, 
you'll promise to have an understanding man as bailiff, 
or manager, or something. I'll go at once if you'll 
promise that.’ 
</p>
            <p>‘I shall have no bailiff; I shall continue to be my 
own manager,’ she said decisively. 
</p>
            <p>‘Very well, then; you should be thankful to me for 
biding. How would the farm go on with nobody to 
mind it but a woman? But mind this, I don't wish 
</p>
            <p>‘ee to feel you owe me anything. Not I. What I do, 
I do. Sometimes I say I should be as glad as a bird to 
leave the place — for don't suppose I'm content to be a 
nobody. I was made for better things. However, I 
don't like to see your concerns going to ruin, as they 
must if you keep in this mind.... I hate taking my 
own measure so plain, but, upon my life, your provoking 
ways make a man say what he wouldn't dream of 
at other times! I own to being rather interfering. But 
you know well enough how it is, and who she is that I 
like too well, and feel too much like a fool about to be 
civil to her!’ 
</p>
            <p>It is more than probable that she privately and unconsciously 
respected him a little for this grim fidelity, 
which had been shown in his tone even more than in 
his words. At any rate she murmured something to the 
effect that he might stay if he wished. She said more 
distinctly, ‘Will you leave me alone now? I don't 
order it as a mistress — I ask it as a woman, and I 
expect you not to be so uncourteous as to refuse.’ 
</p>
            <p>‘Certainly I will, Miss Everdene,’ said Gabriel, gently. 
He wondered that the request should have come at this 
moment, for the strife was over, and they were on a 
most desolate hill, far from every human habitation, and 
the hour was getting late. He stood still and allowed 
her to get far ahead of him till he could only see her 
form upon the sky. 
</p>
            <p>A distressing explanation of this anxiety to be rid of 
him at that point now ensued. A figure apparently rose 
from the earth beside her. The shape beyond all doubt 
was Troy's. Oak would not be even a possible listener, 
and at once turned back till a good two hundred yards 
were between the lovers and himself. <pb n="250"/>
            </p>
            <p>Gabriel went home by way of the churchyard. In 
passing the tower he thought of what she had said about 
the sergeant's virtuous habit of entering the church unperceived 
at the beginning of service. Believing that 
the little gallery door alluded to was quite disused, he 
ascended the external flight of steps at the top of which 
it stood, and examined it. The pale lustre yet hanging 
in the north-western heaven was sufficient to show that 
a sprig of ivy had grown from the wall across the door 
to a length of more than a foot, delicately tying the 
panel to the stone jamb. It was a decisive proof that 
the door had not been opened at least since Troy came 
back to Weatherbury. 
</p>
         </div>
         <div n="C30" type="chapter">
            <pb n="251"/>
            <head>HOT CHEEKS AND TEARFUL EYES</head>
            <p>HALF an hour later Bathsheba entered her own house. 
There burnt upon her face when she met the light of 
the candles the flush and excitement which were little 
less than chronic with her now. The farewell words of 
Troy, who had accompanied her to the very door, still 
lingered in her ears. He had bidden her adieu for two 
days, which were, so he stated, to be spent at Bath in 
visiting some friends. He had also kissed her a second 
time. 
</p>
            <p>It is only fair to Bathsheba to explain here a little 
fact which did not come to light till a long time afterwards: 
that Troy's presentation of himself so aptly at 
the roadside this evening was not by any distinctly preconcerted 
arrangement. He had hinted — she had 
forbidden; and it was only on the chance of his still 
coming that she had dismissed Oak, fearing a meeting 
between them just then. 
</p>
            <p>She now sank down into a chair, wild and perturbed 
by all these new and fevering sequences. Then she 
jumped up with a manner of decision, and fetched her 
desk from a side tahle. 
</p>
            <p>In three minutes, without pause or modification, she 
had written a letter to Boldwood, at his address beyond 
Casterbridge, saying mildly but firmly that she had well 
considered the whole subject he had brought before her 
and kindly given her time to decide upon; that her 
final decision was that she could not marry him. She 
had expressed to Oak an intention to wait till Boldwood 
came home before communicating to him her conclusive 
reply. But Bathsheba found that she could not wait. 
</p>
            <p>It was impossible to send this letter till the next day; 
yet to quell her uneasiness by getting it out of her hands, 
and so, as it were, setting the act in motion at once, she 
arose to take it to any one of the women who might be 
in the kitchen. <pb n="252"/>
She paused in the passage. A dialogue was going 
on in the kitchen, and Bathsheba and Troy were the 
subject of it. 
</p>
            <p>‘If he marry her, she'll gie up farming.’ 
</p>
            <p>‘Twill be a gallant life, but may bring some trouble 
between the mirth — so say I.’ 
</p>
            <p>‘Well, I wish I had half such a husband.’ 
</p>
            <p>Bathsheba had too much sense to mind seriously 
what her servitors said about her; but too much womanly 
redundance of speech to leave alone what was said till 
it died the natural death of unminded things. She 
burst in upon them. 
</p>
            <p>‘Who are you speaking of?’ she asked. 
</p>
            <p>There was a pause before anybody replied. At last 
Liddy said frankly,  ‘What was passing was a bit of a 
word about yourself, miss.’ 
</p>
            <p>‘I thought so! Maryann and Liddy and Temperance 
— now I forbid you to suppose such things. You 
know I don't care the least for Mr Troy — not I. Everybody 
knows how much I hate him. — Yes,’ repeated the 
froward young person, ‘<hi>hate</hi> him!’ 
</p>
            <p>‘We know you do, miss,’ said Liddy; ‘and so do we 
all.’ 
</p>
            <p>‘I hate him too,’ said Maryann. 
</p>
            <p>‘Maryann — O you perjured woman! How can you 
speak that wicked story!’ said Bathsheba, excitedly. 
</p>
            <p>‘You admired him from your heart only this morning 
in the very world, you did. Yes, Maryann, you know it!’ 
</p>
            <p>‘Yes, miss, but so did you. He is a wild scamp 
now, and you are right to hate him.‘ 
</p>
            <p>‘He's <hi>not</hi> a wild scamp! How dare you to my face! 
I have no right to hate him, nor you, nor anybody. 
But I am a silly woman! What is it to me what he is? 
You know it is nothing. I don't care for him; I don't 
mean to defend his good name, not I. Mind this, if 
any of you say a word against him you'll be dismissed 
instantly!’ 
</p>
            <p>She flung down the letter and surged back into the 
parlour, with a big heart and tearful eyes, Liddy following 
her. 
</p>
            <p>‘O miss!’ said mild Liddy, looking pitifully into 
Bathsheba's face. ‘I am sorry we mistook you so! I 
did think you cared for him; but I see you don't now.’ 
</p>
            <p>‘Shut the door, Liddy.’ <pb n="253"/>
Liddy closed the door, and went on:  ‘People always 
say such foolery, miss. I'll make answer hencefor'ard, 
“Of course a lady like Miss Everdene can't love him”; 
I'll say it out in plain black and white.’ 
</p>
            <p>Bathsheba burst out: ‘O Liddy, are you such a 
simpleton? Can't you read riddles? Can't you see? 
Are you a woman yourself?’ 
</p>
            <p>Liddy's clear eyes rounded with wonderment. 
</p>
            <p>‘Yes; you must be a blind thing, Liddy!’ she said, 
in reckless abandonment and grief. ‘O, I love him 
to very distraction and misery and agony! Don't be 
frightened at me, though perhaps I am enough to frighten 
any innocent woman. Come closer — closer.’ She put 
her arms round Liddy's neck. ‘I must let it out to 
somebody; it is wearing me away! Don't you yet know 
enough of me to see through that miserable denial of 
mine? O God, what a lie it was! Heaven and my 
Love forgive me. And don't you know that a woman 
who loves at all thinks nothing of perjury when it is 
balanced against her love? There, go out of the room; 
I want to be quite alone.’ 
</p>
            <p>Liddy went towards the door. 
</p>
            <p>‘Liddy, come here. Solemnly swear to me that he's 
not a fast man; that it is all lies they say about him!’ 
</p>
            <p>‘But, miss, how can I say he is not if —  — ’ 
</p>
            <p>‘You graceless girl! How can you have the cruel 
heart to repeat what they say? Unfeeling thing that 
you are.... But <hi>I'll</hi> see if you or anybody else in the 
village, or town either, dare do such a thing!’ She 
started off, pacing from fireplace to door, and back 
again. 
</p>
            <p>‘No, miss. I don't — I know it is not true!’ said 
Liddy, frightened at Bathsheba's unwonted vehemence. 
I suppose you only agree with me like that to please 
me. But, Liddy, he <hi>cannot be</hi> had, as is said. Do you 
hear? ‘ 
</p>
            <p>‘Yes, miss, yes.’ 
</p>
            <p>‘And you don't believe he is?‘ 
</p>
            <p>‘I don't know what to say, miss,’ said Liddy, beginning 
to cry. ‘If I say No, you don't believe me; 
and if I say Yes, you rage at me!’ 
</p>
            <p>‘Say you don't believe it — say you don't!’ <pb n="254"/>
            </p>
            <p>‘I don't believe him to be so had as they make out.’ 
</p>
            <p>‘He is not had at all.... My poor life and heart, 
how weak I am!’ she moaned, in a relaxed, desultory 
way, heedless of Liddy's presence. ‘O, how I wish I 
had never seen him! Loving is misery for women 
always. I shall never forgive God for making me a 
woman, and dearly am I beginning to pay for the honour 
of owning a pretty face.’ She freshened and turned to 
Liddy suddenly. ‘Mind this, Lydia Smallbury, if you 
repeat anywhere a single word of what I have said to 
you inside this closed door, I'll never trust you, or love 
you, or have you with me a moment longer — not a 
moment!’ 
</p>
            <p>‘I don't want to repeat anything,’ said Liddy, with 
womanly dignity of a diminutive order; ‘but I don't 
wish to stay with you. And, if you please, I'll go at the 
end of the harvest, or this week, or to-day.... I don't 
see that I deserve to be put upon and stormed at for 
nothing!’ concluded the small woman, bigly. 
</p>
            <p>‘No, no, Liddy; you must stay!’ said Bathsheba, 
dropping from haughtiness to entreaty with capricious 
inconsequence. ‘You must not notice my being in a 
taking just now. You are not as a servant —you are a 
companion to me. Dear, dear — I don't know what I 
am doing since this miserable ache o' my heart has 
weighted and worn upon me so! What shall I come 
to! I suppose I shall get further and further into 
troubles. I wonder sometimes if I am doomed to die 
in the Union. I am friendless enough, God knows!’ 
</p>
            <p>‘I won't notice anything, nor will I leave you!‘ sobbed 
Liddy, impulsively putting up her lips to Bathsheba's, 
and kissing her. 
</p>
            <p>Then Bathsheba kissed Liddy, and all was smooth 
again. 
</p>
            <p>‘I don't often cry, do I, Lidd? but you have made 
tears come into my eyes,’ she said, a smile shining 
through the moisture. ‘Try to think him a good man, 
won't you, dear Liddy?’ 
</p>
            <p>‘I will, miss, indeed.’ 
</p>
            <p>‘He is a sort of steady man in a wild way, you know. 
That's better than to be as some are, wild in a steady 
way. I am afraid that's how I am. And promise me 
to keep my secret — do, Liddy! And do not let them 
know that I have been crying <pb n="255"/>
about him, because it will 
be dreadful for me, and no good to him, poor thing!’ 
</p>
            <p>‘Death's head himself shan't wring it from me, mistress, 
if I've a mind to keep anything; and I'll always be your 
friend,’ replied Liddy, emphatically, at the same time 
bringing a few more tears into her own eyes, not from 
any particular necessity, but from an artistic sense of 
making herself in keeping with the remainder of the 
picture, which seems to influence women at such times. 
</p>
            <p>‘I think God likes us to be good friends, don't you?’ 
</p>
            <p>‘Indeed I do.’ 
</p>
            <p>‘And, dear miss, you won't harry me and storm at 
me, will you? because you seem to swell so tall as a 
lion then, and it frightens me! Do you know, I fancy 
you would be a match for any man when you are in one 
o' your takings.’ 
</p>
            <p>‘Never! do you?’ said Bathsheba, slightly laughing, 
though somewhat seriously alarmed by this Amazonian 
picture of herself. ‘I hope I am not a bold sort of 
maid — mannish?’ she continued with some anxiety. 
</p>
            <p>‘O no, not mannish; but so almighty womanish 
that 'tis getting on that way sometimes. Ah! miss,’ she 
said, after having drawn her breath very sadly in and 
sent it very sadly out, ‘I wish I had half your failing 
that way. 'Tis a great protection to a poor maid in 
these illegit'mate days!’ 
</p>
         </div>
         <div n="C31" type="chapter">
            <pb n="256"/>
            <head>BLAME — FURY</head>
            <p>THE next evening Bathsheba, with the idea of getting 
out of the way of Mr Boldwood in the event of his 
returning to answer her note in person, proceeded to 
fulfil an engagement made with Liddy some few hours 
earlier. Bathsheba's companion, as a gage of their 
reconciliation, had heen granted a week's holiday to 
visit her sister, who was married to a thriving hurdler 
and cattle-crib-maker living in a delightful labyrinth of 
hazel copse not far beyond Yalbury. The arrangement 
was that Miss Everdene should honour them by coming 
there for a day or two to inspect some ingenious contrivances 
which this man of the woods had introduced 
into his wares. 
</p>
            <p>Leaving her instructions with Gabriel and Maryann, 
that they were to see everything carefully locked up for 
the night, she went out of the house just at the close of 
a timely thunder-shower, which had refined the air, and 
daintily bathed the coat of the land, though all beneath 
was dry as ever. Freshness was exhaled in an essence 
from the varied contours of bank and hollow, as if the 
earth breathed maiden breath; and the pleased birds 
were hymning to the scene. Before her, among the 
clouds, there was a contrast in the shape of lairs of 
fierce light which showed themselves in the neighbourhood 
of a hidden sun, lingering on to the farthest northwest 
corner of the heavens that this midsummer season 
allowed. 
</p>
            <p>She had walked nearly two miles of her journey, 
watching how the day was retreating, and thinking how 
the time of deeds was quietly melting into the time of 
thought, to give place in its turn to the time of prayer 
and sleep, when she beheld advancing over Yalbury hill 
the very man she sought so anxiously to elude. Boldwood 
was stepping on, not with that quiet tread of reserved 
strength which was his customary <pb n="257"/>
gait, in which he always seemed to be balancing two thoughts. 
His manner was stunned and sluggish now. 
</p>
            <p>Boldwood had for the first time been awakened to 
woman's privileges in tergiversation even when it involves 
another person's possible blight. That Bathsheba was 
a firm and positive girl, far less inconsequent than her 
fellows, had been the very lung of his hope; for he had 
held that these qualities would lead her to adhere to a 
straight course for consistency's sake, and accept him, 
though her fancy might not flood him with the iridescent 
hues of uncritical love. But the argument now came 
back as sorry gleams from a broken mirror. The discovery 
was no less a scourge than a surprise. 
</p>
            <p>He came on looking upon the ground, and did not 
see Bathsheba till they were less than a stone's throw 
apart. He looked up at the sound of her pit-pat, and 
his changed appearance sufficiently denoted to her the 
depth and strength of the feelings paralyzed by her 
letter. 
</p>
            <p>‘Oh; is it you, Mr Boldwood?’ she faltered, a guilty 
warmth pulsing in her face. 
</p>
            <p>Those who have the power of reproaching in silence 
may find it a means more effective than words. There 
are accents in the eye which are not on the tongue, and 
more tales come from pale lips than can enter an ear. 
It is both the grandeur and the pain of the remoter 
moods that they avoid the pathway of sound. Boldwood's 
look was unanswerable. 
</p>
            <p>Seeing she turned a little aside, he said, ‘What, are 
you afraid of me?’ 
</p>
            <p>‘Why should you say that?’ said Bathsheba. 
</p>
            <p>‘I fancied you looked so,’ said he. ‘And it is most 
strange, because of its contrast with my feeling for you.’ 
</p>
            <p>She regained self-possession, fixed her eyes calmly, 
and waited. 
</p>
            <p>‘You know what that feeling is,’ continued Boldwood, 
deliberately. ‘A thing strong as death. No dismissal 
by a hasty letter affects that.’ 
</p>
            <p>‘I wish you did not feel so strongly about me,’ she 
murmured. ‘It is generous of you, and more than I 
deserve, but I must not hear it now.’ <pb n="258"/>
            </p>
            <p>‘Hear it? What do you think I have to say, then? 
I am not to marry you, and that's enough. Your letter 
was excellently plain. I want you to hear nothing — 
not I.’ 
</p>
            <p>Bathsheba was unable to direct her will into any 
definite groove for freeing herself from this fearfully 
awkward position.  She confusedly said, ‘Good 
evening’, and was moving on. 
Boldwood walked up to her heavily 
and dully. 
</p>
            <p>‘Bathsheba —darling —is it final indeed?’ 
</p>
            <p>‘Indeed it is.’ 
</p>
            <p>‘O, Bathsheba — have pity upon me!’ Boldwood 
burst out. ‘God's sake, yes — I am come to that low, 
lowest stage —to ask a woman for pity! Still, she is 
you —she is you.’ 
</p>
            <p>Bathsheba commanded herself well. But she could 
hardly get a clear voice for what came instinctively to 
her lips: ‘There is little honour to the woman in that 
speech.’ It was only whispered, for something unutterably 
mournful no less than distressing in this spectacle 
of a man showing himself to be so entirely the vane of a 
passion enervated the feminine instinct for punctilios. 
</p>
            <p>‘I am beyond myself about this, and am mad,’ he 
said. ‘I am no stoic at all to he supplicating here; but 
I do supplicate to you. I wish you knew what is in 
me of devotion to you; but it is impossible, that. In 
bare human mercy to a lonely man, don't throw me off 
now!’ 
</p>
            <p>‘I don't throw you off — indeed, how can I? I never 
had you.’ In her noon-clear sense that she had never 
loved him she forgot for a moment her thoughtless angle 
on that day in February. 
</p>
            <p>‘But there was a time when you turned to me, 
before I thought of you! I don't reproach you, for 
even now I feel that the ignorant and cold darkness 
that I should have lived in if you had not attracted me 
by that letter — valentine you call it — would have been 
worse than my knowledge of you, though it has brought 
this misery. But, I say, there was a time when I knew 
nothing of you, and cared nothing for you, and yet you 
drew me on. And if you say you gave me no encouragement, 
I cannot but contradict you.’ <pb n="259"/>
            </p>
            <p>‘What you call encouragement was the childish 
game of an idle minute. I have bitterly repented of it 
— ay, bitterly, and in tears. Can you still go on reminding me?’ 
</p>
            <p>‘I don't accuse you of it — I deplore it. I took for 
earnest what you insist was jest, and now this that I 
pray to be jest you say is awful, wretched earnest. Our 
moods meet at wrong places. I wish your feeling was 
more like mine, or my feeling more like yours! O, 
could I but have foreseen the torture that trifling trick 
was going to lead me into, how I should have cursed 
you; but only having been able to see it since, I cannot 
do that, for I love you too well! But it is weak, idle 
drivelling to go on like this.... Bathsheba, you are 
the first woman of any shade or nature that I have ever 
looked at to love, and it is the having been so near 
claiming you for my own that makes this denial so hard 
to bear. How nearly you promised me! But I don't 
speak now to move your heart, and make you grieve 
because of my pain; it is no use, that. I must bear it; 
my pain would get no less by paining you.’ 
</p>
            <p>‘But I do pity you — deeply — O so deeply!’ she 
earnestly said. 
</p>
            <p>‘Do no such thing — do no such thing. Your dear 
love, Bathsheba, is such a vast thing beside your pity, 
that the loss of your pity as well as your love is no great 
addition to my sorrow, nor does the gain of your pity 
make it sensibly less. O sweet — how dearly you 
spoke to me behind the spear-bed at the washing-pool, 
and in the barn at the shearing, and that dearest last 
time in the evening at your home! Where are your 
pleasant words all gone — your earnest hope to be able 
to love me? Where is your firm conviction that you 
would get to care for me very much? Really forgotten? 
— really?’ 
</p>
            <p>She checked emotion, looked him quietly and clearly 
in the face, and said in her low, firm voice, ‘Mr Boldwood, 
I promised you nothing. Would you have had 
me a woman of clay when you paid me that furthest, 
highest compliment a man can pay a woman — telling 
her he loves her? I was bound to show some feeling, 
if I would not be a graceless shrew. Yet each of those 
pleasures was just for the day — the day just <pb n="260"/>
for the pleasure. How was I to know that what is a pastime 
to all other men was death to you? Have reason, do, 
and think more kindly of me!’ 
</p>
            <p>‘Well, never mind arguing — never mind. One 
thing is sure: you were all but mine, and now you are 
not nearly mine. Everything is changed, and that by 
you alone, remember. You were nothing to me once, 
and I was contented; you are now nothing to me again, 
and how different the second nothing is from the first! 
Would to God you had never taken me up, since it was 
only to throw me down!’ 
</p>
            <p>Bathsheba, in spite of her mettle, began to feel unmistakable 
signs that she was inherently the weaker 
vessel. She strove miserably against this femininity 
which would insist upon supplying unbidden emotions 
in stronger and stronger current. She had tried to 
elude agitation by fixing her mind on the trees, sky, any 
trivial object before her eyes, whilst his reproaches fell, 
but ingenuity could not save her now. 
</p>
            <p>‘I did not take you up —surely I did not!’ she 
answered as heroically as she could. ‘But don't be in 
this mood with me. I can endure being told I am in 
the wrong, if you will only tell it me gently! O sir, 
will you not kindly forgive me, and look at it 
cheerfully?’ 
</p>
            <p>‘Cheerfully! Can a man fooled to utter heart-burning 
find a reason for being merry? If I have lost, 
how can I be as if I had won? Heavens, you must be 
heartless quite! Had I known what a fearfully bitter 
sweet this was to be, how would I have avoided you, 
and never seen you, and been deaf to you. I tell you 
all this, but what do you care! You don't care.’ 
</p>
            <p>She returned silent and weak denials to his charges, 
and swayed her head desperately, as if to thrust away 
the words as they came showering about her ears from 
the lips of the trembling man in the climax of life, with 
his bronzed Roman face and fine frame. 
</p>
            <p>‘Dearest, dearest, I am wavering even now between 
the two opposites of recklessly renouncing you, and 
labouring humbly for you again. Forget that you have 
said No, and let it be as it was! Say, Bathsheba, that 
you only wrote that refusal to me in fun —come, say it 
to me!’ <pb n="261"/>
            </p>
            <p>‘It would be untrue, and painful to both of us. You 
overrate my capacity for love. I don't possess half 
the warmth of nature you believe me to have. An unprotected 
childhood in a cold world has beaten gentleness out of me.’ 
</p>
            <p>He immediately said with more resentment: ‘That 
may be true, somewhat; but ah, Miss Everdene, it won't 
do as a reason! You are not the cold woman you 
would have me believe. No, no! It isn't because you 
have no feeling in you that you don't love me. You 
naturally would have me think so —you would hide from 
me that you have a burning heart like mine. You have 
love enough, but it is turned into a new channel. I know where.’ 
</p>
            <p>The swift music of her heart became hubbub now, 
and she throbbed to extremity. He was coming to 
Troy. He did then know what had occurred! And 
the name fell from his lips the next moment. 
</p>
            <p>‘Why did Troy not leave my treasure alone?’ he 
asked, fiercely. ‘When I had no thought of injuring 
him, why did he force himself upon your notice! 
Before he worried you your inclination was to have me; 
when next I should have come to you your answer 
would have been Yes. Can you deny it —I ask, can 
you deny it?’ 
</p>
            <p>She delayed the reply, but was too honest to 
withhold it. ‘I cannot,’ she whispered. 
</p>
            <p>‘I know you cannot. But he stole in in my absence 
and robbed me. Why didn't he win you away before, 
when nobody would have been grieved? —when nobody 
would have been set tale-bearing. Now the people 
sneer at me —the very hills and sky seem to laugh at 
me till I blush shamefuly for my folly. I have lost my 
respect, my good name, my standing —lost it, never to 
get it again. Go and marry your man — go on!’ 
</p>
            <p>‘O sir —Mr Boldwood!’ 
</p>
            <p>‘You may as well. I have no further claim upon you. 
As for me, I had better go somewhere alone, and hide — 
and pray. I loved a woman once. I am now ashamed. 
When I am dead they'll say, Miserable love-sick man 
that he was. Heaven —heaven —if I had got jilted 
secretly, and the dishonour not known, and my position 
kept! But no matter, it <pb n="262"/>
is gone, and the woman not gained. Shame upon him — shame!’ 
</p>
            <p>His unreasonable anger terrified her, and she glided 
from him, without obviously moving, as she said, ‘I am 
only a girl — do not speak to me so!’ 
</p>
            <p>‘All the time you knew — how very well you knew — 
that your new freak was my misery. Dazzled by brass 
and scarlet — O, Bathsheba — this is woman's folly 
indeed!’ 
</p>
            <p>She fired up at once. ‘You are taking too much 
upon yourself!’ she said, vehemently. ‘Everybody is 
upon me  — everybody. It is unmanly to attack a 
woman so! I have nobody in the world to fight my 
battles for me; but no mercy is shown. Yet if a 
thousand of you sneer and say things against me, I <hi>will 
not</hi> be put down!‘ 
</p>
            <p>‘You'll chatter with him doubtless about me. Say to 
him, “Boldwood would have died for me.” Yes, and 
you have given way to him, knowing him to be not the 
man for you. He has kissed you — claimed you as his. 
Do you hear — he has kissed you. Deny it!’ 
</p>
            <p>The most tragic woman is cowed by a tragic man, 
and although Boldwood was, in vehemence and glow, 
nearly her own self rendered into another sex, 
Bathsheba's cheek quivered. She gasped, ‘Leave me, 
sir — leave me! I am nothing to you. Let me go on!’ 
</p>
            <p>‘Deny that he has kissed you.’ 
</p>
            <p>‘I shall not.’ 
</p>
            <p>‘Ha — then he has!’ came hoarsely from the farmer. 
</p>
            <p>‘He has,’ she said, slowly, and, in spite of her fear, 
defiantly. ‘I am not ashamed to speak the truth.’ 
</p>
            <p>‘Then curse him; and curse him!’ said Boldwood, 
breaking into a whispered fury. ‘Whilst I would have 
given worlds to touch your hand, you have let a rake come 
in without right or ceremony and — kiss you! Heaven's 
mercy — kiss you! ... Ah, a time of his life shall come 
when he will have to repent, and think wretchedly of 
the pain he has caused another man; and then may he 
ache, and wish, and curse, and yearn — as I do now!’ 
</p>
            <p>‘Don't, don't, O, don't pray down evil upon him!’ she <pb n="263"/>
implored in a miserable cry. ‘Anything but that — 
anything. O, be kind to him, sir, for I love him true.’ 
</p>
            <p>Boldwood's ideas had reached that point of fusion at 
which outline and consistency entirely disappear. The 
impending night appeared to concentrate in his eye. 
He did not hear her at all now. 
</p>
            <p>‘I'll punish him —by my soul, that will I! I'll meet 
him, soldier or no, and I'll horsewhip the untimely 
stripling for this reckless theft of my one delight. If he 
were a hundred men I'd horsewhip him —  — ’ He 
dropped his voice suddenly and unnaturally. ‘Bathsheba, 
sweet, lost coquette, pardon me! I've been 
blaming you, threatening you, behaving like a churl to 
you, when he's the greatest sinner. He stole your dear 
heart away with his unfathomable lies! ... It is a 
fortunate thing for him that he's gone back to his 
regiment —that he's away up the country, and not here! 
I hope he may not return here just yet. I pray God 
he may not come into my sight, for I may be tempted 
beyond myself. O, Bathsheba, keep him away — yes, 
keep him away from me!‘ 
</p>
            <p>For a moment Boldwood stood so inertly after this 
that his soul seemed to have been entirely exhaled with 
the breath of his passionate words. He turned his face 
away, and withdrew, and his form was soon covered over 
by the twilight as his footsteps mixed in with the low 
hiss of the leafy trees. 
</p>
            <p>Bathsheba, who had been standing motionless as a 
model all this latter time, flung her hands to her face, 
and wildly attempted to ponder on the exhibition which 
had just passed away. Such astounding wells of fevered 
feeling in a still man like Mr Boldwood were incomprehensible, 
dreadful. Instead of being a man trained to 
repression he was — what she had seen him. 
The force of the farmer's threats lay in their relation to a 
circumstance known at present only to herself: her lover was 
coming back to Weatherby in the course of the very next 
day or two. Troy had not returned to his distant barracks as 
Boldwood and others supposed, but had merely gone to visit <pb n="264"/>
some acquaintance in Bath, and had yet a week or more 
remaining to his furlough. 
</p>
            <p>She felt wretchedly certain that if he revisited her just at 
this nick of time, and came into contact with Boldwood, a 
fierce quarrel would be the consequence. She panted with 
solicitude when she thought of possible injury to Troy. The 
least spark would kindle the farmer's swift feelings of rage 
and jealousy; he would lose his self-mastery as he had this 
evening; Troy's blitheness might become aggressive; it might 
take the direction of derision, and Boldwood's anger might 
then take the direction of revenge. 
</p>
            <p>With almost a morbid dread of being thought a gushing 
girl, this guideless woman too well concealed from the world 
under a manner of carelessness the warm depths of her strong 
emotions. But now there was no reserve. In her distraction, 
instead of advancing further she walked up and down, beating 
the air with her fingers, pressing on her brow, and sobbing 
brokenly to herself. Then she sat down on a heap of stones by 
the wayside to think. There she remained long. Above the 
dark margin of the earth appeared foreshores and promontories 
of coppery cloud, bounding a green and pellucid expanse 
in the western sky. Amaranthine glosses came over them then, 
and the unresting world wheeled her round to a contrasting 
prospect eastward, in the shape of indecisive and palpitating 
stars. She gazed upon their silent throes amid the shades of 
space, but realised none at all. Her troubled spirit was far 
away with Troy. 
</p>
         </div>
         <div n="C32" type="chapter">
            <pb n="265"/>
            <head>NIGHT — HORSES TRAMPING</head>
            <p>THE village of Weatherbury was quiet as the graveyard 
in its midst, and the living were lying well-nigh as still 
as the dead. The church clock struck eleven. The 
air was so empty of other sounds that the whirr of the 
clock-work immediately before the strokes was distinct, 
and so was also the click of the same at their close. 
The notes flew forth with the usual blind obtuseness 
of inanimate things — flapping and rebounding among 
walls, undulating against the scattered clouds, spreading 
through their interstices into unexplored miles of space. 
</p>
            <p>Bathsheba's crannied and mouldy halls were to-night 
occupied only by Maryann, Liddy being, as was stated, 
with her sister, whom Bathsheba had set out to visit. 
A few minutes after eleven had struck, Maryann turned 
in her bed with a sense of being disturbed. She was 
totally unconscious of the nature of the interruption to 
her sleep. It led to a dream, and the dream to an 
awakening, with an uneasy sensation that something 
had happened. She left her bed and looked out of 
the window. The paddock abutted on this end of the 
building, and in the paddock she could just discern by 
the uncertain gray a moving figure approaching the 
horse that was feeding there. The figure seized the 
horse by the forelock, and led it to the corner of the 
field. Here she could see some object which circumstances 
proved to be a vehicle, for after a few minutes 
spent apparently in harnessing, she heard the trot of 
the horse down the road, mingled with the sound of 
light wheels. 
</p>
            <p>Two varieties only of humanity could have entered 
the paddock with the ghost-like glide of that mysterious 
figure. They were a woman and a gipsy man. A woman 
was out of the question in such an occupation at this 
hour, and the comer could be no less than a thief, who 
might probably have known the weakness of the household 
on this particular night, and <pb n="266"/>
have chosen it on 
that account for his daring attempt. Moreover, to 
raise suspicion to conviction itself, there were gipsies in 
Weatherbury Bottom. 
</p>
            <p>Maryann, who had been afraid to shout in the robber's 
presence, having seen him depart had no fear. She 
hastily slipped on her clothes, stumped down the disjointed 
staircase with its hundred creaks, ran to Coggan's, 
the nearest house, and raised an alarm. Coggan called 
Gabriel, who now again lodged in his house as at first, 
and together they went to the paddock. Beyond all 
doubt the horse was gone. 
</p>
            <p>‘Hark!’ said Gabriel. 
</p>
            <p>They listened. Distinct upon the stagnant air came 
the sounds of a trotting horse passing up Longpuddle 
Lane — just beyond the gipsies' encampment in Weatherbury 
Bottom. 
</p>
            <p>‘That's our Dainty — I'll swear to her step,’ said Jan. 
</p>
            <p>‘Mighty me! Won't mis'ess storm and call us stupids 
when she comes back!’ moaned Maryann. ‘How I 
wish it had happened when she was at home, and none 
of us had been answerable!’ 
</p>
            <p>‘We must ride after,’ said Gabriel, decisively. 
‘I'll be responsible to Miss Everdene for what we do. Yes, 
we'll follow.’ 
</p>
            <p>‘Faith, I don't see how,’ said Coggan. ‘All our 
horses are too heavy for that trick except little Poppet, 
and what's she between two of us? — If we only had that 
pair over the hedge we might do something.’ 
</p>
            <p>‘Which pair?’ 
</p>
            <p>‘Mr Boldwood's Tidy and Moll.’ 
</p>
            <p>‘Then wait here till I come hither again,’ said Gabriel. 
He ran down the hill towards Farmer Boldwood's. 
</p>
            <p>‘Farmer Boldwood is not at home,’ said Maryann. 
</p>
            <p>‘All the better,’ said Coggan. ‘I know what he's 
gone for.’ 
</p>
            <p>Less than five minutes brought up Oak again, running 
at the same pace, with two halters dangling from his hand, 
</p>
            <p>‘Where did you find 'em?‘said Coggan, turning 
round and leaping upon the hedge without waiting for 
an answer. 
</p>
            <p>‘Under the eaves. I knew where they were kept,’ 
said Gabriel, following him. ‘Coggan, you can ride 
bare-backed? there's no time to look for saddles.’ <pb n="267"/>
            </p>
            <p>‘Like a hero!’ said Jan. 
</p>
            <p>‘Maryann, you go to bed,’ Gabriel shouted to her 
from the top of the hedge. 
</p>
            <p>Springing down into Boldwood's pastures, each 
pocketed his halter to hide it from the horses, who, 
seeing the men empty-handed, docilely allowed themselves 
to he seized by the mane, when the halters 
were dexterously slipped on. Having neither bit nor 
bridle, Oak and Coggan extemporized the former by 
passing the rope in each case through the animal's 
mouth and looping it on the other side. Oak vaulted 
astride, and Coggan clambered up by aid of the bank, 
when they ascended to the gate and galloped off in the 
direction taken by Bathsheha's horse and the robber. 
Whose vehicle the horse had been harnessed to was a 
matter of some uncertainty. 
</p>
            <p>Weatherbury Bottom was reached in three or four 
minutes. They scanned the shady green patch by the 
roadside. The gipsies were gone. 
</p>
            <p>‘The villains!’ said Gabriel. ‘Which way have they 
gone, I wonder?’ 
</p>
            <p>‘Straight on, as sure as God made little apples,’ 
said Jan. 
</p>
            <p>‘Very well; we are better mounted, and must overtake 
'em,’ said Oak. ‘Now, on at full speed!’ 
</p>
            <p>No sound of a rider in their van could now be 
discovered. The road-metal grew softer and more 
clayey as Weatherbury was left behind, and the late 
rain had wetted its surface to a somewhat plastic, but 
not muddy state. They came to cross-roads. Coggan 
suddenly pulled up Moll and slipped off. 
</p>
            <p>‘What's the matter?’ said Gabriel. 
</p>
            <p>‘We must try to track 'em, since we can't hear 'em,’ 
said Jan, fumbling in his pockets. He struck a light, 
and held the match to the ground. The rain had been 
heavier here, and all foot and horse tracks made previous 
to the storm had been abraded and blurred by the drops, 
and they were now so many little scoops of water, which 
reflected the flame of the match like eyes. One set of 
tracks was fresh and had no water in them; one pair of 
ruts was also empty, and not small canals, like the others. 
The footprints forming this recent impression <pb n="268"/>
were full of information as to pace; they were in equidistant pairs, 
three or four feet apart, the right and left foot of each 
pair being exactly opposite one another. 
</p>
            <p>‘Straight on!’ Jan exclaimed. ‘Tracks like that 
mean a stiff gallop. No wonder we don't hear him. 
And the horse is harnessed — look at the ruts. Ay, 
that's our mare, sure enough!’ 
</p>
            <p>‘How do you know?’ 
</p>
            <p>‘Old Jimmy Harris only shoed her last week, and 
I'd swear to his make among ten thousand.’ 
</p>
            <p>‘The rest of the gipsies must ha' gone on earlier, 
or some other way,’ said Oak. ‘You saw there were 
no other tracks?’ 
</p>
            <p>‘True.’ They rode along silently for a long weary 
time. Coggan carried an old pinchbeck repeater which 
he had inherited from some genius in his family; and 
it now struck one. He lighted another match, and examined 
the ground again. 
</p>
            <p>‘'Tis a canter now,’ he said, throwing away the light. 
‘A twisty, rickety pace for a gig. The fact is, they overdrove 
her at starting; we shall catch 'em yet.’ 
</p>
            <p>Again they hastened on, and entered Blackmore 
Vale. Coggan's watch struck one. When they looked 
again the hoof-marks were so spaced as to form a sort 
of zigzag if united, like the lamps along a street. 
</p>
            <p>‘That's a trot, I know,’ said Gabriel. 
</p>
            <p>‘Only a trot now,’ said Coggan, cheerfully. ‘We 
shall overtake him in time.’ 
</p>
            <p>They pushed rapidly on for yet two or three miles. 
‘Ah! a moment,’ said Jan. ‘Let's see how she was 
driven up this hill. ‘Twill help us,’ A light was 
promptly struck upon his gaiters as before, and the examination 
made. 
</p>
            <p>‘Hurrah!’ said Coggan. ‘She walked up here — 
and well she might. We shall get them in two miles, 
for a crown.’ 
</p>
            <p>They rode three, and listened. No sound was to be 
heard save a mill-pond trickling hoarsely through a 
hatch, and suggesting gloomy possibilities of drowning 
by jumping in. Gabriel dismounted when they came 
to a turning. The tracks were absolutely the only guide 
as to the direction that they now had, and great caution 
was necessary to avoid confusing them <pb n="269"/>
with some others 
which had made their appearance lately. 
</p>
            <p>‘What does this mean? — though I guess,’ said 
Gabriel, looking up at Coggan as he moved the match 
over the ground about the turning. Coggan, who, no 
less than the panting horses, had latterly shown signs 
of weariness, again scrutinized the mystic characters. 
This time only three were of the regular horseshoe 
shape. Every fourth was a dot. 
</p>
            <p>He screwed up his face and emitted a long 
‘whew-w-w!’ 
</p>
            <p>‘Lame,’ said Oak. 
</p>
            <p>‘Yes Dainty is lamed; the near-foot-afore,’ said 
Coggan slowly staring still at the footprints. 
</p>
            <p>‘We'll push on,’ said Gabriel, remounting his humid 
steed. 
</p>
            <p>Although the road along its greater part had been as 
good as any turnpike-road in the country, it was nominally 
only a byway. The last turning had brought them 
into the high road leading to Bath. Coggan recollected 
himself. 
</p>
            <p>‘We shall have him now!’ he exclaimed. 
</p>
            <p>‘Where? ‘ 
</p>
            <p>‘Sherton Turnpike. The keeper of that gate is the 
sleepiest man between here and London — Dan Randall. 
that's his name — knowed en for years, when he was at 
Casterbridge gate. Between the lameness and the gate 
'tis a done job.’ 
</p>
            <p>They now advanced with extreme caution.  Nothing 
was said until, against a shady background of foliage, 
five white bars were visible, crossing their route a little 
way ahead. 
</p>
            <p>‘Hush — we are almost close!’ said Gabriel. 
</p>
            <p>‘Amble on upon the grass,’ said Coggan. 
</p>
            <p>The white bars were blotted out in the midst by a 
dark shape in front of them. The silence of this lonely 
time was pierced by an exclamation from that quarter. 
</p>
            <p>‘Hoy-a-hoy! Gate!’ 
</p>
            <p>It appeared that there had been a previous call which 
they had not noticed, for on their close approach the 
door of the turnpike-house opened, and the keeper 
came out half-dressed, with a candle in his hand. The 
rays illumined the whole group. 
</p>
            <p>‘Keep the gate close!’ shouted Gabriel. ‘He has 
stolen the horse!’ <pb n="270"/>
            </p>
            <p>‘Who?’ said the turnpike-man. 
</p>
            <p>Gabriel looked at the driver of the gig, and saw a 
woman — Bathsheba, his mistress. 
</p>
            <p>On hearing his voice she had turned her face away 
from the light. Coggan had, however, caught sight of 
her in the meanwhile. 
</p>
            <p>‘Why, 'tis mistress — I'll take my oath!’ he said, 
amazed. 
</p>
            <p>Bathsheba it certainly was, and she had by this time 
done the trick she could do so well in crises not of love, 
namely, mask a surprise by coolness of manner. 
</p>
            <p>‘Well, Gabriel,’ she inquired quietly, ‘where are you 
going?’ 
</p>
            <p>‘We thought —’ began Gabriel. 
</p>
            <p>‘I am driving to Bath,’ she said, taking for her own 
use the assurance that Gahriel lacked. ‘An important 
matter made it necessary for me to give up my visit to 
Liddy, and go off at once. What, then, were you 
following me?’ 
</p>
            <p>‘We thought the horse was stole.’ 
</p>
            <p>‘Well — what a thing! How very foolish of you not 
to know that I had taken the trap and horse. I could 
neither wake Maryann nor get into the house, though 
I hammered for ten minutes against her window-sill. 
Fortunately, I could get the key of the coach-house, so 
I troubled no one further. Didn't you think it might 
be me?‘ 
</p>
            <p>‘Why should we, miss?’ 
</p>
            <p>‘Perhaps not Why, those are never Farmer Boldwood's 
horses! Goodness mercy! what have you been 
doing bringing trouble upon me in this way? What! 
mustn't a lady move an inch from her door without being 
dogged like a thief?’ 
</p>
            <p>‘But how was we to know, if you left no account of 
your doings?’ expostulated Coggan, ‘and ladies don't 
drive at these hours, miss, as a jineral rule of society.’ 
</p>
            <p>‘I did leave an account — and you would have seen 
it in the morning. I wrote in chalk on the coach-house 
doors that I had come back for the horse and gig, and 
driven off; that I could arouse nobody, and should 
return soon.’ 
</p>
            <p>‘But you'll consider, ma'am, that we couldn't see 
that till it got daylight.’ 
</p>
            <p>‘True,’ she said, and though vexed at first she had 
too much <pb n="271"/>
sense to blame them long or seriously for a 
devotion to her that was as valuable as it was rare. 
She added with a very pretty grace, ‘Well, I really thank 
you heartily for taking all this trouble; but I wish you 
had borrowed anybody's horses but Mr Boldwood's.’ 
</p>
            <p>‘Dainty is lame, miss,’ said Coggan. ‘Can ye go 
on?’ 
</p>
            <p>‘lt was only a stone in her shoe. I got down and 
pulled it out a hundred yards back. I can manage 
very well, thank you. I shall be in Bath by daylight. 
Will you now return, please?’ 
</p>
            <p>She turned her head — the gateman's candle 
shimmering upon her quick, clear eyes as she did so — 
passed through the gate, and was soon wrapped in the 
embowering shades of mysterious summer boughs. 
Coggan and Gabriel put about their horses, and, fanned 
by the velvety air of this July night, retraced the road 
by which they had come. 
</p>
            <p>‘A strange vagary, this of hers, isn't it, Oak?’ said 
Coggan, curiously. 
</p>
            <p>‘Yes,’ said Gabriel, shortly. 
</p>
            <p>‘She won't be in Bath by no daylight!’ 
</p>
            <p>‘Coggan, suppose we keep this night's work as quiet 
as we can?’ 
</p>
            <p>‘I am of one and the same mind.’ 
</p>
            <p>‘Very well. We shall be home by three o'clock or 
so, and can creep into the parish like lambs.’ 
</p>
            <p>Bathsheba's perturbed meditations by the roadside 
had ultimately evolved a conclusion that there were only 
two remedies for the present desperate state of affairs. 
The first was merely to keep Troy away from Weatherbury 
till Boldwood's indignation had cooled; the second 
to listen to Oak's entreaties, and Boldwood's denunciations, 
and give up Troy altogether. 
</p>
            <p>Alas! Could she give up this new love — induce 
him to renounce her by saying she did not like him — 
could no more speak to him, and beg him, for her good, 
to end his furlough in Bath, and see her and Weatherbury 
no more? 
</p>
            <p>It was a picture full of misery, but for a while she 
contemplated it firmly, allowing herself, nevertheless, 
as girls will, <pb n="272"/>
to dwell upon the happy life she would 
have enjoyed had Troy been Boldwood, and the path 
of love the path of duty — inflicting upon herself gratuitous 
tortures by imagining him the lover of another 
woman after forgetting her; for she had penetrated 
Troy's nature so far as to estimate his tendencies pretty 
accurately, hut unfortunately loved him no less in 
thinking that he might soon cease to love her — indeed, 
considerably more. 
</p>
            <p>She jumped to her feet. She would see him at once. 
Yes, she would implore him by word of mouth to assist 
her in this dilemma. A letter to keep him away could 
not reach him in time, even if he should be disposed to 
listen to it. 
</p>
            <p>Was Bathsheba altogether blind to the obvious fact 
that the support of a lover's arms is not of a kind best 
calculated to assist a resolve to renounce him? Or was 
she sophistically sensible, with a thrill of pleasure, that 
by adopting this course for getting rid of him she was 
ensuring a meeting with him, at any rate, once more? 
</p>
            <p>It was now dark, and the hour must have been nearly 
ten. The only way to accomplish her purpose was to 
give up her idea of visiting Liddy at Yalbury, return to 
Weatherbury Farm, put the horse into the gig, and drive 
at once to Bath. The scheme seemed at first impossible: 
the journey was a fearfully heavy one, even for a strong 
horse, at her own estimate; and she much underrated 
the distance. It was most venturesome for a woman, 
at night, and alone. 
</p>
            <p>But could she go on to Liddy's and leave things to 
take their course? No, no; anything but that. Bathsheba 
was full of a stimulating turbulence, beside which 
caution vainly prayed for a hearing. she turned back 
towards the village. 
</p>
            <p>Her walk was slow, for she wished not to enter 
Weatherbury till the cottagers were in bed, and, particularly, 
till Boldwood was secure. Her plan was now 
to drive to Bath during the night, see Sergeant Troy in 
the morning before he set out to come to her, bid him 
farewell, and dismiss him: then to rest the horse 
thoroughly (herself to weep the while, she thought), 
starting early the next morning on her return journey. 
By this arrangement she could trot Dainty gently all 
the day, reach <pb n="273"/>
Liddy at Yalbury in the evening, and 
come home to Weatherbury with her whenever they 
chose — so nobody would know she had been to Bath 
at all. 
</p>
            <p>Such was Bathsheba's scheme. But in her topographical 
ignorance as a late comer to the place, she 
misreckoned the distance of her journey as not much 
more than half what it really was. Her idea, however, 
she proceeded to carry out, with what initial success we 
have already seen. 
</p>
         </div>
         <div n="C33" type="chapter">
            <pb n="274"/>
            <head>IN THE SUN — A HARBINGER</head>
            <p>A WEEK passed, and there were no tidings of Bathsheba; 
nor was there any explanation of her Gilpin's 
rig. 
</p>
            <p>Then a note came for Maryann, stating that the 
business which had called her mistress to Bath still 
detained her there; but that she hoped to return 
in the course of another week. 
</p>
            <p>Another week passed. The oat-harvest began, and 
all the men were a-field under a monochromatic Lammas 
sky, amid the trembling air and short shadows of noon. 
Indoors nothing was to be heard save the droning of 
blue-bottle flies; out-of-doors the whetting of scythes 
and the hiss of tressy oat-ears rubbing together as their 
perpendicular stalks of amber-yellow fell heavily to each 
swath. Every drop of moisture not in the men's bottles 
and flagons in the form of cider was raining as perspiration 
from their foreheads and cheeks. Drought was 
everywhere else. 
</p>
            <p>They were about to withdraw for a while into the 
charitable shade of a tree in the fence, when Coggan 
saw a figure in a blue coat and brass buttons running 
to them across the field. 
</p>
            <p>‘I wonder who that is?’ he said. 
</p>
            <p>‘I hope nothing is wrong about mistress,’ said 
Maryann, who with some other women was tying the 
bundles (oats being always sheafed on this farm), ‘but 
an unlucky token came to me indoors this morning. 
I went to unlock the door and dropped the key, and it 
fell upon the stone floor and broke into two pieces. 
Breaking a key is a dreadful bodement. I wish mis'ess 
was home.’ 
</p>
            <p>‘'Tis Cain Ball,’ said Gabriel, pausing from whetting 
his reap-hook. 
</p>
            <p>Oak was not bound by his agreement to assist in the 
corn-field; but the harvest month is an anxious time for a <pb n="275"/>
farmer, and the corn was Bathsheba's, so he lent a 
hand. 
</p>
            <p>‘He's dressed up in his best clothes,’ said Matthew 
Moon. ‘He hev been away from home for a few days, 
since he's had that felon upon his finger; for 'a said, 
since I can't work I'll have a hollerday.’ 
</p>
            <p>‘A good time for one — a' excellent time,’ said Joseph 
Poorgrass, straightening his back; for he, like some of 
the others, had a way of resting a while from his labour 
on such hot days for reasons preternaturally small; of 
which Cain Ball's advent on a week-day in his Sunday-clothes 
was one of the first magnitude. ‘'Twas a bad leg 
allowed me to read the <title>Pilgrim's Progress</title>, and Mark 
Clark learnt All-Fours in a whitlow.’ 
</p>
            <p>‘Ay, and my father put his arm out of joint to have 
time to go courting,’ said Jan Coggan, in an eclipsing 
tone, wiping his face with his shirt-sleeve and thrusting 
back his hat upon the nape of his neck. 
</p>
            <p>By this time Cainy was nearing the group of harvesters, 
and was perceived to be carrying a large slice of bread 
and ham in one hand, from which he took mouthfuls 
as he ran, the other being wrapped in a bandage. 
When he came close, his mouth assumed the bell shape, 
and he began to cough violently. 
</p>
            <p>‘Now, Cainy!’ said Gabriel, sternly. ‘How many 
more times must I tell you to keep from running so fast 
when you be eating? You'll choke yourself some day, 
that's what you'll do, Cain Ball.’ 
</p>
            <p>‘Hok-hok-hok!’ replied Cain. ‘A crumb of my 
victuals went the wrong way — hok-hok! That's what 
'tis, Mister Oak! And I've been visiting to Bath 
because I had a felon on my thumb; yes, and l've 
seen — ahok-hok!’ 
</p>
            <p>Directly Cain mentioned Bath, they all threw down 
their hooks and forks and drew round him. Unfortunately 
the erratic crumb did not improve his 
narrative powers, and a supplementary hindrance was 
that of a sneeze, jerking from his pocket his rather large 
watch, which dangled in front of the young man 
pendulum-wise. <pb n="276"/>
            </p>
            <p>‘Yes,’ he continued, directing his thoughts to Bath 
and letting his eyes follow, ‘I've seed the world at last 
— yes — and I've seed our mis'ess — ahok-hok-hok!’ 
</p>
            <p>‘Bother the boy!’ said Gabriel. ‘Something is 
always going the wrong way down your throat, so that 
you can't tell what's necessary to be told.’ 
</p>
            <p>‘Ahok! there! Please, Mister Oak, a gnat have 
just fleed into my stomach and brought the cough on 
again!’ 
</p>
            <p>‘Yes, that's just it. Your mouth is always open, you 
young rascal!’ 
</p>
            <p>‘'Tis terrible bad to have a gnat fly down yer throat, 
pore boy!’ said Matthew Moon. 
</p>
            <p>‘Well, at Bath you saw —’ prompted Gabriel. 
</p>
            <p>‘I saw our mistress,’ continued the junior shepherd, 
‘and a sojer, walking along. And bymeby they got 
closer and closer, and then they went arm-in-crook, like 
courting complete — hok-hok! like courting complete — 
hok! — courting complete —’ Losing the thread of his 
narrative at this point simultaneously with his loss of 
breath, their informant looked up and down the field 
apparently for some clue to it. ‘Well, I see our mis'ess 
and a soldier — a-ha-a-wk!’ 
</p>
            <p>‘Damn the boy!’ said Gabriel. 
</p>
            <p>‘'Tis only my manner, Mister Oak, if ye'll excuse it,’ 
said Cain Ball, looking reproachfully at Oak, with eyes 
drenched in their own dew. 
</p>
            <p>‘Here's some cider for him — that'll cure his throat,’ 
said Jan Coggan, lifting a flagon of cider, pulling out 
the cork, and applying the hole to Cainy's mouth; 
Joseph Poorgrass in the meantime beginning to think 
apprehensively of the serious consequences that would 
follow Cainy Ball's strangulation in his cough, and the 
history of his Bath adventures dying with him. 
</p>
            <p>‘For my poor self, I always say ‘please God’ afore 
I do anything,’ said Joseph, in an unboastful voice; ‘and 
so should you, Cain Ball. 'Tis a great safeguard, and 
might perhaps save you from being choked to death 
some day.’ 
</p>
            <p>Mr Coggan poured the liquor with unstinted liberality 
at the suffering Cain's circular mouth; half of it 
running down <pb n="277"/>
the side of the flagon, and half of what 
reached his mouth running down outside his throat, 
and half of what ran in going the wrong way, and being 
coughed and sneezed around the persons of the gathered 
reapers in the form of a cider fog, which for a moment 
hung in the sunny air like a small exhalation. 
</p>
            <p>‘There's a great clumsy sneeze! Why can't ye have 
better manners, you young dog!’ said Coggan, withdrawing 
the flagon. 
</p>
            <p>‘The cider went up my nose!’ cried Cainy, as soon 
as he could speak; ‘and now 'tis gone down my neck, 
and into my poor dumb felon, and over my shiny 
buttons and all my best cloze!’ 
</p>
            <p>‘The poor lad's cough is terrible onfortunate,’ said 
Matthew Moon. ‘And a great history on hand, too. 
Bump his back, shepherd.’ 
</p>
            <p>‘'Tis my nater,’ mourned Cain. ‘Mother says I 
always was so excitable when my feelings were worked 
up to a point!’ 
</p>
            <p>‘True, true,’ said Joseph Poorgrass. ‘The Balls 
were always a very excitable family. I knowed the 
boy's grandfather — a truly nervous and modest man, 
even to genteel refinery. 'Twas blush, blush with him, 
almost as much as 'tis with me — not but that 'tis a 
fault in me!’ 
</p>
            <p>‘Not at all, Master Poorgrass,’ said Coggan. ‘'Tis 
a very noble quality in ye.’ 
</p>
            <p>‘Heh-heh! well, I wish to noise nothing abroad — 
nothing at all,’ murmured Poorgrass, diffidently. ‘But 
we be born to things — that's true. Yet I would rather 
my trifle were hid; though, perhaps, a high nater is a 
little high, and at my birth all things were possible to 
my Maker, and he may have begrudged no gifts.... 
But under your bushel, Joseph! under your bushel with 'ee! 
A strange desire, neighbours, this desire to hide, 
and no praise due. Yet there is a Sermon on the 
Mount with a calendar of the blessed at the head, and 
certain meek men may be named therein.’ 
</p>
            <p>‘Cainy's grandfather was a very clever man,’ said 
Matthew Moon. ‘Invented a' apple-tree out of his own 
head, which is called by his name to this day — the Early 
Ball. You know 'em, <pb n="278"/>
Jan? A Quarrenden grafted on 
a Tom Putt, and a Rathe-ripe upon top o' that again. 
'Tis trew 'a used to bide about in a public-house wi' a 
'ooman in a way he had no business to by rights, but 
there — 'a were a clever man in the sense of the term.’ 
</p>
            <p>‘Now then,’ said Gabriel, impatiently, ‘what did you 
see, Cain?’ 
</p>
            <p>‘I seed our mis'ess go into a sort of a park place, 
where there's seats, and shrubs and flowers, arm-in-crook 
with a sojer,’ continued Cainy, firmly, and with a dim 
sense that his words were very effective as regarded 
Gabriel's emotions. ‘And I think the sojer was 
Sergeant Troy. And they sat there together for more 
than half-an-hour, talking moving things, and she once 
was crying a'most to death. And when they came out 
her eyes were shining and she was as white as a lily; 
and they looked into one another's faces, as far-gone 
friendly as a man and woman can be.’ 
</p>
            <p>Gabriel's features seemed to get thinner. ‘Well, 
what did you see besides?’ 
</p>
            <p>‘Oh, all sorts.‘ 
</p>
            <p>‘White as a lily? You are sure 'twas she? 
</p>
            <p>‘Yes.‘ 
</p>
            <p>‘Well, what besides?’ 
</p>
            <p>‘Great glass windows to the shops, and great clouds 
in the sky, full of rain, and old wooden trees in the 
country round.’ 
</p>
            <p>‘You stun-poll! What will ye say next?’ said 
Coggan. 
</p>
            <p>‘Let en alone,’ interposed Joseph Poorgrass. ‘The 
boy's maning is that the sky and the earth in the 
kingdom of Bath is not altogether different from ours 
here. 'Tis for our good to gain knowledge of strange 
cities, and as such the boy's words should be suffered, 
so to speak it.’ 
</p>
            <p>‘And the people of Bath,’ continued Cain, ‘never 
need to light their fires except as a luxury, for the 
water springs up out of the earth ready boiled for 
use.’ 
</p>
            <p>‘'Tis true as the light,’ testified Matthew Moon. ‘I've 
heard other navigators say the same thing.’ 
</p>
            <p>‘They drink nothing else there,’ said Cain, ‘and seem 
to enjoy it, to see how they swaller it down.’ <pb n="279"/>
            </p>
            <p>‘Well, it seems a barbarian practice enough to us, 
but I daresay the natives think nothing o' it,’ said 
Matthew. 
</p>
            <p>‘And don't victuals spring up as well as drink?’ 
asked Coggan, twirling his eye. 
</p>
            <p>‘No — I own to a blot there in Bath — a true blot. 
God didn't provide 'em with victuals as well as drink, and 'twas 
a drawback I couldn't get over at all.’ 
</p>
            <p>‘Well, 'tis a curious place, to say the least,’ observed 
Moon; ‘and it must be a curious people that live 
therein.’ 
</p>
            <p>‘Miss Everdene and the soldier were walking about 
together, you say?’ said Gabriel, returning to the 
group. 
</p>
            <p>‘Ay, and she wore a beautiful gold-colour silk 
gown, trimmed with black lace, that would have stood 
alone 'ithout legs inside if required. 'Twas a very 
winsome sight; and her hair was brushed splendid. 
And when the sun shone upon the bright gown and his 
red coat — my! how handsome they looked. You 
could see 'em all the length of the street.’ 
</p>
            <p>‘And what then?’ murmured Gabriel. 
</p>
            <p>‘And then I went into Griffin's to hae my boots 
hobbed, and then I went to Riggs's batty-cake shop, 
and asked 'em for a penneth of the cheapest and nicest 
stales, that were all but blue-mouldy, but not quite. 
And whilst I was chawing 'em down I walked on and 
seed a clock with a face as big as a baking trendle —’ 
</p>
            <p>‘But that's nothing to do with mistress!’ 
</p>
            <p>‘I'm coming to that, if you'll leave me alone, Mister 
Oak!’ remonstrated Cainy. ‘If you excites me, 
perhaps you'll bring on my cough, and then I shan't be 
able to tell ye nothing.’ 
</p>
            <p>‘Yes — let him tell it his own way,’ said Coggan. 
Gabriel settled into a despairing attitude of patience, 
and Cainy went on: — 
</p>
            <p>‘And there were great large houses, and more 
people all the week long than at Weatherbury club-walking 
on White Tuesdays. And I went to grand 
churches and chapels. And how the parson would pray! 
Yes; he would kneel down and put up his hands 
together, and make the holy gold rings on his fingers 
gleam and twinkle in yer eyes, that he'd earned 
by praying so excellent well! — Ah yes, I wish I lived 
there.’ <pb n="280"/>
            </p>
            <p>‘Our poor Parson Thirdly can't get no money to 
buy such rings,’ said  Matthew Moon, thoughtfully. 
‘And as good a man as ever walked. I don't believe 
poor Thirdly have a single one, even of humblest tin or 
copper. Such a great ornament as they'd be to him on 
a dull a'ternoon, when he's up in the pulpit lighted by 
the wax candles! But 'tis impossible, poor man. Ah, 
to think how unequal things be.’ 
</p>
            <p>‘Perhaps he's made of different stuff than to wear 'em,’ 
said Gabriel, grimly. ‘Well, that's enough of this. 
Go on, Cainy — quick.’ 
</p>
            <p>‘Oh — and the new style of pa'sons wear moustaches 
and long beards,’ continued the illustrious traveller, 
</p>
            <p>‘and look like Moses and Aaron complete, and make 
we fokes in the congregation feel all over like the 
children of Israel.’ 
</p>
            <p>‘A very right feeling — very,’ said Joseph Poorgrass. 
</p>
            <p>‘And there's two religions going on in the nation 
now — High Church and High Chapel. And, thinks I, 
I'll play fair; so I went to High Church in the morning, 
and High Chapel in the afternoon.’ 
</p>
            <p>‘A right and proper boy,’ said Joseph Poorgrass. 
</p>
            <p>‘Well, at High Church they pray singing, and worship 
all the colours of the rainbow; and at High Chapel they 
pray preaching, and worship drab and whitewash only. 
And then — I didn't see no more of Miss Everdene at 
all.’ 
</p>
            <p>‘Why didn't you say so afore, then?’ exclaimed Oak, 
with much disappointment. 
</p>
            <p>‘Ah,’ said Matthew Moon, ‘she'll wish her cake 
dough if so be she's over intimate with that man.’ 
</p>
            <p>‘She's not over intimate with him,’ said Gabriel, 
indignantly. 
</p>
            <p>‘She would know better,’ said Coggan. ‘Our 
mis'ess has too much sense under they knots of black 
hair to do such a mad thing.’ 
</p>
            <p>‘You see, he's not a coarse, ignorant man, for he 
was well brought up,’ said Matthew, dubiously. ‘'Twas 
only wildness that made him a soldier, and maids rather 
like your man of sin.’ 
</p>
            <p>‘Now, Cain Ball,’ said Gabriel restlessly, ‘can you 
swear in <pb n="281"/>
the most awful form that the woman you saw was Miss Everdene?’ 
</p>
            <p>‘Cain Ball, you be no longer a babe and suckling,’ 
said Joseph in the sepulchral tone the circumstances 
demanded, ‘and you know what taking an oath is. 'Tis 
a horrible testament mind ye, which you say and 
seal with your blood-stone, and the prophet Matthew 
tells us that on whomsoever it shall fall it will grind 
him to powder. Now, before all the work-folk here 
assembled, can you swear to your words as the shepherd asks ye?’ 
</p>
            <p>‘Please no, Mister Oak!’ said Cainy, looking from 
one to the other with great uneasiness at the spiritual 
magnitude of the position. ‘I don't mind saying 'tis 
true, but I don't like to say 'tis damn true, if that's 
what you mane.’ 
</p>
            <p>‘Cain, Cain, how can you!’ asked Joseph sternly. 
</p>
            <p>‘You be asked to swear in a holy manner, and you 
swear like wicked Shimei, the son of Gera, who cursed 
as he came. Young man, fie!’ 
</p>
            <p>‘No, I don't! 'Tis you want to squander a pore 
boy's soul, Joseph Poorgrass — that's what 'tis!’ said 
Cain, beginning to cry. ‘All I mane is that in common 
truth 'twas Miss Everdene and Sergeant Troy, but in 
the horrible so-help-me truth that ye want to make of 
it perhaps 'twas somebody else!’ 
</p>
            <p>‘There's no getting at the rights of it,’ said Gabriel, 
turning to his work. 
</p>
            <p>‘Cain Ball, you'll come to a bit of bread!’ groaned 
Joseph Poorgrass. 
</p>
            <p>Then the reapers' hooks were flourished again, and 
the old sounds went on. Gabriel, without making any 
pretence of being lively, did nothing to show that he 
was particularly dull. However, Coggan knew pretty 
nearly how the land lay, and when they were in a nook 
together he said — 
</p>
            <p>‘Don't take on about her, Gabriel. What difference 
does it make whose sweetheart she is, since she can't be 
yours?’ 
</p>
            <p>‘That's the very thing I say to myself,’ said Gabriel. 
</p>
         </div>
         <div n="C34" type="chapter">
            <pb n="282"/>
            <head>HOME AGAIN — A TRICKSTER</head>
            <p>THAT same evening at dusk Gabriel was leaning over 
Coggan's garden-gate, taking an up-and-down survey 
before retiring to rest. 
</p>
            <p>A vehicle of some kind was softly creeping along 
the grassy margin of the lane. From it spread the 
tones of two women talking. The tones were natural 
and not at all suppressed. Oak instantly knew the 
voices to he those of Bathsheba and Liddy. 
</p>
            <p>The carriage came opposite and passed by. It was 
Miss Everdene's gig, and Liddy and her mistress were 
the only occupants of the seat. Liddy was asking 
questions about the city of Bath, and her companion 
was answering them listlessly and unconcernedly. Both 
Bathsheba and the horse seemed weary. 
</p>
            <p>The exquisite relief of finding that she was here 
again, safe and sound, overpowered all reflection, and 
Oak could only luxuriate in the sense of it. All grave 
reports were forgotten. 
</p>
            <p>He lingered and lingered on, till there was no 
difference between the eastern and western expanses 
of sky, and the timid hares began to limp courageously 
round the dim hillocks. Gabriel might have been 
there an additional half-hour when a dark form walked 
slowly by. ‘Good-night, Gabriel,’ the passer said. 
</p>
            <p>It was Boldwood. ‘Good-night, sir,’ said Gabriel. 
</p>
            <p>Boldwood likewise vanished up the road, and Oak 
shortly afterwards turned indoors to bed. 
</p>
            <p>Farmer Boldwood went on towards Miss Everdene's 
house. He reached the front, and approaching the 
entrance, saw a light in the parlour. The blind was 
not drawn down, and inside the room was Bathsheba, 
looking over some papers or letters. Her back was 
towards Boldwood. He went to the door, <pb n="283"/>
knocked, 
and waited with tense muscles and an aching brow. 
</p>
            <p>Boldwood had not been outside his garden since 
his meeting with Bathsheba in the road to Yalbury. 
Silent and alone, he had remained in moody meditation 
on woman's ways, deeming as essentials of the 
whole sex the accidents of the single one of their 
number he had ever closely beheld. By degrees a 
more charitable temper had pervaded him, and this 
was the reason of his sally to-night. He had come to 
apologize and beg forgiveness of Bathsheba with something 
like a sense of shame at his violence, having but 
just now learnt that she had returned — only from a 
visit to Liddy, as he supposed, the Bath escapade 
being quite unknown to him. 
</p>
            <p>He inquired for Miss Everdene. Liddy's manner 
was odd, but he did not notice it. She went in, leaving 
him standing there, and in her absence the blind of the 
room containing Bathsheba was pulled down. Boldwood 
augured ill from that sign. Liddy came out. 
</p>
            <p>‘My mistress cannot see you, sir,’ she said. 
</p>
            <p>The farmer instantly went out by the gate. He 
was unforgiven — that was the issue of it all. He had 
seen her who was to him simultaneously a delight and 
a torture, sitting in the room he had shared with her 
as a peculiarly privileged guest only a little earlier in 
he summer, and she had denied him an entrance 
there now. 
</p>
            <p>Boldwood did not hurry homeward. It was ten 
o'clock at least, when, walking deliberately through the 
lower part of Weatherbury, he heard the carrier's spring 
van entering the village. The van ran to and from a 
town in a northern direction, and it was owned and 
driven by a Weatherbury man, at the door of whose 
house it now pulled up. The lamp fixed to the head 
of the hood illuminated a scarlet and gilded form, who 
was the first to alight. 
</p>
            <p>‘Ah!’ said Boldwood to himself, ‘come to see her 
again.’ 
</p>
            <p>Troy entered the carrier's house, which had been 
the place of his lodging on his last visit to his native 
place. Boldwood was moved by a sudden determination. 
He hastened home. In ten minutes he was 
back again, and made as if he were going to call upon 
Troy at the carrier's. But as he approached, some <pb n="284"/>
one opened the door and came out. He heard this 
person say ‘Good-night’ to the inmates, and the voice 
was Troy's. 'This was strange, coming so immediately 
after his arrival. Boldwood, however, hastened up 
to him. Troy had what appeared to be a carpet-bag 
in his hand — the same that he had brought with him. 
It seemed as if he were going to leave again this very 
night. 
</p>
            <p>Troy turned up the hill and quickened his pace. 
Boldwood stepped forward. 
</p>
            <p>‘Sergeant Troy?’ 
</p>
            <p>‘Yes — I'm Sergeant Troy.’ 
</p>
            <p>‘Just arrived from up the country, I think?’ 
</p>
            <p>‘Just arrived from Bath.’ 
</p>
            <p>‘I am William Boldwood.’ 
</p>
            <p>‘Indeed.’ 
</p>
            <p>The tone in which this word was uttered was all 
that had been wanted to bring Boldwood to the 
point. 
</p>
            <p>‘I wish to speak a word with you,’ he said. 
</p>
            <p>‘What about?’ 
</p>
            <p>‘About her who lives just ahead there — and about 
a woman you have wronged.’ 
</p>
            <p>‘I wonder at your impertinence,’ said Troy, moving 
on. 
</p>
            <p>‘Now look here,’ said Boldwood, standing in front 
of him, ‘wonder or not, you are going to hold a conversation 
with me.’ 
</p>
            <p>Troy heard the dull determination in Boldwood's 
voice, looked at his stalwart frame, then at the thick 
cudgel he carried in his hand. He remembered it was 
past ten o'clock. It seemed worth while to be civil to 
Boldwood. 
</p>
            <p>‘Very well, I'll listen with pleasure,’ said Troy, 
placing his bag on the ground, ‘only speak low, for 
somebody or other may overhear us in the farmhouse 
there.’ 
</p>
            <p>‘Well then — I know a good deal concerning your 
Fanny Robin's attachment to you. I may say, too, that 
I believe I am the only person in the village, excepting 
Gabriel Oak, who does know it. You ought to marry 
her.’ 
</p>
            <p>‘I suppose I ought. Indeed, I wish to, but I 
cannot.’ 
</p>
            <p>‘Why?’ 
</p>
            <p>Troy was about to utter something hastily; he then 
checked <pb n="285"/>
himself and said, ‘I am too poor.’ His voice 
was changed. Previously it had had a devil-may-care 
tone. It was the voice of a trickster now. 
</p>
            <p>Boldwood's present mood was not critical enough to 
notice tones. He continued, ‘I may as well speak 
plainly; and understand, I don't wish to enter into the 
questions of right or wrong, woman's honour and shame, 
or to express any opinion on your conduct. I intend a 
business transaction with you.’ 
</p>
            <p>‘I see,’ said Troy. ‘Suppose we sit down here.’ 
</p>
            <p>An old tree trunk lay under the hedge immediately 
opposite, and they sat down. 
</p>
            <p>‘I was engaged to be married to Miss Everdene,’ 
said Boldwood, ‘but you came and —  — ’ 
</p>
            <p>‘Not engaged,’ said Troy. 
</p>
            <p>‘As good as engaged.’ 
</p>
            <p>‘If I had not turned up she might have become engaged 
to you.’ 
</p>
            <p>‘Hang might!’ 
</p>
            <p>‘Would, then.’ 
</p>
            <p>‘If you had not come I should certainly — yes, 
certainly — have been accepted by this time. If you had 
not seen her you might have been married to Fanny. 
Well, there's too much difference between Miss Everdene's 
station and your own for this flirtation with her 
ever to benefit you by ending in marriage. So all I ask 
is, don't molest her any more. Marry Fanny. 
I'll make it worth your while.’ 
</p>
            <p>‘How will you?’ 
</p>
            <p>‘I'll pay you well now, I'll settle a sum of money 
upon her, and I'll see that you don't suffer from poverty 
in the future. I'll put it clearly. Bathsheba is only 
playing with you: you are too poor for her as I said; 
so give up wasting your time about a great match you'll 
never make for a moderate and rightful match you may 
make to-morrow; take up your carpet-bag, turn about, 
leave Weatherbury now, this night, and you shall take 
fifty pounds with you. Fanny shall have fifty to enable 
her to prepare for the wedding, when you have told me 
where she is living, and she shall have five hundred 
paid down on her wedding-day.’ <pb n="286"/>
            </p>
            <p>In making this statement Boldwood's voice revealed 
only too clearly a consciousness of the weakness of his 
position, his aims, and his method. His manner had 
lapsed quite from that of the firm and dignified Boldwood 
of former times; and such a scheme as he had 
now engaged in he would have condemned as childishly 
imbecile only a few months ago. We discern a grand 
force in the lover which he lacks whilst a free man; but 
there is a breadth of vision in the free man which in 
the lover we vainly seek. Where there is much bias 
there must be some narrowness, and love, though added 
emotion, is subtracted capacity. Boldwood exemplified 
this to an abnormal degree: he knew nothing of Fanny 
Robin's circumstances or whereabouts, he knew nothing 
of Troy's possibilities, yet that was what he said. 
</p>
            <p>‘I like Fanny best,’ said Troy; ‘and if, as you say, 
Miss Everdene is out of my reach, why I have all to 
gain by accepting your money, and marrying Fan. But 
she's only a servant.’ 
</p>
            <p>‘Never mind — do you agree to my arrangement?’ 
</p>
            <p>‘I do.’ 
</p>
            <p>‘Ah!’ said Boldwood, in a more elastic voice. ‘O, 
Troy, if you like her best, why then did you step in here 
and injure my happiness?’ 
</p>
            <p>‘I love Fanny best now,’ said Troy. ‘But 
Bathsh —  — Miss Everdene inflamed me, and displaced 
Fanny for a time. It is over now.’ 
</p>
            <p>‘Why should it be over so soon? And why then 
did you come here again?’ 
</p>
            <p>‘There are weighty reasons. Fifty pounds at once, 
you said!’ 
</p>
            <p>‘I did,’ said Boldwood, ‘and here they are — fifty 
sovereigns.’ He handed Troy a small packet. 
</p>
            <p>‘You have everything ready — it seems that you 
calculated on my accepting them,’ said the sergeant, 
taking the packet. 
</p>
            <p>‘I thought you might accept them,’ said Boldwood. 
</p>
            <p>‘You've only my word that the programme shall be 
adhered to, whilst I at any rate have fifty pounds.’ 
</p>
            <p>‘I had thought of that, and I have considered that 
if I can't appeal to your honour I can trust to your — 
well, shrewdness we'll call it — not to lose five hundred 
pounds in prospect, and <pb n="287"/>
also make a bitter enemy of a 
man who is willing to be an extremely useful friend.’ 
</p>
            <p>‘Stop, listen!’ said Troy in a whisper. 
A light pit-pat was audible upon the road just above 
them. 
</p>
            <p>‘By George — 'tis she,’ he continued. ‘I must go 
on and meet her.’ 
</p>
            <p>‘She — who?’ 
</p>
            <p>‘Bathsheba.’ 
</p>
            <p>‘Bathsheba — out alone at this time o' night!’ said 
Boldwood in amazement, and starting up. ‘Why must 
you meet her?’ 
</p>
            <p>‘She was expecting me to-night — and I must now 
speak to her, and wish her good-bye, according to your 
wish.’ 
</p>
            <p>‘I don't see the necessity of speaking.’ 
</p>
            <p>‘It can do no harm — and she'll be wandering about 
looking for me if I don't. You shall hear all I say to her. 
It will help you in your love-making when I am gone.’ 
</p>
            <p>‘Your tone is mocking.’ 
</p>
            <p>‘O no. And remember this, if she does not know 
what has become of me, she will think more about me 
than if I tell her flatly I have come to give her up.’ 
</p>
            <p>‘Will you confine your words to that one point? — 
Shall I hear every word you say?’ 
</p>
            <p>‘Every word. Now sit still there, and hold my 
carpet bag for me, and mark what you hear.’ 
</p>
            <p>The light footstep came closer, halting occasionally, 
as if the walker listened for a sound. Troy whistled a 
double note in a soft, fluty tone. 
</p>
            <p>‘Come to that, is it!’ murmured Boldwood, uneasily. 
</p>
            <p>‘You promised silence,’ said Troy. 
</p>
            <p>‘I promise again.’ 
</p>
            <p>Troy stepped forward. 
</p>
            <p>‘Frank, dearest, is that you?’ The tones were 
Bathsheba's. 
</p>
            <p>‘O God!’ said Boldwood. 
</p>
            <p>‘Yes,’ said Troy to her. 
</p>
            <p>‘How late you are,’ she continued, tenderly. ‘Did 
you come by the carrier? I listened and heard his 
wheels entering the village, but it was some time ago, 
and I had almost given you up, Frank.’ 
<pb n="288"/>
            </p>
            <p>‘I was sure to come,’ said Frank. ‘You knew I 
should, did you not?’ 
</p>
            <p>‘Well, I thought you would,’ she said, playfully; 
‘and, Frank, it is so lucky! There's not a soul in my 
house but me to-night. I've packed them all off so 
nobody on earth will know of your visit to your lady's 
bower. Liddy wanted to go to her grandfather's to 
tell him about her holiday, and I said she might stay 
with them till to-morrow — when you'll be gone again.’ 
</p>
            <p>‘Capital,’ said Troy. ‘But, dear me, I had better 
go back for my bag, because my slippers and brush and 
comb are in it; you run home whilst I fetch it, and I'll 
promise to be in your parlour in ten minutes.’ 
</p>
            <p>‘Yes.’ She turned and tripped up the hill again. 
</p>
            <p>During the progress of this dialogue there was a 
nervous twitching of Boldwood's tightly closed lips, and 
his face became bathed in a clammy dew. He now 
started forward towards Troy. Troy turned to him and 
took up the bag. 
</p>
            <p>‘Shall I tell her I have come to give her up and 
cannot marry her?’ said the soldier, mockingly. 
</p>
            <p>‘No, no; wait a minute. I want to say more to 
you — more to you!’ said Boldwood, in a hoarse whisper. 
</p>
            <p>‘Now,’ said Troy, ‘you see my dilemma. Perhaps 
I am a bad man — the victim of my impulses — led away 
to do what I ought to leave undone. I can't, however, 
marry them both. And I have two reasons for choosing 
Fanny. First, I like her best upon the whole, and 
second, you make it worth my while.’ 
</p>
            <p>At the same instant Boldwood sprang upon him, and 
held him by the neck. Troy felt Boldwood's grasp slowly 
tightening. The move was absolutely unexpected. 
</p>
            <p>‘A moment,’ he gasped. ‘You are injuring her you 
love!’ 
</p>
            <p>‘Well, what do you mean?’ said the farmer. 
</p>
            <p>‘Give me breath,’ said Troy. 
</p>
            <p>Boldwood loosened his hand, saying, ‘By Heaven, 
I've a mind to kill you!’ 
</p>
            <p>‘And ruin her.’ 
</p>
            <p>‘Save her.’ 
</p>
            <p>‘Oh, how can she be saved now, unless I marry her?’ 
<pb n="289"/>
            </p>
            <p>Boldwood groaned. He reluctantly released the 
soldier, and flung him back against the hedge. ‘Devil, 
you torture me!’ said he. 
</p>
            <p>Troy rebounded like a ball, and was about to make 
a dash at the farmer; but he checked himself, saying 
lightly — 
</p>
            <p>‘It is not worth while to measure my strength with 
you. Indeed it is a barbarous way of settling a quarrel. 
I shall shortly leave the army because of the same 
conviction. Now after that revelation of how the land 
lies with Bathsheba, 'twould be a mistake to kill me, 
would it not?’ 
</p>
            <p>‘'Twould be a mistake to kill you,’ repeated Boldwood, 
mechanically, with a bowed head. 
</p>
            <p>‘Better kill yourself.’ 
</p>
            <p>‘Far better.’ 
</p>
            <p>‘I'm glad you see it.’ 
</p>
            <p>‘Troy, make her your wife, and don't act upon what 
I arranged just now. The alternative is dreadful, but 
take Bathsheba; I give her up! She must love you 
indeed to sell soul and body to you so utterly as she 
has done. Wretched woman — deluded woman — you 
are, Bathsheba!’ 
</p>
            <p>‘But about Fanny?’ 
</p>
            <p>‘Bathsheba is a woman well to do,’ continued Boldwood, 
in nervous anxiety, ‘and, Troy, she will make a 
good wife; and, indeed, she is worth your hastening 
on your marriage with her!’ 
</p>
            <p>‘But she has a will — not to say a temper, and I shall 
be a mere slave to her. I could do anything with poor 
Fanny Robin.’ 
</p>
            <p>‘Troy,’ said Boldwood, imploringly, ‘I'll do anything 
for you, only don't desert her; pray don't desert her, Troy.’ 
</p>
            <p>‘Which, poor Fanny?’ 
</p>
            <p>‘No; Bathsheba Everdene. Love her best! Love 
her tenderly! How shall I get you to see how advantageous 
it will be to you to secure her at once?’ 
</p>
            <p>‘I don't wish to secure her in any new way.’ 
</p>
            <p>Boldwood's arm moved spasmodically towards Troy's 
person again. He repressed the instinct, and his form 
drooped as with pain. 
</p>
            <p>Troy went on — 
<pb n="290"/>
            </p>
            <p>‘I shall soon purchase my discharge, and then —’ 
</p>
            <p>‘But I wish you to hasten on this marriage! It will 
be better for you both. You love each other, and you 
must let me help you to do it.’ 
</p>
            <p>‘How?’ 
</p>
            <p>‘Why, by settling the five hundred on Bathsheba 
instead of Fanny, to enable you to marry at once. 
No; she wouldn't have it of me. I'll pay it down to 
you on the wedding-day.’ 
</p>
            <p>Troy paused in secret amazement at Boldwood's 
wild infatuation. He carelessly said, ‘And am I to 
have anything now?’ 
</p>
            <p>‘Yes, if you wish to. But I have not much additional 
money with me. I did not expect this; but all I have 
is yours.’ 
</p>
            <p>Boldwood, more like a somnambulist than a wakeful 
man, pulled out the large canvas bag he carried by way 
of a purse, and searched it. 
</p>
            <p>‘I have twenty-one pounds more with me,’ he said. 
</p>
            <p>‘Two notes and a sovereign. But before I leave you 
I must have a paper signed —’ 
</p>
            <p>‘Pay me the money, and we'll go straight to her 
parlour, and make any arrangement you please to secure 
my compliance with your wishes. But she must know 
nothing of this cash business.’ 
</p>
            <p>‘Nothing, nothing,’ said Boldwood, hastily. ‘Here 
is the sum, and if you'll come to my house we'll write 
out the agreement for the remainder, and the terms 
also.’ 
</p>
            <p>‘First we'll call upon her.’ 
</p>
            <p>‘But why? Come with me to-night, and go with 
me to-morrow to the surrogate's.’ 
</p>
            <p>‘But she must be consulted; at any rate informed.’ 
</p>
            <p>‘Very well; go on.’ 
</p>
            <p>They went up the hill to Bathsheba's house. When 
they stood at the entrance, Troy said, ‘Wait here a 
moment.’ Opening the door, he glided inside, leaving 
the door ajar. 
</p>
            <p>Boldwood waited. In two minutes a light appeared 
in the passage. Boldwood then saw that the chain 
had been fastened across the door. Troy appeared 
inside, carrying a bedroom candlestick. 
<pb n="291"/>
            </p>
            <p>‘What, did you think I should break in?’ said 
Boldwood, contemptuously. 
</p>
            <p>‘Oh, no; it is merely my humour to secure things. 
Will you read this a moment? I'll hold the light.’ 
</p>
            <p>Troy handed a folded newspaper through the slit 
between door and doorpost, and put the candle close. 
‘That's the paragraph,’ he said, placing his finger on 
a line. 
</p>
            <p>Boldwood looked and read — 
</p>
            <p>‘MARRIAGES. 
</p>
            <p>‘On the 17th inst., at St. Ambrose's Church, Bath, 
by the Rev. G. Mincing, <hi rend="sc">b.a.</hi>, Francis Troy, only son 
of the late Edward Troy, Esq., <hi rend="sc">m.d.</hi>, of Weatherbury, 
and sergeant 11th Dragoon Guards, to Bathsheba, only 
surviving daughter of the late Mr, John Everdene, of 
Casterbridge.’ 
</p>
            <p>‘This may be called Fort meeting Feeble, hey, 
Boldwood?’ said Troy. A low gurgle of derisive 
laughter followed the words. 
</p>
            <p>The paper fell from Boldwood's hands. Troy continued — 
</p>
            <p>‘Fifty pounds to marry Fanny. Good. Twenty — 
one pounds not to marry Fanny, but Bathsheba. Good. 
Finale: already Bathsheba's husband. Now, Boldwood, 
yours is the ridiculous fate which always attends interference 
between a man and his wife. And another 
word. Bad as I am, I am not such a villain as to 
make the marriage or misery of any woman a matter 
of huckster and sale. Fanny has long ago left me. 
I don't know where she is. I have searched everywhere. 
Another word yet. You say you love Bathsheba; yet 
on the merest apparent evidence you instantly believe 
in her dishonour. A fig for such love! Now that I've 
taught you a lesson, take your money back again.’ 
</p>
            <p>‘I will not; I will not!’ said Boldwood, in a hiss. 
</p>
            <p>‘Anyhow I won't have it,’ said Troy, contemptuously. 
He wrapped the packet of gold in the notes, and threw 
the whole into the road. 
</p>
            <p>Boldwood shook his clenched fist at him. ‘You 
juggler of Satan! You black hound! But I'll punish 
you yet; mark me, I'll punish you yet!’ 
<pb n="292"/>
            </p>
            <p>Another peal of laughter. Troy then closed the 
door, and locked himself in. 
</p>
            <p>Throughout the whole of that night Boldwood's dark 
form might have been seen walking about the hills and 
downs of Weatherbury like an unhappy Shade in the 
Mournful Fields by Acheron. 
</p>
         </div>
         <div n="C35" type="chapter">
            <pb n="293"/>
            <head>AT AN UPPER WINDOW</head>
            <p>IT was very early the next morning — a time of sun and 
dew. The confused beginnings of many birds' songs 
spread into the healthy air, and the wan blue of the 
heaven was here and there coated with thin webs of 
incorporeal cloud which were of no efect in obscuring 
day. All the lights in the scene were yellow as to 
colour, and all the shadows were attenuated as to form. 
The creeping plants about the old manor-house were 
bowed with rows of heavy water drops, which had upon 
objects behind them the effect of minute lenses of high 
magnifying power. 
</p>
            <p>Just before the clock struck five Gabriel Oak and 
Coggan passed the village cross, and went on together 
to the fields. They were yet barely in view of their 
mistress's house, when Oak fancied he saw the opening 
of a casement in one of the upper windows. The two 
men were at this moment partially screened by an elder 
bush, now beginning to be enriched with black bunches 
of fruit, and they paused before emerging from its 
shade. 
</p>
            <p>A handsome man leaned idly from the lattice. He 
looked east and then west, in the manner of one who 
makes a first morning survey. The man was Sergeant 
Troy. His red jacket was loosely thrown on, but not 
buttoned, and he had altogether the relaxed bearing of 
a soldier taking his ease. 
</p>
            <p>Coggan spoke first, looking quietly at the window. 
</p>
            <p>‘She has married him!’ he said. 
</p>
            <p>Gabriel had previously beheld the sight, and he now 
stood with his back turned, making no reply. 
</p>
            <p>‘I fancied we should know something to-day,’ continued 
Coggan. ‘I heard wheels pass my door just 
after dark — you were out somewhere.’ He glanced 
round upon Gabriel. ‘Good <pb n="294"/>
heavens above us, Oak, 
how white your face is; you look like a corpse!’ 
</p>
            <p>‘Do I?’ said Oak, with a faint smile. 
</p>
            <p>‘Lean on the gate: I'll wait a bit.’ 
</p>
            <p>‘All right, all right.’ 
</p>
            <p>They stood by the gate awhile, Gabriel listlessly 
staring at the ground. His mind sped into the future, 
and saw there enacted in years of leisure the scenes of 
repentance that would ensue from this work of haste. 
That they were married he had instantly decided. Why 
had it been so mysteriously managed? It had become 
known that she had had a fearful journey to Bath, owing 
to her miscalculating the distance: that the horse had 
broken down, and that she had been more than two 
days getting there. It was not Bathsheba's way to do 
things furtively. With all her faults, she was candour 
itself. Could she have been entrapped? The union 
was not only an unutterable grief to him: it amazed 
him, notwithstanding that he had passed the preceding 
week in a suspicion that such might be the issue of 
Troy's meeting her away from home. Her quiet return 
with Liddy had to some extent dispersed the dread. 
Just as that imperceptible motion which appears like 
stillness is infinitely divided in its properties from stillness 
itself, so had his hope undistinguishable from 
despair differed from despair indeed. 
</p>
            <p>In a few minutes they moved on again towards the 
house. The sergeant still looked from the window. 
</p>
            <p>‘Morning, comrades!’ he shouted, in a cheery voice, 
when they came up. 
</p>
            <p>Coggan replied to the greeting. ‘Bain't ye going to 
answer the man?’ he then said to Gabriel. ‘I'd say 
good morning — you needn't spend a hapeth of meaning 
upon it, and yet keep the man civil.’ 
</p>
            <p>Gabriel soon decided too that, since the deed was 
done, to put the best face upon the matter would be the 
greatest kindness to her he loved. 
</p>
            <p>‘Good morning, Sergeant Troy,’ he returned, in a 
ghastly voice. 
</p>
            <p>‘A rambling, gloomy house this,’ said Troy, smiling. 
<pb n="295"/>
            </p>
            <p>‘Why — they <hi>may</hi> not be married!’ suggested Coggan. 
</p>
            <p>‘Perhaps she's not there.’ 
</p>
            <p>Gabriel shook his head. The soldier turned a little 
towards the east, and the sun kindled his scarlet coat 
to an orange glow. 
</p>
            <p>‘But it is a nice old house,’ responded Gabriel. 
</p>
            <p>‘Yes — I suppose so; but I feel like new wine in an 
old bottle here. My notion is that sash-windows should 
be put throughout, and these old wainscoted walls 
brightened up a bit; or the oak cleared quite away, and 
the walls papered.’ 
</p>
            <p>‘It would be a pity, I think.’ 
</p>
            <p>‘Well, no. A philosopher once said in my hearing 
that the old builders, who worked when art was a living 
thing, had no respect for the work of builders who went 
before them, but pulled down and altered as they 
thought fit; and why shouldn't we? “Creation and 
preservation don't do well together,” says he, “and a 
million of antiquarians can't invent a style.” My mind 
exactly. I am for making this place more modern, that 
we may be cheerful whilst we can.’ 
</p>
            <p>The military man turned and surveyed the interior 
of the room, to assist his ideas of improvement in this 
direction. Gabriel and Coggan began to move on. 
</p>
            <p>‘Oh, Coggan,’ said Troy, as if inspired by a recollection 
‘do you know if insanity has ever appeared in Mr 
Boldwood's family?’ 
</p>
            <p>Jan reflected for a moment. 
</p>
            <p>‘I once heard that an uncle of his was queer in his 
head, but I don't know the rights o't,’ he said. 
</p>
            <p>‘It is of no importance,’ said Troy, lightly. ‘Well, 
I shall be down in the fields with you some time this 
week; but I have a few matters to attend to first. So 
good-day to you. We shall, of course, keep on just as 
friendly terms as usual. I'm not a proud man: nobody 
is ever able to say that of Sergeant Troy. However, 
what is must be, and here's half-a-crown to drink my 
health, men.’ 
</p>
            <p>Troy threw the coin dexterously across the front plot 
and over the fence towards Gabriel, who shunned it in 
its fall, his face turning to an angry red. Coggan 
twirled his eye, edged <pb n="296"/>
forward, and caught the money in its ricochet upon the road. 
</p>
            <p>‘Very well — you keep it, Coggan,’ said Gabriel with 
disdain and almost fiercely. ‘As for me, I'll do without 
gifts from him!’ 
</p>
            <p>‘Don't show it too much,’ said Coggan, musingly. 
</p>
            <p>‘For if he's married to her, mark my words, he'll buy 
his discharge and be our master here. Therefore 'tis 
well to say “Friend” outwardly, though you say 
“Troublehouse” within.’ 
</p>
            <p>‘Well — perhaps it is best to be silent; but I can't 
go further than that. I can't flatter, and if my place 
here is only to be kept by smoothing him down, my 
place must be lost.’ 
</p>
            <p>A horseman, whom they had for some time seen in 
the distance, now appeared close beside them. 
</p>
            <p>‘There's Mr Boldwood,’ said Oak. ‘I wonder what 
Troy meant by his question.’ 
</p>
            <p>Coggan and Oak nodded respectfully to the farmer, 
just checked their paces to discover if they were wanted, 
and finding they were not stood back to let him pass on. 
</p>
            <p>The only signs of the terrible sorrow Boldwood had 
been combating through the night, and was combating 
now, were the want of colour in his well-defined face, 
the enlarged appearance of the veins in his forehead 
and temples, and the sharper lines about his mouth. 
The horse bore him away, and the very step of the 
animal seemed significant of dogged despair. Gabriel, for 
a minute, rose above his own grief in noticing Boldwood's. 
He saw the square figure sitting erect upon the horse, 
the head turned to neither side, the elbows steady by 
the hips, the brim of the hat level and undisturbed in 
its onward glide, until the keen edges of Boldwood's 
shape sank by degrees over the hill. To one who knew 
the man and his story there was something more striking 
in this immobility than in a collapse. The clash of 
discord between mood and matter here was forced 
painfully home to the heart; and, as in laughter there are 
more dreadful phases than in tears, so was there in the 
steadiness of this agonized man an expression deeper 
than a cry. 
</p>
         </div>
         <div n="C36" type="chapter">
            <pb n="297"/>
            <head>WEALTH IN JEOPARDY — THE REVEL</head>
            <p>ONE night, at the end of August, when Bathsheba's 
experiences as a married woman were still new, and 
when the weather was yet dry and sultry, a man stood 
motionless in the stackyard of Weatherbury Upper 
Farm, looking at the moon and sky. 
</p>
            <p>The night had a sinister aspect. A heated breeze 
from the south slowly fanned the summits of lofty 
objects, and in the sky dashes of buoyant cloud were 
sailing in a course at right angles to that of another 
stratum, neither of them in the direction of the breeze 
below. The moon, as seen through these films, had 
a lurid metallic look. The fields were sallow with the 
impure light, and all were tinged in monochrome, as 
if beheld through stained glass. The same evening 
the sheep had trailed homeward head to tail, the 
behaviour of the rooks had heen confused, and the 
horses had moved with timidity and caution. 
</p>
            <p>Thunder was imminent, and, taking some secondary 
appearances into consideration, it was likely to be 
followed by one of the lengthened rains which mark 
the close of dry weather for the season. Before twelve 
hours had passed a harvest atmosphere would be a 
bygone thing. 
</p>
            <p>Oak gazed with misgiving at eight naked and 
upprotected ricks, massive and heavy with the rich 
produce of one-half the farm for that year. He went 
on to the barn. 
</p>
            <p>This was the night which had been selected by 
Sergeant Troy — ruling now in the room of his wife — 
for giving the harvest supper and dance. As Oak 
approached the building the sound of violins and a 
tambourine, and the regular jigging of many feet, grew 
more distinct. He came close to the large doors, one 
of which stood slightly ajar, and looked in. 
</p>
            <p>The central space, together with the recess at one 
end, was <pb n="298"/>
emptied of all incumbrances, and this area, 
covering about two-thirds of the whole, was appropriated 
for the gathering, the remaining end, which was piled 
to the ceiling with oats, being screened off with sail-cloth. 
Tufts and garlands of green foliage decorated 
the walls, beams, and extemporized chandeliers, and 
immediately opposite to Oak a rostrum had been 
erected, bearing a table and chairs. Here sat three 
fiddlers, and beside them stood a frantic man with his 
hair on end, perspiration streaming down his cheeks, 
and a tanabourine quivering in his hand. 
</p>
            <p>The dance ended, and on the black oak floor in the 
midst a new row of couples formed for another. 
</p>
            <p>‘Now, ma'am, and no offence I hope, I ask what 
dance you would like next?’ said the first violin. 
</p>
            <p>‘Really, it makes no difference,’ said the clear voice 
of Bathsheba, who stood at the inner end of the building, 
observing the scene from behind a table covered 
with cups and viands. Troy was lolling beside her. 
</p>
            <p>‘Then,’ said the fiddler, ‘I'll venture to name that 
the right and proper thing is “The Soldier's Joy” — 
there being a gallant soldier married into the farm — 
hey, my sonnies, and gentlemen all?’ 
</p>
            <p>‘It shall be “The Soldier's Joy,”’ exclaimed a 
chorus. 
</p>
            <p>‘Thanks for the compliment,’ said the sergeant 
gaily, taking Bathsheba by the hand and leading her 
to the top of the dance. ‘For though I have purchased 
my discharge from Her Most Gracious Majesty's 
regiment of cavalry the 11th Dragoon Guards, to attend 
to the new duties awaiting me here, I shall continue a 
soldier in spirit and feeling as long as I live.’ 
</p>
            <p>So the dance began. As to the merits of ‘The 
Soldier's Joy,’ there cannot be, and never were, two 
opinions. It has been observed in the musical circles 
of Weatherbury and its vicinity that this melody, at 
the end of three-quarters of an hour of thunderous 
footing, still possesses more stimulative properties for 
the heel and toe than the majority of other dances at 
their first opening. ‘The Soldier's Joy’ has, too, an 
additional charm, in being so admirably adapted to 
the tambourine aforesaid — no mean instrument in the 
hands of a performer <pb n="299"/>
who understands the proper 
convulsions, spasms, St. Vitus's dances, and fearful 
frenzies necessary when exhibiting its tones in their 
highest perfection. 
</p>
            <p>The immortal tune ended, a fine DD rolling forth 
from the bass-viol with the sonorousness of a cannonade, 
and Gabriel delayed his entry no longer. He avoided 
Bathsheba, and got as near as possible to the platform, 
where Sergeant Troy was now seated, drinking brandy-and-water, 
though the others drank without exception 
cider and ale. Gabriel could not easily thrust himself 
within speaking distance of the sergeant, and he sent 
a message, asking him to come down for a moment. 
The sergeant said he could not attend. 
</p>
            <p>‘Will you tell him, then,’ said Gabriel, ‘that I only 
stepped ath'art to say that a heavy rain is sure to fall 
soon, and that something should be done to protect the ricks?’ 
</p>
            <p>‘Mr Troy says it will not rain,’ returned the 
messenger, ‘and he cannot stop to talk to you about 
such fidgets.’ 
</p>
            <p>In juxtaposition with Troy, Oak had a melancholy 
tendency to look like a candle beside gas, and ill at 
ease, he went out again, thinking he would go home; 
for, under the circumstances, he had no heart for the 
scene in the barn. At the door he paused for a 
moment: Troy was speaking. 
</p>
            <p>‘Friends, it is not only the harvest home that we 
are celebrating to-night; but this is also a Wedding 
Feast. A short time ago I had the happiness to lead 
to the altar this lady, your mistress, and not until now 
have we been able to give any public flourish to the 
event in Weatherbury. That it may be thoroughly 
well done, and that every man may go happy to bed, 
I have ordered to be brought here some bottles of 
brandy and kettles of hot water. A treble-strong 
goblet will he handed round to each guest.’ 
</p>
            <p>Bathsheba put her hand upon his arm, and, with 
upturned pale face, said imploringly, ‘No — don't give 
it to them — pray don't, Frank! It will only do them 
harm: they have had enough of everything.’ 
</p>
            <p>‘True — we don't wish for no more, thank ye,’ said 
one or two. 
</p>
            <p>‘Pooh!’ said the sergeant contemptuously, and 
raised his <pb n="300"/>
voice as if lighted up by a new idea. 
‘Friends,’ he said, ‘we'll send the women-folk home! 'Tis 
time they were in bed. Then we cockbirds will 
have a jolly carouse to ourselves! If any of the men 
show the white feather, let them look elsewhere for a 
winter's work.’ 
</p>
            <p>Bathsheba indignantly left the barn, followed by 
all the women and children. The musicians, not 
looking upon themselves as ‘company,’ slipped quietly 
away to their spring waggon and put in the horse. 
Thus Troy and the men on the farm were left sole 
occupants of the place. Oak, not to appear unnecessarily 
disagreeable, stayed a little while; then he, too, 
arose and quietly took his departure, followed by a 
friendly oath from the sergeant for not staying to a 
second round of grog. 
</p>
            <p>Gabriel proceeded towards his home. In approaching 
the door, his toe kicked something which felt and 
sounded soft, leathery, and distended, like a boxing-glove. 
It was a large toad humbly travelling across 
the path. Oak took it up, thinking it might be better 
to kill the creature to save it from pain; but finding 
it uninjured, he placed it again among the grass. He 
knew what this direct message from the Great Mother 
meant. And soon came another. 
</p>
            <p>When he struck a light indoors there appeared upon 
the table a thin glistening streak, as if a brush of varnish 
had been lightly dragged across it. Oak's eyes followed 
the serpentine sheen to the other side, where it led up 
to a huge brown garden-slug, which had come indoors 
to-night for reasons of its own. It was Nature's second 
way of hinting to him that he was to prepare for foul 
weather. 
</p>
            <p>Oak sat down meditating for nearly an hour. 
During this time two black spiders, of the kind common 
in thatched houses, promenaded the ceiling, ultimately 
dropping to the floor. This reminded him that if there 
was one class of manifestation on this matter that he 
thoroughly understood, it was the instincts of sheep. 
He left the room, ran across two or three fields towards 
the flock, got upon a hedge, and looked over among 
them. 
</p>
            <p>They were crowded close together on the other side around <pb n="301"/>
some furze bushes, and the first peculiarity observable 
was that, on the sudden appearance of Oak's 
head over the fence, they did not stir or run away. 
They had now a terror of something greater than their 
terror of man. But this was not the most noteworthy 
feature: they were all grouped in such a way that their 
tails, without a single exception, were towards that half 
of the horizon from which the storm threatened. There 
was an inner circle closely huddled, and outside these 
they radiated wider apart, the pattern formed by the 
flock as a whole not being unlike a vandyked lace 
collar, to which the clump of furze-bushes stood in the 
position of a wearer's neck. 
</p>
            <p>This was enough to re-establish him in his original opinion. 
He knew now that he was right, and that 
Troy was wrong. Every voice in nature was unanimous 
in bespeaking change. But two distinct translations 
attached to these dumb expressions. Apparently there 
was to be a thunder-storm, and afterwards a cold continuous 
rain. The creeping things seemed to know all 
about the later rain, hut little of the interpolated 
thunder-storm; whilst the sheep knew all about the 
thunder-storm and nothing of the later rain. 
</p>
            <p>This complication of weathers being uncommon, 
was all the more to be feared. Oak returned to the 
stack-yard. All was silent here, and the conical tips of 
the ricks jutted darkly into the sky. There were five 
wheat-ricks in this yard, and three stacks of barley. 
The wheat when threshed would average about thirty 
quarters to each stack; the barley, at least forty. Their 
value to Bathsheba, and indeed to anybody, Oak 
mentally estimated by the following simple calculation: — 
5 x 30 = 150 quarters= 500<hi>l</hi>. 
3 x 40=120 quarters= 250<hi>l</hi>. 
Total . . 750<hi>l</hi>. 
Seven hundred and fifty pounds in the divinest form 
that money can wear — that of necessary food for man 
and beast: should the risk be run cf deteriorating this 
bulk of corn to less than half its value, because of the 
instability of a woman? ‘Never, if I can prevent it!’ 
said Gabriel. 
<pb n="302"/>
            </p>
            <p>Such was the argument that Oak set outwardly before 
him. But man, even to himself, is a palimpsest, having 
an ostensible writing, and another beneath the lines. 
It is possible that there was this golden legend under 
the utilitarian one: ‘I will help to my last effort the 
woman I have loved so dearly.’ 
</p>
            <p>He went back to the barn to endeavour to obtain 
assistance for covering the ricks that very 
night. All was silent within, and he would have passed on in the 
belief that the party had broken up, had not a dim 
light, yellow as saffron by contrast with the greenish 
whiteness outside, streamed through a knot-hole in the 
folding doors. 
</p>
            <p>Gabriel looked in. An unusual picture met his 
eye. 
</p>
            <p>The candles suspended among the evergreens had 
burnt down to their sockets, and in some cases the 
leaves tied about them were scorched. Many of the 
lights had quite gone out, others smoked and stank, 
grease dropping from them upon the floor. Here, 
under the table, and leaning against forms and chairs 
in every conceivable attitude except the perpendicular, 
were the wretched persons of all the work-folk, the hair 
of their heads at such low levels being suggestive of 
mops and brooms. In the midst of these shone red 
and distinct the figure of Sergeant Troy, leaning back 
in a chair. Coggan was on his back, with his mouth 
open, huzzing forth snores, as were several others; the 
united breathings of the horizonal assemblage forming 
a subdued roar like London from a distance. Joseph 
Poorgrass was curled round in the fashion of a hedgehog, 
apparently in attempts to present the least possible 
portion of his surface to the air; and behind him was 
dimly visible an unimportant remnant of William 
Smallbury. The glasses and cups still stood upon the table, 
a water-jug being overturned, from which a small rill, 
after tracing its course with marvellous precision down 
the centre of the long table, fell into the neck of the 
unconscious Mark Clark, in a steady, monotonous drip, 
like the dripping of a stalactite in a cave. 
</p>
            <p>Gabriel glanced hopelessly at the group, which, with 
one or two exceptions, composed all the able-bodied 
men upon the farm. He saw at once that if the ricks 
were to be saved that <pb n="303"/>
night, or even the next morning, he must save them with his own hands. 
</p>
            <p>A faint ‘ting-ting’ resounded from under Coggan's 
waistcoat. It was Coggan's watch striking the hour of 
two. 
</p>
            <p>Oak went to the recumbent form of Matthew Moon, 
who usually undertook the rough thatching of the homestead, 
and shook him. The shaking was without effect. 
Gabriel shouted in his ear, ‘where's your thatching-beetle 
and rick-stick and spars?’ 
</p>
            <p>‘Under the staddles,’ said Moon, mechanically, with 
the unconscious promptness of a medium. 
</p>
            <p>Gabriel let go his head, and it dropped upon the 
floor like a bowl. He then went to Susan Tall's 
husband. 
</p>
            <p>‘Where's the key of the granary?’ 
</p>
            <p>No answer. The question was repeated, with the 
same result. To be shouted to at night was evidently 
less of a novelty to Susan Tall's husband than to 
Matthew Moon. Oak flung down Tall's head into the 
corner again and turned away. 
</p>
            <p>To be just, the men were not greatly to blame for 
this painful and demoralizing termination to the 
evening's entertainment. Sergeant Troy had so strenuously 
insisted, glass in hand, that drinking should be 
the bond of their union, that those who wished to refuse 
hardly liked to be so unmannerly under the circumstances. 
Having from their youth up been entirely unaccustomed 
to any liquor stronger than cider or mild 
ale, it was no wonder that they had succumbed, one 
and all, with extraordinary uniformity, after the lapse of 
about an hour. 
</p>
            <p>Gabriel was greatly depressed. This debauch boded 
ill for that wilful and fascinating mistress whom the 
faithful man even now felt within him as the embodiment 
of all that was sweet and bright and hopeless. 
</p>
            <p>He put out the expiring lights, that the barn might 
not be endangered, closed the door upon the men in 
their deep and oblivious sleep, and went again into the 
lone night. A hot breeze, as if breathed from the 
parted lips of some dragon about to swallow the globe, 
fanned him from the south, while directly opposite in 
the north rose a grim misshapen body of <pb n="304"/>
cloud, in the 
very teeth of the wind. So unnaturally did it rise that 
one could fancy it to be lifted by machinery from below. 
Meanwhile the faint cloudlets had flown back into the 
south-east corner of the sky, as if in terror of the large 
cloud, like a young brood gazed in upon by some 
monster. 
</p>
            <p>Going on to the village, Oak flung a small stone 
against the window of Laban Tall's bedroom, expecting 
Susan to open it; but nobody stirred. He went round 
to the back door, which had been left unfastened for 
Laban's entry, and passed in to the foot of the staircase. 
</p>
            <p>‘Mrs Tall, I've come for the key of the granary, 
to get at the rick-cloths,’ said Oak, in a stentorian 
voice. 
</p>
            <p>‘Is that you?’ said Mrs Susan Tall, half awake. 
</p>
            <p>‘Yes,’ said Gabriel. 
</p>
            <p>‘Come along to bed, do, you draw-latching rogue — 
keeping a body awake like this!’ 
</p>
            <p>‘It isn't Laban — 'tis Gabriel Oak. I want the key 
of the granary.’ 
</p>
            <p>‘Gabriel. what in the name of fortune did you 
pretend to be Laban for?’ 
</p>
            <p>‘I didn't. I thought you meant —’ 
</p>
            <p>‘Yes you did! what do you want here?’ 
</p>
            <p>‘The key of the granary.’ 
</p>
            <p>‘Take it then. 'Tis on the nail. People coming 
disturbing women at this time of night ought —’ 
</p>
            <p>Gabriel took the key, without waiting to hear the 
conclusion of the tirade. Ten minutes later his lonely 
figure might have been seen dragging four large waterproof 
coverings across the yard, and soon two of these 
heaps of treasure in grain were covered snug — two cloths 
to each. Two hundred pounds were secured. Three 
wheat-stacks remained open, and there were no more 
cloths. Oak looked under the staddles and found a 
fork. He mounted the third pile of wealth and began 
operating, adopting the plan of sloping the upper 
sheaves one over the other; and, in addition, filling 
the interstices with the material of some untied sheaves. 
</p>
            <p>So far all was well. By this hurried contrivance 
Bathsheba's <pb n="305"/>
property in wheat was safe for at any rate 
a week or two, provided always that there was not 
much wind. 
</p>
            <p>Next came the barley. This it was only possible to 
protect by systematic thatching. Time went on, and 
the moon vanished not to reappear. It was the 
farewell of the ambassador previous to war. The 
night had a haggard look, like a sick thing; and there 
came finally an utter expiration of air from the whole 
heaven in the form of a slow breeze, which might have 
been likened to a death. And now nothing was heard 
in the yard but the dull thuds of the beetle which drove 
in the spars, and the rustle of thatch in the intervals. 
</p>
         </div>
         <div n="C37" type="chapter">
            <pb n="306"/>
            <head>THE STORM — THE TWO TOGETHER</head>
            <p>A LIGHT flapped over the scene, as if reflected from 
phosphorescent wings crossing the sky, and a rumble 
filled the air. It was the first move of the approaching 
storm. 
</p>
            <p>The second peal was noisy, with comparatively little 
visible lightning. Gabriel saw a candle shining in Bathsheba's 
bedroom, and soon a shadow swept to and fro 
upon the blind. 
</p>
            <p>Then there came a third flash. Manoeuvres of a 
most extraordinary kind were going on in the vast 
firmamental hollows overhead. The lightning now was 
the colour of silver, and gleamed in the heavens like a 
mailed army. Rumbles became rattles. Gabriel from 
his elevated position could see over the landscape at 
least half-a-dozen miles in front. Every hedge, bush, 
and tree was distinct as in a line engraving. In a 
paddock in the same direction was a herd of heifers, 
and the forms of these were visible at this moment in 
the act of galloping about in the wildest and maddest 
confusion, flinging their heels and tails high into the air, 
their heads to earth. A poplar in the immediate foreground 
was like an ink stroke on burnished tin. Then 
the picture vanished, leaving the darkness so intense 
that Gabriel worked entirely by feeling with his hands. 
</p>
            <p>He had stuck his ricking-rod, or poniard, as it was 
indifferently called — a long iron lance, polished by 
handling — into the stack, used to support the sheaves 
instead of the support called a groom used on houses. 
A blue light appeared in the zenith, and in some indescribable 
manner flickered down near the top of the 
rod. It was the fourth of the larger flashes. A moment 
later and there was a smack — smart, clear, and short, 
Gabriel felt his position to be anything but a safe one, 
and he resolved to descend. 
</p>
            <p>Not a drop of rain had fallen as yet. He wiped his 
weary brow, and looked again at the black forms of 
the unprotected <pb n="307"/>
stacks. Was his life so valuable to 
him after all? What were his prospects that he 
should be so chary of running risk, when important 
and urgent labour could not be carried on without 
such risk? He resolved to stick to the stack. However, 
he took a precaution. Under the staddles was 
a long tethering chain, used to prevent the escape of 
errant horses. This he carried up the ladder, and 
sticking his rod through the clog at one end, allowed 
the other end of the chain to trail upon the ground. 
The spike attached to it he drove in. Under the 
shadow of this extemporized lightning-conductor he 
felt himself comparatively safe. 
</p>
            <p>Before Oak had laid his hands upon his tools again 
out leapt the fifth flash, with the spring of a serpent 
and the shout of a fiend. It was green as an 
emerald, and the reverberation was stunning. What 
was this the light revealed to him? In the open 
ground before him, as he looked over the ridge of 
the rick, was a dark and apparently female form. 
Could it be that of the only venturesome woman in 
the parish — Bathsheba? The form moved on a step: 
then he could see no more. 
</p>
            <p>‘Is that you, ma'am?’ said Gabriel to the darkness. 
</p>
            <p>‘Who is there?’ said the voice of Bathsheba, 
</p>
            <p>‘Gabriel. I am on the rick, thatching.’ 
</p>
            <p>‘O, Gabriel! — and are you? I have come about 
them. The weather awoke me, and I thought of the 
corn. I am so distressed about it — can we save it anyhow? 
I cannot find my husband. Is he with you?’ 
</p>
            <p>‘He is not here.’ 
</p>
            <p>‘Do you know where he is?’ 
</p>
            <p>‘Asleep in the barn.’ 
</p>
            <p>‘He promised that the stacks should be seen to, 
and now they are all neglected! Can I do anything 
to help? Liddy is afraid to come out. Fancy finding 
you here at such an hour! Surely I can do something?’ 
</p>
            <p>‘You can bring up some reed-sheaves to me, one by 
one, ma'am; if you are not afraid to come up the ladder 
in the dark,’ said Gabriel. ‘Every moment is precious 
now, and that would save a good deal of time. It is 
not very dark when the lightning has been gone a bit.’ <pb n="308"/>
            </p>
            <p>‘I'll do anything!’ she said, resolutely. She instantly 
took a sheaf upon her shoulder, clambered up close to 
his heels, placed it behind the rod, and descended for 
another. At her third ascent the rick suddenly brightened 
with the brazen glare of shining majolica — every knot 
in every straw was visible. On the slope in front of him 
appeared two human shapes, black as jet. The rick 
lost its sheen —the shapes vanished. Gabriel turned his 
head. It had been the sixth flash which had come from 
the east behind him, and the two dark forms on the 
slope had been the shadows of himself and Bathsheba. 
Then came the peal. It hardly was credible that 
such a heavenly light could be the parent of such a 
diabolical sound. 
</p>
            <p>‘How terrible!’ she exclaimed, and clutched him by 
the sleeve. Gabriel turned, and steadied her on her 
aerial perch by holding her arm. At the same moment, 
while he was still reversed in his attitude, there was 
more light, and he saw, as it were, a copy of the tall 
poplar tree on the hill drawn in black on the wall of 
the barn. It was the shadow of that tree, thrown across 
by a secondary flash in the west. 
</p>
            <p>The next flare came. Bathsheba was on the ground 
now, shouldering another sheaf, and she bore its dazzle 
without flinching — thunder and all — and again ascended 
with the load. There was then a silence everywhere 
for four or five minutes, and the crunch of the spars, 
as Gabriel hastily drove them in, could again be distinctly 
heard. He thought the crisis of the storm had passed. 
But there came a burst of light. 
</p>
            <p>‘Hold on!’ said Gabriel, taking the sheaf from her 
shoulder, and grasping her arm again. 
</p>
            <p>Heaven opened then, indeed. The flash was almost 
too novel for its inexpressibly dangerous nature to be 
at once realized, and they could only comprehend the 
magnificence of its beauty. It sprang from east, west, 
north, south, and was a perfect dance of death. The 
forms of skeletons appeared in the air, shaped with 
blue fire for bones — dancing, leaping, striding, racing 
around, and mingling altogether in unparalleled confusion. 
With these were intertwined undulating snakes of 
green, and behind these was a broad mass of lesser light. 
Simultaneously came from every part of the tumbling <pb n="309"/>
sky what may be called a shout; since, though no shout 
ever came near it, it was more of the nature of a shout 
than of anything else earthly. In the meantime one of 
the grisly forms had alighted upon the point of Gabriel's 
rod, to run invisibly down it, down the chain, and into 
the earth. Gabriel was almost blinded, and he could 
feel Bathsheba's warm arm tremble in his hand — a 
sensation novel and thrilling enough; but love, life, 
everything human, seemed small and trifling in such 
close juxtaposition with an infuriated universe. 
Oak had hardly time to gather up these impressions 
into a thought, and to see how strangely the red feather 
of her hat shone in this light, when the tall tree on the 
hill before mentioned seemed on fire to a white heat, 
and a new one among these terrible voices mingled with 
the last crash of those preceding. It was a stupefying 
blast, harsh and pitiless, and it fell upon their ears in a 
dead, flat blow, without that reverberation which lends 
the tones of a drum to more distant thunder. By the 
lustre reflected from every part of the earth and from the 
wide domical scoop above it, he saw that the tree was 
sliced down the whole length of its tall, straight stem, a 
huge riband of bark being apparently flung off. The 
other portion remained erect, and revealed the bared 
surface as a strip of white down the front. The 
lightning had struck the tree. A sulphurous smell 
filled the air; then all was silent, and black as a cave 
in Hinnom. 
</p>
            <p>‘We had a narrow escape!’ said Gabriel, hurriedly. 
‘You had better go down.’ 
</p>
            <p>Bathsheba said nothing; but he could distinctly hear 
her rhythmical pants, and the recurrent rustle of the 
sheaf beside her in response to her frightened pulsations. 
She descended the ladder, and, on second thoughts, he 
followed her. The darkness was now impenetrable by 
the sharpest vision. They both stood still at the 
bottom, side by side. Bathsheba appeared to think 
only of the weather — Oak thought only of her just then. 
At last he said — 
</p>
            <p>‘The storm seems to have passed now, at any 
rate.’ 
</p>
            <p>‘I think so too,’ said Bathsheba. ‘Though there 
are multitudes of gleams, look!’ <pb n="310"/>
            </p>
            <p>The sky was now filled with an incessant light, 
frequent repetition melting into complete continuity, as 
an unbroken sound results from the successive strokes 
on a gong. 
</p>
            <p>‘Nothing serious,’ said he. ‘I cannot understand 
no rain falling. But Heaven be praised, it is all the 
better for us. I am now going up again.’ 
</p>
            <p>‘Gabriel, you are kinder than I deserve! I will stay 
and help you yet. O, why are not some of the others 
here!’ 
</p>
            <p>‘They would have been here if they could,’ said Oak, 
in a hesitating way. 
</p>
            <p>‘O, I know it all — all,’ she said, adding slowly: 
‘They are all asleep in the barn, in a drunken sleep, and 
my husband among them. That's it, is it not? Don't 
think I am a timid woman and can't endure things.’ 
</p>
            <p>‘I am not certain,’ said Gabriel. ‘I will go and see.’ 
</p>
            <p>He crossed to the barn, leaving her there alone. He 
looked through the chinks of the door. All was in 
total darkness, as he had left it, and there still arose, as 
at the former time, the steady buzz of many snores. 
</p>
            <p>He felt a zephyr curling about his cheek, and turned. 
It was Bathsheba's breath — she had followed him, and 
was looking into the same chink. 
</p>
            <p>He endeavoured to put off the immediate and painful 
subject of their thoughts by remarking gently, ‘If 
you'll come back again, miss — ma'am, and hand up a 
few more; it would save much time.’ 
</p>
            <p>Then Oak went back again, ascended to the top, 
stepped off the ladder for greater expedition, and went 
on thatching. She followed, but without a sheaf. 
</p>
            <p>‘Gabriel,’ she said, in a strange and impressive voice. 
</p>
            <p>Oak looked up at her. She had not spoken since 
he left the barn. The soft and continual shimmer of 
the dying lightning showed a marble face high against 
the black sky of the opposite quarter. Bathsheba was 
sitting almost on the apex of the stack, her feet gathered 
up beneath her, and resting on the top round of the 
ladder. 
</p>
            <p>‘Yes, mistress,’ he said. 
<pb n="311"/>
            </p>
            <p>‘I suppose you thought that when I galloped away 
to Bath that night it was on purpose to be married?‘ 
</p>
            <p>‘I did at last — not at first,’ he answered, somewhat 
surprised at the abruptness with which this new subject was broached. 
</p>
            <p>‘And others thought so, too?’ 
</p>
            <p>‘Yes.’ 
</p>
            <p>‘And you blamed me for it?’ 
</p>
            <p>‘Well — a little.’ 
</p>
            <p>‘I thought so. Now, I care a little for your good 
opinion, and I want to explain something — I have 
longed to do it ever since I returned, and you looked so 
gravely at me. For if I were to die — and I may die 
soon — it would be dreadful that you should always think 
mistakenly of me. Now, listen.’ 
</p>
            <p>Gabriel ceased his rustling. 
</p>
            <p>‘I went to Bath that night in the full intention of 
breaking off my engagement to Mr Troy. It was owing 
to circumstances which occurred after I got there that 
— that we were married. Now, do you see the matter 
in a new light?’ 
</p>
            <p>‘I do — somewhat.’ 
</p>
            <p>‘I must, I suppose, say more, now that I have 
begun. And perhaps it's no harm, for you are certainly 
under no delusion that I ever loved you, or that I can 
have any object in speaking, more than that object I 
have mentioned. Well, I was alone in a strange city, 
and the horse was lame. And at last I didn't know 
what to do. I saw, when it was too late, that scandal 
might seize hold of me for meeting him alone in that 
way. But I was coming away, when he suddenly said 
he had that day seen a woman more beautiful than I, 
and that his constancy could not be counted on unless 
I at once became his.... And I was grieved and 
troubled —’ She cleared her voice, and waited a 
moment, as if to gather breath. ‘And then, between 
jealousy and distraction, I married him!’ she whispered 
with desperate impetuosity. 
</p>
            <p>Gabriel made no reply. 
</p>
            <p>‘He was not to blame, for it was perfectly true about 
— about his seeing somebody else,’ she quickly added. 
</p>
            <p>‘And now I don't wish for a single remark from you 
upon the subject — <pb n="312"/>
indeed, I forbid it. I only wanted 
you to know that misunderstood bit of my history before 
a time comes when you could never know it. — You want 
some more sheaves?’ 
</p>
            <p>She went down the ladder, and the work proceeded. 
Gabriel soon perceived a languor in the movements of 
his mistress up and down, and he said to her, gently as 
a mother — 
</p>
            <p>‘I think you had better go indoors now, you are 
tired. I can finish the rest alone. If the wind does 
not change the rain is likely to keep off.’ 
</p>
            <p>‘If I am useless I will go,’ said Bathsheba, in a 
flagging cadence. ‘But O, if your life should be lost!’ 
</p>
            <p>‘You are not useless; but I would rather not tire 
you longer. You have done well.’ 
</p>
            <p>‘And you better!’ she said, gratefully. ‘Thank you 
for your devotion, a thousand times, Gabriel! Goodnight — I 
know you are doing your very best for me.’ 
</p>
            <p>She diminished in the gloom, and vanished, and he 
heard the latch of the gate fall as she passed through. 
He worked in a reverie now, musing upon her story, and 
upon the contradictoriness of that feminine heart which 
had caused her to speak more warmly to him to-night 
than she ever had done whilst unmarried and free to 
speak as warmly as she chose. 
</p>
            <p>He was disturbed in his meditation by a grating 
noise from the coach-house. It was the vane on the 
roof turning round, and this change in the wind was the 
signal for a disastrous rain. 
</p>
         </div>
         <div n="C38" type="chapter">
            <pb n="313"/>
            <head>RAIN — ONE SOLITARY MEETS ANOTHER</head>
            <p>IT was now five o'clock, and the dawn was promising 
to break in hues of drab and ash. 
</p>
            <p>The air changed its temperature and stirred itself 
more vigorously. Cool breezes coursed in transparent 
eddies round Oak's face. The wind shifted yet a point 
or two and blew stronger. In ten minutes every wind 
of heaven seemed to be roaming at large. Some of the 
thatching on the wheat-stacks was now whirled fantastically 
aloft, and had to be replaced and weighted with 
some rails that lay near at hand. This done, Oak slaved 
away again at the barley. A huge drop of rain smote 
his face, the wind snarled round every corner, the trees 
rocked to the bases of their trunks, and the twigs clashed 
in strife. Driving in spars at any point and on any 
system, inch by inch he covered more and more safely 
from ruin this distracting impersonation of seven hundred 
pounds. The rain came on in earnest, and Oak soon felt 
the water to be tracking cold and clammy routes down 
his back. Ultimately he was reduced well-nigh to a 
homogeneous sop, and the dyes of his clothes trickled 
down and stood in a pool at the foot of the ladder. 
The rain stretched obliquely through the dull atmosphere 
in liquid spines, unbroken in continuity between 
their beginnings in the clouds and their points in him. 
</p>
            <p>Oak suddenly remembered that eight months before 
this time he had been fighting against fire in the same 
spot as desperately as he was fighting against water 
now — and for a futile love of the same woman. As for 
her —  —  But Oak was generous and true, and dismissed 
his reflections. 
</p>
            <p>It was about seven o'clock in the dark leaden 
morning when Gabriel came down from the last stack, 
and thankfully exclaimed, ‘It is done!’ He was <pb n="314"/>
drenched, weary, and sad, and yet not so sad as drenched 
and weary, for he was cheered by a sense of success in 
a good cause. 
</p>
            <p>Faint sounds came from the barn, and he looked 
that way. Figures stepped singly and in pairs through 
the doors — all walking awkwardly, and abashed, save 
the foremost, who wore a red jacket, and advanced 
with his hands in his pockets, whistling. The others 
shambled after with a conscience-stricken air: the whole 
procession was not unlike Flaxman's group of the suitors 
tottering on towards the infernal regions under the 
conduct of Mercury. The gnarled shapes passed into 
the village, Troy, their leader, entering the farmhouse. 
Not a single one of them had turned his face to the 
ricks, or apparently bestowed one thought upon their 
condition. 
</p>
            <p>Soon Oak too went homeward, by a different route 
from theirs. In front of him against the wet glazed 
surface of the lane he saw a person walking yet more 
slowly than himself under an umbrella. The man 
turned and plainly started; he was Boldwood. 
</p>
            <p>‘How are you this morning, sir?’ said Oak. 
</p>
            <p>‘Yes, it is a wet day. — Oh, I am well, very well, I 
thank you; quite well.’ 
</p>
            <p>‘I am glad to hear it, sir.’ 
</p>
            <p>Boldwood seemed to awake to the present by degrees. 
</p>
            <p>‘You look tired and ill, Oak,’ he said then, desultorily 
regarding his companion. 
</p>
            <p>‘I am tired. You look strangely altered, sir.’ 
</p>
            <p>‘I? Not a bit of it: I am well enough. What put 
that into your head?’ 
</p>
            <p>‘I thought you didn't look quite so topping as you 
used to, that was all.’ 
</p>
            <p>‘Indeed, then you are mistaken,’ said Boldwood, 
shortly. ‘Nothing hurts me. My constitution is an 
iron one.’ 
</p>
            <p>‘I've been working hard to get our ricks covered, 
and was barely in time. Never had such a struggle in 
my life.... Yours of course are safe, sir.’ 
</p>
            <p>‘O yes.’ Boldwood added, after an interval of 
silence: ‘What did you ask, Oak?’ 
</p>
            <p>‘Your ricks are all covered before this time?’ 
<pb n="315"/>
            </p>
            <p>‘No.’ 
</p>
            <p>‘At any rate, the large ones upon the stone staddles?’ 
</p>
            <p>‘They are not.’ 
</p>
            <p>‘Them under the hedge?’ 
</p>
            <p>‘No. I forgot to tell the thatcher to set about it.’ 
</p>
            <p>‘Nor the little one by the stile?’ 
</p>
            <p>‘Nor the little one by the stile. I overlooked the 
ricks this year.’ 
</p>
            <p>‘Then not a tenth of your corn will come to measure, 
sir.’ 
</p>
            <p>‘Possibly not.’ 
</p>
            <p>‘Overlooked them,’ repeated Gabriel slowly to himself. 
It is difficult to describe the intensely dramatic 
effect that announcement had upon Oak at such a 
moment. All the night he had been feeling that the 
neglect he was labouring to repair was abnormal and 
isolated — the only instance of the kind within the circuit 
of the county. Yet at this very time, within the same 
parish, a greater waste had been going on, uncomplained 
of and disregarded. A few months earlier Boldwood's 
forgetting his husbandry would have been as preposterous 
an idea as a sailor forgetting he was in a ship. Oak 
was just thinking that whatever he himself might have 
suffered from Bathsheba's marriage, here was a man 
who had suffered more, when Boldwood spoke in a 
changed voice — that of one who yearned to make a 
confidence and relieve his heart by an outpouring. 
</p>
            <p>‘Oak, you know as well as I that things have gone 
wrong with me lately. I may as well own it. I was 
going to get a little settled in life; but in some way my 
plan has come to nothing.’ 
</p>
            <p>‘I thought my mistress would have married you,’ 
said Gabriel, not knowing enough of the full depths of 
Boldwood's love to keep silence on the farmer's account, 
and determined not to evade discipline by doing so on 
his own. ‘However, it is so sometimes, and nothing 
happens that we expect,’ he added, with the repose of 
a man whom misfortune had inured rather than subdued. 
</p>
            <p>‘I daresay I am a joke about the parish,’ said Boldwood, 
as if the subject came irresistibly to his tongue, 
and with a miserable lightness meant to express his 
indifference. 
<pb n="316"/>
            </p>
            <p>‘O no — I don't think that.’ 
</p>
            <p>‘— But the real truth of the matter is that there was 
not, as some fancy, any jilting on — her part. No 
engagement ever existed between me and Miss Everdene. 
People say so, but it is untrue: she never 
promised me!’ Boldwood stood still now and turned 
his wild face to Oak. ‘O, Gabriel,’ he continued, 
‘I am weak and foolish, and I don't know what, and I 
can't fend off my miserable grief! ... I had some faint 
belief in the mercy of God till I lost that woman. Yes, 
He prepared a gourd to shade me, and like the prophet 
I thanked Him and was glad. But the next day He 
prepared a worm to smite the gourd and wither it; and 
I feel it is better to die than to live!’ 
</p>
            <p>A silence followed. Boldwood aroused himself from 
the momentary mood of confidence into which he had 
drifted, and walked on again, resuming his usual reserve, 
</p>
            <p>‘No, Gabriel,’ he resumed, with a carelessness which 
was like the smile on the countenance of a skull: ‘it 
was made more of by other people than ever it was by 
us. I do feel a little regret occasionally, but no woman 
ever had power over me for any length of time. Well, 
good morning; I can trust you not to mention to others 
what has passed between us two here.’ 
</p>
         </div>
         <div n="C39" type="chapter">
            <pb n="317"/>
            <head>COMING HOME — A CRY</head>
            <p>ON the turnpike road, between Casterbridge and 
Weatherbury, and about three miles from the former 
place, is Yalbury Hill, one of those steep long ascents 
which pervade the highways of this undulating part of 
South Wessex. In returning from market it is usual 
for the farmers and other gig-gentry to alight at the 
bottom and walk up. 
</p>
            <p>One Saturday evening in the month of October 
Bathsheba's vehicle was duly creeping up this incline. 
She was sitting listlessly in the second seat of the gig, 
whilst walking beside her in farmer's marketing suit 
of unusually fashionable cut was an erect, well-made 
young man. Though on foot, he held the reins and 
whip, and occasionally aimed light cuts at the horse's 
ear with the end of the lash, as a recreation. This 
man was her husband, formerly Sergeant Troy, who, 
having bought his discharge with Bathsheba's money, 
was gradually transforming himself into a farmer of a 
spirited and very modern school. People of unalterable 
ideas still insisted upon calling him ‘Sergeant’ 
when they met him, which was in some degree owing 
to his having still retained the well-shaped moustache 
of his military days, and the soldierly bearing inseparable 
from his form and training. 
</p>
            <p>‘Yes, if it hadn't been for that wretched rain I 
should have cleared two hundred as easy as looking, 
my love,’ he was saying. ‘Don't you see, it altered 
all the chances? To speak like a book I once read, 
wet weather is the narrative, and fine days are the 
episodes, of our country's history; now, isn't that 
true?’ 
</p>
            <p>‘But the time of year is come for changeable weather.’ 
</p>
            <p>‘Well, yes. The fact is, these autumn races are the 
ruin of everybody. Never did I see such a day as 'twas! 'Tis 
a wild open place, just out of Budmouth, and a drab sea rolled in <pb n="318"/>
towards us like liquid misery. Wind 
and rain — good Lord! Dark? Why, 'twas as black 
as my hat before the last race was run. 'Twas five 
o'clock, and you couldn't see the horses till they were 
almost in, leave alone colours. The ground was as 
heavy as lead, and all judgment from a fellow's experience 
went for nothing. Horses, riders, people, were 
all blown about like ships at sea. Three booths were 
blown over, and the wretched folk inside crawled out 
upon their hands and knees; and in the next field 
were as many as a dozen hats at one time. Aye, 
Pimpernel regularly stuck fast, when about sixty yards 
off, and when I saw Policy stepping on, it did knock 
my heart against the lining of my ribs, I assure you, 
my love!’ 
</p>
            <p>‘And you mean, Frank,’ said Bathsheba, sadly — 
her voice was painfully lowered from the fulness and 
vivacity of the previous summer — ‘that you have lost 
more than a hundred pounds in a month by this 
dreadful horse-racing? O, Frank, it is cruel; it is 
foolish of you to take away my money so. We shall 
have to leave the farm; that will be the end of it!’ 
</p>
            <p>‘Humbug about cruel. Now, there 'tis again — 
turn on the waterworks; that's just like you.’ 
</p>
            <p>‘But you'll promise me not to go to Budmouth 
second meeting, won't you?’ she implored. Bathsheba 
was at the full depth for tears, but she maintained a 
dry eye. 
</p>
            <p>‘I don't see why I should; in fact, if it turns out to 
be a fine day, I was thinking of taking you.’ 
</p>
            <p>‘Never, never! I'll go a hundred miles the other 
way first. I hate the sound of the very word!’ 
</p>
            <p>‘But the question of going to see the race or staying 
at home has very little to do with the matter. Bets are 
all booked safely enough before the race begins, you 
may depend. Whether it is a bad race for me or a 
good one, will have very little to do with our going 
there next Monday.’ 
</p>
            <p>‘But you don't mean to say that you have risked 
anything on this one too!’ she exclaimed, with an 
agonized look. 
</p>
            <p>‘There now, don't you be a little fool. Wait till you 
are told. Why, Bathsheba, you have lost all the pluck 
and sauciness you formerly had, and upon my life if I 
had known what a <pb n="319"/>
chicken-hearted creature you were 
under all your boldness, I'd never have — I know what.’ 
</p>
            <p>A flash of indignation might have been seen in 
Bathsheba's dark eyes as she looked resolutely ahead 
after this reply. They moved on without further 
speech, some early-withered leaves from the trees which 
hooded the road at this spot occasionally spinning 
downward across their path to the earth. 
</p>
            <p>A woman appeared on the brow of the hill. The 
ridge was in a cutting, so that she was very near the 
husband and wife before she became visible. Troy had 
turned towards the gig to remount, and whilst putting 
his foot on the step-the woman passed behind him. 
</p>
            <p>Though the overshadowing trees and the approach 
of eventide enveloped them in gloom, Bathsheba could 
see plainly enough to discern the extreme poverty of 
the woman's garb, and the sadness of her face. 
</p>
            <p>‘Please, sir, do you know at what time Casterbridge 
Union-house closes at night?’ 
</p>
            <p>The woman said these words to Troy over his shoulder. 
</p>
            <p>Troy started visibly at the sound of the voice; yet 
he seemed to recover presence of mind sufficient to 
prevent himself from giving way to his impulse to 
suddenly turn and face her. He said, slowly — 
</p>
            <p>‘I don't know.‘ 
</p>
            <p>The woman, on hearing him speak, quickly looked 
up, examined the side of his face, and recognized the 
soldier under the yeoman's garb. Her face was drawn 
into an expression which had gladness and agony both 
among its elements. She uttered an hysterical cry, 
and fell down. 
</p>
            <p>‘O, poor thing!’ exclaimed Bathsheba, instantly 
preparing to alight. 
</p>
            <p>‘Stay where you are, and attend to the horse!’ 
said Troy, peremptorily throwing her the reins and 
the whip. ‘Walk the horse to the top: I'll see to 
the woman.’ 
</p>
            <p>‘But I —’ 
</p>
            <p>‘Do you hear? Clk — Poppet!’ 
<pb n="320"/>
            </p>
            <p>The horse, gig, and Bathsheba moved on. 
</p>
            <p>‘How on earth did you come here? I thought 
you were miles away, or dead! Why didn't you 
write to me?’ said Troy to the woman, in a strangely 
gentle, yet hurried voice, as he lifted her up. 
</p>
            <p>‘I feared to.’ 
</p>
            <p>‘Have you any money?’ 
</p>
            <p>‘None.’ 
</p>
            <p>‘Good Heaven — I wish I had more to give you! 
Here's  —  wretched  —  the merest trifle. It is every 
farthing I have left. I have none but what my wife 
gives me, you know, and I can't ask her now.’ 
</p>
            <p>The woman made no answer. 
</p>
            <p>‘I have only another moment,’ continued Troy; 
‘and now listen. Where are you going to-night? 
Casterbridge Union?’ 
</p>
            <p>‘Yes; I thought to go there.’ 
</p>
            <p>‘You shan't go there; yet, wait. Yes, perhaps for 
to-night; I can do nothing better — worse luck! Sleep 
there to-night, and stay there to-morrow. Monday is 
the first free day I have; and on Monday morning, 
at ten exactly, meet me on Grey's Bridge just out of the 
town. I'll bring all the money I can muster. You 
shan't want — I'll see that, Fanny; then I'll get you a 
lodging somewhere. Good-bye till then. I am a brute 
— but good-bye!’ 
</p>
            <p>After advancing the distance which completed the 
ascent of the hill, Bathsheba turned her head. The 
woman was upon her feet, and Bathsheba saw her 
withdrawing from Troy, and going feebly down the 
hill by the third milestone from Casterbridge. Troy 
then came on towards his wife, stepped into the gig, 
took the reins from her hand, and without making any 
observation whipped the horse into a trot. He was 
rather agitated. 
</p>
            <p>‘Do you know who that woman was?’ said Bathsheba, 
looking searchingly into his face. 
</p>
            <p>‘I do,’ he said, looking boldly back into hers. 
</p>
            <p>‘I thought you did,’ said she, with angry hauteur, 
and still regarding him. ‘Who is she?’ 
<pb n="321"/>
            </p>
            <p>He suddenly seemed to think that frankness would 
benefit neither of the women. 
</p>
            <p>‘Nothing to either of us,’ he said. ‘I know her 
by sight.’ 
</p>
            <p>‘What is her name?’ 
</p>
            <p>‘How should I know her name?’ 
</p>
            <p>‘I think you do.’ 
</p>
            <p>‘Think if you will, and be —’ The sentence was 
completed by a smart cut of the whip round Poppet's 
flank, which caused the animal to start forward at a 
wild pace. No more was said. 
</p>
         </div>
         <div n="C40" type="chapter">
            <pb n="322"/>
            <head>ON CASTERBRIDGE HIGHWAY</head>
            <p>FOR a considerable time the woman walked on. Her 
steps became feebler, and she strained her eyes to look 
afar upon the naked road, now indistinct amid the 
penumbrae of night. At length her onward walk 
dwindled to the merest totter, and she opened a gate 
within which was a haystack. Underneath this she sat 
down and presently slept. 
</p>
            <p>When the woman awoke it was to find herself in the 
depths of a moonless and starless night. A heavy unbroken 
crust of cloud stretched across the sky, shutting 
out every speck of heaven; and a distant halo which 
hung over the town of Casterbridge was visible against 
the black concave, the luminosity appearing the 
brighter by its great contrast with the circumscribing 
darkness. Towards this weak, soft glow the woman 
turned her eyes. 
</p>
            <p>‘If I could only get there!’ she said. ‘Meet him 
the day after to-morrow: God help me! Perhaps I 
shall be in my grave before then.’ 
</p>
            <p>A manor-house clock from the far depths of shadow 
struck the hour, one, in a small, attenuated tone. After 
midnight the voice of a clock seems to lose in breadth 
as much as in length, and to diminish its sonorousness 
to a thin falsetto. 
</p>
            <p>Afterwards a light — two lights — arose from the remote 
shade, and grew larger. A carriage rolled along 
the toad, and passed the gate. It probably contained 
some late diners-out. The beams from one lamp shone 
for a moment upon the crouching woman, and threw 
her face into vivid relief. The face was young in the 
groundwork, old in the finish; the general contours 
were flexuous and childlike, but the finer lineaments 
had begun to be sharp and thin. 
</p>
            <p>The pedestrian stood up, apparently with revived 
determination, and looked around. The road appeared 
to be <pb n="323"/>
familiar to her, and she carefully scanned the fence 
as she slowly walked along. Presently there became 
visible a dim white shape; it was another milestone. 
She drew her fingers across its face to feel the marks. 
</p>
            <p>‘Two more!’ she said. 
</p>
            <p>She leant against the stone as a means of rest for a 
short interval, then bestirred herself, and again pursued 
her way. For a slight distance she bore up bravely, 
afterwards flagging as before. This was beside a lone 
copsewood, wherein heaps of white chips strewn upon 
the leafy ground showed that woodmen had been 
faggoting and making hurdles during the day. Now 
there was not a rustle, not a breeze, not the faintest 
clash of twigs to keep her company. The woman 
looked over the gate, opened it, and went in. Close 
to the entrance stood a row of faggots, bound and unbound, 
together with stakes of all sizes. 
</p>
            <p>For a few seconds the wayfarer stood with that tense 
stillness which signifies itself to be not the end but 
merely the suspension, of a previous motion. Her 
attitude was that of a person who listens, either to the 
external world of sound, or to the imagined discourse of 
thought. A close criticism might have detected signs 
proving that she was intent on the latter alternative. 
Moreover, as was shown by what followed, she was 
oddly exercising the faculty of invention upon the speciality 
of the clever Jacquet Droz, the designer of automatic 
substitutes for human limbs. 
</p>
            <p>By the aid of the Casterbridge aurora, and by feeling 
with her hands, the woman selected two sticks from the 
heaps. These sticks were nearly straight to the height 
of three or four feet, where each branched into a fork 
like the letter Y. She sat down, snapped off the small 
upper twigs, and carried the remainder with her into 
the road. She placed one of these forks under each 
arm as a crutch, tested them, timidly threw her whole 
weight upon them — so little that it was — and swung 
herself forward. The girl had made for herself a 
material aid. 
</p>
            <p>The crutches answered well. The pat of her feet, 
and the tap of her sticks upon the highway, were all the 
sounds that <pb n="324"/>
came from the traveller now. She had 
passed the last milestone by a good long distance, and 
began to look wistfully towards the bank as if calculating 
upon another milestone soon. The crutches, though 
so very useful, had their limits of power. Mechanism 
only transfers labour, being powerless to supersede it, 
and the original amount of exertion was not cleared 
away; it was thrown into the body and arms. She was 
exhausted, and each swing forward became fainter. At 
last she swayed sideways, and fell. 
</p>
            <p>Here she lay, a shapeless heap, for ten minutes and 
more. The morning wind began to boom dully over 
the flats, and to move afresh dead leaves which had 
lain still since yesterday. The woman desperately 
turned round upon her knees, and next rose to her 
feet. Steadying herself by the help of one crutch, she 
essayed a step, then another, then a third, using the 
crutches now as walking-sticks only. Thus she progressed 
till descending Mellstock Hill another milestone 
appeared, and soon the beginning of an iron-railed fence 
came into view. She staggered across to the first post, 
clung to it, and looked around. 
</p>
            <p>The Casterbridge lights were now individually visible. 
It was getting towards morning, and vehicles might be 
hoped for, if not expected soon. She listened. There 
was not a sound of life save that acme and sublimation 
of all dismal sounds, the hark of a fox, its three hollow 
notes being rendered at intervals of a minute with the 
precision of a funeral bell. 
</p>
            <p>‘Less than a mile!’ the woman murmured. ‘No; 
more,’ she added, after a pause. ‘The mile is to the 
county hall, and my resting-place is on the other side 
Casterbridge. A little over a mile, and there I am!’ 
After an interval she again spoke. ‘Five or six steps to 
a yard — six perhaps. I have to go seventeen hundred 
yards. A hundred times six, six hundred. Seventeen 
times that. O pity me, Lord!’ 
</p>
            <p>Holding to the rails, she advanced, thrusting one 
hand forward upon the rail, then the other, then leaning 
over it whilst she dragged her feet on beneath. 
</p>
            <p>This woman was not given to soliloquy; but extremity of 
feeling lessens the individuality of the weak, as it increases <pb n="325"/>
that of the strong. She said again in the 
same tone, ‘I'll believe that the end lies five posts forward, 
and no further, and so get strength to pass them.’ 
This was a practical application of the principle that 
a half-feigned and fictitious faith is better than no faith 
at all. 
</p>
            <p>She passed five posts and held on to the fifth. 
</p>
            <p>‘I'll pass five more by believing my longed-for spot 
is at the next fifth. I can do it.’ 
,/p&gt;
</p>
            <p>She passed five more. 
</p>
            <p>‘It lies only five further.’ 
</p>
            <p>She passed five more. 
</p>
            <p>‘But it is five further.’ 
</p>
            <p>She passed them. 
</p>
            <p>‘That stone bridge is the end of my journey,’ she 
said, when the bridge over the Froom was in view. 
</p>
            <p>She crawled to the bridge. During the effort each 
breath of the woman went into the air as if never to 
return again. 
</p>
            <p>‘Now for the truth of the matter,’ she said, sitting 
down. ‘The truth is, that I have less than half a mile.’ 
Self-beguilement with what she had known all the time 
to be false had given her strength to come over half 
a mile that she would have been powerless to face in 
the lump. The artifice showed that the woman, by 
some mysterious intuition, had grasped the paradoxical 
truth that blindness may operate more vigorously than 
prescience, and the short-sighted effect more than the 
far-seeing; that limitation, and not comprehensiveness, 
is needed for striking a blow. 
</p>
            <p>The half-mile stood now before the sick and weary 
woman like a stolid Juggernaut. It was an impassive 
King of her world. The road here ran across Durnover 
Moor, open to the road on either side. She surveyed 
the wide space, the lights, herself, sighed, and lay down 
against a guard-stone of the bridge. 
</p>
            <p>Never was ingenuity exercised so sorely as the 
traveller here exercised hers. Every conceivable aid, 
method, stratagem, mechanism, by which these last 
desperate eight hundred yards could be overpassed by a 
human being unperceived, was revolved in her busy 
brain, and dismissed as impracticable. She thought of <pb n="326"/>
sticks, wheels, crawling — she even thought of rolling. 
But the exertion demanded by either of these latter two 
was greater than to walk erect. The faculty of contrivance 
was worn out, Hopelessness had come at last. 
</p>
            <p>‘No further!’ she whispered, and closed her eyes. 
</p>
            <p>From the stripe of shadow on the opposite side of 
the bridge a portion of shade seemed to detach itself 
and move into isolation upon the pale white of the road. 
It glided noiselessly towards the recumbent woman. 
She became conscious of something touching her 
hand; it was softness and it was warmth. She 
opened her eyes, and the substance touched her face. 
A dog was licking her cheek. 
</p>
            <p>He was a huge, heavy, and quiet creature, standing 
darkly against the low horizon, and at least two feet 
higher than the present position of her eyes. Whether 
Newfoundland, mastiff, bloodhound, or what not, it was 
impossible to say. He seemed to be of too strange and 
mysterious a nature to belong to any variety among those 
of popular nomenclature. Being thus assignable to no 
breed, he was the ideal embodiment of canine greatness 
— a generalization from what was common to all. Night, 
in its sad, solemn, and benevolent aspect, apart from its 
stealthy and cruel side, was personified in this form. 
Darkness endows the small and ordinary ones among 
mankind with poetical power, and even the suffering 
woman threw her idea into figure. 
</p>
            <p>In her reclining position she looked up to him just 
as in earlier times she had, when standing, looked up 
to a man. The animal, who was as homeless as she, 
respectfully withdrew a step or two when the woman 
moved, and, seeing that she did not repulse him, he 
licked her hand again. 
</p>
            <p>A thought moved within her like lightning. ‘Perhaps 
I can make use of him — I might do it then!’ 
,/p&gt;
</p>
            <p>She pointed in the direction of Casterbridge, and 
the dog seemed to misunderstand: he trotted on. Then, 
finding she could not follow, he came back and whined. 
</p>
            <p>The ultimate and saddest singularity of woman's effort 
and invention was reached when, with a quickened breathing, 
she rose to a stooping posture, and, resting her two 
little arms <pb n="327"/>
upon the shoulders of the dog, leant firmly 
thereon, and murmured stimulating words. Whilst she 
sorrowed in her heart she cheered with her voice, and 
what was stranger than that the strong should need 
encouragement from the weak was that cheerfulness 
should be so well stimulated by such utter dejection. 
Her friend moved forward slowly, and she with small 
mincing steps moved forward beside him, half her 
weight being thrown upon the animal. Sometimes 
she sank as she had sunk from walking erect, from 
the crutches, from the rails. The dog, who now 
thoroughly understood her desire and her incapacity, 
was frantic in his distress on these occasions; he would 
tug at her dress and run forward. She always called 
him back, and it was now to be observed that the 
woman listened for human sounds only to avoid them. 
It was evident that she had an object in keeping her 
presence on the road and her forlorn state unknown. 
</p>
            <p>Their progress was necessarily very slow. They 
reached the bottom of the town, and the Casterbridge 
lamps lay before them like fallen Pleiads as they turned 
to the left into the dense shade of a deserted avenue of 
chestnuts, and so skirted the borough. Thus the town 
was passed, and the goal was reached. 
</p>
            <p>On this much-desired spot outside the town rose a 
picturesque building. Originally it had been a mere 
case to hold people. The shell had been so thin, so 
devoid of excrescence, and so closely drawn over the 
accommodation granted, that the grim character of 
what was beneath showed through it, as the shape of 
a body is visible under a winding-sheet. 
</p>
            <p>Then Nature, as if offended, lent a hand. Masses 
of ivy grew up, completely covering the walls, till the 
place looked like an abbey; and it was discovered that 
the view from the front, over the Casterbridge chimneys, 
was one of the most magnificent in the county. A 
neighbouring earl once said that he would give up a 
year's rental to have at his own door the view enjoyed 
by the inmates from theirs — and very probably the 
inmates would have given up the view for his year's 
rental. 
</p>
            <p>This stone edifice consisted of a central mass and <pb n="328"/>
two wings, whereon stood as sentinels a few slim 
chimneys, now gurgling sorrowfully to the slow wind. 
In the wall was a gate, and by the gate a bell-pull 
formed of a hanging wire. The woman raised herself 
as high as possible upon her knees, and could just 
reach the handle. She moved it and fell forwards in 
a bowed attitude, her face upon her bosom. 
</p>
            <p>It was getting on towards six o'clock, and sounds of 
movement were to be heard inside the building which 
was the haven of rest to this wearied soul. A little door 
by the large one was opened, and a man appeared inside. 
He discerned the panting heap of clothes, went back 
for a light, and came again. He entered a second 
time, and returned with two women. 
</p>
            <p>These lifted the prostrate figure and assisted her in 
through the doorway. The man then closed the door. 
</p>
            <p>‘How did she get here?’ said one of the women. 
</p>
            <p>‘The Lord knows,’ said the other. 
</p>
            <p>‘There is a dog outside,’ murmured the overcome 
traveller. ‘Where is he gone? He helped me.’ 
</p>
            <p>‘I stoned him away,’ said the man. 
</p>
            <p>The little procession then moved forward — the man 
in front bearing the light, the two bony women next, 
supporting between them the small and supple one. 
Thus they entered the house and disappeared. 
</p>
         </div>
         <div n="C41" type="chapter">
            <pb n="329"/>
            <head>SUSPICION — FANNY IS SENT FOR</head>
            <p>BATHSHEBA said very little to her husband all that 
evening of their return from market, and he was not 
disposed to say much to her. He exhibited the unpleasant 
combination of a restless condition with a 
silent tongue. The next day, which was Sunday, passed 
nearly in the same manner as regarded their taciturnity, 
Bathsheba going to church both morning and afternoon. 
This was the day before the Budmouth races. In the 
evening Troy said, suddenly — 
</p>
            <p>‘Bathsheba, could you let me have twenty pounds?’ 
</p>
            <p>Her countenance instantly sank. ‘Twenty pounds?’ she said. 
</p>
            <p>‘The fact is, I want it badly.’ The anxiety upon 
Troy's face was unusual and very marked. lt was a 
culmination of the mood he had been in all the day. 
</p>
            <p>‘Ah! for those races to-morrow.’ 
</p>
            <p>Troy for the moment made no reply. Her mistake 
had its advantages to a man who shrank from having 
his mind inspected as he did now. ‘Well, suppose I 
do want it for races?’ he said, at last. 
</p>
            <p>‘O, Frank!’ Bathsheba replied, and there was such 
a volume of entreaty in the words. ‘Only such a few 
weeks ago you said that I was far sweeter than all your 
other pleasures put together, and that you would give 
them all up for me; and now, won't you give up this 
one, which is more a worry than a pleasure? Do, 
Frank. Come, let me fascinate you by all I can do 
— by pretty words and pretty looks, and everything I 
can think of — to stay at home. Say yes to your wife — 
say yes!’ 
</p>
            <p>The tenderest and softest phases of Bathsheba's 
nature were prominent now — advanced impulsively for 
his acceptance, without any of the disguises and defences 
which the wariness of her character when she was cool 
too frequently threw <pb n="330"/>
over them. Few men could have 
resisted the arch yet dignified entreaty of the beautiful 
face, thrown a little back and sideways in the well-known 
attitude that expresses more than the words it 
accompanies, and which seems to have heen designed 
for these special occasions. Had the woman not been 
his wife, Troy would have succumbed instantly; as it 
was, he thought he would not deceive her longer. 
</p>
            <p>‘The money is not wanted for racing debts at all,’ 
he said. 
</p>
            <p>‘What is it for?’ she asked. ‘You worry me a great 
deal by these mysterious responsibilities, Frank.’ 
</p>
            <p>Troy hesitated. He did not now love her enough 
to allow himself to be carried too far by her ways. Yet 
it was necessary to be civil. ‘You wrong me by such 
a suspicious manner,’ he said. ‘Such strait-waistcoating 
as you treat me to is not becoming in you at so early a 
date.’ 
</p>
            <p>‘I think that I have a right to grumble a little if I 
pay,’ she said, with features between a smile and a pout. 
</p>
            <p>‘Exactly; and, the former being done, suppose we 
proceed to the latter. Bathsheba, fun is all very well, 
but don't go too far, or you may have cause to regret 
something.’ 
</p>
            <p>She reddened. ‘I do that already,’ she said, quickly. 
</p>
            <p>‘What do you regret?’ 
</p>
            <p>‘That my romance has come to an end.’ 
</p>
            <p>‘All romances end at marriage.’ 
</p>
            <p>‘I wish you wouldn't talk like that. You grieve me 
to my soul by being smart at my expense.’ 
</p>
            <p>‘You are dull enough at mine. I believe you hate me.’ 
</p>
            <p>‘Not you — only your faults. I do hate them.’ 
</p>
            <p>‘'Twould be much more becoming if you set yourself 
to cure them. Come, let's strike a balance with 
the twenty pounds, and be friends.’ 
</p>
            <p>She gave a sigh of resignation. ‘I have about that 
sum here for household expenses. If you must have it, 
take it.’ 
</p>
            <p>‘Very good. Thank you. I expect I shall have 
gone away before you are in to breakfast to-morrow.’ 
</p>
            <p>‘And must you go? Ah! there was a time, Frank, 
when it would have taken a good many promises to 
other people to drag you away from me. You used to 
call me darling, then. <pb n="331"/>
But it doesn't matter to you how my days are passed now.’ 
</p>
            <p>‘I must go, in spite of sentiment.’ Troy, as he 
spoke, looked at his watch, and, apparently actuated by 
<foreign xml:lang="lat">non lucendo</foreign> principles, opened the case at the back, 
revealing, snugly stowed within it, a small coil of hair. 
</p>
            <p>Bathsheba's eyes had been accidentally lifted at that 
moment, and she saw the action and saw the hair. She 
flushed in pain and surprise, and some words escaped 
her before she had thought whether or not it was wise 
to utter them. ‘A woman's curl of hair!’ she said. 
‘O, Frank, whose is that?’ 
</p>
            <p>Troy had instantly closed his watch. He carelessly 
replied, as one who cloaked some feelings that the sight 
had stirred: ‘Why, yours, of course. Whose should it 
be? I had quite forgotten that I had it.’ 
</p>
            <p>‘What a dreadful fib, Frank!’ 
</p>
            <p>‘I tell you I had forgotten it!’ he said, loudly. 
</p>
            <p>‘I don't mean that — it was yellow hair.’ 
</p>
            <p>‘Nonsense.’ 
</p>
            <p>‘That's insulting me. I know it was yellow. Now 
whose was it? I want to know.’ 
</p>
            <p>‘Very well — I'll tell you, so make no more ado. It 
is the hair of a young woman I was going to marry before I knew you.’ 
</p>
            <p>‘You ought to tell me her name, then.’ 
</p>
            <p>‘I cannot do that.’ 
</p>
            <p>‘Is she married yet?’ 
</p>
            <p>‘No.’ 
</p>
            <p>‘Is she alive?’ 
</p>
            <p>‘Yes.’ 
</p>
            <p>‘Is she pretty?’ 
</p>
            <p>‘Yes.’ 
</p>
            <p>‘It is wonderful how she can be, poor thing, under 
such an awful affliction!’ 
</p>
            <p>‘Affliction — what affliction?’ he inquired, quickly. 
</p>
            <p>‘Having hair of that dreadful colour.’ 
</p>
            <p>‘Oh — ho — I like that!’ said Troy, recovering himself. 
‘Why, her hair has been admired by everybody 
who has seen her since she has worn it loose, which has 
not been long. It is <pb n="332"/>
beautiful hair. People used to 
turn their heads to look at it, poor girl!’ 
</p>
            <p>‘Pooh! that's nothing — that's nothing!’ she exclaimed, 
in incipient accents of pique. ‘If I cared for 
your love as much as I used to I could say people had 
turned to look at mine.’ 
</p>
            <p>‘Bathsheba, don't be so fitful and jealous. You 
knew what married life would be like, and shouldn't 
have entered it if you feared these contingencies.’ 
</p>
            <p>Troy had by this time driven her to bitterness: her 
heart was big in her throat, and the ducts to her eyes 
were painfully full. Ashamed as she was to show 
emotion, at last she burst out: — 
</p>
            <p>‘This is all I get for loving you so well! Ah! when 
I married you your life was dearer to me than my own. 
I would have died for you — how truly I can say that I 
would have died for you! And now you sneer at my 
foolishness in marrying you. O! is it kind to me to 
throw my mistake in my face? Whatever opinion you 
may have of my wisdom, you should not tell me of it so 
mercilessly, now that I am in your power.’ 
</p>
            <p>‘I can't help how things fall out,’ said Troy; ‘upon 
my heart, women will be the death of me!’ 
</p>
            <p>‘Well you shouldn't keep people's hair. You'll 
burn it, won't you, Frank?’ 
</p>
            <p>Frank went on as if he had not heard her. ‘There 
are considerations even before my consideration for you; 
reparations to be made — ties you know nothing of. If 
you repent of marrying, so do I.’ 
</p>
            <p>Trembling now, she put her hand upon his arm, 
saying, in mingled tones of wretchedness and coaxing, 
‘I only repent it if you don't love me better than any 
woman in the world! I don't otherwise, Frank. You 
don't repent because you already love somebody better 
than you love me, do you?’ 
</p>
            <p>‘I don't know. Why do you say that?’ 
</p>
            <p>‘You won't burn that curl. You like the woman 
who owns that pretty hair — yes; it is pretty — more 
beautiful than my miserable black mane! Well, it is 
no use; I can't help being ugly. You must like her 
best, if you will!’ 
</p>
            <p>‘Until to-day, when I took it from a drawer, I have never <pb n="333"/>
looked upon that bit of hair for several months — 
that I am ready to swear.’ 
</p>
            <p>‘But just now you said “ties”; and then — that 
woman we met?’ 
</p>
            <p>‘'Twas the meeting with her that reminded me of 
the hair.’ 
</p>
            <p>‘Is it hers, then?’ 
</p>
            <p>‘Yes. There, now that you have wormed it out of 
me, I hope you are content.’ 
</p>
            <p>‘And what are the ties?’ 
</p>
            <p>‘Oh! that meant nothing — a mere jest.’ 
</p>
            <p>‘A mere jest!’ she said, in mournful astonishment. 
‘Can you jest when I am so wretchedly in earnest? 
Tell me the truth, Frank. I am not a fool, you know, 
although I am a woman, and have my woman's moments. 
Come! treat me fairly,’ she said, looking honestly and 
fearlessly into his face. ‘I don't want much; bare 
justice — that's all! Ah! once I felt I could be content 
with nothing less than the highest homage from the 
husband I should choose. Now, anything short of 
cruelty will content me. Yes! the independent and 
spirited Bathsheba is come to this!’ 
</p>
            <p>‘For Heaven's sake don't be so desperate!’ Troy 
said, snappishly, rising as he did so, and leaving the 
room. 
</p>
            <p>Directly he had gone, Bathsheba burst into great 
sobs — dry-eyed sobs, which cut as they came, without 
any softening by tears. But she determined to repress 
all evidences of feeling. She was conquered; but she 
would never own it as long as she lived. Her pride 
was indeed brought low by despairing discoveries of her 
spoliation by marriage with a less pure nature than her 
own. She chafed to and fro in rebelliousness, like a 
caged leopard; her whole soul was in arms, and the 
blood fired her face. Until she had met Troy, Bathsheba 
had heen proud of her position as a woman; it 
had been a glory to her to know that her lips had been 
touched by no man's on earth — that her waist had 
never been encircled by a lover's arm. She hated 
herself now. In those earlier days she had always 
nourished a secret contempt for girls who were the 
slaves of the first good-looking young fellow who should 
choose to salute them. She had never taken kindly to 
the idea of <pb n="334"/>
marriage in the abstract as did the majority 
of women she saw about her. In the turmoil of her 
anxiety for her lover she had agreed to marry him; but 
the perception that had accompanied her happiest hours 
on this account was rather that of self-sacrifice than of 
promotion and honour. Although she scarcely knew 
the divinity's name, Diana was the goddess whom 
Bathsheba instinctively adored. That she had never, 
by look, word, or sign, encouraged a man to approach 
her — that she had felt herself sufficient to herself, and 
had in the independence of her girlish heart fancied 
there was a certain degradation in renouncing the 
simplicity of a maiden existence to become the humbler 
half of an indifferent matrimonial whole — were facts 
now bitterly remembered. O, if she had never 
stooped to folly of this kind, respectable as it was, and 
could only stand again, as she had stood on the hill at 
Norcombe, and dare Troy or any other man to pollute 
a hair of her head by his interference! 
</p>
            <p>The next morning she rose earlier than usual, and 
had the horse saddled for her ride round the farm in 
the customary way. When she came in at half-past 
eight — their usual hour for breakfasting — she was informed 
that her husband had risen, taken his breakfast, 
and driven off to Casterbridge with the gig and Poppet. 
</p>
            <p>After breakfast she was cool and collected — quite 
herself in fact — and she rambled to the gate, intending 
to walk to another quarter of the farm, which she still 
personally superintended as well as her duties in the 
house would permit, continually, however, finding herself 
preceded in forethought by Gabriel Oak, for whom 
she began to entertain the genuine friendship of a sister. 
Of course, she sometimes thought of him in the light of 
an old lover, and had momentary imaginings of what 
life with him as a husband would have been like; also 
of life with Boldwood under the same conditions. But 
Bathsheba, though she could feel, was not much given 
to futile dreaming, and her musings under this head 
were short and entirely confined to the times when 
Troy's neglect was more than ordinarily evident. 
</p>
            <p>She saw coming up the road a man like Mr Boldwood. <pb n="335"/>
It was Mr Boldwood. Bathsheba blushed painfully, 
and watched. The farmer stopped when still a long 
way off, and held up his hand to Gabriel Oak, who was 
in a footpath across the field. The two men then 
approached each other and seemed to engage in 
earnest conversation. 
</p>
            <p>Thus they continued for a long time. Joseph Poorgrass 
now passed near them, wheeling a barrow of apples 
up the hill to Bathsheba's residence. Boldwood and 
Gabriel called to him, spoke to him for a few minutes, 
and then all three parted, Joseph immediately coming 
up the hill with his barrow. 
</p>
            <p>Bathsheba, who had seen this pantomime with some 
surprise, experienced great relief when Boldwood turned 
back again. ‘Well, what's the message, Joseph?’ she 
said. 
</p>
            <p>He set down his barrow, and, putting upon himself 
the refined aspect that a conversation with a lady required, 
spoke to Bathsheba over the gate. 
</p>
            <p>‘You'll never see Fanny Robin no more — use nor 
principal — ma'am.’ 
</p>
            <p>‘Why?’ 
</p>
            <p>‘Because she's dead in the Union.’ 
</p>
            <p>‘Fanny dead — never!’ 
</p>
            <p>‘Yes, ma'am.’ 
</p>
            <p>‘What did she die from?‘ 
</p>
            <p>‘I don't know for certain; but I should be inclined 
to think it was from general neshness of constitution. 
She was such a limber maid that 'a could stand no 
hardship, even when I knowed her, and 'a went like a 
candle-snoff, so 'tis said. She was took bad in the 
morning, and, being quite feeble and worn out, she 
died in the evening. She belongs by law to our parish; 
and Mr Boldwood is going to send a waggon at three 
this afternoon to fetch her home here and bury her.’ 
</p>
            <p>‘Indeed I shall not let Mr Boldwood do any such 
thing — I shall do it! Fanny was my uncle's servant, 
and, although I only knew her for a couple of days, 
she belongs to me. How very, very sad this is! — 
the idea of Fanny being in a workhouse.’ Bathsheba 
had begun to know what suffering was, and she spoke 
with real feeling.... ‘Send across to Mr Boldwood's, 
and say that Mrs Troy will take upon herself the duty <pb n="336"/>
of fetching an old servant of the family.... We 
ought not to put her in a waggon; we'll get a hearse.’ 
</p>
            <p>‘There will hardly be time, ma'am, will there?’ 
</p>
            <p>‘Perhaps not,’ she said, musingly. ‘When did you 
say we must be at the door — three o'clock?’ 
</p>
            <p>‘Three o'clock this afternoon, ma'am, so to speak it.’ 
</p>
            <p>‘Very well — you go with it. A pretty waggon is 
better than an ugly hearse, after all. Joseph, have the 
new spring waggon with the blue body and red wheels, 
and wash it very clean. And, Joseph —’ 
</p>
            <p>‘Yes, ma'am.’ 
</p>
            <p>‘Carry with you some evergreens and flowers to put 
upon her coffin  — indeed, gather a great many, and 
completely bury her in them. Get some boughs of 
laurustinus, and variegated box, and yew, and boy's-love; 
ay, and some hunches of chrysanthemum. And let old 
Pleasant draw her, because she knew him so well.’ 
</p>
            <p>‘I will, ma'am. I ought to have said that the 
Union, in the form of four labouring men, will meet me 
when I gets to our churchyard gate, and take her and 
bury her according to the rites of the Board of Guardians, 
as by law ordained.’ 
</p>
            <p>‘Dear me — Casterbridge Union — and is Fanny come 
to this?’ said Bathsheba, musing. ‘I wish I had known 
of it sooner. I thought she was far away. How long 
has she lived there?’ 
</p>
            <p>‘On'y been there a day or two.’ 
</p>
            <p>‘Oh! — then she has not been staying there as a 
regular inmate?’ 
</p>
            <p>‘No. She first went to live in a garrison-town t'other 
side o' Wessex, and since then she's been picking up a 
living at seampstering in Melchester for several months, 
at the house of a very respectable widow-woman who 
takes in work of that sort. She only got handy the 
Union-house on Sunday morning 'a b'lieve, and 'tis supposed 
here and there that she had traipsed every step 
of the way from Melchester. Why she left her place, 
I can't say, for I don't know; and as to a lie, why, I 
wouldn't tell it. That's the short of the story, ma'am.’ 
</p>
            <p>‘Ah-h!’ 
<pb n="337"/>
            </p>
            <p>No gem ever flashed from a rosy ray to a white one 
more rapidly than changed the young wife's countenance 
whilst this word came from her in a long-drawn 
breath. ‘Did she walk along our turnpike-road?’ she 
said, in a suddenly restless and eager voice. 
</p>
            <p>‘I believe she did.... Ma'am, shall I call Liddy? 
You bain't well, ma'am, surely? You look like a lily — 
so pale and fainty!’ 
</p>
            <p>‘No; don't call her; it is nothing. When did she 
pass Weatherbury?’ 
</p>
            <p>‘Last Saturday night.’ 
</p>
            <p>‘That will do, Joseph; now you may go.’ 
</p>
            <p>‘Certainly, ma'am.’ 
</p>
            <p>‘Joseph, come hither a moment. What was the 
colour of Fanny Robin's hair?’ 
</p>
            <p>‘Really, mistress, now that 'tis put to me so judge-and-jury 
like, I can't call to mind, if ye'll believe me!’ 
</p>
            <p>‘Never mind; go on and do what I told you. Stop 
— well no, go on.’ 
</p>
            <p>She turned herself away from him, that he might no 
longer notice the mood which had set its sign so visibly 
upon her, and went indoors with a distressing sense of 
faintness and a beating brow. About an hour after, she 
heard the noise of the waggon and went out, still with a 
painful consciousness of her bewildered and troubled 
look. Joseph, dressed in his best suit of clothes, was 
putting in the horse to start. The shrubs and flowers 
were all piled in the waggon, as she had directed 
Bathsheba hardly saw them now. 
</p>
            <p>‘Whose sweetheart did you say, Joseph?’ 
</p>
            <p>‘I don't know, ma'am.’ 
</p>
            <p>‘Are you quite sure?’ 
</p>
            <p>‘Yes, ma'am, quite sure.’ 
</p>
            <p>‘Sure of what?’ 
</p>
            <p>‘I'm sure that all I know is that she arrived in the 
morning and died in the evening without further parley. 
What Oak and Mr Boldwood told me was only these 
few words. “Little Fanny Robin is dead, Joseph,” 
Gabriel said, looking in my face in his steady old way. 
I was very sorry, and I said, “Ah! — and how did she <pb n="338"/>
come to die?” “Well, she's dead in Casterhridge 
Union,” he said; “and perhaps 'tisn't much matter 
about how she came to die. She reached the Union 
early Sunday morning, and died in the afternoon — that's 
clear enough.” Then I asked what she'd been doing 
lately, and Mr Boldwood turned round to me then, and 
left off spitting a thistle with the end of his stick. He 
told me about her having lived by seampstering in 
Melchester, as I mentioned to you, and that she walked 
therefrom at the end of last week, passing near here 
Saturday night in the dusk. They then said I had 
better just name a hent of her death to you, and away 
they went. Her death might have been brought on by 
biding in the night wind, you know, ma'am; for people 
used to say she'd go off in a decline: she used to cough 
a good deal in winter time. However, 'tisn't much 
odds to us about that now, for 'tis all over.’ 
</p>
            <p>‘Have you heard a different story at all?’ She 
looked at him so intently that Joseph's eyes quailed. 
</p>
            <p>‘Not a word, mistress, I assure 'ee!’ he said. 
</p>
            <p>‘Hardly anybody in the parish knows the news yet.’ 
</p>
            <p>‘I wonder why Gabriel didn't bring the message to 
me himself. He mostly makes a point of seeing me 
upon the most trifling errand.’ These words were 
merely murmured, and she was looking upon the ground. 
</p>
            <p>‘Perhaps he was busy, ma'am,’ Joseph suggested. 
‘And sometimes he seems to suffer from things upon 
his mind, connected with the time when he was better 
off than 'a is now. 'A's rather a curious item, but a 
very understanding shepherd, and learned in books.’ 
</p>
            <p>‘Did anything seem upon his mind whilst he was 
speaking to you about this?’ 
</p>
            <p>‘I cannot but say that there did, ma'am. He was 
terrible down, and so was Farmer Boldwood.’ 
</p>
            <p>‘Thank you, Joseph. That will do. Go on now, 
or you'll be late.’ 
</p>
            <p>Bathsheba, still unhappy, went indoors again. In 
the course of the afternoon she said to Liddy, Who had 
been informed of the occurrence, ‘What was the colour <pb n="339"/>
of poor Fanny Robin's hair? Do you know? I cannot 
recollect — I only saw her for a day or two.’ 
</p>
            <p>‘It was light, ma'am; but she wore it rather short, 
and packed away under her cap, so that you would 
hardly notice it. But I have seen her let it down when 
she was going to bed, and it looked beautiful then. 
Real golden hair.’ 
</p>
            <p>‘Her young man was a soldier, was he not?’ 
</p>
            <p>‘Yes. In the same regiment as Mr Troy. He says 
he knew him very well.’ 
</p>
            <p>‘What, Mr Troy says so? How came he to say that?’ 
</p>
            <p>‘One day I just named it to him, and asked him if 
he knew Fanny's young man. He said, “O yes, he 
knew the young man as well as he knew himself, and 
that there wasn't a man in the regiment he liked 
better.”’ 
</p>
            <p>‘Ah! Said that, did he?’ 
</p>
            <p>‘Yes; and he said there was a strong likeness between 
himself and the other young man, so that sometimes 
people mistook them —’ 
</p>
            <p>‘Liddy, for Heaven's sake stop your talking!’ said 
Bathsheba, with the nervous petulance that comes from 
worrying perceptions. 
</p>
         </div>
         <div n="C42" type="chapter">
            <pb n="340"/>
            <head>JOSEPH AND HIS BURDEN — BUCK'S HEAD</head>
            <p>A WALL bounded the site of Casterbridge Unionhouse, 
except along a portion of the end. Here a high 
gable stood prominent, and it was covered like the front 
with a mat of ivy. In this gable was no window, 
chimney, ornament, or protuberance of any kind. The 
single feature appertaining to it, beyond the expanse of 
dark green leaves, was a small door. 
</p>
            <p>The situation of the door was peculiar. The sill 
was three or four feet above the ground, and for a 
moment one was at a loss for an explanation of this 
exceptional altitude, till ruts immediately beneath suggested 
that the door was used solely for the passage of 
articles and persons to and from the level of a vehicle 
standing on the outside. Upon the whole, the door 
seemed to advertise itself as a species of Traitor's Gate 
translated to another sphere. That entry and exit 
hereby was only at rare intervals became apparent on 
noting that tufts of grass were allowed to flourish undisturbed 
in the chinks of the sill. 
</p>
            <p>As the clock over the South-street Alms-house pointed 
to five minutes to three, a blue spring waggon, picked 
out with red, and containing boughs and flowers, passed 
the end of the street, and up towards this side of the 
building. Whilst the chimes were yet stammering out 
a shattered form of ‘Malbrook,’ Joseph Poorgrass rang 
the bell, and received directions to back his waggon 
against the high door under the gable. The door then 
opened, and a plain elm coffin was slowly thrust forth, 
and laid by two men in fustian along the middle of the 
vehicle. 
</p>
            <p>One of the men then stepped up beside it, took from 
his pocket a lump of chalk, and wrote upon the cover 
the name and a few other words in a large scrawling 
hand. (We believe that they do these things more 
tenderly now, and provide a <pb n="341"/>
plate.) He covered the 
whole with a black cloth, threadbare, but decent, the 
tail-board of the waggon was returned to its place, one 
of the men handed a certificate of registry to Poorgrass, 
and both entered the door, closing it hehind them. 
Their connection with her, short as it had been, was 
over for ever. 
</p>
            <p>Joseph then placed the flowers as enjoined, and the 
evergreens around the flowers, till it was difficult to 
divine what the waggon contained; he smacked his 
whip, and the rather pleasing funeral car crept down 
the hill, and along the road to Weatherbury. 
</p>
            <p>The afternoon drew on apace, and, looking to the 
right towards the sea as he walked beside the horse, Poorgrass 
saw strange clouds and scrolls of mist rolling over 
the long ridges which girt the landscape in that quarter. 
They came in yet greater volumes, and indolently crept 
across the intervening valleys, and around the withered 
papery flags of the moor and river brinks. Then their 
dank spongy forms closed in upon the sky. It was 
a sudden overgrowth of atmospheric fungi which had 
their roots in the neighbouring sea, and by the time 
that horse, man, and corpse entered Yalbury Great 
Wood, these silent workings of an invisible hand had 
reached them, and they were completely enveloped, 
this being the first arrival of the autumn fogs, and the 
first fog of the series. 
</p>
            <p>The air was as an eye suddenly struck blind. The 
waggon and its load rolled no longer on the horizontal 
division between clearness and opacity, but were 
imbedded in an elastic body of a monotonous pallor 
throughout. There was no perceptible motion in the 
air, not a visible drop of water fell upon a leaf of the 
beeches, birches, and firs composing the wood on either 
side. The trees stood in an attitude of intentness, as if 
they waited longingly for a wind to come and rock 
them. A startling quiet overhung all surrounding things 
— so completely, that the crunching of the waggon-wheels 
was as a great noise, and small rustles, which 
had never obtained a hearing except by night, were distinctly 
individualized. 
</p>
            <p>Joseph Poorgrass looked round upon his sad burden 
as it loomed faintly through the flowering laurustinus, 
then at the <pb n="342"/>
unfathomable gloom amid the high trees on 
each hand, indistinct, shadowless, and spectre-like in 
their monochrome of grey. He felt anything but cheerful, 
and wished he had the company even of a child or 
dog. Stopping the horse, he listened. Not a footstep 
or wheel was audible anywhere around, and the dead 
silence was broken only by a heavy particle falling from 
a tree through the evergreens and alighting with a smart 
rap upon the coffin of poor Fanny. The fog had by 
this time saturated the trees, and this was the first 
dropping of water from the overbrimming leaves. The 
hollow echo of its fall reminded the waggoner painfully 
of the grim Leveller. Then hard by came down another 
drop, then two or three. Presently there was a continual 
tapping of these heavy drops upon the dead leaves, the 
road, and the travellers. The nearer boughs were beaded 
with the mist to the greyness of aged men, and the rusty-red 
leaves of the beeches were hung with similar drops, 
like diamonds on auburn hair. 
</p>
            <p>At the roadside hamlet called Roy-Town, just beyond 
this wood, was the old inn Buck's Head. It was about 
a mile and a half from Weatherbury, and in the meridian 
times of stage-coach travelling had been the place 
where many coaches changed and kept their relays 
of horses. All the old stabling was now pulled down, 
and little remained besides the habitable inn itself, 
which, standing a little way back from the road, signified 
its existence to people far up and down the 
highway by a sign hanging from the horizontal bough 
of an elm on the opposite side of the way. 
</p>
            <p>Travellers  — for the variety <hi>tourist</hi> had hardly 
developed into a distinct species at this date — sometimes 
said in passing, when they cast their eyes up to 
the sign-bearing tree, that artists were fond of representing 
the signboard hanging thus, but that they 
themselves had never before noticed so perfect an 
instance in actual working order. It was near this tree 
that the waggon was standing into which Gabriel Oak 
crept on his first journey to Weatherbury; but, owing 
to the darkness, the sign and the inn had been unobserved. 
</p>
            <p>The manners of the inn were of the old-established <pb n="343"/>
type. Indeed, in the minds of its frequenters they 
existed as unalterable formule: <hi>e.g.</hi> — 
<q>
                  <l>Rap with the bottom of your pint for more liquor. </l>
                  <l>For tobacco, shout. </l>
                  <l>In calling for the girl in waiting, say, ‘Maid!’ </l>
                  <l>Ditto for the landlady, ‘Old Soul!’, etc., etc. </l>
               </q>
            </p>
            <p>It was a relief to Joseph's heart when the friendly 
signboard came in view, and, stopping his horse 
immediately beneath it, he proceeded to fulfil an 
intention made a long time before. His spirits were 
oozing out of him quite. He turned the horse's head 
to the green bank, and entered the hostel for a mug 
of ale. 
</p>
            <p>Going down into the kitchen of the inn, the floor 
of which was a step below the passage, which in its 
turn was a step below the road outside, what should 
Joseph see to gladden his eyes but two copper-coloured 
discs, in the form of the countenances of Mr Jan 
Coggan and Mr Mark Clark. These owners of the 
two most appreciative throats in the neighbourhood, 
within the pale of respectability, were now sitting face 
to face over a three-legged circular table, having an 
iron rim to keep cups and pots from being accidentally 
elbowed off; they might have been said to resemble 
the setting sun and the full moon shining <foreign xml:lang="fre">vis-à-vis</foreign>
across the globe. 
</p>
            <p>‘Why, 'tis neighbour Poorgrass!’ said Mark Clark. 
</p>
            <p>‘I'm sure your face don't praise your mistress's table, 
Joseph.’ 
</p>
            <p>‘I've had a very pale companion for the last four 
miles,’ said Joseph, indulging in a shudder toned 
down by resignation. ‘And to speak the truth, 'twas 
beginning to tell upon me. I assure ye, I ha'n't seed 
the colour of victuals or drink since breakfast time 
this morning, and that was no more than a dew-bit 
afield.’ 
</p>
            <p>‘Then drink, Joseph, and don't restrain yourself!’ 
said Coggan, handing him a hooped mug three-quarters 
full. 
</p>
            <p>Joseph drank for a moderately long time, then for 
a longer time, saying, as he lowered the jug, ‘'Tis 
pretty drinking — very <pb n="344"/>
pretty drinking, and is more 
than cheerful on my melancholy errand, so to speak it.’ 
</p>
            <p>‘True, drink is a pleasant delight,’ said Jan, as one 
who repeated a truism so familiar to his brain that he 
hardly noticed its passage over his tongue; and, 
lifting the cup, Coggan tilted his head gradually 
backwards, with closed eyes, that his expectant soul 
might not be diverted for one instant from its bliss 
by irrelevant surroundings. 
</p>
            <p>‘Well, I must be on again,’ said Poorgmss. ‘Not 
but that I should like another nip with ye; but the 
parish might lose confidence in me if I was seed 
here.’ 
</p>
            <p>‘Where be ye trading o't to to-day, then, Joseph?’ 
</p>
            <p>‘Back to Weatherbury. I've got poor little Fanny 
Robin in my waggon outside, and I must be at the 
churchyard gates at a quarter to five with her.’ 
</p>
            <p>‘Ay — I've heard of it. And so she's nailed up in 
parish boards after all, and nobody to pay the bell 
shilling and the grave half-crown.’ 
</p>
            <p>‘The parish pays the grave half-crown, but not the 
bell shilling, because the bell's a luxery: but 'a can 
hardly do without the grave, poor body. However, I 
expect our mistress will pay all.’ 
</p>
            <p>‘A pretty maid as ever I see! But what's yer hurry, 
Joseph? The pore woman's dead, and you can't bring 
her to life, and you may as well sit down comfortable, 
and finish another with us.’ 
</p>
            <p>‘I don't mind taking just the least thimbleful ye 
can dream of more with ye, sonnies. But only a few 
minutes, because 'tis as 'tis.’ 
</p>
            <p>‘Of course, you'll have another drop. A man's 
twice the man afterwards. You feel so warm and 
glorious, and you whop and slap at your work without 
any trouble, and everything goes on like sticks a-breaking. 
Too much liquor is bad, and leads us to 
that horned man in the smoky house; but after all, 
many people haven't the gift of enjoying a wet, and 
since we be highly favoured with a power that way, 
we should make the most o't.’ 
</p>
            <p>‘True,’ said Mark Clark. ‘'Tis a talent the Lord <pb n="345"/>
has mercifully bestowed upon us, and we ought not 
to neglect it. But, what with the parsons and clerks 
and school-people and serious tea-parties, the merry 
old ways of good life have gone to the dogs — upon 
my carcase, they have!’ 
</p>
            <p>‘Well, really, I must be onward again now,’ said 
Joseph. 
</p>
            <p>‘Now, now, Joseph; nonsense! The poor woman 
is dead, isn't she, and what's your hurry?’ 
</p>
            <p>‘Well, I hope Providence won't be in a way with 
me for my doings,’ said Joseph, again sitting down. 
</p>
            <p>‘I've been troubled with weak moments lately, 'tis 
true. I've been drinky once this month already, and 
I did not go to church a-Sunday, and I dropped a 
curse or two yesterday; so I don't want to go too far 
for my safety. Your next world is your next world, 
and not to be squandered offhand.’ 
</p>
            <p>‘I believe ye to be a chapel-member, Joseph. That 
I do.’ 
</p>
            <p>‘Oh, no, no! I don't go so far as that.’ 
</p>
            <p>‘For my part,’ said Coggan, ‘I'm staunch Church 
of England.’ 
</p>
            <p>‘Ay, and faith, so be I,’ said Mark Clark. 
</p>
            <p>‘I won't say much for myself; I don't wish to,’ 
Coggan continued, with that tendency to talk on 
principles which is characteristic of the barley-corn. 
</p>
            <p>‘But I've never changed a single doctrine: I've stuck 
like a plaster to the old faith I was born in. Yes; 
there's this to be said for the Church, a man can 
belong to the Church and bide in his cheerful old 
inn, and never trouble or worry his mind about 
doctrines at all. But to be a meetinger, you must 
go to chapel in all winds and weathers, and make 
yerself as frantic as a skit. Not but that chapei 
members be clever chaps enough in their way. They 
can lift up beautiful prayers out of their own heads, all 
about their families and shipwracks in the newspaper.’ 
</p>
            <p>‘They can — they can,’ said Mark Clark, with corroborative 
feeling; ‘but we Churchmen, you see, must 
have it all printed aforehand, or, dang it all, we should 
no more know what to say to a great gaffer like the 
Lord than babes unborn,’ 
</p>
            <p>‘Chapelfolk be more hand-in-glove with them above 
than we,’ said Joseph, thoughtfully. 
</p>
            <p>‘Yes,’ said Coggan. ‘We know very well that if 
anybody do go to heaven, they will. They've worked 
hard for it, and they <pb n="346"/>
deserve to have it, such as 'tis. 
I bain't such a fool as to pretend that we who stick 
to the Church have the same chance as they, because 
we know we have not. But I hate a feller who'll 
change his old ancient doctrines for the sake of getting 
to heaven. I'd as soon turn king's-evidence for the 
few pounds you get. Why, neighbours, when every 
one of my taties were frosted, our Parson Thirdly 
were the man who gave me a sack for seed, though 
he hardly had one for his own use, and no money to 
buy 'em. If it hadn't been for him, I shouldn't hae 
had a tatie to put in my garden. D'ye think I'd 
turn after that? No, I'll stick to my side; and if we 
be in the wrong, so be it: I'll fall with the fallen!’ 
</p>
            <p>‘Well said — very well said,’ observed Joseph. — 
</p>
            <p>‘However, folks, I must be moving now: upon my life 
I must. Pa'son Thirdly will be waiting at the church 
gates, and there's the woman a-biding outside in the 
waggon.’ 
</p>
            <p>‘Joseph Poorgrass, don't be so miserable! Pa'son 
Thirdly won't mind. He's a generous man; he's found 
me in tracts for years, and I've consumed a good many 
in the course of a long and shady life; but he's never 
been the man to cry out at the expense. Sit down.’ 
</p>
            <p>The longer Joseph Poorgrass remained, the less his 
spirit was troubled by the duties which devolved upon 
him this afternoon. The minutes glided by uncounted, 
until the evening shades began perceptibly to deepen, 
and the eyes of the three were but sparkling points 
on the surface of darkness. Coggan's repeater struck 
six from his pocket in the usual still small tones. 
</p>
            <p>At that moment hasty steps were heard in the entry, 
and the door opened to admit the figure of Gabriel Oak, 
followed by the maid of the inn bearing a candle. He 
stared sternly at the one lengthy and two round faces 
of the sitters, which confronted him with the expressions 
of a fiddle and a couple of warming-pans. Joseph Poorgrass 
blinked, and shrank several inches into the background. 
</p>
            <p>‘Upon my soul, I'm ashamed of you; 'tis disgraceful, 
Joseph, disgraceful!’ said Gabriel, indignantly. ‘Coggan, 
you call yourself a man, and don't know better than this.’ <pb n="347"/>
Coggan looked up indefinitely at Oak, one or other 
of his eyes occasionally opening and closing of its own 
accord, as if it were not a member, but a dozy individual 
with a distinct personality. 
</p>
            <p>‘Don't take on so, shepherd!’ said Mark Clark, 
looking reproachfully at the candle, which appeared 
to possess special features of interest for his eyes. 
</p>
            <p>‘Nobody can hurt a dead woman,’ at length said 
Coggan, with the precision of a machine. ‘All that 
could be done for her is done — she's beyond us: and 
why should a man put himself in a tearing hurry for 
lifeless clay that can neither feel nor see, and don't 
know what you do with her at all? If she'd been 
alive, I would have been the first to help her. If she 
now wanted victuals and drink, I'd pay for it, money 
down. But she's dead, and no speed of ours will 
bring her to life. The woman's past us — time spent 
upon her is throwed away: why should we hurry to 
do what's not required? Drink, shepherd, and be 
friends, for to-morrow we may be like her.’ 
</p>
            <p>‘We may,’ added Mark Clark, emphatically, at once 
drinking himself, to run no further risk of losing his 
chance by the event alluded to, Jan meanwhile merging 
his additional thoughts of to-morrow in a song: — 
<q>
                  <l>To-mor-row, to-mor-row! </l>
                  <l>And while peace and plen-ty I find at my board, </l>
                  <l>With a heart free from sick-ness and sor-row, </l>
                  <l>With my friends will I share what to-day may af-ford, </l>
                  <l>And let them spread the ta-ble to-mor-row. </l>
                  <l>To-mor-row, to-mor — </l>
               </q>
            </p>
            <p>‘Do hold thy horning, Jan!’ said Oak; and turning 
upon Poorgrass, ‘as for you, Joseph, who do your wicked 
deeds in such confoundedly holy ways, you are as drunk 
as you can stand.’ 
</p>
            <p>‘No, Shepherd Oak, no! Listen to reason, shepherd. 
All that's the matter with me is the affliction called a 
multiplying eye, and that's how it is I look double to 
you — I mean, you look double to me.’ 
</p>
            <p>‘A multiplying eye is a very bad thing,’ said Mark 
Clark. 
<pb n="348"/>
            </p>
            <p>‘It always comes on when I have been in a public — 
house a little time,’ said Joseph Poorgrass, meekly. 
</p>
            <p>‘Yes; I see two of every sort, as if I were some holy 
man living in the times of King Noah and entering 
into the ark.... Y-y-y-yes,’ he added, becoming much 
affected by the picture of himself as a person thrown 
away, and shedding tears; ‘I feel too good for England: 
I ought to have lived in Genesis by rights, like the other 
men of sacrifice, and then I shouldn't have b-b-been 
called a d-d-drunkard in such a way!’ 
</p>
            <p>‘I wish you'd show yourself a man of spirit, and not 
sit whining there!’ 
</p>
            <p>‘Show myself a man of spirit? ... Ah, well! let 
me take the name of drunkard humbly — let me be a 
man of contrite knees — let it be! I know that I always 
do say “Please God” afore I do anything, from my 
getting up to my going down of the same, and I be 
willing to take as much disgrace as there is in that 
holy act. Hah, yes! ... But not a man of spirit? 
Have I ever allowed the toe of pride to be lifted 
against my hinder parts without groaning manfully that 
I question the right to do so? I inquire that query 
boldly?’ 
</p>
            <p>‘We can't say that you have, Hero Poorgrass,’ 
admitted Jan. 
</p>
            <p>‘Never have I allowed such treatment to pass unquestioned! 
Yet the shepherd says in the face of that 
rich testimony that I be not a man of spirit! Well, 
let it pass by, and death is a kind friend!’ 
</p>
            <p>Gabriel, seeing that neither of the three was in a fit 
state to take charge of the waggon for the remainder of 
the journey, made no reply, but, closing the door again 
upon them, went across to where the vehicle stood, now 
getting indistinct in the fog and gloom of this mildewy 
time. He pulled the horse's head from the large patch 
of turf it had eaten bare, readjusted the boughs over 
the coffin, and drove along through the unwholesome 
night. 
</p>
            <p>It had gradually become rumoured in the village 
that the body to be brought and buried that day was 
all that was left of the unfortunate Fanny Robin who 
had followed the Eleventh from Casterbridge through 
Melchester and onwards. But, <pb n="349"/>
thanks to Boldwood's 
reticence and Oak's generosity, the lover she had followed 
had never been individualized as Troy. Gabriel hoped 
that the whole truth of the matter might not be published 
till at any rate the girl had been in her grave for a few 
days, when the interposing barriers of earth and time, 
and a sense that the events had been somewhat shut 
into oblivion, would deaden the sting that revelation and 
invidious remark would have for Bathsheba just now. 
</p>
            <p>By the time that Gabriel reached the old manor-house, 
her residence, which lay in his way to the church, 
it was quite dark. A man came from the gate and said 
through the fog, which hung between them like blown 
flour — 
</p>
            <p>‘Is that Poorgrass with the corpse?’ 
Gabriel recognized the voice as that of the parson. 
</p>
            <p>‘The corpse is here, sir,’ said Gabriel. 
</p>
            <p>‘I have just been to inquire of Mrs Troy if she could 
tell me the reason of the delay. I am afraid it is too 
late now for the funeral to be performed with proper 
decency. Have you the registrar's certificate?’ 
</p>
            <p>‘No,’ said Gabriel. ‘I expect Poorgrass has that; 
and he's at the Buck's Head. I forgot to ask him 
for it.’ 
</p>
            <p>‘Then that settles the matter. We'll put off the 
funeral till to-morrow morning. The body may be 
brought on to the church, or it may be left here at 
the farm and fetched by the bearers in the morning. 
They waited more than an hour, and have now gone 
home.’ 
</p>
            <p>Gabriel had his reasons for thinking the latter a 
most objectionable plan, notwithstanding that Fanny 
had been an inmate of the farm-house for several years 
in the lifetime of Bathsheba's uncle. Visions of several 
unhappy contingencies which might arise from this delay 
flitted before him. But his will was not law, and he 
went indoors to inquire of his mistress what were her 
wishes on the subject. He found her in an unusual 
mood: her eyes as she looked up to him were suspicious 
and perplexed as with some antecedent thought. Troy 
had not yet returned. At first Bathsheba assented with 
a mien of indifference to his proposition that they should 
go on to the church at once with their burden; but 
immediately <pb n="350"/>
afterwards, following Gabriel to the gate, 
she swerved to the extreme of solicitousness on Fanny's 
account, and desired that the girl might be brought into 
the house. Oak argued upon the convenience of leaving 
her in the waggon, just as she lay now, with her flowers 
and green leaves about her, merely wheeling the vehicle 
into the coach-house till the morning, but to no purpose. 
‘It is unkind and unchristian,’ she said, ‘to leave the 
poor thing in a coach-house all night.’ 
</p>
            <p>‘Very well, then,’ said the parson. ‘And I will 
arrange that the funeral shall take place early to-morrow. 
Perhaps Mrs Troy is right in feeling that we 
cannot treat a dead fellow-creature too thoughtfully. 
We must remember that though she may have erred 
grievously in leaving her home, she is still our sister: 
and it is to be believed that God's uncovenanted 
mercies are extended towards her, and that she is a 
member of the flock of Christ.’ 
</p>
            <p>The parson's words spread into the heavy air with a 
sad yet unperturbed cadence, and Gabriel shed an 
honest tear. Bathsheba seemed unmoved. Mr 
Thirdly then left them, and Gabriel lighted a lantern. 
Fetching three other men to assist him, they bore the 
unconscious truant indoors, placing the coffin on two 
benches in the middle of a little sitting-room next the 
hall, as Bathsheba directed. 
</p>
            <p>Every one except Gabriel Oak then left the room. 
He still indecisively lingered beside the body. He was 
deeply troubled at the wretchedly ironical aspect that 
circumstances were putting on with regard to Troy's 
wife, and at his own powerlessness to counteract them, 
in spite of his careful manoeuvring all this day, the very 
worst event that could in any way have happened in 
connection with the burial had happened now. Oak 
imagined a terrible discovery resulting from this afternoon's 
work that might cast over Bathsheba's life a shade 
which the interposition of many lapsing years might but 
indifferently lighten, and which nothing at all might 
altogether remove. 
</p>
            <p>Suddenly, as in a last attempt to save Bathsheba 
from, at any rate, immediate anguish, he looked again, 
as he had looked before, at the chalk writing upon the <pb n="351"/>
coffin-lid. The scrawl was this simple one, ‘<hi>Fanny 
Robin and child</hi>.’ Gabriel took his handkerchief and 
carefully rubbed out the two latter words, leaving visible 
the inscription ‘<hi>Fanny Robin</hi>’ only. He then left the 
room, and went out quietly by the front door. 
</p>
         </div>
         <div n="C43" type="chapter">
            <pb n="352"/>
            <head>FANNY'S REVENGE</head>
            <p>‘DO you want me any longer ma'am?’ inquired Liddy, 
at a later hour the same evening, standing by the door 
with a chamber candlestick in her hand and addressing 
Bathsheba, who sat cheerless and alone in the large 
parlour beside the first fire of the season. 
</p>
            <p>‘No more to-night, Liddy.’ 
</p>
            <p>‘I'll sit up for master if you like, ma'am. I am not 
at all afraid of Fanny, if I may sit in my own room and 
have a candle. She was such a childlike, nesh young 
thing that her spirit couldn't appear to anybody if it 
tried, I'm quite sure.’ 
</p>
            <p>‘O no, no! You go to bed. I'll sit up for him 
myself till twelve o'clock, and if he has not arrived by 
that time, I shall give him up and go to bed too.’ 
</p>
            <p>‘It is half-past ten now.’ 
</p>
            <p>‘Oh! is it?’ 
</p>
            <p>‘Why don't you sit upstairs, ma'am?’ 
</p>
            <p>‘Why don't I?’ said Bathsheba, desultorily. ‘It 
isn t worth while — there's a fire here, Liddy.’ She 
suddenly exclaimed in an impulsive and excited whisper, 
‘Have you heard anything strange said of Fanny?’ 
The words had no sooner escaped her than an expression 
of unutterable regret crossed her face, and she 
burst into tears. 
</p>
            <p>‘No — not a word!’ said Liddy, looking at the 
weeping woman with astonishment. ‘What is it makes 
you cry so, ma'am; has anything hurt you?’ She came 
to Bathsheba's side with a face full of sympathy. 
</p>
            <p>‘No, Liddy — I don't want you any more. I can 
hardly say why I have taken to crying lately: I never 
used to cry. Good-night.’ 
</p>
            <p>Liddy then left the parlour and closed the door. 
<pb n="353"/>
            </p>
            <p>Bathsheba was lonely and miserable now; not lonelier 
actually than she had heen before her marriage; 
but her loneliness then was to that of the present time 
as the solitude of a mountain is to the solitude of a 
cave. And within the last day or two had come these 
disquieting thoughts about her husband's past. Her 
wayward sentiment that evening concerning Fanny's 
temporary resting-place had been the result of a strange 
complication of impulses in Bathsheba's bosom. Perhaps 
it would be more accurately described as a 
determined rebellion against her prejudices, a revulsion 
from a lower instinct of uncharitableness, which would 
have withheld all sympathy from the dead woman, because 
in life she had preceded Bathsheba in the attentions 
of a man whom Bathsheba had by no means 
ceased from loving, though her love was sick to death 
just now with the gravity of a further misgiving. 
</p>
            <p>In five or ten minutes there was another tap at the 
door. Liddy reappeared, and coming in a little way 
stood hesitating, until at length she said, ‘Maryann has 
just heard something very strange, but I know it isn't 
true. And we shall be sure to know the rights of it in 
a day or two.’ 
</p>
            <p>‘What is it?’ 
</p>
            <p>‘Oh, nothing connected with you or us, ma'am. It 
is about Fanny. That same thing you have heard.’ 
</p>
            <p>‘I have heard nothing.’ 
</p>
            <p>‘I mean that a wicked story is got to Weatherbury 
within this last hour — that —’ Liddy came close to 
her mistress and whispered the remainder of the sentence 
slowly into her ear, inclining her head as she spoke in 
the direction of the room where Fanny lay. 
</p>
            <p>Bathsheba trembled from head to foot. 
</p>
            <p>‘I don't believe it!’ she said, excitedly. ‘And 
there's only one name written on the coffin-cover.’ 
</p>
            <p>‘Nor I, ma'am. And a good many others don't; 
for we should surely have been told more about it if it 
had been true — don't you think so, ma'am?’ 
</p>
            <p>‘We might or we might not.’ 
</p>
            <p>Bathsheba turned and looked into the fire, that Liddy might <pb n="354"/>
not see her face. Finding that her mistress 
was going to say no more, Liddy glided out, closed the 
door softly, and went to bed. 
</p>
            <p>Bathsheba's face, as she continued looking into the 
fire that evening, might have excited solicitousness on 
her account even among those who loved her least. 
The sadness of Fanny Robin's fate did not make Bathsheba's 
glorious, although she was the Esther to this 
poor Vashti, and their fates might be supposed to stand 
in some respects as contrasts to each other. When 
Liddy came into the room a second time the beautiful 
eyes which met hers had worn a listless, weary look. When 
she went out after telling the story they had expressed 
wretchedness in full activity. Her simple 
country nature, fed on old-fashioned principles, was 
troubled by that which would have troubled a woman 
of the world very little, both Fanny and her child, if she 
had one, being dead. 
</p>
            <p>Bathsheba had grounds for conjecturing a connection 
between her own history and the dimly suspected 
tragedy of Fanny's end which Oak and Boldwood never 
for a moment credited her with possessing. The 
meeting with the lonely woman on the previous Saturday 
night had been unwitnessed and unspoken of. Oak 
may have had the best of intentions in withholding for 
as many days as possible the details of what had 
happened to Fanny; but had he known that Bathsheba's 
perceptions had already been exercised in the matter, 
he would have done nothing to lengthen the minutes of 
suspense she was now undergoing, when the certainty 
which must terminate it would be the worst fact suspected 
after all. 
</p>
            <p>She suddenly felt a longing desire to speak to some 
one stronger than herself, and so get strength to sustain 
her surmised position with dignity and her carking 
doubts with stoicism. Where could she find such a 
friend? nowhere in the house. She was by far the 
coolest of the women under her roof. Patience and 
suspension of judgement for a few hours were what she 
wanted to learn, and there was nobody to teach her. 
Might she but go to Gabriel Oak! — but that could not 
be. What a way Oak had, she thought, of enduring 
things. Boldwood, who seemed so much deeper and 
higher and stronger in <pb n="355"/>
feeling than Gabriel, had not 
yet learnt, any more than she herself, the simple 
lesson which Oak showed a mastery of by every turn 
and look he gave — that among the multitude of interests 
by which he was surrounded, those which affected his 
personal well-being were not the most absorbing and 
important in his eyes. Oak meditatively looked upon 
the horizon of circumstances without any special regard 
to his own standpoint in the midst. That was how 
she would wish to be. But then Oak was not racked 
by incertitude upon the inmost matter of his bosom, as 
she was at this moment. Oak knew all about Fanny 
that he wished to know — she felt convinced of that. 
If she were to go to him now at once and say no more 
than these few words, ‘What is the truth of the story?’ 
he would feel bound in honour to tell her. It would 
be an inexpressible relief. No further speech would 
need to be uttered. He knew her so well that no 
eccentricity of behaviour in her would alarm him. 
</p>
            <p>She flung a cloak round her, went to the door and 
opened it. Every blade, every twig was still. The air 
was yet thick with moisture, though somewhat less dense 
than during the afternoon, and a steady smack of drops 
upon the fallen leaves under the boughs was almost 
musical in its soothing regularity. lt seemed better to 
be out of the house than within it, and Bathsheba closed 
the door, and walked slowly down the lane till she came 
opposite to Gabriel's cottage, where he now lived alone, 
having left Coggan's house through being pinched for 
room. There was a light in one window only, and that 
was downstairs. The shutters were not closed, nor was 
any blind or curtain drawn over the window, neither 
robbery nor observation being a contingency which could 
do much injury to the occupant of the domicile. Yes, 
it was Gabriel himself who was sitting up: he was reading. 
&gt;From her standing-place in the road she could see him 
plainly, sitting quite still, his light curly head upon his 
hand, and only occasionally looking up to snuff the 
candle which stood beside him. At length he looked 
at the clock, seemed surprised at the lateness of the 
hour, closed his book, and arose. He was going to bed, 
she knew, and if she tapped it must be done at once. 
<pb n="356"/>
            </p>
            <p>Alas for her resolve! She felt she could not do it, 
Not for worlds now could she give a hint about her 
misery to him, much less ask him plainly for information 
on the cause of Fanny's death. She must suspect, and 
guess, and chafe, and bear it all alone. 
</p>
            <p>Like a homeless wanderer she lingered by the bank, 
as if lulled and fascinated by the atmosphere of content 
which seemed to spread from that little dwelling, and 
was so sadly lacking in her own. Gabriel appeared in 
an upper room, placed his light in the window-bench, 
and then — knelt down to pray. The contrast of the 
picture with her rebellious and agitated existence at this 
same time was too much for her to bear to look upon 
longer. It was not for her to make a truce with 
trouble by any such means. She must tread her giddy 
distracting measure to its last note, as she had begun it. 
With a swollen heart she went again up the lane, and 
entered her own door. 
</p>
            <p>More fevered now by a reaction from the first feelings 
which Oak's example had raised in her, she paused in 
the hall, looking at the door of the room wherein Fanny 
lay. She locked her fingers, threw back her head, and 
strained her hot hands rigidly across her forehead, saying, 
with a hysterical sob, ‘Would to God you would speak 
and tell me your secret, Fanny! ... O, I hope, hope 
it is not true that there are two of you! ... If I could 
only look in upon you for one little minute, I should 
know all!’ 
</p>
            <p>A few moments passed, and she added, slowly, ‘<hi>And 
I will</hi>.’ 
</p>
            <p>Bathsheba in after times could never gauge the mood 
which carried her through the actions following this 
murmured resolution on this memorable evening of her 
life. She went to the lumber-closet for a screw-driver. 
At the end of a short though undefined time she found 
herself in the small room, quivering with emotion, a mist 
before her eyes, and an excruciating pulsation in her 
brain, standing beside the uncovered coffin of the girl 
whose conjectured end had so entirely engrossed her, and 
saying to herself in a husky voice as she gazed within — 
</p>
            <p>‘It was best to know the worst, and I know it now!’ 
<pb n="357"/>
            </p>
            <p>She was conscious of having brought about this 
situation by a series of actions done as by one in an 
extravagant dream; of following that idea as to method, 
which had burst upon her in the hall with glaring 
obviousness, by gliding to the top of the stairs, assuring 
herself by listening to the heavy breathing of her maids 
that they were asleep, gliding down again, turning the 
handle of the door within which the young girl lay, and 
deliberately setting herself to do what, if she had anticipated 
any such undertaking at night and alone, would 
have horrified her, but which, when done, was not so 
dreadful as was the conclusive proof of her husband's 
conduct which came with knowing beyond doubt the 
last chapter of Fanny's story. 
</p>
            <p>Bathsheba's head sank upon her bosom, and the 
breath which had been bated in suspense, curiosity, and 
interest, was exhaled now in the form of a whispered 
wail: ‘Oh-h-h!’ she said, and the silent room added 
length to her moan. 
</p>
            <p>Her tears fell fast beside the unconscious pair in the 
coffin: tears of a complicated origin, of a nature indescribable, 
almost indefinable except as other than those 
of simple sorrow. Assuredly their wonted fires must 
have lived in Fanny's ashes when events were so shaped 
as to chariot her hither in this natural, unobtrusive, yet 
effectual manner. The one feat alone — that of dying — 
by which a mean condition could be resolved into a 
grand one, Fanny had achieved. And to that had 
destiny subjoined this rencounter to-night, which had, 
in Bathsheba's wild imagining, turned her companion's 
failure to success, her humiliation to triumph, her luck 
lessness to ascendency; it had thrown over herself a 
garish light of mockery, and set upon all things about 
her an ironical smile. 
</p>
            <p>Fanny's face was framed in by that yellow hair of 
hers; and there was no longer much room for doubt as 
to the origin of the curl owned by Troy. In Bathsheba's 
heated fancy the innocent white countenance 
expressed a dim triumphant consciousness of the pain 
she was retaliating for her pain with all the merciless 
rigour of the Mosaic law: ‘Burning for burning; wound 
for wound: strife for strife.’ 
</p>
            <p>Bathsheba indulged in contemplations of escape from 
her position by immediate death, which thought she, though it <pb n="358"/>
was an inconvenient and awful way, had limits 
to its inconvenience and awfulness that could not be 
overpassed; whilst the shames of life were measureless. 
Yet even this scheme of extinction by death was but 
tamely copying her rival's method without the reasons 
which had glorified it in her rival's case. She glided 
rapidly up and down the room, as was mostly her habit 
when excited, her hands hanging clasped in front of her, 
as she thought and in part expressed in brocken words: 
‘O, I hate her, yet I don't mean that I hate her, for 
it is grievous and wicked; and yet I hate her a little! 
yes, my flesh insists upon hating her, whether my spirit 
is willing or no!... If she had only lived, I could 
ave been angry and cruel towards her with some justification; 
but to be vindictive towards a poor dead woman 
recoils upon myself. O God, have mercy,! I am 
miserable at all this!’ 
</p>
            <p>Bathsheba became at this moment so terrified at her 
own state of mind that she looked around for some sort 
of refuge from herself. The vision of Oak kneeling 
down that night recurred to her, and with the imitative 
instinct which animates women she seized upon the idea, 
resolved to kneel, and, if possible, pray. Gabriel had 
prayed; so would she. 
</p>
            <p>She knelt beside the coffin, covered her face with her 
hands, and for a time the room was silent as a tomb. 
whether from a purely mechanical, or from any other 
cause, when Bathsheba arose it was with a quieted spirit, 
and a regret for the antagonistic instincts which had 
seized upon her just before. 
</p>
            <p>In her desire to make atonement she took flowers 
from a vase by the window, and began laying them 
around the dead girl's head. Bathsheba knew no other 
way of showing kindness to persons departed than by 
giving them flowers. She knew not how long she 
remained engaged thus. She forgot time, life, where 
she was, what she was doing. A slamming together of 
the coach-house doors in the yard brought her to herself 
again. An instant after, the front door opened and 
closed, steps crossed the hall, and her husband appeared 
at the entrance to the room, looking in upon her. 
</p>
            <p>He beheld it all by degrees, stared in stupefaction at 
the scene, as if he thought it an illusion raised by some 
fiendish <pb n="359"/>
incantation. Bathsheba, pallid as a corpse on 
end, gazed back at him in the same wild way. 
</p>
            <p>So little are instinctive guesses the fruit of a legitimate 
induction, that at this moment, as he stood with the 
door in his hand, Troy never once thought of Fanny in 
connection with what he saw. His first confused idea 
was that somebody in the house had died. 
</p>
            <p>‘Well — what?’ said Troy, blankly. 
</p>
            <p>‘I must go! I must go!’ said Bathsheba, to herself 
more than to him. She came with a dilated eye towards 
the door, to push past him. 
</p>
            <p>‘What's the matter, in God's name? who's dead?’ said Troy. 
</p>
            <p>‘I cannot say; let me go out. I want air!’ she continued. 
</p>
            <p>‘But no; stay, I insist!’ He seized her hand, and 
then volition seemed to leave her, and she went off into 
a state of passivity. He, still holding her, came up the 
room, and thus, hand in hand, Troy and Bathsheba 
approached the coffin's side. 
</p>
            <p>The candle was standing on a bureau close by them, 
and the light slanted down, distinctly enkindling the 
cold features of both mother and babe. Troy looked 
in, dropped his wife's hand, knowledge of it all came 
over him in a lurid sheen, and he stood still. 
</p>
            <p>So still he remained that he could be imagined to 
have left in him no motive power whatever. The 
clashes of feeling in all directions confounded one 
another, produced a neutrality, and there was motion in 
none. 
</p>
            <p>‘Do you know her?’ said Bathsheba, in a small 
enclosed echo, as from the interior of a cell. 
</p>
            <p>‘I do,’ said Troy. 
</p>
            <p>‘Is it she?’ 
</p>
            <p>‘It is.’ 
</p>
            <p>He had originally stood perfectly erect. And now, 
in the well-nigh congealed immobility of his frame 
could be discerned an incipient movement, as in the 
darkest night may be discerned light after a while. 
He was gradually sinking forwards. The lines of his 
features softened, and dismay modulated to illimitable 
sadness. Bathsheba was regarding him from the other 
side, still with parted lips and distracted eyes. <pb n="360"/>
Capacity for intense feeling is proportionate to the general 
intensity of the nature, and perhaps in all Fanny's 
sufferings, much greater relatively to her strength, there 
never was a time she suffered in an absolute sense 
what Bathsheba suffered now. 
</p>
            <p>What Troy did was to sink upon  his knees with 
an indefinable union of remorse and reverence upon 
his face, and, bending over Fanny Robin, gently kissed 
her, as one would kiss an infant asleep to avoid 
awakening it. 
</p>
            <p>At the sight and sound of that, to her, unendurable 
act, Bathsheba sprang towards him. All the strong 
feelings which had been scattered over her existence 
since she knew what feeling was, seemed gathered 
together into one pulsation now. The revulsion from 
her indignant mood a little earlier, when she had 
meditated upon compromised honour, forestalment, 
eclipse in maternity by another, was violent and entire. 
All that was forgotten in the simple and still strong 
attachment of wife to husband. She had sighed for 
her self-completeness then, and now she cried aloud 
against the severance of the union she had deplored. 
She flung her arms round Troy's neck, exclaiming wildly 
from the deepest deep of her heart — 
</p>
            <p>‘Don't — don't kiss them! O, Frank, I can't bear 
it—I can't! I love you better than she did: kiss me 
too, Frank — kiss me! <hi>You will, Frank, kiss me too!</hi>’ 
</p>
            <p>There was something so abnormal and startling in 
the childlike pain and simplicity of this appeal from a 
woman of Bathsheba's calibre and independence, that 
Troy, loosening her tightly clasped arms from his neck, 
looked at her in bewilderment. It was such an unexpected 
revelation of all women being alike at heart, even 
those so different in their accessories as Fanny and this 
one beside him, that Troy could hardly seem to believe 
her to be his proud wife Bathsheba. Fanny's own 
spirit seemed to be animating her frame. But this was 
the mood of a few instants only. When the momentary 
surprise had passed, his expression changed to a silencing 
imperious gaze. 
</p>
            <p>‘I will not kiss you!’ he said pushing her away. 
</p>
            <p>Had the wife now but gone no further. Yet, 
perhaps, under the harrowing circumstances, to speak 
out was the one wrong <pb n="361"/>
act which can be better understood, if not 
forgiven in her, than the right and politic 
one, her rival being now but a corpse. All the feeling 
she had been betrayed into showing she drew back to 
herself again by a strenuous effort of self-command. 
</p>
            <p>‘What have you to say as your reason?’ she asked 
her bitter voice being strangely low — quite that of 
another woman now. 
</p>
            <p>‘I have to say that I have been a bad, black-hearted 
man,’ he answered. 
</p>
            <p>‘And that this woman is your victim; and I not 
less than she.’ 
</p>
            <p>‘Ah! don't taunt me, madam. This woman is more 
to me, dead as she is, than ever you were, or are, or can 
be.  If Satan had not tempted me with that face of 
yours, and those cursed coquetries, I should have 
married her.  I never had another thought until you 
came in my way.  Would to God that I had; but it is all 
too late!  I deserve to live in tormet for this!’ 
He turned to Fanny then. ‘But never mind, darling,’ 
he said; ‘in the sight of Heaven you are my very, very wife!’ 
</p>
            <p>At these words there arose from Bathsheba's lips a 
long, low cry of measureless despair and indignation, 
such a wail of anguish as had never before been heard 
within those old-inhabited walls. It was the <hi xml:lang="gre">Tet(élestai</hi>
of her union with Troy. 
</p>
            <p>‘If she's  —  that, — what — am I?’ she added, 
as a continuation of the same cry, and sobbing pitifully: 
and the rarity with her of such abandonment only made 
the condition more dire. 
</p>
            <p>‘You are nothing to me  —  nothing,’ said Troy, 
heartlessly. ‘A ceremony before a priest doesn't make 
a marriage. I am not morally yours.’ 
</p>
            <p>A vehement impulse to flee from him, to run from 
this place, hide, and escape his words at any price, not 
stopping short of death itself, mastered Bathsheba now. 
She waited not an instant, but turned to the door and 
ran out. 
</p>
         </div>
         <div n="C44" type="chapter">
            <pb n="362"/>
            <head>UNDER A TREE — REACTION</head>
            <p>BATHSHEBA went along the dark road, neither knowing 
nor caring about the direction or issue of her flight. 
The first time that she definitely noticed her position 
was when she reached a gate leading into a thicket overhung 
by some large oak and beech trees. On looking 
into the place, it occurred to her that she had seen it 
by daylight on some previous occasion, and that what 
appeared like an impassable thicket was in reality a 
brake of fern now withering fast. She could think of 
nothing better to do with her palpitating self than to go 
in here and hide; and entering, she lighted on a spot 
sheltered from the damp fog by a reclining trunk, where 
she sank down upon a tangled couch of fronds and 
stems. She mechanically pulled some armfuls round 
her to keep off the breezes, and closed her eyes. 
</p>
            <p>Whether she slept or not that night Bathsheba was 
not clearly aware. But it was with a freshened existence 
and a cooler brain that, a long time afterwards, she 
became conscious of some interesting proceedings which 
were going on in the trees above her head and around. 
</p>
            <p>A coarse-throated chatter was the first sound. 
</p>
            <p>It was a sparrow just waking. 
</p>
            <p>Next: ‘Chee-weeze-weeze-weeze!’ from another 
retreat. 
</p>
            <p>It was a finch. 
</p>
            <p>Third: ‘Tink-tink-tink-tink-a-chink!’ from the hedge, 
</p>
            <p>It was a robin. 
</p>
            <p>‘Chuck-chuck-chuck!’ overhead. A squirrel. 
</p>
            <p>Then, from the road, ‘With my ra-ta-ta, and my 
rum-tum-tum!’ 
</p>
            <p>It was a ploughboy. Presently he came opposite, 
and she believed from his voice that he was one of 
the boys on her own farm. He was followed by a 
shambling tramp of heavy feet, and <pb n="363"/>
looking through 
the ferns Bathsheba could just discern in the wan light 
of daybreak a team of her own horses. They stopped 
to drink at a pond on the other side of the way. She 
watched them flouncing into the pool, drinking, tossing 
up their heads, drinking again, the water dribbling 
from their lips in silver threads. There was another 
flounce, and they came out of the pond, and turned 
back again towards the farm. 
</p>
            <p>She looked further around. Day was just dawning, 
and beside its cool air and colours her heated actions 
and resolves of the night stood out in lurid contrast. 
She perceived that in her lap, and clinging to her 
hair, were red and yellow leaves which had come 
down from the tree and settled silently upon her 
during her partial sleep. Bathsheba shook her dress to 
get rid of them, when multitudes of the same family lying 
round about her rose and fiuttered away in the breeze 
thus created, ‘like ghosts from an enchanter fleeing.’ 
</p>
            <p>There was an opening towards the east, and the 
glow from the as yet unrisen sun attracted her eyes 
thither. From her feet, and between the beautiful 
yellowing ferns with their feathery arms, the ground 
sloped downwards to a hollow, in which was a species 
of swamp, dotted with fungi. A morning mist hung 
over it now — a fulsome yet magnificent silvery veil, 
full of light from the sun, yet semi-opaque — the hedge 
behind it being in some measure hidden by its hazy 
luminousness. Up the sides of this depression grew 
sheaves of the common rush, and here and there a 
peculiar species of flag, the blades of which glistened 
in the emerging sun, like scythes. But the general 
aspect of the swamp was malignant. From its moist 
and poisonous coat seemed to be exhaled the essences 
of evil things in the earth, and in the waters under 
the earth. The fungi grew in all manner of positions 
from rotting leaves and tree stumps, some exhibiting 
to her listless gaze their clammy tops, others their 
oozing gills. Some were marked with great splotches, 
red as arterial blood, others were saffron yellow, and 
others tall and attenuated, with stems like macaroni. 
Some were leathery and of richest browns. The 
hollow seemed a nursery of pestilences small and 
great, in the immediate neighbourhood of comfort 
and health, and Bathsheba arose with a tremor at the 
thought of having <pb n="364"/>
passed the night on the brink of 
so dismal a place. 
</p>
            <p>There were now other footsteps to be heard along 
the road. Bathsheba's nerves were still unstrung: 
she crouched down out of sight again, and the pedestrian 
came into view. He was a schoolboy, with a 
bag slung over his shoulder containing his dinner, 
and a hook in his hand. He paused by the gate, 
and, without looking up, continued murmuring words 
in tones quite loud enough to reach her ears. 
</p>
            <p>‘“O Lord, O Lord, O Lord, O Lord, O Lord” — 
that I know out o' book. “Give us, give us, give us, 
give us, give us” — that I know. “Grace that, grace that, 
grace that, grace that” — that I know.’ Other words 
followed to the same effect. The boy was of the 
dunce class apparently; the book was a psalter, and 
this was his way of learning the collect. In the worst 
attacks of trouble there appears to be always a superficial 
film of consciousness which is left disengaged 
and open to the notice of trifles, and Bathsheba was 
faintly amused at the boy's method, till he too passed on. 
</p>
            <p>By this time stupor had given place to anxiety, and 
anxiety began to make room for hunger and thirst. 
A form now appeared upon the rise on the other side 
of the swamp, half-hidden by the mist, and came 
towards Bathsheba. The woman — for it was a woman 
— approached with her face askance, as if looking 
earnestly on all sides of her. When she got a little 
further round to the left, and drew nearer, Bathsheba 
could see the newcomer's profile against the sunny 
sky, and knew the wavy sweep from forehead to chin, 
with neither angle nor decisive line anywhere about 
it, to be the familiar contour of Liddy Smallbury. 
</p>
            <p>Bathsheba's heart bounded with gratitude in the 
thought that she was not altogether deserted, and she 
jumped up. ‘O, Liddy!’ she said, or attempted to say; 
but the words had only been framed hy her lips; there 
came no sound. She had lost her voice by exposure 
to the clogged atmosphere all these hours of night. 
</p>
            <p>‘O, ma'am! I am so glad I have found you,’ said 
the girl, as soon as she saw Bathsheba. 
</p>
            <p>‘You can't come across,’ Bathsheba said in a whisper, 
which she <pb n="365"/>
vainly endeavoured to make loud enough to 
reach Liddy's ears. Liddy, not knowing this, stepped 
down upon the swamp, saying, as she did so, ‘It will 
bear me up, I think.’ 
</p>
            <p>Bathsheba never forgot that transient little picture 
of Liddy crossing the swamp to her there in the 
morning light. Iridescent bubbles of dank subterranean 
breath rose from the sweating sod beside the 
waiting maid's feet as she trod, hissing as they burst 
and expanded away to join the vapoury firmament above. 
Liddy did not sink, as Bathsheba had anticipated. 
She landed safely on the other side, and looked up 
at the beautiful though pale and weary face of her 
young mistress. 
</p>
            <p>‘Poor thing!’ said Liddy, with tears in her eyes. 
‘Do hearten yourself up a little, ma'am. However 
did — ’ 
</p>
            <p>‘I can't speak above a whisper — my voice is gone 
for the present,’ said Bathsheba, hurriedly. ‘I suppose 
the damp air from that hollow has taken it away. 
Liddy, don't question me, mind. Who sent you — 
anybody?’ 
</p>
            <p>‘Nobody. I thought, when I found you were not 
at home, that something cruel had happened. I fancy 
I heard his voice late last night; and so, knowing 
something was wrong —  —’ 
</p>
            <p>‘Is he at home?’ 
</p>
            <p>‘No; he left just before I came out.’ 
</p>
            <p>‘Is Fanny taken away?’ 
</p>
            <p>‘Not yet. She will soon be — at nine o'clock.’ 
</p>
            <p>‘We won't go home at present, then. Suppose we 
walk about in this wood?’ 
</p>
            <p>Liddy, without exactly understanding everything, or 
anything, in this episode, assented, and they walked 
together further among the trees. 
</p>
            <p>‘But you had better come in, ma'am, and have 
something to eat. You will die of a chill!’ 
</p>
            <p>‘I shall not come indoors yet — perhaps never.’ 
</p>
            <p>‘Shall I get you something to eat, and something 
else to put over your head besides that little shawl?’ 
</p>
            <p>‘If you will, Liddy.’ 
</p>
            <p>Liddy vanished, and at the end of twenty minutes 
returned with a cloak, hat, some slices of bread and 
butter, a tea-cup, and some hot tea in a little china jug <pb n="366"/>
            </p>
            <p>‘Is Fanny gone?’ said Bathsheba. 
</p>
            <p>‘No,’ said her companion, pouring out the tea. 
</p>
            <p>Bathsheba wrapped herself up and ate and drank 
sparingly. Her voice was then a little clearer, and 
trifling colour returned to her face. ‘Now we'll walk 
about again,’ she said. 
</p>
            <p>They wandered about the wood for nearly two 
hours, Bathsheba replying in monosyllables to Liddy's 
prattle, for her mind ran on one subject, and one only. 
She interrupted with — 
</p>
            <p>‘I wonder if Fanny is gone by this time?’ 
</p>
            <p>‘I will go and see.’ 
</p>
            <p>She came back with the information that the 
men were just taking away the corpse; that Bathsheba 
had been inquired for; that she had replied to the 
effect that her mistress was unwell and could not be 
seen. 
</p>
            <p>‘Then they think I am in my bedroom?’ 
</p>
            <p>‘Yes.’ Liddy then ventured to add: ‘You said 
when I first found you that you might never go home 
again — you didn't mean it, ma'am?’ 
</p>
            <p>‘No; I've altered my mind. It is only women with 
no pride in them who run away from their husbands. 
There is one position worse than that of being found 
dead in your husband's house from his ill-usage, and 
that is, to be found alive through having gone away to 
the house of somebody else. l've thought of it all this 
morning, and I've chosen my course. A runaway wife 
is an encumbrance to everybody, a burden to herself and 
a byword — all of which make up a heap of misery 
greater than any that comes by staying at home — 
though this may include the trifling items of insult, 
beating, and starvation. Liddy, if ever you marry — 
God forbid that you ever should! — you'll find yourself 
in a fearful situation; but mind this, don't you flinch. 
Stand your ground, and be cut to pieces. That's 
what I'm going to do.’ 
</p>
            <p>‘O, mistress, don't talk so!’ said Liddy, taking her 
hand; ‘but I knew you had too much sense to bide 
away. May I ask what dreadful thing it is that has 
happened between you and him?’ 
</p>
            <p>‘You may ask; but I may not tell.’ 
</p>
            <p>In about ten minutes they returned to the house by 
a circuitous route, entering at the rear. Bathsheba 
glided up the <pb n="367"/>
back stairs to a disused attic, and her companion followed. 
</p>
            <p>‘Liddy,’ she said, with a lighter heart, for youth and 
hope had begun to reassert themselves; ‘you are to be 
my confidante for the present — somebody must be — and 
I choose you. Well, I shall take up my abode here for 
a while. Will you get a fire lighted, put down a piece 
of carpet, and help me to make the place comfortable? 
Afterwards, I want you and Maryann to bring up that 
little stump bedstead in the small room, and the bed 
belonging to it, and a table, and some other things... 
What shall I do to pass the heavy time away?’ 
</p>
            <p>‘Hemming handkerchiefs is a very good thing,’ said 
Liddy. 
</p>
            <p>‘O no, no! I hate needlework—I always did.’ 
</p>
            <p>‘Knitting?’ 
</p>
            <p>‘And that, too.’ 
</p>
            <p>‘You might finish your sampler. Only the carnations 
and peacocks want filling in; and then it could 
be framed and glazed, and hung beside your aunt's, ma'am.’ 
</p>
            <p>‘Samplers are out of date — horribly countrified. No, 
Liddy, I'll read. Bring up some books — not new ones. 
I haven't heart to read anything new.’ 
</p>
            <p>‘Some of your uncle's old ones, ma'am?’ 
</p>
            <p>‘Yes. Some of those we stowed away in boxes.’ 
A faint gleam of humour passed over her face as she said: 
‘Bring Beaumont and Fletcher's <title>Maid's Tragedy</title>; and 
the <title>Mourning Bride</title>; and — let me see — <title>Night Thoughts</title>, 
and the <title>Vanity of Human Wishes</title>.’ 
</p>
            <p>‘And that story of the black man, who murdered his 
wife Desdemona? It is a nice dismal one that would 
suit you excellent just now.’ 
</p>
            <p>‘Now, Liddy, you've been looking into my book 
without telling me; and I said you were not to! How 
do you know it would suit me? It wouldn't suit me a 
all.’ 
</p>
            <p>‘But if the others do —’ 
</p>
            <p>‘No, they don't; and I won't read dismal books. 
Why should I read dismal books, indeed? Bring me 
<title>Love in a Village</title>, and the <title>Maid of the Mill</title>, and <title>Doctor 
Syntax</title>, and some volumes of the <title>Spectator</title>.’ 
All that day Bathsheba and Liddy lived in the attic 
in a state of <pb n="368"/>
barricade; a precaution which proved to be 
needless as against Troy, for he did not appear in the 
neighbourhood or trouble them at all. Bathsheba sat 
at the window till sunset, sometimes attempting to read, 
at other times watching every movement outside without 
much purpose, and listening without much interest to 
every sound. 
</p>
            <p>The sun went down almost blood-red that night, and 
a livid cloud received its rays in the east. Up against 
this dark background the west front of the church 
tower — the only part of the edifice visible from the 
farm-house windows — rose distinct and lustrous, the 
vane upon the summit bristling with rays. Hereabouts, 
at six o'clock, the young men of the village gathered, 
as was their custom, for a game of Prisoners' base. The 
spot had been consecrated to this ancient diversion from 
time immemorial, the old stocks conveniently forming 
a base facing the boundary of the churchyard, in front 
of which the ground was trodden hard and bare as a 
pavement by the players. She could see the brown 
and black heads of the young lads darting about right 
and left, their white shirt-sleeves gleaming in the sun; 
whilst occasionally a shout and a peal of hearty laughter 
varied the stillness of the evening air. They continued 
playing for a quarter of an hour or so, when the game 
concluded abruptly, and the players leapt over the wall 
and vanished round to the other side behind a yew-tree, 
which was also half behind a beech, now spreading in 
one mass of golden foliage, on which the branches 
traced black lines. 
</p>
            <p>‘Why did the base-players finish their game so 
suddenly?’ Bathsheba inquired, the next time that 
Liddy entered the room. 
</p>
            <p>‘I think 'twas because two men came just then from 
Casterbridge and began putting up grand carved 
tombstone,’ said Liddy. ‘The lads went to see whose 
it was.’ 
</p>
            <p>‘Do you know?’ Bathsheba asked. 
</p>
            <p>‘I don't,’ said Liddy. 
</p>
         </div>
         <div n="C45" type="chapter">
            <pb n="369"/>
            <head>TROY'S ROMANTICISM</head>
            <p>WHEN Troy's wife had left the house at the previous 
midnight his first act was to cover the dead from sight. 
This done he ascended the stairs, and throwing himself 
down upon the bed dressed as he was, he waited miserably 
for the morning. 
</p>
            <p>Fate had dealt grimly with him through the last four-and-twenty 
hours. His day had been spent in a way 
which varied very materially from his intentions regarding 
it. There is always an inertia to be overcome in 
striking out a new line of conduct — not more in ourselves, 
it seems, than in circumscribing events, which 
appear as if leagued together to allow no novelties in 
the way of amelioration. 
</p>
            <p>Twenty pounds having been secured from Bathsheba, 
he had managed to add to the sum every farthing he 
could muster on his own account, which had been seven 
pounds ten. With this money, twenty-seven pounds ten 
in all, he had hastily driven from the gate that morning 
to keep his appointment with Fanny Robin. 
</p>
            <p>On reaching Casterbridge he left the horse and trap 
at an inn, and at five minutes before ten came back to 
the bridge at the lower end of the town, and sat himself 
upon the parapet. The clocks struck the hour, and no 
Fanny appeared. In fact, at that moment she was being 
robed in her grave-clothes by two attendants at the 
Union poorhouse — the first and last tiring-women the 
gentle creature had ever been honoured with. The 
quarter went, the half hour. A rush of recollection 
came upon Troy as he waited: this was the second 
time she had broken a serious engagement with him 
In anger he vowed it should be the last, and at eleven 
o'clock, when he had lingered and watched the stones 
of the bridge till he knew every lichen upon their face 
and heard the chink of the ripples underneath till they 
oppressed him, he jumped from his seat, went to the inn <pb n="370"/>
for his gig, and in a bitter mood of indifference concerning 
the past, and recklessness about the future, 
drove on to Budmouth races. 
</p>
            <p>He reached the race-course at two o'clock, and remained 
either there or in the town till nine. But 
Fanny's image, as it had appeared to him in the sombre 
shadows of that Saturday evening, returned to his mind, 
backed up by Bathsheba's reproaches. He vowed he 
would not bet, and he kept his vow, for on leaving the 
town at nine o'clock in the evening he had diminished 
his cash only to the extent of a few shillings. 
</p>
            <p>He trotted slowly homeward, and it was now that 
he was struck for the first time with a thought that Fanny 
had been really prevented by illness from keeping her 
promise. This time she could have made no mistake. 
He regretted that he had not remained in Casterbridge 
and made inquiries. Reaching home he quietly unharnessed 
the horse and came indoors, as we have seen, 
to the fearful shock that awaited him. 
</p>
            <p>As soon as it grew light enough to distinguish objects, 
Troy arose from the coverlet of the bed, and in a mood 
of absolute indifference to Bathsheba's whereabouts, and 
almost oblivious of her existence, he stalked downstairs 
and left the house by the back door. His walk was 
towards the churchyard, entering which he searched 
around till he found a newly dug unoccupied grave — 
the grave dug the day before for Fanny. The position 
of this having been marked, he hastened on to Casterbridge, 
only pausing whereon he had last seen Fanny alive. 
</p>
            <p>Reaching the town, Troy descended into a side 
street and entered a pair of gates surmounted by a board 
bearing the words, ‘Lester, stone and marble mason.’ 
Within were lying about stones of all sizes and designs, 
inscribed as being sacred to the memory of unnamed 
persons who had not yet died. 
</p>
            <p>Troy was so unlike himself now in look, word, and 
deed, that the want of likeness was perceptible even to 
his own consciousness. His method of engaging himself 
in this business of purchasing a tomb was that of an 
absolutely unpractised man. He could not bring himself 
to consider, calculate, or <pb n="371"/>
economize. He waywardly 
wished for something, and he set about obtaining it like 
a child in a nursery. ‘I want a good tomb,’ he said to 
the man who stood in a little office within the yard. 
‘I want as good a one as you can give me for twenty-seven 
pounds.’ 
</p>
            <p>It was all the money he possessed. 
</p>
            <p>‘That sum to include everything?’ 
</p>
            <p>‘Everything. Cutting the name, carriage to Weatherbury, 
and erection. And I want it now at once.’ 
</p>
            <p>‘We could not get anything special worked this 
week.’ 
</p>
            <p>‘I must have it now.’ 
</p>
            <p>‘If you would like one of these in stock it could be 
got ready immediately.’ 
</p>
            <p>‘Very well,’ said Troy, impatiently. ‘Let's see what 
you have.’ 
</p>
            <p>‘The best I have in stock is this one,’ said the stone-cutter, 
going into a shed. ‘Here's a marble headstone 
beautifully crocketed, with medallions beneath of typical 
subjects; here's the footstone after the same pattern, 
and here's the coping to enclose the grave. The polishing alone of the set 
cost me eleven pounds — the slabs are the best of their kind, and 
I can warrant them to resist rain and frost for a hundred years without 
flying.’ 
</p>
            <p>‘And how much?’ 
</p>
            <p>‘Well, I couId add the name, and put it up at Weatherbury for 
the sum you mention.’ 
</p>
            <p>‘Get it done to-day, and I'll pay you the money now.’ 
</p>
            <p>The man agreed, and wondered at such a mood in a 
visitor who wore not a shred of mourning. Troy then 
wrote the words which were to form the inscription, 
settled the account and went away. In the afternoon 
he came back again, and found that the lettering was 
almost done. He waited in the yard till the tomb was 
packed, and saw it placed in the cart and starting on its 
way to Weatherbury, giving directions to the two men 
who were to accompany it to inquire of the sexton for 
the grave of the person named in the inscription. 
</p>
            <p>It was quite dark when Troy came out of Casterbridge. 
He carried rather a heavy basket upon his arm, with which 
he strode moodily along the road, resting occasionally at bridges <pb n="372"/>
and gates, whereon he deposited his burden for a time. Midway 
on his journey he met, returning in the darkness, the men and the waggon 
which had conveyed the tomb. He merely inquired if 
the work was done, and, on being assured that it was, 
passed on again. 
</p>
            <p>Troy entered Weatherbury churchyard about ten o'clock, 
and went immediately to the corner where he had 
marked the vacant grave early in the morning. It 
was on the obscure side of the tower, screened to a great 
extent from the view of passers along the road — a spot 
which until lately had been abandoned to heaps of stones 
and bushes of alder, but now it was cleared and made 
orderly for interments, by reason of the rapid filling of 
the ground elsewhere. 
</p>
            <p>Here now stood the tomb as the men had stated, snow-white 
and shapely in the gloom, consisting of head and 
foot-stone, and enclosing border of marble-work uniting 
them. In the midst was mould, suitable for plants. 
</p>
            <p>Troy deposited his basket beside the tomb, and 
vanished for a few minutes. When he returned he 
carried a spade and a lantern, the light of which he 
directed for a few moments upon the marble, whilst he 
read the inscription. He hung his lantern on the lowest 
bough of the yew-tree, and took from his basket flower-roots 
of several varieties. There were bundles of snowdrop, 
hyacinth and crocus bulbs, violets and double 
daisies, which were to bloom in early spring, and of 
carnations, pinks, picotees, lilies of the valley, forget-me-not, 
summer's-farewell, meadow-saffron and others, for 
the later seasons of the year. 
</p>
            <p>Troy laid these out upon the grass, and with an impassive 
face set to work to plant them. The snowdrops 
were arranged in a line on the outside of the coping, 
the remainder within the enclosure of the grave. The 
crocuses and hyacinths were to grow in rows; some of 
the summer flowers he placed over her head and feet, 
the lilies and forget-me-nots over her heart. The 
remainder were dispersed in the spaces between these. 
</p>
            <p>Troy, in his prostration at this time, had no perception 
that in the futility of these romantic doings, dictated 
by a remorseful reaction from previous indifference, there 
was any element <pb n="373"/>
of absurdity. Deriving his idiosyncrasies 
from both sides of the Channel, he showed at 
such junctures as the present the inelasticity of the 
Englishman, together with that blindness to the line 
where sentiment verges on mawkishness, characteristic 
of the French. 
</p>
            <p>lt was a cloudy, muggy, and very dark night, and 
the rays from Troy's lantern spread into the two old 
yews with a strange illuminating power, flickering, as it 
seemed, up to the black ceiling of cloud above. He 
felt a large drop of rain upon the back of his hand, and 
presently one came and entered one of the holes of the 
lantern, whereupon the candle sputtered and went out. 
Troy was weary and it being now not far from midnight, 
and the rain threatening to increase, he resolved to leave 
the finishing touches of his labour until the day should 
break. He groped along the wall and over the graves 
in the dark till he found himself round at the north side. 
Here he entered the porch, and, reclining upon the 
bench within, fell asleep. 
</p>
         </div>
         <div n="C46" type="chapter">
            <pb n="374"/>
            <head>THE GURGOYLE: ITS DOINGS</head>
            <p>THE tower of Weatherbury Church was a square 
erection of fourteenth-century date, having two stone 
gurgoyles on each of the four faces of its parapet. Of 
these eight carved protuberances only two at this time 
continued to serve the purpose of their erection — that 
of spouting the water from the lead roof within. One 
mouth in each front had been closed by bygone churchwardens 
as superfluous, and two others were broken 
away and choked — a matter not of much consequence 
to the well-being of the tower, for the two mouths which 
still remained open and active were gaping enough to do 
all the work. 
</p>
            <p>It has been sometimes argued that there is no truer 
criterion of the vitality of any given art-period than the 
power of the master-spirits of that time in grotesque; 
and certainly in the instance of Gothic art there is no 
disputing the proposition. Weatherbury tower was a 
somewhat early instance of the use of an ornamental 
parapet in parish as distinct from cathedral churches, 
and the gurgoyles, which are the necessary correlatives 
of a parapet, were exccptionally prominent — of the 
boldest cut that the hand could shape, and of the most 
original design that a human brain could conceive. 
There was, so to speak, that symmetry in their distortion 
which is less the characteristic of British than of 
Continental grotesques of the period. All the eight 
were different from each other. A beholder was convinced 
that nothing on earth could be more hideous 
than those he saw on the north side until he went 
round to the south. Of the two on this latter face, only 
that at the south-eastern corner concerns the story. It 
was too human to be called like a dragon, too impish 
to be like a man, too animal to be like a fiend, and not 
enough like a bird to be called a griffin. This horrible 
stone entity was fashioned as if covered with a <pb n="375"/>
wrinkled 
hide; it had short, erect ears, eyes starting from their 
sockets, and its fingers and hands were seizing the 
corners of its mouth, which they thus seemed to pull 
open to give free passage to the water it vomited. The 
lower row of teeth was quite washed away, though the 
upper still remained. Here and thus, jutting a couple 
of feet from the wall against which its feet rested as a 
support, the creature had for four hundred years 
laughed at the surrounding landscape, voicelessly in 
dry weather, and in wet with a gurgling and snorting 
sound. 
</p>
            <p>Troy slept on in the porch, and the rain increased 
outside. Presently the gurgoyle spat. In due time a 
small stream began to trickle through the seventy feet 
of aerial space between its mouth and the ground, which 
the water-drops smote like duckshot in their accelerated 
velocity. The stream thickened in substance, and increased 
in power, gradually spouting further and yet 
further from the side of the tower. When the rain fell 
in a steady and ceaseless torrent the stream dashed 
downward in volumes. 
</p>
            <p>We follow its course to the ground at this point of 
time. The end of the liquid parabola has come forward 
from the wall, has advanced over the plinth mouldings, 
over a heap of stones, over the marble border, into the 
midst of Fanny Robin's grave. 
</p>
            <p>The force of the stream had, until very lately, been 
received upon some loose stones spread thereabout, 
which had acted as a shield to the soil under the onset. 
These during the summer had been cleared from the 
ground, and there was now nothing to resist the downfall 
but the bare earth. For several years the stream 
had not spouted so far from the tower as it was doing 
on this night, and such a contingency had been overlooked. 
Sometimes this obscure corner received no 
inhabitant for the space of two or three years, and 
then it was usually but a pauper, a poacher, or other 
sinner of undignified sins. 
</p>
            <p>The persistent torrent from the gurgoyle's jaws 
directed all its vengeance into the grave. The rich 
tawny mould was stirred into motion, and boiled like 
chocolate. The water accumulated and washed deeper 
down, and the roar of the pool thus formed spread into 
the night as the head and chief among other noises of <pb n="376"/>
the kind created by the deluging rain. The flowers so 
carefully planted by Fanny's repentant lover began to 
move and writhe in their bed. The winter-violets 
turned slowly upside down, and became a mere mat of 
mud. Soon the snowdrop and other bulbs danced in 
the boiling mass like ingredients in a cauldron. Plants 
of the tufted species were loosened, rose to the surface, 
and floated off. 
</p>
            <p>Troy did not awake from his comfortless sleep till it 
was broad day. Not having been in bed for two nights 
his shoulders felt stiff, his feet tender, and his head 
heavy. He remembered his position, arose, shivered, 
took the spade, and again went out. 
</p>
            <p>The rain had quite ceased, and the sun was shining 
through the green, brown, and yellow leaves, now 
sparkling and varnished by the raindrops to the brightness 
of similar effects in the landscapes of Ruysdael and 
Hobbema, and full of all those infinite beauties that 
arise from the union of water and colour with high 
lights. The air was rendered so transparent by the 
heavy fall of rain that the autumn hues of the middle 
distance were as rich as those near at hand, and the 
remote fields intercepted by the angle of the tower appeared 
in the same plane as the tower itself. 
</p>
            <p>He entered the gravel path which would take him 
behind the tower. The path, instead of being stony as 
it had been the night before, was browned over with a 
thin coating of mud. At one place in the path he saw 
a tuft of stringy roots washed white and clean as a 
bundle of tendons. He picked it up — surely it could 
not be one of the primroses he had planted? He saw 
a bulb, another, and another as he advanced. Beyond 
doubt they were the crocuses. With a face of perplexed 
dismay Troy turned the corner and then beheld the 
wreck the stream had made. 
</p>
            <p>The pool upon the grave had soaked away into the 
ground, and in its place was a hollow. The disturbed 
earth was washed over the grass and pathway in the 
guise of the brown mud he had already seen, and it 
spotted the marble tombstone with the same stains. 
Nearly all the flowers were washed clean out of the 
ground, and they lay, roots upwards, on the spots whither 
they had been splashed by the stream. <pb n="377"/>
Troy's brow became heavily contracted. He set his 
teeth closely, and his compressed lips moved as those of 
one in great pain. This singular accident, by a strange 
confluence of emotions in him, was felt as the sharpest 
sting of all. Troy's face was very expressive, and any 
observer who had seen him now would hardly have 
believed him to be a man who had laughed, and sung, 
and poured love-trifles into a woman's ear. To curse 
his miserable lot was at first his impulse, but even that 
lowest stage of rebellion needed an activity whose 
absence was necessarily antecedent to the existence of the 
morbid misery which wrung him. The sight, coming 
as it did, superimposed upon the other dark scenery of 
the previous days, formed a sort of climax to the whole 
panorama, and it was more than he could endure. 
Sanguine by nature, Troy had a power of eluding 
grief by simply adjourning it. He could put off the 
consideration of any particular spectre till the matter 
had become old and softened by time. The planting 
of flowers on Fanny's grave had been perhaps but a 
species of elusion of the primary grief, and now it was 
as if his intention had been known and circumvented. 
</p>
            <p>Almost for the first time in his life, Troy, as he stood 
by this dismantled grave, wished himself another man. 
lt is seldom that a person with much animal spirit does 
not feel that the fact of his life being his own is the one 
qualification which singles it out as a more hopeful life 
than that of others who may actually resemble him in 
every particular. Troy had felt, in his transient way, 
hundreds of times, that he could not envy other people 
their condition, because the possession of that condition 
would have necessitated a different personality, when he 
desired no other than his own. He had not minded 
the peculiarities of his birth, the vicissitudes of his life, 
the meteor-like uncertainty of all that related to him, 
because these appertained to the hero of his story, 
without whom there would have been no story at all for 
him; and it seemed to be only in the nature of things 
that matters would right themselves at some proper date 
and wind up well. This very morning the illusion 
completed its disappearance, and, as it were, all of a 
sudden, Troy hated himself. The suddenness was 
probably more <pb n="378"/>
apparent than real. A coral reef which 
just comes short of the ocean surface is no more to the 
horizon than if it had never been begun, and the mere 
finishing stroke is what often appears to create an event 
which has long been potentially an accomplished thing. 
</p>
            <p>He stood and mediated — a miserable man. Whither 
should he go? ‘He that is accursed, let him be accursed 
still,’ was the pitiless anathema written in this spoliated 
effort of his new-born solicitousness. A man who has 
spent his primal strength in journeying in one direction 
has not much spirit left for reversing his course. Troy 
had, since yesterday, faintly reversed his; but the merest 
opposition had disheartened him. To turn about would 
have been hard enough under the greatest providential 
encouragement; but to find that Providence, far from 
helping him into a new course, or showing any wish 
that he might adopt one, actually jeered his first trembling 
and critical attempt in that kind, was more than nature 
could bear. 
</p>
            <p>He slowly withdrew from the grave. He did not 
attempt to fill up the hole, replace the flowers, or do 
anything at all. He simply threw up his cards and 
forswore his game for that time and always. Going out 
of the churchyard silently and unobserved — none of the 
villagers having yet risen — he passed down some fields 
at the back, and emerged just as secretly upon the high 
road. Shortly afterwards he had gone from the village. 
</p>
            <p>Meanwhile, Bathsheba remained a voluntary prisoner 
in the attic. The door was kept locked, except during 
the entries and exits of Liddy, for whom a bed had 
been arranged in a small adjoining room. The light 
of Troy's lantern in the churchyard was noticed about 
ten o'clock by the maid-servant, who casually glanced 
from the window in that direction whilst taking her 
supper, and she called Bathsheba's attention to it. 
They looked curiously at the phenomenon for a time, 
until Liddy was sent to bed. 
</p>
            <p>Bathsheba did not sleep very heavily that night. 
When her attendant was unconscious and softly breathing 
in the next room, the mistress of the house was 
still looking out of the window at the faint gleam 
spreading from among the trees — <pb n="379"/>
not in a steady shine, 
but blinking like a revolving coast-light, though this 
appearance failed to suggest to her that a person was 
passing and repassing in front of it. Bathsheba sat 
here till it began to rain, and the light vanished, when 
she withdrew to lie restlessly in her bed and re-enact 
in a worn mind the lurid scene of yesternight. 
</p>
            <p>Almost before the first faint sign of dawn appeared 
she arose again, and opened the window to obtain a full 
breathing of the new morning air, the panes being now 
wet with trembling tears left by the night rain, each 
one rounded with a pale lustre caught from primrose-hued 
slashes through a cloud low down in the awakening 
sky. From the trees came the sound of steady 
dripping upon the drifted leaves under them, and from 
the direction of the church she could hear another noise 
— peculiar, and not intermittent like the rest, the purl 
of water falling into a pool. 
</p>
            <p>Liddy knocked at eight o'clock, and Bathsheba unlocked 
the door. 
</p>
            <p>‘What a heavy rain we've had in the night, ma'am!’ 
said Liddy, when her inquiries about breakfast had been 
made. 
</p>
            <p>‘Yes; very heavy.’ 
</p>
            <p>‘Did you hear the strange noise from the church 
yard?’ 
</p>
            <p>‘I heard one strange noise. I've been thinking it 
must have been the water from the tower spouts.’ 
</p>
            <p>‘Well, that's what the shepherd was saying, ma'am. 
He's now gone on to see. 
</p>
            <p>‘Oh! Gabriel has been here this morning!’ 
</p>
            <p>‘Only just looked in in passing — quite in his old way, 
which I thought he had left off lately. But the tower 
spouts used to spatter on the stones, and we are puzzled, 
for this was like the boiling of a pot.’ 
</p>
            <p>Not being able to read, think, or work, Bathsheba asked 
Liddy to stay and breakfast with her. The tongue of the 
more childish woman still ran upon recent events. ‘Are 
you going across to the church, ma'am?’ she asked. 
</p>
            <p>‘Not that I know of,’ said Bathsheba. 
</p>
            <p>‘I thought you might like to go and see where they 
have put Fanny. The trees hide the place from your 
window.’ <pb n="380"/>
            </p>
            <p>Bathsheba had all sorts of dreads about meeting her 
husband. ‘Has Mr Troy been in to-night?’ she said. 
</p>
            <p>‘No, ma'am; I think he's gone to Budmouth. 
Budmouth! The sound of the word carried with 
it a much diminished perspective of him and his deeds; 
there were thirteen miles interval betwixt them now. 
She hated questioning Liddy about her husband's 
movements, and indeed had hitherto sedulously avoided 
doing so; but now all the house knew that there had 
been some dreadful disagreement between them, and 
it was futile to attempt disguise. Bathsheba had 
reached a stage at which people cease to have any 
appreciative regard for public opinion. 
</p>
            <p>‘What makes you think he has gone there?’ she said. 
</p>
            <p>‘Laban Tall saw him on the Budmouth road this 
morning before breakfast.’ 
</p>
            <p>Bathsheba was momentarily relieved of that wayward 
heaviness of the past twenty-four hours which had 
quenched the vitality of youth in her without substituting 
the philosophy of maturer years, and she 
resolved to go out and walk a little way. So when 
breakfast was over, she put on her bonnet, and took 
a direction towards the church. It was nine o'clock, 
and the men having returned to work again from their 
first meal, she was not likely to meet many of them in 
the road. Knowing that Fanny had been laid in the 
reprobates' quarter of the graveyard, called in the parish 
‘behind church,’ which was invisible from the road, it 
was impossible to resist the impulse to enter and look 
upon a spot which, from nameless feelings, she at the 
same time dreaded to see. She had been unable to 
overcome an impression that some connection existed 
between her rival and the light through the trees. 
</p>
            <p>Bathsheba skirted the buttress, and beheld the hole 
and the tomb, its delicately veined surface splashed and 
stained just as Troy had seen it and left it two hours 
earlier. On the other side of the scene stood Gabriel. 
His eyes, too, were fixed on the tomb, and her arrival 
having been noiseless, she had not as yet attracted his 
attention. Bathsheba did not at once perceive that the 
grand tomb and the disturbed grave were Fanny's, and 
she looked on both sides and around for some humbler 
mound, <pb n="381"/>
earthed up and clodded in the usual way. Then 
her eye followed Oak's, and she read the words with 
which the inscription opened: — 
</p>
            <p>‘Erected by Francis Troy in Beloved Memory of 
Fanny Robin.’ 
</p>
            <p>Oak saw her, and his first act was to gaze inquiringly 
and learn how she received this knowledge of the 
authorship of the work, which to himself had caused 
considerable astonishment. But such discoveries did 
not much affect her now. Emotional convulsions seemed 
to have become the commonplaces of her history, and 
she bade him good morning, and asked him to fill in 
the hole with the spade which was standing by. Whilst 
Oak was doing as she desired, Bathsheba collected the 
flowers, and began planting them with that sympathetic 
manipulation of roots and leaves which is so conspicuous 
in a woman's gardening, and which flowers seem to 
understand and thrive upon. She requested Oak to 
get the churchwardens to turn the leadwork at the 
mouth of the gurgoyle that hung gaping down upon 
them, that by this means the stream might be directed 
sideways, and a repetition of the accident prevented. 
Finally, with the superfluous magnanimity of a woman 
whose narrower instincts have brought down bitterness 
upon her instead of love, she wiped the mud spots from 
the tomb as if she rather liked its words than otherwise, 
and went home again. 
</p>
         </div>
         <div n="C47" type="chapter">
            <pb n="382"/>
            <head>ADVENTURES BY THE SHORE</head>
            <p>TROY wandered along towards the south. A composite 
feeling, made up of disgust with the, to him, humdrum 
tediousness of a farmer's life, gloomly images of her who 
lay in the churchyard, remorse, and a general averseness 
to his wife's society, impelled him to seek a home in any 
place on earth save Weatherbury. The sad accessories 
of Fanny's end confronted him as vivid pictures which 
threatened to be indelible, and made life in Bathsheba's 
house intolerable. At three in the afternoon he found 
himself at the foot of a slope more than a mile in length, 
which ran to the ridge of a range of hills lying parallel 
with the shore, and forming a monotonous barrier between 
the basin of cultivated country inland and the wilder 
scenery of the coast. Up the hill stretched a road 
nearly straight and perfectly white, the two sides 
approaching each other in a gradual taper till they 
met the sky at the top about two miles off. Throughout 
the length of this narrow and irksome inclined plane 
not a sign of life was visible on this garish afternoon 
Troy toiled up the road with a languor and depression 
greater than any he had experienced for many a day 
and year before. The air was warm and muggy, and 
the top seemed to recede as he approached. 
</p>
            <p>At last he reached the summit, and a wide and 
novel prospect burst upon him with an effect almost like 
that of the Pacific upon Balboa's gaze. The broad 
steely sea, marked only by faint lines, which had a 
semblance of being etched thereon to a degree not deep 
enough to disturb its general evenness, stretched the 
whole width of his front and round to the right, where, 
near the town and port of Budmouth, the sun bristled 
down upon it, and banished all colour, to substitute in 
its place a clear oily polish. Nothing moved in sky, 
land, or sea, except a frill of milkwhite foam along the 
nearer angles of the <pb n="383"/>
shore, shreds of which licked the 
contiguous stones like tongues. 
</p>
            <p>He descended and came to a small basin of sea 
enclosed by the cliffs. Troy's nature freshened within 
him; he thought he would rest and bathe here before 
going farther. He undressed and plunged in. Inside 
the cove the water was uninteresting to a swimmer, 
being smooth as a pond, and to get a little of the ocean 
swell, Troy presently swam between the two projecting 
spurs of rock which formed the pillars of Hercules to 
this miniature Mediterranean. Unfortunately for Troy 
a current unknown to him existed outside, which, unimportant 
to craft of any burden, was awkward for a 
swimmer who might be taken in it unawares. Troy 
found himself carried to the left and then round in a 
swoop out to sea. 
</p>
            <p>He now recollected the place and its sinister 
character. Many bathers had there prayed for a dry 
death from time to time, and, like Gonzalo also, had 
been unanswered; and Troy began to deem it possible 
that he might be added to their number. Not a boat 
of any kind was at present within sight, but far in the 
distance Budmouth lay upon the sea, as it were quietly 
regarding his efforts, and beside the town the harbour 
showed its position by a dim meshwork of ropes and 
spars. After well-nigh exhausting himself in attempts 
to get back to the mouth of the cove, in his weakness 
swimming several inches deeper than was his wont, 
keeping up his breathing entirely by his nostrils, turning 
upon his back a dozen times over, swimming <foreign xml:lang="fre">en papillon</foreign>
and so on, Troy resolved as a last resource to tread 
water at a slight incline, and so endeavour to reach the 
shore at any point, merely giving himself a gentle 
impetus inwards whilst carried on in the general direction 
of the tide. This, necessarily a slow process, he 
found to be not altogether so difficult, and though there 
was no choice of a landing-place — the objects on shore 
passing by him in a sad and slow procession — he perceptibly 
approached the extremity of a spit of land yet 
further to the right, now well defined against the sunny 
portion of the horizon. While the swimmer's eyes were 
fixed upon the spit as his only means of salvation on 
this side of the <pb n="384"/>
Unknown, a moving object broke the 
outline of the extremity, and immediately a ship's boat 
appeared manned with several sailor lads, her bows 
towards the sea. 
</p>
            <p>All Troy's vigour spasmodically revived to prolong 
the struggle yet a little further. Swimming with his 
right arm, he held up his left to hail them, splashing 
upon the waves, and shouting with all his might. From 
the position of the setting sun his white form was 
distinctly visible upon the now deep-hued bosom of the 
sea to the east of the boat, and the men saw him at 
once. Backing their oars and putting the boat about, 
they pulled towards him with a will, and in five or six 
minutes from the time of his first halloo, two of the 
sailors hauled him in over the stern. 
</p>
            <p>They formed part of a brig's crew, and had come 
ashore for sand. Lending him what little clothing they 
could spare among them as a slight protection against 
the rapidly cooling air, they agreed to land him in the 
morning; and without further delay, for it was growing 
late, they made again towards the roadstead where their 
vessel lay. 
</p>
            <p>And now night drooped slowly upon the wide watery 
levels in front; and at no great distance from them, 
where the shore-line curved round, and formed a long 
riband of shade upon the horizon, a series of points of 
yellow light began to start into existence, denoting the 
spot to be the site of Budmouth, where the lamps were 
being lighted along the parade. The cluck of their 
oars was the only sound of any distinctness upon the 
sea, and as they laboured amid the thickening shades 
the lamp-lights grew larger, each appearing to send a 
flaming sword deep down into the waves before it, until 
there arose, among other dim shapes of the kind, the 
form of the vessel for which they were bound. 
</p>
         </div>
         <div n="C48" type="chapter">
            <pb n="385"/>
            <head>DOUBTS ARISE — DOUBTS LINGER</head>
            <p>BATHSHEBA underwent the enlargement of her 
Husband's absence from hours to days with a slight 
feeling of suprise, and a slight feeling of relief; yet 
neither sensation rose at any time far above the level 
commonly designated as indifference. She belonged to 
him: the certainties of that position were so well defined, 
and the reasonable probabilities of its issue so bounded 
that she could not speculate on contingencies. Taking 
no further interest in herself as a splendid woman, she 
acquired the indifferent feelings of an outsider in contemplating 
her probable fate as a singular wretch; for Bathsheba 
drew herself and her future in colours that no 
reality could exceed for darkness. Her original vigorous 
pride of youth had sickened, and with it had declined 
all her anxieties about coming years, since anxiety 
recognizes a better and a worse alternative, and Bathsheba 
had made up her mind that alternatives on any 
noteworthy scale had ceased for her. Soon, or later — 
and that not very late — her husband would be home 
again. And then the days of their tenancy of the 
Upper Farm would be numbered. There had originally 
been shown by the agent to the estate some distrust 
of Bathsheba's tenure as James Everdene's successor, 
on the score of her sex, and her youth, and her beauty; 
but the peculiar nature of her uncle's will, his own 
frequent testimony before his death to her cleverness 
in such a pursuit, and her vigorous marshalling of the 
numerous flocks and herds which came suddenly into 
her hands before negotiations were concluded, had won 
confidence in her powers, and no further objections had 
been raised. She had latterly been in great doubt as 
to what the legal effects of her marriage would be upon 
her position; but no notice had been taken as yet of 
her change of name, and only one point was clear — that 
in the event of her own or her husband's inability to 
meet the agent at the <pb n="386"/>
forthcoming January rent-day, 
very little consideration would be shown, and, for that 
matter, very little would be deserved. Once out of the 
farm, the approach of poverty would be sure. 
</p>
            <p>Hence Bathsheba lived in a perception that her 
purposes were broken off. She was not a woman who 
could hope on without good materials for the process, 
differing thus from the less far-sighted and energetic, 
though more petted ones of the sex, with whom hope 
goes on as a sort of clockwork which the merest food 
and shelter are sufficient to wind up; and perceiving 
clearly that her mistake had been a fatal one, she 
accepted her position, and waited coldly for the end. 
</p>
            <p>The first Saturday after Troy's departure she went 
to Casterbridge alone, a journey she had not before 
taken since her marriage. On this Saturday Bathsheba 
was passing slowly on foot through the crowd of rural 
business-men gathered as usual in front of the market-house, 
who were as usual gazed upon by the burghers 
with feelings that those healthy lives were dearly paid 
for by exclusion from possible aldermanship, when a 
man, who had apparently been following her, said some 
words to another on her left hand. Bathsheba's ears 
were keen as those of any wild animal, and she distinctly 
heard what the speaker said, though her back 
was towards him. 
</p>
            <p>‘I am looking for Mrs Troy. Is that she there?’ 
</p>
            <p>‘Yes; that's the young lady, I believe,’ said the 
the person addressed. 
</p>
            <p>‘I have some awkward news to break to her. Her 
husband is drowned.’ 
</p>
            <p>As if endowed with the spirit of prophecy, Bathsheba 
gasped out, ‘No, it is not true; it cannot be true!’ 
Then she said and heard no more. The ice of self-command 
which had latterly gathered over her was 
broken, and the currents burst forth again, and over 
whelmed her. A darkness came into her eyes, and she 
fell. 
</p>
            <p>But not to the ground. A gloomy man, who had 
been observing her from under the portico of the old 
corn-exchange when she passed through the group 
without, stepped quickly to her side at the moment of 
her exclamation, and caught her in his arms as she sank 
down. <pb n="387"/>
            </p>
            <p>‘What is it?’ said Boldwood, looking up at the 
bringer of the big news, as he supported her. 
</p>
            <p>‘Her husband was drowned this week while bathing 
in Lulwind Cove. A coastguardsman found his clothes, 
and brought them into Budmouth yestersay.’ 
</p>
            <p>Thereupon a strange fire lighted up Boldwood's eye, 
and his face flushed with the suppressed excitement of 
an unutterable thought. Everybody's glance was now 
centred upon him and the unconsious Bathsheba. He 
lifted her bodily off the ground, and smoothed down 
the folds of her dress as a child might have taken a 
storm-beaten bird and arranged its ruffled plumes, and 
bore her along the pavement to the King's Arms Inn. 
Here he passed with her under the archway into a 
private room; and by the time he had deposited — so 
lothly — the precious burden upon a sofa, Bathsheba had 
opened her eyes. Remembering all that had occurred, 
she murmured, ‘I want to go home!’ 
</p>
            <p>Boldwood left the room. He stood for a moment in 
the passage to recover his senses. The experience had 
been too much for his consciousness to keep up with, 
and now that he had grasped it it had gone again. For 
those few heavenly, golden moments she had been in his 
arms. What did it matter about her not knowing it? She 
had been close to his breast; he had been close to hers. 
</p>
            <p>He started onward again, and sending a woman to 
her, went out to ascertain all the facts of the case. 
These appeared to be limited to what he had already 
heard. He then ordered her horse to be put into the 
gig, and when all was ready returned to inform her. 
He found that, though still pale and unwell, she had in 
the meantime sent for the Budmouth man who brought 
the tidings, and learnt from him all there was to know. 
Being hardly in a condition to drive home as she 
had driven to town, Boldwood, with every delicacy of 
manner and feeling, offered to get her a driver, or to 
give her a seat in his phaeton, which was more comfortable 
than her own conveyance. These proposals 
Bathsheba gently declined, and the farmer at once departed. 
</p>
            <p>About half-an-hour later she invigorated herself by 
an effort, and took her seat and the reins as usual — 
in external <pb n="388"/>
appearance much as if nothing had happened. 
She went out of the town by a tortuous back street, and 
drove slowly along, unconscious of the road and the 
scene. The first shades of evening were showing themselves 
when Bathsheba reached home, where, silently 
alighting and leaving the horse in the hands of the boy, 
she proceeded at once upstairs. Liddy met her on the 
landing. The news had preceded Bathsheba to Weatherbury 
by half-an-hour, and Liddy looked inquiringly into 
her mistress's face. Bathsheba had nothing to say. 
</p>
            <p>She entered her bedroom and sat by the window, and 
thought and thought till night enveloped her, and the 
extreme lines only of her shape were visible. Somebody 
came to the door, knocked, and opened it. 
</p>
            <p>‘Well, what is it, Liddy?’ she said. 
</p>
            <p>‘I was thinking there must be something got for you 
to wear,’ said Liddy, with hesitation. 
</p>
            <p>‘What do you mean?’ 
</p>
            <p>‘Mourning.’ 
</p>
            <p>‘No, no, no,’ said Bathsheba, hurriedly. 
</p>
            <p>‘But I suppose there must be something done for 
poor — —’ 
</p>
            <p>‘Not at present, I think. It is not necessary.’ 
</p>
            <p>‘Why not, ma'am?’ 
</p>
            <p>‘Because he's still alive.’ 
</p>
            <p>‘How do you know that?’ said Liddy, amazed. 
</p>
            <p>‘I don't know it. But wouldn't it have heen different, 
or shouldn't I have heard more, or wouldn't they have 
found him, Liddy? — or — I don't know how it is, but 
death would have been different from how this is. I am 
perfectly convinced that he is still alive!’ 
</p>
            <p>Bathsheba remained firm in this opinion till Monday, 
when two circumstances conjoined to shake it. The 
first was a short paragraph in the local newspaper, which, 
beyond making by a methodizing pen formidable presumptive 
evidence of Troy's death by drowning, contained 
the important testimony of a young Mr Barker, 
<hi rend="sc">m.d.</hi>, of Budmouth, who spoke to being an eyewitness 
of the accident, in a letter to the editor. In this he 
stated that he was passing over the cliff on the remoter 
side of the <pb n="389"/>
cove just as the sun was setting. At that 
time he saw a bather carried along in the current outside 
the mouth of the cove, and guessed in an instant that 
there was but a poor chance for him unless he should 
be possessed of unusual muscular powers. He drifted 
behind a projection of the coast, and Mr Barker followed 
along the shore in the same direction. But by the time 
that he could reach an elevation sufficiently great to 
command a view of the sea beyond, dusk had set in, and 
nothing further was to be seen. 
</p>
            <p>The other circumstance was the arrival of his clothes, 
when it became necessary for her to examine and identify 
them — though this had virtually been done long before 
by those who inspected the letters in his pockets. It 
was so evident to her in the midst of her agitation that 
Troy had undressed in the full conviction of dressing 
again almost immediately, that the notion that anything 
but death could have prevented him was a perverse one 
to entertain. 
</p>
            <p>Then Bathsheba said to herself that others were 
assured in their opinion; strange that she should not 
be. A strange reflection occured to her, causing her 
face to flush. Suppose that Troy had followed Fanny 
into another world. Had he done this intentionally, yet 
contrived to make his death appear like an accident? 
Nevertheless, this thought of how the apparent might 
differ from the real — made vivid by her bygone jealousy 
of Fanny, and the remorse he had shown that night 
— did not blind her to the perception of a likelier 
difference, less tragic, but to herself far more disastrous. 
When alone late that evening beside a small fire, and 
much calmed down, Bathsheba took Troy's watch into 
her hand, which had been restored to her with the rest 
of the articles belonging to him. She opened the case 
as he had opened it before her a week ago. There was 
the little coil of pale hair which had been as the fuse to 
this great explosion. 
</p>
            <p>‘He was hers and she was his; they should be gone 
together,’ she said. ‘I am nothing to either of them, 
and why should I keep her hair?’ She took it in her 
hand, and held it over the fire. ‘No—I'll not burn it 
—I'll keep it in memory of her, poor thing!’ she added, 
snatching back her hand. 
</p>
         </div>
         <div n="C49" type="chapter">
            <pb n="390"/>
            <head>OAK'S ADVANCEMENT — A GREAT HOPE</head>
            <p>THE later autumn and the winter drew on apace, 
and the leaves lay thick upon the turf of the glades 
and the mosses of the woods. Bathsheba, having 
previously been living in a state of suspended feeling 
which was not suspense, now lived in a mood of 
quietude which was not precisely peacefulness. While 
she had known him to be alive she could have thought 
of his death with equanimity; but now that it might be 
she had lost him, she regretted that he was not hers 
still. She kept the farm going, raked in her profits 
without caring keenly about them, and expended 
money on ventures because she had done so in bygone 
days, which, though not long gone by, seemed infinitely 
removed from her present. She looked back upon that 
past over a great gulf, as if she were now a dead person, 
having the faculty of meditation still left in her, by 
means of which, like the mouldering gentlefolk of the 
poet's story, she could sit and ponder what a gift life 
used to be. 
</p>
            <p>However, one excellent result of her general apathy 
was the long-delayed installation of Oak as bailiff; but 
he having virtually exercised that function for a long 
time already, the change, beyond the substantial increase 
of wages it brought, was little more than a 
nominal one addressed to the outside world. 
</p>
            <p>Boldwood lived secluded and inactive. Much of 
his wheat and all his barley of that season had been 
spoilt by the rain. It sprouted, grew into intricate 
mats, and was ultimately thrown to the pigs in armfuls. 
The strange neglect which had produced this ruin 
and waste became the subject of whispered talk among 
all the people round; and it was elicited from one of 
Boldwood's men that forgetfulness had nothing to do 
with it, for he had been reminded of the danger to 
his corn as many times and as persistently as inferiors 
dared to do. The sight of the <pb n="391"/>
pigs turning in disgust 
from the rotten ears seemed to arouse Boldwood, and 
he one evening sent for Oak. Whether it was suggested 
by Bathsheba's recent act of promotion or not, 
the farmer proposed at the interview that Gabriel 
should undertake the superintendence of the Lower 
Farm as well as of Bathsheba's, because of the necessity 
Boldwood felt for such aid, and the impossibility of 
discovering a more trustworthy man. Gabriel's malignant 
star was assuredly setting fast. 
</p>
            <p>Bathsheba, when she learnt of this proposal — for 
Oak was obliged to consult her — at first languidly 
objected. She considered that the two farms together 
were too extensive for the observation of one man. 
Boldwood, who was apparently determined by personal 
rather than commercial reasons, suggested that Oak 
should be furnished with a horse for his sole use, 
when the plan would present no difficulty, the two 
farms lying side by side. Boldwood did not directly 
communicate with her during these negotiations, only 
speaking to Oak, who was the go-between throughout. 
All was harmoniously arranged at last, and we now 
see Oak mounted on a strong cob, and daily trotting 
the length breadth of about two thousand acres 
in a cheerful spirit of surveillance, as if the crops 
belonged to him — the actual mistress of the one-half 
and the master of the other, sitting in their respective 
homes in gloomy and sad seclusion. 
</p>
            <p>Out of this there arose, during the spring succeeding, 
a talk in the parish that Gabriel Oak was feathering his 
nest fast. 
</p>
            <p>‘Whatever d'ye think,’ said Susan Tall, ‘Gabriel Oak 
is coming it quite the dand. He now wears shining 
boots with hardly a hob in 'em, two or three times 
a-week, and a tall hat a-Sundays, and 'a hardly knows 
the name of smockfrock. When I see people strut 
enough to be cut up into bantam cocks, I stand 
dormant with wonder, and says no more!’ 
</p>
            <p>It was eventually known that Gabriel, though paid 
a fixed wage by Bathsheba independent of the fluctuations 
of agricultural profits, had made an engagement 
with Boldwood by which Oak was to receive a share 
of the receipts — a small share certainly, yet it was 
money of a higher quality than mere wages, and 
capable of expansion in a way that wages were not. <pb n="392"/>
Some were beginning to consider Oak a ‘near’ man, 
for though his condition had thus far improved, he 
lived in no better style than hefore, occupying the 
same cottage, paring his own potatoes, mending his 
stockings, and sometimes even making his bed with 
his own hands. But as Oak was not only provokingly 
indifferent to public opinion, but a man who clung 
persistently to old habits and usages, simply because 
they were old, there was room for doubt as to his 
motives. 
</p>
            <p>A great hope had latterly germinated in Boldwood, 
whose unreasoning devotion to Bathsheba could only 
be characterized as a fond madness which neither 
time nor circumstance, evil nor good report, could 
weaken or destroy. This fevered hope had grown up 
again like a grain of mustard-seed during the quiet 
which followed the hasty conjecture that Troy was 
drowned. He nourished it fearfully, and almost 
shunned the contemplation of it in earnest, lest facts 
should reveal the wildness of the dream. Bathsheba 
having at last been persuaded to wear mourning, her 
appearance as she entered the church in that guise 
was in itself a weekly addition to his faith that a 
time was coming — very far off perhaps, yet surely 
nearing — when his waiting on events should have 
its reward. How long he might have to wait he had 
not yet closely considered. What he would try to 
recognize was that the severe schooling she had been 
subjected to had made Bathsheba much more considerate 
than she had formerly been of the feelings of 
others, and he trusted that, should she be willing at 
any time in the future to marry any man at all, that 
man would be himself. There was a substratum of 
good feeling in her: her self-reproach for the injury 
she had thoughtlessly done him might be depended 
upon now to a much greater extent than before her 
infatuation and disappointment. It would be possible 
to approach her by the channel of her good nature, 
and to suggest a friendly business-like compact between 
them for fulfilment at some future day, keeping the 
passionate side of his desire entirely out of her sight. 
Such was Boldwood's hope. 
</p>
            <p>To the eyes of the middle-aged, Bathsheba was 
perhaps additionally charming just now. Her exuberance 
cf spirit was pruned down; the original phantom 
of delight had shown <pb n="393"/>
herself to be not too bright for 
human nature's daily food, and she had been able to 
enter this second poetical phase without losing much 
of the first in the process. 
</p>
            <p>Bathsheba's return from a two months' visit to her 
old aunt at Norcombe afforded the impassioned and 
yearning farmer a pretext for inquiring directly after 
her — now possibly in the ninth month of her 
widowhood — and endeavouring to get a notion of her 
middle of the haymaking, and Boldwood contrived to 
be near Liddy, who was assisting in the fields. 
</p>
            <p>‘I am glad to see you out of doors, Lydia,’ he said 
pleasantly.  She simpered, and wondered in her heart why he 
should speak so frankly to her. 
</p>
            <p>‘I hope Mrs Troy is quite well after her long 
absence,’ he continued, in a manner expressing that 
the coldest-hearted neighbour could scarcely say less 
about her. 
</p>
            <p>‘She is quite well, sir.’ 
</p>
            <p>‘And cheerful, I suppose.’ 
</p>
            <p>‘Yes, cheerful. 
</p>
            <p>‘Fearful, did you say?’ 
</p>
            <p>‘O no. I merely said she was cheerful.’ 
</p>
            <p>‘Tells you all her affairs?’ 
</p>
            <p>‘No, sir. 
</p>
            <p>‘Some of them?’ 
</p>
            <p>‘Yes, sir. 
</p>
            <p>‘Mrs Troy puts much confidence in you, Lydia; 
and very wisely, perhaps.’ 
</p>
            <p>‘She do, sir. I've been with her all through her 
troubles, and was with her at the time of Mr Troy's 
going and all. And if she were to marry again I 
expect I should bide with her.’ 
</p>
            <p>‘She promises that you shall — quite natural,’ said 
the strategic lover, throbbing throughout him at the 
presumption which Liddy's words appeared to warrant 
— that his darling had thought of re-marriage. 
</p>
            <p>‘No —she doesn't promise it exactly. I merely 
judge on my own account. 
</p>
            <p>‘Yes, yes, I understand. When she alludes to the 
possibility of marrying again, you conclude —’ <pb n="394"/>
            </p>
            <p>‘She never do allude to it, sir,’ said Liddy, thinking 
how very stupid Mr Boldwood was getting. 
</p>
            <p>‘Of course not,’ he returned hastily, his hope falling 
again. ‘You needn't take quite such long reaches with 
your rake, Lydia — short and quick ones are best. Well, 
perhaps, as she is absolute mistress again now, it is wise 
of her to resolve never to give up her freedom.’ 
</p>
            <p>‘My mistress did certainly once say, though not 
seriously, that she supposed she might marry again at 
the end of seven years from last year, if she cared to 
risk Mr Troy's coming back and claiming her.’ 
</p>
            <p>‘Ah, six years from the present time. Said that she 
might. She might marry at once in every reasonable 
person's opinion, whatever the lawyers may say to the 
contrary.’ 
</p>
            <p>‘Have you been to ask them?’ said Liddy, innocently. 
</p>
            <p>‘Not I,’ said Boldwood, growing red. ‘Liddy, you 
needn't stay here a minute later than you wish, so Mr 
Oak says. I am now going on a little farther. Good 
afternoon.’ 
</p>
            <p>He went away vexed with himself, and ashamed of 
having for this one time in his life done anything which 
could be called underhand. Poor Boldwood had no 
more skill in finesse than a battering-ram, and he was 
uneasy with a sense of having made himself to appear 
stupid and, what was worse, mean. But he had, after 
all, lighted upon one fact by way of repayment. It was 
a singularly fresh and fascinating fact, and though not 
without its sadness it was pertinent and real. In little 
more than six years from this time Bathsheba might 
certainly marry him. There was something definite in 
that hope, for admitting that there might have been no 
deep thought in her words to Liddy about marriage, 
they showed at least her creed on the matter. 
</p>
            <p>This pleasant notion was now continually in his mind. 
Six years were a long time, but how much shorter than 
never, the idea he had for so long been obliged to 
endure! Jacob had served twice seven years for 
Rachel: what were six for such a woman as this? He 
tried to like the notion of waiting for her better than 
that of winning her at once. Boldwood felt his love 
to be so deep and strong and eternal, that it was possible she <pb n="395"/>
had never yet known its full volume, and this 
patience in delay would afford him an opportunity of 
giving sweet proof on the point. He would annihilate 
the six years of his life as if they were minutes — so little 
did he value his time on earth beside her love. He 
would let her see, all those six years of intangible ethereal 
courtship, how little care he had for anything but as 
it bore upon the consummation. 
</p>
            <p>Meanwhile the early and the late summer brought 
round the week in which Greenhill Fair was held. 
This fair was frequently attended by the folk of Weatherbury. 
</p>
         </div>
         <div n="C50" type="chapter">
            <pb n="396"/>
            <head>THE SHEEP FAIR — TROY TOUCHES HIS WIFE'S HAND</head>
            <p>GREENHILL was the Nijni Novgorod of South 
Wessex; and the busiest, merriest, noisiest day of the 
whole statute number was the day of the sheep fair. 
This yearly gathering was upon the summit of a hill 
which retained in good preservation the remains of an 
ancient earthwork, consisting of a huge rampart and 
entrenchnaent of an oval form encircling the top of 
the hill, though somewhat broken down here and there. 
To each of the two chief openings on opposite sides a 
winding road ascended, and the level green space of 
ten or fifteen acres enclosed by the bank was the 
site of the fair. A few permanent erections dotted the 
spot, but the majority of visitors patronized canvas alone 
for resting and feeding under during the time of their 
sojourn here. 
</p>
            <p>Shepherds who attended with their flocks from long 
distances started from home two or three days, or even 
a week, before the fair, driving their charges a few miles 
each day — not more than ten or twelve — and resting 
them at night in hired fields by the wayside at previously 
chosen points, where they fed, having fasted since 
morning. The shepherd of each flock marched behind, 
a bundle containing his kit for the week strapped upon 
his shoulders, and in his hand his crook, which he used 
as the staff of his pilgrimage. Several of the sheep 
would get worn and lame, and occasionally a lambing 
occurred on the road. To meet these contingencies, 
there was frequently provided, to accompany the flocks 
from the remoter points, a pony and waggon into which 
the weakly ones were taken for the remainder of the 
journey. 
</p>
            <p>The Weatherbury Farms, however, were no such 
long distance from the hill, and those arrangements 
were not necessary in their case. But the large united 
flocks of Bathsheba and Farmer Boldwood formed a 
valuable and imposing multitude which <pb n="397"/>
demanded much 
attention, and on this account Gabriel, in addition to 
Boldwood's shepherd and Cain Ball, accompanied them 
along the way, through the decayed old town of Kingsbere, 
and upward to the plateau, — old George the dog 
of course behind them. 
</p>
            <p>When the autumn sun slanted over Greenhill this 
morning and lighted the dewy flat upon its crest, nebulous 
clouds of dust were to be seen floating between 
the pairs of hedges which streaked the wide prospect 
around in all directions. These gradually converged 
upon the base of the hill, and the flocks became 
individually visible, climbing the serpentine ways which 
led to the top. Thus, in a slow procession, they entered 
the opening to which the roads tended, multitude after 
multitude, horned and hornless — blue flocks and red 
flocks, buff flocks and brown flocks, even green and 
salmon-tinted flocks, according to the fancy of the 
colourist and custom of the farm. Men were shouting, 
dogs were barking, with greatest animation, but the 
thronging travellers in so long a journey had grown 
nearly indifferent to such terrors, though they still 
bleated piteously at the unwontedness of their experiences, 
a tall shepherd rising here and there in the midst 
of them, like a gigantic idol amid a crowd of prostrate 
devotees. 
</p>
            <p>The great mass of sheep in the fair consisted of 
South Downs and the old Wessex horned breeds, to 
the latter class Bathsheba's and Farmer Boldwood's 
mainly belonged. These filed in about nine o'clock, 
their vermiculated horns lopping gracefully on each side 
of their cheeks in geometrically perfect spirals, a small 
pink and white ear nestling under each horn. Before 
and behind came other varieties, perfect leopards as to 
the full rich substance of their coats, and only lacking the 
spots. There were also a few of the Oxfordshire breed, 
whose wool was beginning to curl like a child's flaxen 
hair, though surpassed in this respect by the effeminate 
Leicesters, which were in turn less curly than the Cotswolds. 
But the most picturesque by far was a small 
flock of Exmoors, which chanced to be there this year. 
Their pied faces and legs, dark and heavy horns, tresses 
of wool hanging round their swarthy <pb n="398"/>
foreheads, quite 
relieved the monotony of the flocks in that quarter. 
</p>
            <p>All these bleating, panting, and weary thousands had 
entered and were penned before the morning had far 
advanced, the dog belonging to each flock being tied to 
the corner of the pen containing it. Alleys for pedestrians 
intersected the pens, which soon became crowded 
with buyers and sellers from far and near. 
</p>
            <p>In another part of the hill an altogether different 
scene began to force itself upon the eye towards midday. 
A circular tent, of exceptional newness and size, 
was in course of erection here. As the day drew on, 
the flocks began to change hands, lightening the shepherd's 
responsibilities; and they turned their attention 
to this tent and inquired of a man at work there, whose 
soul seemed concentrated on tying a bothering knot in 
no time, what was going on. 
</p>
            <p>‘The Royal Hippodrome Performance of Turpin's 
Ride to York and the Death of Black Bess,’ replied the 
man promptly, without turning his eyes or leaving off 
tying. 
</p>
            <p>As soon as the tent was completed the band struck 
up highly stimulating harmonies, and the announcement 
was publicly made, Black Bess standing in a conspicuous 
position on the outside, as a living proof, if 
proof were wanted, of the truth of the oracular utterances 
from the stage over which the people were to enter. 
These were so convinced by such genuine appeals to 
heart and understanding both that they soon began to 
crowd in abundantly, among the foremost being visible 
Jan Coggan and Joseph Poorgrass, who were holiday 
keeping here to-day. 
</p>
            <p>‘That's the great ruffen pushing me!’ screamed a 
woman in front of Jan over her shoulder at him when 
the rush was at its fiercest. 
</p>
            <p>‘How can I help pushing ye when the folk behind 
push me?’ said Coggan, in a deprecating tone, turning 
without turning his body, which was jammed as in a vice. 
</p>
            <p>There was a silence; then the drums and trumpets 
again sent forth their echoing notes. The crowd was 
again ecstasied, <pb n="399"/>
and gave another lurch in which Coggan 
and Poorgrass were again thrust by those behind upon 
the women in front. 
</p>
            <p>‘O that helpless feymels should be at the mercy of 
such ruffens!’ exclaimed one of these ladies again, as 
she swayed like a reed shaken by the wind. 
</p>
            <p>‘Now,’ said Coggan, appealing in an earnest voice 
to the public at large as it stood clustered about his 
shoulder-blades, ‘did ye ever hear such onreasonable 
woman as that? Upon my carcase, neighbours, if I 
could only get out of this cheese-wring, the damn women 
might eat the show for me!’ 
</p>
            <p>‘Don't ye lose yer temper, Jan!’ implored Joseph 
Poorgrass, in a whisper. ‘They might get their men to 
murder us, for I think by the shine of their eyes that 
they be a sinful form of womankind.’ 
</p>
            <p>Jan held his tongue, as if he had no objection to be 
pacified to please a friend, and they gradually reached 
the foot of the ladder, Poorgrass being flattened like a 
jumping-jack, and the sixpence, for admission, which he 
had got ready half-an-hour earlier, having become so 
reeking hot in the tight squeeze of his excited hand that 
the woman in spangles, brazen rings set with glass 
diamonds, and with chalked face and shoulders, who 
took the money of him, hastily dropped it again from 
a fear that some trick had been played to burn her 
fingers. So they all entered, and the cloth of the 
tent, to the eyes of an observer on the outside, became 
bulged into innumerable pimples such as we observe on 
a sack of potatoes, caused by the various human heads, 
backs, and elbows at high pressure within. 
</p>
            <p>At the rear of the large tent there were two small 
dressing-tents. One of these, alloted to the male performers, 
was partitioned into halves by a cloth; and in 
one of the divisions there was sitting on the grass, pulling 
on a pair of jack-boots, a young man whom we 
instantly recognise as Sergeant Troy. 
</p>
            <p>Troy's appearance in this position may be briefly 
accounted for. The brig aboard which he was taken in 
Budmouth Roads was about to start on a voyage, though 
somewhat short of hands. Troy read the articles and 
joined, but before they sailed a boat was despatched 
across the bay to Lulwind cove; as he <pb n="400"/>
had half expected, 
his clothes were gone. He ultimately worked his passage 
to the United States, where he made a precarious living 
in various towns as Professor of Gymnastics, Sword 
Exercise, Fencing, and Pugilism. A few months were 
sufficient to give him a distaste for this kind of life. 
There was a certain animal form of refinement in his 
nature; and however pleasant a strange condition might 
be whilst privations were easily warded off, it was disadvantageously 
coarse when money was short. There 
was ever present, too, the idea that he could claim a 
home and its comforts did he but chose to return to 
England and Weatherbury Farm. Whether Bathsheba 
thought him dead was a frequent subject of curious 
conjecture. To England he did return at last; but the 
fact of drawing nearer to Weatherbury abstracted its 
fascinations, and his intention to enter his old groove at 
the place became modified. It was with gloom he considered 
on landing at Liverpool that if he were to go home 
his reception would be of a kind very unpleasant to contemplate; 
for what Troy had in the way of emotion was 
an occasional fitful sentiment which sometimes caused 
him as much inconvenience as emotion of a strong and 
healthy kind. Bathsheba was not a woman to be made 
a fool of, or a woman to suffer in silence; and how 
could he endure existence with a spirited wife to whom 
at first entering he would be beholden for food and 
lodging? Moreover, it was not at all unlikely that his 
wife would fail at her farming, if she had not already 
done so; and he would then become liable for her 
maintenance: and what a life such a future of poverty 
with her would be, the spectre of Fanny constantly between 
them, harrowing his temper and embittering her 
words! Thus, for reasons touching on distaste, regret, 
and shame commingled, he put off his return from day 
to day, and would have decided to put it off altogether 
if he could have found anywhere else the ready-made 
establishment which existed for him there. 
</p>
            <p>At this time — the July preceding the September in 
which we find at Greenhill Fair — he fell in with a 
travelling circus which was performing in the outskirts of 
a northern town. Troy introduced himself to the 
manager by taming a restive horse of the troupe, hitting 
a suspended apple with pistol— <pb n="401"/>
bullet fired from the 
animal's back when in full gallop, and other feats. For 
his merits in these — all more or less based upon his experiences 
as a dragoon-guardsman — Troy was taken into 
the company, and the play of Turpin was prepared with 
a view to his personation of the chief character. Troy 
was not greatly elated by the appreciative spirit in which 
he was undoubtedly treated, but he thought the engagement 
might afford him a few weeks for consideration. 
It was thus carelessly, and without having formed any 
definite plan for the future, that Troy found himself 
at Greenhill Fair with the rest of the company on this 
day. 
</p>
            <p>And now the mild autumn sun got lower, and in 
front of the pavilion the following incident had taken 
place. Bathsheba — who was driven to the fair that day 
by her odd man Poorgrass — had, like every one else, 
read or heard the announcement that Mr Francis, the 
Great Cosmopolitan Equestrian and Roughrider, would 
enact the part of Turpin, and she was not yet too old 
and careworn to be without a little curiosity to see him. 
This particular show was by far the largest and grandest 
in the fair, a horde of little shows grouping themselves 
under its shade like chickens around a hen. The crowd 
had passed in, and Boldwood, who had been watching 
all the day for an opportunity of speaking to her, seeing 
her comparatively isolated, came up to her side. 
</p>
            <p>‘I hope the sheep have done well to-day, Mrs Troy?’ 
he said, nervously. 
</p>
            <p>‘O yes, thank you,’ said Bathsheba, colour springing 
up in the centre of her cheeks. ‘I was fortunate 
enough to sell them all just as we got upon the hill, so 
we hadn't to pen at all.’ 
</p>
            <p>‘And now you are entirely at leisure?’ 
</p>
            <p>‘Yes, except that I have to see one more dealer in 
two hours' time: otherwise I should be going home. 
I was looking at this large tent and the announcement. 
Have you ever seen the play of ‘Turpin's Ride to 
York?’ ‘Turpin was a real man, was he not?’ 
</p>
            <p>‘O yes, perfectly true — all of it. Indeed, I think 
I've heard Jan Coggan say that a relation of his knew 
Tom King, Turpin's friend, quite well.’ <pb n="402"/>
            </p>
            <p>‘Coggan is rather given to strange stories connected 
with his relations, we must remember. I hope they 
can all be believed.’ 
</p>
            <p>‘Yes, yes; we know Coggan. But Turpin is true 
enough. You have never seen it played, I suppose?’ 
</p>
            <p>‘Never. I was not allowed to go into these places 
when I was young. Hark! What's that prancing? 
How they shout!’ 
</p>
            <p>‘Black Bess just started off, I suppose. Am I right 
in supposing you would like to see the performance, 
Mrs Troy? Please excuse my mistake, if it is one; 
but if you would like to, I'll get a seat for you with 
pleasure.’ Perceiving that she hesitated, he added, ‘I 
myself shall not stay to see it: I've seen it before.’ 
</p>
            <p>Now Bathsheba did care a little to see the show, and 
had only withheld her feet from the ladder because she 
feared to go in alone. She had been hoping that Oak 
might appear, whose assistance in such cases was always 
accepted as an inalienable right, but Oak was nowhere 
to be seen; and hence it was that she said, ‘Then if 
you will just look in first, to see if there's room, I think 
I will go in for a minute or two.’ 
</p>
            <p>And so a short time after this Bathsheba appeared 
in the tent with Boldwood at her elbow, who, taking 
her to a ‘reserved’ seat, again withdrew. 
</p>
            <p>This feature consisted of one raised bench in very 
conspicuous part of the circle, covered with red cloth, 
and floored with a piece of carpet, and Bathsheba 
immediately found, to her confusion, that she was the 
single reserved individual in the tent, the rest of the 
crowded spectators, one and all, standing on their legs 
on the borders of the arena, where they got twice as 
good a view of the performance for half the money. 
Hence as many eyes were turned upon her, enthroned 
alone in this place of honour, against a scarlet background, 
as upon the ponies and clown who were 
engaged in preliminary exploits in the centre, Turpin 
not having yet appeared. Once there, Bathsheba was 
forced to make the best of it and remain: she sat 
down, spreading her skirts with some dignity over the 
unoccupied space on each side of her, and giving a 
new and feminine aspect to the pavilion. In a few 
minutes she noticed the fat red nape of Coggan's neck 
among those standing just <pb n="403"/>
below her, and Joseph Poorgrass's saintly profile a 
little further on. 
</p>
            <p>The interior was shadowy with a peculiar shade. 
The strange luminous semi-opacities of fine autumn 
afternoons and eves intensified into Rembrandt effects 
the few yellow sunbeams which came through holes 
and divisions in the canvas, and spirted like jets of 
gold-dust across the dusky blue atmosphere of haze 
pervading the tent, until they alighted on inner surfaces 
of cloth opposite, and shone like little lamps suspended 
there. 
</p>
            <p>Troy, on peeping from his dressing-tent through a 
slit for a reconnoitre before entering, saw his unconscious 
wife on high before him as described, sitting as queen 
of the tournament. He started back in utter confusion, 
for although his disguise effectually concealed his personality, 
he instantly felt that she would be sure to recognize 
his voice. He had several times during the day thought 
of the possibility of some Weatherbury person or other 
appearing and recognizing him; but he had taken the 
risk carelessly. If they see me, let them, he had said. 
But here was Bathsheba in her own person; and the 
reality of the scene was so much intenser than any of 
his prefigurings that he felt he had not half enough 
considered the point. 
</p>
            <p>She looked so charming and fair that his cool mood 
about Weatherbury people was changed. He had not 
expected her to exercise this power over him in the 
twinkling of an eye. Should he go on, and care nothing? 
He could not bring himself to do that. Beyond a politic 
wish to remain unknown, there suddenly arose in him 
now a sense of shame at the possibility that his 
attractive young wife, who already despised him, should 
despise him more by discovering him in so mean a 
condition after so long a time. He actually blushed 
at the thought, and was vexed beyond measure that 
his sentiments of dislike towards Weatherbury should 
have led him to dally about the country in this way. 
</p>
            <p>But Troy was never more clever than when absolutely 
at his wit's end. He hastily thrust aside the curtain 
dividing his own little dressing space from that of the 
manager and proprietor, who now appeared as the 
individual called Tom King as far <pb n="404"/>
down as his waist, and 
as the aforesaid respectable manager thence to his toes. 
</p>
            <p>‘Here's the devil to pay!’ said Troy. 
</p>
            <p>‘How's that?’ 
</p>
            <p>‘Why, there's a blackguard creditor in the tent I don't 
want to see, who'll discover me and nab me as sure as 
Satan if I open my mouth. What's to be done?’ 
</p>
            <p>‘You must appear now, I think.’ 
</p>
            <p>‘I can't.’ 
</p>
            <p>‘But the play must proceed.’ 
</p>
            <p>‘Do you give out that Turpin has got a bad cold, 
and can't speak his part, but that he'll perform it just 
the same without speaking.’ 
</p>
            <p>The proprietor shook his head. 
</p>
            <p>‘Anyhow, play or no play, I won't open my mouth,’ 
said Troy, firmly. 
</p>
            <p>‘Very well, then let me see. I tell you how we'll 
manage,’ said the other, who perhaps felt it would be 
extremely awkward to offend his leading man just at 
this time. ‘I won't tell 'em anything about your 
keeping silence; go on with the piece and say nothing, 
doing what you can by a judicious wink now and then, 
and a few indomitable nods in the heroic places, you 
know. They'll never find out that the speeches are 
omitted.’ 
</p>
            <p>This seemed feasible enough, for Turpin's speeches 
were not many or long, the fascination of the piece 
lying entirely in the action; and accordingly the play 
began, and at the appointed time Black Bess leapt 
into the grassy circle amid the plaudits of the spectators. 
At the turnpike scene, where Bess and Turpin are hotly 
pursued at midnight by the officers, and half-awake 
gatekeeper in his tasselled nightcap denies that any 
horseman has passed, Coggan uttered a broad-chested 
‘Well done!’ which could be heard all over the fair 
above the bleating, and Poorgrass smiled delightedly 
with a nice sense of dramatic contrast between our 
hero, who coolly leaps the gate, and halting justice in 
the form of his enemies, who must needs pull up 
cumbersomely and wait to be let through. At the 
death of Tom King, he could not refrain from seizing 
Coggan by the hand, and whispering, with tears in his 
eyes, ‘Of <pb n="405"/>
course he's not really shot, Jan  —  only 
seemingly!’ And when the last sad scene came on, 
and the body of the gallant and faithful Bess had to 
be carried out on a shutter by twelve volunteers from 
among the spectators, nothing could restrain Poorgrass 
from lending a hand, exclaiming, as he asked Jan to 
join him, ‘'Twill be something to tell of at Warren's in 
future years, Jan, and hand down to our children.’ For 
many a year in Weatherbury, Joseph told, with the air 
of a man who had had experiences in his time, that he 
touched with his own hand the hoof of Bess as she lay 
upon the board upon his shoulder. If, as some thinkers 
hold, immortality consists in being enshrined in others' 
memories, then did Black Bess become immortal that 
day if she never had done so before. 
</p>
            <p>Meanwhile Troy had added a few touches to his 
ordinary make-up for the character, the more effectually 
to disguise himself, and though he had felt faint qualms 
on first entering, the metamorphosis effected by judiciously 
‘lining’ his face with a wire rendered him safe from 
the eyes of Bathsheba and her men. Nevertheless, he 
was relieved when it was got through. 
</p>
            <p>There was a second performance in the evening, and 
the tent was lighted up. Troy had taken his part very 
quietly this time, venturing to indroduce a few speeches 
on occasion; and was just concluding it when, whilst 
standing at the edge of the circle contiguous to the first 
row of spectators, he observed within a yard of him the 
eye of a man darted keenly into his side features. Troy 
hastily shifted his position, after having recognized in 
the scrutineer the knavish bailiff Pennyways, his wife's 
sworn enemy, who still hung about the outskirts of 
Weatherbury. 
</p>
            <p>At first Troy resolved to take no notice and abide 
by circumstances. That he had been recognized by 
this man was highly probable; yet there was room for 
a doubt. Then the great objection he had felt to 
allowing news of his proximity to precede him to 
Weatherbury in the event of his return, based on a 
feeling that knowledge of his present occupation would 
discredit him still further in his wife's eyes, returned 
in full force. Moreover, should he resolve not to 
return at all, a tale of his being alive and being in 
the neighbourhood would be <pb n="406"/>
awkward; and he was 
anxious to acquire a knowledge of his wife's temporal 
affairs before deciding which to do. 
</p>
            <p>In this dilemma Troy at once went out to reconnoitre. 
It occurred to him that to find Pennyways, and 
make a friend of him if possible, would be a very wise 
act. He had put on a thick beard borrowed from the 
establishment, and this he wandered about the fair-field. 
It was now almost dark, and respectable people 
were getting their carts and gigs ready to go home. 
</p>
            <p>The largest refreshment booth in the fair was provided 
by an innkeeper from a neighbouring town. This was 
considered an unexceptionable place for obtaining the 
necessary food and rest: Host Trencher (as he was 
jauntily called by the local newspaper) being a substantial 
man of high repute for catering through all the 
county round. The tent was divided into first and 
second-class compartments, and at the end of the first-class 
division was a yet further enclosure for the most 
exclusive, fenced of from the body of the tent by a 
luncheon-bar, behind which the host himself stood 
bustling about in white apron and shirt-sleeves, and looking 
as if he had never lived anywhere but under canvas 
all his life. In these penetralia were chairs and a table, 
which, on candles being lighted, made quite a cozy and 
luxurious show, with an urn, plated tea and coffee pots, 
china teacups, and plum cakes. 
</p>
            <p>Troy stood at the entrance to the booth, where a 
gipsy-woman was frying pancakes over a little fire of 
sticks and selling them at a penny a-piece, and looked 
over the heads of the people within. He could see 
nothing of Pennyways, but he soon discerned Bathsheba 
through an opening into the reserved space at the 
further end. Troy thereupon retreated, went round the 
tent into the darkness, and listened. He could hear 
Bathsheba's voice immediately inside the canvas; she 
was conversing with a man. A warmth overspread his 
face: surely she was not so unprincipled as to flirt in 
a fair! He wondered if, then, she reckoned upon his 
death as an absolute certainty. To get at the root of 
the matter, Troy took a penknife from his pocket and 
softly made two little cuts crosswise in the cloth, which, 
by folding back the corners left a hole the size of a wafer. <pb n="407"/>
Close to this he placed his face, withdrawing 
it again in a movement of surprise; for his eye had 
been within twelve inches of the top of Bathsheba's 
head. lt was too near to be convenient. He made 
another hole a little to one side and lower down, in a 
shaded place beside her chair, from which it was easy 
and safe to survey her by looking horizontally. 
</p>
            <p>Troy took in the scene completely now. She was 
leaning back, sipping a cup of tea that she held in her 
hand, and the owner of the male voice was Boldwood, 
who had apparently just brought the cup to her. 
Bathsheba, being in a negligent mood, leant so idly 
against the canvas that it was pressed to the shape of 
her shoulder, and she was, in fact, as good as in Troy's 
arms; and he was obliged to keep his breast carefully 
backward that she might not feel its warmth through the 
cloth as he gazed in. 
</p>
            <p>Troy found unexpected chords of feeling to be stirred 
again within him as they had been stirred earlier in the 
day. She was handsome as ever, and she was his. It 
was some minutes before he could counteract his sudden 
wish to go in, and claim her. Then he thought how 
the proud girl who had always looked down upon him 
even whilst it was to love him, would hate him on discovering 
him to be a strolling player. Were he to make 
himself known, that chapter of his life must at all risks 
be kept for ever from her and from the Weatherbury 
people, or his name would be a byword throughout the 
parish. He would be nicknamed ‘Turpin’ as long as 
he lived. Assuredly before he could claim her these few 
past months of his existence must be entirely blotted out. 
</p>
            <p>‘Shall I get you another cup before you start, 
ma'am?’ said Farmer Boldwood. 
</p>
            <p>‘Thank you,’ said Bathsheba. ‘But I must be going 
at once. It was great neglect in that man to keep me 
waiting here till so late. I should have gone two hours 
ago, if it had not been for him. I had no idea of 
coming in here; but there's nothing so refreshing as a 
cup of tea, though I should never have got one if you 
hadn't helped me.’ 
</p>
            <p>Troy scrutinized her cheek as lit by the candles, 
and watched each varying shade thereon, and the 
white shell-like sinuosities <pb n="408"/>
of her little ear. She took 
out her purse and was insisting to Boldwood on paying 
for her tea for herself, when at this moment Pennyways 
entered the tent. Troy trembled: here was his scheme 
for respectability endangered at once. He was about 
to leave his hole of espial, attempt to follow Pennyways, 
and find out if the ex-bailiff had recognized him, when 
he was arrested by the conversation, and found he was 
too late. 
</p>
            <p>‘Excuse me, ma'am,’ said Pennyways; ‘I've some 
private information for your ear alone.’ 
</p>
            <p>‘I cannot hear it now,’ she said, coldly. That 
Bathsheba could not endure this man was evident; in 
fact, he was continually coming to her with some tale 
or other, by which he might creep into favour at the 
expense of persons maligned. 
</p>
            <p>‘I'll write it down,’ said Pennyways, confidently. He 
stooped over the table, pulled a leaf from a warped 
pocket-book, and wrote upon the paper, in a round 
hand — 
</p>
            <p>‘<hi>Your husband is here. I've seen him. Who's the fool 
now?</hi>’ 
</p>
            <p>This he folded small, and handed towards her. 
Bathsheba would not read it; she would not even put 
out her hand to take it. Pennyways, then, with a laugh 
of derision, tossed it into her lap, and, turning away, 
left her. 
</p>
            <p>&gt;From the words and action of Pennyways, Troy, 
though he had not been able to see what the ex-bailiff 
wrote, had not a moment's doubt that the note referred 
to him. Nothing that he could think of could be done 
to check the exposure. ‘Curse my luck!’ he whispered, 
and added imprecations which rustled in the gloom like 
a pestilent wind. Meanwhile Boldwood said, taking up 
the note from her lap — 
</p>
            <p>‘Don't you wish to read it, Mrs Troy? If not, 
I'll destroy it.‘ 
</p>
            <p>‘Oh, well,’ said Bathsheba, carelessly, ‘perhaps it is 
unjust not to read it; but I can guess what it is about. 
He wants me to recommend him, or it is to tell me of 
some little scandal or another connected with my work-people. 
He's always doing that.’ 
</p>
            <p>Bathsheba held the note in her right hand. Boldwood 
handed towards her a plate of cut bread-and-butter; 
when, in order to take a slice, she put the note 
into her left hand, where she was still holding the purse, 
and then allowed her hand to drop <pb n="409"/>
beside her close to 
the canvas. The moment had come for saving his game, 
and Troy impulsively felt that he would play the card. 
For yet another time he looked at the fair hand, and 
saw the pink finger-tips, and the blue veins of the 
wrist, encircled by a bracelet of coral chippings which 
she wore: how familiar it all was to him! Then, with 
the lightning action in which he was such an adept, he 
noiselessly slipped his hand under the bottom of the 
tent-cloth, which was far from being pinned tightly down, 
lifted it a little way, keeping his eye to the hole, 
snatched the note from her fingers, dropped the canvas, 
and ran away in the gloom towards the bank and ditch, 
smiling at the scream of astonishment which burst from 
her. Troy then slid down on the outside of the rampart, 
hastened round in the bottom of the entrenchment to 
a distance of a hundred yards, ascended again, and 
crossed boldly in a slow walk towards the front entrance 
of the tent. His object was now to get to Pennyways, 
and prevent a repetition of the announcement until 
such time as he should choose. 
</p>
            <p>Troy reached the tent door, and standing among the 
groups there gathered, looked anxiously for Pennyways, 
evidently not wishing to make himself prominent by 
inquiring for him. One or two men were speaking of 
a daring attempt that had just been made to rob a 
young lady by lifting the canvas of the tent beside her. 
It was supposed that the rogue had imagined a slip of 
paper which she held in her hand to he a bank note, 
for he had seized it, and made off with it, leaving her 
purse behind. His chagrin and disappointment at discovering 
its worthlessness would be a good joke, it was 
said. However, the occurrence seemed to have become 
known to few, for it had not interrupted a fiddler, who 
had lately begun playing by the door of the tent, nor 
the four bowed old men with grim countenances and 
walking-sticks in hand, who were dancing ‘Major 
Malley's Reel’ to the tune. Behind these stood 
Pennyways. Troy glided up to him, beckoned, and 
whispered a few words; and with a mutual glance of 
concurrence the two men went into the night together. 
</p>
         </div>
         <div n="C51" type="chapter">
            <pb n="410"/>
            <head>BATHSHEBA TALKS WITH HER OUTRIDER</head>
            <p>THE arrangement for getting back again to Weatherbury 
had been that Oak should take the place of Poorgrass 
in Bathsheba's conveyance and drive her home, 
it being discovered late in the afternoon that Joseph 
was suffering from his old complaint, a multiplying eye, 
and was, therefore, hardly trustworthy as coachman and 
protector to a woman. But Oak had found himself so 
occupied, and was full of so many cares relative to 
those portions of Boldwood's flocks that were not 
disposed of, that Bathsheba, without telling Oak or 
anybody, resolved to drive home herself, as she had 
many times done from Casterbridge Market, and trust 
to her good angel for performing the journey unmolested. 
But having fallen in with Farmer Boldwood 
accidentally (on her part at least) at the refreshment-tent, 
she found it impossible to refuse his offer to ride 
on horseback beside her as escort. It had grown 
twilight before she was aware, but Boldwood assured 
her that there was no cause for uneasiness, as the 
moon would be up in half-an-hour. 
</p>
            <p>Immediately after the incident in the tent, she had 
risen to go — now absolutely alarmed and really grateful 
for her old lover's protection — though regretting Gabriel's 
absence, whose company she would have much preferred, 
as being more proper as well as more pleasant, since he 
was her own managing-man and servant. This, however, 
could not be helped; she would not, on any 
consideration, treat Boldwood harshly, having once 
already ill-used him, and the moon having risen, and 
the gig being ready, she drove across the hilitop in 
the wending ways which led downwards — to oblivious 
obscurity, as it seemed, for the moon and the hill it 
flooded with light were in appearance on a level, the 
rest of the world lying as a vast shady concave between 
them. Boldwood mounted his horse, and <pb n="411"/>
followed in 
close attendance behind. Thus they descended into 
the lowlands, and the sounds of those left on the 
hill came like voices from the sky, and the lights were 
as those of a camp in heaven. They soon passed the 
merry stragglers in the immediate vicinity of the hill, 
traversed Kingsbere, and got upon the high road. 
</p>
            <p>The keen instincts of Bathsheba had perceived that 
the farmer's staunch devotion to herself was still undiminished, 
and she sympathized deeply. The sight 
had quite depressed her this evening; had reminded 
her of her folly; she wished anew, as she had wished 
many months ago, for some means of making reparation 
for her fault. Hence her pity for the man who 
so persistently loved on to his own injury and permanent 
gloom had betrayed Bathsheba into an injudicious 
considerateness of manner, which appeared 
almost like tenderness, and gave new vigour to the 
exquisite dream of a Jacob's seven years service in 
poor Boldwood's mind. 
</p>
            <p>He soon found an excuse for advancing from his 
position in the rear, and rode close by her side. They 
had gone two or three miles in the moonlight, speaking 
desultorily across the wheel of her gig concerning the 
fair, farming, Oak's usefulness to them both, and other 
indifferent subjects, when Boldwood said suddenly 
and simply — 
</p>
            <p>‘Mrs Troy, you will marry again some day?’ 
This point-blank query unmistakably confused her, 
it was not till a minute or more had elapsed that 
she said, ‘I have not seriously thought of any such 
subject.’ 
</p>
            <p>‘I quite understand that. Yet your late husband 
has been dead nearly one year, and —’ 
</p>
            <p>‘You forget that his death was never absolutely 
proved, and may not have taken place; so that I may 
not be really a widow,’ she said, catching at the straw of 
escape that the fact afforded. 
</p>
            <p>‘Not absolutely proved, perhaps, but it was proved 
circumstantially. A man saw him drowning, too. No 
reasonable person has any doubt of his death; nor 
have you, ma'am, I should imagine. 
</p>
            <p>‘O yes I have, or I should have acted differently,’ 
she said, gently. ‘From the first, I have had a strange 
uaccountable <pb n="412"/>
feeling that he could not have perished. 
But I have been able to explain that in several ways 
since. Even were I half persuaded that I shall see 
him no more, I am far from thinking of marriage with 
another. I should be very contemptible to indulge in 
such a thought.’ 
</p>
            <p>They were silent now awhile, and having struck into 
an unfrequented track across a common, the creaks of 
Boldwood's saddle and gig springs were all the 
sounds to be heard. Boldwood ended the pause. 
</p>
            <p>‘Do you remember when I carried you fainting in 
my arms into the King's Arms, in Casterbridge? Every 
dog has his day: that was mine.’ 
</p>
            <p>‘I know — I know it all,’ she said, hurriedly. 
</p>
            <p>‘I, for one, shall never cease regretting that events 
so fell out as to deny you to me.’ 
</p>
            <p>‘I, too, am very sorry,’ she said, and then checked 
herself. ‘I mean, you know, I am sorry you thought 
I —’ 
</p>
            <p>‘I have always this dreary pleasure in thinking over 
those past times with you — that I was something to 
you before <hi>he</hi> was anything, and that you belonged 
<hi>almost</hi> to me. But, of course, that's nothing. You 
never liked me.’ 
</p>
            <p>‘I did; and respected you, too.’ 
</p>
            <p>‘Do you now?’ 
</p>
            <p>‘Yes.’ 
</p>
            <p>‘Which?’ 
</p>
            <p>‘How do you mean which?’ 
</p>
            <p>‘Do you like me, or do you respect me?’ 
</p>
            <p>‘I don't know — at least, I cannot tell you. It is 
difficult for a woman to define her feelings in language 
which is chiefly made by men to express theirs. My 
treatment of you was thoughtless, inexcusable, wicked! 
I shall eternally regret it. If there had been anything 
I could have done to make amends I would most 
gladly have done it — there was nothing on earth I so 
longed to do as to repair the error. But that was not 
possible.’ 
</p>
            <p>‘Don't blame yourself — you were not so far in the 
wrong as you suppose. Bathsheba, suppose you had 
real complete proof <pb n="413"/>
that you are what, in fact, you are 
— a widow — would you repair the old wrong to me by 
marrying me?’ 
</p>
            <p>‘I cannot say. I shouldn't yet, at any rate.’ 
</p>
            <p>‘But you might at some future time of your life?’ 
</p>
            <p>‘O yes, I might at some time.’ 
</p>
            <p>‘Well, then, do you know that without further proof 
of any kind you may marry again in about six years 
from the present — subject to nobody's objection or 
blame?’ 
</p>
            <p>‘O yes,’ she said, quickly. ‘I know all that. But 
don't talk of it — seven or six years — where may we all 
be by that time?’ 
</p>
            <p>‘They will soon glide by, and it will seem an 
astonishingly short time to look back upon when they 
are past — much less than to look forward to now.’ 
</p>
            <p>‘Yes, yes; I have found that in my own experience.’ 
</p>
            <p>‘Now listen once more,’ Boldwood pleaded. ‘If I 
wait that time, will you marry me? You own that you 
owe me amends — let that be your way of making them.’ 
</p>
            <p>‘But, Mr Boldwood — six years —’ 
</p>
            <p>‘Do you want to be the wife of any other man?’ 
</p>
            <p>‘No indeed! I mean, that I don't like to talk 
about this matter now. Perhaps it is not proper, and 
I ought not to allow it. Let us drop it. My husband 
may be living, as I said.’ 
</p>
            <p>‘Of course, I'll drop the subject if you wish. But 
propriety has nothing to do with reasons. I am a 
middle-aged man, willing to protect you for the 
remainder of our lives. On your side, at least, there 
is no passion or blamable haste — on mine, perhaps, 
there is. But I can't help seeing that if you choose 
from a feeling of pity, and, as you say, a wish to make 
amends, to make a bargain with me for a far-ahead 
time — an agreement which will set all things right 
and make me happy, late though it may be — there is 
no fault to be found with you as a woman. Hadn't 
I the first place beside you? Haven't you been 
almost mine once already? Surely you can say to 
me as much as this, you will have me back again 
should circumstances permit? Now, pray speak! O 
Bathsheba, promise — it is only a little promise — that 
if you marry again, you will marry me!’ 
</p>
            <p>His tone was so excited that she almost feared him 
at this <pb n="414"/>
moment, even whilst she sympathized. It was 
a simple physical fear — the weak of the strong; there 
no emotional aversion or inner repugnance. She 
said, with some distress in her voice, for she remembered 
vividly his outburst on the Yalbury Road, and shrank 
from a repetition of his anger: — 
</p>
            <p>‘I will never marry another man whilst you wish me 
to be your wife, whatever comes — but to say more — you 
have taken me so by surprise —’ 
</p>
            <p>‘But let it stand in these simple words — that in six 
years' time you will be my wife? Unexpected accidents 
we'll not mention, because those, of course, must be 
given way to. Now, this time I know you will keep 
your word.’ 
</p>
            <p>‘That's why I hesitate to give it.’ 
</p>
            <p>‘But do give it! Remember the past, and be kind.’ 
She breathed; and then said mournfully: ‘O what 
shall I do? I don't love you, and I much fear that I 
never shall love you as much as a woman ought to love 
a husband. If you, sir, know that, and I can yet give 
you happiness by a mere promise to marry at the end of 
six years, if my husband should not come back, it is a 
great honour to me. And if you value such an act of 
friendship from a woman who doesn't esteem herself 
as she did, and has little love left, why it 
will — ’ 
</p>
            <p>‘Promise!’ 
</p>
            <p>‘— Consider, if I cannot promise soon.’ 
</p>
            <p>‘But soon is perhaps never?’ 
</p>
            <p>‘O no, it is not! I mean soon. Christmas, we'll 
say.’ 
</p>
            <p>‘Christmas!’ He said nothing further till he 
added: ‘Well, I'll say no more to you about it till that 
time.’ 
</p>
            <p>Bathsheba was in a very peculiar state of mind, 
which showed how entirely the soul is the slave of the 
body, the ethereal spirit dependent for its quality upon 
the tangible flesh and blood. It is hardly too much to 
say that she felt coerced by a force stronger than her 
own will, not only into the act of promising upon this 
singularly remote and vague matter, but into the emotion 
of fancying that she ought to promise. When the 
weeks intervening between the night of this conversation <pb n="415"/>
and Christmas day began perceptibly to diminish, 
her anxiety and perplexity increased. 
</p>
            <p>One day she was led by an accident into an oddly 
confidential dialogue with Gabriel about her difficulty. 
It afforded her a little relief — of a dull and cheerless 
kind. They were auditing accounts, and something 
occurred in the course of their labours which led Oak 
to say, speaking of Boldwood, ‘He'll never forget you, 
ma'am, never.’ 
</p>
            <p>Then out came her trouble before she was aware; 
and she told him how she had again got into the toils; 
what Boldwood had asked her, and how he was expecting 
her assent. ‘The most mournful reason of all 
for my agreeing to it,’ she said sadly, ‘and the true 
reason why I think to do so for good or for evil, is this 
— it is a thing I have not breathed to a living soul as 
yet — I believe that if I don't give my word, he'll go out 
of his mind.’ 
</p>
            <p>‘Really, do ye?’ said Gabriel, gravely. 
</p>
            <p>‘I believe this,’ she continued, with reckless frankness; 
‘and Heaven knows I say it in a spirit the very 
reverse of vain, for I am grieved and troubled to my 
soul about it — I believe I hold that man's future in my 
hand. His career depends entirely upon my treatment 
of him. O Gabriel, I tremble at my responsibility, for 
it is terrible!’ 
</p>
            <p>‘Well, I think this much, ma'am, as I told you years 
ago,’ said Oak, ‘that his life is a total blank whenever 
he isn't hoping for 'ee; but I can't suppose — I hope 
that nothing so dreadful hangs on to it as you fancy. 
His natural manner has always been dark and strange, 
you know. But since the case is so sad and odd-like, 
why don't ye give the conditional promise? I think I 
would.’ 
</p>
            <p>‘But is it right? Some rash acts of my past life 
have taught me that a watched woman must have very 
much circumspection to retain only a very little credit, 
and I do want and long to be discreet in this! And 
six years — why we may all be in our graves by that 
time, even if Mr Troy does not come back again, which 
he may not impossibly do! Such thoughts give a sort 
of absurdity to the scheme. Now, isn't it preposterous, <pb n="416"/>
Gabriel? However he came to dream of it, I cannot think. 
But is it wrong? You know — you are older than I.’ 
</p>
            <p>‘Eight years older, ma'am.’ 
</p>
            <p>‘Yes, eight years — and is it wrong?’ 
</p>
            <p>‘Perhaps it would be an uncommon agreement for a 
man and woman to make: I don't see anything really 
wrong about it,’ said Oak, slowly. ‘In fact the very 
thing that makes it doubtful if you ought to marry en 
under any condition, that is, your not caring about him 
— for I may suppose —  — ’ 
</p>
            <p>‘Yes, you may suppose that love is wanting,’ she 
said shortly. ‘Love is an utterly bygone, sorry, worn-out, 
miserable thing with me — for him or any one else.’ 
</p>
            <p>‘Well, your want of love seems to me the one thing 
that takes away harm from such an agreement with him. 
If wild heat had to do wi' it, making ye long to overcome 
the awkwardness about your husband's vanishing, 
it mid be wrong; but a cold-hearted agreement to oblige 
a man seems different, somehow. The real sin, ma'am 
in my mind, lies in thinking of ever wedding wi' a man 
you don't love honest and true.’ 
</p>
            <p>‘That I'm willing to pay the penalty of,’ said Bathsheba, 
firmly. ‘You know, Gabriel, this is what I cannot 
get off my conscience — that I once seriously injured 
him in sheer idleness. If I had never played a trick 
upon him, he would never have wanted to marry me. 
O if I could only pay some heavy damages in money 
to him for the harm I did, and so get the sin off my 
soul that way!... Well, there's the debt, which can 
only be discharged in one way, and I believe I am 
bound to do it if it honestly lies in my power, without 
any consideration of my own future at all. When a 
rake gambles away his expectations, the fact that it is 
an inconvenient debt doesn't make him the less liable. 
I've been a rake, and the single point I ask you is, considering 
that my own scruples, and the fact that in the 
eye of the law my husband is only missing, will keep 
any man from marrying me until seven years have 
passed — am I free to entertain such an idea, even 
though 'tis a sort of penance — for it will be that? I 
hate the act of marriage under such circumstances, and 
the class of women I should seem to belong to by doing 
it!’ <pb n="417"/>
            </p>
            <p>‘It seems to me that all depends upon whe'r you 
think, as everybody else do, that your husband is 
dead.’ 
</p>
            <p>‘I shall get to, I suppose, because I cannot help 
feeling what would have brought him back long before 
this time if he had lived.’ 
</p>
            <p>‘Well, then, in religious sense you will be as free 
to <hi>think</hi> o' marrying again as any real widow of one 
year's standing. But why don't ye ask Mr Thirdly's 
advice on how to treat Mr Boldwood?’ 
</p>
            <p>‘No. When I want a broad-minded opinion for 
general enlightenment, distinct from special advice, I 
never go to a man who deals in the subject professionally. 
So I like the parson's opinion on law, the 
lawyer's on doctoring, the doctor's on business, and my 
business-man's — that is, yours — on morals.’ 
</p>
            <p>‘And on love —  — ’ 
</p>
            <p>‘My own.’ 
</p>
            <p>‘I'm afraid there's a hitch in that argument,’ said 
Oak, with a grave smile. 
</p>
            <p>She did not reply at once, and then saying, ‘Good 
evening Mr Oak,’ went away. 
</p>
            <p>She had spoken frankly, and neither asked nor expected 
any reply from Gabriel more satisfactory than 
that she had obtained. Yet in the centremost parts of 
her complicated heart there existed at this minute a 
little pang of disappointment, for a reason she would 
not allow herself to recognize. Oak had not once 
wished her free that he might marry her himself — had 
not once said, ‘I could wait for you as well as he.’ 
That was the insect sting. Not that she would have 
listened to any such hypothesis. O no — for wasn't 
she saying all the time that such thoughts of the future 
were improper, and wasn't Gabriel far too poor a man 
to speak sentiment to her? Yet he might have just 
hinted about that old love of his, and asked, in a playful 
off-hand way, if he might speak of it. It would have 
seemed pretty and sweet, if no more; and then she 
would have shown how kind and inoffensive a woman's 
‘No’ can sometimes be. But to give such cool advice 
— the very advice she had asked for — it ruffled our 
heroine all the afternoon. 
</p>
         </div>
         <div n="C52" type="chapter">
            <pb n="418"/>
            <head>CONVERGING COURSES</head>
            <div n="S1" type="subchapter">
               <p>CHRISTMAS-EVE came, and a party that Boldwood 
was to give in the evening was the great subject of talk 
in Weatherbury. It was not that the rarity of Christmas 
parties in the parish made this one a wonder, but that 
Boldwood should be the giver. The announcement 
had had an abnormal and incongruous sound, as if one 
should hear of croquet-playing in a cathedral aisle, or 
that some much-respected judge was going upon the 
stage. That the party was intended to be a truly jovial 
one there was no room for doubt. A large bough of 
mistletoe had been brought from the woods that day, and 
suspended in the hall of the bachelor's home. Holly 
and ivy had followed in armfuls. From six that morning 
till past noon the huge wood fire in the kitchen roared 
and sparkled at its highest, the kettle, the saucepan, and 
the three-legged pot appearing in the midst of the flames 
like Shadrach, Meshach, and Abednego; moreover, 
roasting and basting operations were continually 
carried on in front of the genial blaze. 
</p>
               <p>As it grew later the fire was made up in the large 
long hall into which the staircase descended, and all 
encumbrances were cleared out for dancing. The log 
which was to form the back-brand of the evening fire 
was the uncleft trunk of a tree, so unwieldy that it could 
be neither brought nor rolled to its place; and accordingly 
two men were to be observed dragging and heaving 
it in by chains and levers as the hour of assembly drew 
near. 
</p>
               <p>In spite of all this, the spirit of revelry was wanting 
in the atmosphere of the house. Such a thing had 
never been attempted before by its owner, and it was 
now done as by a wrench. Intended gaieties would 
insist upon appearing like solemn grandeurs, the organization 
of the whole effort was <pb n="419"/>
carried out coldly, by 
hirelings, and a shadow seemed to move about the 
rooms, saying that the proceedings were unnatural to 
the place and the lone man who lived therein, and hence 
not good. 
</p>
            </div>
            <div n="S2" type="subchapter">
               <p>Bathsheba was at this time in her room, dressing for 
the event. She had called for candles, and Liddy 
entered and placed one on each side of her mistress's 
glass. 
</p>
               <p>‘Don't go away, Liddy,’ said Bathsheba, almost 
timidly. ‘I am foolishly agitated — I cannot tell why. 
I wish I had not been obliged to go to this dance; but 
there's no escaping now. I have not spoken to Mr 
Boldwood since the autumn, when I promised to see 
him at Christmas on business, but I had no idea there 
was to be anything of this kind.’ 
</p>
               <p>‘But I would go now,’ said Liddy, who was going 
with her; for Boldwood had been indiscriminate in his 
invitations. 
</p>
               <p>‘Yes, I shall make my appearance, of course,’ said 
Bathsheba. ‘But I am <hi>the cause</hi> of the party, and that 
upsets me! — Don't tell, Liddy.’ 
</p>
               <p>‘O no, ma'am, You the cause of it, ma'am?’ 
</p>
               <p>‘Yes. I am the reason of the party — I. If it had 
not been for me, there would never have been one. I 
can't explain any more — there's no more to be explained. 
I wish I had never seen Weatherbury.’ 
</p>
               <p>‘That's wicked of you — to wish to be worse off than 
you are.’ 
</p>
               <p>‘No, Liddy. I have never been free from trouble 
since I have lived here, and this party is likely to bring 
me more. Now, fetch my black silk dress, and see how 
it sits upon me.’ 
</p>
               <p>‘But you will leave off that, surely, ma'am? You 
have been a widow-lady fourteen months, and ought to 
brighten up a little on such a night as this.’ 
</p>
               <p>‘Is it necessary? No; I will appear as usual, for if 
I were to wear any light dress people would say things 
about me, and I should seem to he rejoicing when I am 
solemn all the time. The party doesn't suit me a bit; 
but never mind, stay and help to finish me off.’ 
<pb n="420"/>
               </p>
            </div>
            <div n="S3" type="subchapter">
               <p>Boldwood was dressing also at this hour. A tailor 
from Casterbridge was with him, assisting him in the 
operation of trying on a new coat that had just beem 
brought home. 
</p>
               <p>Never had Boldwood been so fastidious, unreasonable 
about the fit, and generally difficult to please. The 
tailor walked round and round him, tugged at the waist, 
pulled the sleeve, pressed out the collar, and for the 
first time in his experience Boldwood was not bored. Times 
had been when the farmer had exclaimed against 
all such niceties as childish, but now no philosophic or 
hasty rebuke whatever was provoked by this man for 
attaching as much importance to a crease in the coat 
as to an earthquake in South America. Boldwood at 
last expressed himself nearly satisfied, and paid the bill, 
the tailor passing out of the door just as Oak came in 
to report progress for the day. 
</p>
               <p>‘Oh, Oak,’ said Boldwood. ‘I shall of course see 
you here to-night. Make yourself merry. I am determined 
that neither expense nor trouble shall be spared.’ 
</p>
               <p>‘I'll try to be here, sir, though perhaps it may not 
be very early,’ said Gabriel, quietly. ‘I am glad indeed 
to see such a change in 'ee from what it used to be.’ 
</p>
               <p>‘Yes — I must own it — I am bright to-night: cheerful 
and more than cheerful — so much so that I am almost 
sad again with the sense that all of it is passing away. 
And sometimes, when I am excessively hopeful and 
blithe, a trouble is looming in the distance: so that I 
often get to look upon gloom in me with content, and 
to fear a happy mood. Still this may be absurd — I feel 
that it is absurd. Perhaps my day is dawning at last.’ 
</p>
               <p>‘I hope it 'ill be a long and a fair one.’ 
</p>
               <p>‘Thank you — thank you. Yet perhaps my cheerfui 
mess rests on a slender hope. And yet I trust my hope. 
It is faith, not hope. I think this time I reckon with 
my host. — Oak, my hands are a little shaky, or something; 
I can't tie this neckerchief properly. Perhaps 
you will tie it for me. The fact is, I have not been well 
lately, you know.’ 
</p>
               <p>‘I am sorry to hear that, sir.’ <pb n="421"/>
               </p>
               <p>‘Oh, it's nothing. I want it done as well as you can, 
please. Is there any late knot in fashion, Oak?’ 
</p>
               <p>‘I don't know, sir,’ said Oak. His tone had sunk to 
sadness. 
</p>
               <p>Boldwood approached Gabriel, and as Oak tied the 
neckerchief the farmer went on feverishly — 
</p>
               <p>‘Does a woman keep her promise, Gabriel?’ 
</p>
               <p>‘If it is not inconvenient to her she may.’ 
</p>
               <p>‘— Or rather an implied promise.’ 
</p>
               <p>‘I won't answer for her implying,’ said Oak, with 
faint bitterness. ‘That's a word as full o' holes as a 
sieve with them.’ 
</p>
               <p>‘Oak, don't talk like that. You have got quite 
cynical lately — how is it? We seem to have shifted our 
positions: I have become the young and hopeful man, 
and you the old and unbelieving one. However, does 
a woman keep a promise, not to marry, but to enter on 
an engagement to marry at some time? Now you 
know women better than I — tell me.’ 
</p>
               <p>‘I am afeard you honour my understanding too much. 
However, she may keep such a promise, if it is made 
with an honest meaning to repair a wrong.’ 
</p>
               <p>‘It has not gone far yet, but I think it will soon — 
yes, I know it will,’ he said, in an impulsive whisper. 
‘I have pressed her upon the subject, and she inclines 
to be kind to me, and to think of me as a husband at 
a long future time, and that's enough for me. How 
can I expect more? She has a notion that a woman 
should not marry within seven years of her husband's 
disappearance — that her own self shouldn't, I mean — 
because his body was not found. It may be merely 
this legal reason which influences her, or it may be a 
religious one, but she is reluctant to talk on the point. Yet 
she has promised — implied — that she will ratify an 
engagement to-night.’ 
</p>
               <p>‘Seven years,’ murmured Oak. 
</p>
               <p>‘No, no — it's no such thing!’ he said, with impatience. 
‘Five years, nine months, and a few days. 
Fifteen months nearly have passed since he vanished, 
and is there anything so wonderful in an engagement of 
little more than five years?’ 
</p>
               <p>‘It seems long in a forward view. Don't build too 
much upon such promises, sir. Remember, you have 
once be'n deceived. Her meaning may be good; but 
there — she's young yet.’ <pb n="422"/>
               </p>
               <p>‘Deceived? Never!’ said Boldwood, vehemently. 
</p>
               <p>‘She never promised me at that first time, and hence 
she did not break her promise! If she promises me, 
she'll marry me, Bathsheba is a woman to her word.’ 
</p>
            </div>
            <div n="S4" type="subchapter">
               <p>Troy was sitting in a corner of The White Hart 
tavern at Casterbridge, smoking and drinking a steaming 
mixture from a glass. A knock was given at the door, 
and Pennyways entered. 
</p>
               <p>‘Well, have you seen him?’ Troy inquired, pointing 
to a chair. 
</p>
               <p>‘Boldwood?’ 
</p>
               <p>‘No — Lawyer Long.’ 
</p>
               <p>‘He wadn' at home. I went there first, too.’ 
</p>
               <p>‘That's a nuisance.’ 
</p>
               <p>‘'Tis rather, I suppose.’ 
</p>
               <p>‘Yet I don't see that, because a man appears to be 
drowned and was not, he should be liable for anything. 
I shan't ask any lawyer — not I.’ 
</p>
               <p>‘But that's not it, exactly. If a man changes his 
name and so forth, and takes steps to deceive the world 
and his own wife, he's a cheat, and that in the eye of 
the law is ayless a rogue, and that is ayless a lammocken 
vagabond; and that's a punishable situation.’ 
</p>
               <p>‘Ha-ha! Well done, Pennyways.’ Troy had laughed, 
but it was with some anxiety that he said, ‘Now, what 
I want to know is this, do you think there's really 
anything going on between her and Boldwood? Upon 
my soul, I should never have believed it! How she. 
must detest me! Have you found out whether she 
has encouraged him?’ 
</p>
               <p>‘I haen't been able to learn. There's a deal of 
feeling on his side seemingly, but I don't answer for 
her. I didn't know a word about any such thing till 
yesterday, and all I heard then was that she was gwine 
to the party at his house to-night. This is the first 
time she has ever gone there, they say. And they say 
that she've not so much as spoke to him since they were 
at Greenhill Fair: but what can folk believe o't? However, 
she's not fond of him — quite offish and quite care 
less, I know.’ <pb n="423"/>
               </p>
               <p>‘I'm not so sure of that.... She's a handsome 
woman, Pennyways, is she not? Own that you never 
saw a finer or more splendid creature in your life. 
Upon my honour, when I set eyes upon her that day 
I wondered what I could have been made of to be able 
to leave her by herself so long. And then I was 
hampered with that bothering show, which I'm free of 
at last, thank the stars.’ He smoked on awhile, and 
then added, ‘How did she look when you passed by 
yesterday?’ 
</p>
               <p>‘Oh, she took no great heed of me, ye may well 
fancy; but she looked well enough, far's I know. Just 
flashed her haughty eyes upon my poor scram body, and 
then let them go past me to what was yond, much as if 
I'd been no more than a leafless tree. She had just got 
off her mare to look at the last wring-down of cider for 
the year; she had been riding, and so her colours were 
up and her breath rather quick, so that her bosom 
plimmed and fell — plimmed and fell — every time plain 
to my eye. Ay, and there were the fellers round her 
wringing down the cheese and bustling about and 
saying, “Ware o' the pommy, ma'am: 'twill spoil yer 
gown.” “Never mind me,” says she. Then Gabe 
brought her some of the new cider, and she must 
needs go drinking it through a strawmote, and not in 
a nateral way at all. “Liddy,” says she, “bring indoors 
a few gallons, and I'll make some cider-wine.” Sergeant, 
I was no more to her than a morsel of scroff in the fuel-house!’ 
</p>
               <p>‘I must go and find her out at once — O yes, I see 
that — I must go. Oak is head man still, isn't he?’ 
</p>
               <p>‘Yes, 'a b'lieve. And at Little Weatherbury Farm 
too. He manages everything.’ 
</p>
               <p>‘'Twill puzzle him to manage her, or any other man 
of his compass!’ 
</p>
               <p>‘I don't know about that. She can't do without 
him, and knowing it well he's pretty independent. 
And she've a few soft corners to her mind, though 
I've never been able to get into one, the devil's in't!’ 
</p>
               <p>‘Ah baily she's a notch above you, and you must 
own it: a higher class of animal — a finer tissue. However, 
stick to me, and neither this haughty goddess, 
dashing piece of womanhood, Juno-wife of mine (Juno 
was a goddess, you know), nor <pb n="424"/>
anybody else shall hurt 
you. But all this wants looking into, I perceive. 
What with one thing and another, I see that my work 
is well cut out for me.’ 
</p>
            </div>
            <div n="S5" type="subchapter">
               <p>‘How do I look to-night, Liddy?’ said Bathsheba, 
giving a final adjustment to her dress before leaving the 
glass. 
</p>
               <p>‘I never saw you look so well before. Yes — I'll tell 
you when you looked like it — that night, a year and a 
half ago, when you came in so wild-like, and scolded us 
for making remarks about you and Mr Troy.’ 
</p>
               <p>‘Everybody will think that I am setting myself to 
captivate Mr Boldwood, I suppose,’ she murmured. 
</p>
               <p>‘At least they'll say so. Can't my hair be brushed 
down a little flatter? I dread going — yet I dread the 
risk of wounding him by staying away.’ 
</p>
               <p>‘Anyhow, ma'am, you can't well be dressed plainer 
than you are, unless you go in sackcloth at once. 'Tis 
your excitement is what makes you look so noticeable 
to-night.’ 
</p>
               <p>‘I don't know what's the matter, I feel wretched at 
one time, and buoyant at another. I wish I could have 
continued quite alone as I have been for the last year 
or so, with no hopes and no fears, and no pleasure and 
no grief.’ 
</p>
               <p>‘Now just suppose Mr Boldwood should ask you — only 
just suppose it — to run away with him, what 
would you do, ma'am?’ 
</p>
               <p>‘Liddy — none of that,’ said Bathsheba, gravely. 
‘Mind, I won't hear joking on any such matter. Do 
you hear?’ 
</p>
               <p>‘I beg pardon, ma'am. But knowing what rum 
things we women be, I just said — however, I won't 
speak of it again.’ 
</p>
               <p>‘No marrying for me yet for many a year; if ever, 
'twill be for reasons very, very different from those you 
think, or others will believe! Now get my cloak, for it 
is time to go.’ 
</p>
            </div>
            <div n="S6" type="subchapter">
               <p>‘Oak, said Boldwood, ‘before you go I want to 
mention what has been passing in my mind lately — 
that little arrangement we made about your share in the 
farm I mean. That share is small, too small, considering 
how little I attend to business now, and how much 
time and thought you give to it. Well, <pb n="425"/>
since the world 
is brightening for me, I want to show my sense of it 
by increasing your proportion in the partnership. I'll 
make a memorandum of the arrangement which struck 
me as likely to be convenient, for I haven't time to talk 
about it now; and then we'll discuss it at our leisure. 
My intention is ultimately to retire from the management 
altogether, and until you can take all the expenditure 
upon your shoulders, I'll be a sleeping partner in 
the stock. Then, if I marry her — and I hope — I feel I 
shall, why —’ 
</p>
               <p>‘Pray don't speak of it, sir,’ said Oak, hastily. ‘We 
don't know what may happen. So many upsets may 
befall 'ee. There's many a slip, as they say — and I 
would advise you — I know you'll pardon me this once — 
not to be <hi>too sure</hi>.’ 
</p>
               <p>‘I know, I know. But the feeling I have about increasing 
your share is on account of what I know of you 
Oak, I have learnt a little about your secret: your 
interest in her is more than that of bailiff for an employer. 
But you have behaved like a man, and I, as a 
sort of successful rival — successful partly through your 
goodness of heart — should like definitely to show my 
sense of your friendship under what must have been a 
great pain to you.’ 
</p>
               <p>‘O that's not necessary, thank 'ee,’ said Oak, 
hurriedly. ‘I must get used to such as that; other 
men have, and so shall I.’ 
</p>
               <p>Oak then left him. He was uneasy on Boldwood's 
account, for he saw anew that this constant passion 
of the farmer made him not the man he once had 
been. 
</p>
               <p>As Boldwood continued awhile in his room alone — 
ready and dressed to receive his company — the mood of 
anxiety about his appearance seemed to pass away, and 
to be succeeded by a deep solemnity. He looked out 
of the window, and regarded the dim outline of the trees 
upon the sky, and the twilight deepening to darkness. 
</p>
               <p>Then he went to a locked closet, and took from 
a locked drawer therein a small circular case the size of 
a pill-box, and was about to put it into his pocket. But 
he lingered to open the cover and take a momentary 
glance inside. It contained a woman's finger-ring, set 
all the way round with small <pb n="426"/>
diamonds, and from its 
appearance had evidently been recently purchased. 
Boldwood's eyes dwelt upon its many sparkles a long 
time, though that its material aspect concerned him 
little was plain from his manner and mien, which were 
those of a mind following out the presumed thread of 
that jewel's future history. 
</p>
               <p>The noise of wheels at the front of the house became 
audible. Boldwood closed the box, stowed it away 
carefully in his pocket, and went out upon the landing. 
The old man who was his indoor factotum came at the 
same moment to the foot of the stairs. 
</p>
               <p>‘They be coming, sir — lots of 'em — a-foot and a-driving!’ 
</p>
               <p>‘I was coming down this moment. Those wheels I 
heard — is it Mrs Troy?’ 
</p>
               <p>‘No, sir — 'tis not she yet.’ 
</p>
               <p>A reserved and sombre expression had returned to 
Boldwood's face again, but it poorly cloaked his 
feelings when he pronounced Bathsheba's name; and his 
feverish anxiety continued to show its existence by a 
galloping motion of his fingers upon the side of his thigh 
as he went down the stairs. 
</p>
            </div>
            <div n="S7" type="subchapter">
               <p>‘How does this cover me?’ said Troy to Pennyways, 
</p>
               <p>‘Nobody would recognize me now, I'm sure.’ 
He was buttoning on a heavy grey overcoat of 
Noachian cut, with cape and high collar, the latter being 
erect and rigid, like a girdling wall, and nearly reaching 
to the verge of travelling cap which was pulled down 
over his ears. 
</p>
               <p>Pennyways snuffed the candle, and then looked up 
and deliberately inspected Troy. 
</p>
               <p>‘You've made up your mind to go then?’ he 
said. 
</p>
               <p>‘Made up my mind? Yes; of course I have.’ 
</p>
               <p>‘Why not write to her? 'Tis a very queer corner 
that you have got into, sergeant. You see all these things 
will come to light if you go back, and they won't sound 
well at all. Faith, if I was you I'd even bide as you be 
— a single man of the name of Francis. A good wife is 
good, but the best wife is not so good <pb n="427"/>
as no wife at all. 
Now that's my outspoke mind, and I've been called a 
long-headed feller here and there.’ 
</p>
               <p>‘All nonsense!’ said Troy, angrily. ‘There she is 
with plenty of money, and a house and farm, and 
horses, and comfort, and here am I living from hand to 
mouth — a needy adventurer. Besides, it is no use 
talking now; it is too late, and I am glad of it; I've been 
seen and recognized here this very afternoon. I should 
have gone back to her the day after the fair, if it hadn't 
been for you talking about the law, and rubbish about 
getting a separation; and I don't put it off any longer. 
What the deuce put it into my head to run away at all, 
I can't think! Humbugging sentiment — that's what it 
was. But what man on earth was to know that his wife 
would be in such a hurry to get rid of his name!’ 
</p>
               <p>‘I should have known it. She's bad enough for 
anything.’ 
</p>
               <p>‘Pennyways, mind who you are talking to.’ 
</p>
               <p>‘Well, sergeant, all I say is this, that if I were you I'd 
go abroad again where I came from — 'tisn't too late to do 
it now. I wouldn't stir up the business and get a bad 
name for the sake of living with her — for all that about 
your play-acting is sure to come out, you know, although 
you think otherwise. My eyes and limbs, there'll be a 
racket if you go back just now — in the middle of Boldwood's 
Christmasing!’ 
</p>
               <p>‘H'm, yes. I expect I shall not be a very welcome 
guest if he has her there,’ said the sergeant, with a slight 
laugh. ‘A sort of Alonzo the Brave; and when I go in 
the guests will sit in silence and fear, and all laughter 
and pleasure will be hushed, and the lights in the 
chamber burn blue, and the worms — Ugh, horrible! — 
Ring for some more brandy, Pennyways, I felt an 
awful shudder just then! Well, what is there besides? 
A stick — I must have a walking-stick.’ 
</p>
               <p>Pennyways now felt himself to be in something of a 
difficulty, for should Bathsheba and Troy become reconciled 
it would be necessary to regain her good opinion 
if he would secure the patronage of her husband. 
‘I sometimes think she likes you yet, and is a good woman 
at bottom,’ he said, as a saving sentence. ‘But there's 
no telling to a certainty from a body's outside. Well, <pb n="428"/>
you'll do as you like about going, of course, sergeant, 
and as for me, I'll do as you tell me.’ 
</p>
               <p>‘Now, let me see what the time is,’ said Troy, after 
emptying his glass in one draught as he stood. ‘Half past 
six o'clock. I shall not hurry along the road, and 
shall be there then before nine.’ 
</p>
            </div>
         </div>
         <div n="C53" type="chapter">
            <pb n="429"/>
            <head xml:lang="lat">CONCURRITUR — HORAE MOMENTO</head>
            <p>OUTSIDE the front of Boldwood's house a group of 
men stood in the dark, with their faces towards the door, 
which occasionally opened and closed for the passage of 
some guest or servant, when a golden rod of light would 
stripe the ground for the moment and vanish again, 
leaving nothing outside but the glowworm shine of the 
pale lamp amid the evergreens over the door. 
</p>
            <p>‘He was seen in Casterbridge this afternoon — so the 
boy said,’ one of them remarked in a whisper. ‘And l 
for one believe it. His body was never found, you know.’ 
</p>
            <p>‘'Tis a strange story,’ said the next. ‘You may 
depend upon't that she knows nothing about it.’ 
</p>
            <p>‘Not a word.’ 
</p>
            <p>‘Perhaps he don't mean that she shall,’ said another 
man. 
</p>
            <p>‘If he's alive and here in the neighbourhood, he 
means mischief,’ said the first. ‘Poor young thing: 
I do pity her, if 'tis true. He'll drag her to the dogs.’ 
</p>
            <p>‘O no; he'll settle down quiet enough,’ said one 
disposed to take a more hopeful view of the case. 
</p>
            <p>‘What a fool she must have been ever to have had 
anything to do with the man! She is so self-willed and 
independent too, that one is more minded to say it 
serves her right than pity her.’ 
</p>
            <p>‘No, no. I don't hold with 'ee there. She was no 
otherwise than a girl mind, and how couid she tell what 
the man was made of? If 'tis really true, 'tis too hard 
a punishment, and more than she ought to hae. — Hullo, 
who's that?’ This was to some footsteps that were 
heard approaching. 
</p>
            <p>‘William Smallbury,’ said a dim figure in the shades, 
coming up and joining them. ‘Dark as a hedge, to-night, 
isn't it? I all but missed the plank over the river 
ath'art there in the bottom <pb n="430"/>
— never did such a thing 
before in my life. Be ye any of Boldwood's workfolk?’ 
He peered into their faces. 
</p>
            <p>‘Yes — all o' us. We met here a few minutes ago.’ 
</p>
            <p>‘Oh, I hear now — that's Sam Samway: thought I 
knowed the voice, too. Going in?’ 
</p>
            <p>‘Presently. But I say, William,’ Samway whispered, 
‘have ye heard this strange tale?’ 
</p>
            <p>‘What — that about Sergeant Troy being seen, d'ye 
mean, souls?’ said Smallbury, also lowering his voice. 
</p>
            <p>‘Ay: in Casterbridge.’ 
</p>
            <p>‘Yes, I have. Laban Tall named a hint of it to me 
but now — but I don't think it. Hark, here Laban 
comes himself, 'a b'lieve.’ A footstep drew near. 
</p>
            <p>‘Laban?’ 
</p>
            <p>‘Yes, 'tis I,’ said Tall. 
</p>
            <p>‘Have ye heard any more about that?’ 
</p>
            <p>‘No,’ said Tall, joining the group. ‘And I'm inclined 
to think we'd better keep quiet. If so be 'tis not 
true, 'twill flurry her, and do her much harm to repeat 
it; and if so be 'tis true, 'twill do no good to forestall 
her time o' trouble. God send that it mid be a lie, for 
though Henery Fray and some of 'em do speak against 
her, she's never been anything but fair to me. She's 
hot and hasty, but she's a brave girl who'll never tell a 
lie however much the truth may harm her, and I've no 
cause to wish her evil.’ 
</p>
            <p>‘She never do tell women's little lies, that's true; and 
'tis a thing that can be said of very few. Ay, all the 
harm she thinks she says to yer face: there's nothing 
underhand wi' her.’ 
</p>
            <p>They stood silent then, every man busied with his 
own thoughts, during which interval sounds of merriment 
could be heard within. Then the front door again 
opened, the rays streamed out, the wellknown form of 
Boldwood was seen in the rectangular area of light, the 
door closed, and Boldwood walked slowly down the path. 
</p>
            <p>‘'Tis master,’ one of the men whispered, as he neared 
them. ‘We'd better stand quiet — he'll go in again 
directly. He would think it unseemly o' us to be 
loitering here. 
</p>
            <p>Boldwood came on, and passed by the men without <pb n="431"/>
seeing them, they being under the bushes on the grass. 
He paused, leant over the gate, and breathed a long 
breath. They heard low words come from him. 
</p>
            <p>‘I hope to God she'll come, or this night will be 
nothing but misery to me! O my darling, my darling, 
why do you keep me in suspense like this?’ 
</p>
            <p>He said this to himself, and they all distinctly heard 
it. Boldwood remained silent after that, and the noise 
from indoors was again just audible, until, a few minutes 
later, light wheels could be distinguished coming down 
the hill. They drew nearer, and ceased at the gate. 
Boldwood hastened back to the door, and opened it; 
and the light shone upon Bathsheba coming up the 
path. 
</p>
            <p>Boldwood compressed his emotion to mere welcome: 
the men marked her light laugh and apology as she met 
him: he took her into the house; and the door closed 
again. 
</p>
            <p>‘Gracious heaven, I didn't know it was like that with 
him!’ said one of the men. ‘I thought that fancy of 
his was over long ago. 
</p>
            <p>‘You don't know much of master, if you thought 
that,’ said Samway. 
</p>
            <p>‘I wouldn't he should know we heard what 'a said 
for the world,’ remarked a third. 
</p>
            <p>‘I wish we had told of the report at once,’ the first 
uneasily continued. ‘More harm may come of this than 
we know of. Poor Mr Boldwood, it will, be hard upon 
en. I wish Troy was in  —  —  Well, God forgive me 
for such a wish! A scoundrel to play a poor wife such 
tricks. Nothing has prospered in Weatherbury since he 
came here. And now I've no heart to go in. Let's 
look into Warren's for a few minutes first, shall us, 
neighbours?’ 
</p>
            <p>Samway, Tall, and Smallbury agreed to go to Warren's, 
and went out at the gate, the remaining ones entering 
the house. The three soon drew near the malt-house, 
approaching it from the adjoining orchard, and not by 
way of the street. The pane of glass was illuminated 
as usual. Smallbury was a little in advance of the rest 
when, pausing, he turned suddenly to his companions 
and said, ‘Hist! See there.’ <pb n="432"/>
            </p>
            <p>The light from the pane was now perceived to be 
shining not upon the ivied wall as usual, but upon some 
object close to the glass. It was a human face. 
</p>
            <p>‘Let's come closer,’ whispered Samway; and they 
approached on tiptoe. There was no disbelieving the 
report any longer. Troy's face was almost close to the 
pane, and he was looking in. Not only was he looking in, 
but he appeared to have been arrested by a conversation 
which was in progress in the malt-house, the voices of 
the interlocutors being those of Oak and the maltster. 
</p>
            <p>‘The spree is all in her honour, isn't it — hey?’ said 
the old man. ‘Although he made believe 'tis only 
keeping up o' Christmas?’ 
</p>
            <p>‘I cannot say,’ replied Oak. 
</p>
            <p>‘O 'tis true enough, faith. I cannot understand 
Farmer Boldwood being such a fool at his time of life 
as to ho and hanker after thik woman in the way 'a do, 
and she not care a bit about en.’ 
</p>
            <p>The men, after recognizing Troy's features, withdrew 
across the orchard as quietly as they had come. The 
air was big with Bathsheba's fortunes to-night: every 
word everywhere concerned her. When they were quite 
out of earshot all by one instinct paused. 
</p>
            <p>‘It gave me quite a turn — his face,’ said Tall, 
breathing. 
</p>
            <p>‘And so it did me,’ said Samway. ‘What's to be 
done?’ 
</p>
            <p>‘I don't see that 'tis any business of ours,’ Smallbury 
murmured dubiously. 
</p>
            <p>‘But it is! 'Tis a thing which is everybody's business,’ 
said Samway. ‘We know very well that master's on a 
wrong tack, and that she's quite in the dark, and we 
should let 'em know at once. Laban, you know her 
best — you'd better go and ask to speak to her.’ 
</p>
            <p>‘I bain't fit for any such thing,’ said Laban, nervously. 
</p>
            <p>‘I should think William ought to do it if anybody. He's 
oldest.’ 
</p>
            <p>‘I shall have nothing to do with it,’ said Smallbury. 
</p>
            <p>‘'Tis a ticklish business altogether. Why, he'll go on 
to her himself in a few minutes, ye'll see.’ 
</p>
            <p>‘We don't know that he will. Come, Laban.’ <pb n="433"/>
            </p>
            <p>‘Very well, if I must I must, I suppose,’ Tall reluctantly 
answered. ‘What must I say?’ 
</p>
            <p>‘Just ask to see master.’ 
</p>
            <p>‘O no; I shan't speak to Mr Boldwood. If I tell 
anybody, 'twill be mistress.’ 
</p>
            <p>‘Very well,’ said Samway. 
</p>
            <p>Laban then went to the door. When he opened it 
the hum of bustle rolled out as a wave upon a still 
strand — the assemblage being immediately inside the 
hall — and was deadened to a murmur as he closed it 
again. Each man waited intently, and looked around at 
the dark tree tops gently rocking against the sky and 
occasionally shivering in a slight wind, as if he took 
interest in the scene, which neither did. One of them 
began walking up and down, and then came to where 
he started from and stopped again, with a sense that 
walking was a thing not worth doing now. 
</p>
            <p>‘I should think Laban must have seen mistress by 
this time,’ said Smallbury, breaking the silence. ‘Perhaps 
she won't come and speak to him.’ 
</p>
            <p>The door opened. Tall appeared, and joined them. 
</p>
            <p>‘Well?’ said both. 
</p>
            <p>‘I didn't like to ask for her after all,’ Laban faltered 
out. ‘They were all in such a stir, trying to put a little 
spirit into the party. Somehow the fun seems to hang 
fire, though everything's there that a heart can desire, 
and I couldn't for my soul interfere and throw damp 
upon it — if 'twas to save my life, I couldn't!’ 
</p>
            <p>‘I suppose we had better all go in together,’ said 
Samway, gloomily. ‘Perhaps I may have a chance of 
saying a word to master.’ 
</p>
            <p>So the men entered the hall, which was the room 
sellected and arranged for the gathering because of its 
size. The younger men and maids were at last just 
beginning to dance. Bathshesba had been perplexed 
how to act, for she was not much more than a slim 
young maid herself, and the weight of stateliness sat 
heavy upon her. Sometimes she thought she ought 
not to have come under any circumstances; then she 
considered what cold unkindness that would have been, 
and finally resolved <pb n="434"/>
upon the middle course of staying 
for about an hour only, and gliding off unobserved, 
having from the first made up her mind that she could 
on no account dance, sing, or take any active part in 
the proceedings. 
</p>
            <p>Her allotted hour having been passed in chatting 
and looking on, Bathsheba told Liddy not to hurry herself, 
and went to the small parlour to prepare for 
departure, which, like the hall, was decorated with holly 
and ivy, and well lighted up. 
</p>
            <p>Nobody was in the room, but she had hardly 
been there a moment when the master of the house 
entered. 
</p>
            <p>‘Mrs Troy — you are not going?’ he said. ‘We've 
hardly begun!’ 
</p>
            <p>‘If you'll excuse me, I should like to go now.’ Her 
manner was restive, for she remembered her promise, 
and imagined what he was about to say. ‘But as it is 
not late,’ she added, ‘I can walk home, and leave my 
man and Liddy to come when they choose.’ 
</p>
            <p>‘I've been trying to get an opportunity of speaking 
to you,’ said Boldwood. ‘You know perhaps what I 
long to say?’ 
</p>
            <p>Bathsheba silently looked on the floor. 
</p>
            <p>‘You do give it?’ he said, eagerly. 
</p>
            <p>‘What?’ she whispered. 
</p>
            <p>‘Now, that's evasion! Why, the promise. I don't 
want to intrude upon you at all, or to let it become 
known to anybody. But do give your word! A 
mere business compact, you know, between two people 
who are beyond the influence of passion.’ Boldwood 
knew how false this picture was as regarded himself; 
but he had proved that it was the only tone in which 
she would allow him to approach her. ‘A promise to 
marry me at the end of five years and three-quarters. 
You owe it to me!’ 
</p>
            <p>‘I feel that I do,’ said Bathsheba; ‘that is, if you 
demand it. But I am a changed woman — an unhappy 
woman — and not — not —  — ‘ 
</p>
            <p>‘You are still a very beautiful woman,’ said Boldwood. 
Honesty and pure conviction suggested the remark, 
unaccompanied by any perception that it might have 
been adopted by blunt flattery to soothe and win her. 
However, it had not much effect now, for for she said, 
in a <pb n="435"/>
passionless murmur which was in itself a proof of 
her words: ‘I have no feeling in the matter at all. 
And I don't at all know what is right to do in my 
difficult position, and I have nobody to advise me. But 
I give my promise, if I must. I give it as the rendering of 
a debt, conditionally, of course, on my being a widow.’ 
</p>
            <p>‘You'll marry me between five and six years hence?’ 
</p>
            <p>‘Don't press me too hard. I'll marry nobody 
else.’ 
</p>
            <p>‘But surely you will name the time, or there's nothing 
in the promise at all?’ 
</p>
            <p>‘O, I don't know, pray let me go!’ she said, her 
bosom beginning to rise. ‘I am afraid what to do! 
I want to be just to you, and to be that seems to be wronging 
myself, and perhaps it is breaking the commandments. 
There is considerable doubt of his death, and then it 
is dreadful; let me ask a solicitor, Mr Boldwood, if I 
ought or no!’ 
</p>
            <p>‘Say the words, dear one, and the subject shall be 
dismissed; a blissful loving intimacy of six years, and 
then marriage — O Bathsheba, say them!’ he begged in 
a husky voice, unable to sustain the forms of mere 
friendship any longer. ‘Promise yourself to me; I 
deserve it, indeed I do, for I have loved you more than 
anybody in the world! And if I said hasty words and 
showed uncalled-for heat of manner towards you, believe 
me, dear, I did not mean to distress you; I was in 
agony, Bathsheba, and I did not know what I said. 
You wouldn't let a dog suffer what I have suffered, 
could you but know it! Sometimes I shrink from your 
knowing what I have felt for you, and sometimes I am 
distressed that all of it you never will know. Be 
gracious, and give up a little to me, when I would give 
up my life for you!’ 
</p>
            <p>The trimmings of her dress, as they quivered against 
the light, showed how agitated she was, and at last she 
burst out crying. ‘And you'll not — press me — about 
anything more — if I say in five or six years?’ she 
sobbed, when she had power to frame the words. 
</p>
            <p>‘Yes, then I'll leave it to time.’ 
</p>
            <p>‘Very well. If he does not return, I'll marry you 
in six years from this day, if we both live,’ she said 
solemnly. <pb n="436"/>
            </p>
            <p>‘And you'll take this as a token from me.’ 
</p>
            <p>Boldwood had come close to her side, and now he 
clasped one of her hands in both his own, and lifted it 
to his breast. 
</p>
            <p>‘What is it? Oh I cannot wear a ring!’ she exclaimed, 
on seeing what he held; ‘besides, I wouldn't 
have a soul know that it's an engagement! Perhaps it 
is improper? Besides, we are not engaged in the usual 
sense, are we? Don't insist, Mr Boldwood — don't!’ 
In her trouble at not being able to get her hand away 
from him at once, she stamped passionately on the floor 
with one foot, and tears crowded to her eyes again. 
</p>
            <p>‘It means simply a pledge — no sentiment — the seal 
of a practical compact,’ he said more quietly, but still 
retaining her hand in his firm grasp. ‘Come, now!’ 
And Boldwood slipped the ring on her finger. 
</p>
            <p>‘I cannot wear it,’ she said, weeping as if her heart 
would break. ‘You frighten me, almost. So wild a 
scheme! Please let me go home!’ 
</p>
            <p>‘Only to-night: wear it just to-night, to please me!’ 
Bathsheba sat down in a chair, and buried her face 
in her handkerchief, though Boldwood kept her hand 
yet. At length she said, in a sort of hopeless whisper — 
</p>
            <p>‘Very well, then, I will to-night, if you wish it so 
earnestly. Now loosen my hand; I will, indeed I will 
wear it to-night.’ 
</p>
            <p>‘And it shall be the beginning of a pleasant secret 
courtship of six years, with a wedding at the end?’ 
</p>
            <p>‘It must be, I suppose, since you will have it so!’ 
she said, fairly beaten into non-resistance. 
Boldwood pressed her hand, and allowed it to drop 
in her lap. ‘I am happy now,’ he said. ‘God bless 
you!’ 
</p>
            <p>He left the room, and when he thought she might 
be sufficiently composed sent one of the maids to her. 
Bathsheba cloaked the effects of the late scene as she 
best could, followed the girl, and in a few moments 
came downstairs with her hat and cloak on, ready to go. 
To get to the door it was necessary to pass through the 
hall, and before doing so she paused on the bottom of 
the staircase which descended into one corner, to take 
a last look at the gathering. 
</p>
            <p>There was no music or dancing in progress just now. 
At the <pb n="437"/>
lower end, which had been arranged for the work-folk 
specially, a group conversed in whispers, and with 
clouded looks. Boldwood was standing by the fireplace, 
and he, too, though so absorbed in visions arising from 
her promise that he scarcely saw anything, seemed at 
that moment to have observed their peculiar manner, 
and their looks askance. 
</p>
            <p>‘What is it you are in doubt about, men?’ he said. 
</p>
            <p>One of them turned and replied uneasily: ‘It was 
something Laban heard of, that's all, sir.’ 
</p>
            <p>‘News? Anybody married or engaged, born or 
dead?’ inquired the farmer, gaily. ‘Tell it to us, Tall. 
One would think from your looks and mysterious ways 
that it was something very dreadful indeed.’ 
</p>
            <p>‘O no, sir, nobody is dead,’ said Tall. 
</p>
            <p>‘I wish somebody was,’ said Samway, in a whisper. 
</p>
            <p>‘What do you say, Samway?’ asked Boldwood, somewhat 
sharply. ‘If you have anything to say, speak out; 
if not, get up another dance.’ 
</p>
            <p>‘Mrs Troy has come downstairs,’ said Samway to 
Tall. ‘If you want to tell her, you had better do it now.’ 
</p>
            <p>‘Do you know what they mean?’ the farmer asked 
Bathsheba, across the room. 
</p>
            <p>‘I don't in the least,‘said Bathsheba. 
There was a smart rapping at the door. One of 
the men opened it instantly, and went outside. 
</p>
            <p>‘Mrs Troy is wanted,’ he said, on returning. 
</p>
            <p>‘Quite ready,’ said Bathsheba. ‘Though I didn't 
tell them to send.’ 
</p>
            <p>‘It is a stranger, ma'am,’ said the man by the door. 
</p>
            <p>‘A stranger?’ she said. 
</p>
            <p>‘Ask him to come in,’ said Boldwood. 
</p>
            <p>The message was given, and Troy, wrapped up to 
his eyes as we have seen him, stood in the doorway. 
</p>
            <p>There was an unearthly silence, all looking towards 
the newcomer. Those who had just learnt that he 
was in the neighbourhood recognized him instantly; 
those who did not were perplexed. Nobody noted 
Bathsheba. She was leaning on the stairs. Her brow 
had heavily contracted; her whole face was <pb n="438"/>
pallid, her 
lips apart, her eyes rigidly staring at their visitor. 
</p>
            <p>Boldwood was among those who did not notice that 
he was Troy. ‘Come in, come in!’ he repeated, 
cheerfully, ‘and drain a Christmas beaker with us, 
stranger!’ 
</p>
            <p>Troy next advanced into the middle of the room, 
took off his cap, turned down his coat-collar, and looked 
Boldwood in the face. Even then Boldwood did not 
recognize that the impersonator of Heaven's persistent 
irony towards him, who had once before broken in 
upon his bliss, scourged him, and snatched his delight 
away, had come to do these things a second time. 
Troy began to laugh a mechanical laugh: Boldwood 
recognized him now. 
</p>
            <p>Troy turned to Bathsheba. The poor girl's wretchedness 
at this time was beyond all fancy or narration. 
She had sunk down on the lowest stair; and there 
she sat, her mouth blue and dry, and her dark eyes 
fixed vacantly upon him, as if she wondered whether it 
were not all a terrible illusion. 
</p>
            <p>Then Troy spoke. ‘Bathsheba, I come here for 
you!’ 
</p>
            <p>She made no reply. 
</p>
            <p>‘Come home with me: come! 
</p>
            <p>Bathsheba moved her feet a little, but did not rise. 
</p>
            <p>Troy went across to her. 
</p>
            <p>‘come, madam, do you hear what I say?’ he said, 
peremptorily. 
</p>
            <p>A strange voice came from the fireplace — a voice 
sounding far off and confined, as if from a dungeon. 
Hardly a soul in the assembly recognized the thin tones 
to be those of Boldwood. Sudden dispaire had transformed him. 
</p>
            <p>‘Bathsheba, go with your husband!’ 
</p>
            <p>Nevertheless, she did not move. The truth was 
that Bathsheba was beyond the pale of activity — and 
yet not in a swoon. She was in a state of mental <foreign xml:lang="lat">gutta 
serena</foreign>; her mind was for the minute totally deprived of 
light at the same time no obscuration was apparent 
from without. 
</p>
            <p>Troy stretched out his hand to pull her towards him, 
when she quickly shrank back. This visible dread of 
him seemed to irritate Troy, and he seized her arm and 
pulled it sharply. <pb n="439"/>
Whether his grasp pinched her, or 
whether his mere touch was the cause, was never known, 
but at the moment of his seizure she writhed, and gave 
a quick, low scream. 
</p>
            <p>The scream had been heard but a few seconds when 
it was followed by sudden deafening report that 
echoed through the room and stupefied them all. The 
oak partition shook with the concussion, and the place 
was filled with grey smoke. 
</p>
            <p>In bewilderment they turned their eyes to Boldwood. 
At his back, as he stood before the fireplace, was a gunrack, 
as is usual in farmhouses, constructed to hold two 
guns. When Bathsheba had cried out in her husband's 
grasp, Boldwood's face of gnashing despair had changed. 
The veins had swollen, and a frenzied look had gleamed 
in his eye. He had turned quickly, taken one of the 
guns, cocked it, and at once discharged it at Troy. 
</p>
            <p>Troy fell. The distance apart of the two men was 
so small that the charge of shot did not spread in the 
least, but passed like a bullet into his body. He uttered 
a long guttural sigh — there was a contraction — an extension 
— then his muscles relaxed, and he lay still. 
</p>
            <p>Boldwood was seen through the smoke to be now 
again engaged with the gun. It was double-barrelled, 
and he had, meanwhile, in some way fastened his handkerchief 
to the trigger, and with his foot on the other 
end was in the act of turning the second barrel upon 
himself. Samway his man was the first to see this, and 
in the midst of the general horror darted up to him. 
Boldwood had already twitched the handkerchief, and 
the gun exploded a second time, sending its contents, 
by a timely blow from Samway, into the beam which 
crossed the ceiling. 
</p>
            <p>‘Well, it makes no difference!’ Boldwood gasped. 
‘There is another way for me to die.’ 
</p>
            <p>Then he broke from Samway, crossed the room to 
Bathsheba, and kissed her hand. He put on his hat, 
opened the door, and went into the darkness, nobody 
thinking of preventing him. 
</p>
         </div>
         <div n="C54" type="chapter">
            <pb n="440"/>
            <head>AFTER THE SHOCK</head>
            <p>BOLDWOOD passed into the high road and turned 
in the direction of Casterbridge. Here he walked at 
an even, steady pace over Yalbury Hill, along the dead 
level beyond, mounted Mellstock Hill, and between 
eleven and twelve o'clock crossed the Moor into the town. 
The streets were nearly deserted now, and the waving 
lamp-flames only lighted up rows of grey shop-shutters, 
and strips of white paving upon which his step echoed 
as his passed along. He turned to the right, and halted 
before an archway of heavy stonework, which was closed 
by an iron studded pair of doors. This was the entrance 
to the gaol, and over it a lamp was fixed, the light enabling 
the wretched traveller to find a bell-pull. 
</p>
            <p>The small wicket at last opened, and a porter 
appeared. Boldwood stepped forward, and said something 
in a low tone, when, after a delay, another man 
came. Boldwood entered, and the door was closed 
behind him, and he walked the world no more. 
</p>
            <p>Long before this time Weatherbury had been 
thoroughly aroused, and the wild deed which had terminated 
Boldwood's merrymaking became known to 
all. Of those out of the house Oak was one of the 
first to hear of the catastophe, and when he entered 
the room, which was about five minutes after Boldwood's 
exit, the scene was terrible. All the female guests were 
huddled aghast against the walls like sheep in a storm, 
and the men were bewildered as to what to do. As for 
Bathsheba, she had changed. She was sitting on the 
floor beside the body of Troy, his head pillowed in her 
lap, where she had herself lifted it. With one hand she 
held her handkerchief to his breast and covered the 
wound, though scarcely a single drop of blood had 
flowed, and with the other she tightly clasped one of 
his. The household convulsion had made her herself 
again. The <pb n="441"/>
temporary coma had ceased, and activity 
had come with the necessity for it. Deeds of endurance, 
which seem ordinary in philosophy, are rare in 
conduct, and Bathsheba was astonishing all around her 
now, for her philosophy was her conduct, and she 
seldom thought practicable what she did not practise. 
She was of the stuff of which great men's mothers 
are made. She was indispensable to high generation, 
hated at tea parties, feared in shops, and loved at crises. 
Troy recumbent in his wife's lap formed now the sole 
spectacle in the middle of the spacious room. 
</p>
            <p>‘Gabriel,’ she said, automatically, when he entered, 
turning up a face of which only the well-known lines 
remained to tell him it was hers, all else in the picture 
having faded quite. ‘Ride to Casterbridge instantly 
for a surgeon. It is, I believe, useless, but go. Mr 
Boldwood has shot my husband.’ 
</p>
            <p>Her statement of the fact in such quiet and simple 
words came with more force than a tragic declamation, 
and had somewhat the effect of setting the distorted 
images in each mind present into proper focus. Oak, 
almost before he had comprehended anything beyond 
the briefest abstract of the event, hurried out of the 
room, saddled a horse and rode away. Not till he had 
ridden more than a mile did it occur to him that he 
would have done better by sending some other man 
on this errand, remaining himself in the house. What 
had become of Boldwood? He should have been 
looked after. Was he mad — had there been a quarrel? 
Then how had Troy got there? Where had he come 
from? How did this remarkable reappearance effect 
itself when he was supposed by many to be at the 
bottom of the sea? Oak had in some slight measure 
been prepared for the presence of Troy by hearing a 
rumour of his return just before entering Boldwood's 
house; but before he had weighed that information, this 
fatal event had been superimposed. However, it was too 
late now to think of sending another messenger, and 
he rode on, in the excitement of these self-inquiries 
not discerning, when about three miles from Casterbridge, 
a square-figured pedestrian passing along 
under the dark hedge in the same direction as his 
own. 
</p>
            <p>The miles necessary to be traversed, and other 
hindrances <pb n="442"/>
incidental to the lateness of the hour and 
the darkness of the night, delayed the arrival of Mr 
Aldritch, the surgeon; and more than three hours 
passed between the time at which the shot was fired 
and that of his entering the house. Oak was additionally 
detained in Casterbridge through having to give 
notice to the authorities of what had happened; and 
he then found that Boldwood had also entered the 
town, and delivered himself up. 
</p>
            <p>In the meantime the surgeon, having hastened into 
the hall at Boldwood's, found it in darkness and quite 
deserted. He went on to the back of the house, 
where he discovered in the kitchen an old man, of 
whom he made inquiries. 
</p>
            <p>‘She's had him took away to her own house, sir,’ 
said his informant. 
</p>
            <p>‘Who has?’ said the doctor. 
</p>
            <p>‘Mrs Troy. 'A was quite dead, sir.’ 
</p>
            <p>This was astonishing information. ‘She had no 
right to do that,’ said the doctor. ‘There will have 
to be an inquest, and she should have waited to know 
what to do.’ 
</p>
            <p>‘Yes, sir; it was hinted to her that she had better 
wait till the law was known. But she said law was 
nothing to her, and she wouldn't let her dear husband's 
corpse bide neglected for folks to stare at for all the 
crowners in England.’ 
</p>
            <p>Mr Aldritch drove at once back again up the 
hill to Bathsheba's. The first person he met was 
poor Liddy, who seemed literally to have dwindled 
smaller in these few latter hours. ‘What has been 
done?’ he said. 
</p>
            <p>‘I don't know, sir,’ said Liddy, with suspended 
breath. ‘My mistress has done it all.’ 
</p>
            <p>‘Where is she?’ 
</p>
            <p>‘Upstairs with him, sir. When he was brought 
home and taken upstairs, she said she wanted no 
further help from the men. And then she called me, 
and made me fill the bath, and after that told me I 
had better go and lie down because I looked so ill. 
Then she locked herself into the room alone with him, 
and would not let a nurse come in, or anybody at all. 
But I thought I'd wait in the next room in case she 
should want me. I heard her moving about inside 
for more than an <pb n="443"/>
hour, but she only came out once, 
and that was for more candles, because hers had burnt 
down into the socket. She said we were to let her 
know when you or Mr Thirdly came, sir.’ 
</p>
            <p>Oak entered with the parson at this moment, and 
they all went upstairs together, preceded by Liddy 
Smallbury. Everything was silent as the grave when 
they paused on the landing. Liddy knocked, and 
Bathsheba's dress was heard rustling across the room: 
the key turned in the lock, and she opened the door. 
Her looks were calm and nearly rigid, like a slightly 
animated bust of Melpomene. 
</p>
            <p>‘Oh, Mr Aldritch, you have come at last,’ she 
murmured from her lips merely, and threw back the 
door. ‘Ah, and Mr Thirdly. Well, all is done, and 
anybody in the world may see him now.’ She then 
passed by him, crossed the landing, and entered 
another room. 
</p>
            <p>Looking into the chamber of death she had vacated 
they saw by the light of the candles which were on the 
drawers a tall straight shape lying at the further end 
of the bedroom, wrapped in white. Everything around 
was quite orderly. The doctor went in, and after a 
few minutes returned to the landing again, where 
Oak and the parson still waited. 
</p>
            <p>‘It is all done, indeed, as she says,’ remarked Mr 
Aldritch, in a subdued voice. ‘The body has been 
undressed and properly laid out in grave clothes. 
Gracious Heaven — this mere girl! She must have the 
nerve of a stoic!’ 
</p>
            <p>‘The heart of a wife merely,’ floated in a whisper 
about the ears of the three, and turning they saw 
Bathsheba in the midst of them. Then, as if at that 
instant to prove that her fortitude had been more of 
will than of spontaneity, she silently sank down between 
them and was a shapeless heap of drapery on the floor. 
The simple consciousness that superhuman strain was 
no longer required had at once put a period to her 
power to continue it. 
</p>
            <p>They took her away into a further room, and the 
medical attendance which had been useless in Troy's 
case was invaluable in Bathsheba's, who fell into a 
series of fainting-fits that had a serious aspect for a 
time. The sufferer was got to bed, <pb n="444"/>
and Oak, finding 
from the bulletins that nothing really dreadful was to 
be apprehended on her score, left the house. Liddy 
kept watch in Bathsheba's chamber, where she heard 
her mistress, moaning in whispers through the dull 
slow hours of that wretched night: ‘O it is my fault 
— how can I live! O Heaven, how can I live!’ 
</p>
         </div>
         <div n="C55" type="chapter">
            <pb n="445"/>
            <head>THE FOLLOWING MARCH— ‘BATHSHEBA BOLDWOOD’</head>
            <p>WE pass rapidly on into the month of March, to a 
breezy day without sunshine, frost, or dew. On 
Yalbury Hill, about midway between Weatherbury and 
Casterbridge, where the turnpike road passes over 
the crest, a numerous concourse of people had 
gathered, the eyes of the greater number being frequently 
stretched afar in a northerly direction. The 
groups consisted of a throng of idlers, a party of 
javelin-men, and two trumpeters, and in the midst 
were carriages, one of which contained the high 
sheriff. With the idlers, many of whom had mounted 
to the top of a cutting formed for the road, were several 
Weatherbury men and boys — among others Poorgrass, 
Coggan, and Cain Ball. 
</p>
            <p>At the end of half-an-hour a faint dust was seen in 
the expected quarter, and shortly after a travelling-carriage, 
bringing one of the two judges on the Western 
Circuit, came up the hill and halted on the top. The 
judge changed carriages whilst a flourish was blown 
by the big-cheeked trumpeters, and a procession being 
formed of the vehicles and javelin-men, they all proceeded 
towards the town, excepting the Weatherbury 
men, who as soon as they had seen the judge move 
off returned home again to their work. 
</p>
            <p>‘Joseph, I zeed you squeezing close to the carriage,‘ 
said Coggan, as they walked. ‘Did ye notice my lord 
judge's face?’ 
</p>
            <p>‘I did,’ said Poorgrass. ‘I looked hard at en, as 
if I would read his very soul; and there was mercy 
in his eyes — or to speak with the exact truth required 
of us at this solemn time, in the eye that was towards 
me.’ 
</p>
            <p>‘Well, I hope for the best,’ said Coggan, ‘though 
bad that must be. However, I shan't go to the trial, 
and I'd advise the rest of ye that bain't wanted to bide 
away. 'Twill disturb his <pb n="446"/>
mind more than anything to 
see us there staring at him as if he were a show.’ 
</p>
            <p>‘The very thing I said this morning,’ observed Joseph. 
‘“Justice is come to weigh him in the balances,” I said 
in my reflectious way, “and if he's found wanting, so 
be it unto him,” and a bystander said “Hear, hear, 
A man who can talk like that ought to be heard.” 
But I don't like dwelling upon it, for my few words 
are my few words, and not much; though the speech 
of some men is rumoured abroad as though by nature 
formed for such.’ 
</p>
            <p>‘So 'tis, Joseph. And now, neighbours, as I said, 
every man bide at home.’ 
</p>
            <p>The resolution was adhered to; and all waited 
anxiously for the news next day. Their suspense 
was diverted, however, by a discovery which was made 
in the afternoon, throwing more light on Boldwood's 
conduct and condition than any details which had 
preceded it. 
</p>
            <p>That he had been from the time of Greenhill Fair 
until the fatal Christmas Eve in excited and unusual 
moods was known to those who had been intimate 
with him; but nobody imagined that there had shown 
in him unequivocal symptoms of the mental derangement 
which Bathsheha and Oak, alone of all others 
and at different times, had momentarily suspected. 
In a locked closet was now discovered an extraordinary 
collection of articles. There were several sets of ladies' 
dresses in the piece, of sundry expensive materials; 
silks and satins, poplins and velvets, all of colours 
which from Bathsheba's style of dress might have been 
judged to be her favourites. There were two muffs, 
sable and ermine. Above all there was a case of 
jewellery, containing four heavy gold bracelets and 
several lockets and rings, all of fine quality and manufacture. 
These things had been bought in Bath and 
other towns from time to time, and brought home by 
stealth. They were all carefully packed in paper, and 
each package was labelled ‘Bathsheba Boldwood,’ a 
date being subjoined six years in advance in every 
instance. 
</p>
            <p>These somewhat pathetic evidences of a mind crazed 
with care and love were the subject of discourse in <pb n="447"/>
Warren's malt-house when Oak entered from Casterbridge 
with tidings of the kiln glow shone upon 
it, told the tale sufficiently well. Boldwood, as every 
one supposed he would do, had pleaded guilty, and 
had been sentenced to death. 
</p>
            <p>The conviction that Boldwood had not been morally 
responsible for his later acts now became general. Facts 
elicited previous to the trial had pointed strongly in the 
same direction, but they had not been of sufficient weight 
to lead to an order for an examination into the state 
of Boldwood's mind. It was astonishing, now that a 
presumption of insanity was raised, how many collateral 
circumstances were remembered to which a condition 
of mental disease seemed to afford the only explanation 
— among others, the unprecedented neglect of his corn 
stacks in the previous summer. 
</p>
            <p>A petition was addressed to the Home Secretary, 
advancing the circumstances which appeared to justify 
a request for a reconsideration of the sentence. It was 
not ‘numerously signed’ by the inhabitants of Casterbridge, 
as is usual in such cases, for Boldwood had 
never made many friends over the counter. The shops 
thought it very natural that a man who, by importing 
direct from the producer, had daringly set aside the 
first great principle of provincial existence, namely 
that God made country villages to supply customers 
to county towns, should have confused ideas about 
the Decalogue. The prompters were a few merciful 
men who had perhaps too feelingly considered the 
facts latterly unearthed, and the result was that evidence 
was taken which it was hoped might remove the crime 
in a moral point of view, out of the category of wilful 
murder, and lead it to be regarded as a sheer outcome 
of madness. 
</p>
            <p>The upshot of the petition was waited for in Weatherbury 
with solicitous interest. The execution had been 
fixed for eight o'clock on a Saturday morning about a 
fortnight after the sentence was passed, and up to 
Friday afternoon no answer had been recieved. At 
that time Gabriel came from Casterbridge Gaol, whither 
he had been to wish Boldwood good-bye, and turned 
down a by-street to avoid the town. When past the last <pb n="448"/>
house he heard a hammering, and lifting his bowed 
head he looked back for a moment. Over the chimneys 
he could see the upper part of the gaol entrance, rich 
and glowing in the afternoon sun, and some moving 
figures were there. They were carpenters lifting a post 
into a vertical position within the parapet. He withdrew 
his eyes quickly, and hastened on. 
</p>
            <p>It was dark when he reached home, and half the 
village was out to meet him. 
</p>
            <p>‘No tidings,’ Gabriel said, wearily. ‘And I'm afraid 
there's no hope. I've been with him more than two 
hours.’ 
</p>
            <p>‘Do ye think he <hi>really</hi> was out of his mind when he 
did it?’ said Smallbury. 
</p>
            <p>‘I can't honestly say that I do,’ Oak replied. ‘However, 
that we can talk of another time. Has there been 
any change in mistress this afternoon?’ 
</p>
            <p>‘None at all.’ 
</p>
            <p>‘Is she downstairs?’ 
</p>
            <p>‘No. And getting on so nicely as she was too. 
She's but very little better now again than she was at 
Christmas. She keeps on asking if you be come, and 
if there's news, till one's wearied out wi' answering her. 
Shall I go and say you've come?’ 
</p>
            <p>‘No,’ said Oak. ‘There's a chance yet; but I 
couldn't stay in town any longer — after seeing him too, 
So Laban — Laban is here, isn't he?’ 
</p>
            <p>‘Yes,’ said Tall. 
</p>
            <p>‘What I've arranged is, that you shall ride to town 
the last thing to-night; leave here about nine, and wait 
a while there, getting home about twelve. If nothing 
has been received by eleven to-night, they say there's 
no chance at all.’ 
</p>
            <p>‘I do so hope his life will be spared,’ said Liddy. 
</p>
            <p>‘If it is not, she'll go out of her mind too. Poor thing; 
her sufferings have been dreadful; she deserves anybody's pity.’ 
</p>
            <p>‘Is she altered much?’ said Coggan. 
</p>
            <p>‘If you haven't seen poor mistress since Christmas, 
you wouldn't know her,’ said Liddy. ‘Her eyes are so 
miserable that she's not the same woman. Only two 
years ago she was a romping girl, and now she's this!’ 
Laban departed as directed, and at eleven o'clock 
that night <pb n="449"/>
several of the villagers strolled along the 
road to Casterbridge and awaited his arrival — among 
them Oak, and nearly all the rest of Bathsheba's men. 
Gabriel's anxiety was great that Boldwood might be 
saved, even though in his conscience he felt that he 
ought to die; for there had been qualities in the farmer 
which Oak loved. At last, when they all were weary 
the tramp of a horse was heard in the distance — 
<q>
                  <l>First dead, as if on turf it trode, </l>
                  <l>Then, clattering  on the village road </l>
                  <l>In other pace than forth he yode. </l>
               </q>
            </p>
            <p>‘We shall soon know now, one way or other,’ said 
Coggan, and they all stepped down from the bank on 
which they had been standing into the road, and the 
rider pranced into the midst of them. 
</p>
            <p>‘Is that you, Laban?’ said Gabriel. 
</p>
            <p>‘Yes — 'tis come. He's not to die. 'Tis confinement 
during her Majesty's pleasure.’ 
</p>
            <p>‘Hurrah!’ said Coggan, with a swelling heart. ‘God's 
above the devil yet!’ 
</p>
         </div>
         <div n="C56" type="chapter">
            <pb n="450"/>
            <head>BEAUTY IN LONELINESS — AFTER ALL</head>
            <p>BATHSHEBA revived with the spring. The utter 
prostration that had followed the low fever from which 
she had sufered diminished perceptibly when all uncertainty 
upon every subject had come to an end. 
</p>
            <p>But she remained alone now for the greater part of 
her time, and stayed in the house, or at furthest went 
into the garden. She shunned every one, even Liddy, 
and could be brought to make no confidences, and to 
ask for no sympathy. 
</p>
            <p>As the summer drew on she passed more of her time 
in the open air, and began to examine into farming 
matters from sheer necessity, though she never rode 
out or personally superintended as at former times. 
One Friday evening in August she walked a little way 
along the road and entered the village for the first time 
since the sombre event of the preceding Christmas. 
None of the old colour had as yet come to her cheek, 
and its absolute paleness was heightened by the jet black 
of her gown, till it appeared preternatural. When she 
reached a little shop at the other end of the place, 
which stood nearly opposite to the churchyard, Bathsheba 
heard singing inside the church, and she knew 
that the singers were practising. She crossed the road, 
opened the gate, and entered the graveyard, the high 
sills of the church windows effectually screening her 
from the eyes of those gathered within. Her stealthy 
walk was to the nook wherein Troy had worked at 
planting flowers upon Fanny Robin's grave, and she 
came to the marble tombstone. 
</p>
            <p>A motion of satisfaction enlivened her face as she 
read the complete inscription. First came the words of 
Troy himself: — <pb n="451"/>
            </p>
            <p>ERECTED BY FRANCIS TROY 
</p>
            <p>IN BELOVEO MEMORY OF 
</p>
            <p> FANNY ROBIN, 
</p>
            <p>WHO DIED OCTOBER 9, 18—, 
</p>
            <p> AGED 20 YEARS. 
Unerneath this was now inscribed in new letters: — 
</p>
            <p>IN THE SAME GRAVE LIE 
</p>
            <p>THE REMAINS OF THE AFORESAID 
</p>
            <p>FRANCIS TROY, 
</p>
            <p>WHO DIED DECEMBER 24TH, 18—, 
</p>
            <p>AGED 26 YEARS. 
</p>
            <p>Whilst she stood and read and meditated the tones of 
the organ began again in the church, and she went 
with the same light step round to the porch and listened. 
The door was closed, and the choir was learning a new 
hymn. Bathsheba was stirred by emotions which 
latterly she had assumed to be altogether dead within 
her. The little attenuated voices of the children 
brought to her ear in distinct utterance the words they 
sang without thought or comprehension — 
<q>
                  <l>Lead, kindly Light, amid the encircling gloom, </l>
                  <l>Lead Thou me on. </l>
               </q>
Bathsheba's feeling was always to some extent dependent 
upon her whim, as is the case with many other 
women. Something big came into her throat and an 
uprising to her eyes — and she thought that she would 
allow the imminent tears to flow if they wished. They 
did flow and plenteously, and one fell upon the stone 
bench beside her. Once that she had begun to cry for 
she hardly knew what, she could not leave off for crowding 
thoughts she knew too well. She would have given 
anything in the world to be, as those children were, unconcerned 
at the meaning of their words, because too 
innocent to feel the necessity for any such expression. 
All the impassioned scenes of her brief expenence 
seemed to revive with added emotion at that moment, 
and those scenes which had been without emotion <pb n="452"/>
during enactment had emotion then. Yet grief came 
to her rather as a luxury than as the scourge of former 
times. 
</p>
            <p>Owing to Bathsheba's face being buried in her hands 
she did not notice a form which came quietly into the 
porch, and on seeing her, first moved as if to retreat, 
then paused and regarded her. Bathsheba did not raise 
her head for some time, and when she looked round 
her face was wet, and her eyes drowned and dim. ‘Mr 
Oak,’ exclaimed she, disconcerted, ‘how long have you 
been here?’ 
</p>
            <p>‘A few minutes, ma'am,’ said Oak, respectfully. 
</p>
            <p>‘Are you going in?’ said Bathsheba; and there came 
from within the church as from a prompter — 
<q>
                  <l>I loved the garish day, and, spite of fears, </l>
                  <l>Pride ruled my will: remember not past years. </l>
               </q>
            </p>
            <p>‘I was,’ said Gabriel. ‘I am one of the bass singers, 
you know. I have sung bass for several months. 
</p>
            <p>‘Indeed: I wasn't aware of that. I'll leave you, then.’ 
<q>
                  <l>Which I have loved long since, and lost awhile, </l>
               </q>
sang the children. 
</p>
            <p>‘Don't let me drive you away, mistress. I think I 
won't go in to-night.’ 
</p>
            <p>‘O no — you don't drive me away.’ 
</p>
            <p>Then they stood in a state of some embarrassment 
Bathsheba trying to wipe her dreadfully drenched and 
inflamed face without his noticing her. At length Oak 
said, ‘I've not seen you — I mean spoken to you — since 
ever so long, have I?’ But he feared to bring distressing 
memories back, and interrupted himself with: ‘Were 
you going into church?’ 
</p>
            <p>‘No,’ she said. ‘I came to see the tombstone 
privately — to see if they had cut the inscription as I 
wished. Mr Oak, you needn't mind speaking to me, if 
you wish to, on the matter which is in both our minds 
at this moment.’ 
</p>
            <p>‘And have they done it as you wished?’ said Oak. 
</p>
            <p>‘Yes. Come and see it, if you have not already.’ 
</p>
            <p>So together they went and read the tomb. ‘Eight 
months <pb n="453"/>
ago!’ Gabriel murmured when he saw the date. 
‘It seems like yesterday to me.’ 
</p>
            <p>‘And to me as if it were years ago — long years, and 
I had been dead between. And now I am going home, Mr Oak.’ 
</p>
            <p>Oak walked after her. ‘I wanted to name a small 
matter to you as soon as I could,’ he said, with hesitation. 
‘Merely about business, and I think I may just mention it 
now, if you'll allow me.’ 
</p>
            <p>‘O yes, certainly.’ 
</p>
            <p>‘It is that I may soon have to give up the management 
of your farm, Mrs Troy. The fact is, I am thinking 
of leaving England — not yet, you know — next 
spring.’ 
</p>
            <p>‘Leaving England!’ she said, in surprise and 
genuine disappointment. ‘Why, Gabriel, what are you 
going to do that for?’ 
</p>
            <p>‘Well, I've thought it best,’ Oak stammered out. 
‘California is the spot I've had in my mind to try.’ 
</p>
            <p>‘But it is understood everywhere that you are going 
to take poor Mr Boldwood's farm on your own account.’ 
</p>
            <p>‘I've had the refusal o' it 'tis true; but nothing is 
settled yet, and I have reasons for gieing up. I shall 
finish out my year there as manager for the trustees, 
but no more.’ 
</p>
            <p>‘And what shall I do without you? Oh, Gabriel, I 
don't think you ought to go away. You've been with 
me so long — through bright times and dark times — such 
old friends that as we are — that it seems unkind almost. I 
had fancied that if you leased the other farm as master, 
you might still give a helping look across at mine. And 
now going away!’ 
</p>
            <p>‘I would have willingly.’ 
</p>
            <p>‘Yet now that I am more helpless than ever you go 
away!’ 
</p>
            <p>‘Yes, that's the ill fortune o' it,’ said Gabriel, in a 
distressed tone. ‘And it is because of that very helplessness 
that I feel bound to go. Good afternoon, 
ma'am’ he concluded, in evident anxiety to get 
away, and at once went out of the churchyard by a 
path she could follow on no pretence whatever. 
</p>
            <p>Bathsheba went home, her mind occupied with a 
new trouble, which being rather harassing than deadly 
was calculated to do good by diverting her from the 
chronic gloom of <pb n="454"/>
her life. She was set thinking a great 
deal about Oak and of his wish to shun her; and there 
occurred to Bathsheba several incidents of latter intercourse 
with him, which, trivial when singly viewed 
amounted together to a perceptible disinclination for 
her society. It broke upon her at length as a great 
pain that her last old disciple was about to forsake her 
and flee. He who had believed in her and argued on 
her side when all the rest of the world was against her, 
had at last like the others become weary and neglectful 
of the old cause, and was leaving her to fight her battles 
alone. 
</p>
            <p>Three weeks went on, and more evidence of his 
want of interest in her was forthcoming. She noticed 
that instead of entering the small parlour or office 
where the farm accounts were kept, and waiting, or 
leaving a memorandum as he had hitherto done during 
her seclusion, Oak never came at all when she was likely 
to be there, only entering at unseasonable hours when 
her presence in that part of the house was least to be 
expected. Whenever he wanted directions he sent a 
message, or note with neither heading nor signature, to 
which she was obliged to reply in the same off-hand 
style. Poor Bathsheba began to suffer now from the 
most torturing sting of all — a sensation that she was 
despised. 
</p>
            <p>The autumn wore away gloomily enough amid these 
melancholy conjectures, and Christmas-day came, completing 
a year of her legal widowhood, and two years 
and a quarter of her life alone. On examining her 
heart it appeared beyond measure strange that the subject 
of which the season might have been supposed 
suggestive — the event in the hall at Boldwood's — was 
not agitating her at all; but instead, an agonizing conviction 
that everybody abjured her — for what she could 
not tell — and that Oak was the ringleader of the 
recusants. Coming out of church that day she looked 
round in hope that Oak, whose bass voice she had 
heard rolling out from the gallery overhead in a most 
unconcerned manner, might chance to linger in her path 
in the old way. There he was, as usual, coming down 
the path behind her. But on seeing Bathsheba turn, he 
looked aside, and as soon as he got beyond the gate, <pb n="455"/>
and there was the barest excuse for a divergence, he 
made one, and vanished. 
</p>
            <p>The next morning brought the culminating stroke; 
she had been expecting it long. It was a formal notice 
by letter from him that he should not renew his engagement 
with her for the following Lady-day. 
</p>
            <p>Bathsheba actually sat and cried over this letter most 
bitterly. She was aggrieved and wounded that the 
possession of hopeless love from Gabriel, which she had 
grown to regard as her inalienable right for life, should 
have been withdrawn just at his own pleasure in this 
way. She was bewildered too by the prospect of having 
to rely on her own resources again: it seemed to herself 
that she never could again acquire energy sufficient to 
go to market, barter, and sell. Since Troy's death Oak 
had attended all sales and fairs for her, transacting her 
business at the same time with his own. What should 
she do now? Her life was becoming a desolation. 
</p>
            <p>So desolate was Bathsheba this evening, that in an 
absolute hunger for pity and sympathy, and miserable in 
that she appeared to have outlived the only true friendship 
she had ever owned, she put on her bonnet and 
cloak and went down to Oak's house just after sunset, 
guided on her way by the pale primrose rays of a 
crescent moon a few days old. 
</p>
            <p>A lively firelight shone from the window, but nobody 
was visible in the room. She tapped nervously, and 
then thought it doubtful if it were right for a single 
woman to call upon a bachelor who lived alone, although 
he was her manager, and she might be supposed to call 
on business without any real impropriety. Gabriel 
opened the door, and the moon shone upon his forehaad. 
</p>
            <p>‘Mr Oak,’ said Bathsheba, faintly. 
</p>
            <p>‘Yes; I am Mr Oak,’ said Gabriel. ‘Who have I 
the honour — O how stupid of me, not to know you, 
mistress!’ 
</p>
            <p>‘I shall not be your mistress much longer, shall I 
Gabriel?’ she said, in pathetic tones. 
</p>
            <p>‘Well, no. I suppose — But come in, ma'am. Oh — 
and I'll get a light,’ Oak replied, with some awkwardness. <pb n="456"/>
            </p>
            <p>‘No; not on my account.’ 
</p>
            <p>‘It is so seldom that I get a lady visitor that I'm 
afraid I haven't proper accommodation. Will you sit 
down, please? Here's a chair, and there's one, too. 
I am sorry that my chairs all have wood scats, and are 
rather hard, but I — was thinking of getting some new 
ones.’ Oak placed two or three for her. 
</p>
            <p>‘They are quite easy enough for me.’ 
</p>
            <p>So down she sat, and down sat he, the fire dancing 
in their faces, and upon the old furniture 
<q>
                  <l>all a-sheenen </l>
                  <l>Wi' long years o' handlen, </l>
               </q>
that formed Oak's array of household possessions, which 
sent back a dancing reflection in reply. It was very 
odd to these two persons, who knew each other passing 
well, that the mere circumstance of their meeting in a 
new place and in a new way should make them so 
awkward and constrained. In the fields, or at her house, 
there had never been any embarrassment; but now that 
Oak had become the entertainer their lives seemed to be 
moved back again to the days when they were strangers. 
</p>
            <p>‘You'll think it strange that I have come, but —’ 
</p>
            <p>‘O no; not at all.’ 
</p>
            <p>‘But I thought — Gabriel, I have been uneasy in the 
belief that I have offended you, and that you are going 
away on that account. It grieved me very much and 
I couldn't help coming.’ 
</p>
            <p>‘Offended me! As if you could do that, Bathsheba!’ 
</p>
            <p>‘Haven't I?’ she asked, gladly. ‘But, what are you 
going away for else?’ 
</p>
            <p>‘I am not going to emigrate, you know; I wasn't 
aware that you would wish me not to when I told 'ee or I 
shouldn't ha' thought of doing it,’ he said, simply. ‘I 
have arranged for Little Weatherbury Farm and shall 
have it in my own hands at Lady-day. You know I've 
had a share in it for some time. Still, that wouldn't 
prevent my attending to your business as before, hadn't 
it been that things have been said about us.’ <pb n="457"/>
            </p>
            <p>‘What?’ said Bathsheba, in surprise. ‘Things said 
about you and me! What are they?’ 
</p>
            <p>‘I cannot tell you.’ 
</p>
            <p>‘It would be wiser if you were to, I think. You have 
played the part of mentor to me many times, and I don't 
see why you should fear to do it now.’ 
</p>
            <p>‘It is nothing that you have done, this time. The 
top and tail o't is this — that I am sniffing about here, 
and waiting for poor Boldwood's farm, with a thought 
of getting you some day.’ 
</p>
            <p>‘Getting me! What does that mean?’ 
</p>
            <p>‘Marrying o' 'ee, in plain British. You asked me to 
tell, so you mustn't blame me.’ 
</p>
            <p>Bathsheba did not look quite so alarmed as if a 
cannon had been discharged by her ear, which was what 
Oak had expected. ‘Marrying me! I didn't know it 
was that you meant,’ she said, quietly. ‘Such a thing 
as that is too absurd — too soon — to think of, by far!’ 
</p>
            <p>‘Yes; of course, it is too absurd. I don't desire any 
such thing; I should think that was plain enough by 
this time. Surely, surely you be the last person in the 
world I think of marrying. It is too absurd, as you say. 
</p>
            <p>‘“Too — s-s-soon” were the words I used.’ 
</p>
            <p>‘I must beg your pardon for correcting you, but you 
said, “too absurd,” and so do I.’ 
</p>
            <p>‘I beg your pardon too! she returned, with tears 
in her eyes. “‘Too soon” was what I said. But it 
doesn't matter a bit — not at all — but I only meant, 
“too soon”. Indeed, I didn't, Mr Oak, and you must 
believe me!’ 
</p>
            <p>Gabriel looked her long in the face, but the firelight 
being faint there was not much to be seen. ‘Bathsheba,’ 
he said, tenderly and in surprise, and coming closer: 
‘if I only knew one thing — whether you would allow me 
to love you and win you, and marry you after all — if I 
only knew that!’ 
</p>
            <p>‘But you never will know,’ she murmured. 
</p>
            <p>‘Why?’ 
</p>
            <p>‘Because you never ask.’ 
</p>
            <p>‘Oh — Oh!’ said Gabriel, with a low laugh of joyousness. 
‘My own dear —’ <pb n="458"/>
            </p>
            <p>‘You ought not to have sent me that harsh letter 
this morning,’ she interrupted. ‘It shows you didn't 
care a bit about me, and were ready to desert me like 
all the rest of them! It was very cruel of you, considering 
I was the first sweetheart that you ever had, and 
you were the first I ever had; and I shall not forget it!’ 
</p>
            <p>‘Now, Bathsheba, was ever anybody so provoking’ 
he said, laughing. ‘You know it was purely that I, as 
an unmarried man, carrying on a business for you as a 
very taking young woman, had a proper hard part to 
play — more particular that people knew I had a sort 
of feeling for 'ee; and I fancied, from the way we were 
mentioned together, that it might injure your good name. 
Nobody knows the heat and fret I have been caused 
by it.’ 
</p>
            <p>‘And was that all?’ 
</p>
            <p>‘All.’ 
</p>
            <p>‘Oh, how glad I am I came!’ she exclaimed, thankfully, 
as she rose from her seat. ‘I have thought so 
much more of you since I fancied you did not want 
even to see me again. But I must be going now, or I 
shall be missed. Why Gabriel,’ she said, with a slight 
laugh, as they went to the door, ‘it seems exactly as if 
I had come courting you — how dreadful!’ 
</p>
            <p>‘And quite right too,’ said Oak. ‘I've danced at 
your skittish heels, my beautiful Bathsheba, for many a 
long mile, and many a long day; and it is hard to begrudge 
me this one visit.’ 
</p>
            <p>He accompanied her up the hill, explaining to her 
the details of his forthcoming tenure of the other farm. 
They spoke very little of their mutual feeling; pretty 
phrases and warm expressions being probably unnecessary 
between such tried friends. Theirs was that 
substantial affection which arises (if any arises at all) 
when the two who are thrown together begin first by 
knowing the rougher sides of each other's character, 
and not the best till further on, the romance growing 
up in the interstices of a mass of hard prosaic reality. 
This good-fellowship — <foreign xml:lang="fre">camaraderie</foreign> — usually occurring 
through similarity of pursuits, is unfortunately seldom 
superadded to love between the sexes, because men and 
women associate, not in their lahours, but in their 
pleasures merely. Where, however, happy circumstance <pb n="459"/>
permits its development, the compounded feeling proves 
itself to be the only love which is strong as death — that 
love which many waters cannot quench, nor the floods 
drown, beside which the passion usually called by the 
name is evanescent as steam. 
</p>
         </div>
         <div n="C57" type="chapter">
            <pb n="460"/>
            <head>A FOGGY NIGHT AND MORNING — CONCLUSION</head>
            <p>‘THE most private, secret, plainest wedding that it is 
possible to have.’ 
</p>
            <p>Those had been Bathsheba's words to Oak one 
evening, some time after the event of the preceding 
chapter, and he meditated a full hour by the clock upon 
how to carry out her wishes to the letter. 
</p>
            <p>‘A licence — O yes, it must be a licence,’ he said 
to himself at last. ‘Very well, then; first, a license.’ 
</p>
            <p>On a dark night, a few days later, Oak came with 
mysterious steps from the surrogate's door, in Casterbridge. 
On the way home he heard a heavy tread in 
front of him, and, overtaking the man, found him to be 
Coggan. They walked together into the village until 
they came to a little lane behind the church, leading 
down to the cottage of Laban Tall, who had lately been 
installed as clerk of the parish, and was yet in mortal 
terror at church on Sundays when he heard his lone 
voice among certain hard words of the Psalms, whither 
no man ventured to follow him. 
</p>
            <p>‘Well, good-night, Coggan,’ said Oak, ‘I'm going 
down this way.’ 
</p>
            <p>‘Oh!’ said Coggan, surprised; ‘what's going on tonight 
then, make so bold, Mr Oak?’ 
</p>
            <p>It seemed rather ungenerous not to tell Coggan, 
under the circumstances, for Coggan had been true as 
steel all through the time of Gabriel's unhappiness about 
Bathsheba, and Gabriel said, ‘You can keep a secret, 
Coggan?’ 
</p>
            <p>‘You've proved me, and you know.’ 
</p>
            <p>‘Yes, I have, and I do know. Well, then, mistress 
and I mean to get married to-morrow morning.’ 
</p>
            <p>‘Heaven's high tower! And yet I've thought of 
such a thing <pb n="461"/>
from time to time; true, I have. But 
keeping it so close! Well, there, 'tis no consarn of 
amine, and I wish 'ee joy o' her.’ 
</p>
            <p>‘Thank you, Coggan. But I assure 'ee that this 
great hush is not what I wished for at all, or what 
either of us would have wished if it hadn't been for 
certain things that would make a gay wedding seem 
hardly the thing. Bathsheba has a great wish that all 
the parish shall not be in church, looking at her — she's 
shy-like and nervous about it, in fact — so I be doing 
this to humour her.’ 
</p>
            <p>‘Ay, I see: quite right, too, I suppose I must say. 
And you be now going down to the clerk.’ 
</p>
            <p>‘Yes; you may as well come with me.’ 
</p>
            <p>‘I am afeard your labour in keeping it close will be 
throwed away,’ said Coggan, as they walked along. 
</p>
            <p>‘Labe Tall's old woman will horn it all over parish in 
half-an-hour.’ 
</p>
            <p>‘So she will, upon my life; I never thought of 
that,’ said Oak, pausing. ‘Yet I must tell him to-night, 
I suppose, for he's working so far off, and leaves 
early.’ 
</p>
            <p>‘I'll tell 'ee how we could tackle her,’ said Coggan. 
</p>
            <p>‘I'll knock and ask to speak to Laban outside the door, 
you standing in the background. Then he'll come out, 
and you can tell yer tale. She'll never guess what I 
want en for; and I'll make up a few words about the 
farm-work, as a blind.’ 
</p>
            <p>This scheme was considered feasible; and Coggan 
advanced boldly, and rapped at Mrs Tall's door. Mrs 
Tall herself opened it. 
</p>
            <p>‘I wanted to have a word with Laban.’ 
</p>
            <p>‘He's not at home, and won't be this side of eleven 
o'clock. He've been forced to go over to Yalbury since 
shutting out work. I shall do quite as well.’ 
</p>
            <p>‘I hardly think you will. Stop a moment;’ and 
Coggan stepped round the corner of the porch to consult 
Oak. 
</p>
            <p>‘Who's t'other man, then?’ said Mrs Tall. 
</p>
            <p>‘Only a friend,’ said Coggan. 
</p>
            <p>‘Say he's wanted to meet mistress near church-hatch 
to-morrow morning at ten,’ said Oak, in a whisper. 
</p>
            <p>‘That he must come without fail, and wear his best 
clothes.’ <pb n="462"/>
            </p>
            <p>‘The clothes will floor us as safe as houses!’ said 
Coggan. 
</p>
            <p>‘It can't be helped,’ said Oak. ‘Tell her.’ 
</p>
            <p>So Coggan delivered the message. ‘Mind, het or 
wet, blow or snow, he must come,’ added Jan. ‘'Tis 
very particular, indeed. The fact is, 'tis to witness her 
sign some law-work about taking shares wi' another 
farmer for a long span o' years. There, that's what 'tis, 
and now I've told 'ee, Mother Tall, in a way I shouldn't 
ha' done if I hadn't loved 'ee so hopeless well.’ 
</p>
            <p>Coggan retired before she could ask any further; 
and next they called at the vicar's in a manner which 
excited no curiosity at all. Then Gabriel went home, 
and prepared for the morrow. 
</p>
            <p>‘Liddy,’ said Bathsheba, on going to bed that night, 
‘I want you to call me at seven o'clock to-morrow, In 
case I shouldn't wake.’ 
</p>
            <p>‘But you always do wake afore then, ma'am.’ 
</p>
            <p>‘Yes, but I have something important to do, which 
I'll tell you of when the time comes, and it's best to 
make sure.’ 
</p>
            <p>Bathsheba, however, awoke voluntarily at four, nor 
could she by any contrivance get to sleep again. About 
six, being quite positive that her watch had stopped 
during the night, she could wait no longer. She went 
and tapped at Liddy's door, and after some labour awoke 
her. 
</p>
            <p>‘But I thought it was I who had to call you?’ said 
the bewildered Liddy. ‘And it isn't six yet.’ 
</p>
            <p>‘Indeed it is; how can you tell such a story, Liddy? 
I know it must be ever so much past seven. Come to 
my room as soon as you can; I want you to give my 
hair a good brushing.’ 
</p>
            <p>When Liddy came to Bathsheba's room her mistress 
was already waiting. Liddy could not understand 
this extraordinary promptness. ‘Whatever <hi>is</hi> going on, 
ma'am?’ she said. 
</p>
            <p>‘Well, I'll tell you,’ said Bathsheba, with a mischievous 
smile in her bright eyes. ‘Farmer Oak is coming 
here to dine with me to-day!’ 
</p>
            <p>‘Farmer Oak — and nobody else? — you two alone?’ 
</p>
            <p>‘Yes.’ <pb n="463"/>
            </p>
            <p>‘But is it safe, ma'am, after what's been said?’ asked 
her companion, dubiously. ‘A woman's good name is 
such a perishable article that — ’ 
</p>
            <p>Bathsheba laughed with a flushed cheek, and 
whispered in Liddy's ear, although there was nobody 
present. Then Liddy stared and exclaimed, ‘Souls 
alive, what news! It makes my heart go quite 
bumpity-bump!’ 
</p>
            <p>‘It makes mine rather furious, too,’ said Bathsheba. 
‘However, there's no getting out of it now!’ 
</p>
            <p>It was a damp disagreeable morning. Nevertheless, 
at twenty minutes to ten o'clock, Oak came out of his 
house, and 
<q>
                  <l> Went up the hill side </l>
                  <l> With that sort of stride </l>
               </q>
            </p>
            <p>A man puts out when walking in search of a bride, 
and knocked Bathsheba's door. Ten minutes later 
a large and a smaller umbrella might have been seen 
moving from the same door, and through the mist along 
the road to the church. The distance was not more 
than a quarter of a mile, and these two sensible persons 
deemed it unnecessary to drive. An observer must have 
been very close indeed to discover that the forms under 
the umbrellas were those of Oak and Bathsheba, arm-in-arm 
for the first time in their lives, Oak in a greatcoat 
extending to his knees, and Bathsheba in a cloak that 
reached her clogs. Yet, though so plainly dressed 
there was a certain rejuvenated appearance about her: — 
<q>
                  <l>As though a rose should shut and be a bud again. </l>
               </q>
Repose had again incarnadined her cheeks; and having, 
at Gabriel's request, arranged her hair this morning as 
she had worn it years ago on Norcombe Hill, she seemed 
in his eyes remarkably like a girl of that fascinating 
dream, which, considering that she was now only three 
or four-and-twenty, was perhaps not very wonderful. In 
the church were Tall, Liddy, and the parson, and in a 
remarkably short space of time the deed was done. 
</p>
            <p>The two sat down very quietly to tea in Bathsheba's 
parlour in the evening of the same day, for it had been 
arranged that <pb n="464"/>
Farmer Oak should go there to live, since 
he had as yet neither money, house, nor furniture worthy 
of the name, though he was on a sure way towards them, 
whilst Bathsheba was, comparatively, in a plethora of all 
three. 
</p>
            <p>Just as Bathsheba was pouring out a cup of tea, 
their ears were greeted by the firing of a cannon, 
followed by what seemed like a tremendous blowing of 
trumpets, in the front of the house. 
</p>
            <p>‘There!’ said Oak, laughing, ‘I knew those fellows 
were up to something, by the look on their face.’ 
</p>
            <p>Oak took up the light and went into the porch, 
followed by Bathsheba with a shawl over her head. The 
rays fell upon a group of male figures gathered upon the 
gravel in front, who, when they saw the newly-married 
couple in the porch, set up a loud ‘Hurrah!’ and at 
the same moment bang again went the cannon in the 
background, followed by a hideous clang of music from 
a drum, tambourine, clarionet, serpent, hautboy, tenor-viol, 
and double-bass — the only remaining relics of the 
true and original Weatherbury band — venerable worm-eaten 
instruments, which had celebrated in their own 
persons the victories of Marlborough, under the fingers 
of the forefathers of those who played them now. The 
performers came forward, and marched up to the 
front. 
</p>
            <p>‘Those bright boys, Mark Clark and Jan, are at the 
bottom of all this,’ said Oak. ‘Come in, souls, and 
have something to eat and drink wi' me and my wife.’ 
</p>
            <p>‘Not to-night,’ said Mr Clark, with evident self-denial. 
‘Thank ye all the same; but we'll call at a 
more seemly time. However, we couldn't think of 
letting the day pass without a note of admiration of 
some sort. If ye could send a drop of som'at down to 
Warren's, why so it is. Here's long life and happiness 
to neighbour Oak and his comely bride!’ 
</p>
            <p>‘Thank ye; thank ye all,’ said Gabriel. ‘A bit and 
a drop shall be sent to Warren's for ye at once. I had 
a thought that we might very likely get a salute of some 
sort from our old friends, and I was saying so to my 
wife but now.’ 
</p>
            <p>‘Faith,’ said Coggan, in a critical tone, turning to his 
companions, ‘the man hev learnt to say “my wife” 
in a wonderful <pb n="465"/>
naterel way, considering how very youthful 
he is in wedlock as yet — hey, neighbours all?’ 
</p>
            <p>‘I never heerd a skilful old married feller of twenty 
years' standing pipe “my wife” in a more used note 
than 'a did,’ said Jacob Smallbury. ‘It might have been 
a little more true to nater if't had been spoke a little 
chillier, but that wasn't to be expected just now.’ 
</p>
            <p>‘That improvement will come wi' time,’ said Jan, 
twirling his eye. 
</p>
            <p>Then Oak laughed, and Bathsheba smiled (for she 
never laughed readily now), and their friends turned to 
go. 
</p>
            <p>‘Yes; I suppose that's the size o't,’ said Joseph 
Poorgrass with a cheerful sigh as they moved away; 
‘and I wish him joy o' her; though I were once or 
twice upon saying to-day with holy Hosea, in my 
scripture manner, which is my second nature. “Ephraim 
is joined to idols: let him alone.” But since 'tis as 'tis 
why, it might have been worse, and I feel my thanks 
accordingly.’ 
</p>
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  </text>
</TEI>
