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            <title type="main">Dombey and Son</title>
            <author>Dickens, Charles, 1812-1870</author>
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<note anchored="true">First edition published in 1846.</note>
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            <docTitle>
               <titlePart type="main">
                  <title type="main">Dombey and Son</title>
               </titlePart>
            </docTitle>
            <byline>by 
<docAuthor>Charles Dickens</docAuthor>
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      <body>
         <div xml:id="c1" type="chapter">
            <head>CHAPTER I</head>
            <head>Dombey and Son</head>
            <p>DOMBEY sat in the corner of the darkened room in the great arm-chair 
by the bedside, and Son lay tucked up warm in a little basket 
bedstead, carefully disposed on a low settee immediately in front of 
the fire and close to it, as if his constitution were analogous to 
that of a muffin, and it was essential to toast him brown while he 
was very new. 


</p>
            <p>Dombey was about eight-and-forty years of age. Son about 
eight-and-forty minutes. Dombey was rather bald, rather red, and 
though a handsome well-made man, too stern and pompous in 
appearance, to be prepossessing. Son was very bald, and very red, 
and though (of course) an undeniably fine infant, somewhat crushed 
and spotty in his general effect, as yet. On the brow of Dombey, 
Time and his brother Care had set some marks, as on a tree that was 
to come down in good time—remorseless twins they are for striding 
through their human forests, notching as they go—while the 
countenance of Son was crossed and recrossed with a thousand little 
creases, which the same deceitful Time would take delight in 
smoothing out and wearing away with the flat part of his scythe, as 
a preparation of the surface for his deeper operations. 


</p>
            <p>Dombey, exulting in the long-looked-for event, jingled and jingled 
the heavy gold watch-chain that depended from below his trim blue 
coat, whereof the buttons sparkled phosphorescently in the feeble 
rays of the distant fire. Son, with his little fists curled up and 
clenched, seemed, in his feeble way, to be squaring at existence for 
having come upon him so unexpectedly. 


</p>
            <p>`The house will once again, Mrs. Dombey,' said Mr. Dombey, `be not 
only in name but in fact Dombey and Son; Dom-bey and Son!' 


</p>
            <p>The words had such a softening influence, that he appended a term of 
endearment to Mrs. Dombey's name (though not without some 
hesitation, as being a man but little used to that form of address): 
and said, `Mrs. Dombey, my—my dear.' 


</p>
            <p>A transient flush of faint surprise overspread the sick lady's face 
as she raised her eyes towards him. 


</p>
            <p>`He will be christened Paul, my—Mrs. Dombey—of course.' 


</p>
            <p>She feebly echoed, `Of course,' or rather expressed it by the motion 
of her lips, and closed her eyes again. 


</p>
            <p>`His father's name, Mrs. Dombey, and his grandfather's! I wish his 
grandfather were alive this day!' And again he said `Dom-bey and 
Son,' in exactly the same tone as before. 


</p>
            <p>Those three words conveyed the one idea of Mr. Dombey's life. The 
earth was made for Dombey and Son to trade in, and the sun and moon 
were made to give them light. Rivers and seas were formed to float 
their ships; rainbows gave them promise of fair weather; winds blew 
for or against their enterprises; stars and planets circled in their 
orbits, to preserve inviolate a system of which they were the 
centre. Common abbreviations took new meanings in his eyes, and had 
sole reference to them: A.D. had no concern with anno Domini, but 
stood for anno Dombei—and Son. 


</p>
            <p>He had risen, as his father had before him, in the course of life 
and death, from Son to Dombey, and for nearly twenty years had been 
the sole representative of the firm. Of those years he had been 
married, ten—married, as some said, to a lady with no heart to give 
him; whose happiness was in the past, and who was content to bind 
her broken spirit to the dutiful and meek endurance of the present. 
Such idle talk was little likely to reach the ears of Mr. Dombey, 
whom it nearly concerned; and probably no one in the world would 
have received it with such utter incredulity as he, if it had 
reached him. Dombey and Son had often dealt in hides, but never in 
hearts. They left that fancy ware to boys and girls, and 
boarding-schools and books. Mr. Dombey would have reasoned: That a 
matrimonial alliance with himself <hi>must</hi>, in the nature of 
things, be gratifying and honourable to any woman of common sense. 
That the hope of giving birth to a new partner in such a house, 
could not fail to awaken a glorious and stirring ambition in the 
breast of the least ambitious of her sex. That Mrs. Dombey had 
entered on that social contract of matrimony: almost necessarily 
part of a genteel and wealthy station, even without reference to the 
perpetuation of family firms: with her eyes fully open to these 
advantages. That Mrs. Dombey had had daily practical knowledge of 
his position in society. That Mrs. Dombey had always sat at the head 
of his table, and done the honours of his house in a remarkably 
lady-like and becoming manner. That Mrs. Dombey must have been 
happy. That she couldn't help it. 


</p>
            <p>Or, at all events, with one drawback. Yes. That he would have 
allowed. With only one; but that one certainly involving much. They 
had been married ten years, and until this present day on which Mr. 
Dombey sat jingling and jingling his heavy gold watch-chain in the 
great arm-chair by the side of the bed, had had no issue. 


</p>
            <p>—To speak of; none worth mentioning. There had been a girl some six 
years before, and the child, who had stolen into the chamber 
unobserved, was now crouching timidly, in a corner whence she could 
see her mother's face. But what was a girl to Dombey and Son! In the 
capital of the House's name and dignity, such a child was merely a 
piece of base coin that couldn't be invested—a bad Boy—nothing 
more. 


</p>
            <p>Mr. Dombey's cup of satisfaction was so full at this moment, 
however, that he felt he could afford a drop or two of its contents, 
even to sprinkle on the dust in the by-path of his little 
daughter. 


</p>
            <p>So he said, `Florence, you may go and look at your pretty brother, 
if you like, I dare say. Don't touch him!' 


</p>
            <p>The child glanced keenly at the blue coat and stiff white cravat, 
which, with a pair of creaking boots and a very loud ticking watch, 
embodied her idea of a father; but her eyes returned to her mother's 
face immediately, and she neither moved nor answered. 


</p>
            <p>Next moment, the lady had opened her eyes and seen the child; and 
the child had run towards her; and, standing on tip-toe,  the better 
to hide her face in her embrace, had clung about her with a 
desperate affection very much at variance with her years. 


</p>
            <p>`Oh Lord bless me!' said Mr. Dombey, rising testily. `A very 
ill-advised and feverish proceeding this, I am sure. I had better 
ask Doctor Peps if he'll have the goodness to step up stairs again 
perhaps. I'll go down. I'll go down. I needn't beg you,' he added, 
pausing for a moment at the settee before the fire, `to take 
particular care of this young gentleman, Mrs.—-' 


</p>
            <p>`Blockitt, Sir?' suggested the nurse, a simpering piece of faded 
gentility, who did not presume to state her name as a fact, but 
merely offered it as a mild suggestion. 


</p>
            <p>`Of this young gentleman, Mrs. Blockitt.' 


</p>
            <p>`No, Sir, indeed. I remember when Miss Florence was born—' 


</p>
            <p>`Ay, ay, ay,' said Mr. Dombey, bending over the basket bedstead, and 
slightly bending his brows at the same time. `Miss Florence was all 
very well, but this is another matter. This young gentleman has to 
accomplish a destiny. A destiny, little fellow!' As he thus 
apostrophised the infant he raised one of his hands to his lips, and 
kissed it; then, seeming to fear that the action involved some 
compromise of his dignity, went, awkwardly enough, away. 


</p>
            <p>Doctor Parker Peps, one of the Court Physicians, and a man of 
immense reputation for assisting at the increase of great families, 
was walking up and down the drawing-room with his hands behind him, 
to the unspeakable admiration of the family Surgeon, who had 
regularly puffed the case for the last six weeks, among all his 
patients, friends, and acquaintances, as one to which he was in 
hourly expectation day and night of being summoned, in conjunction 
with Doctor Parker Peps. 


</p>
            <p>`Well, Sir,' said Doctor Parker Peps in a round, deep, sonorous 
voice, muffled for the occasion, like the knocker; `do you find that 
your dear lady is at all roused by your visit?' 


</p>
            <p>`Stimulated as it were?' said the family practitioner faintly: 
bowing at the same time to the Doctor, as much as to say, `Excuse my 
putting in a word, but this is a valuable connexion.' 


</p>
            <p>Mr. Dombey was quite discomfited by the question. He had thought so 
little of the patient, that he was not in a condition to answer it. 
He said that it would be a satisfaction to him, if Doctor Parker 
Peps would walk up stairs again. 


</p>
            <p>`Good! We must not disguise from you, Sir,' said Doctor Parker Peps, 
`that there is a want of power in Her Grace the Duchess—I beg your 
pardon; I confound names; I should say, in your amiable lady. That 
there is a certain degree of languor, and a general absence of 
elasticity, which we would rather—not—' 


</p>
            <p>`See,' interposed the family practitioner with another inclination 
of the head. 


</p>
            <p>`Quite so,' said Doctor Parker Peps, `which we would rather not see. 
It would appear that the system of Lady Cankaby—excuse me: I should 
say of Mrs. Dombey: I confuse the names of cases—' 


</p>
            <p>`So very numerous,' murmured the family practitioner—`can't be 
expected I'm sure—quite wonderful if otherwise—Doctor Parker 
Peps's West-End practice—' 


</p>
            <p>`Thank you,' said the Doctor, `quite so. It would appear, I was 
observing, that the system of our patient has sustained a shock, 
from which it can only hope to rally by a great and strong—' 


</p>
            <p>`And vigorous,' murmured the family practitioner. 


</p>
            <p>`Quite so,' assented the Doctor—`and vigorous effort. Mr. Pilkins 
here, who from his position of medical adviser in this family—no 
one better qualified to fill that position, I am sure.' 


</p>
            <p>`Oh!' murmured the family practitioner. `&amp;rdquo;Praise from Sir Hubert 
Stanley!”' 


</p>
            <p>`You are good enough,' returned Doctor Parker Peps, `to say so. Mr. 
Pilkins who, from his position, is best acquainted with the 
patient's constitution in its normal state (an acquaintance very 
valuable to us in forming our opinions on these occasions), is of 
opinion, with me, that Nature must be called upon to make a vigorous 
effort in this instance; and that if our interesting friend the 
Countess of Dombey—I <hi>beg</hi> your pardon; Mrs. Dombey—should 
not be—' 


</p>
            <p>`Able,' said the family practitioner. 


</p>
            <p>`To make that effort successfully,' said Doctor Parker Peps, `then a 
crisis might arise, which we should both sincerely deplore.' 


</p>
            <p>With that, they stood for a few seconds looking at the ground. Then, 
on the motion—made in dumb show—of Doctor Parker Peps, they went 
up stairs; the family practitioner opening the room door for that 
distinguished professional, and following him out, with most 
obsequious politeness. 


</p>
            <p>To record of Mr. Dombey that he was not in his way affected by this 
intelligence, would be to do him an injustice. He was not a man of 
whom it could properly be said that he was ever startled or shocked; 
but he certainly had a sense within him, that if his wife should 
sicken and decay, he would be very sorry, and that he would find a 
something gone from among his plate and furniture, and other 
household possessions, which was well worth the having, and could 
not be lost without sincere regret. Though it would be a cool, 
business-like, gentlemanly, self-possessed regret, no doubt. 


</p>
            <p>His meditations on the subject were soon interrupted, first by the 
rustling of garments on the staircase, and then by the sudden 
whisking into the room of a lady rather past the middle age than 
otherwise, but dressed in a very juvenile manner, particularly as to 
the tightness of her bodice, who, running up to him with a kind of 
screw in her face and carriage, expressive of suppressed emotion, 
flung her arms round his neck, and said in a choking voice, 


</p>
            <p>`My dear Paul! He's quite a Dombey!' 


</p>
            <p>`Well, well!' returned her brother—for Mr. Dombey was her 
brother—`I think he <hi>is</hi> like the family. Don't agitate 
yourself, Louisa.' 


</p>
            <p>`It's very foolish of me,' said Louisa, sitting down, and taking out 
her pocket-handkerchief, `but he's—he's such a perfect Dombey! 
<hi>I</hi> never saw anything like it in my life!' 


</p>
            <p>`But what is this about Fanny, herself?' said Mr. Dombey. `How is 
Fanny?' 


</p>
            <p>`My dear Paul,' returned Louisa, `it's nothing whatever. Take my 
word, it's nothing whatever. There is exhaustion, certainly, but 
nothing like what I underwent myself, either with George or 
Frederick. An effort is necessary. That's all. If dear Fanny were a 
Dombey!—But I dare say she'll make it; I have no doubt she'll make 
it. Knowing it to be required of her, as a duty, of course she'll 
make it. My dear Paul, it's very weak and silly of me, I know, to be 
so trembly and shaky from head to foot; but I am so very queer that 
I must ask you for a glass of wine and a morsel of that cake. I 
thought I should have fallen out of the staircase window as I came 
down from seeing dear Fanny, and that tiddy ickle sing.' These last 
words originated in a sudden vivid reminiscence of the baby. 


</p>
            <p>They were succeeded by a gentle tap at the door. 


</p>
            <p>`Mrs. Chick,' said a very bland female voice outside, `how are you 
now, my dear friend?' 


</p>
            <p>`My dear Paul,' said Louisa in a low voice, as she rose from her 
seat, `it's Miss Tox. The kindest creature! I never could have got 
here without her! Miss Tox, my brother Mr. Dombey. Paul, my dear, my 
very particular friend Miss Tox.' 


</p>
            <p>The lady thus specially presented, was a long lean figure, wearing 
such a faded air that she seemed not to have been made in what 
linen-drapers call `fast colours' originally, and to have, by little 
and little, washed out. But for this she might have been described 
as the very pink of general propitiation and politeness. From a long 
habit of listening admirably to everything that was said in her 
presence, and looking at the speakers as if she were mentally 
engaged in taking off impressions of their images upon her soul, 
never to part with the same but with life, her head had quite 
settled on one side. Her hands had contracted a spasmodic habit of 
raising themselves of their own accord as in involuntary admiration. 
Her eyes were liable to a similar affection. She had the softest 
voice that ever was heard; and her nose, stupendously aquiline, had 
a little knob in the very centre or key-stone of the bridge, whence 
it tended downwards towards her face, as in an invincible 
determination never to turn up at anything. 


</p>
            <p>Miss Tox's dress, though perfectly genteel and good, had a certain 
character of angularity and scantiness. She was accustomed to wear 
odd weedy little flowers in her bonnets and caps. Strange grasses 
were sometimes perceived in her hair; and it was observed by the 
curious, of all her collars, frills, tuckers, wristbands, and other 
gossamer articles—indeed of everything she wore which had two ends 
to it intended to unite—that the two ends were never on good terms, 
and wouldn't quite meet without a struggle. She had furry articles 
for winter wear, as tippets, boas, and muffs, which stood up on end 
in a rampant manner, and were not at all sleek. She was much given 
to the carrying  about of small bags with snaps to them, that went 
off like little pistols when they were shut up; and when 
full-dressed, she wore round her neck the barrenest of lockets, 
representing a fishy old eye, with no approach to speculation in it. 
These and other appearances of a similar nature, had served to 
propagate the opinion, that Miss Tox was a lady of what is called a 
limited independence, which she turned to the best account. Possibly 
her mincing gait encouraged the belief, and suggested that her 
clipping a step of ordinary compass into two or three, originated in 
her habit of making the most of everything. 


</p>
            <p>`I am sure,' said Miss Tox, with a prodigious curtsey, `that to have 
the honour of being presented to Mr. Dombey is a distinction which I 
have long sought, but very little expected at the present moment. My 
dear Mrs. Chick—may I say Louisa!' 


</p>
            <p>Mrs. Chick took Miss Tox's hand in hers, rested the foot of her 
wine-glass upon it, repressed a tear, and said in a low voice `Bless 
you!' 


</p>
            <p>`My dear Louisa then,' said Miss Tox, `my sweet friend, how are you 
now?' 


</p>
            <p>`Better,' Mrs. Chick returned. `Take some wine. You have been almost 
as anxious as I have been, and must want it, I am sure.' 


</p>
            <p>Mr. Dombey of course officiated. 


</p>
            <p>`Miss Tox, Paul,' pursued Mrs. Chick, still retaining her hand, 
`knowing how much I have been interested in the anticipation of the 
event of to-day, has been working at a little gift for Fanny, which 
I promised to present. It is only a pin-cushion for the toilette 
table, Paul, but I do say, and will say, and must say, that Miss Tox 
has very prettily adapted the sentiment to the occasion. I call 
`Welcome little Dombey' Poetry, myself!' 


</p>
            <p>`Is that the device?' inquired her brother. 


</p>
            <p>`That is the device,' returned Louisa. 


</p>
            <p>`But do me the justice to remember, my dear Louisa,' said Miss Tox 
in a tone of low and earnest entreaty, `that nothing but the—I have 
some difficulty in expressing myself—the dubiousness of the result 
would have induced me to take so great a liberty: “Welcome, Master 
Dombey,” would have been much more congenial to my feelings, as I am 
sure you know. But the uncertainty attendant on angelic strangers, 
will, I hope, excuse what must otherwise appear an unwarrantable 
familiarity.' Miss Tox made a graceful bend as she spoke, in favour 
of Mr. Dombey, which that gentleman graciously acknowledged. Even 
the sort of recognition of Dombey and Son, conveyed in the foregoing 
conversation, was so palatable to him, that his sister, Mrs. 
Chick—though he affected to consider her a weak good-natured 
person—had perhaps more influence over him than anybody else. 


</p>
            <p>`Well' said Mrs. Chick, with a sweet smile, `after this, I forgive 
Fanny everything!' 


</p>
            <p>It was a declaration in a Christian spirit, and Mrs. Chick felt that 
it did her good. Not that she had anything particular to forgive in 
her sister-in-law, nor indeed anything at all, except her having 
married her brother—in itself a species of audacity—and her 
having, in the course of events, given birth to a girl instead of a 
boy: which, as Mrs. Chick had frequently observed, was not quite 
what she had expected of her, and was not a pleasant return for all 
the attention and distinction she had met with. 


</p>
            <p>Mr. Dombey being hastily summoned out of the room at this moment, 
the two ladies were left alone together. Miss Tox immediately became 
spasmodic. 


</p>
            <p>`I knew you would admire my brother. I told you so before-hand, my 
dear,' said Louisa. 


</p>
            <p>Miss Tox's hands and eyes expressed how much. 


</p>
            <p>`And as to his property, my dear!' 


</p>
            <p>`Ah!' said Miss Tox, with deep feeling. 


</p>
            <p>`Im—mense!' 


</p>
            <p>`But his deportment, my dear Louisa!' said Miss Tox. `His presence! 
His dignity! No portrait that I have ever seen of any one has been 
half so replete with those qualities. Something so stately, you 
know: so uncompromising: so very wide across the chest: so upright! 
A pecuniary Duke of York, my love, and nothing short of it!' said 
Miss Tox. `That's what <hi>I</hi> should designate him.' 


</p>
            <p>`Why, my dear Paul!' exclaimed his sister, as he returned, `you look 
quite pale! There's nothing the matter?' 


</p>
            <p>`I am sorry to say, Louisa, that they tell me that Fanny—' 


</p>
            <p>`Now, my dear Paul,' returned his sister rising, `don't believe it. 
If you have any reliance on my experience, Paul, you may rest 
assured that there is nothing wanting but an effort on Fanny's part. 
And that effort,' she continued, taking off her bonnet, and 
adjusting her cap and gloves, in a business-like manner, `she must 
be encouraged, and really, if necessary, urged to make. Now, my dear 
Paul, come up stairs with me.' 


</p>
            <p>Mr. Dombey, who, besides being generally influenced by his sister 
for the reason already mentioned, had really faith in her as an 
experienced and bustling matron, acquiesced: and followed her, at 
once, to the sick chamber. 


</p>
            <p>The lady lay upon her bed as he had left her, clasping her little 
daughter to her breast. The child clung close about her, with the 
same intensity as before, and never raised her head, or moved her 
soft cheek from her mother's face, or looked on those who stood 
around, or spoke, or moved, or shed a tear. 


</p>
            <p>`Restless without the little girl,' the Doctor whispered Mr. Dombey. 
`We found it best to have her in again.' 


</p>
            <p>There was such a solemn stillness round the bed; and the two medical 
attendants seemed to look on the impassive form with so much 
compassion and so little hope, that Mrs. Chick was for the moment 
diverted from her purpose. But presently summoning courage, and what 
she called presence of mind, she sat down by the bedside, and said 
in the low precise tone of one who endeavours to awaken a 
sleeper: 


</p>
            <p>`Fanny! Fanny!' 


</p>
            <p>There was no sound in answer but the loud ticking of Mr. Dombey's 
watch and Doctor Parker Peps's watch, which seemed in the silence to 
be running a race. 


</p>
            <p>`Fanny, my dear,' said Mrs. Chick, with assumed lightness, `here's 
Mr. Dombey come to see you. Won't you speak to him? They want to lay 
your little boy—the baby, Fanny, you know; you have hardly seen him 
yet, I think—in bed; but they can't till you rouse yourself a 
little. Don't you think it's time you roused yourself a little? 
Eh?' 


</p>
            <p>She bent her ear to the bed, and listened: at the same time looking 
round at the bystanders, and holding up her finger. 


</p>
            <p>`Eh?' she repeated, `what was it you said, Fanny? I didn't hear 
you.' 


</p>
            <p>No word or sound in answer. Mr. Dombey's watch and Dr. Parker Peps's 
watch seemed to be racing faster. 


</p>
            <p>`Now, really, Fanny my dear,' said the sister-in-law, altering her 
position, and speaking less confidently, and more earnestly, in 
spite of herself, `I shall have to be quite cross with you, if you 
don't rouse yourself. It's necessary for you to make an effort, and 
perhaps a very great and painful effort which you are not disposed 
to make; but this is a world of effort you know, Fanny, and we must 
never yield, when so much depends upon us. Come! Try! I must really 
scold you if you don't!' 


</p>
            <p>The race in the ensuing pause was fierce and furious. The watches 
seemed to jostle, and to trip each other up. 


</p>
            <p>`Fanny!' said Louisa, glancing round, with a gathering alarm. `Only 
look at me. Only open your eyes to show me that you hear and 
understand me; will you? Good Heaven, gentlemen, what is to be 
done!' 


</p>
            <p>The two medical attendants exchanged a look across the bed; and the 
Physician, stooping down, whispered in the child's ear. Not having 
understood the purport of his whisper, the little creature turned 
her perfectly colourless face, and deep dark eyes towards him; but 
without loosening her hold in the least. 


</p>
            <p>The whisper was repeated. 


</p>
            <p>`Mama!' said the child. 


</p>
            <p>The little voice, familiar and dearly loved, awakened some show of 
consciousness, even at that ebb. For a moment, the closed eye-lids 
trembled, and the nostril quivered, and the faintest shadow of a 
smile was seen. 


</p>
            <p>`Mama!' cried the child sobbing aloud. `Oh dear Mama! oh dear 
Mama!' 


</p>
            <p>The Doctor gently brushed the scattered ringlets of the child, aside 
from the face and mouth of the mother. Alas how calm they lay there; 
how little breath there was to stir them! 


</p>
            <p>Thus, clinging fast to that slight spar within her arms, the mother 
drifted out upon the dark and unknown sea that rolls round all the 
world. 

</p>
         </div>
         <div xml:id="c2" type="chapter">
            <head>CHAPTER II</head>
            <head>In which Timely Provision is made for an Emergency that will 
sometimes arise in the best-regulated Families</head>
            <p>`I SHALL never cease to congratulate myself,' said Mrs. Chick, `on 
having said, when I little thought what was in store for us,—really 
as if I was inspired by something,—that I forgave poor dear Fanny 
everything. Whatever happens, that must always be a comfort to 
me!' 


</p>
            <p>Mrs. Chick made this impressive observation in the drawing-room, 
after having descended thither from the inspection of the 
Mantua-Makers up stairs, who were busy on the family mourning. She 
delivered it for the behoof of Mr. Chick, who was a stout bald 
gentleman, with a very large face, and his hands continually in his 
pockets, and who had a tendency in his nature to whistle and hum 
tunes, which, sensible of the indecorum of such sounds in a house of 
grief, he was at some pains to repress at present. 


</p>
            <p>`Don't you over-exert yourself, Loo,' said Mr. Chick, `or you'll be 
laid up with spasms, I see. Right tol loor rul! Bless my soul, I 
forgot! We're here one day and gone the next!' 


</p>
            <p>Mrs. Chick contented herself with a glance of reproof, and then 
proceeded with the thread of her discourse. 


</p>
            <p>`I am sure,' she said, `I hope this heart-rending occurrence will be 
a warning to all of us, to accustom ourselves to rouse ourselves, 
and to make efforts in time where they're required of us. There's a 
moral in everything, if we would only avail ourselves of it. It will 
be our own faults if we lose sight of this one.' 


</p>
            <p>Mr. Chick invaded the grave silence which ensued on this remark with 
the singularly inappropriate air of `A cobbler there was;' and 
checking himself, in some confusion, observed, that it was 
undoubtedly our own faults if we didn't improve such melancholy 
occasions as the present. 


</p>
            <p>`Which might be better improved, I should think, Mr. C.,' retorted 
his helpmate, after a short pause, `than by the introduction, either 
of the college hornpipe, or the equally unmeaning and unfeeling 
remark of rump-te-iddity, bow-wow-wow!'—which Mr. Chick had indeed 
indulged in under his breath, and which Mrs. Chick repeated in a 
tone of withering scorn. 


</p>
            <p>`Merely habit, my dear,' pleaded Mr. Chick. 


</p>
            <p>`Nonsense! Habit!' returned his wife. `If you're a rational being, 
don't make such ridiculous excuses. Habit! If I was to get a habit 
(as you call it) of walking on the ceiling, like the flies, I should 
hear enough of it, I dare say.' 


</p>
            <p>It appeared so probable that such a habit might be attended with 
some degree of notoriety, that Mr. Chick didn't venture to dispute 
the position. 


</p>
            <p>`How's the Baby, Loo?' asked Mr. Chick: to change the subject. 


</p>
            <p>`What Baby do you mean?' answered Mrs. Chick. `I am sure the morning 
I have had, with that dining-room down stairs one mass of babies, no 
one in their senses would believe.' 


</p>
            <p>`One mass of babies!' repeated Mr. Chick, staring with an alarmed 
expression about him. 


</p>
            <p>`It would have occurred to most men,' said Mrs. Chick, `that poor 
dear Fanny being no more, it becomes necessary to provide a 
Nurse.' 


</p>
            <p>`Oh! Ah!' said Mr. Chick. `Toor-rul—such is life, I mean. I hope 
you are suited, my dear.' 


</p>
            <p>`Indeed I am not,' said Mrs. Chick; `nor likely to be, so far as I 
can see. Meanwhile, of course, the child is—' 


</p>
            <p>`Going to the very Deuce,' said Mr. Chick, thoughtfully, `to be 
sure.' 


</p>
            <p>Admonished, however, that he had committed himself, by the 
indignation expressed in Mrs. Chick's countenance at the idea of a 
Dombey going there; and thinking to atone for his misconduct by a 
bright suggestion, he added: 


</p>
            <p>`Couldn't something temporary be done with a teapot?' 


</p>
            <p>If he had meant to bring the subject prematurely to a close, he 
could not have done it more effectually. After looking at him for 
some moments in silent resignation, Mrs. Chick walked majestically 
to the window and peeped through the blind, attracted by the sound 
of wheels. Mr. Chick, finding that his destiny was, for the time, 
against him, said no more, and walked off. But it was not always 
thus with Mr. Chick. He was often in the ascendant himself, and at 
those times punished Louisa roundly. In their matrimonial bickerings 
they were, upon the whole, a well- matched, fairly-balanced, 
give-and-take couple. It would have been, generally speaking, very 
difficult to have betted on the winner. Often when Mr. Chick seemed 
beaten, he would suddenly make a start, turn the tables, clatter 
them about the ears of Mrs. Chick, and carry all before him. Being 
liable himself to similar unlookedfor checks from Mrs. Chick, their 
little contests usually possessed a character of uncertainty that 
was very animating. 


</p>
            <p>Miss Tox had arrived on the wheels just now alluded to, and came 
running into the room in a breathless condition. 


</p>
            <p>`My dear Louisa,' said Miss Tox, `is the vacancy still 
unsupplied?' 


</p>
            <p>`You good soul, yes,' said Mrs. Chick. 


</p>
            <p>`Then, my dear Louisa,' returned Miss Tox, `I hope and believe—but 
in one moment, my dear, I'll introduce the party.' 


</p>
            <p>Running down stairs again as fast as she had run up, Miss Tox got 
the party out of the hackney-coach, and soon returned with it under 
convoy. 


</p>
            <p>It then appeared that she had used the word, not in its legal or 
business acceptation, when it merely expresses an individual, but as 
a noun of multitude, or signifying many: for Miss Tox escorted a 
plump rosy-cheeked wholesome apple-faced young woman, with an infant 
in her arms; a younger woman not so plump, but apple-faced also, who 
led a plump and apple-faced child in each hand; another plump and 
also apple-faced boy who walked by himself; and finally, a plump and 
apple-faced man, who carried in his arms another plump and 
apple-faced boy, whom he stood down on the floor, and admonished, in 
a husky whisper, to `kitch hold of his brother Johnny.' 


</p>
            <p>`My dear Louisa,' said Miss Tox, `knowing your great anxiety, and 
wishing to relieve it, I posted off myself to the Queen Charlotte's 
Royal Married Females, which you had forgot, and put the question, 
Was there anybody there that they thought would suit? No, they said 
there was not. When they gave me that answer, I do assure you, my 
dear, I was almost driven to despair on your account. But it did so 
happen, that one of the Royal Married Females, hearing the inquiry, 
reminded the matron of another who had gone to her own home, and 
who, she said, would in all likelihood be most satisfactory. The 
moment I heard this, and had it corroborated by the 
matron—excellent references and unimpeachable character—I got the 
address, my dear, and posted off again.' 


</p>
            <p>`Like the dear good Tox, you are!' said Louisa. 


</p>
            <p>`Not at all,' returned Miss Tox. `Don't say so. Arriving at the 
house (the cleanest place, my dear! You might eat your dinner off 
the floor), I found the whole family sitting at table; and feeling 
that no account of them could be half so comfortable to you and Mr. 
Dombey as the sight of them all together, I brought them all away. 
This gentleman,' said Miss Tox, pointing out the apple-faced man, 
`is the father. Will you have the goodness to come a little forward, 
Sir?' 


</p>
            <p>The apple-faced man having sheepishly complied with this request, 
stood chuckling and grinning in a front row. 


</p>
            <p>`This is his wife, of course,' said Miss Tox, singling out the young 
woman with the baby. `How do you do, Polly?' 


</p>
            <p>`I'm pretty well, I thank you, Ma'am,' said Polly. 


</p>
            <p>By way of bringing her out dexterously, Miss Tox had made the 
inquiry as in condescension to an old acquaintance whom she hadn't 
seen for a fortnight or so. 


</p>
            <p>`I, m glad to hear it,' said Miss Tox. `The other young woman is her 
unmarried sister who lives with them, and would take care of her 
children. Her name's Jemima. How do you do, Jemima?' 


</p>
            <p>`I'm pretty well, I thank you, Ma'am,' returned Jemima. 


</p>
            <p>`I'm very glad indeed to hear it,' said Miss Tox. `I hope you'll 
keep so. Five children. Youngest six weeks. The fine little boy with 
the blister on his nose is the eldest. The blister, I believe,' said 
Miss Tox, looking round upon the family, `is not constitutional, but 
accidental?' 


</p>
            <p>The apple-faced man was understood to growl, `Flat iron.' 


</p>
            <p>`I beg your pardon, Sir,' said Miss Tox, `did you?—' 


</p>
            <p>`Flat iron,' he repeated. 


</p>
            <p>`Oh yes,' said Miss Tox. `Yes! quite true. I forgot. The little 
creature, in his mother's absence, smelt a warm flat iron. You're 
quite right, Sir. You were going to have the goodness to inform me, 
when we arrived at the door that you were by trade, a—' 


</p>
            <p>`Stoker,' said the man. 


</p>
            <p>`A choker!' said Miss Tox, quite aghast. 


</p>
            <p>`Stoker,' said the man. `Stream ingine.' 


</p>
            <p>`Oh-h! Yes!' returned Miss Tox, looking thoughtfully at him, and 
seeming still to have but a very imperfect understanding of his 
meaning. 


</p>
            <p>`And how do you like it, Sir?' 


</p>
            <p>`Which, Mum?' said the man. 


</p>
            <p>`That,' replied Miss Tox. `Your trade.' 


</p>
            <p>`Oh! Pretty well, Mum. The ashes sometimes gets in here;' touching 
his chest: `and makes a man speak gruff, as at the present time. But 
it <hi>is</hi> ashes, Mum, not crustiness.' 


</p>
            <p>Miss Tox seemed to be so little enlightened by this reply, as to 
find a difficulty in pursuing the subject. But Mrs. Chick relieved 
her, by entering into a close private examination of Polly, her 
children, her marriage certificate, testimonials, and so forth. 
Polly coming out unscathed from this ordeal, Mrs. Chick withdrew 
with her report to her brother's room, and as an emphatic comment on 
it, and corroboration of it, carried the two rosiest little Toodles 
with her, Toodle being the family name of the apple-faced family. 


</p>
            <p>Mr. Dombey had remained in his own apartment since the death of his 
wife, absorbed in visions of the youth, education, and destination 
of his baby son. Something lay at the bottom of his cool heart, 
colder and heavier than its ordinary load; but it was more a sense 
of the child's loss than his own, awakening within him an almost 
angry sorrow. That the life and progress on which he built such 
hopes, should be endangered in the outset by so mean a want; that 
Dombey and Son should be tottering for a nurse, was a sore 
humiliation. And yet in his pride and jealousy, he viewed with so 
much bitterness the thought of being dependent for the very first 
step towards the accomplishment of his soul's desire, on a hired 
serving-woman who would be to the child, for the time, all that even 
<hi>his</hi> alliance could have made his own wife, that in every new 
rejection of a candidate he felt a secret pleasure. The time had now 
come, however, when he could no longer be divided between these two 
sets of feelings. The less so, as there seemed to be no flaw in the 
title of Polly Toodle after his sister had set it forth, with many 
commendations on the indefatigable friendship of Miss Tox. 


</p>
            <p>`These children look healthy,' said Mr. Dombey. `But to think of 
their some day claiming a sort of relationship to Paul!Take them 
away, Louisa! Let me see this woman and her husband.' 


</p>
            <p>Mrs. Chick bore off the tender pair of Toodles, and presently 
returned with that tougher couple whose presence her brother had 
commanded. 


</p>
            <p>`My good woman,' said Mr. Dombey, turning round in his easy chair, 
as one piece, and not as a man with limbs and joints, `I understand 
you are poor, and wish to earn money by nursing the little boy, my 
son, who has been so prematurely deprived of what can never be 
replaced. I have no objection to your adding to the comforts of your 
family by that means. So far as I can tell, you seem to be a 
deserving object. But I must impose one or two conditions on you, 
before you enter my house in that capacity. while you are here, I 
must stipulate that you are always known as—say as Richards—an 
ordinary name, and convenient. Have you any objection to be known as 
Richards? You had better consult your husband.' 


</p>
            <p>As the husband did nothing but chuckle and grin, and continually 
draw his right hand across his mouth, moistening the palm, Mrs. 
Toodle, after nudging him twice or thrice in vain, dropped a curtsey 
and replied `that perhaps if she was to be called out of her name, 
it would be considered in the wages.' 


</p>
            <p>`Oh, of course,' said Mr. Dombey. `I desire to make it a question of 
wages, altogether. Now, Richards, if you nurse my bereaved child, I 
wish you to remember this always. You will receive a liberal stipend 
in return for the discharge of certain duties, in the performance of 
which, I wish you to see as little of your family as possible. When 
those duties cease to be required and rendered, and the stipend 
ceases to be paid, there is an end of all relations between us. Do 
you understand me?' 


</p>
            <p>Mrs. Toodle seemed doubtful about it; and as to Toodle himself, he 
had evidently no doubt whatever, that he was all abroad. 


</p>
            <p>`You have children of your own,' said Mr. Dombey. `It is not at all 
in this bargain that you need become attached to my child, or that 
my child need become attached to you. I don't expect or desire 
anything of the kind. Quite the reverse. When you go away from here, 
you will have concluded what is a mere matter of bargain and sale, 
hiring and letting: and will stay away. The child will cease to 
remember you; and you will cease, if you please, to remember the 
child.' 


</p>
            <p>Mrs. Toodle, with a little more colour in her cheeks than she had 
had before, said `she hoped she knew her place.' 


</p>
            <p>`I hope you do, Richards,' said Mr. Dombey. `I have no doubt you 
know it very well. Indeed it is so plain and obvious that it could 
hardly be otherwise. Louisa, my dear, arrange with Richards about 
money, and let her have it when and how she pleases. Mr. what's-your 
name, a word with you, if you please!' 


</p>
            <p>Thus arrested on the threshold as he was following his wife out of 
the room, Toodle returned and confronted Mr. Dombey alone. He was a 
strong, loose, round-shouldered, shuffling, shaggy fellow, on whom 
his clothes sat negligently: with a good deal of hair and whisker, 
deepened in its natural tint, perhaps by smoke and coal-dust: hard 
knotty hands: and a square forehead, as coarse in grain as the bark 
of an oak. A thorough contrast in all respects to Mr. Dombey, who 
was one of those close-shaved close-cut moneyed gentlemen who are 
glossy and crisp like new bank-notes, and who seem to be 
artificially braced and tightened as by the stimulating action of 
golden shower-baths. 


</p>
            <p>`You have a son, I believe?' said Mr. Dombey. 


</p>
            <p>`Four on 'em, Sir. Four hims and a her. All alive!' 


</p>
            <p>`Why, it's as much as you can afford to keep them!' said Mr. 
Dombey. 


</p>
            <p>`I couldn't hardly afford but one thing in the world less, Sir.' 


</p>
            <p>`What is that?' 


</p>
            <p>`To lose 'em, Sir.' 


</p>
            <p>`Can you read?' asked Mr. Dombey. 


</p>
            <p>`Why, not partick'ler, Sir.' 


</p>
            <p>`Write?' 


</p>
            <p>`With chalk, Sir?' 


</p>
            <p>`With anything?' 


</p>
            <p>`I could make shift to chalk a little bit, I think, if I was put to 
it,' said Toodle after some reflection. 


</p>
            <p>`And yet,' said Mr. Dombey, `you are two or three and thirty, I 
suppose?' 


</p>
            <p>`Thereabouts, I suppose, Sir,' answered Toodle, after more 
reflection. 


</p>
            <p>`Then why don't you learn?' asked Mr. Dombey. 


</p>
            <p>`So I'm a going to, Sir. One of my little boys is a going to learn 
me, when he's old enough, and been to school himself.' 


</p>
            <p>`Well,' said Mr. Dombey, after looking at him attentively, and with 
no great favour, as he stood gazing round the room (principally 
round the ceiling) and still drawing his hand across and across his 
mouth. `You heard what I said to your wife just now?' 


</p>
            <p>`Polly heerd it,' said Toodle, jerking his hat over his shoulder in 
the direction of the door, with an air of perfect confidence in his 
better half. `It's all right.' 


</p>
            <p>`As you appear to leave everything to her,' said Mr. Dombey, 
frustrated in his intention of impressing his views still more 
distinctly on the husband, as the stronger character, `I suppose it 
is of no use my saying anything to you.' 


</p>
            <p>`Not a bit,' said Toodle. `Polly heerd it. <hi>She's</hi> awake, 
Sir.' 


</p>
            <p>`I won't detain you any longer then,' returned Mr. Dombey 
disappointed. `Where have you worked all your life?' 


</p>
            <p>`Mostly underground, Sir, 'till I got married. I come to the level 
then. I'm a going on one of these here railroads when they comes 
into full play.' 


</p>
            <p>As the last straw breaks the laden camel's back, this piece of 
underground information crushed the sinking spirits of Mr. Dombey. 
He motioned his child's foster-father to the door, who departed by 
no means unwillingly: and then turning the key, paced up and down 
the room in solitary wretchedness. For all his starched, 
impenetrable dignity and composure, he wiped blinding tears from his 
eyes as he did so; and often said, with an emotion of which he would 
not, for the world, have had a witness, `Poor little fellow!' 


</p>
            <p>It may have been characteristic of Mr. Dombey's pride, that he 
pitied himself through the child. Not poor me. Not poor widower, 
confiding by constraint in the wife of an ignorant Hind who has been 
working `mostly underground' all his life, and yet at whose door 
Death had never knocked, and at whose poor table four sons daily 
sit—but poor little fellow! 


</p>
            <p>Those words being on his lips, it occurred to him—and it is an 
instance of the strong attraction with which his hopes and fears and 
all his thoughts were tending to one centre—that a great temptation 
was being placed in this woman's way. Her infant was a boy too. Now, 
would it be possible for her to change them? 


</p>
            <p>Though he was soon satisfied that he had dismissed the idea as 
romantic and unlikely—though possible, there was no denying—he 
could not help pursuing it so far as to entertain within himself a 
picture of what his condition would be, if he should discover such 
an imposture when he was grown old. Whether a man so situated, would 
be able to pluck away the result of so many years of usage, 
confidence, and belief, from the impostor, and endow a stranger with 
it? 


</p>
            <p>As his unusual emotion subsided, these misgivings gradually melted 
away, though so much of their shadow remained behind, that he was 
constant in his resolution to look closely after Richards himself, 
without appearing to do so. Being now in an easier frame of mind, he 
regarded the woman's station as rather an advantageous circumstance 
than otherwise, by placing, in itself, a broad distance between her 
and the child, and rendering their separation easy and natural. 


</p>
            <p>Meanwhile terms were ratified and agreed upon between Mrs. Chick and 
Richards, with the assistance of Miss Tox; and Richards being with 
much ceremony invested with the Dombey baby, as if it were an Order, 
resigned her own, with many tears and kisses, to Jemima. Glasses of 
wine were then produced, to sustain the drooping spirits of the 
family. 


</p>
            <p>`You'll take a glass yourself, Sir, won't you?' said Miss Tox, as 
Toodle appeared. 


</p>
            <p>`Thankee, Mum,' said Toodle, `since you <hi>are</hi> suppressing.' 


</p>
            <p>`And you're very glad to leave your dear good wife in such a 
comfortable home, ain't you, Sir?' said Miss Tox, nodding and 
winking at him stealthily. 


</p>
            <p>`No, Mum,' said Toodle. `Here's wishing of her back agin.' 


</p>
            <p>Polly cried more than ever at this. So Mrs. Chick, who had her 
matronly apprehensions that this indulgence in grief might be 
prejudicial to the little Dombey (`acid, indeed,' she whispered Miss 
Tox), hastened to the rescue. 


</p>
            <p>`Your little child will thrive charmingly with your sister Jemima, 
Richards,' said Mrs. Chick; `and you have only to make an 
effort—this is a world of effort, you know, Richards—to be very 
happy indeed. You have been already measured for your mourning, 
haven't you, Richards?' 


</p>
            <p>`Ye—es, Ma'am,' sobbed Polly. 


</p>
            <p>`And it'll fit beautifully. I know,' said Mrs. Chick, `for the same 
young person has made me many dresses. The very best materials, 
too!' 


</p>
            <p>`Lor, you'll be so smart,' said Miss Tox, `that your husband won't 
know you; will you, Sir?' 


</p>
            <p>`I should know her,' said Toodle, gruffly, `anyhows and 
anywheres.' 


</p>
            <p>Toodle was evidently not to be bought over. 


</p>
            <p>`As to living, Richards, you know,' pursued Mrs. Chick, `why the 
very best of everything will be at your disposal. You will order 
your little dinner every day; and anything you take a fancy to, I'm 
sure will be as readily provided as if you were a Lady.' 


</p>
            <p>`Yes, to be sure!' said Miss Tox, keeping up the ball with great 
sympathy. `And as to porter!—quite unlimited, will it not, 
Louisa?' 


</p>
            <p>`Oh, certainly!' returned Mrs. Chick in the same tone. `With a 
little abstinence, you know, my dear, in point of vegetables.' 


</p>
            <p>`And pickles, perhaps,' suggested Miss Tox. 


</p>
            <p>`With such exceptions,' said Louisa, `she'll consult her choice 
entirely, and be under no restraint at all, my love.' 


</p>
            <p>`And then, of course, you know,' said Miss Tox, `however fond she is 
of her own dear little child—and I'm sure, Louisa, <hi>you</hi> don't 
blame her for being fond of it?' 


</p>
            <p>`Oh no!' cried Mrs. Chick, benignantly. 


</p>
            <p>`Still,' resumed Miss Tox, `she naturally must be interested in her 
young charge, and must consider it a privilege to see a little 
cherub closely connected with the superior classes, gradually 
unfolding itself from day to day at one common fountain. Is it not 
so, Louisa?' 


</p>
            <p>`Most undoubtedly!' said Mrs. Chick. `You see, my love, she's 
already quite contented and comfortable, and means to say good-bye 
to her sister Jemima and her little pets, and her good honest 
husband, with a light heart and a smile; don't she, my dear!' 


</p>
            <p>`Oh yes!' cried Miss Tox. `To be sure she does!' 


</p>
            <p>Notwithstanding which, however, poor Polly embraced them all round 
in great distress, and finally ran away to avoid any more particular 
leave-taking between herself and the children. But the stratagem 
hardly succeeded as well as it deserved; for the smallest boy but 
one divining her intent, immediately began swarming up stairs after 
her—if that word of doubtful etymology be admissible—on his arms 
and legs; while the eldest (known in the family by the name of 
Biler, in remembrance of the steam engine) beat a demoniacal tattoo 
with his boots, expressive of grief; in which he was joined by the 
rest of the family. 


</p>
            <p>A quantity of oranges and halfpence thrust indiscriminately on each 
young Toodle, checked the first violence of their regret, and the 
family were speedily transported to their own home, by means of the 
hackney-coach kept in waiting for that purpose. The children, under 
the guardianship of Jemima, blocked up the window, and dropped out 
oranges and halfpence all the way along. Mr. Toodle himself 
preferred to ride behind among the spikes, as being the mode of 
conveyance to which he was best accustomed. 

</p>
         </div>
         <div xml:id="c3" type="chapter">
            <head>CHAPTER III</head>
            <head>In which Mr. Dombey, as a Man and a Father, is seen at the Head of the 
Home-Department</head>
            <p>THE funeral of the deceased lady having been `performed' to the entire 
satisfaction of the 
undertaker, as well as of the neighbourhood at large, which is generally 
disposed to be 
captious on such a point, and is prone to take offence at any omissions or 
short-comings 
in the ceremonies, the various members of Mr. Dombey's household subsided 
into their 
several places in the domestic system. That small world, like the great one 
out of doors, 
had the capacity of easily forgetting its dead; and when the cook had said 
she was a 
quiet-tempered lady, and the house-keeper had said it was the common lot, and 
the butler 
had said who'd have thought it, and the housemaid had said she couldn't 
hardly believe it, 
and the footman had said it seemed exactly like a dream, they had quite worn 
the subject 
out, and began to think their mourning was wearing rusty too. 


</p>
            <p>On Richards, who was established up stairs in a state of honourable 
captivity, the dawn of 
her new life seemed to break cold and grey. Mr. Dombey's house was a large 
one, on the 
shady side of a tall, dark, dreadfully genteel street in the region between 
Portland Place 
and Bryanstone Square. It was a corner house, with great wide areas 
containing cellars 
frowned upon by barred window, and leered at by crooked-eyed doors leading to 
dustbins. 
It was a house of dismal state, with a circular back to it, containing a 
whole suit of 
drawing-rooms looking upon a gravelled yard, where two gaunt trees, with 
blackened 
trunks and branches, rattled rather than rustled, their leaves were so 
smoke-dried. The 
summer sun was never on the street, but in the morning about breakfast-time, 
when it 
came with the water-carts and the old-clothes men, and the people with 
geraniums, and the 
umbrella-mender, and the man who trilled the little bell of the Dutch clock 
as he went 
along. It was soon gone again to return no more that day; and the bands of 
music and the 
straggling Punch's shows going after it, left it a prey to the most dismal of 
organs, and 
white mice; with now and then a porcupine, to vary the entertainments; until 
the butlers 
whose families were dining out, began to stand at the house-doors in the 
twilight, and the 
lamplighter made his nightly failure in attempting to brighten up the street 
with gas. 


</p>
            <p>It was as blank a house inside as outside. When the funeral was over, Mr. 
Dombey 
ordered the furniture to be covered up—perhaps to preserve it for the son 
with whom his 
plans were all associated—and the rooms to be ungarnished, saving such as he 
retained for 
himself on the ground floor. Accordingly, mysterious shapes were made of 
tables and 
chairs, heaped together in the middle of rooms, and covered over with great 
winding-sheets. Bell-handles, window-blinds, and looking-glasses, being 
papered up in 
journals, daily and weekly, obtruded fragmentary accounts of deaths and 
dreadful murders. 
Every chandelier or lustre, muffled in Holland, looked like a monstrous tear 
depending 
from the ceiling's eye. Odours, as from vaults and damp places, came out of 
the 
chimneys. The dead and buried lady was awful in a picture-frame of ghastly 
bandages. 
Every gust of wind that rose, brought eddying round the corner from the 
neighbouring 
mews, some fragments of the straw that had been strewn before the house when 
she was 
ill, mildewed remains of which were still cleaving to the neighbourhood; and 
these, being 
always drawn by some invisible attraction to the threshold of the dirty house 
to let 
immediately opposite, addressed a dismal eloquence to Mr. Dombey's 
windows. 


</p>
            <p>The apartments which Mr. Dombey reserved for his own inhabiting, were 
attainable from 
the hall, and consisted of a sitting-room; a library, which was in fact a 
dressing-room, so 
that the smell of hot-pressed paper, vellum morocco, and Russia leather, 
contended in it 
with the smell of divers pairs of boots; and a kind of conservatory or little 
glass 
breakfast-room beyond, commanding a prospect of the trees before mentioned, 
and, 
generally speaking, of a few prowling cats. These three rooms opened upon one 
another. 
In the morning, when Mr. Dombey was at his breakfast in one or other of the 
two 
first-mentioned of them, as well as in the afternoon when he came home to 
dinner, a bell 
was rung for Richards to repair to this glass chamber, and there walk to and 
fro with her 
young charge. From the glimpses she caught of Mr. Dombey at these times, 
sitting in the 
dark distance, looking out towards the infant from among the dark heavy 
furniture—the 
house had been inhabited for years by his father, and in many of its 
appointments was 
old-fashioned and grim—she began to entertain ideas of him in his solitary 
state, as if he 
were a lone prisoner in a cell, or a strange apparition that was not to be 
accosted or 
understood. 


</p>
            <p>Little Paul Dombey's foster-mother had led this life herself, and had carried 
little Paul 
through it for some weeks; and had returned up stairs one day from a 
melancholy saunter 
through the dreary rooms of state (she never went out without Mrs. Chick, who 
called on 
fine mornings, usually accompanied by Miss Tox, to take her and Baby for an 
airing—or 
in other words, to march them gravely up and down the pavement; like a 
walking funeral); 
when, as she was sitting in her own room, the door was slowly and quietly 
opened, and a 
dark-eyed little girl looked in. 


</p>
            <p>`It's Miss Florence come home from her aunt's, no doubt,' thought Richards, 
who had 
never seen the child before. `Hope I see you well, Miss.' 


</p>
            <p>`Is that my brother?' asked the  child, pointing to the Baby. 


</p>
            <p>`Yes, my pretty,' answered Richards. `Come and kiss him.' 


</p>
            <p>But the child, instead of advancing, looked her earnestly in the face, and 
said: 


</p>
            <p>`What have you done with my Mama?' 


</p>
            <p>`Lord bless the little creeter!' cried Richards, `what a sad question! I 
done? Nothing, 
Miss.' 


</p>
            <p>`What have <hi>they</hi> done with my Mama?' inquired the child. 


</p>
            <p>`I never saw such a melting thing in all my life!' said Richards, who 
naturally substituted 
for this child one of her own, inquiring for herself in like circumstances. 
`Come nearer 
here, my dear Miss! Don't be afraid of me.' 


</p>
            <p>`I am not afraid of you,' said the child, drawing nearer. `But I want to know 
what they 
have done with my Mama.' 


</p>
            <p>`My darling,' said Richards, `you wear that pretty black frock in remembrance 
of your 
Mama.' 


</p>
            <p>`I can remember my Mama,' returned the child, with tears springing to her 
eyes, `in any 
frock.' 


</p>
            <p>`But people put on black, to remember people when they're gone.' 


</p>
            <p>`Where gone?' asked the child. 


</p>
            <p>`Come and sit down by me,' said Richards, `and I'll tell you a story.' 


</p>
            <p>With a quick perception that it was intended to relate to what she had asked, 
little 
Florence laid aside the bonnet she had held in her hand until now, and sat 
down on a stool 
at the Nurse's feet, looking up into her face. 


</p>
            <p>`Once upon a time,' said Richards, `there was a lady—a very good lady, and 
her little 
daughter dearly loved her.' 


</p>
            <p>`A very good lady and her little daughter dearly loved her,' repeated the 
child. 


</p>
            <p>`Who, when Good thought it right that it should be so, was taken ill and 
died.' 


</p>
            <p>The child shuddered. 


</p>
            <p>`Died, never to be seen again by any one on earth, and was buried in the 
ground where 
the trees grow.' 


</p>
            <p>`The cold ground?' said the child, shuddering again. 


</p>
            <p>`No! The warm ground,' returned Polly, seizing her advantage, `where the ugly 
little seeds 
turn into beautiful flowers, and into grass, and corn, and I don't know what 
all besides. 
Where good people turn into bright angels, and fly away to Heaven!' 


</p>
            <p>The child, who had drooped her head, raised it again, and sat looking at her 
intently. 


</p>
            <p>`So; let me see,' said Polly, not a little flurried between this earnest 
scrutiny, her desire to 
comfort the child, her sudden success, and her very slight confidence in her 
own powers. 
`So, when this lady died, wherever they took her, or wherever they put her, 
she went to 
GOD! and she prayed to Him, this lady did,' said Polly, affecting herself 
beyond measure; 
being heartily in earnest, `to teach her little daughter to be sure of that 
in her heart: and to 
know that she was happy there and loved her still: and to hope and try—Oh, 
all her life—to 
meet her there one day, never, never, never to part any more.' 


</p>
            <p>`It was my Mama!' exclaimed the child, springing up, and clasping her round 
the 
neck. 


</p>
            <p>`And the child's heart,' said Polly, drawing her to her breast: `the little 
daughter's heart 
was so full of the truth of this, that even when she heard it from a strange 
nurse that 
couldn't tell it right, but was a poor mother herself and that was all, she 
found a comfort 
in it—didn't feel so lonely—sobbed and cried upon her bosom—took kindly to 
the baby 
lying in her lap—and—there, there, there!' said Polly, smoothing the 
child's curls and 
dropping tears upon them. `There, poor dear!' 


</p>
            <p>`Oh well, Miss Floy! And won't your Pa be angry neither!' cried a quick voice 
at the 
door, proceeding from a short, brown, womanly girl of fourteen, with a little 
snub nose, 
and black eyes like jet beads. `When it was 'tickerlerly given out that you 
wasn't to go 
and worrit the wet nurse.' 


</p>
            <p>`She don't worry me,' was the surprised rejoinder of Polly. `I am very fond 
of 
children.' 


</p>
            <p>`Oh! but begging your pardon, Mrs. Richards, that don't matter, you know,' 
returned the 
black-eyed girl, who was so desperately sharp and biting that she seemed to 
make one's 
eyes water. `I may be very fond of pennywinkles, Mrs. Richards, but it don't 
follow that 
I'm to have 'em for tea.' 


</p>
            <p>`Well, it don't matter,' said Polly. 


</p>
            <p>`Oh, thank'ee, Mrs. Richards, don't it!' returned the sharp girl. 
`Remembering, however, if 
you'll be so good, that Miss Floy's under my charge, and Master Paul's under 
your'n.' 


</p>
            <p>`But still we needn't quarrel,' said Polly. 


</p>
            <p>`Oh no, Mrs. Richards,' rejoined Spitfire. `Not at all, I don't wish it, we 
needn't stand 
upon that footing, Miss Floy being a permanency, Master Paul a temporary.' 
Spitfire made 
use of none but comma pauses; shooting out whatever she had to say in one 
sentence, and 
in one breath, if possible. 


</p>
            <p>`Miss Florence has just come home, hasn't she?' asked Polly. 


</p>
            <p>`Yes, Mrs. Richards, just come, and here, Miss Floy, before you've been in 
the house a 
quarter of an hour, you go a smearing your wet face against the expensive 
mourning that 
Mrs. Richards is a wearing for your Ma!' With this remonstrance, young 
Spitfire, whose 
real name was Susan Nipper, detached the child from her new friend by a 
wrench—as if 
she were a tooth. But she seemed to do it, more in the excessively sharp 
exercise of her 
official functions, than with any deliberate unkindness. 


</p>
            <p>`She'll be quite happy, now she has come home again,' said Polly, nodding to 
her with an 
encouraging smile upon her wholesome face, `and will be so pleased to see her 
dear Papa 
to-night.' 


</p>
            <p>`Lork, Mr. Richards!' cried Miss Nipper, taking up her words with a jerk. 
`Don't. See her 
dear Papa indeed! I should like to see her do it!' 


</p>
            <p>`Won't she then?' asked Polly. 


</p>
            <p>`Lork, Mrs. Richards, no, her Pa's a deal too wrapped up in somebody else, 
and before 
there was a somebody else to be wrapped up in she never was a favourite, 
girls are thrown 
away in this house, Mrs. Richards, <hi>I</hi> assure you.' 


</p>
            <p>The child looked quickly from one nurse to the other, as if she understood 
and felt what 
was said. 


</p>
            <p>`You surprise me!' cried Polly. `Hasn't Mr. Dombey seen her since—' 


</p>
            <p>`No,' interrupted Susan Nipper. `Not once since, and he hadn't hardly set his 
eyes upon 
her before that for months and months, and I don't think he'd have known her 
for his own 
child if he had met her in the streets, or would know her for his own child 
if he was to 
meet her in the streets to-morrow, Mrs. Richards, as to <hi>me</hi>,' said 
Spitfire, with a 
giggle, `I doubt if he's aweer of my existence.' 


</p>
            <p>`Pretty dear!' said Richards; meaning, not Miss Nipper, but the little 
Florence. 


</p>
            <p>`Oh! there's a Tartar within a hundred miles of where we're now in 
conversation, I can 
tell you, Mrs. Richards, present company always excepted too,' said Susan 
Nipper; `wish 
you good morning, Mrs. Richards, now Miss Floy, you come along with me, and 
don't go 
hanging back like a naughty wicked child that judgments is no example to, 
don't.' 


</p>
            <p>In spite of being thus adjured, and in spite also of some hauling on the part 
of Susan 
Nipper, tending towards the dislocation of her right shoulder, little 
Florence broke away, 
and kissed her new friend, affectionately. 


</p>
            <p>`Good-bye!' said the child. `God bless you! I shall come to see you again 
soon, and you'll 
come to see me? Susan will let us. Won't you, Susan?' 


</p>
            <p>Spitfire seemed to be in the main a good-natured little body, although a 
disciple of that 
school of trainers of the young idea which holds that childhood, like money, 
must be 
shaken and rattled and jostled about a good deal to keep it bright. For, 
being thus appealed 
to with some endearing gestures and caresses, she folded her small arms and 
shook her 
head, and conveyed a relenting expression into her very-wide-open black 
eyes. 


</p>
            <p>`It ain't right of you to ask it, Miss Floy, for you know I can't refuse you, 
but Mrs. 
Richards and me will see what can be done, if Mrs. Richards likes, I may 
wish, you see, 
to take a voyage to Chaney, Mrs. Richards, but I mayn't know how to leave the 
London 
Docks.' 


</p>
            <p>Richards assented to the proposition. 


</p>
            <p>`This house ain't so exactly ringing with merry-making,' said Miss Nipper, 
`that one need 
be lonelier than one must be. Your Toxes and your Chickses may draw out my 
two front 
double teeth, Mrs. Richards, but that's no reason why I need offer 'em the 
whole set.' 


</p>
            <p>This proposition was also assented to by Richards, as an obvious one. 


</p>
            <p>`So I'm agreeable, I'm sure,' said Susan Nipper, `to live friendly, Mrs. 
Richards, while 
Master Paul continues a permanency, if the means can be planned out without 
going 
openly against orders, but goodness gracious ME, Miss Floy, you haven't got 
your things 
off yet, you naughty child, you haven't, come along!' 


</p>
            <p>With these words, Susan Nipper, in a transport of coercion, made a charge at 
her young 
ward, and swept her out of the room. 


</p>
            <p>The child, in her grief and neglect, was so gentle, so quiet, and 
uncomplaining; was 
possessed of so much affection that no one seemed to care to have, and so 
much sorrowful 
intelligence that no one seemed to mind or think about the wounding of; that 
Polly's heart 
was sore when she was left alone again. In the simple passage that had taken 
place 
between herself and the motherless little girl, her own motherly heart had 
been touched no 
less than the child's; and she felt, as the child did, that there was 
something of confidence 
and interest between them from that moment. 


</p>
            <p>Nothwithstanding Mr. Toodle's great reliance on Polly, she was perhaps in 
point of 
artificial accomplishments very little his superior. But she was a good plain 
sample of a 
nature that is ever, in the mass, better, truer, higher, nobler, quicker to 
feel, and much 
more constant to retain, all tenderness and pity, self-denial and devotion, 
than the nature 
of men. And, perhaps, unlearned as she was, she could have brought a dawning 
knowledge 
home to Mr. Dombey at that early day, which would not then have struck him in 
the end 
like lightning. 


</p>
            <p>But this is from the purpose. Polly only thought, at that time, of improving 
on her 
successful propitiation of Miss Nipper, and devising some means of having 
little Florence 
beside her, lawfully, and without rebellion. An opening happened to present 
itself that very 
night. 


</p>
            <p>She had been rung down into the glass room as usual, and had walked about and 
about it 
a long time, with the baby in her arms, when, to her great surprise and 
dismay, Mr. 
Dombey came out, suddenly, and stopped before her. 


</p>
            <p>`Good evening, Richards.' 


</p>
            <p>Just the same austere, stiff gentleman, as he had appeared to her on that 
first day. Such a 
hard-looking gentleman, that she involuntarily dropped her eyes and her 
curtsey at the 
same time. 


</p>
            <p>`How is Master Paul, Richards?' 


</p>
            <p>`Quite thriving, Sir, and well.' 


</p>
            <p>`He looks so,' said Mr. Dombey, glancing with great interest at the tiny face 
she 
uncovered for his observation, and yet affecting to be half careless of it. 
`They give you 
everything you want, I hope?' 


</p>
            <p>`Oh yes, thank you, Sir.' 


</p>
            <p>She suddenly appended such an obvious hesitation to this reply, however, that 
Mr. 
Dombey, who had turned away, stopped, and turned round again, inquiringly. 


</p>
            <p>`I believe nothing is so good for making children lively and cheerful, Sir, 
as seeing other 
children playing about 'em,' observed Polly, taking courage. 


</p>
            <p>`I think I mentioned to you, Richards, when you came here,' said Mr. Dombey, 
with a 
frown, `that I wished you to see as little of your family as possible. You 
can continue 
your walk if you please.' 


</p>
            <p>With that, he disappeared into his inner room; and Polly had the satisfaction 
of feeling 
that he had thoroughly misunderstood her object, and that she had fallen into 
disgrace 
without the least advancement of her purpose. 


</p>
            <p>Next night, she found him walking about the conservatory when she came down. 
As she 
stopped at the door, checked by this unusual sight, and uncertain whether to 
advance or 
retreat, he called her in. 


</p>
            <p>`If you really think that sort of society is good the child,' he said 
sharply, as if there had 
been no interval since she proposed it, `where's Miss Florence?' 


</p>
            <p>`Nothing could be better than Miss Florence, Sir,' said Polly eagerly, `but I 
understood 
from her little maid that they were not to—' 


</p>
            <p>Mr. Dombey rang the bell, and walked till it was answered. 


</p>
            <p>`Tell them always to let Miss Florence be with Richards when she chooses, and 
go out 
with her, and so forth. Tell them to let the children be together, when 
Richards wishes 
it.' 


</p>
            <p>The iron was now hot, and Richards striking on it boldly—it was a good cause 
and she 
was bold in it, though instinctively afraid of Mr.Dombey—requested that Miss 
Florence 
might be sent down then and there, to make friends with here little 
brother. 


</p>
            <p>She feigned to be dandling the child as the servant retired on this errand, 
but she thought 
that she saw Mr. Dombey's colour changed; that the expression of his face 
quite altered; 
that he turned, hurriedly, as if to gainsay what he had said, or she had 
said, or both, and 
was only deterred by very shame. 


</p>
            <p>And she was right. The last time he had seen his slighted child, there had 
been that in the 
sad embrace between her and her dying mother, which was at once a revelation 
and a 
reproach to him. Let him be absorbed as he would in the Son on whom he built 
such high 
hopes, he could not forget that closing scene. He could not forget that he 
had had no part 
in it. That, at the bottom of its clear depths of tenderness and truth, lay 
those two figures 
clasped in each other's arms, while he stood on the bank above them, looking 
down a 
mere spectator—not a sharer with them—quite shut out. 


</p>
            <p>Unable to exclude these things from his remembrance, or to keep his mind free 
from such 
imperfect shapes of the meaning with which they were fraught, as were able to 
make 
themselves visible to him through the mist of his pride, his previous 
feelings of 
indifference towards little Florence changed into an uneasiness of an 
extraordinary kind. 
He almost felt as if she watched and distrusted him. As if she held the clue 
to something 
secret in his breast, of the nature of which he was hardly informed himself. 
As if she had 
an innate knowledge of one jarring and discordant string within him, and her 
very breath 
could sound it. 


</p>
            <p>His feeling about the child had been negative from her birth. He had never 
conceived an 
aversion to her: it had not been worth his while or in his humour. She had 
never been a 
positively disagreeable object to him. But now he was ill at ease about her. 
She troubled 
his peace. He would have preferred to put her idea aside altogether, if he 
had known how. 
Perhaps—who shall decide on such mysteries!—he was afraid that he might 
come to hate 
her. 


</p>
            <p>When little Florence timidly presented herself, Mr. Dombey stopped in his 
pacing up and 
down and looked towards her. Had he looked with greater interest and with a 
father's eye, 
he might have read in her keen glance the impulses and fears that made her 
waver; the 
passionate desire to run clinging to him, crying, as she hid her face in his 
embrace, `Oh 
father, try to love me! there's no one else!' the dread of a repulse; the 
fear of being too 
bold, and of offending him; the pitiable need in which she stood of some 
assurance and 
encouragement; and how her overcharged young heart was wandering to find some 
natural 
resting-place, for its sorrow and affection. 


</p>
            <p>But he saw nothing of this. He saw her pause irresolutely at the door and 
look towards 
him; and he saw no more. 


</p>
            <p>`Come in,' he said, `come in: what is the child afraid of?' 


</p>
            <p>She came in; and after glancing round her for a moment with an uncertain air, 
stood 
pressing her small hands hard together, close within the door. 


</p>
            <p>`Come here, Florence,' said her father, coldly. `Do you know who I am?' 


</p>
            <p>`Yes, Papa.' 


</p>
            <p>`Have you nothing to say to me?' 


</p>
            <p>The tears that stood in her eyes as she raised them quickly to his face, were 
frozen by the 
expression it wore. She looked down again, and put out her trembling hand. 


</p>
            <p>Mr. Dombey took it loosely in his own, and stood looking down upon her for a 
moment, 
as if he knew as little as the child, what to say or do. 


</p>
            <p>`There! Be a good girl,' he said, patting her on the head, and regarding her 
as it were by 
stealth with a disturbed and doubtful look. `Go to Richards! Go!' 


</p>
            <p>His little daughter hesitated for another instant as though she would have 
clung about him 
still, or had some lingering hope that he might raise her in his arms and 
kiss her. She 
looked up in his face once more. He thought how like her expression was then, 
to what it 
had been when she looked round at the Doctor—that night—and instinctively 
dropped her 
hand and turned away. 


</p>
            <p>It was not difficult to perceive that Florence was at a great disadvantage in 
her father's 
presence. It was not only a constraint upon the child's mind, but even upon 
the natural 
grace and freedom of her actions. Still Polly persevered with all the better 
heart for seeing 
this; and, judging of Mr. Dombey by herself, had great confidence in the mute 
appeal of 
poor little Florence's mourning dress. `It's hard indeed,' thought Polly, `if 
he takes only to 
one little motherless child, when he has another, and that a girl, before his 
eyes.' 


</p>
            <p>So, Polly kept her before his eyes, as long as she could, and managed so well 
with little 
Paul, as to make it very plain that he was all the livelier for his sister's 
company. When it 
was time to withdraw up stairs again, she would have sent Florence into the 
inner room to 
say good-night to her father, but the child was timid and drew back: and when 
she urged 
her again, said, spreading her hands before her eyes, as if to shut out her 
own 
unworthiness, `Oh no, no! He don't want me. He don't want me!' 


</p>
            <p>The little altercation between them had attracted the notice of Mr. Dombey, 
who inquired 
from the table where he was sitting at his wine, what the matter was. 


</p>
            <p>`Miss Florence was afraid of interrupting, Sir, if she came in to say 
good-night,' said 
Richards. 


</p>
            <p>`It doesn't matter,' returned Mr. Dombey. `You can let her come and go 
without regarding 
me.' 


</p>
            <p>The child shrunk as she listened—and was gone before her humble friend 
looked round 
again. 


</p>
            <p>However, Polly triumphed not a little in the success of her well-intentioned 
scheme, and in 
the address with which she had brought it to bear: whereof she made a full 
disclosure to 
Spitfire when she was once more safely intrenched up stairs. Miss Nipper 
received that 
proof of her confidence, as well as the prospect of their free association 
for the future, 
rather coldly, and was anything but enthusiastic in her demonstrations of 
joy. 


</p>
            <p>`I thought you would have been pleased,' said Polly. 


</p>
            <p>`Oh yes, Mrs. Richards, I'm very well pleased, thank you,' returned Susan, 
who had 
suddenly become so very upright that she seemed to have put an additional 
bone in her 
stays. 


</p>
            <p>`You don't show it,' said Polly. 


</p>
            <p>`Oh! Being only a permanency I couldn't be expected to show it like a 
temporary,' said 
Susan Nipper. `Temporaries carries it all before 'em here, I find, but though 
there's a 
excellent party-wall between this house and the next, I mayn't exactly like 
to go to it, 
Mrs. Richards, notwithstanding!' 

</p>
         </div>
         <div xml:id="c4" type="chapter">
            <head>CHAPTER IV</head>
            <head>In which some more First Appearances are made on the Stage of these 
Adventures</head>
            <p>THOUGH the offices of Dombey and Son were within the liberties of the City of 
London, and within hearing of Bow Bells, when their clashing voices were not 
drowned by the uproar in the streets, yet were there hints of adventurous and 
romantic story to be observed in some of the adjacent objects. Gog and Magog 
held their state within ten minutes' walk; the Royal Exchange was close at 
hand; the Bank of England, with its vaults of gold and silver `down among the 
dead men' underground, was their magnificent neighbour. Just round the corner 
stood the rich East India House, teeming with suggestions of precious stuffs 
and stones, tigers, elephants, howdahs, hookahs, umbrellas, palm trees, 
palanquins, and gorgeous princes of a brown complexion sitting on carpets, 
with their slippers very much turned up at the toes. Anywhere in the 
immediate vicinity there might be seen pictures of ships speeding away full 
sail to all parts of the world; outfitting ware-houses ready to pack off 
anybody anywhere, fully equipped in half an hour; and little timber 
midshipmen in obsolete naval uniforms, eternally employed outside the shop 
doors of nautical instrument-makers in taking observations of the hackney 
coaches. 


</p>
            <p>Sole master and proprietor of one of these effigies—of that which might be 
called, familiarly, the woodenest—of that which thrust itself out above the 
pavement, right leg foremost, with a suavity the least endurable, and had the 
shoe buckles and flapped waistcoat the least reconcileable to human reason, 
and bore at its right eye the most offensively disproportionate piece of 
machinery—sole master and proprietor of that midshipman, and proud of him 
too, an elderly gentleman in a Welsh wig had paid house-rent, taxes, and 
dues, for more years than many a full-grown midshipman of flesh and blood has 
numbered in his life; and midshipmen who have attained a pretty green old 
age, have not been wanting in the English navy. 


</p>
            <p>The stock-in-trade of this old gentleman comprised chronometers, barometers, 
telescopes, compasses, charts, maps, sextants, quadrants, and specimens of 
every kind of instrument used in the working of a ship's course, or the 
keeping of a ship's reckoning, or the prosecuting of a ship's discoveries. 
Objects in brass and glass were in his drawers and on his shelves, which none 
but the initiated could have found the top of, or guessed the use of, or 
having once examined, could have ever got back again into their mahogany 
nests without assistance. Everything was jammed into the tightest cases, 
fitted into the narrowest corners, fenced up behind the most impertinent 
cushions, and screwed into the acutest angles, to prevent its philosophical 
composure from being disturbed by the rolling of the sea. Such extraordinary 
precautions were taken in every instance to save room, and keep the thing 
compact; and so much practical navigation was fitted, and cushioned, and 
screwed into every box (whether the box was a mere slab, as some were, or 
something between a cocked hat and a star-fish, as others were, and those 
quite mild and modest boxes as compared with others); that the shop itself, 
partaking of the general infection, seemed almost to become a snug, 
sea-going, ship-shape concern, wanting only good sea-room, in the event of an 
unexpected launch, to work its way securely to any desert island in the 
world. 


</p>
            <p>Many minor incidents in the household life of the Ships'Instrument-maker who 
was proud of his little midshipman, assisted and bore out this fancy. His 
acquaintance lying chiefly among ship-chandlers and so forth, he had always 
plenty of the veritable ships' biscuit on his table. It was familiar with 
dried meats and tongues, possessing an extraordinary flavour of rope yarn. 
Pickles were produced upon it, in great wholesale jars, with `dealer in all 
kinds of Ships' Provisions' on the label; spirits were set forth in case 
bottles with no throats. Old prints of ships with alphabetical references to 
their various mysteries, hung in frames upon the walls; the Tartar Frigate 
under weigh, was on the plates; outlandish shells, seaweeds, and mosses, 
decorated the chimney-piece; the little wainscotted back parlour was lighted 
by a sky-light, like a cabin. 


</p>
            <p>Here he lived too, in skipper-like state, all alone with his nephew Walter: a 
boy of fourteen who looked quite enough like a midshipman, to carry out the 
prevailing idea. But there it ended, for Solomon Gills himself (more 
generally called old Sol) was far from having a maritime appearance. To say 
nothing of his Welsh wig, which was as plain and stubborn a Welsh wig as ever 
was worn, and in which he looked like anything but a Rover, he was a slow, 
quiet-spoken, thoughtful old fellow, with eyes as red as if they had been 
small suns looking at you through a fog; and a newly-awakened manner, such as 
he might have acquired by having stared for three or four days successively 
through every optical instrument in his shop, and suddenly came back to the 
world again, to find it green. The only change ever known in his outward man, 
was from a complete suit of coffee-colour cut very square, and ornamented 
with glaring buttons, to the same suit of coffee-colour minus the 
inexpressibles, which were then of a pale nankeen. He wore a very precise 
shirt-frill, and carried a pair of first-rate spectacles on his forehead, and 
a tremendous chronometer in his fob, rather than doubt which precious 
possession, he would have believed in a conspiracy against it on the part of 
all the clocks and watches in the City, and even of the very Sun itself. Such 
as he was, such he had been in the shop and parlour behind the little 
midshipman, for years upon years; going regularly aloft to bed every night in 
a howling garret remote from the lodgers, where, when gentlemen of England 
who lived below at ease had little or no idea of the state of the weather, it 
often blew great guns. 


</p>
            <p>It is half-past five o'clock, and an autumn afternoon, when the reader and 
Solomon Gills become acquainted. Solomon Gills is in the act of seeing what 
time it is by the unimpeachable chronometer. The usual daily clearance has 
been making in the City for an hour or more; and the human tide is still 
rolling westward. `The streets have thinned,' as Mr. Gills says, `very much.' 
It threatens to be wet to-night. All the weather-glasses in the ship are in 
low spirits, and the rain already shines upon the cocked hat of the wooden 
midshipman. 


</p>
            <p>`Where's Walter, I wonder!' said Solomon Gills, after he had carefully put up 
the chronometer again. `Here's dinner been ready, half an hour, and no 
Walter!' 


</p>
            <p>Turning round upon his stool behind the counter, Mr. Gills looked out among 
the instruments in the window, to see if his nephew might be crossing the 
road. No. He was not among the bobbing umbrellas, and he certainly was not 
the newspaper boy in the oilskin cap who was slowly working his way along the 
piece of brass outside, writing his name over Mr. Gills'name with his 
forefinger. 


</p>
            <p>`If I didn't know he was too fond of me to make a run of it, and go and enter 
himself aboard ship against my wishes, I should begin to be fidgetty,' said 
Mr. Gills, tapping two or three weather-glasses with his knuckles. `I really 
should. All in the Downs, eh! Lots of moisture! Well! it's wanted.' 


</p>
            <p>`I believe,' said Mr. Gills, blowing the dust off the glass top of a 
compass-case, `that you don't point more direct and due to the back parlour 
than the boy's inclination does after all. And the parlour couldn't bear 
straighter either. Due north. Not the twentieth part of a point either 
way.' 


</p>
            <p>`Halloa, Uncle Sol!' 


</p>
            <p>`Halloa, my boy!' cried the Instrument-maker, turning briskly round. `What! 
you are here, are you?' 


</p>
            <p>A cheerful looking, merry boy, fresh with running home in the rain; 
fair-faced, bright-eyed, and curly-haired. 


</p>
            <p>`Well, Uncle, how have you got on without me all day? Is dinner ready? I'm so 
hungry.' 


</p>
            <p>`As to getting on,' said Solomon good-naturedly, `it would be odd if I 
couldn't get on without a young dog like you a great deal better than with 
you. As to dinner being ready, it's been ready this half hour and waiting for 
you. As to being hungry, <hi>I</hi> am! 


</p>
            <p>`Come along then, Uncle!' cried the boy. `Hurrah for the admiral!' 


</p>
            <p>`Confound the admiral!' returned Solomon Gills. `You mean the Lord Mayor.' 


</p>
            <p>`No I don't!' cried the boy. `Hurrah for the admiral!Hurrah for the admiral! 
For—ward!' 


</p>
            <p>At this word of command, the Welsh wig and its wearer were borne without 
resistance into the back parlour, as at the head of a boarding party of five 
hundred men; and Uncle Sol and his nephew were speedily engaged on a fried 
sole with a prospect of steak to follow. 


</p>
            <p>`The Lord Mayor, Wally,' said Solomon, `for ever! No more admirals. The Lord 
Mayor's <hi>your</hi> admiral.' 


</p>
            <p>`Oh, is he though!' said the boy, shaking his head. `Why, the Sword Bearer's 
better than him. He draws <hi>his</hi> sword sometimes.' 


</p>
            <p>`And a pretty figure he cuts with it for his pains,' returned the Uncle. 
`Listen to me, Wally, listen to me. Look on the mantel-shelf.' 


</p>
            <p>`Why who has cocked my silver mug up there, on a nail?' exclaimed the boy. 


</p>
            <p>`I have,' said his Uncle. `No more mugs now. We must begin to drink out of 
glasses to-day, Walter. We are men of business. We belong to the City. We 
started in life this morning.' 


</p>
            <p>`Well, Uncle,' said the boy, `I'll drink out of anything you like, so long as 
I can drink to you. Here's to you Uncle Sol, and Hurrah for the—' 


</p>
            <p>`Lord Mayor,' interrupted the old man. 


</p>
            <p>`For the Lord Mayor, Sheriffs, Common Council, and Livery,' said the boy. 
`Long life to 'em!' 


</p>
            <p>The uncle nodded his head with great satisfaction. `And now,' he said, `let's 
hear something about the firm.' 


</p>
            <p>`Oh! there's not much to be told about the Firm, Uncle,' said the boy, plying 
his knife and fork. `It's a precious dark set of offices, and in the room 
where I sit, there's a high fender, and an iron safe, and some cards about 
ships that are going to sail, and an almanack, and some desks and stools, and 
an inkbottle, and some books, and some boxes, and a lot of cobwebs, and in 
one of 'em, just over my head, a shrivelled-up blue-bottle that looks as if 
it had hung there ever so long.' 


</p>
            <p>`Nothing else?' said the uncle. 


</p>
            <p>`No, nothing else, except an old bird-cage (I wonder how  <hi>that</hi> ever 
came there!) and a coal-scuttle.' 


</p>
            <p>`No, bankers' books, or cheque books, or bills, or such tokens of wealth 
rolling in from day to day?' said old Sol, looking wistfully at his nephew 
out of the fog that always seemed to hang about him, and laying an unctuous 
emphasis upon the words. 


</p>
            <p>`Oh yes, plenty of that I suppose,' returned his nephew carelessly; `but all 
that sort of thing's in Mr. Carker's room, or Mr. Morfin's, or Mr. 
Dombey's.' 


</p>
            <p>`Has Mr. Dombey been there to-day?' inquired the Uncle. 


</p>
            <p>`Oh yes! In and out all day.' 


</p>
            <p>`He didn't take any notice of you, I suppose?' 


</p>
            <p>`Yes he did. He walked up to my seat—I wish he wasn't so solemn and stiff, 
Uncle, and said, “Oh! you are the son of Mr. Gills the Ships' 
Instrument-maker.” “Nephew, Sir,” I said. “I said nephew, boy,” said he. But 
I could take my oath he said Son, uncle.' 


</p>
            <p>`You're mistaken I dare say. It's no matter.' 


</p>
            <p>`No, it's no matter, but he needn't have been so sharp, I thought. There was 
no harm in it though he did say Son. Then he told me that you had spoken to 
him about me, and that he had found me employment in the House accordingly, 
and that I was expected to be attentive and punctual, and then he went away. 
I thought he didn't seem to like me much.' 


</p>
            <p>`You mean, I suppose,' observed the Instrument-maker, `that you didn't seem 
to like him much?' 


</p>
            <p>`Well, Uncle,' returned the boy, laughing. `Perhaps so; I never thought of 
that.' 


</p>
            <p>Solomon looked a little graver as he finished his dinner, and glanced from 
time to time at the boy's bright face. When dinner was done, and the cloth 
was cleared away (the entertainment had been brought from a neighbouring 
eating-house), he lighted a candle, and went down below into a little cellar, 
while his nephew, standing on the mouldy staircase, dutifully held the light. 
After a moment's groping here and there, he presently returned with a very 
ancient-looking bottle, covered with dust and dirt. 


</p>
            <p>`Why, Uncle Sol!' said the boy, `what are you about? that's the wonderful 
Madeira!—there's only one more bottle!' 


</p>
            <p>Uncle Sol nodded his head, implying that he knew very well what he was about; 
and having drawn the cork in solemn silence, filled two glasses and set the 
bottle and a third clean glass on the table. 


</p>
            <p>`You shall drink the other bottle, Wally,' he said, `when you come to good 
fortune; when you are a thriving, respected, happy man; when the start in 
life you have made to-day shall have brought you, as I pray Heaven it 
may!—to a smooth part of the course you have to run, my child. My love to 
you!' 


</p>
            <p>Some of the fog that hung about old Sol seemed to have got into his throat; 
for he spoke huskily. His hand shook too, as he clinked his glass against his 
nephew's. But having once got the wine to his lips, he tossed it off like a 
man, and smacked them afterwards. 


</p>
            <p>`Dear Uncle,' said the boy, affecting to make light of it, while the tears 
stood in his eyes, `for the honour you have done me, et cetera, et cetera. I 
shall now beg to propose Mr. Solomon Gills with three times three and one 
cheer more. Hurrah! and you'll return thanks, Uncle, when we drink the last 
bottle together; won't you?' 


</p>
            <p>They clinked their glasses again; and Walter, who was hoarding his wine, took 
a sip of it, and held the glass up to his eye with as critical an air as he 
could possibly assume. 


</p>
            <p>His Uncle sat looking at him for some time in silence. When their eyes at 
last met, he began at once to pursue the theme that had occupied his 
thoughts, aloud, as if he had been speaking all the while. 


</p>
            <p>`You see, Walter,' he said, `in truth this business is merely a habit with 
me. I am so accustomed to the habit that I could hardly live if I 
relinquished it: but there's nothing doing, nothing doing. When that uniform 
was worn,' pointing out towards the little midshipman, `then indeed, fortunes 
were to be made, and were made. But competition, competition—new invention, 
new invention—alteration, alteration—the world's gone past me. I hardly 
know where I am myself; much less where my customers are.' 


</p>
            <p>Never mind 'em, Uncle!' 


</p>
            <p>`Since you came home from weekly boarding-school at Peckham, for 
instance—and that's ten days,' said Solomon, `I don't remember more than one 
person that has come into the shop.' 


</p>
            <p>`Two, Uncle, don't you recollect? There was the man who came to ask for 
change for a sovereign—' 


</p>
            <p>`That's the one,' said Solomon. 


</p>
            <p>`Why, Uncle! don't you call the women anybody, who came to ask the way to 
Mile-End Turnpike?' 


</p>
            <p>`Oh! it's true,' said solomon, `I forgot her. Two persons.' 


</p>
            <p>`To be sure, they didn't buy anything,' cried the boy. 


</p>
            <p>`No. They didn't buy anything,' said Solomon, quietly. 


</p>
            <p>`Nor want anything,' cried the boy. 


</p>
            <p>`No. If they had, they'd gone to another shop,' said Solomon, in the same 
tone. 


</p>
            <p>`But there were two of 'em, Uncle,' cried the boy, as if that were a great 
triumph. `You said only one.' 


</p>
            <p>`Well, Wally,' resumed the old man, after a short pause: `not being like the 
Savages who came on Robinson Crusoe's Island, we can't live on a man who asks 
for change for a sovereign, and a woman who inquires the way to Mile-End 
Turnpike. As I said just now, the world has gone past me. I don't blame it; 
but I no longer understand it. Tradesmen are not the same as they used to be, 
apprentices are not the same, business is not the same, business commodities 
are not the same. Seven-eighths of my stock is old-fashioned. I am an 
old-fashioned man in an old-fashioned shop, in a street that is not the same 
as I remember it. I have fallen behind the time, and am too old to catch it 
again. Even the noise it makes a long way ahead, confuses me.' 


</p>
            <p>Walter was going to speak, but his Uncle held up his hand. 


</p>
            <p>`Therefore, Wally—therefore it is that I am anxious you should be early in 
the busy world, and on the world's track. I am only the ghost of this 
business—its substance vanished long ago; and when I die, its ghost will be 
laid. As it is clearly no inheritance for you then, I have thought it best to 
use for your advantage, almost  the only fragment of the old connexion that 
stands by me, thought long habit. Some people suppose me to be wealthy. I 
wish for your sake they were right. But whatever I leave behind me, or 
whatever I can give you, you in such a house as Dombey's are in the road to 
use well and make the most of. Be diligent, try to like it, my dear boy, work 
for a steady independence, and be happy!' 


</p>
            <p>`I'll do everything I can, Uncle, to deserve your affection. Indeed I will,' 
said the boy, earnestly. 


</p>
            <p>`I know it,' said Solomon. `I am sure of it,' and he applied himself to a 
second glass of the old Madeira, with increased relish. `As to the Sea,' he 
pursued, `that's well enough in fiction, wally, but it won't do in fact: it 
won't do at all. It's natural enough that you should think about it, 
associating it with all these familiar things; but it won't do, it won't 
do.' 


</p>
            <p>Solomon Gills rubbed his hands with an air of stealthy enjoyment, as he 
talked of the sea, though; and looked on the sea-faring objects about him 
with inexpressible complacency. 


</p>
            <p>`Think of this wine for instance,' said old Sol, `which has been to the East 
Indies and back, I'm not able to say how often, and has been once round the 
world. Think of the pitch-dark nights, the roaring winds, and rolling 
seas:' 


</p>
            <p>`The thunder, lightning, rain, hail, storm of all kinds,' said the boy. 


</p>
            <p>`To be sure,' said Solomon,—`that this wine has passed through. Think what a 
straining and creaking of timbers and masts: what a whistling and howling of 
the gale through ropes and rigging:' 


</p>
            <p>`What a clambering aloft of men, vying with each other who shall lie out 
first upon the yards to furl the icy sails, while the ship rolls and pitches, 
like mad!' cried his nephew. 


</p>
            <p>`Exactly so,' said Solomon: `has gone on, over the old cask that held this 
wine. Why, when the charming Sally went down in the—' 


</p>
            <p>`In the Baltic Sea, in the dead of the night; five-and-twenty minutes past 
twelve when the captain's watch stopped in his pocket; he lying dead against 
the main-mast—on the fourteenth of February, seventeen forty-nine!' cried 
Walter, with great animation. 


</p>
            <p>`Ay, to be sure!' cried old Sol, `quite right! Then, there were five hundred 
casks of such wine aboard; and all hands (except the first mate, first 
lieutenant, two seamen, and a lady, in a leaky boat) going to work to stave 
the casks, got drunk and died drunk, singing, `Rule Britannia,' when she 
settled and went down, and ending with one awful scream in chorus.' 


</p>
            <p>`But when the George the Second drove ashore, uncle, on the coast of 
Cornwall, in a dismal gale, two hours before daybreak, on the fourth of 
March,' seventy-one, she had near two hundred horses aboard; and the horses 
breaking loose down below, early in the gale, and tearing to and fro, and 
trampling each other to death, made such noises, and set up such human cries, 
that the crew believing the ship to be full of devils, some of the best men, 
losing heart and head, went overboard in despair, and only two were left 
alive, at last, to tell the tale.' 


</p>
            <p>`And when,' said old Sol, `when the Polyphemus—' 


</p>
            <p>`Private West India Trader, burden three hundred and fifty tons, Captain, 
John Brown of Deptford. Owners, Wiggs and Co.,' cried Walter. 


</p>
            <p>`The same,' said Sol; `when she took fire, four days' sail with a fair wind 
out of Jamaica Harbour, in the night—' 


</p>
            <p>`There were two brothers on board,' interposed his nephew, speaking very fast 
and loud, `and there not being room for both of them in the only boat that 
wasn't swamped, neither of them would consent to go, until the elder took the 
younger by the waist and flung him in. And then the younger rising in the 
boat, cried out, “Dear Edward, think of your promised wife at home. I'm only 
a boy. No one waits at home for me. Leap down into my place!” and flung 
himself in the sea!' 


</p>
            <p>The kindling eye and heightened colour of the boy, who had risen from his 
seat in the earnestness of what he said and felt, seemed to remind old Sol of 
something he had forgotten, or that his encircling mist had hitherto shut 
out. Instead of proceeding with any more anecdotes, as he had evidently 
intended but a moment before, he gave a short dry cough, and said, `Well! 
suppose we change the subject.' 


</p>
            <p>The truth was, that the simple-minded uncle in his secret attraction towards 
the marvellous and adventurous—of which he was, in some sort, a distant 
relation, by his trade—had greatly  encouraged the same attraction in the 
nephew; and that everything that had ever been put before the boy to deter 
him from a life of adventure, had had the usual unaccountable effect of 
sharpening his taste for it. This is invariable. It would seem as if there 
never was a book written, or a story told, expressly with the object of 
keeping boys on shore, which did not lure and charm them to the ocean, as a 
matter of course. 


</p>
            <p>But an addition to the little party now made its appearance, in the shape of 
a gentleman in a wide suit of blue, with a hook instead of a hand attached to 
his right wrist; very bushy black eyebrows; and a thick stick in his left 
hand, covered all over (like his nose) with knobs. He wore a loose black silk 
handkerchief round his neck, and such a very large coarse shirt collar, that 
it looked like a small sail. He was evidently the person for whom the spare 
wine-glass was intended, and evidently knew it; for having taken off his 
rough outer coat, and hung up, on a particular pet behind the door, such a 
hard glazed hat as a sympathetic person's head might ache at the sight of, 
and which left a red rim round his own forehead as if he had been wearing a 
tight basin, he brought a chair to where the clean glass was, and sat himself 
down behind it. He was usually addressed as Captain, this visitor; and had 
been a pilot, or a skipper, or a privateers-man, or all three perhaps; and 
was a very salt-looking man indeed. 


</p>
            <p>His face, remarkable for a brown solidity, brightened as he shook hands with 
uncle and nephew; but he seemed to be of a laconic disposition, and merely 
said: 


</p>
            <p>`How goes it?' 


</p>
            <p>`All well,' said Mr. Gills, pushing the bottle towards him. 


</p>
            <p>He took it up, and having surveyed and smelt it, said with extraordinary 
expression: 


</p>
            <p>`The?' 


</p>
            <p>`The,' returned the Instrument-maker. 


</p>
            <p>Upon that he whistled as he filled his glass, and seemed to think they were 
making holiday indeed. 


</p>
            <p>`Wal'r!' he said, arranging his hair (which was thin) with his hook, and then 
pointing it at the Instrument-maker, `Look at him! Love! Honour! And Obey! 
Overhaul your catechism till you find that passage, and when found turn the 
leaf down. Success, my boy!' 


</p>
            <p>He was so perfectly satisfied both with his quotation and his reference to 
it, that he could not help repeating the words again in a low voice, and 
saying he had forgotten 'em these forty year. 


</p>
            <p>`But I never wanted two or three words in my life that I didn't know where to 
lay my hand upon 'em, Gills,' he observed. `It comes of not wasting language 
as some do.' 


</p>
            <p>The reflection perhaps reminded him that he had better, like young Norval's 
father, `increase his store.' At any rate he became silent, and remained so, 
until old Sol went out into the shop to light it up, when he turned to 
Walter, and said, without any introductory remark: 


</p>
            <p>`I suppose he could make a clock if he tried?' 


</p>
            <p>`I shouldn't wonder, Captain Cuttle, returned the boy. 


</p>
            <p>`And it would go!' said Captain Cuttle, making a species of serpent in the 
air with his hook. `Lord, how that clock would go!' 


</p>
            <p>For a moment or two he seemed quite lost in contemplating the pace of this 
ideal timepiece, and sat looking at the boy as if his face were the dial. 


</p>
            <p>`But he's chockfull of science,' he observed, waving his hook towards the 
stock-in-trade. `Look'ye here! Here's a collection of 'em. Earth, air, or 
water. It's all one. Only say where you'll have it. Up in a balloon? There 
you are. Down in a bell? There you are. D'ye want to put the North Star in a 
pair of scales and weigh it? He'll do it for you.' 


</p>
            <p>It may be gathered from these remarks that Captain Cuttle's reverence for the 
stock of instruments was profound, and that his philosophy knew little or no 
distinction between trading in it and inventing it. 


</p>
            <p>`Ah!' he said, with a sigh, `it's a fine thing to understand 'em. And yet 
it's a fine thing not to understand 'em. I hardly know which is best. It's so 
comfortable to sit here and feel that you might be weighed, measured, 
magnified, electrified, polarized, played the very devil with: and never know 
how.' 


</p>
            <p>Nothing short of the wonderful Madeira, combined with the occasion (which 
rendered it desirable to improve and expand Walter's mind), could have ever 
loosened his tongue to the extent of giving utterance to this prodigious 
oration. He seemed quite amazed himself at the manner in which it opened up 
to view the sources of the taciturn delight, he had had in eating Sunday 
dinners in that parlour for ten years. Becoming a sadder and a wiser man, he 
mused and held his peace. 


</p>
            <p>`Come!' cried the subject of his admiration, returning. `Before you have your 
glass of grog, Ned, we must finish the bottle.' 


</p>
            <p>`Stand by!' said Ned, filling his glass. `Give the boy some more.' 


</p>
            <p>`No more, thank'e, uncle!' 


</p>
            <p>`Yes, yes,' said Sol, `a little more. We'll finish the bottle, to the House, 
Ned—Walter's house. Why it may be his house one of these days, in part. Who 
knows? Sir Richard Whittington married his master's daughter.' 


</p>
            <p>`”Turn again Whittington, Lord Mayor of London, and when you are old you will 
never depart from it,”' interposed the Captain. `Wal'r! Overhaul the book, my 
lad.' 


</p>
            <p>`And although Mr. Dombey hasn't a daughter,' Sol began. 


</p>
            <p>`Yes, yes, he has, Uncle,' said the boy, reddening and laughing. 


</p>
            <p>`Has he?' cried the old man. `Indeed I think he has too.' 


</p>
            <p>`Oh! I know he has,' said the boy. `Some of 'em were talking about it in the 
office to-day. And they do say, Uncle and Captain Cuttle,' lowering his 
voice, `that he's taken a dislike to her, and that she's left, unnoticed, 
among the servants, and that his mind's so set all the while upon having his 
son in the House, that although he's only a baby now, he is going to have 
balances struck oftener than formerly, and the books kept closer than they 
used to be, and has even been seen (when he thought he wasn't) walking in the 
Docks, looking at his ships and property and all that, as if he was exulting 
like, over what he and his son will possess together. That's what they say. 
Of course <hi>I</hi> don't know.' 


</p>
            <p>`He knows all about her already, you see,' said the Instrumentmaker. 


</p>
            <p>`Nonsense, Uncle,' cried the boy, still reddening and laughing, boy-like. 
`How can I help hearing what they tell me?' 


</p>
            <p>`The Son's a little in our way at present, I'm afraid, Ned,' said the old 
man, humouring the joke. 


</p>
            <p>`Very much,' said the Captain. 


</p>
            <p>`Nevertheless, we'll drink him,' pursued Sol. `So, here's to Dombey and 
Son.' 


</p>
            <p>`Oh, very well, Uncle,' said the boy, merrily. `Since you have introduced the 
mention of her, and have connected me with her, and have said that I know all 
about her, I shall make bold to amend the toast. So here's to Dombey—and 
Son—and Daughter!' 

</p>
         </div>
         <div xml:id="c5" type="chapter">
            <head>CHAPTER V</head>
            <head>Paul's Progress and Christening</head>
            <p>LITTLE Paul, suffering no contamination, from the blood of the Toodles, grew 
stouter and stronger every day. Every day, too, he was more and more ardently 
cherished by Miss Tox, whose devotion was so far appreciated by Mr. Dombey 
that he began to regard her as a woman of great natural good sense, whose 
feelings did her credit and deserved encouragement. He was so lavish of this 
condescension, that he not only bowed to her, in a particular manner, on 
several occasions, but even entrusted such stately recognitions of her to his 
sister as `pray tell your friend, Louisa, that she is very good,' or `mention 
to Miss Tox, Louisa, that I am obliged to her;' specialities which made a 
deep impression on the lady thus distinguished. 


</p>
            <p>Miss Tox was often in the habit of assuring Mrs. Chick, that `nothing could 
exceed her interest in all connected with the development of that sweet 
child;' and an observer of Miss Tox's proceedings might have inferred so much 
without declaratory confirmation. She would preside over the innocent repasts 
of the young heir, with ineffable satisfaction, almost with an air of joint 
proprietorship with Richards in the entertainment. At the little ceremonies 
of the bath and toilette, she assisted with enthusiasm. The administration of 
infantine doses of physic awakened all the active sympathy of her character; 
and being on one occasion secreted in a cupboard (whither she had fled in 
modesty), when Mr. Dombey was introduced into the nursery by his sister, to 
behold his son, in the course of preparation for bed, taking a short walk 
uphill over Richards's gown, in a short and airy linen jacket, Miss Tox was 
so transported beyond the ignorant present as to be unable to refrain from 
crying out, `Is he not beautiful Mr. Dombey!Is he not a Cupid, Sir!' and then 
almost sinking behind the closet door with confusion and blushes. 


</p>
            <p>`Louisa,' said Mr. Dombey, one day, to his sister, `I really think I must 
present your friend with some little token, on the occasion of Paul's 
christening. She has exerted herself so warmly in the child's behalf from the 
first, and seems to understand her position so thoroughly (a very rare merit 
in this world, I am sorry to say), that it would really be agreeable to me to 
notice her.' 


</p>
            <p>Let it be no detraction from the merits of Miss Tox, to hint that in Mr. 
Dombey's eyes, as in some others that occasionally see the light, they only 
achieved that mighty piece of knowledge, the understanding of their own 
position, who showed a fitting reverence for his. It was not so much their 
merit that they knew themselves, as that they knew him, and bowed low before 
him. 


</p>
            <p>`My dear Paul,' returned his sister, `you do Miss Tox but justice, as a man 
of your penetration was sure, I knew, to do. I believe if there are three 
words in the English language for which she has a respect amounting almost to 
veneration, those words are, Dombey and Son.' 


</p>
            <p>`Well,' said Mr. Dombey, `I believe it. It does Miss Tox credit.' 


</p>
            <p>`And as to anything in the shape of a token, my dear Paul,' pursued his 
sister, `all I can say is that anything you give Miss Tox will be hoarded and 
prized, I am sure, like a relic. But there <hi>is</hi> a way, my dear Paul, of 
showing your sense of Miss Tox's friendliness in a still more flattering and 
acceptable manner, if you should be so inclined.' 


</p>
            <p>`How is that?' asked Mr. Dombey. 


</p>
            <p>`Godfathers, of course,' continued Mrs. Chick, `are important in point of 
connexion and influence.' 


</p>
            <p>`I don't know why they should be, to my son,' said Mr. Dombey, coldly. 


</p>
            <p>`Very true, my dear Paul,' retorted Mrs. Chick, with an extraordinary show of 
animation, to cover the suddenness of her conversion; `and spoken like 
yourself. I might have expected nothing else from you. I might have known 
that such would have been your opinion. Perhaps;' here Mrs. Chick flattered 
again, as not quite comfortably feeling her way; `perhaps that is a reason 
why you might have the less objection to allowing Miss Tox to be godmother to 
the dear thing, if it were only as deputy and proxy for some one else. That 
it would be received as a great honour and distinction, Paul, I need not 
say.' 


</p>
            <p>`Louisa,' said Mr. Dombey, after a short pause, `it is not to be 
supposed—' 


</p>
            <p>`Certainly not,' cried Mrs. Chick, hastening to anticipate a refusal, `I 
never thought it was.' 


</p>
            <p>Mr. Dombey looked at her impatiently. 


</p>
            <p>`Don't flurry me, my dear Paul,' said his sister; `for that destroys me. I am 
far from strong. I have not been quite myself, since poor dear Fanny 
departed.' 


</p>
            <p>Mr. Dombey glanced at the pocket-handkerchief which his sister applied to her 
eyes, and resumed: 


</p>
            <p>`It is not to be supposed, I say—' 


</p>
            <p>`And I say,' murmured Mrs. Chick, `that I never thought it was.' 


</p>
            <p>`Good Heaven, Louisa!' said Mr. Dombey. 


</p>
            <p>`No, my dear Paul,' she remonstrated with tearful dignity, `I must really be 
allowed to speak. I am not so clever, or so reasoning, or so eloquent, or so 
anything, as you are. I know that very well. So much the worse for me. But if 
they were the last words. I had to utter—and last words should be very 
solemn to you and me, Paul, after poor dear Fanny—I should still say I never 
thought it was. And what is more,' added Mrs. Chick with increased dignity, 
as if she had withheld her crushing argument until now, `I never <hi>did</hi>
think it was.' 


</p>
            <p>Mr. Dombey walked to the window and back again. 


</p>
            <p>`It is not to be supposed, Louisa,' he said (Mrs. Chick had nailed her 
colours to the mast, and repeated `I know it isn't,' but he took no notice of 
it), `but that there are many persons who, supposing that I recognised any 
claim at all in such a case, have a claim upon me superior to Miss Tox's. But 
I do not. I recognise no such thing. Paul and myself will be able, when the 
time comes, to hold our own—the house, in other words, will be able to hold 
its own, and maintain its own, and hand down its own of itself, and without 
any such common-place aids. The kind of foreign help which people usually 
seek for their children, I can afford to despise; being above it, I hope. So 
that Paul's infancy and childhood pass away well, and I see him becoming 
qualified without waste of time for the career on which he is destined to 
enter, I am satisfied. He will make what powerful friends he pleases in 
after-life, when he is actively maintaining—and extending, if that is 
possible—the dignity and credit of the Firm. Until then, I am enough for 
him, perhaps, and all in all. I have no wish that people should step in 
between us. I would much rather show my sense of the obliging conduct of a 
deserving person like your friend. Therefore let it be so; and your husband 
and myself will do well enough for the other sponsors, I dare say.' 


</p>
            <p>In the course of these remarks, delivered with great majesty and grandeur, 
Mr. Dombey had truly revealed the secret feelings of his breast. An 
indescribable distrust of anybody stepping in between himself and his son; a 
haughty dread of having any rival or partner in the boy's respect and 
deference; a sharp misgiving, recently acquired, that he was not infallible 
in his power of bending and binding human wills; as sharp a jealousy of any 
second check or cross; these were, at that time, the master keys of his soul. 
In all his life, he had never made a friend. His cold and distant nature had 
neither sought one nor found one. And now when that nature concentrated its 
whole force so strongly on a partial scheme of parental interest and 
ambition, it seemed as if its icy current, instead of being released by this 
influence, and running clear and free, had thawed for but an instant to admit 
its burden, and then frozen with it into one unyielding block. 


</p>
            <p>Elevated thus to the godmothership of little Paul, in virtue of her 
insignificance, Miss Tox was from that hour chosen and appointed to office; 
and Mr. Dombey further signified his pleasure that the ceremony, already long 
delayed, should take place without further postponement. His sister, who had 
been far from anticipating so signal a success, withdrew as soon as she 
could, to communicate it to her best of friends; and Mr. Dombey was left 
alone in his library. 


</p>
            <p>There was anything but solitude in the nursery; for there, Mrs. Chick and 
Miss Tox were enjoying a social evening, so much to the disgust of Miss Susan 
Nipper, that that young lady embraced every opportunity of making wry faces 
behind the door. Her feelings were so much excited on the occasion, that she 
found it indispensable to afford them this relief, even without having the 
comfort of any audience or sympathy whatever. As the knight-errants of old 
relieved their minds by carving their mistress's names in deserts, and 
wildernesses, and other savage places where there was no probability of there 
ever being anybody to red them, so did Miss Susan Nipper curl her snub nose 
into drawers and wardrobes, put away winks of disparagement in cupboards, 
shed derisive squints into stone pitchers, and contradict and call names out 
in the passage. 


</p>
            <p>The two interlopers, however, blissfully unconscious of the young lady's 
sentiments, saw little Paul safe through all the stages of undressing, airy 
exercise, supper and bed; and then sat down to tea before the fire. The two 
children now lay, through the good offices of Polly, in one room; and it was 
not until the ladies were established at their tea-table that happening to 
look towards the little beds, they thought of Florence. 


</p>
            <p>`How sound she sleeps!' said Miss Tox. 


</p>
            <p>`Why, you know, my dear, she takes a great deal of exercise in the course of 
the day,' returned Mrs. Chicks, `playing about little Paul so much.' 


</p>
            <p>`She is a curious child,' said Miss Tox. 


</p>
            <p>`My dear,' retorted Mrs. Chick, in a low voice: `Her mama, all over!' 


</p>
            <p>`Indeed!' said Miss Tox. `Ah dear me!' 


</p>
            <p>A tone of most extraordinary compassion Miss Tox said it in, though she had 
no distinct idea why, except that it was expected of her. 


</p>
            <p>`Florence will never, never, never, be a Dombey,' said Mrs. Chick, `not if 
she lives to be a thousand years old.' 


</p>
            <p>Miss Tox elevated her eyebrows, and was again full of commiseration. 


</p>
            <p>`I quite fret and worry myself about her,' said Mrs. Chick, with a sigh of 
modest merit. `I really don't see what is to become of her when she grows 
older, or what position she is to take. She don't gain on her papa in the 
least. How can one expect she should, when she is so very unlike a 
Dombey?' 


</p>
            <p>Miss Tox looked as if she saw no way out of such a cogent argument as that, 
at all. 


</p>
            <p>`And the child, you see,' said Mrs. Chick, in deep confidence, `has poor 
Fanny's nature. She'll never make an effort in after-life I'll venture to 
say. Never! she'll never wind and twine herself about her papa's heart 
like—' 


</p>
            <p>`Like the ivy?' suggested Miss Tox. 


</p>
            <p>`Like the ivy,' Mrs. Chick assented. `Never! she'll never glide and nestle 
into the bosom of her papa's affections like—the—' 


</p>
            <p>`Startled fawn?' suggested Miss Tox. 


</p>
            <p>`Like the startled fawn,' said Mrs. Chick. `Never! Poor Fanny! Yet, how I 
loved her!' 


</p>
            <p>`You must not distress yourself, my dear,' said Miss Tox, in a soothing 
voice. `Now really! You have too much feeling.' 


</p>
            <p>`We have all our faults,' said Mrs. Chick, weeping and shaking her head. `I 
dare say we have. I never was blind to hers. I never said I was. Far from it. 
Yet how I loved her!' 


</p>
            <p>What a satisfaction it was to Mrs. Chick—a common-place piece of folly 
enough, compared with whom her sister-in-law had been a very angel of 
whomanly intelligence and gentleness—to patronise and be tender to the 
memory of that lady: in exact pursuance of her conduct to her in her 
lifetime: and to thoroughly believe herself, and take herself in and make 
herself uncommonly comfortable on the strength of her toleration!What a 
mighty pleasant virtue toleration should be when we are right, to be so very 
pleasant when we are wrong, and quite unable to demonstrate how we come to be 
invested with the privilege of exercising it! 


</p>
            <p>Mrs. Chick was yet drying her eyes and shaking her head, when Richards made 
bold to caution her that Miss Florence was awake and sitting in her bed. She 
had risen, as the nurse said, and the lashes of her eyes were wet with tears. 
But no one saw them glistening save Polly. No one else leant over her, and 
whispered soothing words to her, or was near enough to hear the flutter of 
her beating heart. 


</p>
            <p>`Oh! dear nurse!' said the child, looking earnestly up in her face, `let me 
lie by my brother!' 


</p>
            <p>`Why, my pet?' said Richards. 


</p>
            <p>`Oh! I think he loves me,' cried the child wildly. `Let me lie by him. Pray 
do!' 


</p>
            <p>Mrs. Chick interposed with some motherly words about going to sleep like a 
dear, but Florence repeated her supplication, with a frightened look, and in 
a voice broken by sobs and tears. 


</p>
            <p>`I'll not wake him,' she said, covering her face and hanging down her head. 
`I'll only touch him with my hand, and go to sleep. Oh, pray, pray, let me 
lie by my brother to-night, for I believe he's fond of me!' 


</p>
            <p>Richards took her without a word, and carrying her to the little bed in which 
the infant was sleeping, laid her down by his side. She crept as near him as 
she could without disturbing his rest; and stretching out one arm so that it 
timidly embraced his neck, and hiding her face on the other, over which her 
damp and scattered hair fell loose, lay motionless. 


</p>
            <p>`Poor little thing,' said Miss Tox; `she has been dreaming, I dare say.' 


</p>
            <p>This trivial incident had so interrupted the current of conversation, that it 
was difficult of resumption; and Mrs. Chick moreover had been so affected by 
the contemplation of her own tolerant nature, that she was not in spirits. 
The two friends accordingly soon made an end of their tea, and a servant was 
despatched to fetch a hackney cabriolet for Miss Tox. Miss Tox had great 
experience in hackney cabs, and her starting in one was generally work of 
time, as she was systematic in the preparatory arrangements. 


</p>
            <p>`Have the goodness, if you please, Towlinson,' said Miss Tox, `first of all, 
to carry out a pen and ink and take his number legibly.' 


</p>
            <p>`Yes, Miss,' said Towlinson. 


</p>
            <p>`Then, if you please, Towlinson,' said Miss Tox, `have the goodness to turn 
the cushion. Which,' said Miss Tox apart to Mrs. Chick, `is generally damp, 
my dear.' 


</p>
            <p>`Yes, Miss,' said Towlinson. 


</p>
            <p>`I'll trouble you also, if you please,' said Miss Tox, `with this card and 
this shilling. He's to drive to the card, and is to understand that he will 
not on any account have more than the shilling.' 


</p>
            <p>`No, Miss,'said Towlinson. 


</p>
            <p>`And—I'm sorry to give you so much trouble, Towlinson,'—said Miss Tox, 
looking at him pensively. 


</p>
            <p>`Not at all, Miss,' said Towlinson. 


</p>
            <p>`Mention to the man, then, if you please, Towlinson,' said Miss Tox, `That 
the lady's uncle is a magistrate, and that if he gives her any of his 
impertinence he will be punished terribly. You can pretend to say that, if 
you please, Towlinson, in a friendly way, and because you know it was done to 
another man, who died.' 


</p>
            <p>`Certainly, Miss,' said Towlinson. 


</p>
            <p>`And now good night to my sweet, sweet, sweet, godson,' said Miss Tox, with a 
soft shower of kisses at each repetition of the adjective; `and Louisa, my 
dear friend, promise me to take a little something warm before you go to bed, 
and not to distress yourself!' 


</p>
            <p>It was with extreme difficulty that Nipper, the black-eyed, who looked on 
steadfastly, contained herself at this crisis, and, until the subsequent 
departure of Mrs. Chick. But the nursery being at length free of visitors, 
she made herself some recompense for her late restraint. 


</p>
            <p>`You might keep me in a strait - waistcoat for six weeks,' said Nipper, `and 
when I got it off I'd only be more aggravated, who ever heard the like of 
them two Griffins, Mrs. Richards?' 


</p>
            <p>`And then to talk of having been dreaming, poor dear!' said Polly. 


</p>
            <p>`Oh you beauties!' cried Susan Nipper, affecting to salute the door by which 
the ladies had departed. `Never be a Dombey won't she?  It's to be hoped she 
won't, we don't want any more such, one's enough.' 


</p>
            <p>`Don't wake the children, Susan dear,' Susan dear,' said Polly. 


</p>
            <p>`I'm very much beholden to you, Mrs. Richards,' said Susan, who was not by 
any means discriminating in her wrath, `and really feel it as a honour to 
receive your commands, being a black slave and a mulotter. Mrs. Richards, if 
there's any other orders, you can give me, pray mention 'em.' 


</p>
            <p>`Nonsense; orders,' said Polly. 


</p>
            <p>`Oh! bless your heart, Mrs. Richards,' cried Susan, `temporaries always 
orders permanencies here, didn't you know that, why wherever was you born, 
Mrs. Richards? But wherever you was born, Mrs. Richards,' pursue Spitfire, 
shaking her head resolutely, `and whenever, and however (which is best known 
to yourself), you may bear in mind, please, that it's one thing to give 
orders, and quite another thing to take 'em. A person may tell a person to 
dive off a bridge head foremost into five-and-forty feet of water, Mrs. 
Richards, but a person may be very far from diving.' 


</p>
            <p>`There now,' said Polly, `you're angry because you're a good little thing, 
and fond of Miss Florence; and yet you turn round on me, because there's 
nobody else.' 


</p>
            <p>`It's very easy for some to keep their tempers, and be soft-spoken, Mrs. 
Richards,' returned Susan, slightly mollified, ` When their child's made as 
much of as a prince, and is petted and patted till it wishes its friends 
further, but when a sweet young pretty innocent, that never ought to have a 
cross word spoken to or of it, is run down, the case is very different 
indeed. My goodness gracious me, Miss Floy, you naughty, sinful child if you 
don't shut your eyes this minute, I'll call in them hobgoblins that lives in 
the cock-loft to come and eat you up alive!' 


</p>
            <p>Here Miss Nipper made a horrible lowing, supposed to issue from a 
conscientious goblin of the bull species, impatient to discharge the severe 
duty of his position. Having further composed her young charge by covering 
her head with the bed-clothes, and making three or four angry dabs at the 
pillow, she folded her arms, and screwed up her mouth, and sat looking at the 
fire for the rest of the evening. 


</p>
            <p>Though little Paul was said, in nursery phrase, `to take a deal of notice for 
his age,' he took as little notice of all this as of the preparations for his 
christening on the next day but one; which nevertheless went on about him, as 
to his personal apparel, and that of his sister and the two nurses, with 
great activity. Neither did he, on the arrival of the appointed morning, show 
any sense of its importance; being, on the contrary, unusually inclined to 
sleep, and unusually inclined to take it ill in his attendants that they 
dressed him to go out. 


</p>
            <p>It happened to be an iron-grey autumnal day, with a shrewd east wind 
blowing—a day in keeping with the proceedings. Mr. Dombey represented in 
himself the wind, the shade, and the autumn of the christening. He stood in 
his library to receive the company, as hard land cold as the weather; and 
when he looked out through the glass room, at came fluttering down, as if he 
blighted them. 


</p>
            <p>Ugh! They were black, cold rooms; and seemed to be in mourning, like the 
inmates of the house. The books precisely matched as to size, and drawn up in 
line, like soldiers, looked in their cold, hard, slippery uniforms, as if 
they had but one idea among them, and that was a freezer. The bookcase, 
glazed and locked, repudiated all familiarities. Mr. Pitt, in bronze on the 
top with no trace of his celestial origin about him, guarded the unattainable 
treasure like an enchanted Moor. A dusty urn at each high corner, dug up from 
an ancient tomb, preached desolation and decay, as from two pulpits; and the 
chimmey-glass, reflecting Mr. Dombey and his portrait at one blow, seemed 
fraught with melancholy meditations. 


</p>
            <p>The stiff and stark fire-irons appeared to claim a nearer relationship than 
anything else there to Mr. Dombey, with his buttoned coat, his white cravat, 
is heavy gold watch-chain, and his creaking boots. But this was before the 
arrival of Mr. and Mrs. Chick, his lawful relatives, who soon presented 
themselves. 


</p>
            <p>`My dear Paul,' Mrs. Chick murmured, as she embraced him, `the beginning, I 
hope, of many joyful days!' 


</p>
            <p>`Thank you, Louisa,' said Mr. Dombey, grimly. `How do you do, Mr. John?' 


</p>
            <p>`How do you do, Sir?' said Chick. 


</p>
            <p>He gave Mr. Dombey his hand, as if he feared it might electrify him. Mr. 
Dombey took it as if it were a fish, or seaweed, or some such clammy 
substance, and immediately returned it to him with exalted politeness. 


</p>
            <p>`Perhaps, Louisa,' said Mr. Dombey, slightly turning his head in his cravat, 
as if it were a socket, `you would have preferred a fire?' 


</p>
            <p>`Oh, my dear Paul, no,' said Mrs. chick, who had much ado to keep her teeth 
from chattering; `not for me.' 


</p>
            <p>`Mr. John,' said Mr. Dombey, `you are not sensible of any chill?' 


</p>
            <p>Mr. John, who had already got both his hands in his pockets over the wrists, 
and was on the very threshold of that same canine chorus which had given Mrs. 
Chick so much offence on a former occasion, protested that he was perfectly 
comfortable. 


</p>
            <p>He added in a low voice, `With my tiddle tol toor rul'—when he was 
providentially stopped by Towlinson, who announced: 


</p>
            <p>`Miss Tox!' 


</p>
            <p>And enter that fair enslaver, with a blue nose and indescribably frosty face, 
referable to her being very thinly clad in a maze of fluttering odds and 
ends, to do honour to the ceremony. 


</p>
            <p>`How do you do, Miss Tox?' said Mr. Dombey. 


</p>
            <p>Miss Tox, in the midst of her spreading gauzes, went down altogether like an 
opera-glass shutting-up; she curtseyed so low, in acknowledgment of Mr. 
Dombey's advancing a step or two to meet her. 


</p>
            <p>`I can never forget this occasion, Sir,' said Miss Tox, softly. `'Tis 
impossible. My dear Louisa, I can hardly believe the evidence of my 
senses.' 


</p>
            <p>If Miss Tox could believe the evidence of one of her senses, it was a very 
cold day. That was quite clear. She took an early opportunity of promoting 
the circulation in the tip of her nose by secretly chafing it with her 
pocket-handkerchief, lest, by its very low temperature, it should 
disagreeably astonish the baby when she came to kiss it. 


</p>
            <p>The baby soon appeared, carried in great glory by Richards; while Florence, 
in custody of that active young constable, Susan Nipper, brought up the rear. 
Though the whole nursery party were dressed by this time in lighter mourning 
than at first, there was enough in the appearance of the bereaved children to 
make the day no brighter. The baby too—it might have been Miss Tox's 
nose—began to cry. Thereby, as it happened, preventing Mr. chick from the 
awkward fulfilment of a very honest purpose he had; which was, to make much 
of Florence. For this gentleman, insensible to the superior claims of a 
perfect Dombey (perhaps on account of having the honour to be united to a 
Dombey himself, and being familiar with excellence), really liked her, and 
showed that he liked her, and was about to show it in his own way now, when 
Paul cried, and his helpmate stopped him short. 


</p>
            <p>`Now Florence, child!' said her aunt, briskly, `what are you doing, love? 
Show yourself to him. Engage his attention, my dear!' 


</p>
            <p>The atmosphere became or might have become colder and colder, when Mr. Dombey 
stood frigidly watching his little daughter, who, clapping her hands, and 
standing on tip-toe before the throne of his son and heir, lured him to bend 
down from his high estate, and look at her. Some honest act of Richards's may 
have aided the effect, but he did look down, and held his peace. As his 
sister hid behind her nurse, he followed her with his eyes; and when she 
peeped out with a merry cry to him, he sprang up and crowed lustily—laughing 
outright when she ran in upon him; and seeming to fondle her curls with his 
tiny hands, while she smothered him with kisses. 


</p>
            <p>Was Mr. Dombey pleased to see this? He testified no pleasure by the 
relaxation of a nerve; but outward tokens of any king of feeling were unusual 
with him. If any sunbeam stole into the room to light the children at their 
play, it never reached his face. He looked on so fixedly and coldly, that the 
warm light vanished even from the laughing eyes of little Florence, when, at 
last, they happened to meet his. 


</p>
            <p>It was a dull, grey, autumn day indeed, and in a minute's pause and silence 
that took place, the leaves fell sorrowfully. 


</p>
            <p>`Mr. John,' said Mr. Dombey, referring to his watch, and assuming his hat and 
gloves. `Take my sister, if you please: my arm to-day is Miss Tox's. You had 
better go first with Master Paul, Richards. Be very careful.' 


</p>
            <p>In Mr. Dombey's carriage, Dombey and Son, Miss Tox, Mrs. Chick, Richards, and 
Florence. In a little carriage following it, Susan Nipper and the owner Mr. 
Chick. Susan looking out of window, without intermission, as a relief from 
the embarrassment of confronting the large face of that he gentleman, and 
thinking whenever anything rattled that he was putting up in paper an 
appropriate pecuniary compliment for herself. 


</p>
            <p>Once upon the road to church, Mr. Dombey clapped his hands for the amusement 
of his son. At which instance of parental enthusiasm Miss Tox was enchanted. 
But exclusive of this incident, the chief difference between the christening 
party and a party in a mourning coach, consisted in the colours of the 
carriage and horses. 


</p>
            <p>Arrived at the church steps, they were received by a portentous beadle. Mr. 
Dombey dismounting first to help the ladies out, and standing near him at the 
church door, looked like another beadle. A beadle less gorgeous but more 
dreadful; the beadle of private life; the beadle of our business and our 
bosoms. 


</p>
            <p>Miss Tox's hand trembled as she slipped it through Mr. Dombey's arm, and felt 
herself escorted up the steps, preceded by a cocked hat and a Babylonian 
collar. It seemed for a moment like that other solemn institution, `Wilt thou 
have this man, Lucretia?' `Yes, I will.' 


</p>
            <p>`Please to bring the child in quick out of the air there,' whispered the 
beadle, holding open the inner door of the church. 


</p>
            <p>Little Paul might have asked with Hamlet `into my grave?' so chill and earthy 
was the place. The tall shrouded pulpit and reading desk; the dreary 
perspective of empty pews stretching away under the galleries, and empty 
benches mounting to the roof and lost in the shadow of the great grim organ; 
the dusty matting and cold stone slabs; the grisly free seats in the aisles; 
and the damp corner by the bell-rope, where the black trestles used for 
funerals were stowed away, along with some shovels and baskets, and a coil or 
two of deadly-looking rope; the strange, unusual, uncomfortable smell, and 
the cadaverous light; were all in unison. It was a cold and dismal scene. 


</p>
            <p>`There's a wedding just on, Sir,' said the beadle, `but it'll be over 
directly, if you'll walk into the westry here.' 


</p>
            <p>Before he turned again to lead the way, he gave Mr. Dombey a bow and a half 
smile of recognition, importing that he (the beadle) remembered to have had 
the pleasure of attending on him when he buried his wife, and hoped he had 
enjoyed himself since. 


</p>
            <p>The very wedding looking dismal as they passed in front of the altar. The 
bride was too old and the bridegroom too young, and a superannuated beau with 
one eye and an eye-glass stuck in its blank companion, was giving away the 
lady, while the friends were shivering. In the vestry the fire was smoking; 
and an over-aged and over-worked and under-paid attorney's clerk, `making a 
search,' was running his forefinger down the parchment pages of an immense 
register (one of a long series of similar volumes) gorged with burials. Over 
the fireplace was a ground-plan of the vaults underneath the church; and Mr. 
Chick, skimming the literary portion of it aloud, by way of enlivening the 
company, read the reference to Mrs. Dombey's tomb in full, before he could 
stop himself. 


</p>
            <p>After another cold interval, a wheezy little pew-opener afflicted with an 
asthma, appropriate to the churchyard, if not to the church, summoned them to 
the font. Here they waited some little time while the marriage party enrolled 
themselves; and  meanwhile the wheezy little pew-opener—partly in 
consequence of her infirmity, and partly that the marriage party might not 
forget her—went about the building coughing like a grampus. 


</p>
            <p>Presently the clerk (the only cheerful-looking object there, and <hi>he</hi> was 
an undertaker) came up with a jug of warm water, and said something, as he 
poured it into the font, about taking the chill off; which millions of 
gallons boiling hot could not have done for the occasion. Then the clergyman, 
an amiable and mild-looking young curate, but obviously afraid of the baby, 
appeared like the principal character in a ghost-story, `a tall figure all in 
white;' at sight of whom Paul rent the air with his cries, and never left 
again till he was taken out black in the face. 


</p>
            <p>Even when that event had happened, to the great relief of everybody, he was 
heard under the portico, during the rest of the ceremony, now fainter, now 
louder, now hushed, now bursting forth again with an irrepressible sense of 
his wrongs. This so distracted the attention of the two ladies, that Mrs. 
Chick was constantly deploying into the centre aisle, to send out messages by 
the pew-opener, while Miss Tox kept her Prayer-book open at the Gunpowder 
Plot, and occasionally read responses from that service. 


</p>
            <p>During the whole of these proceedings, Mr. Dombey remained as impassive and 
gentlemanly as ever, and perhaps assisted in making it so cold, that the 
young curate smoked at the mouth as he read. The only time that he unbent his 
visage in the least, was when the clergyman, in delivering (very unaffectedly 
and simply) the closing exhortation, relative to the future examination of 
the child by the sponsors, happened to rest his eye on Mr. Chick; and then 
Mr. Dombey might have been seen to express by a majestic look, that he would 
like to catch him at it. 


</p>
            <p>It might have been well for Mr. Dombey, if he had thought of his own dignity 
a little less; and had thought of the great origin and purpose of the 
ceremony in which he took so formal and so stiff a part, a little more. His 
arrogance contrasted strangely with its history. 


</p>
            <p>When it was all over, he again gave his arm to Miss Tox, and conducted her to 
the vestry, where he informed the clergyman how much pleasure it would have 
given him to have solicited the honour of his company at dinner, but for the 
unfortunate state of his household affairs. The register signed, and the fees 
paid, and the pew-opener (whose cough was very bad again) remembered, and the 
beadle gratified, and the sexton (who was accidentally on the door-steps, 
looking with great interest at the weather) not forgotten, they got into the 
carriage again, and drove home in the same bleak fellowship. 


</p>
            <p>There they found Mr. Pitt turning up his nose at a cold collation, set forth 
in a cold pomp of glass and silver, and looking more like a dead dinner lying 
in state than a social refreshment. On their arrival Miss Tox produced a mug 
for her godson, and Mr. Chick a knife and fork and spoon in a case. Mr. 
Dombey also produced a bracelet for Miss Tox; and, on the receipt of this 
token, Miss Tox was tenderly affected. 


</p>
            <p>`Mr. John,' said Mr. Dombey, `will you take the bottom of the table, if you 
please? What have you got there, Mr. John?' 


</p>
            <p>`I have got a cold fillet of veal here, Sir,' replied Mr. Chick, rubbing his 
numbed hands hard together. `What have <hi>you</hi> got there, Sir?' 


</p>
            <p>`This,' returned Mr. Dombey, `is some cold preparation of calf's head, I 
think. I see cold fowls—ham—patties—salad—lobster. Miss Tox will do me 
the honour of taking some wine? Champagne to Miss Tox.' 


</p>
            <p>There was a toothache in everything. The wine was so bitter cold that it 
forced a little scream from Miss Tox, which she had great difficulty in 
turning into a `Hem!' The veal had come from such an airy pantry, that the 
first taste of it had struck a sensation as of cold lead to Mr. Chick's 
extremities. Mr. Dombey alone remained unmoved. He might have been hung up 
for sale at a Russian fair as a specimen of a frozen gentleman. 


</p>
            <p>The prevailing influence was too much even for his sister. She made no effort 
at flattery or small talk, and directed all her efforts to looking as warm as 
she could. 


</p>
            <p>`Well, Sir,' said Mr. Chick, making a desperate plunge, after a long silence, 
and filling a glass of sherry; `I shall drink this, if you'll allow me, Sir, 
to little Paul.' 


</p>
            <p>`Bless him!' murmured  Miss Tox, taking a sip of wine. 


</p>
            <p>`Dear little Dombey!' murmured Mrs. Chick. 


</p>
            <p>`Mr. John,' said Mr. Dombey, with severe gravity, `my son would feel and 
express himself obliged to you, I have no doubt, if he could appreciate the 
favour you have done him. He will prove, in time to come, I trust, equal to 
any responsibility that the obliging disposition of his relations and 
friends, in private, or the onerous nature of our position, in public, may 
impose upon him.' 


</p>
            <p>The tone in which this was said admitting of nothing more, Mr. Chick relapsed 
into low spirits and silence. Not so Miss Tox, who, having listened to Mr. 
Dombey with even a more emphatic attention than usual, and with a more 
expressive tendency of her head to one side, now leant across the table, and 
said to Mrs. Chick softly: 


</p>
            <p>`Louisa!' 


</p>
            <p>`My dear,' said Mrs. Chick. 


</p>
            <p>`Onerous nature of our position in public may—I have forgotten the exact 
term.' 


</p>
            <p>`Expose him to,' said Mrs. Chick. 


</p>
            <p>`Pardon me, my dear,' returned Miss Tox, `I think not. It was more rounded 
and flowing. Obliging disposition of relations and friends in private, or 
onerous nature of position in public—may—impose upon him!' 


</p>
            <p>`Impose upon him, to be sure,' said Mrs. Chick. 


</p>
            <p>Miss tox struck her delicate hands together lightly, in triumph; and added, 
casting up her eyes, `eloquence indeed!' 


</p>
            <p>Mr. Dombey, in the meanwhile, had issued orders for the attendance of 
Richards, who now entered curtseying, but without the baby; Paul being asleep 
after the fatigues of the morning. Mr. Dombey, having delivered a glass of 
wine to this vassal, addressed her in the following words: Miss Tox 
previously settling her head on one side, and making other little 
arrangements for engraving them on her heart. 


</p>
            <p>`During the six months or so, Richards, which have seen you an inmate of this 
house, you have done your duty. Desiring to connect some little service to 
you with this occasion, I considered how I could best effect that object, and 
I also advised with my sister, Mrs.—' 


</p>
            <p>`Chick,' interposed the gentleman of that name. 


</p>
            <p>`Oh, hush if you <hi>please</hi>!' said Miss Tox. 


</p>
            <p>`I was about to say to you, Richards,' resumed Mr. Dombey, with an appalling 
glance at Mr. John, `that I was further assisted in my decision, by the 
recollection of a conversation I held with your husband in this room, on the 
occasion of your being hired, when he disclosed to me the melancholy fact 
that your family, himself at the head, were sunk and steeped in 
ignorance.' 


</p>
            <p>Richards quailed under the magnificence of the reproof. 


</p>
            <p>`I am far from being friendly,' pursued Mr. Dombey, `to what is called by 
persons of levelling sentiments, general education. But it is necessary that 
the inferior classes should continue to be taught to know their position, and 
to conduct themselves properly. So far I approve of schools. Having the power 
of nominating a child on the foundation of an ancient establishment, called 
(from a worshipful company) the Charitable Grinders; where not only is a 
wholesome education bestowed upon the scholars, but where a dress and badge 
is likewise provided for them; I have (first communicating, through Mrs. 
chick, with your family) nominated your eldest son to an existing vacancy; 
and he has this day, I am informed, assumed the habit. The number of her son, 
I believe,' said Mr. Dombey, turning to his sister and speaking of the child 
as if he were a hackney-coach, `is one hundred and forty-seven. Louisa, you 
can tell her.' 


</p>
            <p>`One hundred and forty-seven,' said Mrs. Chick. `The dress, Richards, is a 
nice, warm, blue baize tailed coat and cap, turned up with orange-coloured 
binding; red worsted stockings; and very strong leather small-clothes. One 
might wear the articles one's-self,' said Mrs. Chick, with enthusiasm, `and 
be grateful.' 


</p>
            <p>`There, Richards!' said Miss Tox. `Now, indeed, you <hi>may</hi> be proud. The 
Charitable Grinders!' 


</p>
            <p>`I am sure I am very much obliged, Sir,' returned Richards faintly, `and take 
it very kind that you should remember my little ones.' At the same time a 
vision of Biler as a charitable Grinder, with his very small legs encased in 
the serviceable clothing described by Mrs. Chick, swam before Richards's 
eyes, and made them water. 


</p>
            <p>`I am very glad to see you have so much feeling, Richards,' said Miss Tox. 


</p>
            <p>`It makes one almost hope, it really does,' said Mrs. Chick, who prided 
herself on taking trustful views of human nature, `that there may yet be some 
faint spark of gratitude and right feeling in the world.' 


</p>
            <p>Richards deferred to these compliments by curtseying and murmuring her 
thanks; but finding it quite impossible to recover her spirits from the 
disorder into which they had been thrown by the image of her son in his 
precocious nether garments, she gradually approached the door and was 
heartily relieved to escape by it. 


</p>
            <p>Such temporary indications of a partial thaw that had appeared with her, 
vanished with her; and the frost set in again, as cold and hard as ever. Mr. 
Chick was twice heard to hum a tune at the bottom of the table, but on both 
occasions it was a fragment of the Dead March in Saul. The party seemed to 
get colder and colder, and to be gradually resolving itself into a congealed 
and solid state, like the collation round which it was assembled. At length 
Mrs. Chick looked at Miss Tox, and Miss Tox returned the look, and they both 
rose and said it was really time to go. Mr. Dombey receiving this 
announcement with perfect equanimity, they took leave of that gentleman, and 
presently departed under the protection of Mr. Chick; who, when they had 
turned their backs upon the house and left its master in his usual solitary 
state, put his hands in his pockets, threw himself back in the carriage, and 
whistled `With a hey ho chevy!' all through; conveying into his face as he 
did so, an expression of such gloomy and terrible defiance, that Mrs. Chick 
dared not protest, or in any way molest him. 


</p>
            <p>Richards, though she had little Paul on her lap, could not forget her own 
first-born. She felt it was ungrateful; but the influence of the day fell 
even on the Charitable Grinders, and she could hardly help regarding his 
pewter badge, number one hundred and forty-seven, as, somehow, a part of its 
formality and sternness. She spoke, too, in the nursery, of his `blessed 
legs,' and was again troubled by his spectre in uniform. 


</p>
            <p>`I don't know what I wouldn't give,' said Polly, `to see the poor little dear 
before he gets used to 'em.' 


</p>
            <p>`Why, then, I tell you what, Mrs. Richards,' retorted Nipper, who had been 
admitted to her confidence, `see him and make your mind easy.' 


</p>
            <p>`Mr. Dombey wouldn't like it,' said Polly. 


</p>
            <p>`Oh, wouldn't he, Mrs. Richards!' retorted Nipper, `he'd like it very much, I 
think, when he was asked.' 


</p>
            <p>`You wouldn't ask him, I suppose, at all?' said Polly. 


</p>
            <p>`No, Mrs. Richards, quite contrairy,'returned Susan, `and them tow inspectors 
Tox and Chick, not intending to be on duty to-morrow, as I heard 'em say, me 
and Miss Floy will go along with you to-morrow morning, and welcome, Mrs. 
Richards, if you like, for we may as well walk there, as up and down a 
street, and better too.' 


</p>
            <p>Polly rejected the idea pretty stoutly at first; but by little and little she 
began to entertain it, as she entertained more and more distinctly the 
forbidden pictures of her children, and her own home. At length, arguing that 
there could be no great harm in calling for a moment at the door, she yielded 
to the Nipper proposition. 


</p>
            <p>The matter being settled thus, little Paul began to cry most piteously, as if 
he had a foreboding that no good would come of it. 


</p>
            <p>`What's the matter with the child?' asked Susan. 


</p>
            <p>`He's cold, I think,' said Polly, walking with him to and fro, and hushing 
him. 


</p>
            <p>It was a bleak autumnal afternoon indeed; and as she walked, and hushed, and, 
glancing through the dreary windown, pressed the little fellow closer to her 
breast, the withered leaves came showering down. 

</p>
         </div>
         <div xml:id="c6" type="chapter">
            <head>CHAPTER VI</head>
            <head>Paul's Second Deprivation</head>
            <p>POLLY was beset by so many misgivings in the morning, that but for the 
incessant 
promptings of her black-eyed companion, she would have abandoned all thoughts 
of the 
expedition, and formally petitioned for leave to see number one hundred and 
forty-seven, 
under the awful shadow of Mr. Dombey's roof. But Susan who was personally 
disposed in 
favour of the excursion, and who (like Tony Lumpkin), if she could bear the 
disappointments of other people with tolerable fortitude, could not abide to 
disappoint 
herself, threw so many ingenious doubts in the way of this second thought, 
and stimulated 
the original intention with so many ingenious arguments, that almost as soon 
as Mr. 
Dombey's stately back was turned, and that gentleman was pursuing his daily 
road 
towards the City, his unconscious son was on his way to Staggs's Gardens. 


</p>
            <p>This euphonious locality was situated in a suburb, known by the inhabitants 
of Staggs's 
Gardens by the name of Camberling Town; a designation which the Strangers' 
Map of 
London, as printed (with a view to pleasant and commodious reference) on 
pocket-handkerchiefs, condenses, with some show of reason, into Camden Town. 
Hither 
the two nurses bent their steps, accompanied by their charges; Richards 
carrying Paul, of 
course, and Susan leading little Florence by the hand, and giving her such 
jerks and pokes 
from time to time, as she considered it wholesome to administer. 


</p>
            <p>The first shock of a great earthquake had, just at that period, rent the 
whole 
neighbourhood to its centre. Traces of its course were visible on every side. 
Houses were 
knocked down; streets broken through and stopped; deep pits and trenches dug 
in the 
ground; enormous heaps of earth and clay thrown up; buildings that were 
undermined and 
shaking, propped by great beams of wood. Here, a chaos of carts, overthrown 
and jumbled 
together, lay topsy-turvy at the bottom of a steep unnatural hill; there, 
confused treasures 
of iron soaked and rusted in something that had accidentally become a pond. 
Everywhere 
were bridges that led nowhere; thoroughfares that were wholly impassable; 
Babel towers 
of chimneys, wanting half their height; temporary wooden houses and 
enclosures, in the 
most unlikely situations; carcases of ragged tenements, and fragments of 
unfinished walls 
and arches, and piles of scaffolding, and wildernesses of bricks, and giant 
forms of cranes, 
and tripods straddling above nothing. There were a hundred thousand shapes 
and 
substances of incompleteness, wildly mingled out of their places, upside 
down, burrowing 
in the earth, aspiring in the air, mouldering in the water, and 
unintelligible as any dream. 
Hot springs and fiery eruptions, the usual attendants upon earthquakes, lent 
their 
contributions of confusion to the scene. Boiling water hissed and heaved 
within dilapidated 
walls; whence, also, the glare and roar of flames came issuing forth; and 
mounds of ashes 
blocked up rights of way, and wholly changed the law and custom of the 
neighbourhood. 


</p>
            <p>In short, the yet unfinished and unopened Railroad was in progress; and, from 
the very 
core of all this dire disorder, trailed smoothly away, upon its mighty course 
of civilisation 
and improvement. 


</p>
            <p>But as yet, the neighbourhood was shy to own the Railroad. One or two bold 
speculators 
had projected streets; and one had built a little, but had stopped among the 
mud and ashes 
to consider farther of it. A bran-new Tavern, redolent of fresh mortar and 
size, and 
fronting nothing at all, had taken for its sign The Railway Arms; but that 
might be rash 
enterprise—and then it hoped to sell drink to the workmen. So, the 
Excavators' House of 
Call had sprung up from a beer-shop; and the old-established Ham and Beef 
Shop had 
become the Railway Eating House, with a roast leg of pork daily, through 
interested 
motives of a similar immediate and popular description. Lodging-house keepers 
were 
favourable in like manner; and for the like reasons were not to be trusted. 
The general 
belief was very slow. There were frowzy fields, and cow-houses, and 
dunghills, and 
dustheaps, and ditches, and gardens, and summer-houses, and carpet-beating 
grounds, at 
the very door of the Railway. Little tumuli of oyster shells in the oyster 
season, and of 
lobster shells in the lobster season, and of broken crockery and faded 
cabbage leaves in all 
seasons, encroached upon its high places. Posts, and rails, and old cautions 
to trespassers, 
and backs of mean houses, and patches of wretched vegetation, stared it out 
of 
countenance. Nothing was the better for it, or thought of being so. If the 
miserable waste 
ground lying near it could have laughed, it would have laughed it to scorn, 
like many of 
the miserable neighbours. 


</p>
            <p>Staggs's Gardens was uncommonly incredulous. It was a little row of houses, 
with little 
squalid patches of ground before them, fenced off with old doors, barrel 
staves, scraps of 
tarpaulin, and dead bushes; with bottomless tin kettles and exhausted iron 
fenders, thrust 
into the gaps. Here, the Staggs's Gardeners trained scarlet beans, kept fowls 
and rabbits, 
erected rotten summer-houses (one was an old boat), dried clothes, and smoked 
pipes. 
Some were of opinion that Staggs's Gardens derived its name from a deceased 
capitalist, 
one Mr. Staggs, who had built it for his delectation. Others, who had a 
natural taste for 
the country, held that it dated from those rural times when the antlered 
herd, under the 
familiar denomination of Staggses, had resorted to its shady precincts. Be 
this as it may, 
Staggs's Gardens was regarded by its population as a sacred grove not to be 
withered by 
railroads; and so confident were they generally of its long outliving any 
such ridiculous 
inventions, that the master chimney-sweeper at the corner, who was understood 
to take the 
lead in the local politics of the Gardens, had publicly declared that on the 
occasion of the 
Railroad opening, if ever it did open, two of his boys should ascend the 
flues of his 
dwelling, with instructions to hail the failure with derisive jeers from the 
chimney-pots. 


</p>
            <p>To this unhallowed spot, the very name of which had hitherto been carefully 
concealed 
from Mr. Dombey by his sister, was little Paul now borne by Fate and 
Richards. 


</p>
            <p>`That's my house, Susan,' said Polly, pointing it out. 


</p>
            <p>`Is it, indeed, Mrs. Richards?' said Susan, condescendingly. 


</p>
            <p>`And there's my sister Jemima at the door, I do declare!' cried Polly, `with 
my own sweet 
precious baby in her arms!' 


</p>
            <p>The sight added such an extensive pair of wings to Polly's impatience, that 
she set off 
down the Gardens at a run, and bouncing on Jemima, changed babies with her in 
a 
twinkling; to the utter astonishment of that young damsel, on whom the heir 
of the 
Dombeys seemed to have fallen from the clouds. 


</p>
            <p>`Why, Polly!' cried Jemima. `You! what a turn you <hi>have</hi> given me! who'd 
have 
thought it! come along in Polly! How well you do look to be sure! The 
children will go 
half wild to see you Polly, that they will.' 


</p>
            <p>That they  did, if one might judge from the noise they made, and the way in 
which they 
dashed at Polly and dragged her to a low chair in the chimney corner, where 
her own 
honest apple face became immediately the centre of a bunch of smaller 
pippins, all laying 
their rosy cheeks close to it, and all evidently the growth of the same tree. 
As to Polly, 
she was full as noisy and vehement as the children; and it was not until she 
was quite out 
of breath, and her hair was hanging all about her flushed face, and her new 
christening 
attire was very much dishevelled, that any pause took place in the confusion. 
Even then, 
the smallest Toodle but one remained in her lap, holding on tight with both 
arms round 
her neck; while the smallest Toodle but two mounted on the back of the chair, 
and made 
desperate efforts, with one leg in the air, to kiss her round the corner. 


</p>
            <p>`Look! there's a pretty little lady come to see you,' said Polly; `and see 
how quiet 
<hi>she</hi> is! what a beautiful little lady, ain't she?' 


</p>
            <p>This reference to Florence, who had been standing by the door not unobservant 
of what 
passed, directed the attention of the younger branches towards her; and had 
likewise the 
happy effect of leading to the formal recognition of Miss Nipper, who was not 
quite free 
from a misgiving that she had been already slighted. 


</p>
            <p>`Oh do come in and sit down a minute, Susan, please,' said Polly. `This is my 
sister 
Jemima, this is. Jemima, I don't know what I should ever do with myself, if 
it wasn't for 
Susan Nipper; I shouldn't be here now but for her.' 


</p>
            <p>`Oh do sit down, Miss Nipper, if you please,' quoth Jemima. 


</p>
            <p>Susan took the extreme corner of a chair, with a stately and ceremonious 
aspect. 


</p>
            <p>`I never was so glad to see anybody in all my life; now really I never was, 
Miss Nipper,' 
said Jemima. 


</p>
            <p>Susan relaxing, took a little more of the chair, and smiled graciously. 


</p>
            <p>`Do untie your bonnet-strings, and make yourself at home, Miss Nipper, 
please,' entreated 
Jemima. `I am afraid it's a poorer place than you're used to; but yoy'll make 
allowances, 
I'm sure.' 


</p>
            <p>The black-eyed was so softened by this deferential behaviour, that she caught 
up little 
Miss Toodle who was running past, and took her to Banbury Cross 
immediately. 


</p>
            <p>`But where's my pretty boy?' said Polly. `My poor fellow? I came all this way 
to see him 
in his new clothes.' 


</p>
            <p>`Ah what a pity!' cried Jemima. `He'll break his heart, when he hears his 
mother has been 
here. He's at school, Polly.' 


</p>
            <p>`Gone already!' 


</p>
            <p>`Yes. He went for the first time yesterday, for fear he should lose any 
learning. But it's 
half-holding, Polly: if you could only stop till he comes home—you and Miss 
Nipper, 
least-ways,' said Jemima, mindful in good time of the dignity of the 
black-eyed. 


</p>
            <p>`And how does he look, Jemima, bless him!' faltered Polly. 


</p>
            <p>`Well, really he don't look so bad as you'd suppose,' returned Jemima. 


</p>
            <p>`Ah!' said Polly, with emotion, `I knew his legs must be too short.' 


</p>
            <p>`His legs <hi>is</hi> short,' returned Jemima; `especially behind; but they'll 
get longer, 
Polly, every day.' 


</p>
            <p>It was a slow, prospective kind of consolation; but the cheerfulness and good 
nature with 
which it was administered, gave it a value it did not intrinsically possess. 
After a 
moment's silence, Polly asked, in a more sprightly manner: 


</p>
            <p>`And where's Father, Jemima dear?'—for by that patriarchal appellation, Mr. 
Toodle was 
generally known in the family. 


</p>
            <p>`There again!' said Jemima. `What a pity! Father took his dinner with him 
this morning, 
and isn't coming home till night. But he's always talking of you, Polly, and 
telling the 
children about you; and is the peaceablest, patientest, best-temperedst soul 
in the world, as 
he always was and will be!' 


</p>
            <p>`Thankee, Jemima,' cried the simple Polly; delighted by the speech, and 
disappointed by 
the absence. 


</p>
            <p>`Oh you needn't thank me, Polly,' said her sister, giving her a sound kiss 
upon the cheek, 
and then dancing little Paul cheerfully. `I say the same of you sometimes, 
and think it 
too.' 


</p>
            <p>In  spite of the double disappointment, it was impossible to regard in the 
light of a failure 
a visit which was greeted with such a reception; so the sisters talked 
hopefully about 
family matters, and about Biler, and about all his brothers and sisters: 
while the 
black-eyed, having performed several journeys to Banbury Cross and back, took 
sharp 
note of the furniture, the Dutch clock, the cupboard, the castle on the 
mantel-piece with 
red and green windows in it, susceptible of illumination by a candle-end 
within; and the 
pair of small black velvet kittens, each with a lady's reticule in its mouth; 
regarded by the 
Staggs's Gardeners as prodigies of imitative art. The conversation soon 
becoming general 
lest the black-eyed should go off at score and turn sarcastic, that young 
lady related to 
Jemima a summary of everything she knew concerning Mr. Dombey, his prospects, 
family, pursuits, and character. Also an exact inventory of her personal 
wardrobe, and 
some account of her principal relations and friends. Having relieved her mind 
of these 
disclosures, she partook of shrimps and porter, and evinced a disposition to 
swear eternal 
friendship. 


</p>
            <p>Little Florence herself was not behind-hand in improving the occasion: for, 
being 
conducted forth by young Toodles to inspect some toad-stools and other 
curiosities of the 
Gardens, she entered with them, heart and soul, on the formation of a 
temporary 
breakwater across a small green pool that had collected in a corner. She was 
still busily 
engaged in that labour, when sought and found by Susan; who, such was her 
sense of 
duty, even under the humanizing influence of shrimps, delivered a moral 
address to her 
(punctuated with thumps) on her degenerate nature, while washing her face and 
hands; and 
predicted that she would bring the grey hairs of her family in general, with 
sorrow to the 
grave. After some delay, occasioned by a pretty long confidential interview 
above stairs on 
pecuniary subjects, between Polly and Jemima, an interchange of babies was 
again 
effected—for Polly had all this time retained her own child, and Jemima 
little Paul—and the 
visitors took leave. 


</p>
            <p>But first the young Toodles, victims of a pious fraud, were deluded into 
repairing in a 
body to a chandler's shop in the neighbourhood, for the ostensible purpose of 
spending a 
penny; and when the coast was quite clear, Polly fled; Jemima calling after 
her that if they 
could only go round towards the City Road on their way back, they would be 
sure to meet 
little Biler coming from school. 


</p>
            <p>`Do you think that we might make time to go a little round in that direction, 
Susan?' 
inquired, Polly, when they halted to take breath. 


</p>
            <p>`Why not, Mrs. Richards?' returned Susan. 


</p>
            <p>It's getting on towards our dinner time you know, said Polly. 


</p>
            <p>But lunch had rendered her companion more than indifferent to this grave 
consideration, 
so she allowed no weight to it, and they resolved to go `a little round.' 


</p>
            <p>Now, it happened that poor Biler's life had been, since yesterday morning, 
rendered weary 
by the costume of the Charitable Grinders. The youth of the streets could not 
endure it. 
No young vagabond could be brought to bear its contemplation for a moment, 
without 
throwing himself upon the unoffending wearer, and doing him a mischief. His 
social 
existence had been more like that of an early Christian, than an innocent 
child of the 
nineteenth century. He had been stoned in the streets. He had been overthrown 
into 
gutters; bespattered with mud; violently flattened against posts. Entire 
strangers to his 
person had lifted his yellow cap off his head and cast it to the winds. His 
legs had not 
only undergone verbal criticisms and revilings, but had been handled and 
pinched. That 
very morning, he had received a perfectly unsolicited black eye on his way to 
the 
Grinders' establishment, and had been punished for it by the master: a 
superannuated old 
Grinder of savage disposition, who had been appointed schoolmaster because he 
didn't 
know anything, and wasn't fit for anything, and for whose cruel cane all 
chubby little 
boys had a perfect fascination. 


</p>
            <p>Thus it fell out that Biler, on his way home, sought unfrequented paths; and 
slunk along 
by narrow passages and back streets, to avoid his tormentors. Being compelled 
to emerge 
into the main road, his ill fortune brought him at last where a small party 
of boys, headed 
by a ferocious young butcher, were lying in wait for any means of pleasurable 
excitement 
that might happen. These, finding a Charitable Grinder in the midst of 
them—unaccountably delivered over, as it were, into their hands—set up a 
general yell and 
rushed upon him. 


</p>
            <p>But it so fell out likewise, that, at the same time, Polly, looking 
hopelessly along the road 
before her, after a good hour's walk, had said it was no use going any 
further, when 
suddenly she saw this sight. She no sooner saw it than, uttering a hasty 
exclamation, and 
giving Master Dombey to the black-eyed, she started to the rescue of her 
unhappy little 
son. 


</p>
            <p>Surprises, like misfortunes, rarely come alone. The astonished Susan Nipper 
and her two 
young charges were rescued by the bystanders from under the very wheels of a 
passing 
carriage before they knew what had happened; and at that moment (it was 
market day) a 
thundering alarm of `Mad Bull' was raised. 


</p>
            <p>With a wild confusion before her, of people running up and down, and 
shouting, and 
wheels running over them, and boys fighting, and mad bulls coming up, and the 
nurse in 
the midst of all these dangers being torn to pieces, Florence screamed and 
ran. She ran till 
she was exhausted, urging Susan to do the same; and then, stopping and 
wringing her 
hands as she remembered they had left the other nurse behind, found, with a 
sensation of 
terror not to be described, that she was quite alone. 


</p>
            <p>`Susan! Susan!' cried Florence, clapping her hands in the very ecstasy of her 
alarm. `Oh, 
where are they? where are they?' 


</p>
            <p>`Where are they?' said an old woman, coming hobbling across as fast as she 
could from 
the opposite side of the way. 


</p>
            <p>`Why did you run away from 'em?' 


</p>
            <p>`I was frightened,' answered Florence. `I didn't know what I did. I thought 
they were with 
me. Where are they?' 


</p>
            <p>The old woman took her by the wrist, and said, `I'll show you.' 


</p>
            <p>She was a very ugly old woman, with red rims round her eyes, and a mouth that 
mumbled 
and chattered of itself when she was not speaking. She was miserably dressed, 
and carried 
some skins over her arm. She seemed to have followed Florence some little way 
at all 
events, for she had lost her breath; and this made her uglier still, as she 
stood trying to 
regain it: working her shrivelled yellow face and throat into all sorts of 
contortions. 


</p>
            <p>Florence was afraid of her, and looked, hesitating, up the street, of which 
she had almost 
reached the bottom. It was a solitary place—more a back road than a 
street—and there was 
no one in it but herself and the old woman. 


</p>
            <p>`You needn't be frightened now,' said the old woman, still holding her tight. 
`Come along 
with me.' 


</p>
            <p>`I—I don't know you. What's your name?' asked Florence. 


</p>
            <p>`Mrs. Brown,' said the old woman. `Good Mrs. Brown.' 


</p>
            <p>`Are they near here?' asked Florence, beginning to be led away. 


</p>
            <p>`Susan an't far off,' said Good Mrs. Brown; `and the others are close to 
her.' 


</p>
            <p>`Is anybody hurt?' cried Florence. 


</p>
            <p>`Not a bit of it,' said Good Mrs. Brown. 


</p>
            <p>The child shed tears of delight on hearing this, and accompanied the old 
woman willingly; 
though she could not help glancing at her face as they went 
along—particularly at that 
industrious mouth—and wondering whether Bad Mrs. Brown, if there were such a 
person, 
was at all like her. 


</p>
            <p>They had not gone far, but had gone by some very uncomfortable places, such 
as 
brick-fields and tile-yards, when the old woman turned down a dirty lane, 
where the mud 
lay in deep black ruts in the middle of the road. She stopped before a shabby 
little house, 
as closely shut up as a house that was full of cracks and crevices could be. 
Opening the 
door with a key she took out of her bonnet, she pushed the child before her 
into a back 
room, where there was a great heap of rags of different colours lying on the 
floor; a heap 
of bones, and a heap of sifted dust or cinders; but there was no furniture at 
all, and the 
walls and ceiling were quite black. 


</p>
            <p>The child became so terrified that she was stricken speechless, and looked as 
though about 
to swoon. 


</p>
            <p>`Now don't be a young mule,' said Good Mrs. Brown, reviving her with a shake. 
`I'm not 
a going to hurt you. Sit upon the rags.' 


</p>
            <p>Florence obeyed her, holding out her folded hands, in mute supplication. 


</p>
            <p>`I'm  not a going to keep you, even, above an hour,' said Mrs. Brown. `D'ye 
understand 
what I say?' 


</p>
            <p>The child answered with great difficulty, `Yes.' 


</p>
            <p>`Then,' said Good Mrs. Brown, taking her own seat on the bones, `don't vex 
me. If you 
don't, I tell you I won't hurt you. But if you do, I'll kill you. I could 
have you killed at 
any time—even if you was in your own bed at home. Now let's know who you 
are, and 
what you are, and all about it.' 


</p>
            <p>The old woman's threats and promises; the dread of giving her offence; and 
the habit, 
unusual to a child, but almost natural to Florence now, of being quiet, and 
repressing what 
she felt, and feared, and hoped; enabled her to do this bidding, and to tell 
her little history, 
or what she knew of it. Mrs. Brown listened attentively, until she had 
finished. 


</p>
            <p>`So your name's Dombey, eh?' said Mrs. Brown. 


</p>
            <p>`Yes, ma'am.' 


</p>
            <p>`I want that pretty frock, Miss Dombey,' said Good Mrs. Brown, `and that 
little bonnet, 
and a petticoat or two, and anything else you can spare. Come! Take 'em 
off.' 


</p>
            <p>Florence obeyed, as fast as her trembling hands would allow; keeping, all the 
while, a 
frightened eye on Mrs. Brown. When she had divested herself of all the 
articles of apparel 
mentioned by that lady, Mrs. B. examined them at leisure, and seemed 
tolerably well 
satisfied with their quality and value. 


</p>
            <p>`Humph!' she said, running her eyes over the child's slight figure, `I don't 
see anything 
else—except the shoes. I must have the shoes, Miss Dombey.' 


</p>
            <p>Poor little Florence took them off with equal alacrity, only too glad to have 
any more 
means of conciliation about her. The old woman then produced some wretched 
substitutes 
from the bottom of the heap of rags, which she turned up for that purpose; 
together with a 
girl's cloak, quite worn out and very old; and the crushed remains of a 
bonnet that had 
probably been picked up from some ditch or dunghill. In this dainty raiment, 
she 
instructed Florence to dress herself; and as such preparation seemed a 
prelude to her 
release, the child complied with increased readiness, if possible. 


</p>
            <p>In hurriedly putting on the bonnet, if that may be called a bonnet which was 
more like a 
pad to carry loads on, she caught it in her hair which grew luxuriantly, and 
could not 
immediately disentangle it. Good Mrs. Brown whipped out a large pair or 
scissors, and fell 
into an unaccountable state of excitement. 


</p>
            <p>`Why couldn't you let me be,' said Mrs. Brown, `when I was contented? You 
little 
fool!' 


</p>
            <p>`I beg your pardon. I don't know what I have done,' panted Florence. `I 
couldn't help 
it.' 


</p>
            <p>`Couldn't help it!' cried Mrs. Brown. `How do you expect I can help it? Why, 
Lord!' said 
the old woman, ruffling her curls with a furious pleasure, `anybody but me 
would have 
had 'em off first of all.' 


</p>
            <p>Florence was so relieved to find that it was only her hair and not her head 
which Mrs. 
Brown coveted, that she offered no resistance or entreaty, and merely raised 
her mild eyes 
towards the face of that good soul. 


</p>
            <p>`If I hadn't once had a gal of my own—beyond seas now—that was proud of her 
hair,' said 
Mrs. Brown, `I'd have had every lock of it. She's far away, she's far away! 
Oho! Oho!' 


</p>
            <p>Mrs. Brown's was not a melodious cry, but, accompanied with a wild tossing up 
of her 
lean arms, it was full of passionate grief, and thrilled to the heart of 
Florence, whom it 
frightened more than ever. It had its part, perhaps, in saving her curls; for 
Mrs. Brown, 
after hovering about her with the scissors for some moments, like a new kind 
of butterfly, 
bade her hide them under the bonnet and let no trace of them escape to tempt 
her. Having 
accomplished this victory over herself, Mrs. Brown resumed her seat on the 
bones, and 
smoked a very short black pipe, mowing and mumbling all the time, as if she 
were eating 
the stem. 


</p>
            <p>When the pipe was smoked out, she gave the child a rabbitskin to carry, that 
she might 
appear the more like her ordinary companion, and told her that she was now 
going to lead 
her to a public street whence she could inquire her way to her friends. But 
she cautioned 
her, with threats of summary and deadly vengeance in case of disobedience, 
not to talk to 
strangers, nor to repair to her own home (which may have been too near for 
Mrs. Brown's 
convenience), but to her father's office in the City; also to wait at the 
street corner where 
she would be left, until the clock struck three. These directions Mrs. brown 
enforced with 
assurances that there would be potent eyes and ears in her employment 
cognizant of all 
she did; and these directions Florence promised faithfully and earnestly to 
observe. 


</p>
            <p>At length, Mrs. Brown, issuing forth, conducted her changed and ragged little 
friend 
through a labyrinth of narrow streets and lanes and alleys, which emerged, 
after a long 
time, upon a stable yard, with a gateway at the end, whence the roar of a 
great 
thoroughfare made itself audible. Pointing out this gateway, and informing 
Florence that 
when the clocks struck three she was to go to the left, Mrs. Brown, after 
making a parting 
grasp at her hair which seemed involuntary and quite beyond her own control, 
told her she 
knew what to do, and bade her go and do it: remembering that she was 
watched. 


</p>
            <p>With a lighter heart, but still sore afraid, Florence felt herself released, 
and tripped off to 
the corner. When she reached it, she looked back and saw the head of Good 
Mrs. Brown 
peeping out of the low wooden passage, where she had issued her parting 
injunctions; 
likewise the first of Good Mrs. Brown shaking towards her. But though she 
often looked 
back afterwards—every minute, at least, in her nervous recollection of the 
old woman—she 
could not see her again. 


</p>
            <p>Florence remained there, looked at the bustle in the street, and more and 
more bewildered 
by it; and in the meanwhile the clocks appeared to have made up their minds 
never to 
strike three any more. At last the steeples rang out three o'clock; there was 
one close by, 
so she couldn't be mistaken; and—after often looking over her shoulder, and 
often going a 
little way, and as often coming back again, lest the all-powerful spies of 
Mrs. Brown 
should take offence—she hurried off, as fast as she could in her slipshod 
shoes, holding the 
rabbit-skin tight in her hand. 


</p>
            <p>All she knew of her father's offices was that they belonged to Dombey and 
Son, and that 
that was a great power belonging to the City. So she could only ask the way 
to Dombey 
and Son's in the City; and as she generally made inquiry of children—being 
afraid to ask 
grown people—she got very little satisfaction indeed. But by dint of asking 
her way to the 
City after a while, and dropping the rest of her inquiry for the present, she 
really did 
advance, by slow degrees, towards the heart of that great region which is 
governed by the 
terrible Lord Mayor. 


</p>
            <p>Tired of walking, repulsed and pushed about, stunned by the noise and 
confusion, anxious 
for her brother and the nurses, terrified by what she had undergone, and the 
prospect of 
encountering her angry father in such an altered state; perplexed and 
frightened alike by 
what had passed, and what was passing, and what was yet before her; Florence 
went upon 
her weary way with tearful eyes, and once or twice could not help stopping to 
ease her 
bursting heart by crying bitterly. But few people noticed her at those times, 
in the garb she 
wore: or if they did, believed that she was tutored to excite compassion, and 
passed on. 
Florence, too, called to her aid all the firmness and self-reliance of a 
character that her sad 
experience had prematurely formed and tried: and keeping the end she had in 
view 
steadily before her, steadily pursued it. 


</p>
            <p>It was full two hours later in the afternoon than when she had started on 
this strange 
adventure, when escaping from the clash and clangour of a narrow street full 
of carts and 
waggons, she peeped into a kind of wharf or landing-place upon the 
river-side, where 
there were a great many packages, casks, and boxes, strewn about; a large 
pair of wooden 
scales; and a little wooden house on wheels, outside of which, looking at the 
neighbouring 
masts and boats, a stout man stood whistling, with his pen behind his ear, 
and his hands in 
his pockets, as if his day's work were nearly done. 


</p>
            <p>`Now then!' said this man, happening to turn round. `We haven't got anything 
for you, 
little girl. Be off!' 


</p>
            <p>`If you please, is this the City?' asked the trembling daughter of the 
Dombeys. 


</p>
            <p>`Ah! It's the City. You know that well enough, I dare say. Be off! We haven't 
got 
anything for you.' 


</p>
            <p>`I don't want anything, thank you,' was the timid answer. 


</p>
            <p>`Except to know the way to Dombey and Son's.' 


</p>
            <p>The man who had been strolling carelessly towards her, seemed surprised by 
this reply, 
and looking attentively in her face, rejoined: 


</p>
            <p>`Why, what can <hi>you</hi> want with Dombey and Son's?' 


</p>
            <p>`To know the way there, if you please.' 


</p>
            <p>The man looked at her yet more curiously, and rubbed the back of his head so 
hard in his 
wonderment that he knocked his own hat off. 


</p>
            <p>`Joe!' he called to another man—a labourer—as he picked it up and put it on 
again. 


</p>
            <p>`Joe it is!' said Joe. 


</p>
            <p>`Where's that young spark of Dombey's who's been watching the shipment of 
them 
goods?' 


</p>
            <p>`Just gone, by t'other gate,' said Joe. 


</p>
            <p>`Call him back a minute.' 


</p>
            <p>Joe ran up an archway, bawling as he went, and very soon returned with a 
blithe-looking 
boy. 


</p>
            <p>`You're Dombey's jockey, an't you?' said the first man. 


</p>
            <p>`I'm in Dombey's House, Mr. Clark,' returned the boy. 


</p>
            <p>`Look'ye here, then,' said Mr. Clark. 


</p>
            <p>Obedient to the indication of Mr. Clark's hand, the boy approached towards 
Florence, 
wondering, as well he might, what he had to do with her. But she, who had 
heard what 
passed, and who, besides the relief of so suddenly considering herself safe 
at her journey's 
end, felt reassured beyond all measure by his lively youthful face and 
manner, ran eagerly 
up to him, leaving one of the slipshod shoes upon the ground and caught his 
hand in both 
of hers. 


</p>
            <p>`I am lost, if you please!' said Florence. 


</p>
            <p>`Lost!' cried the boy. 


</p>
            <p>`Yes, I was lost this morning, a long way from here—and I have had my 
clothes taken 
away, since—and I am not dressed in my own now—and my name is Florence 
Dombey, 
my little brother's only sister—and, oh dear, dear, take care of me, if you 
please!' sobbed 
Florence, giving full vent to the childish feelings she had so long 
suppressed, and bursting 
into tears. At the same time her miserable bonnet falling off, her hair came 
tumbling down 
about her face: moving to speechless admiration and commiseration, young 
Walter, 
nephew of Solomon Gills, Ships' Instrument-maker in general. 


</p>
            <p>Mr. Clark stood rapt in amazement: observing under his breath, <hi>I</hi> never 
saw such a 
start on <hi>this</hi> wharf before. Walter picked up the shoe, and put it on 
the little foot 
as the Prince in the story might have fitted Cinderella's slipper on. He hung 
the 
rabbit-skin over his left arm; gave the right to Florence: and felt, not to 
say like Richard 
Whittington—that is a tame comparison—but like Saint George of England, 
with the dragon 
lying dead before him. 


</p>
            <p>`Don't cry, Miss Dombey,' said Walter, in a transport of enthusiasm. `What a 
wonderful 
thing for me that I am here! You are as safe now as if you were guarded by a 
whole 
boat's crew of picked men from a man-of-war. Oh, don't cry.' 


</p>
            <p>`I won't cry any more,' said Florence. `I am only crying for joy.' 


</p>
            <p>`Crying for joy!' thought Walter, `and I'm the cause of it!Come along, Miss 
Dombey. 
There's the other shoe off now!Take mine, Miss Dombey.' 


</p>
            <p>`No, no, no,' said Florence, checking him in the act of impetuously pulling 
off his own. 
`These do better. These do very well.' 


</p>
            <p>`Why, to be sure,' said  Walter, glancing at her foot, `mine are a mile too 
large. What am 
I thinking about! You never could walk in <hi>mine!</hi> Come along, Miss 
Dombey. Let 
me see the villain who will dare molest you now.' 


</p>
            <p>So Walter, looking immensely fierce, led off Florence, looking very happy; 
and they went 
arm-in-arm along the streets, perfectly indifferent to any astonishment that 
their 
appearance might or did excite by the way. 


</p>
            <p>It was growing dark and foggy, and beginning to rain too; but they cared 
nothing for this: 
being both wholly absorbed in the late adventures of Florence, which she 
related with the 
innocent good faith and confidence of her years, while Walter listened as if, 
far from the 
mud and grease of Thames Street, they were rambling alone among the broad 
leaves and 
tall trees of some desert island in the tropics—as he very likely fancied, 
for the time, they 
were. 


</p>
            <p>`Have we far to go?' asked Florence at last, lifting up her eyes to her 
companion's 
face. 


</p>
            <p>`Ah! By-the-bye,' said Walter, stopping, `let me see; where are we? Oh! I 
know. But the 
offices are shut up now, Miss Dombey. There's nobody there. Mr. Dombey has 
gone 
home long ago. I suppose we must go home too? or, stay. Suppose I take you to 
my 
uncle's, where I live—it's very near here—and go to your house in a coach 
to tell them you 
are safe, and bring you back some clothes. Won't that be best?' 


</p>
            <p>`I think so,' answered Florence. `Don't you? What do you think?' 


</p>
            <p>As they stood deliberating in the street, a man passed them, who glanced 
quickly at 
Walter as he went by, as if he recognised him; but seeming to correct that 
first impression, 
he passed on without stopping. 


</p>
            <p>`Why, I think it's Mr. Carker,' said Walter. `Carker in our House. Not Carker 
our 
manager, Miss Dombey—the other Carker; the junior—Halloa! Mr. Carker!' 


</p>
            <p>`Is that Walter Gay?' said the other, stopping and returning. `I couldn't 
believe it, with 
such a strange companion.' 


</p>
            <p>As he stood near a lamp, listening with surprise to Walter's hurried 
explanation, he 
presented a remarkable contrast to the two youthful figures arm-in-arm before 
him. He 
was not old, but his hair was white; his body was bent, or bowed as if by the 
weight of 
some great trouble: and there were deep lines in his worn and melancholy 
face. The fire of 
his eyes, the expression of his features, the very voice in which he spoke, 
were all 
subdued and quenched, as if the spirit within him lay in ashes. He was 
respectably, though 
very plainly dressed, in black; but his clothes, moulded to the general 
character of his 
figure, seemed to shrink and abase themselves upon him, and to join in the 
sorrowful 
solicitation which the whole man from head to foot expressed, to be left 
unnoticed, and 
alone in his humility. 


</p>
            <p>And yet his interest in youth and hopefulness was not extinguished with the 
other embers 
of his soul, for he watched the boy's earnest countenance as he spoke with 
unusual 
sympathy, though with an inexplicable show of trouble and compassion, which 
escaped 
into his looks, however hard he strove to hold it prisoner. When Walter, in 
conclusion, put 
to him the question he had put to Florence, he still stood glancing at him 
with the same 
expression, as if he had read some fate upon his face, mournfully at variance 
with its 
present brightness. 


</p>
            <p>`What do you advise, Mr. Carker?' said Walter, smiling. `You always give me 
good 
advice, you know, when you <hi>do</hi> speak to me. That's not often, 
though.' 


</p>
            <p>`I think your own idea is the best,' he answered: looking from Florence to 
Walter, and 
back again. 


</p>
            <p>`Mr. Carker,' said Walter, brightening with a generous thought, `Come! Here's 
chance for 
you. Go you to Mr. Dombey's and be the messenger of good news. It may do you 
some 
good, Sir. I'll remain at home. You shall go.' 


</p>
            <p>`I!' returned the other. 


</p>
            <p>`Yes. Why not, Mr. Carker?' said the boy. 


</p>
            <p>He merely shook him by the hand in answer; he seemed in a manner ashamed and 
afraid 
even to do that; and bidding him good night, and advising him to make haste, 
turned 
away. 


</p>
            <p>`Come, Miss Dombey,' said Walter, looking after him as they turned away also, 
`we'll go 
to my uncle's as quick as we can. Did you ever hear Mr. Dombey speak of Mr. 
Carker the 
junior, Miss Florence?' 


</p>
            <p>`No,' returned  the child, mildly, `I don't often hear papa speak.' 


</p>
            <p>`Ah! true! more shame for him,' thought Walter. After a minute's pause, 
during which he 
had been looking down upon the gentle patient little face moving on at his 
side, he 
bestirred himself with his accustomed boyish animation and restlessness to 
change the 
subject; and one of the unfortunate shoes coming off again opportunely, 
proposed to carry 
Florence to his uncle's in his arms. Florence, though very tired, laughingly 
declined the 
proposal, lest he should let her fall; and as they were already near the 
wooden 
midshipman, and as Walter went on to cite various precedents, from shipwrecks 
and other 
moving accidents, where younger boys than he had triumphantly rescued and 
carried off 
older girls than Florence, they were still in full conversation about it when 
they arrived at 
the instrument-maker's door. 


</p>
            <p>`Holloa, Uncle Sol!' cried Walter, bursting into the shop, and speaking 
incoherently and 
out of breath, from that time forth, for the rest of the evening. `Here's a 
wonderful 
adventure! Here's Mr. Dombey's daughter lost in the streets, and robbed of 
her clothes by 
an old witch of a woman—found by me—brought home to our parlour to 
rest—look 
here!' 


</p>
            <p>`Good Heaven!' said Uncle Sol, starting back against his favourite 
compass-case. `It can't 
be! Well, I—' 


</p>
            <p>`No, nor anybody else,' said Walter, anticipating the rest. `Nobody would, 
nobody could, 
you know. Here! just help me lift the little sofa near the fire, will you, 
Uncle Sol—take 
care of the plates—cut some dinner for her, will you, uncle—throw those 
shoes under the 
grate. Miss Florence—put your feet on the fender to dry—how damp they 
are—here's an 
adventure, uncle, eh?—God bless my soul, how hot I am!' 


</p>
            <p>Solomon Gills was quite as hot, by sympathy, and in excessive bewilderment. 
He patted 
Florence's head, pressed her to eat, pressed her to drink, rubbed the soles 
of her feet with 
his pocket-handkerchief heated at the fire, followed his locomotive nephew 
with his eyes, 
and ears, and had no clear perception of anything except that he was being 
constantly 
knocked against and tumbled over by that excited young gentleman, as he 
darted about the 
room attempting to accomplish twenty things at once, and doing nothing at 
all. 


</p>
            <p>`Here, wait a minute, uncle,' he continued, catching up a candle, `till I run 
up stairs, and 
get another jacket on, and then I'll be off. I say, uncle, isn't this an 
adventure?' 


</p>
            <p>`My dear boy,' said Solomon, who, with his spectacles on his forehead and the 
great 
chronometer in his pocket, was incessantly oscillating between Florence on 
the sofa and 
his nephew in all parts of the parlour, `it's the most extraordinary—' 


</p>
            <p>`No, but do, uncle, please—do, Miss Florence—dinner, you know, uncle.' 


</p>
            <p>`Yes, yes, yes,' cried Solomon, cutting instantly into a leg of mutton, as if 
he were 
catering for a giant. `I'll take care of her, Wally! I understand. Pretty 
dear! Famished, of 
course. You go and get ready. Lord bless me! Sir Richard Whittington thrice 
Lord Mayor 
of London.' 


</p>
            <p>Walter was not very long in mounting to his lofty garret and descending from 
it, but in 
the meantime Florence, overcome by fatigue, had sunk into a doze before the 
fire. The 
short interval of quiet, though only a few minutes in duration, enabled 
Solomon gills so 
far to collect his wits as to make some little arrangements for her comfort, 
and to darken 
the room, and to screen her from the blaze. Thus, when the boy returned, she 
was sleeping 
peacefully. 


</p>
            <p>`That's capital!' he whispered, giving Solomon such a hug that it squeezed a 
new 
expression into his face. `Now I'm off. I'll just take a crust of bread with 
me, for I'm very 
hungry—and—don't wake her, Uncle Sol.' 


</p>
            <p>`No, no,' said Solomon. Pretty child.' 


</p>
            <p>`Pretty, indeed!' cried Walter. `<hi>I</hi> never saw such a face, Uncle Sol. 
Now I'm 
off.' 


</p>
            <p>`That's right,' said Solomon, greatly relieved. 


</p>
            <p>`I say, Uncle Sol,' cried Walter, putting his face in at the door. 


</p>
            <p>`Here he is again,' said Solomon. 


</p>
            <p>`How does she look now?' 


</p>
            <p>`Quite happy,' said Solomon. 


</p>
            <p>`That's famous! now I'm off.' 


</p>
            <p>`I hope you are,' said Solomon to himself. 


</p>
            <p>`I say, Uncle Sol,' cried Walter, reappearing at the door. 


</p>
            <p>`Here he is again!' said Solomon. 


</p>
            <p>`We met Mr. Carker the junior in the street, queerer than ever. He bade me 
good-bye, but 
came behind us here—there's an odd thing!—for when we reached the shop 
door, I looked 
round, and saw him going quietly away, like a servant who had seen me home, 
or a 
faithful dog. How does she look now, uncle?' 


</p>
            <p>`Pretty much the same as before, Wally,' replied Uncle Sol. 


</p>
            <p>`That's right. Now I <hi>am</hi> off!' 


</p>
            <p>And this time he really was: and Solomon Gills, with no appetite for dinner, 
sat on the 
opposite side of the fire, watching Florence in her slumber, building a great 
many airy 
castles of the most fantastic architecture; and looking, in the dim shade, 
and in the close 
vicinity of all the instruments, like a magician disguised in a Welsh wig and 
a suit of 
coffee colour, who held the child in an enchanted sleep. 


</p>
            <p>In the meantime, Walter proceeded towards Mr. Dombey's house at a pace seldom 
achieved by a hack horse from the stand; and yet with his head out of window 
every two 
or three minutes, in impatient remonstrance with the driver. Arriving at his 
journey's end, 
he leaped out, and breathlessly announcing his errand to the servant, 
followed him straight 
into the library, where there was a great confusion of tongues, and where Mr. 
Dombey, his 
sister, and Miss Tox, Richards, and Nipper, were all congregated together. 


</p>
            <p>`Oh! I beg your pardon, Sir,' said Walter, rushing up to him, `but I'm happy 
to say it's all 
right, Sir. Miss Dombey's found!' 


</p>
            <p>The boy with his open face, and flowing hair, and sparkling eyes, panting 
with pleasure 
and excitement, was wonderfully opposed to Mr. Dombey, as he sat confronting 
him in his 
library chair. 


</p>
            <p>`I told you, Louisa, that she would certainly be found,' said Mr. Dombey, 
looking slightly 
over his shoulder at that lady, who wept in company with Miss Tox. `Let the 
servants 
know that no further steps are necessary. This boy who brings the 
information, is young 
Gay, from the office. How was my daughter found, Sir? I know how she was 
lost.' Here 
he looked majestically at Richards. `But how was she found? Who found 
her?' 


</p>
            <p>`Why, I believe <hi>I</hi> found Miss dombey, Sir,' said Walter modestly; `at 
least I don't 
know that I can claim the merit of having exactly found her, Sir, but I was 
the fortunate 
instrument of—' 


</p>
            <p>`What do you mean, Sir,' interrupted Mr. Dombey, regarding the boy's evident 
pride and 
pleasure in his share of the transaction with an instinctive dislike, `by not 
having exactly 
found my daughter, and by being a fortunate instrument? Be plain and 
coherent, if you 
please.' 


</p>
            <p>It was quite out of Walter's power to be coherent; but he rendered himself as 
explanatory 
as he could, in his breathless state, and stated why he had come alone. 


</p>
            <p>`You hear this, girl?' said Mr. Dombey sternly to the black-eyed. `Take what 
is necessary, 
and return immediately with this young man to fetch Miss Florence home. Gay, 
you will 
be rewarded to-morrow.' 


</p>
            <p>`Oh! thank you, Sir,' said Walter. `You are very kind. I'm sure I was not 
thinking of any 
reward, Sir.' 


</p>
            <p>`You are a boy,' said Mr. Dombey, suddenly and almost fiercely; `and what you 
think of, 
or affect to think of, is of little consequence. You have done well, Sir. 
Don't undo it. 
Louisa, please to give the lad some wine.' 


</p>
            <p>Mr. Dombey's glance followed Walter Gay with sharp disfavour, as he left the 
room 
under the pilotage of Mrs. Chick; and it may be that his mind's eye followed 
him with no 
greater relish, as he rode back to his uncle's with Miss Susan Nipper. 


</p>
            <p>There they found that Florence, much refreshed by sleep, had dined, and 
greatly improved 
the acquaintance of Solomon Gills, with whom she was on terms of perfect 
confidence 
and ease. The black-eyed (who had cried so much that she might now be called 
the 
red-eyed, and who was very silent and depressed) caught her in her arms 
without a word 
of contradiction or reproach, and made a very hysterical meeting of it. Then 
converting the 
parlour, for the nonce, into a private tiring room, she dressed her, with 
great care, in 
proper clothes; and presently led her forth, as like a Dombey as her natural 
disqualifications admitted of her being made. 


</p>
            <p>`Good night!' said Florence, running up to Solomon. `You have been very good 
to 
me.' 


</p>
            <p>Old Sol was quite delighted, and kissed her like her grandfather. 


</p>
            <p>`Good night, Walter! Good-bye!' said Florence. 


</p>
            <p>`Good-bye!' said Walter, giving both his hands. 


</p>
            <p>`I'll never forget you,' pursued Florence. `No! indeed I never will. 
Good-bye, Walter!' 


</p>
            <p>In the innocence of her grateful heart, the child lifted up her face to his. 
Walter, bending 
down his own, raised it again, all red and burning; and looked at Uncle Sol, 
quite 
sheepishly. 


</p>
            <p>`Where's Walter?' `Good night, Walter!' `Good-bye, Walter!' `Shake hands once 
more, 
Walter!' This was still Florence's cry, after she was shut up with her little 
maid, in the 
coach. And when the coach at length moved off, Walter on the door-step gaily 
returned 
the waving of her handkerchief, while the wooden midshipman behind him 
seemed, like 
himself, intent upon that coach alone, excluding all the other passing 
coaches from his 
observation. 


</p>
            <p>In good time Mr. Dombey's mansion was gained again, and again there was a 
noise of 
tongues in the library. Again, too, the coach was ordered to wait—`for Mrs. 
Richards,' one 
of Susan's fellow-servants ominously whispered, as she passed with 
Florence. 


</p>
            <p>The entrance of the lost child made a slight sensation, but not much. Mr. 
Dombey, who 
had never found her, kissed her once upon the forehead, and cautioned her not 
to run 
away again, or wander anywhere  with treacherous attendants. Mrs. Chick 
stopped in her 
lamentations on the corruption of human nature, even when beckoned to the 
paths of 
virtue by a Charitable Grinder; and received her with a welcome something 
short of the 
reception due to none but perfect Dombeys. Miss Tox regulated her feelings by 
the models 
before her. Richards, the culprit Richards, alone poured out her heart in 
broken words of 
welcome, and bowed herself over the little wandering head as if she really 
loved it. 


</p>
            <p>`Ah, Richards!' said Mrs. Chick, with a sigh. `It would have been much more 
satisfactory 
to those who wish to think well of their fellow creatures, and much more 
becoming in 
you, if you had shown some proper feeling, in time, for the little child that 
is now going 
to be prematurely deprived of its natural nourishment.' 


</p>
            <p>`Cut off,' said Miss Tox, in a plaintive whisper, `from one common fountain!' 


</p>
            <p>`If it was <hi>my</hi> ungrateful case,' said Mrs. Chick, solemnly, `and I had 
<hi>your</hi>
reflections, Richards, I should feel as if the Charitable Grinders' dress 
would blight my 
child, and the education choke him.' 


</p>
            <p>For the matter of that—but Mrs. Chick didn't know it—he had been pretty 
well blighted by 
the dress already; and as to the education, even its retributive effect might 
be produced in 
time, for it was a storm of sobs and blows. 


</p>
            <p>`Louisa!' said Mr. Dombey. `It is not necessary to prolong these 
observations. The woman 
is discharged and paid. You leave this house, Richards, for taking my son—my 
son,' said 
Mr. Dombey, emphatically repeating these two words, `into haunts and into 
society which 
are not to be thought of without a shudder. As to the accident which befel 
Miss Florence 
this morning, I regard that as, in one great sense, a happy and fortunate 
circumstance; 
inasmuch as, but for that occurrence, I never could have known—and from your 
own lips 
too—of what you had been guilty. I think, Louisa, the other nurse, the young 
person,' here 
Miss Nipper sobbed aloud, `being so much younger, and necessarily influenced 
by Paul's 
nurse, may remain. Have the goodness to direct that this woman's coach is 
paid to'—Mr. 
Dombey stopped and winced—`to Staggs's Gardens.' 


</p>
            <p>Polly moved towards the door, with Florence holding to her dress, and crying 
to her in the 
most pathetic manner not to go away. It was a dagger in the haughty father's 
heart, an 
arrow in his brain, to see how the flesh and blood he could not disown, clung 
to this 
obscure stranger, and he sitting by. Not that he cared to whom his daughter 
turned, or 
from whom turned away. The swift sharp agony struck through him, as he 
thought of what 
his son might do. 


</p>
            <p>His son cried lustily that night, at all events. Sooth to say, poor Paul had 
better reason for 
his tears than sons of that age often have, for he had lost his second 
mother—his first, so 
far as he knew—by a stroke as sudden as that natural affliction which had 
darkened the 
beginning of his life. At the same blow, his sister too, who cried herself to 
sleep so 
mournfully, had lost as good and true a friend. But that is quite beside the 
question. Let us 
waste no words about it. 

</p>
         </div>
         <div xml:id="c7" type="chapter">
            <head>CHAPTER VII</head>
            <head>A Bird's-eye Glimpse of Miss Tox's Dwelling-place; also of the State of 
Miss Tox's Affections</head>
            <p>MISS TOX inhabited a dark little house that had been squeezed, at some remote 
period of English History, into a fashionable neighbourhood at the west end 
of the town, where it stood in the shad like a poor relation of the great 
street round the corner, coldly looked down upon by mighty mansions. It was 
not exactly in a court, and it was not exactly in a yard; but it was in the 
dullest of No-Thoroughfares, rendered anxious and haggard by distant double 
knocks. The name of this retirement, where grass grew between the chinks in 
the stone pavement, was Princess's Place; and in Princess's Place was 
Princess's Chapel, with a tinkling bell, where sometimes as many as 
five-and-twenty people attended service on a Sunday. The Princess's Arms was 
also there, and much resorted to by splendid footmen. A sedan chair was kept 
inside the railing before the Princess's Arms, but it had never come out 
within the memory of man; and on fine mornings, the top of every rail (there 
were eight-and-forty, as Miss Tox had often counted) was decorated with a 
pewter-pot. 


</p>
            <p>There was another private house besides Miss Tox's in Princess's Place: not 
to mention an immense pair of gates, with an immense pair of lion-headed 
knockers on them, which were never opened by any chance, and were supposed to 
constitute a disused entrance to somebody's stables. Indeed, there was a 
smack of stabling in the air of Princess's Place; and Miss Tox's bedroom 
(which was at the back) commanded a vista of Mews, where hostlers, at 
whatever sort of work engaged, were continually accompanying themselves with 
effervescent noises; and where the most domestic and confidential garments of 
coachmen and their wives and families, usually hung, like Macbeth's banners, 
on the outward walls. 


</p>
            <p>At this other private house in Princess's Place, tenanted by a retired butler 
who had married a housekeeper, apartments were let Furnished, to a single 
gentleman: to wit, a wooden-featured, blue-faced Major, with his eyes 
starting out of his head, in whom Miss Tox recognised, as she herself 
expressed it, `something so truly military;' and between whom and herself, an 
occasional interchange of newspapers and pamphlets, and such Platonic 
dalliance, was effected through the medium of a dark servant of the Major's, 
who Miss Tox was quite content to classify as a `native,' without connecting 
him with any geographical idea whatever. 


</p>
            <p>Perhaps there never was a smaller entry and staircase, than the entry and 
staircase of Miss Tox's house. Perhaps, taken altogether, from top to bottom, 
it was the most inconvenient little house in England, and the crookedest; but 
then, Miss Tox said, what a situation! There was very little daylight to be 
got there in the winter: no sun at the best of times: air was out of the 
question, and traffic was walled out. Still Miss Tox said, think of the 
situation! So said the blue-faced Major, whose eyes were starting out of his 
head: who gloried in Princess's Place: and who delighted to turn the 
conversation at his club, whenever he could, to something connected with some 
of the great people in the great street round the corner, that he might have 
the satisfaction of saying they were his neighbours. 


</p>
            <p>The dingy tenement inhabited by Miss Tox was her own; having been devised and 
bequeathed to her by the deceased owner of the fishy eye in the locket, of 
whom a miniature portrait, with a powdered head and a pigtail, balanced the 
kettleholder on opposite sides of the parlour fireplace. The greater part of 
the furniture was of the powdered-head and pig-tail period: comprising a 
platewarmer, always languishing and sprawling its four attenuated bow legs in 
somebody's way; and an obsolete harpsichord, illuminated round the maker's 
name with a painted garland of sweet peas. 


</p>
            <p>Although Major Bagstock had arrived at what is called in polite literature, 
the grand meridian of life, and was proceeding on his journey down-hill with 
hardly any throat, and a very rigid pair of jaw-bones, and long-flapped 
elephantine ears, and his eyes and complexion in the state of artificial 
excitement already mentioned, he was mightily proud of awakening an interest 
in Miss Tox, and tickled his vanity with the fiction that she was a splendid 
woman, who had her eye on him. This he had several times hinted at the club: 
in connexion with little jocularities, of which old Joe Bagstock, old Joey 
Bagstock, old J. Bagstock, old Josh Bagstock, or so forth, was the perpetual 
theme: it being, as it were, the Major's stronghold and donjon-keep of light 
humour, to be on the most familiar terms with his own name. 


</p>
            <p>`Joey B., Sir,' the Major would say, with a flourish of his walking-stick, 
`is worth a dozen of you. If you had a few more of the Bagstock breed among 
you, Sir, you'd be none the worse for it. Old Joe, Sir, needn't look far for 
a wife even now, if he was on the look-out; but he's hard-hearted, Sir, is 
Joe—he's tough, Sir, tough, and de-vilish sly!' After such a declaration 
wheezing sounds would be heard; and the Major's blue would deepen into 
purple, while his eyes strained and started convulsively. 


</p>
            <p>Notwithstanding his very liberal laudation of himself, however, the Major was 
selfish. It may be doubted whether there ever was a more entirely selfish 
person at heart; or at stomach is perhaps a better expression, seeing that he 
was more decidedly endowed with that latter organ than with the former. He 
had no idea of being overlooked or slighted by anybody; least of all, had he 
the remotest comprehension of being over-looked and slighted by Miss Tox. 


</p>
            <p>And yet, Miss Tox, as it appeared, forgot him—gradually forgot him. She 
began to forget him soon after her discovery of the Toodle family. She 
continued to forget him up to the time of the christening. She went on 
forgetting him with compound interest after that. Something or somebody had 
superseded him as a source of interest. 


</p>
            <p>`Good morning, Ma'am,' said the Major, meeting Miss Tox in Princess's Place, 
some weeks after the changes chronicled in the last chapter. 


</p>
            <p>`Good morning, Sir,' said Miss Tox; very coldly. 


</p>
            <p>`Joe Bagstock, Ma'am,' observed the Major, with his usual gallantry, `has not 
had the happiness of bowing to you at your window, for a considerable period. 
Joe has been hardly used, ma'am. His sun has been behind a cloud.' 


</p>
            <p>Miss Tox inclined her head; but very coldly indeed. 


</p>
            <p>`Joe's luminary has been out of town, Ma'am, perhaps,' inquired the Major. 


</p>
            <p>`I? out of town? oh no, I have not been out of town,' said Miss Tox. `I have 
been much engaged lately. My time is nearly all devoted to some very intimate 
friends. I am afraid I have none to spare, even now. Good morning, Sir!' 


</p>
            <p>As Miss Tox, with her most fascinating step and carriage, disappeared from 
Princess's Place, the Major stood looking after her with a bluer face than 
ever: muttering and growling some not at all complimentary remarks. 


</p>
            <p>`Why, damme, Sir,' said the Major, rolling his lobster eyes round and round 
Princess's Place, and apostrophizing its fragrant air, `six months ago, the 
woman loved the ground Joe Bagstock walked on. What's the meaning of it?' 


</p>
            <p>The Major decided, after some consideration, that it meant man-traps; that it 
meant plotting and snaring; that Miss Tox was digging pitfalls. `But you 
won't catch Joe, Ma'am,' said the Major. `He's tough, Ma'am, tough, is J. B. 
Tough, and de-vilish sly!' over which reflection he chuckled for the rest of 
the day. 


</p>
            <p>But still, when that day and many other days were gone and past, it seemed 
that Miss Tox took no heed whatever of the Major, and thought nothing at all 
about him. She had been wont, once upon a time, to look out at one of her 
little dark windows by accident, and blushingly return the Major's greeting; 
but now, she never gave the Major a chance, and cared nothing at all whether 
he looked over the way or not. Other changes had come to pass too. The Major, 
standing in the shade of his own apartment, could make out that an air of 
greater smartness had recently come over Miss Tox's house; that a new cage 
with gilded wires had been provided for the ancient little canary bird; that 
divers ornaments, cut out of coloured card-boards and paper, seemed to 
decorate the chimney-piece and tables; that a plant or two had suddenly 
sprung up in the windows; that Miss Tox occasionally practised on the 
harpsichord, whose garland of sweet peas was always displayed ostentatiously, 
crowned with the Copenhagen and Bird Waltzes in a Music Book of Miss Tox's 
own copying. 


</p>
            <p>Over and above all this, Miss Tox had long been dressed with uncommon care 
and elegance in slight mourning. But this helped the Major out of his 
difficulty; and he determined within himself that she had come into a small 
legacy, and grown proud. 


</p>
            <p>It was on the very next day after he had eased his mind by arriving at this 
decision, that the Major, sitting at his breakfast, saw an apparition so 
tremendous and wonderful in Miss Tox's little drawing-room, that he remained 
for some time rooted to his chair; then, rushing into the next room, returned 
with a double-barrelled opera-glass, through which he surveyed it intently 
for some minutes. 


</p>
            <p>`It's a Baby, Sir,' said the Major, shutting up the glass again, `for fifty 
thousand pounds!' 


</p>
            <p>The Major couldn't forget it. He could do nothing but whistle, and stare to 
that extent, that his eyes compared with what they now became, had been in 
former times quite cavernous and sunken. Day after day, two, three, four 
times a week, this Baby reappeared. The Major continued to stare and whistle. 
To all other intents and purposes he was alone in Princess's Place. Miss Tox 
has ceased to mind what he did. He might have been black as well as blue, and 
it would have been of no consequence to her. 


</p>
            <p>The perseverance with which she walked out of Princess's Place to fetch this 
baby and its nurse, and walked back with them, and walked home with them 
again, and continually mounted guard over them; and the perseverance with 
which she nursed it herself, and fed it, and played with it, and froze its 
young blood with airs upon the harpsichord; was extraordinary. At about this 
same period, too, she was seized with a passion for looking at a certain 
bracelet; also with a passion for looking at the moon, of which she would 
take long observations from her chamber window. But whatever she looked at; 
sun, moon, stars, or bracelet; she looked no more at the Major. And the Major 
whistled, and stared, and wondered, and dodged about his room, and could make 
nothing of it. 


</p>
            <p>`You'll quite win my brother Paul's heart, and that's the truth, my dear,' 
said Mrs. Chick, one day. 


</p>
            <p>Miss Tox turned pale. 


</p>
            <p>`He grows more like Paul every day,' said Mrs. Chick. 


</p>
            <p>Miss Tox returned no other reply than by taking the little Paul in her arms, 
and making his cockade perfectly flat and limp with her caresses. 


</p>
            <p>`His mother, my dear,' said Miss Tox, `whose acquaintance I was to have made 
through you, does he at all resemble her?' 


</p>
            <p>`Not at all,' returned Louisa. 


</p>
            <p>`She was—she was pretty, I believe?' faltered Miss Tox. 


</p>
            <p>`Why, poor dear Fanny was interesting,' said Mrs. Chick, after some judicial 
consideration. `Certainly interesting. She had not that air of commanding 
superiority which one would somehow expect, almost as a matter of course, to 
find in my brother's wife; nor had she that strength and vigour of mind which 
such a man requires.' 


</p>
            <p>Miss Tox heaved a deep sigh. 


</p>
            <p>`But she was pleasing:' said Mrs. Chick: `extremely so. And she meant!—oh, 
dear, how well poor Fanny meant!' 


</p>
            <p>`You Angel!' cried Miss Tox to little Paul. `You picture of you own Papa!' 


</p>
            <p>If the Major could have known how many hopes and ventures, what a multitude 
of plans and speculations, rested on that baby head; and could have seen them 
hovering, in all their heterogeneous confusion and disorder, round the 
puckered cap of the unconscious little Paul; he might have stared indeed. 
Then would he have recognised, among the crowd, some few ambitious motes and 
beams belonging to Miss Tox; then would he perhaps have understood the nature 
of that lady's faltering investment in the Dombey Firm. 


</p>
            <p>If the child himself could have awakened in the night, and seen, gathered 
about his cradle-curtains, faint reflections of the dreams that other people 
had of him, they might have scared him, with good reason. But he slumbered 
on, alike unconscious of the kind intentions of Miss Tox, the wonder of the 
Major, the early sorrows of his sister, and the stern visions of his father; 
and innocent that any spot of earth contained a Dombey or a Son. 

</p>
         </div>
         <div xml:id="c8" type="chapter">
            <head>CHAPTER VIII</head>
            <head>Paul's further Progress, Growth, and Character</head>
            <p>BENEATH the watching and attentive eyes of Time—so far another Major—Paul's 
slumbers gradually changed. More and more light broke in upon them; 
distincter and distincter dreams disturbed them; an accumulating crowd of 
objects and impressions swarmed about his rest; and so he passed from 
babyhood to childhood, and became a talking, walking, wondering Dombey. 


</p>
            <p>On the downfall and banishment of Richards, the nursery may be said to have 
been put into commission: as a Public Department is sometimes, when no 
individual Atlas can be found to support it. The Commissioners were, of 
course, Mrs. Chick and Miss Tox: who devoted themselves to their duties with 
such astonishing ardour that Major Bagstock had every day some new reminder 
of his being forsaken, while Mr. Chick, bereft of domestic supervision, cast 
himself upon the gay world, dined at clubs and coffee-houses, smelt of smoke 
on three different occasions, went to the play by himself, and in short, 
loosened (as Mrs. Chick once told him) every social bond, and moral 
obligation. 


</p>
            <p>Yet, in spite of his early promise, all this vigilance and care could not 
make little Paul a thriving boy. Naturally delicate, perhaps, he pined and 
wasted after the dismissal of his nurse, and, for a long time, seemed but to 
wait his opportunity of gliding through their hands, and seeking his lost 
mother. This dangerous ground in his steeple-chase towards manhood passed, he 
still found it very rough riding, and was grievously beset by all the 
obstacles in his course. Every tooth was a break-neck fence, and every pimple 
in the measles a stone wall to him. He was down in every fit of the 
hooping-cough, and rolled upon and crushed by a whole field of small 
diseases, that came trooping on each other's heels to prevent his getting up 
again. Some bird of prey got into his throat instead of the thrush; and the 
very chickens turning ferocious—if they have anything to do with that infant 
malady to which they lend their name—worried him like tiger-cats. 


</p>
            <p>The chill of Paul's christening had struck home, perhaps to some sensitive 
part of his nature, which could not recover itself in the cold shade of his 
father; but he was an unfortunate child from that day. Mrs. Wickam often said 
she never see a dear so put upon. 


</p>
            <p>Mrs. Wickam was a waiter's wife—which would seem equivalent to being any 
other man's widow—whose application for an engagement in Mr. Dombey's 
service had been favourably considered, on account of the apparent 
impossibility of her having any followers, or any one to follow; and who, 
from within a day or two of Paul's sharp weaning, had been engaged as his 
nurse. Mrs. Wickam was a meek woman, of a fair complexion, with her eyebrows 
always elevated, and her head always drooping; who was always ready to pity 
herself, or to be pitied, or to pity anybody else; and who had a surprising 
natural gift of viewing all subjects in an utterly forlorn and pitiable 
light, and bringing dreadful precedents to bear upon them, and deriving the 
greatest consolation from the exercise of that talent. 


</p>
            <p>It is hardly necessary to observe, that no touch of this quality ever reached 
the magnificent knowledge of Mr. Dombey. It would have been remarkable, 
indeed, if any had; when no one in the house—not even Mrs. Chick or Miss 
Tox—dared ever whisper to him that there had, on any one occasion, been the 
least reason for uneasiness in reference to little Paul. He had settled, 
within himself, that the child must necessarily pass through a certain 
routine of minor maladies, and that the sooner he did so the better. If he 
could have bought him off, or provided a substitute, as in the case of an 
unlucky drawing for the militia, he would have been glad to do so on liberal 
terms. But as this was not feasible, he merely wondered, in his haughty 
manner, now and then, what Nature meant by it; and comforted himself with the 
reflection that there was another milestone passed upon the road, and that 
the great end of the journey lay so much the nearer. For the feeling 
uppermost in his mind, now and constantly intensifying, and increasing in it 
as Paul grew older, was impatience. Impatience for the time to come, when his 
visions of their united consequence and grandeur would be triumphantly 
realized. 


</p>
            <p>Some Philosophers tell us that selfishness is at the root of our best loves 
and affections. Mr. Dombey's young child was, from the beginning, so 
distinctly important to him as a part of his own greatness, or (which is the 
same thing) of the greatness of Dombey and Son, that there is no doubt his 
parental affection might have been easily traced, like many a goodly 
super-structure of fair fame, to a very low foundation. But he loved his son 
with all the love he had. If there were a warm place in his frosty heart, his 
son occupied it; if its very hard surface could receive the impression of any 
image, the image of that son was there; though not so much as an infant, or 
as a boy, but as a grown man—the `Son' of the Firm. Therefore he was 
impatient to advance into the future, and to hurry over the intervening 
passages of his history. Therefore he had little or no anxiety about them, in 
spite of his love; feeling as if the boy had a charmed life, and <hi>must</hi>
become the man with whom he held such constant communication in his thoughts, 
and for whom he planned and projected, as for an existing reality, every 
day. 


</p>
            <p>Thus Paul grew to be nearly five years old. He was a pretty little fellow; 
though there was something wan and wistful in his small face, that gave 
occasion to many significant shakes of Mrs. Wickam's head, and many 
long-drawn inspirations of Mrs. Wickam's breath. His temper gave abundant 
promise of being imperious in after-life; and he had as hopeful an 
apprehension of his own importance, and the rightful subservience of all 
other things and persons to it, as heart could desire. He was childish and 
sportive enough at times, and not of a sullen disposition; but he had a 
strange, old-fashioned, thoughtful way, at other times, of sitting brooding 
in his miniature armchair, when he looked (and talked) like one of those 
terrible little Beings in the Fairy tales, who, at a hundred and fifty or two 
hundred years of age, fantastically represent the children for whom they have 
been substituted. He would frequently be stricken with this precocious mood 
upstairs in the nursery; and would sometimes lapse into it suddenly, 
exclaiming that he was tired: even while playing with Florence, or driving 
Miss Tox in single harness. But at no time did he fall into it so surely, as 
when, his little chair being carried down into his father's room, he sat 
there with him after dinner, by the fire. They were the strangest pair at 
such a time that ever firelight shone upon. Mr. Dombey so erect and solemn, 
gazing at the blaze; his little image, with an old, old face, peering into 
the red perspective with the fixed and rapt attention of a sage. Mr. Dombey 
entertaining complicated worldly schemes and plans; the little image 
entertaining Heaven knows what wild fancies, half-formed thoughts, and 
wandering speculations. Mr. Dombey stiff with starch and arrogance; the 
little image by inheritance, and in unconscious imitation. The two so very 
much alike, and yet so monstrously contrasted. 


</p>
            <p>On one of these occasions, when they had both been perfectly quiet for a long 
time, and Mr. Dombey only knew that the child was awake by occasionally 
glancing at his eye, where the bright fire was sparkling like a jewel, little 
Paul broke silence thus: 


</p>
            <p>`Papa! what's money?' 


</p>
            <p>The abrupt question had such immediate reference to the subject of Mr. 
Dombey's thoughts, that Mr. Dombey was quite disconcerted. 


</p>
            <p>`What is money, Paul?' he answered. `Money?' 


</p>
            <p>`Yes,' said the child, laying his hands upon the elbows of his little chair, 
and turning the old face up towards Mr. Dombey's; `what is money?' 


</p>
            <p>Mr. Dombey was in a difficulty. He would have liked to give him some 
explanation involving the terms circulating-medium, currency, depreciation of 
currency, paper, bullion, rates of exchange, value of precious metals in the 
market, and so forth; but looking down at the little chair, and seeing what a 
long way down it was, he answered: `Gold, and silver, and copper. Guineas, 
shillings, half-pence. You know what they are?' 


</p>
            <p>`Oh yes, I know what they are,' said Paul. `I don't mean that, Papa. I mean 
what's money after all?' 


</p>
            <p>Heaven and Earth, how old his face was as he turned it up again towards his 
father's! 


</p>
            <p>`What is money after all!' said Mr. Dombey, backing his chair a little, that 
he might the better gaze in sheer amazement at the presumptuous atom that 
propounded such an inquiry. 


</p>
            <p>`I mean, Papa, what can it do?' returned Paul, folding his arms (they were 
hardly long enough to fold), and looking at the fire, and up at him, and at 
the fire, and up at him again. 


</p>
            <p>Mr. Dombey drew his chair back to its former place, and patted him on the 
head. `You'll know better by-and-by, my man,' he said. `Money, Paul, can do 
anything.' He took hold of the little hand, and beat it softly against one of 
his own, as he said so. 


</p>
            <p>But Paul got his hand free as soon as he could; and rubbing it gently to and 
fro on the elbow of his chair, as if his wit were in the palm, and he were 
sharpening it—and looking at the fire again, as though the fire had been his 
adviser and prompter—repeated, after a short pause: 


</p>
            <p>`Anything, Papa?' 


</p>
            <p>`Yes. Anything—almost,' said Mr. Dombey. 


</p>
            <p>`Anything means everything, don't it, Papa?' asked his son: not observing, or 
possibly not understanding, the qualification. 


</p>
            <p>`It includes it: yes,' said Mr. Dombey. 


</p>
            <p>`Why didn't money save me my Mama?' returned the child. `It isn't cruel, is 
it?' 


</p>
            <p>`Cruel!' said Mr. Dombey, settling his neckcloth, and seeming to resent the 
idea. `No. A good thing can't be cruel.' 


</p>
            <p>`If it's a good thing, and can do anything,' said the little fellow, 
thoughtfully, as he looked back at the fire, `I wonder why it didn't save me 
my Mama.' 


</p>
            <p>He didn't ask the question of his father this time. Perhaps he had seen, with 
a child's quickness, that it had already made his father uncomfortable. But 
he repeated the thought aloud, as if it were quite an old one to him, and had 
troubled him very much; and sat with his chin resting on his hand, still 
cogitating and looking for an explanation in the fire. 


</p>
            <p>Mr. Dombey having recovered from his surprise, not to say his alarm (for it 
was the very first occasion on which the child had ever broached the subject 
of his mother to him, though he had had him sitting by his side, in this same 
manner, evening after evening), expounded to him how that money, though a 
very potent spirit, never to be disparaged on any account whatever, could not 
keep people alive whose time was come to die; and how that we must all die, 
unfortunately, even in the City, though we were never so rich. But how that 
money caused us to be honoured, feared, respected, courted, and admired, and 
made us powerful and glorious in the eyes of all men; and how that it could, 
very often, even keep off death, for a long time together. How, for example, 
it had secured to his Mama the services of Mr. Pilkins, by which he, Paul, 
had often profited himself; likewise of the great Doctor Parker Peps, whom he 
had never known. And how it could do all, that could be done. This, with more 
to the same purpose, Mr. Dombey instilled into the mind of his son, who 
listened attentively, and seemed to understand the greater part of what was 
said to him. 


</p>
            <p>`It can't make me strong and quite well, either, Papa; can it?' asked Paul, 
after a short silence; rubbing his tiny hands. 


</p>
            <p>`Why, you <hi>are</hi> strong and quite well,' returned Mr. Dombey. `Are you 
not?' 


</p>
            <p>Oh! the age of the face that was turned up again, with an expression, half of 
melancholy, half of slyness, on it! 


</p>
            <p>`You are as strong and well as such little people usually are? Eh?' said Mr. 
Dombey. 


</p>
            <p>`Florence is older than I am, but I'm not as strong and well as Florence, I 
know,' returned the child; `but I believe that when Florence was as little as 
me, she could play a great deal longer at a time without tiring herself. I am 
so tired sometimes,' said little Paul, warming his hands, and looking in 
between the bars of the grate, as if some ghostly puppet-show were performing 
there, `and my bones ache so (Wickam says it's my bones), that I don't know 
what to do.' 


</p>
            <p>`Aye! But that's at night,' said Mr. Dombey, drawing his own chair closer to 
his son's, and laying his hand gently on his back; `little people should be 
tired at night, for then they sleep well.' 


</p>
            <p>`Oh, it's not at night, Papa,' returned the child, `it's in the day; and I 
lie down in Florence's lap, and she sings to me. At night I dream about such 
curi-ous things!' 


</p>
            <p>And he went on, warming his hands again, and thinking about them, like an old 
man or a young goblin. 


</p>
            <p>Mr. Dombey was so astonished, and so uncomfortable, and so perfectly at loss 
how to pursue the conversation, that he could only sit looking at his son by 
the light of the fire, with his hand resting on his back, as if it were 
detained there by some magnetic attraction. Once he advanced his other hand, 
and turned the contemplative face towards his own for a moment. But it sought 
the fire again as soon as he released it; and remained, addressed towards the 
flickering blaze, until the nurse appeared, to summon him to bed. 


</p>
            <p>`I want Florence to come for me,' said Paul. 


</p>
            <p>`Won't you come with your poor Nurse Wickam, Master Paul?' inquired that 
attendant, with great pathos. 


</p>
            <p>`No, I won't,' replied Paul, composing himself in his armchair again, like 
the master of house. 


</p>
            <p>Invoking a blessing upon his innocence, Mrs. Wickam withdrew, and presently 
Florence appeared in her stead. The child immediately started up with sudden 
readiness and animation, and raised towards his father in bidding him good 
night, a countenance so much brighter, so much younger, and so much more 
childlike altogether, that Mr. Dombey, while he felt greatly reassured by the 
change, was quite amazed at it. 


</p>
            <p>After they had left the room together, he thought he heard a soft voice 
singing; and remembering that Paul had said his sister sung to him, he had 
the curiosity to open the door and listen, and look after them. She was 
toiling up the great, wide, vacant staircase, with him in her arms; his head 
was lying on her shoulder, one of his arms thrown negligently round her neck. 
So they went, toiling up; she singing all the way, and Paul sometimes 
crooning out a feeble accompaniment. Mr. Dombey looked after them until they 
reached the top of the staircase—not without halting to rest by the way—and 
passed out of his sight; and then he still stood gazing upwards, until the 
dull rays of the moon, glimmering in a melancholy manner through the dim 
skylight, sent him back to his own room. 


</p>
            <p>Mrs. Chick and Miss Tox were convoked in council at dinner next day; and when 
the cloth was removed, Mr. Dombey opened the proceedings by requiring to be 
informed, without any gloss or reservation, whether there was anything the 
matter with Paul, and what Mr. Pilkins said about him. 


</p>
            <p>`For the child is hardly,' said Mr. Dombey, `as stout as I could wish.' 


</p>
            <p>`With your usual happy discrimination, my dear Paul,' returned Mrs. Chick, 
`you have hit the point at once. Our darling is <hi>not</hi> altogether as 
stout as we could wish. The fact is, that his mind is too much for him. His 
soul is a great deal too large for his frame. I am sure the way in which that 
dear child talks!' said Mrs. Chick, shaking her head; `no one would believe. 
His expressions, Lucretia, only yesterday upon the subject of Funerals!—' 


</p>
            <p>`I am afraid,' said Mr. Dombey, interrupting her testily, `that some of those 
persons upstairs suggest improper subjects to the child. He was speaking to 
me last night about his—about his Bones,' said Mr. Dombey, laying an 
irritated stress upon the word. `What on earth has anybody to do with 
the—with the—Bones of my son? He is not a living skeleton, I suppose.' 


</p>
            <p>`Very far from it,' said Mrs. Chick, with unspeakable expression. 


</p>
            <p>`I hope so,' returned her brother. `Funerals again! who talks to the child of 
funerals? We are not undertakers, or mutes, or grave-diggers, I believe.' 


</p>
            <p>`Very far from it,' interposed Mrs. Chick, with the same profound expression 
as before. 


</p>
            <p>`Then who puts such things into his head?' said Mr. Dombey. `Really I was 
quite dismayed and shocked last night. Who puts such things into his head, 
Louisa?' 


</p>
            <p>`My dear Paul,' said Mrs. Chick, after a moment's silence, `it is of no use 
inquiring. I do not think, I will tell you candidly, that Wickam is a person 
of very cheerful spirit, or what one would call a—' 


</p>
            <p>`A daughter of Momus,' Miss Tox softly suggested. 


</p>
            <p>`Exactly so,' said Mrs. Chick; `but she is exceedingly attentive and useful, 
and not at all presumptuous; indeed I never saw a more biddable woman. If the 
dear child,' pursued Mrs. Chick, in the tone of one who was summing up what 
had been previously quite agreed upon, instead of saying it all for the first 
time, `is a little weakened by that last attack, and is not in quite such 
vigorous health as we could wish; and if he has some temporary weakness in 
his system, and does occasionally seem about to lose, for the moment, the use 
of his—' 


</p>
            <p>Mrs. Chick was afraid to say limbs, after Mr. Dombey's recent objection to 
bones, and therefore waited for a suggestion from Miss Tox, who, true to her 
office, hazarded `members.' 


</p>
            <p>`Members!' repeated Mr. Dombey. 


</p>
            <p>`I think the medical gentleman mentioned legs this morning, my dear Louisa, 
did he not?' said Miss Tox. 


</p>
            <p>`Why, of course he did, my love,' retorted Mrs. Chick, mildly reproachful. 
`How can you ask me? You heard him. I say, if our dear Paul should lose, for 
the moment, the use of his legs, these are casualties common to many children 
at his time of life, and not to be prevented by any care or caution. The 
sooner you understand that, Paul, and admit that, the better.' 


</p>
            <p>`Surely you must know, Louisa,' observed Mr. Dombey, `that I don't question 
your natural devotion to, and regard for, the future head of my house. Mr. 
Pilkins saw Paul this morning, I believe?' said Mr. Dombey. 


</p>
            <p>`Yes, he did,' returned his sister. `Miss Tox and myself were present, Miss 
Tox and myself are always present. We make a point of it. Mr. Pilkins has 
seen him for some days past, and a very clever man I believe him to be. He 
says it is nothing to speak of; which I can confirm, if that is any 
consolation; but he recommended, to-day, sea-air. Very wisely, Paul, I feel 
convinced.' 


</p>
            <p>`Sea-air,' repeated Mr. Dombey, looking at his sister. 


</p>
            <p>`There is nothing to be made uneasy by, in that,' said Mrs. Chick. `My George 
and Frederick were both ordered sea-air, when they were about his age; and I 
have been ordered it myself a great many times. I quite agree with you, Paul, 
that perhaps topics may be incautiously mentioned upstairs before him, which 
it would be as well for his little mind not to expatiate upon; but I really 
don't see how that is to be helped in the case of a child of his quickness. 
If he were a common child, there would be nothing in it. I must say I think, 
with Miss Tox, that a short absence from this house, the air of Brighton, and 
the bodily and mental training of so judicious a person as Mrs. Pipchin for 
instance—' 


</p>
            <p>`Who is Mrs. Pipchin, Louisa?' asked Mr. Dombey; aghast at this familiar 
introduction of a name he had never heard before. 


</p>
            <p>`Mrs. Pipchin, my dear Paul,' returned his sister, `is an elderly lady—Miss 
Tox knows her whole history—who has for some time devoted all the energies 
of her mind, with the greatest success, to the study and treatment of 
infancy, and who has been extremely well connected. Her husband broke his 
heart in—how did you say her husband broke his heart, my dear? I forget the 
precise circumstances.' 


</p>
            <p>`In pumping water out of the Peruvian Mines,' replied Miss Tox. 


</p>
            <p>`Not being a Pumper himself, of course,' said Mrs. chick, glancing at her 
brother; and it really did seem necessary to offer the explanation, for Miss 
Tox had spoken of him as if he had died at the handle; `but having invested 
money in the speculation, which failed. I believe that Mrs. Pipchin's 
management of children is quite astonishing. I have heard it commended in 
private circles ever since I was—dear me—how high!' Mrs. Chick's eye 
wandered about the bookcase near the bust of Mr. Pitt, which was about ten 
feet from the ground. 


</p>
            <p>`Perhaps I should say of Mrs. Pipchin, my dear Sir,' observed Miss Tox, with 
an ingenuous blush, `having been so pointedly referred to, that the encomium 
which has been passed upon her by your sweet sister is well merited. Many 
ladies and gentlemen, now grown up to be interesting members of society, have 
been indebted to her care. The humble individual who addresses you was once 
under her charge. I believe Juvenile nobility itself is no stranger to her 
establishment.' 


</p>
            <p>`Do I understand that this respectable matron keeps an establishment, Miss 
Tox?' inquired Mr. Dombey, condescendingly. 


</p>
            <p>`Why, I really don't know,' rejoined that lady, `whether I am justified in 
calling it so. It is not a Preparatory School by any means. Should I express 
my meaning,' said Miss Tox, with peculiar sweetness, `if I designated it an 
infantine Boarding-House of a very select description?' 


</p>
            <p>`On an exceedingly limited and particular scale,' suggested Mrs. Chick, with 
a glance at her brother. 


</p>
            <p>`Oh! Exclusion itself!' said Miss Tox. 


</p>
            <p>There was something in this. Mrs. Pipchin's husband having broken his heart 
of the Peruvian mines was good. It had a rich sound. Besides, Mr. Dombey was 
in a state almost amounting to consternation at the idea of Paul remaining 
where he was one hour after his removal had been recommended by the medical 
practitioner. It was a stoppage and delay upon the road the child must 
traverse, slowly at the best, before the goal was reached. Their 
recommendation of Mrs. Pipchin had great weight with him; for he knew that 
they were jealous of any interference with their charge, and he never for a 
moment took it into account that they might be solicitous to divide a 
responsibility, of which he had, as shown just now, his own established 
views. Broke his heart of the Peruvian mines, mused Mr. Dombey. Well, a very 
respectable way of doing it. 


</p>
            <p>`Supposing we should decide, on to-morrow's inquiries, to send Paul down to 
Brighton to this lady, who would go with him?' inquired Mr. Dombey, after 
some reflection. 


</p>
            <p>`I don't think you could send the child anywhere at present without Florence, 
my dear Paul,' returned his sister, hesitating. `It's quite an infatuation 
with him. He's very young, you know, and has his fancies.' 


</p>
            <p>Mr. Dombey turned his head away, and going slowly to the bookcase, and 
unlocking it, brought back a book to read. 


</p>
            <p>`Anybody else, Louisa?' he said, without looking up, and turning over the 
leaves. 


</p>
            <p>`Wickam, of course. Wickam would be quite sufficient, I should say,' returned 
his sister. `Paul being in such hands as Mrs. Pipchin's, you could hardly 
send anybody who would be a further check upon her. You would go down 
yourself once a-week at least, of course.' 


</p>
            <p>`Of course,' said Mr. Dombey; and sat looking at one page for an hour 
afterwards, without reading one word. 


</p>
            <p>This celebrated Mrs. Pipchin was a marvellous ill-favoured, ill-conditioned 
old lady, of a stooping figure, with a mottled face, like bad marble, a hook 
nose, and a hard grey eye, that looked as if it might have been hammered at 
on an anvil without sustaining any injury. Forty years at least had elapsed 
since the Peruvian mines had been the death of Mr. Pipchin; but his relict 
still wore black bombazeen, of such a lustreless, deep, dead, sombre shade, 
that gas itself couldn't light her up after dark, and her presence was a 
quencher to any number of candles. She was generally spoken of as `a great 
manager' of children; and the secret of her management was, to give them 
everything that they didn't like, and nothing that they did—which was found 
to sweeten their dispositions very much. She was such a bitter old lady, that 
one was tempted to believe there had been some mistake in the application of 
the Peruvian machinery, and that all her waters of gladness and milk of human 
kindness, had been pumped out dry, instead of the mines. 


</p>
            <p>The Castle of this ogress and child-queller was in a steep by-street at 
righton; where the soil was more than usually chalky, flinty, and sterile, 
and the houses were more than usually brittle and thin; where the small 
frontgardens had the unaccountable property of producing nothing but 
marigolds, whatever was sown in them; and where snails were constantly 
discovered holding on to the street doors, and other public places they were 
not expected to ornament, with the tenacity of cupping-glasses. In the winter 
time the air couldn't be got out of the Castle, and in the summer time it 
couldn't be got in. There was such a continual reverberation of wind in it, 
that it sounded like a great shell, which the inhabitants were obliged to 
hold to their ears night and day, whether they liked it or no. It was not, 
naturally, a freshsmelling house; and in the window of the front parlour, 
which was never opened, Mrs. Pipchin kept a collection of plants in pots, 
which imparted an earthy flavour of their own to the establishment. However 
choice examples of their kind, too, these plants were of a kind peculiarly 
adapted to the embowerment of Mrs. Pipchin. There were half-a-dozen specimens 
of the cactus, writhing round bits of lath, like hairy serpents; another 
specimen shooting out broad claws, like a green lobster; several creeping 
vegetables, possessed of sticky and adhesive leaves; and one uncomfortable 
flower-pot hanging to the ceiling, which appeared to have boiled over, and 
tickling people underneath with its long green ends, reminded them of 
spiders—in which Mrs. Pipchin's dwelling was uncommonly prolific, though 
perhaps it challenged competition still more proudly, in the season, in point 
of earwigs. 


</p>
            <p>Mrs. Pipchin's scale of charges being high, however, to all who could afford 
to pay, and Mrs. Pipchin very seldom sweetening the equable acidity of her 
nature in favour of anybody, she was held to be an old lady of remarkable 
firmness, who was quite scientific in her knowledge of the childish 
character. On this reputation, and on the broken heart of Mr. Pipchin, she 
had contrived, taking one year with another, to eke out a tolerable 
sufficient living since her husband's demise. Within three days after Mrs. 
Chick's first allusion to her, this excellent old lady had the satisfaction 
of anticipating a handsome addition to her current receipts, from the pocket 
of Mr. Dombey; and of receiving Florence and her little brother Paul, as 
inmates of the Castle. 


</p>
            <p>Mrs. Chick and Miss Tox, who had brought them down on the previous night 
(which they all passed at an Hotel), had just driven away from the door, on 
their journey home again; and Mrs. Pipchin, with her back to the fire, stood, 
reviewing the new-comers, like an old soldier. Mrs. Pipchin's middle-aged 
niece, her good-natured and devoted slave, but possessing a gaunt and 
ironbound aspect, and much afflicted with boils on her nose, was divesting 
Master Bitherstone of the clean collar he had worn on parade. Miss Pankey, 
the only other little boarder at present, had that moment been walked off to 
the Castle Dungeon (an empty apartment at the back, devoted to correctional 
purposes), for having sniffed thrice, in the presence of visitors. 


</p>
            <p>`Well, Sir,' said Mrs. Pipchin to Paul, `how do you think you shall like 
me?' 


</p>
            <p>`I don't think I shall like you at all,' replied Paul. `I want to go away. 
This isn't my house.' 


</p>
            <p>`No. It's mine,' retorted Mrs. Pipchin. 


</p>
            <p>`It's a very nasty one,' said Paul. 


</p>
            <p>`There's a worse place in it than this though,' said Mrs. Pipchin, `where we 
shut up our bad boys.' 


</p>
            <p>`Has <hi>he</hi> ever been in it?' asked Paul: pointing out Master 
Bitherstone. 


</p>
            <p>Mrs. Pipchin nodded assent; and Paul had enough to do, for the rest of that 
day, in surveying Master Bitherstone from head to foot, and watching all the 
workings of his countenance, with the interest attaching to a boy of 
mysterious and terrible experiences. 


</p>
            <p>At one o'clock there was a dinner, chiefly of the farinaceous and vegetable 
kind, when Miss Pankey (a mild little blue-eyed morsel of a child, who was 
shampoo'd every morning, and seemed in danger of being rubbed away, 
altogether) was led in from captivity by the ogress herself, and instructed 
that nobody who sniffed before visitors ever went to Heaven. When this great 
truth had been thoroughly impressed upon her, she was regaled with rice; and 
subsequently repeated the form of grace established in the Castle, in which 
there was a special clause, thanking Mrs. Pipchin for a good dinner. Mrs. 
Pipchin's niece, Berinthia, took cold pork. Mrs. Pipchin, whose constitution 
required warm nourishment, made a special repast of mutton-chops, which were 
brought in hot and hot, between two plates, and smelt very nice. 


</p>
            <p>As it rained after dinner, and they couldn't go out walking on the beach, and 
Mrs. Pipchin's constitution required rest after chops, they went away with 
Berry (otherwise Berinthia) to the Dungeon; an empty room looking out upon a 
chalk wall and a water-butt, and made ghastly by a ragged fireplace without 
any stove in it. Enlivened by company, however, this was the best place after 
all; for Berry played with them there, and seemed to enjoy a game at romps as 
much as they did; until Mrs. Pipchin knocking angrily at the wall, like the 
Cock Lane Ghost revived, they left off, and Berry told them stories in a 
whisper until twilight. 


</p>
            <p>For tea there was plenty of milk and water, and bread and butter, with a 
little black tea-pot for Mrs. Pipchin and Berry, and buttered toast unlimited 
for Mrs. Pipchin, which was brought in, hot and hot, like the chops. Though 
Mrs. Pipchin got very greasy, outside, over this dish, it didn't seem to 
lubricate her internally, at all; for she was as fierce as ever, and the hard 
grey eye knew no softening. 


</p>
            <p>After tea, Berry brought out a little work-box, with the Royal Pavilion on 
the lid, and fell to working busily; while Mrs. Pipchin, having put on her 
spectacles and opened a great volume bound in green baize, began to nod. And 
whenever Mrs. Pipchin caught herself falling forward into the fire, and woke 
up, she filliped Master Bitherstone on the nose for nodding too. 


</p>
            <p>At last it was the children's bedtime, and after prayers they went to bed. As 
little Miss Pankey was afraid of sleeping alone in the dark, Mrs. Pipchin 
always made a point of driving her up stairs herself, like a sheep; and it 
was cheerful to hear Miss Pankey moaning long afterwards, in the least 
eligible chamber, and Mrs. Pipchin now and then going in to shake her. At 
about halfpast nine o'clock the odour of a warm sweet-bread (Mrs. Pipchin's 
constitution wouldn't go to sleep without sweet-bread) diversified the 
prevailing fragrance of the house, which Mrs. Wickam said was `a smell of 
building;' and slumber fell upon the Castle shortly after. 


</p>
            <p>The breakfast next morning was like the tea over night, except that Mrs. 
Pipchin took her roll instead of toast, and seemed a little more irate when 
it was over. Master Bitherstone read aloud to the rest a pedigree from 
Genesis (judi-ciously selected by Mrs. Pipchin), getting over the names with 
the ease and clearness of a person tumbling up the treadmill. That done, Miss 
Pankey was borne away to be shampoo'd; and Master Bitherstone to have 
something else done to him with salt water, from which he always returned 
very blue and dejected. Paul and Florence went out in the meantime on the 
beach with Wickam—who was constantly in tears—and at about noon Mrs. 
Pipchin presided over some Early Readings. It being a part of Mrs. Pipchin's 
system not to encourage a child's mind to develop and expand itself like a 
young flower, but to open it by force like an oyster, the moral of these 
lessons was usually of a violent and stunning character: the hero—a naughty 
boy—seldom, in the mildest catastrophe, being finished off by anything less 
than a lion, or a bear. 


</p>
            <p>Such was life at Mrs. Pipchin's. On Saturday Mr. Dombey came down; and 
Florence and Paul would go to his Hotel, and have tea. They passed the whole 
of Sunday with him, and generally rode out before dinner; and on these 
occasions Mr. Dombey seemed to grow, like Falstaff's assailants, and instead 
of being one man in buckram, to become a dozen. Sunday evening was the most 
melancholy evening in the week; for Mrs. Pipchin always made a point of being 
particularly cross on Sunday nights. Miss Pankey was generally brought back 
from an aunt's at Rottingdean, in deep distress; and Master Bitherstone, 
whose relatives were all in India, and who was required to sit, between the 
services, in an erect position with his head against the parlour wall, 
neither moving hand nor foot, suffered so acutely in his young spirits that 
he once asked Florence, on a Sunday night, if she could give him any idea of 
the way back to Bengal. 


</p>
            <p>But it was generally said that Mrs. Pipchin was a woman of system with 
children; and no doubt she was. Certainly the wild ones went home tame 
enough, after sojourning for a few months beneath her hospitable roof. It was 
generally said, too, that it was highly creditable of Mrs. Pipchin to have 
devoted herself to this way of life, and to have made such a sacrifice of her 
feelings, and such a resolute stand against her troubles, when Mr. Pipchin 
broke his heart in the Peruvian mines. 


</p>
            <p>At this exemplary old lady, Paul would sit staring in his little arm-chair by 
the fire, for any length of time. He never seemed to know what weariness was, 
when he was looking fixedly at Mrs. Pipchin. He was not fond of her; he was 
not afraid of her; but in those old, old moods of his, she seemed to have a 
grotesque attraction for him. There he would sit, looking at her, and warming 
his hands, and looking at her, until he sometimes quite confounded Mrs. 
Pipchin, Ogress as she was. Once she asked him, when they were alone, what he 
was thinking about. 


</p>
            <p>`You,' said Paul, without the least reserve. 


</p>
            <p>`And what are you thinking about me?' asked Mrs. Pipchin. 


</p>
            <p>`I'm thinking how old you must be,' said Paul. 


</p>
            <p>`You mustn't say such things as that, young gentleman,' returned the dame. 
`That'll never do.' 


</p>
            <p>`Why not?' asked Paul. 


</p>
            <p>`Because it's not polite,' said Mrs. Pipchin, snappishly. 


</p>
            <p>`Not polite?' said Paul. 


</p>
            <p>`No.' 


</p>
            <p>`It's not polite,' said Paul, innocently, `to eat all the mutton-chops and 
toast, Wickam says.' 


</p>
            <p>`Wickam,' retorted Mrs. Pipchin, colouring, `is a wicked, impudent, boldfaced 
hussy.' 


</p>
            <p>`What's that?' inquired Paul. 


</p>
            <p>`Never you mind, Sir,' retorted Mrs. Pipchin. `Remember the story of the 
little boy that was gored to death by a mad bull for asking questions.' 


</p>
            <p>`If the bull was mad,' said Paul, `how did <hi>he</hi> know that the boy had 
asked questions? Nobody can go and whisper secrets to a mad bull. I don't 
believe that story.' 


</p>
            <p>`You don't believe it, Sir?' repeated Mrs. Pipchin, amazed. 


</p>
            <p>`No,' said Paul. 


</p>
            <p>`Not if it should happen to have been a tame bull, you little Infidel?' said 
Mrs. Pipchen. 


</p>
            <p>As Paul had not considered the subject in that light, and had founded his 
conclusions on the alleged lunacy of the bull, he allowed himself to be put 
down for the present. But he sat turning it over in his mind, with such an 
obvious intention of fixing Mrs. Pipchin presently, that even that hardy old 
lady deemed it prudent to retreat until he should have forgotten the 
subject. 


</p>
            <p>From that time, Mrs. Pipchin appeared to have something of the same odd kind 
of attraction towards Paul, as Paul had towards her. She would make him move 
his chair to her side of the fire, instead of sitting opposite; and there he 
would remain in a nook between Mrs. Pipchin and the fender, with all the 
light of his little face absorbed into the black bombazeen drapery, studying 
every line and wrinkle of her countenance, and peering at the hard grey eye, 
until Mrs. Pipchin was sometimes fain to shut it on pretence of dozing. Mrs. 
Pipchin had an old black cat, who generally lay coiled upon the centre foot 
of the fender, purring egotistically, and winking at the fire until the 
contracted pupils of his eyes were like two notes of admiration. The good old 
lady might have been—not to record it disrespectfully—a witch, and Paul and 
the cat her two familiars, as they all sat by the fire together. It would 
have been quite in keeping with the appearance of the party if they had all 
sprung up the chimney in a high wind one night, and never been heard of any 
more. 


</p>
            <p>This, however, never came to pass. The cat, and Paul, and Mrs. Pipchin, were 
constantly to be found in their usual places after dark; and Paul, eschewing 
the companionship of Master Bitherstone, went on studying Mrs. Pipchin, and 
the cat, and the fire, night after night, as if they were a book of 
necromancy, in three volumes. 


</p>
            <p>Mrs. Wickam put her own construction on Paul's eccentricities: and being 
confirmed in her low spirits by a perplexed view of chimneys from the room 
where she was accustomed to sit, and by the noise of the wind, and by the 
general dulness (gashliness was Mrs. Wickam's strong expression) of her 
present life, deduced the most dismal reflections from the foregoing 
premises. It was a part of Mrs. Pipchin's policy to prevent her own `young 
hussy'—that was Mrs. Pipchin's generic name for female servant—from 
communicating with Mrs. Wickam: to which end she devoted much of her time to 
concealing herself behind doors, and springing out on that devoted maiden, 
whenever she made an approach towards Mrs. Wickam's apartment. But Berry was 
free to hold what converse she could in that quarter consistently with the 
discharge of the multifarious duties at which she toiled incessantly from 
morning to night; and to Berry Mrs. Wickam unburdened her mind. 


</p>
            <p>`What a pretty fellow he is when he's asleep!' said Berry, stopping to look 
at Paul in bed, one night when she took up Mrs. Wickam's supper. 


</p>
            <p>`Ah!' sighed Mrs. Wickam. `He need be.' 


</p>
            <p>`Why, he's not ugly when he's awake,' observed Berry. 


</p>
            <p>`No, Ma'am. Oh, no. No more was my uncle's Betsey Jane,' said Mrs. Wickam. 


</p>
            <p>Berry looked as if she would like to trace the connexion of ideas between 
Paul Dombey and Mrs. Wickam's Uncle's Betsey Jane. 


</p>
            <p>`My uncle's wife,' Mrs. Wickam went on to say, `died just like his mama. My 
uncle's child took on just as Master Paul do. My uncle's child made people's 
blood run cold, sometimes, she did!' 


</p>
            <p>R`How!' asked Berry. 


</p>
            <p>`I wouldn't have sat up all night alone with Betsey Jane!' said Mrs. Wickam, 
`not if you'd have put Wickam into business next morning for himself. I 
couldn't have done it, Miss Berry.' 


</p>
            <p>Miss Berry naturally asked why not? But Mrs. Wickam, agreeably to the usage 
of some ladies in her condition, pursued her own branch of the subject 
without any compunction. 


</p>
            <p>`Betsey Jane,' said Mrs. Wickam, `was as sweet a child as I could wish to 
see. I couldn't wish to see a sweeter. Everything that a child could have in 
the way of illnesses, Betsey Jane had come through. The cramps was as common 
to her,' said Mrs. Wickam, `as biles is to yourself, Miss Berry.' Miss Berry 
involuntarily wrinkled her nose. 


</p>
            <p>`But Betsey Jane,' said Mrs. Wickam, lowering her voice, and looking round 
the room, and towards Paul in bed, `had been minded, in her cradle, by her 
departed mother. I couldn't say how, nor I couldn't say when, nor I couldn't 
say whether the dear child knew it or not, but Betsey Jane had been watched 
by her mother, Miss Berry! You may say nonsense! I an't offended, Miss. I 
hope you may be able to think in your own conscience that it <hi>is</hi>
nonsense; you'll find your spirits all the better for it in this—you'll 
excuse my being so free—in this burying-ground of a place; which is wearing 
of me down. Master Paul's a little restless in his sleep. Pat his back, if 
you please.' 


</p>
            <p>`Of course you think,' said Berry, gently doing what she was asked, `that 
<hi>he</hi> has been nursed by his mother, too?' 


</p>
            <p>`Betsey Jane,' returned Mrs. Wickam in her most solemn tones, `was put upon 
as that child has been put upon, and changed as that child has changed. I 
have seen her sit, often and often, think, think, thinking, like him. I have 
seen her look, often and often, old, old, old, like him. I have heard her, 
many a time, talk just like him. I consider that child and Betsey Jane on the 
same footing entirely, Miss Berry.' 


</p>
            <p>`Is your uncle's child alive?' asked Berry. 


</p>
            <p>`Yes, Miss, she is alive,' returned Mrs. Wickam with an air of triumph, for 
it was evident Miss Berry expected the reverse; `and is married to a 
silverchaser. Oh yes, Miss, <hi rend="sc">she</hi> is alive,' said Mrs. Wickam, laying 
strong stress on her nominative case. 


</p>
            <p>It being clear that somebody was dead, Mrs. Pipchin's niece inquired who it 
was. 


</p>
            <p>`I wouldn't wish to make you uneasy,' returned Mrs. Wickam, pursuing her 
supper. `Don't ask me.' 


</p>
            <p>This was the surest way of being asked again. Miss Berry repeated her 
question, therefore; and after some resistance, and reluctance, Mrs. Wickam 
laid down her knife, and again glancing round the room and at Paul in bed, 
replied: 


</p>
            <p>`She took fancies to people; whimsical fancies, some of them; others, 
affections that one might expect to see—only stronger than common. They all 
died.' 


</p>
            <p>This was so very unexpected and awful to Mrs. Pipchin's niece, that she sat 
upright on the hard edge of the bedstead, breathing short, and surveying her 
informant with looks of undisguised alarm. 


</p>
            <p>Mrs. Wickam shook her left fore-finger stealthily towards the bed where 
Florence lay; then turned it upside down, and made several emphatic points at 
the floor; immediately below which was the parlour in which Mrs. Pipchin 
habitually consumed the toast. 


</p>
            <p>`Remember my words, Miss Berry,' said Mrs. Wickam, `and be thankful that 
Master Paul is not too fond of you. I am, that he's not too fond of me, I 
assure you; though there isn't much to live for—you'll excuse my being so 
free—in this jail of a house!' 


</p>
            <p>Miss Berry's emotion might have led to her patting Paul too hard on the back, 
or might have produced a cessation of that soothing monotony, but he turned 
in his bed just now, and, presently awaking, sat up in it with his hair hot 
and wet from the effects of some childish dream, and asked for Florence. 


</p>
            <p>She was out of her own bed at the first sound of his voice; and bending over 
his pillow immediately, sang him to sleep again. Mrs. Wickam shaking her 
head, and letting fall several tears, pointed out the little group to Berry, 
and turned her eyes up to the ceiling. 


</p>
            <p>`Good night, Miss!' said Wickam, softly. `Good night! Your aunt is an old 
lady, Miss Berry, and it's what you must have looked for, often.' 


</p>
            <p>This consolatory farewell, Mrs. Wickam accompanied with a look of heartfelt 
anguish; and being left alone with the two children again, and becoming 
conscious that the wind was blowing mournfully, she indulged in 
melancholy—that cheapest and most accessible of luxuries—until she was 
overpowered by slumber. 


</p>
            <p>Although the niece of Mrs. Pipchin did not expect to find that exemplary 
dragon prostrate on the hearth-rug when she went down stairs, she was 
relieved to find her unusually fractious and severe, and with every present 
appearance of intending to live a long time to be a comfort to all who knew 
her. Nor had she any symptoms of declining, in the course of the ensuing 
week, when the constitutional viands still continued to disappear in regular 
succession, notwithstanding that Paul studied her as attentively as ever, and 
occupied his usual seat between the black skirts and the fender, with 
unwavering constancy. 


</p>
            <p>But as Paul himself was no stronger at the expiration of that time than he 
had been on his first arrival, though he looked much healthier in the face, a 
little carriage was got for him, in which he could lie at his ease, with an 
alphabet and other elementary works of reference, and be wheeled down to the 
sea-side. Consistent in his odd tastes, the child set aside a ruddy-faced lad 
who was proposed as the drawer of this carriage, and selected, instead, his 
grandfather—a weazen, old, crab-faced man, in a suit of battered oilskin, 
who had got tough and stringy from long pickling in salt water, and who smelt 
like a weedy sea-beach when the tide is out. 


</p>
            <p>With this notable attendant to pull him along, and Florence always walking by 
his side, and the despondent Wickam bringing up the rear, he went down to the 
margin of the ocean every day; and there he would sit or lie in his carriage 
for hours together: never so distressed as by the company of 
children—Florence alone excepted, always. 


</p>
            <p>`Go away, if you please,' he would say to any child who came to bear him 
company. `Thank you, but I don't want you.' 


</p>
            <p>Some small voice, near his ear, would ask him how he was, perhaps. 


</p>
            <p>`I am very well, I thank you,' he would answer. `But you had better go and 
play, if you please.' 


</p>
            <p>Then he would turn his head, and watch the child away, and say to Florence, 
`We don't want any others, do we? Kiss me, Floy.' 


</p>
            <p>He had even a dislike, at such times, to the company of Wickam, and was well 
pleased when she strolled away, as she generally did, to pick up shells and 
acquaintances. His favourite spot was quite a lonely one, far away from most 
loungers; and with Florence sitting by his side at work, or reading to him, 
or talking to him, and the wind blowing on his face, and the water coming up 
among the wheels of his bed, he wanted nothing more. 


</p>
            <p>`Floy,' he said one day, `where's India, where that boy's friends live?' 


</p>
            <p>`Oh, it's a long, long distance off,' said Florence, raising her eyes from 
her work. 


</p>
            <p>`Weeks off?' asked Paul. 


</p>
            <p>`Yes, dear. Many weeks' journey, night and day.' 


</p>
            <p>`If you were in India, Floy,' said Paul, after being silent for a minute, `I 
should—what is that Mama did? I forget.' 


</p>
            <p>`Loved me!' answered Florence. 


</p>
            <p>`No, no. Don't I love you now, Floy? What is it?—Died. If you were in India, 
I should die, Floy.' 


</p>
            <p>She hurriedly put her work aside, and laid her head down on his pillow, 
caressing him. And so would she, she said, if he were there. He would be 
better soon. 


</p>
            <p>`Oh! I am a great deal better now!' he answered. `I don't mean that. I mean 
that I should die of being so sorry and so lonely, Floy!' 


</p>
            <p>Another time, in the same place, he fell asleep, and slept quietly for a long 
time. Awaking suddenly, he listened, started up, and sat listening. 


</p>
            <p>Florence asked him what he thought he heard. 


</p>
            <p>`I want to know what it says,' he answered, looking steadily in her face. 
`The sea, Floy, what is it that it keeps on saying?' 


</p>
            <p>She told him that it was only the noise of the rolling waves. 


</p>
            <p>`Yes, yes,' he said. `But I know that they are always saying something. 
Always the same thing. What place is over there?' He rose up, looking eagerly 
at the horizon. 


</p>
            <p>She told him that there was another country opposite, but he said he didn't 
mean that: he meant farther away—farther away! 


</p>
            <p>Very often afterwards, in the midst of their talk, he would break off, to try 
to understand what it was that the waves were always saying; and would rise 
up in his couch to look towards that invisible region, far away. 

</p>
         </div>
         <div xml:id="c9" type="chapter">
            <head>CHAPTER IX</head>
            <head>In which the Wooden Midshipman gets into Trouble</head>
            <p>THAT spice of romance and love of the marvellous, of which there was a pretty 
strong 
infusion in the nature of young Walter Gay, and which the guardianship of his 
uncle, old 
Solomon Gills, had not very much weakened by the waters of stern practical 
experience, 
was the occasion of his attaching an uncommon and delightful interest to the 
adventure of 
Florence with good Mrs. Brown. He pampered and cherished it in his memory, 
especially 
that part of it with which he had been associated: until it became the 
spoiled child of his 
fancy, and took its own way, and did what it liked with it. 


</p>
            <p>The recollection of those incidents, and his own share in them, may have been 
made the 
more captivating, perhaps, by the weekly dreamings of old Sol and Captain 
Cuttle on 
Sundays. Hardly a Sunday passed, without mysterious references being made by 
one or 
other of those worthy chums to Richard Whittington; and the latter gentleman 
had even 
gone so far as to purchase a ballad of considerable antiquity, that had long 
fluttered 
among many others, chiefly expressive of maritime sentiments, on a dead wall 
in the 
Commercial Roads: which poetical performances set forth the courtship and 
nuptials of a 
promising young coal-whipper with a certain `lovely Peg,' the accomplished 
daughter of 
the master and part-owner of a Newcastle collier. In this stirring legend, 
Captain Cuttle 
descried a profound metaphysical bearing on the case of Walter and Florence; 
and it 
excited him so much, that on very festive occasions, as birthdays and few 
other 
non-Dominical holidays, he would roar through the whole song in the little 
back parlour; 
making an amazing shake on the word Pe—e—eg, with which every verse 
concluded, in 
compliment to the heroine of the piece. 


</p>
            <p>But a frank, free-spirited, open-hearted boy, is not much given to analysing 
the nature of 
his own feelings, however strong their hold upon him: and Walter would have 
found it 
difficult to decide this point. He had a great affection for the wharf where 
he had 
encountered Florence, and for the streets (albeit not enchanting in 
themselves) by which 
they had come home. The shoes that had so often tumbled off by way, he 
preserved in his 
own room; and, sitting in the little back parlour of an evening, he had drawn 
a whole 
gallery of fancy portraits of good Mrs. Brown. It may be that he became a 
little smarter in 
his dress after that memorable occasion; and he certainly liked in his 
leisure time to walk 
towards that quarter of the town where Mr. Dombey's house was situated, on 
the vague 
chance of passing little Florence in the street. But the sentiment of all 
this was as boyish 
and innocent as could be. Florence was very pretty, and it is pleasant to 
admire a pretty 
face. Florence was defenceless and weak, and it was a proud thought that he 
had been 
able to render her any protection and assistantce. Florence was the most 
grateful little 
creature in the world, and it was delightful to see her bright gratitude 
beaming in her face. 
Florence was neglected and coldly looked upon, and his breast was full of 
youthful 
interest for the slighted child in her dull, stately home. 


</p>
            <p>Thus it came about that, perhaps some half-a-dozen times in the course of the 
year, Walter 
pulled off his hat to Florence in the street, and Florence would stop to 
shake hands. Mrs. 
Wickam (who, with a characteristic alteration of his name, invariably spoke 
of him as 
`Young Graves') was so well used to this, knowing the story of their 
acquaintance, that 
she took no heed of it at all. Miss Nipper, on the other hand, rather looked 
out for these 
occasions: her sensitive young heart being secretly propitiated by Walter's 
good looks, and 
inclining to the belief that its sentiments were responded to. 


</p>
            <p>In this way, Walter, so far from forgetting or losing sight of his 
acquaintance with 
Florence, only remembered it better and better. As to its adventurous 
beginning, and all 
those little circumstances which gave it a distinctive character and relish, 
he took them 
into account, more as a pleasant story very agreeable to his imagination, and 
not to be 
dismissed from it, than as a part of any matter of fact with which <hi>he</hi>
was 
concerned. They set off Florence very much, to his fancy; but not himself. 
Sometimes he 
thought (and then he walked very fast) what a grand thing it would have been 
for him to 
have been going to sea on the day after that first meeting, and to have gone, 
and to have 
done wonders there, and to have stopped away a long time, and to have come 
back an 
Admiral of all the colours of the dolphin, or at least a Post-Captain with 
epaulettes of 
insupportable brightness, and have married Florence (then a beautiful young 
woman) in 
spite of Mr. Dombey's teeth, cravat, and watch-chain, and borne her away to 
the blue 
shores of somewhere or other, triumphantly. But these flights of fancy seldom 
burnished 
the brass plate of Dombey and Son's Offices into a tablet of golden hope, or 
shed a 
brilliant lustre on their dirty skylights; and when the Captain and Uncle Sol 
talked about 
Richard Whittington and masters' daughters, Walter felt that he understood 
his true 
position at Dombey and Son's much better than they did. 


</p>
            <p>So it was that he went on doing what he had to do from day to day, in a 
cheerful, 
pains-taking, merry spirit; and saw through the sanguine complexion of Uncle 
Sol and 
Captain Cuttle; and yet entertained a thousand indistinct and visionary 
fancies of his own, 
to which theirs were word-a-day probabilities. Such was his condition at the 
Pipchin 
period, when he looked a little older than of yore, but not much; and was the 
same 
light-footed, light-hearted, lightheaded lad, as when he charged into the 
parlour at the head 
of Uncle Sol and the imaginary boarders, and lighted him to bring up 
<hi>the</hi>
Madeira. 


</p>
            <p>`Uncle Sol', said Walter, `I don't think you're well. You haven't eaten any 
breakfast. I 
shall bring a doctor to you, if you go on like this.' 


</p>
            <p>`He can't give me what I want, my boy,' said Uncle Sol. `At least he is in 
good practice if 
he can—and then he wouldn't.' 


</p>
            <p>`What is it, Uncle? Customers?' 


</p>
            <p>`Aye,' returned Solomon, with a sigh. `Customers would do.' 


</p>
            <p>`Confound it, Uncle!' said Walter, putting down his breakfast cup with a 
clatter, and 
striking his hand on the table: `when I see the people going up and down the 
street in 
shoals all day, and passing and re-passing the shop every minute, by scores, 
I feel half 
tempted to rush out, collar somebody, bring him in, and <hi>make</hi> him buy 
fifty 
pounds' worth of instruments for ready money. What are you looking in at the 
door for?—' 
continued Walter, apostrophizing an old gentleman with a powdered head 
(inaudibly to 
him of course), who was staring at a ship's telescope with all his might and 
main. 
`<hi>That's</hi> no use. I could do that. Come in and buy it!' 


</p>
            <p>The old gentleman, however, having satiated his curiosity, walked calmly 
away. 


</p>
            <p>`There he goes!' said Walter. `That's the way with'em all. But, Uncle—I say, 
uncle 
Sol'—for the old man was meditating, and had not responded to his first 
appeal. `Don't be 
cast down. Don't be out of spirits, Uncle. When orders <hi>do</hi> come, 
they'll come in 
such a crowd, you won't be able to execute 'em.' 


</p>
            <p>`I shall be past executing 'em, whenever they come, my boy,' returned Solomon 
Gills. 
`They'll never come to this shop again, till I am out of it.' 


</p>
            <p>`I say, Uncle! You musn't really, you know! urged Walter. `Don't!' 


</p>
            <p>Old Sol endeavoured to assume a cherry look, and smiled across the little 
table at him as 
pleasantly as he could. 


</p>
            <p>`There's nothing more than usual the matter; is there, Uncle?' said Walter, 
leaning his 
elbows on the tea tray and bending over, to speak the more confidentially and 
kindly. `Be 
open with me, Uncle, if there is, and tell me all about it.' 


</p>
            <p>`No, no, no,' returned Old Sol. `More than usual? No, no. what should there 
be the matter 
more than usual?' 


</p>
            <p>Walter answered with an incredulous shake of his head. `That's what I want to 
know,' he 
said, `and you ask <hi>me!</hi> I'll tell you what, Uncle, when I see you like 
this, I am 
quite sorry that I live with you.' 


</p>
            <p>Old Sol opened his eyes involuntarily. 


</p>
            <p>`Yes. Though nobody ever was happier than I am and always have been with you, 
I am 
quite sorry that I live with you, when I see you with anything on your 
mind.' 


</p>
            <p>`I am a little dull at such times, I know,' observed Solomon, meekly rubbing 
his 
hands. 


</p>
            <p>`What I mean, Uncle Sol,' pursued Walter, bending over a little more to pat 
him on the 
shoulder, `is, that then I feel you ought to have, sitting here and pouring 
out the tea 
instead of me, a nice little dumpling of a wife, you know,—a comfortable, 
capital, cosey 
old lady, who was just a match for you, and knew how to manage you, and keep 
you in 
good heart. Here am I, as loving a nephew as ever was (I am sure I ought to 
be!) but I am 
only a nephew, and I can't be such a companion to you when you're low and out 
of sorts 
as she would have made herself, years ago, though I'm sure I'd give any money 
if I could 
cheer you up. And so I say, when I see you with anything on your mind, that I 
feel quite 
sorry you haven't got somebody better about you than a blundering young 
rough-and-tough boy like me, who has got the will to console you, Uncle, but 
hasn't got 
the way—hasn't got the way,' repeated Walter, reaching over further yet, to 
shake his 
uncle by the hand. 


</p>
            <p>`Wally, my dear boy,' said Solomon, `if the cosey little old lady had taken 
her place in 
this parlour five and forty years ago, I never could have been fonder of her 
than I am of 
you.' 


</p>
            <p>`<hi>I</hi> know that, Uncle Sol,' returned Walter. `Lord bless you, I know 
that. But you 
wouldn't have had the whole weight of any uncomfortable secrets if she had 
been with 
you, because she would have known how to relieve you of'em, and I don't.' 


</p>
            <p>`Yes, yes, you do,' returned the instrument-maker. 


</p>
            <p>`Well then, what's the matter, Uncle Sol?' said Walter, coaxingly. `Come! 
What's the 
matter?' 


</p>
            <p>Solomon Gills persisted that there was nothing the matter; and maintained it 
so resolutely, 
that his nephew had no resource but to make a very indifferent imitation of 
believing 
him. 


</p>
            <p>`All I can say is, Uncle Sol, that if there is——' 


</p>
            <p>`But there isn't' said Solomon. 


</p>
            <p>`Very well,' said Walter. `Then I've no more to say; and that's lucky, for my 
time's up 
for going to business. I shall look in by-and-by when I'm out, to see how you 
get on, 
Uncle. And mind, Uncle! I'll never believe you again, and never tell you 
anything more 
about Mr. Carker the Junior, if I find out that you have been deceiving 
me!' 


</p>
            <p>Solomon Gills laughingly defied him to find out anything of the kind; and 
Walter, 
revolving in his thoughts all sorts of impracticable ways of making fortunes 
and placing 
the wooden midshipman in a position of independence, betook himself to the 
offices of 
Dombey and Son with a heavier countenance than he usually carried there. 


</p>
            <p>There lived in those days, round the corner—in Bishopsgate Street 
Without—one Brogley, 
sworn broker and appraiser, who kept a shop where every description of 
second-hand 
furniture was exhibited in the most uncomfortable aspect, and under 
circumstances and in 
combinations the most completely foreign to its purpose. Dozens of chairs 
hooked on to 
washing-stands, which with difficulty poised themselves on the shoulders of 
sideboards, 
which in their turn stood upon the wrong side of dining-tables, gymnastic 
with their legs 
upward on the tops of other dining-tables, were among its most reasonable 
arrangements. 
A banquet array of dish-covers, wine-glasses, and decanters was generally to 
be seen, 
spread forth upon the bosom of a four-post bedstead, for the entertainment of 
such genial 
company as half-a-dozen pokers, and a hall lamp. A set of window curtains 
with no 
windows belonging to them, would be seen gracefully draping a barricade of 
chests of 
drawers, loaded with little jars from chemists' shops; while a homeless 
hearthrug severed 
from its natural companion the fireside, braved the shrewd east wind in its 
adversity, and 
trembled in melancholy accord with the shrill complainings of a cabinet 
piano, wasting 
away, a string a day, and faintly resounding to the noises of the street in 
its jangling and 
distracted brain. Of motionless clocks that never stirred a finger, and 
seemed as incapable 
of being successfully wound up, as the pecuniary affairs of their former 
owners, there was 
always great choice in Mr. Brogley's shop; and various looking-glasses, 
accidentally 
placed at compound interest of reflection and refraction, presented to the 
eye an eternal 
perspective of bankruptcy and ruin. 


</p>
            <p>Mr. Brogley himself was a moist-eyed, pink-complexioned, crisp-haired man, of 
a bulky 
figure and an easy temper—for that class of Caius Marius who sits upon the 
ruins of other 
people's Carthages, can keep up his spirits well enough. He had looked in at 
Solomon's 
shop sometimes to ask a question about articles in Solomon's way of business; 
and Walter 
knew him sufficiently to give him good day when they met in the street, but 
as that was 
the extent of the broker's acquaintance with Solomon Gills also, Walter was 
not a little 
surprised when he came back in the course of the forenoon, agreeably to his 
promise, to 
find Mr. Brogley sitting in the back parlour with his hands in his pockets, 
and his hat 
hanging up behind the door. 


</p>
            <p>`Well, Uncle Sol!' said Walter. The old man was sitting ruefully on the 
opposite side of 
the table, with his spectacles over his eyes, for a wonder, instead on his 
forehead. `How 
are you now?' 


</p>
            <p>Solomon shook his head, and waved one hand towards the broker as, introducing 
him. 


</p>
            <p>`Is there anything the matter?' asked Walter, with a catching in his 
breath. 


</p>
            <p>`No, no. There's nothing the matter,' said Mr. Brogley. `Don't let it put you 
out of the 
way.' 


</p>
            <p>Walter looked from the broker to his uncle in mute amazement. 


</p>
            <p>`The fact is,' said Mr. Brogley, `there's a little payment on a bond 
debt—three hundred 
and seventy odd, over due: and I'm in possession.' 


</p>
            <p>`In possession!' cried Walter, looking round at the shop. 


</p>
            <p>`Ah!' said Mr. Brogley, in confidential assent, and nodding his head as if he 
would urge 
the advisability of their all being comfortable together. `It's an execution. 
That's what it 
is. Don't let it put you out of the way. I come myself, because of keeping it 
quiet and 
sociable. You know me. It's quite private.' 


</p>
            <p>`Uncle Sol!' faltered Walter. 


</p>
            <p>`Wally, my boy,' returned his uncle. `It's the first time. Such a calamity 
never happened 
to me before. I'm an old man to begin.' Pushing up his spectacles again (for 
they were 
useless any longer to conceal his emotion), he covered his face with his 
hand, and sobbed 
aloud, and his tears fell down upon his coffee-coloured waistcoat. 


</p>
            <p>`Uncle Sol! Pray! oh don't!' exclaimed Walter, who really felt a thrill of 
terror in seeing 
the old man weep. `For God's sake don't do that. Mr. Brogley, what shall I 
do?' 


</p>
            <p>`<hi>I</hi> should recommend you looking up a friend or so,' said Mr. Brogley, 
`and 
talking it over.' 


</p>
            <p>`To be sure!' cried Walter, catching at anything. `Certainly! Thankee. 
Captain Cuttle's the 
man, Uncle. Wait till I run to Captain Cuttle. Keep your eye upon my Uncle, 
will you, 
Mr. Brogley, and make him as comfortable as you can while I am gone? Don't 
despair, 
Uncle Sol. Try and keep a good heart, there's a dear fellow!' 


</p>
            <p>Saying this with great fervour, and disregarding the old man's broken 
remonstrances, 
Walter dashed out of the shop again as hard as he could go; and having 
hurried round to 
the office to excuse himself on the plea of his uncle's sudden illness, set 
off, full speed, 
for Captain Cuttle's residence. 


</p>
            <p>Everything seemed altered as he ran along the streets. There were the usual 
entanglement 
and noise of carts, drays, omni-buses, waggons, and foot passengers, but the 
misfortune 
that had fallen on the wooden midshipman made it strange and new. Houses and 
shops 
were different from what they used to be, and bore Mr. Brogley's warrant on 
their fronts 
in large character. The broker seemed to have got hold of the very churches; 
for their 
spires rose into the sky with an unwonted air. Even the sky itself was 
changed, and had an 
execution in it plainly. 


</p>
            <p>Captain Cuttle lived on the brink of a little canal near the India Docks, 
where there was a 
swivel bridge which opened now and then to let some wandering monster of a 
ship come 
roaming up the street like a stranded leviathan. The gradual change from land 
to water, on 
the approach to Captain Cuttle's lodgings, was curious. It began with the 
erection of 
flag-staffs, as appurtenances to public-houses; then came slop-sellers' 
shops, with 
Guernsey shirts, sou'wester hats, and canvas pantaloons, at once the tightest 
and the 
loosest of their order, hanging up outside. These were succeeded by anchor 
and 
chain-cable forges, where sledge-hammers were dinging upon iron all day long. 
Then 
came rows of houses, with little vanesurmounted masts uprearing themselves 
from among 
the scarlet beans. Then ditches. Then pollard willows. Then more ditches. 
Then 
unaccountable patches of dirty water, hardly to be descried, for the ships 
that covered 
them. Then, the air was perfumed with chips; and all other trades were 
swallowed up in 
mast, oar, and block-making, and boat-building. Then, the ground grew marshy 
and 
unsettled. Then, there was nothing to be smelt but rum and sugar. Then, 
Captain Cuttle's 
lodgings—at once a first floor and a top story, in Brig Place—were close 
before you. 


</p>
            <p>The captain was one of those timber-looking men, suits of oak as well as 
hearts, whom it 
is almost impossible for the liveliest imagination to separate from any part 
of their dress, 
however insignificant. Accordingly, when Walter knocked at the door, and the 
Captain 
instantly poked his head out of one of his little front windows, and hailed 
him, with the 
hard glazed hat already on it, and the shirt-collar like a sail, and the wide 
suite of blue, all 
standing as usual, Walter was as fully persuaded that he was always in that 
state, as if the 
Captain had been a bird and those had been his feathers. 


</p>
            <p>`Wal'r, my lad!' said Captain Cuttle. `Stand by and knock again. Hard! It's 
washing 
day.' 


</p>
            <p>Walter, in his impatience, gave a prodigious thump with the knocker. 


</p>
            <p>`Hard it is!' said Captain Cuttle, and immediately drew in his head, as if he 
expected a 
squall. 


</p>
            <p>Nor was he mistaken: for a widow lady, with her sleeves rolled up to her 
shoulders, and 
her arms frothy with soap-suds and smoking with hot water, replied to the 
summons with 
startling rapidity. Before she looked at Walter she looked at the knocker, 
and then, 
measuring him with her eyes from head to foot, said she wondered he had left 
any of 
it. 


</p>
            <p>`Captain Cuttle's at home, I know,' said Walter with a conciliatory smile. 


</p>
            <p>`Is he?' replied the widow lady. `In-deed!' 


</p>
            <p>`He has just been speaking to me,' said Walter, in breathless explanation. 


</p>
            <p>`Has he?' replied the widow lady. `Then p'raps you'll give him Mrs. 
MacStinger's 
respects, and say that the next time he lowers himself and his lodgings by 
talking out of 
winder she'll thank him to come down and open the door too.' Mrs. MacStinger 
spoke 
loud, and listened for any observations that might be offered from the first 
floor. 


</p>
            <p>`I'll mention it,' said Walter, `if you'll have the goodness to let me in, 
ma'am.' 


</p>
            <p>For he was repelled by a wooden fortification extending across the doorway, 
and put there 
to prevent the little Mac Stingers in their moments of recreation from 
tumbling down the 
steps. 


</p>
            <p>`A boy that can knock my door down,' said Mrs. MacStinger, contemptuously, 
`can get 
over that, I should hope!' But Walter, taking this as a permission to enter, 
and getting 
over it, Mrs. MacStinger immediately demanded whether an Englishwoman's house 
was 
her castle or not; and whether she was to be broke in upon by `raff.' On 
these subjects her 
thirst for information was still very importunate, when Walter, having made 
his way up 
the little staircase through an artificial fog occasioned by the washing, 
which covered the 
banisters with a clammy perspiration, entered Captain Cuttle's room, and 
found that 
gentleman in ambush behind the door. 


</p>
            <p>`Never owed her a penny, Wal'r,' said Captain Cuttle, in a low voice, and 
with visible 
marks of trepidation on his countenance. `Done her a world of good turns, and 
the 
children too. Vixen at times, though. Whew!' 


</p>
            <p>`<hi>I</hi> should go away, Captain Cuttle,' said Walter. 


</p>
            <p>`Dursn't do it, Wal'r,' returned the Captain. `She'd find me out, wherever I 
went. Sit 
down. How's Gills?' 


</p>
            <p>The Captain was dining (in his hat) off cold loin of mutton, porter, and some 
smoking hot 
potatoes, which he had cooked himself, and took out of a little saucepan 
before the fire as 
he wanted them. He unscrewed his hook at dinnertime, and screwed a knife into 
its 
wooden socket instead, with which he had already begun to peel one of these 
potatoes for 
Walter. His rooms were very small, and strongly impregnated with 
tobacco-smoke, but 
snug enough: everything being stowed away, as if there were an earthquake 
regularly 
every half-hour. 


</p>
            <p>`How's Gills?' inquired the Captain. 


</p>
            <p>Walter, who had by this time recovered his breath, and lost his spirits—or 
such temporary 
spirits as his rapid journey had given him—looked at his questioner for a 
moment, said 
`Oh, Captain Cuttle!' and burst into tears. 


</p>
            <p>No words can describe the Captain's consternation at this sight. Mrs. 
MacStinger faded 
into nothing before it. He dropped the potato and the fork—and would have 
dropped the 
knife too if he could—and sat gazing at the boy, as if he expected to hear 
next moment 
that a gulf had opened in the City, which had swallowed up his old friend, 
coffee-coloured 
suit, buttons, chronometer, spectacles and all. 


</p>
            <p>But when Walter told him what was really the matter, Captain Cuttle, after a 
moment's 
reflection, started up into full activity. He emptied out of a little tin 
canister on the top 
shelf of the cupboard, his whole stock of ready money (amounting to thirteen 
pounds and 
half-a-crown), which he transferred to one of the pockets of his square blue 
coat; further 
enriched that repository with the contents of his plate chest, consisting of 
two withered 
atomies of tea-spoons, and an obsolete pair of knock-knee'd sugar-tongs; 
pulled up his 
immense doublecased silver watch from the depths in which it reposed, to 
assure himself 
that that valuable was sound and whole; re-attached the hook to his right 
wrist; and 
seizing the stick covered over with knobs, bade Walter come along. 


</p>
            <p>Remembering, however, in the midst of his virtuous excitement, that Mrs. 
MacStinger 
might be lying in wait below, Captain Cuttle hesitated at last, not without 
glancing at the 
window, as if he had some thoughts of escaping by that unusual means of 
egress, rather 
than encounter his terrible enemy. He decided, however, in favour of 
stratagem. 


</p>
            <p>`Wal'r,' said the Captain, with a timid wink, `go afore, my lad. Sing out, 
`good-bye, 
Captain Cuttle,' when you're in the passage, and shut the door. Then wait at 
the corner of 
the street 'till you see me.' 


</p>
            <p>These directions were not issued without a previous knowledge of the enemy's 
tactics, for 
when Walter got down stairs, Mrs. MacStinger glided out of the little back 
kitchen, like an 
avenging spirit. But not gliding out upon the Captain, as she had expected, 
she merely 
made a further allusion to the knocker, and glided in again. 


</p>
            <p>Some five minutes elapsed before Captain Cuttle could summon courage to 
attempt his 
escape; for Walter waited so long at the street corner, looking back at the 
house, before 
there were any symptoms of the hard glazed hat. At length the Captain burst 
out of the 
door with the suddenness of an explosion, and coming towards him at a great 
pace, and 
never once looking over his shoulder, pretended, as soon as they were well 
out of the 
street, to whistle a tune. 


</p>
            <p>`Uncle much hove down, Wal'r?' inquired the Captain, as they were walking 
along. 


</p>
            <p>`I am afraid so. If you had seen him this morning, you would never have 
forgotten it.' 


</p>
            <p>`Walk fast, Wal'r, my lad,' returned the Captain, mending his pace; `and walk 
the same 
all the days of your life. Over-haul the catechism for that advice, and keep 
it!' 


</p>
            <p>The Captain was too busy with his own thoughts of Solomon Gills, mingled 
perhaps with 
some reflections on his late escape from Mrs. MacStinger, to offer any 
further quotations 
on the way for Walter's moral improvement. They interchanged no other word 
until they 
arrived at old Sol's door, where the unfortunate wooden midshipman, with his 
instrument 
at his eye, seemed to be surveying the whole horizon in search of some friend 
to help him 
out of his difficulty. 


</p>
            <p>`Gills!' said the Captain, hurrying into the back parlour, and taking him by 
the hand quite 
tenderly. `Lay your head well to the wind, and we'll fight through it. All 
you've got to 
do,' said the Captain, with the solemnity of a man who was delivering himself 
of one of 
the most precious practical tenets ever discovered by human wisdom, `is to 
lay your head 
well to the wind, and we'll fight through it!' 


</p>
            <p>Old Sol returned the pressure of his hand, and thanked him. 


</p>
            <p>Captain Cuttle, then, with a gravity suitable to the nature of the occasion, 
put down upon 
the table the two tea-spoons and the sugar-tongs, the silver watch, and the 
ready money; 
and asked Mr. Brogley, the broker, what the damage was. 


</p>
            <p>`Come! What do you make of it?' said Captain Cuttle. 


</p>
            <p>`Why, Lord help you!' returned the broker; `you don't suppose that property's 
of any use, 
do you?' 


</p>
            <p>`Why not?' inquired the Captain. 


</p>
            <p>`Why? The amount's three hundred and seventy, odd,' replied the broker. 


</p>
            <p>`Never mind,' returned the Captain, though he was evidently dismayed by the 
figures: 
`all's fish that comes to your net, I suppose?' 


</p>
            <p>`Certainly,' said Mr. Brogley. `But sprats an't whales, you know.' 


</p>
            <p>The philosophy of this observation seemed to strike the Captain. He ruminated 
for a 
minute; eyeing the broker, meanwhile, as a deep genius; and then called the 
instrument-maker aside. 


</p>
            <p>`Gills,' said Captain Cuttle, `what's the bearings of this business? Who's 
the creditor?' 


</p>
            <p>`Hush!' returned the old man. `Come away. Don't speak before Wally. It's a 
matter of 
security for Wally's father—an old bond. I've paid a good deal of it, Ned, 
but the times 
are so bad with me that I can't do more just now. I've foreseen it, but I 
couldn't help it. 
Not a word before Wally, for all the world.' 


</p>
            <p>`You've got <hi>some</hi> money, haven't you?' whispered the Captain. 


</p>
            <p>`Yes, yes—oh yes—I've got some,' returned old Sol, first putting his hands 
into his empty 
pockets, and then squeezing his Welsh wig between them, as if he thought he 
might wring 
some gold out of it; `but I—the little I have got, isn't convertible, Ned; 
it can't be got at. I 
have been trying to do something with it for Wally, and I'm old fashioned, 
and behind the 
time. It's here and there, and—and, in short, it's as good as nowhere,' said 
the old man, 
looking in bewilderment about him. 


</p>
            <p>He had so much the air of a half-witted person who had been hiding his money 
in a 
variety of places, and had forgotten where, that the Captain followed his 
eyes, not without 
a faint hope that he might remember some few hundred pounds concealed up the 
chimney, 
or down in the cellar. But Solomon Gills knew better than that. 


</p>
            <p>`I'm behind the time altogether, my dear Ned,' said Sol, in resigned despair, 
`a long way. 
It's no use my lagging on so far behind it. The stock had better be 
sold—it's worth more 
than this debt—and I had better go and die somewhere, on the balance. I 
haven't any 
energy left. I don't understand things. This had better be the end of it. 
Let'em sell the 
stock and take <hi>him</hi> down,' said the old man, pointing feebly to the 
wooden 
midshipman, `and let us both be broken up together.' 


</p>
            <p>`And what d'ye mean to do with Wal'r?' said the Captain. `There, there! Sit 
ye down, 
Gills, sit ye down, and let me think o' this. If I warn't a man on a small 
annuity, that was 
large enough till to-day, I hadn't need to think of it. But you only lay your 
head well to 
the wind,' said the Captain, again administering that unanswerable piece of 
consolation, 
`and you're all right!' 


</p>
            <p>Old Sol thanked him from his heart, and went and laid it against the back 
parlour 
fire-place instead. 


</p>
            <p>Captain Cuttle walked up and down the shop for some time, cogitating 
profoundly, and 
bringing his bushy black eyebrows to bear so heavily on his nose, like clouds 
setting on a 
mountain, that Walter was afraid to offer any interruption to the current of 
his reflections. 
Mr. Brogley, who was averse to being any constraint upon the party, and who 
had an 
ingenious cast of mind, went, softly whistling, among, the stock; rattling 
weather-glasses, 
shaking compasses as if they were physic, catching up keys with loadstones, 
looking 
through telescopes, endeavouring to make himself acquainted with the use of 
the globes 
setting parallel rulers astride on to his nose, and amusing himself with 
other philosophical 
transactions. 


</p>
            <p>`Wal'r?' said the Captain at last. `I've got it.' 


</p>
            <p>`Have you, Captain Cuttle?' cried Walter, with great animation. 


</p>
            <p>`Come this way, my lad,' said the Captain. `The Stock's one security. I'm 
another. Your 
governor's the man to advance the money.' 


</p>
            <p>`Mr. Dombey!' faltered Walter. 


</p>
            <p>The Captain nodded gravely. `Look at him,' he said, `Look at Gills. If they 
was to sell of 
these things now, he'd die of it. You know, he would. We mustn't leave a 
stone 
unturned—and there's a stone for you.' 


</p>
            <p>`A stone!—Mr. Dombey! faltered Walter. 


</p>
            <p>`You run round to the office, first of all, and see if he's there,' said 
Captain Cuttle, 
clapping him on the back. `Quick!' 


</p>
            <p>Walter felt he must not dispute the command—a glance at his uncle would have 
determined him if he had felt otherwise—and disappeared to execute it. He 
soon returned, 
out of breath, to say that Mr. Dombey was not there. It was Saturday, and he 
had gone to 
Brighton. 


</p>
            <p>`I tell you what, Wal'r!' said the Captain, who seemed to have prepared 
himself for this 
contingency in his absence. `We'll go to Brighton. I'll back you, my boy. 
I'll back you, 
Wal'r. We'll go to Brighton by the afternoon's coach.' 


</p>
            <p>If the application must be made to Mr. Dombey at all, which was awful to 
think of, 
Walter felt that he would rather prefer it alone and unassisted, than backed 
by the personal 
influence of Captain Cuttle, to which he hardly thought Mr. Dombey would 
attach much 
weight. But as the Captain appeared to be of quite another opinion, and was 
bent upon it, 
and as his friendship was too zealous and serious to be trifled with by one 
so much 
younger than himself, he forbore to hint the least objection. Cuttle, 
therefore, taking a 
hurried leave of Solomon Gills, and returning the ready money, the 
tea-spoons, the 
sugar-tongs, and the silver watch, to his pocket—with a view, as Walter 
thought, with 
horror, to making a gorgeous impression on Mr. Dombey—bore him off to the 
coach-office, without a minute's delay, and repeatedly assured him, on the 
road, that he 
would stick by him to the last. 

</p>
         </div>
         <div xml:id="c10" type="chapter">
            <head>CHAPTER X</head>
            <head>Containing the Sequel of the Midshipman's Disaster</head>
            <p>MAJOR BAGSTOCK, after long and frequent observation of Paul, across 
Princess's Place, through his double-barrelled opera-glass; and after 
receiving many minute reports, daily, weekly, and monthly, on that subject, 
from the native who kept himself in constant communication with Miss Tox's 
maid for that purpose; came to the conclusion that Dombey, Sir, was a man to 
be known, and that J. B. was the boy to make his acquaintance. 


</p>
            <p>Miss Tox, however, maintaining her reserved behaviour, and frigidly declining 
to understand the Major whenever he called (which he often did) on any little 
fishing excursion connected with this project, the Major, in spite of his 
constitutional toughness and slyness, was fain to leave the accomplishment of 
his desire in some measure to chance, `which,' as he was used to observe with 
chuckles at his club, `has been fifty to one in favour of Joey B., Sir, ever 
since his elder brother died of Yellow Jack in the West Indies.' 


</p>
            <p>It was some time coming to his aid in the present instance, but it befriended 
him at last. When the dark servant, with full particulars, reported Miss Tox 
absent on Brighton service, the Major was suddenly touched with affectionate 
reminiscences of his friend Bill Bitherstone of Bengal, who had written to 
ask him, if he ever went that way, to bestow a call upon his only son. But 
when the same dark servant reported Paul at Mrs. Pipchin's, and the Major, 
referring to the letter favoured by Master Bitherstone on his arrival in 
England—to which he had never had the least idea of paying any 
attention—saw the opening that presented itself, he was made so rabid by the 
gout, with which he happened to be then laid up, that he threw a footstool at 
the dark servant in return for his intelligence, and swore he would be the 
death of the rascal before he had done with him: which the dark servant was 
more than half disposed to believe. 


</p>
            <p>At length the Major being released from his fit, went one Saturday growling 
down to Brighton, with the native behind him; apostrophizing Miss Tox all the 
way, and gloating over the prospect of carrying by storm the distinguished 
friend to whom she attached so much mystery, and for whom she had deserted 
him. 


</p>
            <p>`Would you, Ma'am, would you!' said the Major, straining with vindictiveness, 
and swelling every already swollen vein in his head. `Would you give Joey B. 
the go-by, Ma'am? Not yet, ma'am, not yet! Damme, not yet, Sir. Joe is awake, 
Ma'am. Bagstock is alive, Sir. J. B. knows a move or two, Ma'am. Josh has his 
weather-eye open, Sir. You'll find him tough, Ma'am. Tough, Sir, tough is 
Joseph. Tough, and de-vilish sly!' 


</p>
            <p>And very tough indeed Master Bitherstone found him, when he took that young 
gentleman out for a walk. But the Major, with his complexion like a Stilton 
cheese, and his eyes like a prawn's, went roving about, perfectly indifferent 
to Master Bitherstone's amusement, and dragging Master Bitherstone along, 
while he looked about him high and low, for Mr. Dombey and his children. 


</p>
            <p>In good time the Major, previously instructed by Mrs. Pipchin, spied out Paul 
and Florence, and bore down upon them; there being a stately gentleman (Mr. 
Dombey, doubtless) in their company. Charging with Master Bitherstone into 
the very heart of the little squadron, it fell out, of course, that Master 
Bitherstone spoke to his fellow-sufferers. Upon that the Major stopped to 
notice and admire them; remembered with amazement that he had seen and spoken 
to them at his friend Miss Tox's in Princess's Place; opined that Paul was a 
devilish fine fellow, and his own little friend; inquired if he remembered 
Joey B. the Major; and finally, with a sudden recollection of the 
conventionalities of life, turned and apologised to Mr. Dombey. 


</p>
            <p>`But my little friend here, Sir,' said the Major, `makes a boy of me again. 
An old soldier, Sir—Major Bagstock, at your service—is not ashamed to 
confess it.' Here the Major lifted his hat. `Damme, Sir,' cried the Major 
with sudden warmth, `I envy you.' Then he recollected himself, and added, 
`Excuse my freedom.' 


</p>
            <p>Mr. Dombey begged he wouldn't mention it. 


</p>
            <p>`An old campaigner, Sir,' said the Major, `a smoke-dried, sun-burnt, usedup, 
invalided old dog of a Major, Sir, was not afraid of being condemned for his 
whim by a man like Mr. Dombey. I have the honour of addressing Mr. Dombey, I 
believe?' 


</p>
            <p>`I am the present unworthy representative of that name, Major,' returned Mr. 
Dombey. 


</p>
            <p>`By G—, Sir,' said the Major, `it's great name. It's a name, Sir,' said the 
Major firmly, as if he defied Mr. Dombey to contradict him, and would feel it 
his painful duty to bully him if he did, `that is known and honoured in the 
British possessions abroad. It is a name, Sir, that a man is proud to 
recognise. There is nothing adulatory in Joseph Bagstock, Sir. His Royal 
Highness the Duke of York observed on more than one occasion, `there is no 
adulation in Joey. He is a plain old soldier is Joe. He is tough to a fault 
is Joseph:' but it's a great name, Sir. By the Lord, it's a great name!' said 
the Major, solemnly. 


</p>
            <p>`You are good enough to rate it higher than it deserves, perhaps, Major,' 
returned Mr. Dombey. 


</p>
            <p>`No, Sir,' said the Major. `My little friend here, Sir, will certify for 
Joseph Bagstock that he is a thorough-going, down-right, plain-spoken, old 
Trump, Sir, and nothing more. That boy, Sir,' said the Major in a lower tone, 
`will live in history. That boy, Sir, is not a common production. Take care 
of him, Mr. Dombey.' 


</p>
            <p>Mr. Dombey seemed to intimate that he would endeavour to do so. 


</p>
            <p>`Here is a boy here, Sir,' pursued the Major, confidentially, and giving him 
a thrust with his cane. `Son of Bitherstone of Bengal. Bill Bitherstone 
formerly of ours. That boy's father and myself, Sir, were sworn friends. 
Wherever you went, Sir, you heard of nothing but Bill Bitherstone and Joe 
Bagstock. Am I blind to that boy's defects? By no means. He's a fool, 
Sir.' 


</p>
            <p>Mr. Dombey glanced at the libelled Master Bitherstone, of whom he knew at 
least as much as the Major did, and said, in quite a complacent manner, 
`Really?' 


</p>
            <p>`That is what he is, Sir,' said the Major. `He's a fool. Joe Bagstock never 
minces matters. The son of my old friend Bill Bitherstone, of Bengal, is a 
born fool, Sir.' Here the Major laughed till he was almost black. `My little 
friend is destined for a public school, I presume, Mr. Dombey?' said the 
Major when he had recovered. 


</p>
            <p>`I am not quite decided,' returned Mr. Dombey. `I think not. He is 
delicate.' 


</p>
            <p>`If he's delicate, Sir,' said the Major, `you are right. None but the tough 
fellows could live through it, Sir, at Sandhurst. We put each other to the 
torture there, Sir. We roasted the new fellows at a slow fire, and hung'em 
out of a three pair of stairs window, with their heads downwards. Joseph 
Bagstock, Sir, was held out of the window by the heels of his boots, for 
thirteen minutes by the college clock.' 


</p>
            <p>The Major might have appealed to his countenance, in corroboration of this 
story. It certainly looked as if he had hung out a little too long. 


</p>
            <p>`But it made us what we were, Sir,' said the Major, settling his shirt frill. 
`We were iron, Sir, and it forged us. Are you remaining here, Mr. Dombey?' 


</p>
            <p>`I generally come down once a week, Major,' returned that gentleman. `I stay 
at the Bedford.' 


</p>
            <p>`I shall have the honour of calling at the Bedford, Sir, if you'll permit 
me,' said the Major. `Joey B., Sir, is not in general a calling man, but Mr. 
Dombey's is not a common name. I am much indebted to my little friend, Sir, 
for the honour of this introduction.' 


</p>
            <p>Mr. Dombey made a very gracious reply; and Major Bagstock, having patted Paul 
on the head, and said of Florence that her eyes would play the Devil with the 
youngsters before long—`and the oldsters too, Sir, if you come to that,' 
added the Major, chuckling very much—stirred up Master Bitherstone with his 
walking-stick, and departed with that young gentleman, at a kind of 
half-trot; rolling his head and coughing with great dignity, as he staggered 
away, with his legs very wide asunder. 


</p>
            <p>In fulfilment of his promise, the Major afterwards called on Mr. Dombey; and 
Mr. Dombey, having referred to the army list, afterwards called on the Major. 
Then the Major called at Mr. Dombey's house in town; and came down again, in 
the same coach as Mr. Dombey. In short, Mr. Dombey and the Major got on 
uncommonly well together, and uncommonly fast: and Mr. Dombey observed of the 
Major, to his sister, that besides being quite a military man he was really 
something more, as he had a very admirable idea of the importance of things 
unconnected with his own profession. 


</p>
            <p>At length Mr. Dombey, bringing down Miss Tox and Mrs. Chick to see the 
children, and finding the Major again at Brighton, invited him to dinner at 
the Bedford, and complimented Miss Tox highly, beforehand, on her neighbour 
and acquaintance. Notwithstanding the palpitation of the heart which these 
allusions occasioned her, they were anything but disagreeable to Miss Tox, as 
they enabled her to be extremely interesting, and to manifest an occasional 
incoherence and distraction which she was not at all unwilling to display. 
The Major gave her abundant opportunities of exhibiting this emotion: being 
profuse in his complaints, at dinner, of her desertion of him and Princess's 
Place: and as he appeared to derive great enjoyment from making them, they 
all got on very well. 


</p>
            <p>None the worse on account of the Major taking charge of the whole 
conversation, and showing as great an appetite in that respect as in regard 
of the various dainties on the table, among which he may be almost said to 
have wallowed: greatly to the aggravation of his inflammatory tendencies. Mr. 
Dombey's habitual silence and reserve yielding readily to this usurpation, 
the Major felt that he was coming out and shining: and in the flow of spirits 
thus engendered, rang such an infinite number of new changes on his own name 
that he quite astonished himself. In a word, they were all very well pleased. 
The Major was considered to possess an inexhaustible fund of conversation; 
and when he took a late farewell, after a long rubber, Mr. Dombey again 
complimented the blushing Miss Tox on her neighbour and acquaintance. 


</p>
            <p>But all the way home to his own hotel, the Major incessantly said to himself, 
and of himself, `Sly, Sir—sly, Sir—de-vil-ish sly!' And when he got there, 
sat down in a chair, and fell into a silent fit of laughter, with which he 
was sometimes seized, and which was always particularly awful. It held him so 
long on this occasion that the dark servant, who stood watching him at a 
distance, but dared not for his life approach, twice or thrice gave him over 
for lost. His whole form, but especially his face and head, dilated beyond 
all former experience; and presented to the dark man's view, nothing but a 
heavy mass of indigo. At length he burst into a violent paroxysm of coughing, 
and when that was a little better burst into such ejaculations as the 
following: 


</p>
            <p>`Would you, Ma'am, would you? Mrs. Dombey, eh, Ma'am? I think not, Ma'am. Not 
while Joe B. can put a spoke in your wheel, Ma'am. J. B.'s even with you now, 
Ma'am. He isn't altogether bowled out, yet, Sir, isn't Bagstock. She's deep, 
Sir, deep, but Josh is deeper. Wide awake is old Joe—broad awake, and 
staring, Sir!' There was no doubt of this last assertion being true, and to a 
very fearful extent; as it continued to be during the greater part of that 
night, which the Major chiefly passed in similar exclamations, diversified 
with fits of coughing and choking that startled the whole house. 


</p>
            <p>It was on the day after this occasion (being Sunday) when, as Mr. Dombey, 
Mrs. Chick, and Miss Tox were sitting at breakfast, still eulogising the 
Major, Florence came running in: her face suffused with a bright colour, and 
her eyes sparkling joyfully: and cried, 


</p>
            <p>`Papa! papa! Here's Walter! and he won't come in.' 


</p>
            <p>`Who?' cried Mr. Dombey. `What does she mean? What is this?' 


</p>
            <p>`Walter, Papa!' said Florence timidly; sensible of having approached the 
presence with too much familiarity. `Who found me when I was lost.' 


</p>
            <p>`Does she mean young Gay, Louisa?' inquired Mr. Dombey, knitting his brows. 
`Really, this child's manners have become very boisterous. She cannot mean 
young Gay, I think. See what it is, will you?' 


</p>
            <p>Mrs. Chick hurried into the passage, and returned with the information that 
it was young Gay, accompanied by a very strange-looking person; and that 
young Gay said he would not take the liberty of coming in, hearing Mr. Dombey 
was at breakfast, but would wait until Mr. Dombey should signify that he 
might approach. 


</p>
            <p>`Tell the boy to come in now,' said Mr. Dombey. `Now, Gay, what is the 
matter? Who sent you down here? Was there nobody else to come?' 


</p>
            <p>`I beg your pardon, Sir,' returned Walter. `I have not been sent. I have been 
so bold as to come on my own account, which I hope you'll pardon when I 
mention the cause.' 


</p>
            <p>But Mr. Dombey without attending to what he said, was looking impatiently on 
either side of him (as if he were a pillar in his way) at some object 
behind. 


</p>
            <p>`What's that?' said Mr. Dombey. `Who is that? I think you have made some 
mistake in the door, Sir.' 


</p>
            <p>`Oh, I'm very sorry to intrude with any one, Sir,' cried Walter, hastily: 
`but this is—this is Captain Cuttle, Sir.' 


</p>
            <p>`Wal'r, my lad,' observed the Captain in a deep voice: `stand by!' 


</p>
            <p>At the same time the Captain, coming a little further in, brought out his 
wide suit of blue, his conspicuous shirt-collar, and his knobby nose in full 
relief, and stood bowing to Mr. Dombey, and waving his hook politely to the 
ladies, with the hard glazed hat in his one hand, and a red equator round his 
head which it had newly imprinted there. 


</p>
            <p>Mr. Dombey regarded this phenomenon with amazement and indignation, and 
seemed by his looks to appeal to Mrs. Chick and Miss Tox against it. Little 
Paul, who had come in after Florence, backed towards Miss Tox as the Captain 
waved his hook, and stood on the defensive. 


</p>
            <p>`Now, Gay,' said Mr. Dombey. `What have you got to say to me?' 


</p>
            <p>Again the Captain observed, as a general opening of the conversation that 
could not fail to propitiate all parties, `Wal'r, stand by!' 


</p>
            <p>`I am afraid, Sir,' began Walter, trembling, and looking down at the ground, 
`that I take a very great liberty in coming—indeed, I am sure I do. I should 
hardly have had the courage to ask to see you, Sir, even after coming down, I 
am afraid, if I had not overtaken Miss Dombey, and—' 


</p>
            <p>`Well!' said Mr. Dombey, following his eyes as he glanced at the attentive 
Florence, and frowning unconsciously as she encouraged him with a smile. `Go 
on, if you please.' 


</p>
            <p>`Aye, aye,' observed the Captain, considering it incumbent on him, as a point 
of good breeding, to support Mr. Dombey. `Well said! Go on, Wal'r.' 


</p>
            <p>Captain Cuttle ought to have been withered by the look which Mr. Dombey 
bestowed upon him in acknowledgment of his patronage. But quite innocent of 
this, he closed one eye in reply, and gave Mr. Dombey to understand by 
certain significant motions of his hook, that Walter was a little bashful at 
first, and might be expected to come out shortly. 


</p>
            <p>`It is entirely a private and personal matter, that has brought me here, 
Sir,' continued Walter, faltering, `and Captain Cuttle—' 


</p>
            <p>`Here!' interposed the Captain, as an assurance that he was at hand, and 
might be relied upon. 


</p>
            <p>`Who is a very old friend of my poor uncle's, and a most excellent man, Sir,' 
pursued Walter, raising his eyes with a look of entreaty in the Captain's 
behalf, `was so good as to offer to come with me, which I could hardly 
refuse.' 


</p>
            <p>`No, no, no,' observed the Captain complacently. `Of course not. No call for 
refusing. Go on, Wal'r.' 


</p>
            <p>`And therefore, Sir,' said Walter, venturing to meet Mr. Dombey's eye, and 
proceeding with better courage in the very desperation of the case, now that 
there was no avoiding it, `therefore I have come, with him, Sir, to say that 
my poor old uncle is in very great affliction and distress. That, through the 
gradual loss of his business, and not being able to make a payment, the 
apprehension of which has weighed very heavily upon his mind, months and 
months, as indeed I know, Sir, he has an execution in his house, and is in 
danger of losing all he has, and breaking his heart. And that if you would, 
in your kindness, and in your old knowledge of him as a respectable man, do 
anything to help him out of his difficulty, Sir, we never could thank you 
enough for it.' 


</p>
            <p>Walter's eyes filled with tears as he spoke; and so did those of Florence. 
Her father saw them glistening, though he appeared to look at Walter only. 


</p>
            <p>`It is a very large sum, Sir,' said Walter. `More than three hundred pounds. 
My uncle is quite beaten down by his misfortune, it lies so heavy on him; and 
is quite unable to do anything for his own relief. He doesn't even know yet, 
that I have come to speak to you. You would wish me to say, Sir,' added 
Walter, after a moment's hesitation, `exactly what it is I want. I really 
don't know, Sir. There is my uncle's stock, on which I believe I may say, 
confidently, there are no other demands, and there is Captain Cuttle, who 
would wish to be security too. I—I hardly like to mention,' said Walter, 
`such earnings as mine; but if you would allow 
them—accumulate—payment—advance—uncle—frugal, honourable, old man.' 
Walter trailed off, through these broken sentences, into silence: and stood, 
with downcast head, before his employer. 


</p>
            <p>Considering this a favourable moment for the display of the valuables, 
Captain Cuttle advanced to the table; and clearing a space among the 
breakfast-cups at Mr. Dombey's elbow, produced the silver watch, the ready 
money, the teaspoons, and the sugar-tongs; and piling them up into a heap 
that they might look as precious as possible, delivered himself of these 
words: 


</p>
            <p>`Half a loaf's better than no bread, and the same remark holds good with 
crumbs. There's a few. Annuity of one hundred pound prannum also ready to be 
made over. If there is a man chock full of science in the world, it's old Sol 
Gills. If there is a lad of promise—one flowing,' added the Captain, in one 
of his happy quotations, `with milk and honey—it's his nevy!' 


</p>
            <p>The Captain then withdrew to his former place, where he stood arranging his 
scattered locks with the air of a man who had given the finishing touch to a 
difficult performance. 


</p>
            <p>When Walter ceased to speak, Mr. Dombey's eyes were attracted to little Paul, 
who, seeing his sister hanging down her head and silently weeping in her 
commiseration for the distress she had heard described, went over to her, and 
tried to comfort her: looking at Walter and his father as he did so, with a 
very expressive face. After the momentary distraction of Captain Cuttle's 
address, which he regarded with lofty indifference, Mr. Dombey again turned 
his eyes upon his son, and sat steadily regarding the child, for some 
moments, in silence. 


</p>
            <p>`What was this debt contracted for?' asked Mr. Dombey, at length. `Who is the 
creditor?' 


</p>
            <p>`He don't know,' replied the Captain, putting his hand on Walter's shoulder. 
`I do. It came of helping a man that's dead now, and that's cost my friend 
Gills many a hundred pound already. More particulars in private, if 
agreeable.' 


</p>
            <p>`People who have enough to do to hold their own way,' said Mr. Dombey, 
unobservant of the Captain's mysterious signs behind Walter, and still 
looking at his son, `had better be content with their own obligations and 
difficulties, and not increase them by engaging for other men. It is an act 
of dishonesty and presumption, too,' said Mr. Dombey, sternly; `great 
presumption; for the wealthy could do no more. Paul, come here!' 


</p>
            <p>The child obeyed: and Mr. Dombey took him on his knee. 


</p>
            <p>`If you had money now——' said Mr. Dombey. `Look at me!' 


</p>
            <p>Paul, whose eyes had wandered to his sister, and to Walter, looked his father 
in the face. 


</p>
            <p>`If you had money now,' said Mr. Dombey; `as much money as young Gay has 
talked about; what would you do?' 


</p>
            <p>`Give it to his old uncle,' returned Paul. 


</p>
            <p>`Lend it to his old uncle, eh?' retorted Mr. Dombey. `Well! When you are old 
enough, you know, you will share my money, and we shall use it together.' 


</p>
            <p>`Dombey and Son,' interrupted Paul, who had been tutored early in the 
phrase. 


</p>
            <p>`Dombey and Son,' repeated his father. `Would you like to begin to be Dombey 
and Son, now, and lend this money to young Gay's uncle?' 


</p>
            <p>`Oh! if you please, Papa!' said Paul: `and so would Florence.' 


</p>
            <p>`Girls,' said Mr. Dombey, `have nothing to do with Dombey and Son. Would 
<hi>you</hi> like it?' 


</p>
            <p>`Yes, Papa, yes!' 


</p>
            <p>`Then you shall do it,' returned his father. `And you see, Paul,' he added, 
dropping his voice, `how powerful money is, and how anxious people are to get 
it. Young Gay comes all this way to beg for money, and you, who are so grand 
and great, having got it, are going to let him have it, as a great favour and 
obligation.' 


</p>
            <p>Paul turned up the old face for a moment, in which there was a sharp 
understanding of the reference conveyed in these words: but it was a young 
and childish face immediately afterwards, when he slipped down from his 
father's knee, and ran to tell Florence not to cry any more, for he was going 
to let young Gay have the money. 


</p>
            <p>Mr. Dombey then turned to a side-table, and wrote a note and sealed it. 
During the interval, Paul and Florence whispered to Walter, and Captain 
Cuttle beamed on the three, with such aspiring and ineffably presumptuous 
thoughts as Mr. Dombey never could have believed in. The note being finished, 
Mr. Dombey turned round to his former place, and held it out to Walter. 


</p>
            <p>`Give that,' he said, `the first thing to-morrow morning, to Mr. Carker. He 
will immediately take care that one of my people releases your uncle from his 
present position, by paying the amount at issue; and that such arrangements 
are made for its repayment as may be consistent with your uncle's 
circumstances. You will consider that this is done for you by Master 
Paul.' 


</p>
            <p>Walter, in the emotion of holding in his hand the means of releasing his good 
uncle from his trouble, would have endeavoured to express something of his 
gratitude and joy. But Mr. Dombey stopped him short. 


</p>
            <p>`You will consider that it is done,' he repeated, `by Master Paul. I have 
explained that to him, and he understands it. I wish no more to be said.' 


</p>
            <p>As he motioned towards the door, Walter could only bow his head and retire. 
Miss Tox, seeing that the Captain appeared about to do the same, 
interposed. 


</p>
            <p>`My dear Sir,' she said, addressing Mr. Dombey, at whose munificence both she 
and Mrs. Chick were shedding tears copiously; `I think you have overlooked 
something. Pardon me, Mr. Dombey, I think, in the nobility of your character, 
and its exalted scope, you have omitted a matter of detail.' 


</p>
            <p>`Indeed, Miss Tox!' said Mr. Dombey. 


</p>
            <p>`The gentleman with the——Instrument,' pursued Miss Tox, glancing at Captain 
Cuttle, `has left upon the table, at your elbow——' 


</p>
            <p>`Good Heaven!' said Mr. Dombey, sweeping the Captain's property from him, as 
if it were so much crumb indeed. `Take these things away. I am obliged to 
you, Miss Tox; it is like your usual discretion. Have the goodness to take 
these things away, Sir!' 


</p>
            <p>Captain Cuttle felt he had no alternative but to comply. But he was so much 
struck by the magnanimity of Mr. Dombey, in refusing treasures lying heaped 
up to his hand, that when he had deposited the teaspoons and sugar-tongs in 
one pocket, and the ready money in another, and had lowered the great watch 
down slowly into its proper vault, he could not refrain from seizing that 
gentleman's right hand in his own solitary left, and while he held it open 
with his powerful fingers, bringing the hook down upon its palm in a 
transport of admiration. At this touch of warm feeling and cold iron, Mr. 
Dombey shivered all over. 


</p>
            <p>Captain Cuttle then kissed his hook to the ladies several times, with great 
elegance and gallantry; and having taken a particular leave of Paul and 
Florence, accompanied Walter out of the room. Florence was running after them 
in the earnestness of her heart, to send some message to old Sol, when Mr. 
Dombey, called her back, and bade her stay where she was. 


</p>
            <p>`Will you <hi>never</hi> be a Dombey, my dear child!' said Mrs. Chick, with 
pathetic reproachfulness. 


</p>
            <p>`Dear Aunt,' said Florence. `Don't be angry with me. I am so thankful to 
Papa!' 


</p>
            <p>She would have run and thrown her arms about his neck if she had dared; but 
as she did not dare, she glanced with thankful eyes towards him, as he sat 
musing; sometimes bestowing an uneasy glance on her, but, for the most part, 
watching Paul, who walked about the room with the new-blown dignity of having 
let young Gay have the money. 


</p>
            <p>And young Gay—Walter—what of him? 


</p>
            <p>He was overjoyed to purge the old man's hearth from bailiffs and brokers, and 
to hurry back to his uncle with the good tidings. He was overjoyed to have it 
all arranged and settled next day before noon; and to sit down at evening in 
the little back parlour with old Sol and Captain Cuttle; and to see the 
instrument-maker already reviving, and hopeful for the future, and feeling 
that the wooden midshipman was his own again. But without the least 
impeachment of his gratitude to Mr. Dombey, it must be confessed that Walter 
was humbled and cast down. It is when our budding hopes are nipped beyond 
recovery by some rough wind, that we are the most disposed to picture to 
ourselves what flowers they might have borne, if they had flourished; and 
now, when Walter found himself cut off from that great Dombey height, by the 
depth of a new and terrible tumble, and felt that all his old wild fancies 
had been scattered to the winds in the fall, he began to suspect that they 
might have led him on to harmless visions of aspiring to Florence in the 
remote distance of time. 


</p>
            <p>The Captain viewed the subject in quite a different light. He appeared to 
entertain a belief that the interview at which he had assisted was so very 
satisfactory and encouraging, as to be only a step or two removed from a 
regular betrothal of Florence to Walter; and that the late transaction had 
immensely forwarded, if not thoroughly established, the Whittingtonian hopes. 
Stimulated by this conviction, and by the improvement in the spirits of his 
old friend, and by his own consequent gaiety, he even attempted, in favouring 
them with the ballad of `Lovely Peg' for the third time in one evening, to 
make an extemporaneous substitution of the name `Florence;' but finding this 
difficult, on account of the word Peg invariably rhyming to leg (in which 
personal beauty the original was described as having excelled all 
competitors), he hit upon the happy thought of changing it to Fle—e—eg; 
which he accordingly did, with an archness almost supernatural, and a voice 
quite vociferous, notwithstanding that the time was close at hand when he 
must seek the abode of the dreadful Mrs. MacStinger. 

</p>
         </div>
         <div xml:id="c11" type="chapter">
            <head>CHAPTER XI</head>
            <head>Paul's Introduction to a New Scene</head>
            <p>MRS. PIPCHIN'S constitution was made of such hard metal, in spite of its 
liability to the fleshly weaknesses of standing in need of repose after 
chops, and of requiring to be coaxed to sleep by the soporific agency of 
sweet-breads, that it utterly set at naught the predictions of Mrs. Wickam, 
and showed no symptoms of decline. Yet, as Paul's rapt interest inthe old 
lady continued unabated, Mrs. Wickam would not budge an inch from the 
position she had taken up. Fortifying and entrenching herself on the strong 
ground of her uncle's Betsey Jane, she advised Miss Berry, as a friend, to 
prepare herself for the worst; and forewarned her that her aunt might, at any 
time, be expected to go off suddenly, like a powder-mill. 


</p>
            <p>Poor Berry took it all in good part, and drudged and slaved away as usual; 
perfectly convinced that Mrs. Pipchin was one of the most meritorious persons 
in the world, and making every day innumerable sacrifices of herself upon the 
altar of that noble old woman. But all these immolations of Berry were 
somehow carried to the credit of Mrs. Pipchin by Mrs. Pipchin's friends and 
admirers; and were made to harmonise with, and carry out, that melancholy 
fact of the deceased Mr. Pipchin having broken his heart in the Peruvian 
mines. 


</p>
            <p>For example, there was an honest grocer and general dealer in the retail line 
of business, between whom and Mrs. Pipchin there was a small memorandum book, 
with a greasy red cover, perpetually in question, and concerning which divers 
secret councils and conferences were continually being held between the 
parties to the register, on the mat in the passage, and with closed doors in 
the parlour. Nor were there wanting dark hints from Master Bitherstone (whose 
temper had been made re-vengeful by the solar heats of India acting on his 
blood), of balances unsettled, and of a failure, on one occasion with his 
memory, in the supply of moist sugar at tea-time. This grocer being a 
bachelor, and not a man who looked upon the surface for beauty, had once made 
honourable offers for the hand of Berry, which Mrs. Pipchin had, with 
contumely and scorn, rejected. Everybody said how laudable this was in Mrs. 
Pipchin, relict of a man who had died of the Peruvian mines; and what a 
staunch, high, independent spirit the old lady had. But nobody said anything 
about poor Berry, who cried for six weeks (being soundly rated by her good 
aunt all the time), and lapsed into a state of hopeless spinsterhood. 


</p>
            <p>`Berry's very fond of you, ain't she?' Paul once asked Mrs. Pipchin when they 
were sitting by the fire with the cat. 


</p>
            <p>`Yes,' said Mrs. Pipchin. 


</p>
            <p>`Why?' asked Paul. 


</p>
            <p>`Why!' returned the disconcerted old lady. `How can you ask such things, Sir! 
why are you fond of your sister Florence?' 


</p>
            <p>`Because she's very good,' said Paul. `There's nobody like Florence.' 


</p>
            <p>`Well!' retorted Mrs. Pipchin, shortly, `and there's nobody like me, I 
suppose.' 


</p>
            <p>`Ain't there really though?' asked Paul, leaning forward in his chair, and 
looking at her very hard. 


</p>
            <p>`No,' said the old lady. 


</p>
            <p>`I am glad of that,' observed Paul, rubbing his hands thoughtfully. `That's a 
very good thing.' 


</p>
            <p>Mrs. Pipchin didn't dare to ask him why, lest she should receive some 
perfectly annihilating answer. But as a compensation to her wounded feelings, 
she harassed Master Bitherstone to that extent until bed-time, that he began 
that very night to make arrangements for an overland return to India, by 
Secreting from his supper a quarter of a round of bread and a fragment of 
moist Dutch cheese, as the beginning of a stock of provision to support him 
on the voyage. 


</p>
            <p>Mrs. Pipchin had kept watch and ward over little Paul and his sister for 
nearly twelve months. They had been home twice, but only for a few days; and 
had been constant in their weekly visits to Mr. Dombey at the hotel. By 
little and little Paul had grown stronger, and had become able to dispense 
with his carriage; though he still looked thin and delicate; and still 
remained the same old, quiet, dreamy child that he had been when first 
consigned to Mrs. Pipchin's care. One Saturday afternoon, at dusk, great 
consternation was occasioned in the castle by the unlooked-for announcement 
of Mr. Dombey as a visitor to Mrs. Pipchin. The population of the parlour 
wasimmediately swept up stairs as on the wings of a whirlwind, and after much 
slamming of bedroom doors, and trampling overhead, and some knocking about of 
Master Bitherstone by Mrs. Pipchin, as a relief to the perturbation of her 
spirits, the black bombazeen garments of the worthy old lady darkened the 
audience-chamber where Mr. Dombey was contemplating the vacant arm-chair of 
his son and heir. 


</p>
            <p>`Mrs. Pipchin,' said Mr. Dombey, `How do you do?' 


</p>
            <p>`Thank you, Sir,' said Mrs. Pipchin, `I am pretty well, considering.' 


</p>
            <p>Mrs. Pipchin always used that form of words. It meant, considering her 
virtues, sacrifices, and so forth. 


</p>
            <p>`I can't expect, Sir, to be very well,' said Mrs. Pipchin, taking a chair and 
fetching her breath; `but such health as I have, I am grateful for.' 


</p>
            <p>Mr. Dombey inclined his head with the satisfied air of a patron, who felt 
that this was the sort of thing for which he paid so much a quarter. After a 
moment's silence he went on to say: 


</p>
            <p>`Mrs. Pipchin, I have taken the liberty of calling, to consult you in 
reference to my son. I have had it in my mind to do so for some time past; 
but have deferred it from time to time, in order that his health might be 
thoroughly re-established. You have no misgivings on that subject, Mrs. 
Pipchin?' 


</p>
            <p>`Brighton has proved very beneficial, Sir,' returned Mrs. Pipchin. `Very 
beneficial, indeed.' 


</p>
            <p>`I purpose,' said Mr. Dombey, `his remaining at Brighton.' 


</p>
            <p> Mrs. Pipchin rubbed her hands, and bent her grey eyes on the fire. 


</p>
            <p>`But,' pursued Mr. Dombey, stretching out his forefinger, `but possibly that 
he should now make a change, and lead different kind of life here. In short, 
Mrs. Pipchin, that is the object of my visit. My son is getting on, Mrs. 
Pipchin. Really he is getting on.' 


</p>
            <p>There was something melancholy in the triumphant air with which Mr. Dombey 
said this. It showed how long Paul's childish life had been to him, and how 
his hopes were set upon a later stage of his existence. Pity may appear a 
strange word to connect with any one so haughty and so cold, and yet he 
seemed a worthy subject for it at that moment. 


</p>
            <p>`Six years old!' said Mr. Dombey, settling his neckcloth—perhaps to hide an 
irrepressible smile that rather seemed to strike upon the surface of his face 
and glance away, as finding no resting-place, than to play there for an 
instant. `Dear me, six will be changed to sixteen, before we have time to 
look about us.' 


</p>
            <p>`Ten years,' croaked the unsympathetic Pipchin, with a frosty glistening of 
her hard grey eye, and a dreary shaking of her bent head, `is a long 
time.' 


</p>
            <p>`It depends on circumstances,' returned Mr. Dombey; `at all events, Mrs. 
Pipchin, my son is six years old, and there is no doubt, I fear, that in his 
studies he is behind many children of his age—or his youth,' said Mr. 
Dombey, quickly answering what he mistrusted was a shrewd twinkle of the 
frosty eye, `his youth is a more appropriate expression. Now, Mrs. Pipchin, 
instead of being behind his peers, my son ought to be before them; far before 
them. There is an eminence ready for him to mount upon. There is nothing of 
chance or doubt in the course before my son. His way in life was clear and 
prepared, and marked out before he existed. The education of such a young 
gentleman must not be delayed. It must not be left imperfect. It must be very 
steadily and seriously undertaken, Mrs. Pipchin.'  `Well, Sir,' said Mrs. 
Pipchin, `I can say nothing to the contrary.' 


</p>
            <p>`I was quite sure, Mrs. Pipchin,' returned Mr. Dombey, approvingly, `that a 
person of your good sense could not, and would not.' 


</p>
            <p>`There is a great deal of nonsense—and worse—talked about young people not 
being pressed too hard at first, and being tempted on, and all the rest of 
it, Sir,' said Mrs. Pipchin, impatiently rubbing her hooked nose. `It never 
was thought of in my time, and it has no business to be thought of now. My 
opinion is “keep'em at it.”' 


</p>
            <p>`My good madam,' returned Mr. Dombey, `you have not acquired your reputation 
undeservedly; and I beg you to believe, Mrs. Pipchin, that I am more than 
satisfied with your excellent system of management, and shall have the 
greatest pleasure in commending it whenever my poor commendation'—Mr. 
Dombey's loftiness when he affected to disparage his own importance, passed 
all bounds—`can be of any service. I have been thinking of Doctor Blimber's, 
Mrs. Pipchin.' 


</p>
            <p>`My neighbour, Sir?' said Mrs. Pipchin. `I believe the Doctor's is an 
excellent establishment. I've heard that it's very strictly conducted, and 
there is nothing but learning going on from morning to night.' 


</p>
            <p>`And it's very expensive,' added Mr. Dombey. 


</p>
            <p>`And it's very expensive, Sir,'returned Mrs. Pipchin, catching at the fact, 
as if in omitting that, she had omitted one of its leading merits. 


</p>
            <p>`I have had some communication with the Doctor, Mrs. Pipchin,' said Mr. 
Dombey, hitching his chair anxiously a little nearer to the fire, `and he 
does not consider Paul at all too young for his purpose. He mentioned several 
instances of boys in Greek at about the same age. If I have any little 
uneasiness in my own mind, Mrs. Pipchin, on the subject of this change, it is 
not on that head. My son not having known a mother has gradually concentrated 
much—too much—of his childish affection on his sister. Whether their 
separation—' Mr. Dombey said no more, but sat silent. 


</p>
            <p>`Hoity-toity!' exclaimed Mrs. Pipchin, shaking out her black bombazeen 
skirts, and plucking up all the ogress within her. `If she don't like it, Mr. 
Dombey, she must be taught to lump it.' The good lady apologised immediately 
afterwards for using so common a figure of speech, but said (and truly) that 
that was the way <hi>she</hi> reasoned with 'em. 


</p>
            <p>Mr. Dombey waited until Mrs. Pipchin had done bridling and shaking her head, 
and frowning down a legion of Bitherstones and Pankeys; and then said 
quietly, but correctively, `He, my good madam, he.' 


</p>
            <p>Mrs. Pipchin's system would have applied very much the same mode of cure to 
any uneasiness on the part of Paul, too; but as the hard grey eye was sharp 
enough to see that the recipe, however Mr. Dombey might admit its efficacy in 
the case of the daughter, was not a sovereign remedy for the son, she argued 
the point; and contended that change, and new society, and the different form 
of life he would lead at Doctor Blimber's, and the studies he would have to 
master, would very soon prove sufficient alienations. As this chimed in with 
Mr. Dombey's own hope and belief, it gave that gentleman a still higher 
opinion of Mrs. Pipchin's understanding: and as Mrs. Pipchin, at the same 
time, bewailed the loss of her dear little friend (which was not an 
overwhelming shock to her, as she had long expected it, and had not looked, 
in the beginning, for his remaining with her longer than three months), he 
formed an equally good opinion of Mrs. Pipchin's disinterestedness. It was 
plain that he had given the subject anxious consideration, for he had formed 
a plan, which he announced to the ogress, of sending Paul to the Doctor's as 
a weekly boarder for the first half year, during which time Florence would 
remain at the castle, that she might receive her brother there, on Saturdays. 
This would wean him by degrees, Mr. Dombey said; probably with a recollection 
of his not having been weaned by degrees on a former occasion. 


</p>
            <p>Mr. Dombey finished the interview by expressing his hope that Mrs. Pipchin 
would still remain in office as general superintendent and overseer of his 
son, pending his studies at Brighton; and having kissed Paul, and shaken 
hands with Florence, and beheld Master Bitherstone in his collar of state, 
and made Miss Pankey cry by patting her on the head (in which region she was 
uncommonly tender, on account of a habit Mrs. Pipchin had of sounding it with 
her knuckles, like a cask), he withdrew to his hotel and dinner: resolved 
that Paul, now that he was getting so old and well, should begin a vigorous 
course of education forthwith, to qualify him for the position in which he 
was to shine; and that Doctor Blimber should take him in hand immediately. 


</p>
            <p>Whenever a young gentleman was taken in hand by Doctor Blimber, he might 
consider himself sure of a pretty tight squeeze. The doctor only undertook 
the charge of ten young gentlemen, but he had, always ready, a supply of 
learning for a hundred, on the lowest estimate; and it was at once the 
business and delight of his life to gorge the unhappy ten with it. 


</p>
            <p>In fact, Doctor Blimber's establishment was a great hot-house, in which there 
was a forcing apparatus incessantly at work. All the boys blew before their 
time. Mental green-peas were produced at Christmas, and intellectual 
asparagus all the year round. Mathematical gooseberries (very sour ones too) 
were common at untimely seasons, and from mere sprouts of bushes, under 
Doctor Blimber's cultivation. Every description of Greek and Latin vegetable 
was got off the driest twigs of boys, under the frostiest circumstances. 
Nature was of no consequence at all. No matter what a young gentleman was 
intended to bear, Doctor Blimber made him bear to pattern, somehow or 
other. 


</p>
            <p>This was all very pleasant and ingenious, but the system of forcing was 
attended with its usual disadvantages. There was not the right taste about 
the premature productions, and they didn't keep well. Moreover, one young 
gentleman, with a swollen nose and an excessively large head (the oldest of 
the ten who had `gone through' everything), suddenly left off blowing one 
day, and remained in the establishment a mere stalk. And people did say that 
the Doctor had rather overdone it with young Toots, and that when he began to 
have whiskers he left off having brains. 


</p>
            <p>There young Toots was, at any rate; possessed of the gruffest of voices and 
the shrillest of minds; sticking ornamental pins into his shirt, and keeping 
a ring in his waistcoat pocket to put on his little finger by stealth, when 
the pupils went out walking; constantly falling in love by sight with 
nurserymaids, who had no idea of his existence; and looking at the 
gas-lighted world over the little iron bars in the left-hand corner window of 
the front three pairs of stairs, after bed-time, like a greatly overgrown 
cherub who had sat up aloft much too long. 


</p>
            <p>The Doctor was a portly gentleman in a suit of black, with strings at his 
knees, and stockings below them. He had a bald head, highly polished; a deep 
voice; and a chin so very double, that it was a wonder how he ever managed to 
shave into the creases. He had likewise a pair of little eyes that were 
always half shut up, and a mouth that was always half expanded into a grin, 
as if he had, that moment, posed a boy, and were waiting to convict him from 
his own lips. Insomuch, that when the Doctor put his right hand into the 
breast of his coat, and with his other hand behind him, and a scarcely 
perceptible wag of his head, made the commonest observation to a nervous 
stranger, it was like a sentiment from the sphynx, and settled his 
business. 


</p>
            <p>The Doctor's was a mighty fine house, fronting the sea. Not a joyful style of 
house within, but quite the contrary. Sad-coloured curtains, whose 
proportions were spare and lean, hid themselves despondently behind the 
windows. The tables and chairs were put away in rows, like figures in a sum: 
fires were so rarely lighted in the rooms of ceremony, that they felt like 
wells, and a visitor represented the bucket; the dining-room seemed the last 
place in the world where any eating or drinking was likely to occur; there 
was no sound through all the house but the ticking of a great clock in the 
hall, which made itself audible in the very garrets: and sometimes a dull 
crying of young gentlemen at their lessons, like the murmurings of an 
assemblage of melancholy pigeons. 


</p>
            <p>Miss Blimber, too, although a slim and graceful maid, did no soft violence to 
the gravity of the house. There was no light nonsense about Miss Blimber. She 
kept her hair short and crisp, and wore spectacles. She was dry and sandy 
with working in the graves of deceased languages. None of your live languages 
for Miss Blimber. They must be dead—stone dead—and then Miss Blimber dug 
them up like a Ghoul. 


</p>
            <p>Mrs. Blimber, her mama, was not learned herself, but she pretended to be, and 
that did quite as well. She said at evening parties, that if she could have 
known Cicero, she thought she could have died contented. It was the steady 
joy of her life to see the Doctor's young gentlemen go out walking, unlike 
all other young gentlemen, in the largest possible shirt-collars, and the 
stiffest possible cravats. It was so classical, she said. 


</p>
            <p>As to Mr. Feeder, B.A., Doctor Blimber's assistant, he was a kind of human 
barrel-organ, with a little list of tunes at which he was continually 
working, over and over again, without any variation. He might have been 
fitted up with a change of barrels, perhaps, in early life, if his destiny 
had been favourable; but it had not been; and he had only one, with which, in 
a monotonous round, it was his occupation to bewilder the young ideas of 
Doctor Blimber's young gentlemen. The young gentlemen were prematurely full 
of carking anxieties. They knew no rest from the pursuit of stony-hearted 
verbs, savage noun-substantives, inflexible syntactic passages, and ghosts of 
exercises that appeared to them in their dreams. Under the forcing system, a 
young gentleman usually took leave of his spirits in three weeks. He had all 
the cares of the world on his head in three months. He conceived bitter 
sentiments against his parents or guardians in four; he was an old 
misanthrope, in five; envied Curtius that blessed refuge in the earth, in 
six; and at the end of the first twelvemonth had arrived at the conclusion, 
from which he never afterwards departed, that all the fancies of the poets, 
and lessons of the sages, were a mere collection of words and grammar, and 
had no other meaning in the world. 


</p>
            <p>But he went on blow, blow, blowing, in the Doctor's hot-house, all the time; 
and the Doctor's glory and reputation were great, when he took his wintry 
growth home to his relations and friends. 


</p>
            <p>Upon the Doctor's door-steps one day, Paul stood with a fluttering heart, and 
with his small right hand in his father's. His other hand was locked in that 
of Florence. How tight the tiny pressure of that one; and how loose and cold 
the other! 


</p>
            <p>Mrs. Pinchin hovered behind the victim, with her sable plumage and her hooked 
beak, like a bird of ill-omen. She was out of breath—for Mr. Dombey, full of 
great thoughts, had walked fast—and she croaked hoarsely as she waited for 
the opening of the door. 


</p>
            <p>`Now, Paul,' said Mr. Dombey, exultingly. `This is the way indeed to be 
Dombey and Son, and have money. You are almost a man already.' 


</p>
            <p>`Almost,' returned the child. 


</p>
            <p>Even his childish agitation could not master the sly and quaint yet touching 
look, with which he accompanied the reply. 


</p>
            <p>It brought a vague expression of dissatisfaction into Mr. Dombey's face; but 
the door being opened, it was quickly gone. 


</p>
            <p>`Doctor Blimber is at home, I believe?' said Mr. Dombey. 


</p>
            <p>The man said yes; and as they passed in, looked at Paul as if he were a 
little mouse, and the house were a trap. He was a weak-eyed young man, with 
the first faint streaks or early dawn of a grin on his countenance. It was 
mere imbecility; but Mrs. Pipchin took it into her head that it was 
impudence, and made a snap at him directly. 


</p>
            <p>`How dare you laugh behind the gentleman's back?' said Mrs. Pipchin. `And 
what do you take me for?' 


</p>
            <p>`I ain't a laughing at nobody, and I'm sure I don't take you for nothing, 
Ma'am,' returned the young man, in consternation. 


</p>
            <p>`A pack of idle dogs!' said Mrs. Pipchin, `only fit to be turnspits. Go and 
tell your master that Mr. Dombey's here, or it'll be worse for you!' 


</p>
            <p>The weak-eyed young man went, very meekly, to discharge himself of this 
commission; and soon came back to invite them to the Doctor's study. 


</p>
            <p>`You're laughing again, Sir,'said Mrs. Pipchin, when it came to her turn, 
bringing up the rear, to pass him in the hall. 


</p>
            <p>`I <hi>ain't</hi>, returned the young man, grievously oppressed. `I never see 
such a thing as this!' 


</p>
            <p>`What is the matter, Mrs. Pipchin?' said Mr. Dombey, looking round. `Softly! 
Pray!' 


</p>
            <p>Mrs. Pipchin, in her deference, merely muttered at the young man as she 
passed on, and said, `Oh! he was a precious fellow'—leaving the young man, 
who was all meekness and incapacity, affected even to tears by the incident. 
But Mrs. Pipchin had a way of falling foul of all meek people; and her 
friends said who could wonder at it, after the Peruvian mines! 


</p>
            <p>The Doctor was sitting in his portentous study, with a globe at each knee, 
books all round him, Homer over the door, and Minerva on the mantel-shelf. 
`And how do you do, Sir?' he said to Mr. Dombey; `and how is my little 
friend?' Grave as an organ was the Doctor's speech; and when he ceased, the 
great clock in the hall seemed (to Paul at least) to take him up, and to go 
on saying, `how, is, my, lit, tle, friend? how, is, my, lit, tle, friend?' 
over and over and over again. 


</p>
            <p>The little friend being something too small to be seen at all from where the 
Doctor sat, over the books on his table, the Doctor made several futile 
attempts to get a view of him round the legs; which Mr. Dombey perceiving, 
relieved the Doctor from his embarrassment by taking Paul up in his arms, and 
sitting him on another little table, over against the Doctor, in the middle 
of the room. 


</p>
            <p>`Ha!' said the Doctor, leaning back in his chair with his hand in his breast. 
`Now I see my little friend. How do you do, my little friend?' 


</p>
            <p>The clock in the hall wouldn't subscribe to this alteration in the form of 
words, but continued to repeat `how, is, my, lit, tle, friend? how, is, my, 
lit, tle, friend?' 


</p>
            <p>`Very well, I thank you, Sir,' returned Paul, answering the clock quite as 
much as the Doctor. 


</p>
            <p>`Ha!' said Doctor Blimber. `Shall we make a man of him?' 


</p>
            <p>`Do you hear, Paul?' added Mr. Dombey; Paul being silent. 


</p>
            <p>`Shall we make a man of him?' repeated the Doctor. 


</p>
            <p>`I had rather be a child,' replied Paul. 


</p>
            <p>`Indeed!' said the Doctor. `Why?' 


</p>
            <p>The child sat on the table looking at him, with a curious expression of 
suppressed emotion in his face, and beating one hand proudly on his knee as 
if he had the rising tears beneath it, and crushed them. But his other hand 
strayed a little way the while, a little farther—farther from him yet—until 
it lighted on the neck of Florence. `This is why,' it seemed to say, and then 
the steady look was broken up and gone; the working lip was loosened; and the 
tears came streaming forth. 


</p>
            <p>`Mrs. Pipchin,' said his father, in a querulous manner, `I am really very 
sorry to see this.' 


</p>
            <p>`Come away from him, do, Miss Dombey,' quoth the matron. 


</p>
            <p>`Never mind,' said the Doctor, blandly nodding his head, to keep Mrs. Pipchin 
back. `Ne-ver mind; we shall substitute new cares and new impressions, Mr. 
Dombey, very shortly. You would still wish my little friend to 
acquire——' 


</p>
            <p>`Everything, if you please, Doctor,' returned Mr. Dombey, firmly. 


</p>
            <p>`Yes,' said the Doctor, who, with his half-shut eyes, and his usual smile, 
seemed to survey Paul with the sort of interest that might attach to some 
choice little animal he was going to stuff. `Yes, exactly. Ha! We shall 
impart a great variety of information to our little friend, and bring him 
quickly forward, I dare say. I dare say. Quite a virgin soil, I believe you 
said, Mr. Dombey?' 


</p>
            <p>`Except some ordinary preparation at home, and from this lady,' replied Mr. 
Dombey, introducing Mrs. Pipchin, who instantly communicated a rigidity to 
her whole muscular system, and snorted defiance beforehand, in case the 
Doctor should disparage her; `except so far, Paul has, as yet, applied 
himself to no studies at all.' 


</p>
            <p>Doctor Blimber inclined his head, in gentle tolerance of such insignificant 
poaching as Mrs. Pipchin's, and said he was glad to hear it. It was much more 
satisfactory, he observed, rubbing his hands, to begin at the foundation. And 
again he leered at Paul, as if he would have liked to tackle him with the 
Greek alphabet on the spot. 


</p>
            <p>`That circumstance, indeed, Doctor Blimber,' pursued Mr. Dombey, glancing at 
his little son, `and the interview I have already had the pleasure of holding 
with you, renders any further explanation, and consequently, and further 
intrusion on your valuable time, so unnecessary, that—' 


</p>
            <p>`Now, Miss Dombey!' said the acid Pipchin. 


</p>
            <p>`Permit me,' said the Doctor, `one moment. Allow me to present Mrs. Blimber 
and my daughter, who will be associated with the domestic life of our young 
Pilgrim to Parnassus. Mrs. Blimber,' for the lady, who had perhaps been in 
waiting, opportunely entered, followed by her daughter, that fair Sexton in 
spectacles, `Mr. Dombey. My daughter Cornelia, Mr. Dombey. Mr. Dombey, my 
love,' pursued the Doctor, turning to his wife, `is so confiding as to—do 
you see our little friend?' 


</p>
            <p>Mrs. Blimber, in an excess of politeness, of which Mr. Dombey was the object, 
apparently did not, for she was backing against the little friend, and very 
much endangering his position on the table. But, on this hint, she turned to 
admire his classical and intellectual lineaments, and turning again to Mr. 
Dombey, said, with a sigh, that she envied his dear son. 


</p>
            <p>`Like a bee, Sir,' said Mrs. Blimber, with uplifted eyes, `about to plunge 
into a garden of the choicest flowers, and sip the sweets for the first time. 
Virgil, Horace, Ovid, Terence, Plautus, Cicero. What a world of honey have we 
here. It may appear remarkable, Mr. Dombey, in one who is a wife—the wife of 
such a husband—' 


</p>
            <p>`Hush, hush,' said Doctor Blimber. `Fie for shame.' 


</p>
            <p>`Mr. Dombey will forgive the partiality of a wife,' said Mrs. Blimber, with 
an engaging smile. 


</p>
            <p>Mr. Dombey answered `Not at all:' applying those words, it is to be presumed, 
to the partiality, and not to the forgiveness. 


</p>
            <p>`—And it may seem remarkable in one who is a mother also,' resumed Mrs. 
Blimber. 


</p>
            <p>`And such a mother,' observed Mr. Dombey, bowing with some confused idea of 
being complimentary to Cornelia. 


</p>
            <p>`But really,' pursued Mrs. Blimber, `I think if I could have known Cicero, 
and been his friend, and talked with him in his retirement at Tusculum 
(beautiful Tusculum!), I could have died contented.' 


</p>
            <p>A learned enthusiasm is so very contagious, that Mr. Dombey half believed 
this was exactly his case; and even Mrs. Pipchin, who was not, as we have 
seen, of an accommodating disposition generally, gave utterance to a little 
sound between a groan and a sigh, as if she would have said that nobody but 
Cicero could have proved a lasting consolation under that failure of the 
Peruvian Mines, but that he indeed would have been a very Davy-lamp of 
refuge. 


</p>
            <p>Cornelia looked at Mr. Dombey through her spectacles, as if she would have 
liked to crack a few quotations with him from the authority in question. But 
this design, if she entertained it, was frustrated by a knock at the 
room-door. 


</p>
            <p>`Who is that?' said the Doctor. `Oh! Come in, Toots: come in. Mr. Dombey, 
Sir.' Toots bowed. `Quite a coincidence!' said Doctor Blimber. `Here we have 
the beginning and the end. Alpha and Omega. Our head boy, Mr. Dombey.' 


</p>
            <p>The Doctor might have called him their head and shoulders boy, for he was at 
least that much taller than any of the rest. He blushed very much at finding 
himself among strangers, and chuckled aloud. 


</p>
            <p>`An addition to our little Portico, Toots,' said the Doctor; `Mr. Dombey's 
son.' 


</p>
            <p>Young Toots blushed again: and finding, from a solemn silence which prevailed 
that he was expected to say something, said to Paul, `How are you?' in a 
voice so deep, and a manner so sheepish, that if a lamb had roared it 
couldn't have been more surprising. 


</p>
            <p>`Ask Mr. Feeder, if you please, Toots,' said the Doctor, `to prepare a few 
introductory volumes for Mr. Dombey's Son, and to allot him a convenient seat 
for study. My dear, I believe Mr. Dombey has not seen the dormitories.' 


</p>
            <p>`If Mr. Dombey will walk up stairs,' said Mrs. Blimber, `I shall be more than 
proud to show him the dominions of the drowsy god.' 


</p>
            <p>With that, Mrs. Blimber, who was a lady of great suavity, and a wiry figure, 
and who wore a cap composed of sky-blue materials, proceeded up stairs with 
Mr. Dombey and Cornelia; Mrs. Pipchin following, and looking out sharp for 
her enemy the footman. 


</p>
            <p>While they were gone, Paul sat upon the table, holding Florence by the hand, 
and glancing timidly from the Doctor round and round the room, while the 
Doctor, leaning back in his chair, with his hand in his breast as usual, held 
a book from him at arm's length, and read. There was something very awful in 
this manner of reading. It was such a determined, unimpassioned, inflexible, 
coldblooded way of going to work. It left the Doctor's countenance exposed to 
view; and when the Doctor smiled auspiciously at his author, or knit his 
brows, or shook his head and made wry faces at him, as much as to say, `Don't 
tell me, Sir; I know better,' it was terrific. 


</p>
            <p>Toots, too, had no business to be outside the door, ostentatiously examining 
the wheels in his watch, and counting his half-crowns. But that didn't last 
long; for Doctor Blimber, happening to change the position of his tight plump 
legs, as if he were going to get up, Toots swiftly vanished, and appeared no 
more. 


</p>
            <p>Mr. Dombey and his conductress were soon heard coming down stairs again, 
talking all the way; and presently they reentered the Doctor's study. 


</p>
            <p>`I hope, Mr. Dombey,' said the Doctor, laying down his book, `that the 
arrangements meet your approval.' 


</p>
            <p>`They are excellent, Sir,' said Mr. Dombey. 


</p>
            <p>`Very fair, indeed,' said Mrs. Pipchin, in a low voice; never disposed to 
give too much encouragement. 


</p>
            <p>`Mrs. Pipchin,' said Mr. Dombey, wheeling round, `will, with your permission, 
Doctor and Mrs. Blimber, visit Paul now and then.' 


</p>
            <p>`Whenever Mrs. Pipchin pleases,' observed the Doctor. 


</p>
            <p>`Always happy to see her,' said Mrs. Blimber. 


</p>
            <p>`I think,' said Mr. Dombey, `I have given all the trouble I need, and may 
take my leave. Paul, my child,' he went close to him, as he sat upon the 
table. `Good-bye.' 


</p>
            <p>`Good-bye, Papa.' 


</p>
            <p>The limp and careless little hand that Mr. Dombey took in his, was singularly 
out of keeping with the wistful face. But he had no part in its sorrowful 
expression. It was not addressed to him. No, no. To Florence—all to 
Florence. 


</p>
            <p>If Mr. Dombey in his insolence of wealth, had ever made an enemy, hard to 
appease and cruelly vindictive in his hate, even such an enemy might have 
received the pang that wrung his proud heart then, as compensation for his 
injury. 


</p>
            <p>He bent down over his boy, and kissed him. If his sight were dimmed as he did 
so, by something that for a moment blurred the little face, and made it 
indistinct to him, his mental vision may have been, for that short time, the 
clearer perhaps. 


</p>
            <p>`I shall see you soon, Paul. You are free on Saturdays and Sundays, you 
know.' 


</p>
            <p>`Yes, papa,' returned Paul: looking at his sister. `On Saturdays and 
Sundays.' 


</p>
            <p>`And you'll try and learn a great deal here, and be a clever man,' said Mr. 
Dombey; `won't you?' 


</p>
            <p>`I'll try,' returned the child wearily. 


</p>
            <p>`And you'll soon be grown up now!' said Mr. Dombey. 


</p>
            <p>`Oh! very soon!' replied the child. Once more the old, old look passed 
rapidly across his features like a strange light. It fell on Mrs. Pipchin, 
and extinguished itself in her black dress. That excellent ogress stepped 
forward to take leave and to bear off Florence, which she had long been 
thirsting to do. The move on her part roused Mr. Dombey, whose eyes were 
fixed on Paul. After patting him on the head, and pressing his small hand 
again, he took leave of Doctor Blimber, Mrs. Blimber, and Miss Blimber, with 
his usual polite frigidity, and walked out of the study. 


</p>
            <p>Despite his entreaty that they would not think of stirring, Doctor Blimber, 
Mrs. Blimber, and Miss Blimber all pressed forward to attend him to the hall; 
and thus Mrs. Pipchin got into a state of entanglement with Miss Blimber and 
the Doctor, and was crowded out of the study before she could clutch 
Florence. To which happy accident Paul stood afterwards indebted for the dear 
remembrance, that Florence ran back to throw her arms round his neck, and 
that hers was the last face in the doorway: turned towards him with a smile 
of encouragement, the brighter for the tears through which it beamed. 


</p>
            <p>It made his childish bosom heave and swell when it was gone; and sent the 
globes, the books, blind Homer and Minerva, swimming round the room. But they 
stopped, all of a sudden; and then he heard the loud clock in the hall still 
gravely inquiring `how, is, my, lit, tle, friend? how, is, my, lit, tle, 
friend?' as it had done before. 


</p>
            <p>He sat, with folded hands, upon his pedestal, silently listening. But he 
might have answered `weary, weary! very lonely, very sad!' And there, with an 
aching void in his young heart, and all outside so cold, and bare, and 
strange, Paul sat as if he had taken life unfurnished, and the upholsterer 
were never coming. 

</p>
         </div>
         <div xml:id="c12" type="chapter">
            <head>CHAPTER XII</head>
            <head>Paul's Education</head>
            <p>AFTER the lapse of some minutes, which appeared an immense time to little 
Paul Dombey on the table, Doctor Blimber came back. The Doctor's walk was 
stately, and calculated to impress the juvenile mind with solemn feelings. It 
was a sort of march; but when the Doctor put out his right foot, he gravely 
turned upon his axis, with a semi-circular sweep towards the left; and when 
he put out his left foot, he turned in the same manner towards the right. So 
that he seemed, at every stride he took, to look about him as though he were 
saying, `Can anybody have the goodness to indicate any subject, in any 
direction, on which I am uninformed? I rather think not.' 


</p>
            <p>Mrs. Blimber and Miss Blimber came back in the Doctor's company; and the 
Doctor, lifting his new pupil off the table, delivered him over to Miss 
Blimber. 


</p>
            <p>`Cornelia,' said the Doctor, `Dombey will be your charge at first. Bring him 
on, Cornelia, bring him on.' 


</p>
            <p>Miss Blimber received her young ward from the Doctor's hands; and Paul, 
feeling that the spectacles were surveying him, cast down his eyes. 


</p>
            <p>`How old are you, Dombey?' said Miss Blimber. 


</p>
            <p>`Six,' answered Paul, wondering, as he stole a glance at the young lady, why 
her hair didn't grow long like Florence's, and why she was like a boy. 


</p>
            <p>`How much do you know of your Latin Grammmar, Dombey?' said Miss Blimber. 


</p>
            <p>`None of it,' answered Paul. Feeling that the answer was a shock to Miss 
Blimber's sensibility, he looked up at the three faces that were looking down 
at him, and said: 


</p>
            <p>`I hav'n't been well. I have been a weak child. I couldn't learn a Latin 
Grammar when I was out, every day, with old Glubb. I wish you'd tell old 
Glubb to come and see me, if you please.' 


</p>
            <p>`What a dreadful low name!' said Mrs. Blimber. `Unclassical to a degree! Who 
is the monster, child?' 


</p>
            <p>`What monster?' inquired Paul. 


</p>
            <p>`Glubb,' said Mrs. Blimber, with a great disrelish. 


</p>
            <p>`He's no more a monster than you are,' returned Paul. 


</p>
            <p>`What!' cried the Doctor, in a terrible voice. `Aye, aye, aye? Aha! What's 
that?' 


</p>
            <p>Paul was dreadful frightened; but still he made a stand for the absent Glubb, 
though he did it trembling. 


</p>
            <p>`He's a very nice old man, Ma'am,' he said. `He used to draw my couch. He 
knows all about the deep sea, and the fish that are in it, and the great 
monsters that come and lie on rocks in the sun, and dive into the water again 
when they're startled, blowing and splashing so, that they can be heard for 
miles. There are some creatures,' said Paul, warming with his subject, `I 
don't know how many yards long, and I forget their names, but Florence knows, 
that pretend to be in distress; and when a man goes near them, out of 
compassion, they open their great jaws, and attack him. But all he has got to 
do,' said Paul, boldly tendering this information to the very Doctor himself, 
`is to keep on turning as he runs away, and then, as they turn slowly, 
because they are so long, and can't bend, he's sure to beat them. And though 
old Glubb don't know why the sea should make me think of my Mama that's dead, 
or what it is that it is always saying—always saying! he knows a great deal 
about it. And I wish,' the child concluded with a sudden falling of his 
countenance, and failing in his animation, as he looked like one forlorn, 
upon the three strange face, `that you'd let old Glubb come here to see me, 
for I know him very well, and he knows me.' 


</p>
            <p>`Ha!' said the Doctor, shaking his head: `this is bad, but study will do 
much.' 


</p>
            <p>Mrs. Blimber opined, with something like a shiver, that he was an 
unaccountable child; and, allowing for the difference of visage, looked at 
him pretty much as Mrs. Pipchin had been used to do. 


</p>
            <p>`Take him round the house, Cornelia,' said the Doctor, `and familiarise him 
with his new sphere. Go with that young lady, Dombey.' 


</p>
            <p>Dombey obeyed; giving his hand to the abstruse Cornelia, and looking at her 
sideways, with timid curiosity, as they went away together. For her 
spectacles, by reason of the glistening of the glasses, made her so 
mysterious, that he didn't know where she was looking, and was not indeed 
quite sure that she had any eyes at all behind them. 


</p>
            <p>Cornelia took him first to the schoolroom, which was situated at the back of 
the hall, and was approached through two baize doors, which deadened and 
muffled the young gentlemen's voices. Here, there were eight young gentlemen 
in various stages of mental prostration, all very hard at work, and very 
grave indeed. Toots, as an old hand, had a desk to himself in one corner: and 
a magnificent man, of immense age, he looked, in Paul's young eyes, behind 
it. 


</p>
            <p>Mr. Feeder, B.A., who sat at another little desk, had his Virgil stop on, and 
was slowly grinding that tune to four young gentlemen. Of the remaining four, 
two who grasped their foreheads convulsively, were engaged in solving 
mathematical problems; one with his face like a dirty window, from much 
crying, was endeavouring to flounder through a hopeless number of lines 
before dinner; and one sat looking at his task in stony stupefaction and 
despair—which it seemed had been his condition ever since breakfast time. 


</p>
            <p>The appearance of a new boy did not create the sensation that might have been 
expected. Mr. Feeder, B.A. (who was in the habit of shaving his head for 
coolness, and had nothing but little bristles on it), gave him a bony hand, 
and told him he was glad to see him—which Paul would have been very glad to 
have told <hi>him</hi>, if he could have done so with the least sincerity. Then 
Paul, instructed by Cornelia, shook hands with the four young gentlemen at 
Mr. Feeder's desk; then with the two young gentlemen at work on the problems, 
who were very feverish; then with the gentleman at work against time, who was 
very inky; and lastly with the young gentleman in a state of stupefaction, 
who was flabby and quite cold. 


</p>
            <p>Paul having been already introduced to Toots, that pupil merely chuckled and 
breathed hard, as his custom was, and pursued the occupation in which he was 
engaged. It was not a severe one; for on account of his having `gone through' 
so much (in more senses than one), and also of his having, as before hinted, 
left off blowing in his prime, Toots now had licence to pursue his own course 
of study: which was chiefly to write long letters to himself from persons of 
distinction, addressed `P. Toots, Esquire, Brighton, Sussex,' and to preserve 
them in his desk with great care. 


</p>
            <p>These ceremonies passed, Cornelia led Paul up stairs to the top of the house; 
which was rather a slow journey, on account of Paul being obliged to land 
both feet on every stair, before he mounted another. But they reached their 
journey's end at last; and there, in a front room, looking over the wild sea, 
Cornelia showed him a nice little bed with white hangings, close to the 
window, on which there was already beautifully written on a card in round 
text—down strokes very thick, and up strokes very fine—<hi rend="sc">dombey</hi>; while 
two other little bed-steads in the same room were announced, through like 
means, as respectively appertaining unto <hi rend="sc">briggs</hi> and <hi rend="sc">tozer</hi>. 


</p>
            <p>Just as they got down stairs again into the hall, Paul saw the weak-eyed 
young man who had given that mortal offence to Mrs. Pipchin, suddenly seize a 
very large drumstick, and fly at a gong that was hanging up, as if he had 
gone mad, or wanted vengeance. Instead of receiving warning, however, or 
being instantly taken into custody, the young man left off unchecked, after 
having made a dreadful noise. Then Cornelia Blimber said to Dombey that 
dinner would be ready in a quarter of an your, and perhaps he had better go 
into the schoolroom among his `friends.' 


</p>
            <p>So Dombey, deferentially passing the great clock which was still as anxious 
as ever to know how he found himself, opened the schoolroom door a very 
little way, and strayed in like a lost boy: shutting it after him with some 
difficulty. His friends were all dispersed about the room except the stony 
friend, who remained immoveable. Mr. Feeder was stretching himself in his 
grey gown, as if, regardless of expense, he were resolved to pull the sleeves 
off. 


</p>
            <p>`Heigh ho hum!' cried Mr. Feeder, shaking himself like a cart-horse. `Oh dear 
me, dear me! Ya-a-a-ah!' 


</p>
            <p>Paul was quite alarmed by Mr. Feeder's yawning; it was done on such a great 
scale, and he was so terribly in earnest. All the boys too (Toots excepted) 
seemed knocked up, and were getting ready for dinner—some newly tying their 
neck-cloths, which were very stiff indeed; and others washing their hands or 
brushing their hair, in an adjoining ante-chamber—as if they didn't think 
they should enjoy it at all. 


</p>
            <p>Young Toots who was ready beforehand, and had therefore nothing to do, and 
had leisure to bestow upon Paul, said, with heavy good nature: 


</p>
            <p>`Sit down, Dombey.' 


</p>
            <p>`Thank you, Sir,' said Paul. 


</p>
            <p>His endeavouring to hoist himself on to a very high window-seat, and his 
slipping down again, appeared to prepare Toots's mind for the reception of a 
discovery. 


</p>
            <p>`You're a very small chap,' said Mr. Toots. 


</p>
            <p>`Yes, Sir, I'm small,' returned Paul. `Thank you, Sir.' 


</p>
            <p>For Toots had lifted him into the seat, and done it kindly too. 


</p>
            <p>`Who's your tailor?' inquired Toots, after looking at him for some 
moments. 


</p>
            <p>`It's a woman that has made my clothes as yet,' said Paul. `My sister's 
dressmaker.' 


</p>
            <p>`My tailor's Burgess and Co.,' said Toots. `Fash'nable. But very dear.' 


</p>
            <p>Paul had wit enough to shake his head, as if he would have said it was easy 
to see <hi>that</hi>; and indeed he thought so. 


</p>
            <p>`Your father's regularly rich, ain't he? ' inquired Mr. Toots. 


</p>
            <p>`Yes, Sir,' said Paul. `He's Dombey and Son.' 


</p>
            <p>`And which?' demanded Toots. 


</p>
            <p>`And Son, Sir?' replied Paul. 


</p>
            <p>Mr. Toots made one or two attempts, in a low voice, to fix the firm in his 
mind; but not quite succeeding, said he would get Paul to mention the name 
again to-morrow morning, as it was rather important. And indeed he purposed 
nothing less than writing himself a private and confidential letter from 
Dombey and Son immediately. 


</p>
            <p>By this time the other pupils (always excepting the stony boy) gathered 
round. They were polite, but pale; and spoke low; and they were so depressed 
in their spirits, that in comparison with the general tone of that company, 
Master Bitherstone was a perfect Miller, or complete Jest Book. And yet he 
had a sense of injury upon him, too, had Bitherstone. 


</p>
            <p>`You sleep in my room, don't you?' asked a solemn young gentleman, whose 
shirt-collar curled up the lobes of his ears. 


</p>
            <p>`Master Briggs?' inquired Paul. 


</p>
            <p>`Tozer,' said the young gentleman. 


</p>
            <p>Paul answered yes; and Tozer pointing out the stony pupil, said that was 
Briggs. Paul had already felt certain that it must be either Briggs or Tozer, 
though he didn't know why. 


</p>
            <p>`Is yours a strong constitution?' inquired Tozer. 


</p>
            <p>Paul said he thought not. Tozer replied that <hi>he</hi> thought not also 
judging from Paul's looks, and that it was a pity, for it need be. He then 
asked Paul if he were going to begin with Cornelia; and on Paul saying `Yes,' 
all the young gentlemen (Briggs excepted) gave a low groan. 


</p>
            <p>It was drowned in the tintinnabulation of the gong, which sounding again with 
great fury, there was a general move towards the dining-room; still excepting 
Briggs the story boy, who remained where he was, and as he was; and on its 
way to whom Paul presently encountered a round of bread, genteelly served on 
a plate and napkin, and with a silver fork lying crosswise on the top of 
it. 


</p>
            <p>Doctor Blimber was already in his place in the dining-room, at the top of the 
table, with Miss Blimber and Mrs. Blimber on either side of him. Mr. Feeder 
in a black coat was at the bottom. Paul's chair was next to Miss Blimber; but 
it being found, when he sat in it, that his eyebrows were not much above the 
level of the table-cloth, some books were brought in from the Doctor's study, 
on which he was elevated, and on which he always sat from that time—carrying 
them in and out himself on after occasions, like a little elephant and 
castle. 


</p>
            <p>Grace having been said by the Doctor, dinner began. There was some nice soup; 
also roast meat, boiled meat, vegetables, pie, and cheese. Every young 
gentleman had a massive silver fork, and a napkin; and all the arrangements 
were stately and handsome. In particular, there was a butler in a blue coat 
and bright buttons, who gave quite a winey flavour to the table beer; he 
poured it out so superbly. 


</p>
            <p>Nobody spoke, unless spoken to, except Doctor Blimber, Mrs. Blimber, and Miss 
Blimber, who conversed occasionally. Whenever a young gentleman was not 
actually engaged with his knife and fork or spoon, his eye, with an 
irresistible attraction, sought the eye of doctor Blimber, Mrs. Blimber, or 
Miss Blimber, and modestly rested there. Toots appeared to be the only 
exception to this rule. He sat next Mr. Feeder on Paul's side of the table, 
and frequently looked behind and before the intervening boys to catch a 
glimpse of Paul. 


</p>
            <p>Only once during dinner was there any conversation that included the young 
gentlemen. It happened at the epoch of the cheese, when the Doctor, having 
taken a glass of port wine, and hemmed twice or thrice, said: 


</p>
            <p>`It is remarkable, Mr. Feeder, that the Romans—' 


</p>
            <p>At the mention of this terrible people, their implacable enemies, every young 
gentleman fastened his gaze upon the Doctor, with an assumption of the 
deepest interest. One of the number who happened to be drinking, and who 
caught the Doctor's eye glaring at him through the side of his tumbler, left 
off so hastily that he was convulsed for some moments, and in the sequel 
ruined Doctor Blimber's point. 


</p>
            <p>`It is remarkable, Mr. Feeder,' said the Doctor, beginning again slowly, 
`that the Romans, in those gorgeous and profuse entertainments of which we 
read in the days of the Emperors, when luxury had attained a height unknown 
before or since, and when whole provinces were ravaged to supply the splendid 
means of one Imperial Banquet—' 


</p>
            <p>Here the offender, who had been swelling and straining, and waiting, in vain 
for a full stop, broke out violently. 


</p>
            <p>`Johnson,' said Mr. Feeder, in a low reproachful voice, `take some water.' 


</p>
            <p>The Doctor, looking very stern, made a pause until the water was brought, and 
then resumed: 


</p>
            <p>`And when, Mr. Feeder—' 


</p>
            <p>But Mr. Feeder, who saw that Johnson must break out again, and who knew that 
the Doctor would never come to a period before the young gentlemen until he 
had finished all he meant to say, couldn't keep his eye off Johnson; and thus 
was caught in the fact of not looking at the Doctor, who consequently 
stopped. 


</p>
            <p>`I beg your pardon, Sir,' said Mr. Feeder, reddening. `I beg your pardon, 
Doctor Blimber.' 


</p>
            <p>`And when,' said the Doctor, raising his voice, `when, Sir, as we read, and 
have no reason to doubt—incredible as it may appear to the vulgar of our 
time—the brother of Vitellius prepared for him a feast, in which were 
served, of fish, two thousand dishes—' 


</p>
            <p>`Take some water, Johnson—dishes, Sir,' said Mr. Feeder. 


</p>
            <p>`Of various sorts of fowl, five thousand dishes.' 


</p>
            <p>`Or try a crust of bread,' said Mr. Feeder. 


</p>
            <p>`And one dish,' pursued Doctor Blimber, raising his voice still higher as he 
looked all round the table, `called, from its enormous dimensions, the shield 
of Minerva, and made, among other costly ingredients, of the brains of 
pheasants—' 


</p>
            <p>`Ow, ow, ow!' (from Johnson.) 


</p>
            <p>`Woodcocks—' 


</p>
            <p>`Ow, ow, ow!' 


</p>
            <p>`The sounds of the fish called scari—' 


</p>
            <p>`You'll burst some vessel in your head,' said Mr. Feeder. 


</p>
            <p>`You had better let it come.' 


</p>
            <p>`And the spawn of the lamprey, brought from the Carpathian Sea,' pursued the 
Doctor, in his severest voice; `when we read of costly entertainments such as 
these, and still remember, that we have a Titus—' 


</p>
            <p>`What would be your mother's feelings if you died of apoplexy!' said Mr. 
Feeder. 


</p>
            <p>`A Domitian—' 


</p>
            <p>`And you're blue, you know,' said Mr. Feeder. 


</p>
            <p>`A Nero, a Tiberius, a Caligula, a Heliogabalus, and many more,' pursued the 
Doctor; `it is, Mr. Feeder—if you are doing me the honour to 
attend—remarkable: <hi rend="sc">very</hi>—remarkable, Sir—' 


</p>
            <p>But Johnson, unable to suppress it any longer, burst at that moment into such 
an overwhelming fit of coughing, that although both his immediate neighbours 
thumped him on the back, and Mr. Feeder himself held a glass of water to his 
lips, and the butler walked him up and down several times between his own 
chair and the sideboard, like a sentry, it was full five minutes before he 
was moderately composed, and then there was a profound silence. 


</p>
            <p>`Gentlemen,' said Doctor Blimber, `rise for Grace! Cornelia, lift Dombey 
down'—nothing of whom but his scalp was accordingly seen above the 
tablecloth. `Johnson will repeat to me to-morrow morning before breakfast, 
without book, and from the Greek Testament, the first chapter of the Epistle 
of Saint Paul to the Ephesians. We will resume our studies, Mr. Feeder, in 
half-anhour.' 


</p>
            <p>The young gentlemen bowed and withdrew. Mr. Feeder did likewise. During the 
half-hour, the young gentlemen, broken into pairs, loitered arm-in-arm up and 
down a small piece of ground behind the house, or endeavoured to kindle a 
spark of animation in the breast of Briggs. But nothing happened so vulgar as 
play. Punctually at the appointed time, the gong was sounded, and the 
studies, under the joint auspices of Doctor Blimber and Mr. Feeder, were 
resumed. 


</p>
            <p>As the Olympic game of lounging up and down had been cut shorter than usual 
that day, on Johnson's account, they all went out for a walk before tea. Even 
Briggs (though he hadn't begun yet) partook of this dissipation; in the 
enjoyment of which he looked over the cliff two or three times darkly. Doctor 
Blimber accompanied them; and Paul had the honour of being taken in tow by 
the Doctor himself: a distinguished state of things, in which he looked very 
little and feeble. 


</p>
            <p>Tea was served in a style no less polite than the dinner; and after tea, the 
young gentlemen rising and bowing as before, withdrew to fetch up the 
unfinished tasks of that day, or to get up the already looming tasks of 
tomorrow. In the meantime Mr. Feeder withdrew to his own room; and Paul sat 
in a corner wondering whether Florence was thinking of him, and what they 
were all about at Mrs. Pipchin's. 


</p>
            <p>Mr. Toots, who had been detained by an important letter from the Duke of 
Wellington, found Paul out after a time; and having looked at him for a long 
while, as before, inquired if he was fond of waistcoats. 


</p>
            <p>Paul said `Yes, Sir.' 


</p>
            <p>`So am I,' said Toots. 


</p>
            <p>No word more spake Toots that night; but he stood looking at Paul as if he 
liked him; and as there was company in that, and Paul was not inclined to 
talk, it answered his purpose better than conversation. 


</p>
            <p>At eight o'clock or so, the gong sounded again for prayers in the 
dining-room, where the butler afterwards presided over a side-table, on which 
bread and cheese and been were spread for such young gentlemen as desired to 
partake of those refreshments. The ceremonies concluded by the Doctor's 
saying, `Gentlemen, we will resume our studies at seven to-morrow;' and then, 
for the first time, Paul saw Cornelia Blimber's eye' and saw that it was upon 
him. When the Doctor had said these words, `Gentlemen, we will resume our 
studies at even to-morrow,' the pupils bowed again, and went to bed. 


</p>
            <p>In the confidence of their own room up stairs, Briggs said his head ached 
ready to split, and that he should wish himself dead if it wasn't for his 
mother, and a blackbird he had at home. Tozer didn't say much, but he sighed 
a good deal, and told Paul to look out, for his turn would come to-morrow. 
After uttering those prophetic words, he undressed himself moodily, and got 
into bed. Briggs was in his bed too, and Paul in his bed too, before the 
weak-eyed young man appeared to take away the candle, when he wished them 
good night and pleasant dreams. But his benevolent wishes were in vain, as 
far as Briggs and Tozer were concerned; for Paul, who lay awake for a long 
while, and often woke afterwards, found that Briggs was ridden by his lesson 
as a nightmare: and that Tozer, whose mind was affected in his sleep by 
similar causes, in a minor degree, talked unknown tongues, or scraps of Greek 
and Latin—it was all one to Paul—which, in the silence of night, had an 
inexpressibly wicked and guilty effect. 


</p>
            <p>Paul had sunk into a sweet sleep, and dreamed that he was walking hand in 
hand with Florence through beautiful gardens, when they came to a large 
sunflower which suddenly expanded itself into a gong, and began to sound. 
Opening his eyes, he found that it was a dark, windy morning, with a 
drizzling rain: and that the real gong was giving dreadful note of 
preparation, down in the hall. 


</p>
            <p>So he got up directly, and found Briggs with hardly any eyes, for nightmare 
and grief had made his face puffy, putting his boots, on: while Tozer stood 
shivering and rubbing his shoulders in a very bad humour. Poor Paul couldn't 
dress himself easily, not being used to it, and asked them if they would have 
the goodness to tie some strings for him; but as Briggs merely said `Bother!' 
and Tozer, `Oh yes!' he went down when he was otherwise ready, to the next 
story, where he saw a pretty young woman in leather gloves, cleaning a stove. 
The young woman seemed surprised at his appearance, and asked him where his 
mother was. When Paul told her she was dead, she took her gloves off, and did 
what he wanted; and furthermore rubbed his hands to warm them; and gave him a 
kiss; and told him whenever he wanted anything of that sort—meaning in the 
dressing way—to ask for' Melia; which Paul, thanking her very much, said he 
certainly would. He then proceeded softly on his journey down stairs, towards 
the room in which the young gentlemen resumed their studies, when, passing by 
a door that stood ajar, a voice from within cried, `Is that Dombey?' On Paul 
replying, `Yes, ma'am:' for he knew the voice to be Miss Blimber's: Miss 
Blimber said, `Come in, Dombey.' And in he went. 


</p>
            <p>Miss Blimber presented exactly the appearance she had presented yesterday, 
except that she wore a shawl. Her little light curls were as crisp as ever, 
and she had already her spectacles on, which made Paul wonder whether she 
went to bed in them. She had a cool little sitting-room of her own up there, 
with some books in it, and no fire. But Miss Blimber was never cold, and 
never sleepy. 


</p>
            <p>`Now, Dombey,' said Miss Blimber, `I am going out for a constitutional.' 


</p>
            <p>Paul wondered what that was, and why she didn't send the footman out to get 
it in such unfavourable weather. But he made no observation on the subject: 
his attention being devoted to a little pile of new books on which Miss 
Blimber appeared to have been recently engaged. 


</p>
            <p>`These are yours, Dombey,' said Miss Blimber. 


</p>
            <p>`All of 'em, Ma'am?' said Paul. 


</p>
            <p>`Yes,' returned Miss Blimber; `and Mr. Feeder will look you out some more 
very soon, if you are as studious as I expect you will be, Dombey.' 


</p>
            <p>`Thank you, Ma'am,' said Paul. 


</p>
            <p>`I am going out for a constitutional,' resumed Miss Blimber; `and while I am 
gone, that is to say in the interval between this and breakfast, Dombey, I 
wish you to read over what I have marked in these books, and to tell me if 
you quite understand what you have got to learn. Don't lose time, Dombey, for 
you have none to spare, but take them down stairs and begin directly.' 


</p>
            <p>`Yes, Ma'am,' answered Paul. 


</p>
            <p>There were so many of them, that although Paul put one hand under the bottom 
book and his other hand and his chin on the top book, and hugged them all 
closely, the middle book slipped out before he reached the door, and then 
they all tumbled down on the floor. Miss Blimber said, `Oh, Dombey, Dombey, 
this is really very careless!' and piled them up afresh for him; and this 
time, by dint of balancing them with great nicety, Paul got out of the room, 
and down a few stairs before two of them escaped again. But he held the rest 
so tight, that he only left one more on the first floor, and one in the 
passage; and when he had got the main body down into the school-room, he set 
off up stairs again to collect the stragglers. Having at last amassed the 
whole library, and climbed into his place, he fell to work, encouraged by a 
remark from Tozer to the effect that he `was in for it now;' which was the 
only interruption he received till breakfast time. At that meal, for which he 
had no appetite, everything was quite as solemn and genteel as at the other; 
and when it was finished, he followed Miss Blimber up stairs. 


</p>
            <p>`Now, Dombey,' said Miss Blimber. `How have you got on with those books?' 


</p>
            <p>They comprised a little English, and a deal of Latin—names of things, 
declensions of articles and substantives, exercises thereon, and preliminary 
rules—a trifle of orthography, a glance at ancient history, a wink or two at 
modern ditto, a few tables, two or three weights and measures, and a little 
general information. When poor Paul had spelt out number two, he found he had 
no idea of number one; fragments whereof afterwards obtruded themselves into 
number three, which slided into number four, which grafted itself on to 
number two. So that whether twenty Romuluses made a Remus, or hic haec hoc 
was troy weight, or a verb always agreed with an ancient Briton, or three 
times four was Taurus a bull, were open questions with him. 


</p>
            <p>`Oh, Dombey, Dombey!' said Miss Blimber, `this is very shocking.' 


</p>
            <p>`If you please,' said Paul, `I think if I might sometimes talk a little to 
old Glubb, I should be able to do better.' 


</p>
            <p>`Nonsense, Dombey,' said Miss Blimber. `I couldn't hear of it. This is not 
the place for Glubbs of any kind. You must take the books down, I suppose, 
Dombey, one by one, and perfect yourself in the day's instalment of subject 
A, before you turn at all to subject B. And now take away the top book, if 
you please, Dombey, and return when you are master of the theme.' 


</p>
            <p>Miss Blimber expressed her opinions on the subject of Paul's uninstructed 
state with a gloomy delight, as if she had expected this result, and were 
glad to find that they must be in constant communication. Paul withdrew with 
the top task, as he was told, and laboured away at it, down below; sometimes 
remembering every word of it, and sometimes forgetting it all, and everything 
else besides: until at last he ventured up stairs again to repeat the lesson, 
when it was nearly all driven out of his head before he began, by Miss 
Blimber's shutting up the book, and saying, `Go on, Dombey!' a proceeding so 
suggestive of the knowledge inside of her, that Paul looked upon the young 
lady with consternation, as a kind of learned Guy Faux, or artificial Bogle, 
stuffed full of scholastic straw. 


</p>
            <p>He acquitted himself very well, nevertheless; and Miss Blimber, commending 
him as giving promise of getting on fast, immediately provided him with 
subject B; from which he passed to C, and even D before dinner. It was hard 
work, resuming his studies, soon after dinner; and he felt giddy and confused 
and drowsy and dull. But all the other young gentlemen had similar 
sensations, and were obliged to resume their studies too, if there were any 
comfort in that. It was a wonder that the great clock in the hall, instead of 
being constant to its first inquiry, never said, `Gentlemen, we will now 
resume our studies,' for that phrase was often enough repeated in its 
neighbourhood. The studies went round like a mighty wheel, and the young 
gentlemen were always stretched upon it. 


</p>
            <p>After tea there were exercises again, and preparations for next day by 
candlelight. And in due course there was bed; where, but for that resumption 
of the studies which took place in dreams, were rest and sweet 
forgetfulness. 


</p>
            <p>Oh Saturdays! Oh happy Saturdays, when Florence always came at noon, and 
never would, in any weather, stay away, though Mrs. Pipchin snarled and 
growled, and worried her bitterly. Those Saturdays, were Sabbaths for at 
least two little Christians among all the Jews, and did the holy Sabbath work 
of strengthening and knitting up a brother's and a sister's love. 


</p>
            <p>Not even Sunday nights—the heavy Sunday nights, whose shadow darkened the 
first waking burst of light on Sunday mornings—could mar those precious 
Saturdays. Whether it was the great sea-shore, where they sat, and strolled 
together; or whether it was only Mrs. Pipchin's dull back room, in which she 
sang to him so softly, with his drowsy head upon her arm; Paul never cared. 
It was Florence. That was all he thought of. So, on Sunday nights, when the 
Doctor's dark door stood agape to swallow him up for another week, the time 
was come for taking leave of Florence; no one else. 


</p>
            <p>Mrs. Wickam had been drafted home to the house in town, and Miss Nipper, now 
a smart young woman, had come down. To many a single combat with Mrs. 
Pipchin, did Miss Nipper gallantly devote herself; and if ever Mrs. Pipchin 
in all her life had found her match, she had found it now. Miss Nipper threw 
away the scabbard the first morning she arose in Mrs. Pipchin's house. She 
asked and gave no quarter. She said it must be war, and war it was; and Mrs. 
Pipchin lived from that time in the midst of surprises, harassings, and 
defiances, and skirmishing attacks that came bouncing in upon her from the 
passage, even in unguarded moments of chops, and carried desolation to her 
very toast. 


</p>
            <p>Miss Nipper had returned one Sunday night with Florence, from walking back 
with Paul to the Doctor's, when Florence took from her bosom a little piece 
of paper, on which she had pencilled down some words. 


</p>
            <p>`See here, Susan,' she said. `These are the names of the little books that 
Paul brings home to do those long exercises with, when he is so tired. I 
copied them last night while he was writing.' 


</p>
            <p>`Don't shew'em to me, Miss Floy, if you please,' returned Nipper, `I'd as 
soon see Mrs. Pipchin.' 


</p>
            <p>`I want you to buy them for me, Susan, if you will, tomorrow morning. I have 
money enough,' said Florence. 


</p>
            <p>`Why, goodness gracious me, Miss Floy,' returned Miss Nipper, `how can you 
talk like that, when you have books upon books already, and masterses and 
missesses a teaching of you everything continual, though my belief is that 
your Pa, Miss Dombey, never would have learnt you nothing, never would have 
thought of it, unless you'd asked him—when he couldn't well refuse; but 
giving consent when asked, and offering when unasked, Miss, is quite two 
things; I may not have my objections to a young man's keeping company with 
me, and when he puts the question, may say “yes,” but that's not saying 
“would you be so kind as like me.”' 


</p>
            <p>`But you can buy me the books, Susan; and you will, when you know I want 
them.' 


</p>
            <p>`Well, Miss, and why do you want'em?' replied Nipper; adding, in a lower 
voice, `If it was to fling at Mrs. Pipchin's head, I'd buy a cart-load.' 


</p>
            <p>`I think I could perhaps give Paul some help, Susan, if I had these books,' 
said Florence, `and make the coming week a little easier to him. At least I 
want to try. So buy them for me, dear, and I will never forget how kind it 
was of you to do it!' 


</p>
            <p>It must have been a harder heart than Susan Nipper's that could have rejected 
the little purse Florence held out with these words, or the gentle look of 
entreaty with which she seconded her petition. Susan put the purse in her 
pocket without reply, and trotted out at once upon her errand. 


</p>
            <p>The books were not easy to procure: and the answer at several shops was, 
either that they were just out of them, or that they never kept them, or that 
they had had a great many last month, or that they expected a great many next 
week. But Susan was not easily baffled inn such an enterprise; and having 
entrapped a white-haired youth, in a black calico apron, from a library where 
she was known, to accompany her in her quest, she led him such a life in 
going up and down, that he exerted himself to the utmost, if it were only to 
get rid of her; and finally enabled her to return home in triumph. 


</p>
            <p>With these treasures then, after her own daily lessons were over, florence 
sat down at night to track Paul's footsteps through the thorny ways of 
learning; and being possessed of a naturally quick and sound capacity, and 
taught by that most wonderful of masters, love, it was not long before she 
gained upon Paul's heels, and caught and passed him. 


</p>
            <p>Not a word of this was breathed to Mrs. Pipchin: but many a night when they 
were all in bed, and when Miss Nipper, with her hair in papers and herself 
asleep in some uncomfortable attitude, reposed unconscious by her side; and 
when the chinking ashes in the grate were cold and grey; and when the candles 
were burnt down and guttering out;—Florence tried so hard to be a substitute 
for one small Dombey, that her fortitude and perseverance might have almost 
won her a free right to bear the name herself. 


</p>
            <p>And high was her reward, when one Saturday evening, as little Paul was 
sitting down as usual to `resume his studies,' she sat down by his side, and 
showed him all that was so rough, made smooth, and all that was so dark, made 
clear and plain, before him. It was nothing but a startled look in Paul's wan 
face—a flush—a smile—and then a close embrace—but God knows how her heart 
leapt up at this rich payment for her trouble. 


</p>
            <p>`Oh, Floy!' cried her brother, `how I love you! How I love you, Floy!' 


</p>
            <p>`And I you, dear!' 


</p>
            <p>`Oh! I am sure of that, Floy.' 


</p>
            <p>He said no more about it, but all that evening sat close by her, very quiet; 
and in the night he called out from his little room within hers, three or 
four times, that he loved her. 


</p>
            <p>Regularly, after that, Florence was prepared to sit down with Paul on 
Saturday night, and patiently assist him through so much as they could 
anticipate together, of his next week's work. The cheering thought that he 
was labouring on where Florence had just toiled before him, would, of itself, 
have been a stimulant to Paul in the perpetual resumption of his studies; but 
coupled with the actual lightening of his load, consequent on this 
assistance, it saved him, possibly, from sinking underneath the burden which 
the fair Cornelia Blimber piled upon his back. 


</p>
            <p>It was not that Miss Blimber meant to be too hard upon him, or that Doctor 
Blimber meant to bear too heavily on the young gentlemen in general. Cornelia 
merely held the faith in which she had been bred; and the Doctor, in some 
partial confusion of his ideas, regarded the young gentlemen as if they were 
all Doctors, and were born grown up. Comforted by the applause of the young 
gentlemen's nearest relations, and urged on by their blind vanity and 
illconsidered haste, it would have been strange if Doctor Blimber had 
discovered his mistake, or trimmed his swelling sails to any other tack. 


</p>
            <p>Thus in the case of Paul. When Doctor Blimber said he made great progress, 
and was naturally clever, Mr. Dombey was more bent than ever on his being 
forced and crammed. In the case of Briggs, when Doctor Blimber reported that 
he did not make great progress yet, and was not naturally clever, Briggs 
senior was inexorable in the same purpose. In short, however high and false 
the temperature at which the Doctor kept his hothouse, the owners of the 
plants were always ready to lend a helping hand at the bellows, and to stir 
the fire. 


</p>
            <p>Such spirits as he had in the outset, Paul soon lost of course. But he 
retained all that was strange, and old, and thoughtful to the in his 
character: and under circumstances so favourable to the development of those 
tendencies, became even more strange, and old, and thoughtful, than 
before. 


</p>
            <p>The only difference was, that he kept his character to himself. He grew more 
thoughtful and reserved, every day; and had no such curiosity in any living 
member of the Doctor's household, as he had had in Mrs. Pipchin. He loved to 
be alone; and in those short intervals when he was not occupied with his 
books, liked nothing so well as wandering about the house by himself, or 
sitting on the stairs, listening to the great clock in the hall. He was 
intimate with all the paper-hanging in the house; saw things that no one else 
saw in the patterns; found out miniature tigers and lions running up the 
bedroom walls, and squinting faces leering in the squares and diamonds of the 
floor-cloth. 


</p>
            <p>The solitary child lived on, surrounded by this arabesque work of his musing 
fancy, and no one understood him. Mrs. Blimber thought him `odd,' and 
sometimes the servants said among themselves that little Dombey `moped;' but 
that was all. 


</p>
            <p>Unless young Toots had some idea on the subject, to the expression of which 
he was wholly unequal. Ideas, like ghosts (according to the common notion of 
ghosts), must be spoken to a little before they will explain themselves; and 
Toots had long left off asking any questions of his own mind. Some mist there 
may have been, issuing from that leaden casket, his cranium, which, if it 
could have taken shape and form, would have become a genie; but it could not; 
and it only so far followed the example of the smoke in the Arabian story, as 
to roll out in a thick cloud, and there hang and hover. But it left a little 
figure visible upon a lonely shore, and Toots was always staring at it. 


</p>
            <p>`How are you?' he would say to Paul, fifty times a day. 


</p>
            <p>`Quite well, Sir, thank you,' Paul would answer. 


</p>
            <p>`Shake hands,' would be Toots's next advance. 


</p>
            <p>Which Paul, of course, would immediately do. Mr. Toots generally said again, 
after a long interval of staring and hard breathing, `How are you?' To which 
Paul again replied, `Quite well, Sir, thank you.' 


</p>
            <p>One evening Mr. Toots was sitting at his desk, oppressed by correspondence, 
when a great purpose seemed to flash upon him. He laid down his pen, and went 
off to seek Paul, whom he found at last, after a long search, looking through 
the window of his little bedroom. 


</p>
            <p>`I say!' cried Toots, speaking the moment he entered the room, lest he should 
forget it; `what do you think about?' 


</p>
            <p>`Oh! I think about a great many things,' replied Paul. 


</p>
            <p>`Do you, though?' said Toots, appearing to consider that fact in itself 
surprising. 


</p>
            <p>`If you had to die,' said Paul, looking up into his face— 


</p>
            <p>Mr. Toots started, and seemed much disturbed. 


</p>
            <p>`—Don't you think you would rather die on a moonlight night when the sky was 
quite clear, and the wind blowing, as it did last night?' 


</p>
            <p>Mr. Toots said, looking doubtfully at Paul, and shaking his head, that he 
didn't know about that. 


</p>
            <p>`Not blowing, at least,' said Paul, `but sounding in the air like the sea 
sounds in the shells. It was a beautiful night. When I had listened to the 
water for a long time, I got up and looked out. There was a boat over there, 
in the full light of the moon; a boat with a sail.' 


</p>
            <p>The child looked at him so steadfastly, and spoke so earnestly, that Mr. 
Toots, feeling himself called upon to say something about this boat, said, 
`Smugglers.' But with an impartial remembrance of there being two sides to 
every question, he added, `or Preventive.' 


</p>
            <p>`A boat with a sail,' repeated Paul, `in the full light of the moon. The sail 
like an arm, all silver. It went away into the distance, and what do you 
think it seemed to do as it moved with the waves?' 


</p>
            <p>`Pitch,' said Mr. Toots. 


</p>
            <p>`It seemed to beckon,' said the child, `to beckon me to come!—There she is! 
There she is!' 


</p>
            <p>Toots was almost beside himself with dismay at this sudden exclamation, after 
what had gone before, and cried `Who?' 


</p>
            <p>`My sister Florence!' cried Paul, `looking up here, and waving her hand. She 
sees me—she sees me! Good night, dear, good night, good night.' 


</p>
            <p>His quick transition to a state of unbounded pleasure, as he stood at his 
window, kissing and clapping his hands: and the way in which the light 
retreated from his features as she passed out of his view, and left a patient 
melancholy on the little face: were too remarkable wholly to escape even 
Toots's notice. Their interview being interrupted at this moment by a visit 
from Mrs. Pipchin, who usually brought her black skirts to bear upon Paul 
just before dusk, once or twice a week, Toots had no opportunity of improving 
the occasion: but it left so marked an impression on his mind that he twice 
returned, after having exchanged the usual salutations, to ask Mrs. Pipchin 
how she did. This the irascible old lady conceived to be a deeply-devised and 
longmeditated insult, originating in the diabolical invention of the 
weak-eyed young man down-stairs, against whom she accordingly lodged a formal 
complaint with Doctor Blimber that very night; who mentioned to the young man 
that if he ever did it again, he should be obliged to part with him. 


</p>
            <p>The evenings being longer now, Paul stole up to his window every evening to 
look out for Florence. She always passed and repassed at a certain time, 
until she saw him; and their mutual recognition was a gleam of sunshine in 
Paul's daily life. Often after dark, one other figure walked alone before the 
Doctor's house. He rarely joined them on the Saturday now. He could not bear 
it. He would rather come unrecognised, and look up at the windows where his 
son was qualifying for a man; and wait, and watch, and plan, and hope. 


</p>
            <p>Oh! could he but have seen, or seen as others did, the slight spare boy 
above, watching the waves and clouds at twilight, with his earnest eyes, and 
breasting the window of his solitary cage when birds flew by, as if he would 
have emulated them, and soared away! 

</p>
         </div>
         <div xml:id="c13" type="chapter">
            <head>CHAPTER XIII</head>
            <head>Shipping Intelligence and Office Business</head>
            <p>MR. DOMBEY'S offices were in a court where there was an old-established stall 
of 
choice fruit at the corner: where perambulating merchants, of both sexes, 
offered for sale 
at any time between the hours of ten and five, slippers, pocket-books, 
sponges, dogs' 
collars, and Windsor soap, and sometimes a pointer or an oil-painting. 


</p>
            <p>The pointer always came that way, with a view to the Stock Exchange, where a 
sporting 
taste (originating generally in bets of new hats) is much in vogue. The other 
commodities 
were addressed to the general public; but they were never offered by the 
vendors to Mr. 
Dombey. When he appeared, the dealers in those wares fell off respectfully. 
The principal 
slipper and dogs' collar man—who considered himself a public character, and 
whose 
portrait was screwed on to an artist's door in Cheapside—threw up his 
forefinger to the 
brim of his hat as Mr. Dombey went by. The ticket-porter, if he were not 
absent on a job, 
always ran officiously before to open Mr. Dombey's office door as wide as 
possible, and 
hold it open, with his hat off, while he entered. 


</p>
            <p>The clerks within were not a whit behind-hand in their demonstrations of 
respect. A 
solemn hush prevailed, as Mr. Dombey passed through the outer office. The wit 
of the 
Counting-House became in a moment as mute, as the row of leathern 
fire-buckets hanging 
up behind him. Such vapid and flat daylight as filtered through the 
ground-glass windows 
and skylight, leaving a black sediment upon the panes, showed the books and 
papers, and 
the figures bending over them, enveloped in a studious gloom, and as much 
abstracted in 
appearance, from the world without, as if they were assembled at the bottom 
of the sea; 
while a mouldy little strong room in the obscure perspective, where a shady 
lamp was 
always burning, might have represented the cavern of some ocean-monster, 
looking on 
with a red eye at these mysteries of the deep. 


</p>
            <p>When Perch the messenger, whose place was on a little bracket, like a 
timepiece, saw Mr. 
Dombey come in—or rather when he felt that he was coming, for he had usually 
an 
instinctive sense of his approach—he hurried into Mr. Dombey's room, stirred 
the fire, 
quarried fresh coals from the bowels of the coal-box, hung the newspaper to 
air upon the 
fender, put the chair ready, and screen in its place, and was round upon his 
heel on the 
instant of Mt. Dombey's entrance, to take his great-coat and hat, and hang 
them up. Then 
Perch took the newspaper, and gave it a turn or two in his hands before the 
fire, and laid 
it, deferentially, at Mr. Dombey's elbow. And so little objection had Perch 
to doing 
deferential in thelast degree, that if he might have laid himself at Mr. 
Dombey's feet, or 
might have called him by some such title as used to be bestowed upon the 
Caliph Haroun 
Alraschid, he would have been all the better pleased. 


</p>
            <p>As this honour would have been an innovation and an experiment, Perch was 
fain to 
content himself by expressing as well as he could, in his manner, You are the 
light of my 
Eyes. You are the Breath of my Soul. You are the commander of the Faithful 
Perch! With 
this imperfect happiness to cheer him, he would shut the door softly, walk 
away on tiptoe, 
and leave his great chief to be stared at, through a dome-shaped window in 
the leads, by 
ugly chimney-pots and backs of houses, and especially by the bold window of a 
hair-cutting saloon on a first floor, where a waxen effigy, bald as a 
Mussulman in the 
morning, and covered after eleven o'clock in the day, with luxuriant hair and 
whiskers in 
the latest Christian fashion, showed him the wrong side of its head for 
ever. 


</p>
            <p>Between Mr. Dombey and the common world, as it was accessible through the 
medium of 
the outer office—to which Mr. Dombey's presence in his own room may be said 
to have 
struck like damp, or cold air—there were two degrees of descent. Mr. Carker 
in his own 
office was the first step; Mr. Morfin, in <hi>his</hi> own office, was the 
second. Each of 
these gentlemen occupied a little chamber like a bath-room, opening from the 
passage 
outside Mr. Dombey's door. Mr. Carker, as Grand Vizier, inhabited the room 
that was 
nearest to the Sultan. Mr. Morfin, as an officer of inferior state, inhabited 
the room that 
was nearest to the clerks. 


</p>
            <p>The gentleman last mentioned was a cheerful-looking, hazel-eyed elderly 
bachelor: gravely 
attired, as to his upper man, in black; and as to his legs, in 
pepper-and-salt colour. His 
dark hair was just touched here and there with specks of grey, as though the 
tread of Time 
had splashed it; and his whiskers were already white. He had a mighty respect 
for Mr. 
Dombey, and rendered him due homage; but as he was of a genial temper 
himself, and 
never wholly at his ease in that stately presence, he was disquieted by no 
jealousy of the 
many conferences enjoyed by Mr. Carker, and felt a secret satisfaction in 
having duties to 
discharge, which rarely exposed him to be singled out for such distinction. 
He was a great 
musical amateur in his way—after business; and had a paternal affection for 
his 
violoncello, which was once in every week transported from Islington, his 
place of abode, 
to a certain club-room hard by the Bank, where quartettes of the most 
tormenting and 
excruciating nature were executed every Wednesday evening by a private 
party. 


</p>
            <p>Mr. Carker was a gentleman thirty-eight or forty years old, of a florid 
complexion, and 
with two unbroken rows of glistening teeth, whose regularity and whiteness 
were quite 
distressing. It was impossible to escape the observation of them, for he 
showed them 
whenever he spoke; and bore so wide a smile upon his countenance (a smile, 
however, 
very rarely, indeed, extending beyond his mouth), that there was something in 
it like the 
snarl of a cat. He affected a stiff white cravat, after the example of his 
principal, and was 
always closely buttoned up and tightly dressed. His manner towards Mr. Dombey 
was 
deeply conceived and perfectly expressed. He was familiar with him, in the 
very extremity 
of his sense of the distance between them. `Mr. Dombey, to a man in your 
position from a 
man in mine, there is no show of subservience compatible with the transaction 
of business 
between us, that I should think sufficient. I frankly tell you, Sir, I give 
it up altogether. I 
feel that I could not satisfy my own mind; and Heaven knows, Mr. Dombey, you 
can 
afford to dispense with the endeavour.' If he had carried these words about 
with him, 
printed on a placard, and had constantly offered it to Mr. Dombey's perusal 
on the breast 
of his coat, he could not have been more explicit than he was. 


</p>
            <p>This was Carker the Manager. Mr. Carker the Junior, Walter's friend, was his 
brother; two 
or three years older than he, but widely removed in station. The younger 
brother's post 
was on the top of the official ladder; the elder brother's at the bottom. The 
elder brother 
never gained a stave, or raised his foot to mount one. Young men passed above 
his head, 
and rose and rose; but he was always at the bottom. He was quite resigned to 
occupy that 
low conditions: never complained of it: and certainly never hoped to escape 
from it. 


</p>
            <p>`How do you do this morning?' said Mr. Carker the Manager, entering Mr. 
Dombey's 
room soon after his arrival one day: with a bundle of papers in his hand. 


</p>
            <p>`How do you do, Carker?' said Mr. Dombey, rising from his chair, and standing 
with his 
back to the fire. `Have you anything there for me?' 


</p>
            <p>`I don't know that I need trouble you,' returned Carker, turning over the 
papers in his 
hand. `You have a committee to-day at three, you know.' 


</p>
            <p>`And one at three, three-quarters,' added Mr. Dombey. 


</p>
            <p>`Catch you forgetting anything!' exclaimed Carker, still turning over his 
papers. `If Mr. 
Paul inherits your memory, he'll be a troublesome customer in the house. One 
of you is 
enough.' 


</p>
            <p>`You have an accurate memory of your own,' said Mr. Dombey. 


</p>
            <p>`Oh! <hi>I!</hi>' returned the manager. `It's the only capital of a man like 
<hi>me</hi>.' 


</p>
            <p>Mr. Dombey did not look less pompous or at all displeased, as he stood 
leaning against 
the chimneypiece, surveying his (of course unconscious) clerk, from head to 
foot. The 
stiffness and nicety of Mr. Carker's dress, and a certain arrogance of 
manner, either 
natural to him or imitated from a pattern not far off, gave great additional 
effect to his 
humility. He seemed a man who would contend against the power that vanquished 
him, if 
he could, but who was utterly borne down by the greatness and superiority of 
Mr. 
Dombey. 


</p>
            <p>`Is Morfin here?' asked Mr. Dombey after a short pause, during which Mr. 
Carker had 
been fluttering his papers, and muttering little abstracts of their contents 
to himself. 


</p>
            <p>`Morfin's here,' he answered, looking up with his widest and most sudden 
smile; 
`humming musical recollections—of his last night's quartette party, I 
suppose—through the 
walls between us and driving me half mad. I wish he'd make a bonfire of his 
violoncello, 
and burn his music-books in it.' 


</p>
            <p>`You respect nobody, Carker, I think,' said Mr. Dombey. 


</p>
            <p>`No?' inquired Carker, with another wide and most feline show of his teeth. 
`Well! Not 
many people, I believe. I wouldn't answer perhaps,' he murmured, as if he 
were only 
thinking it, `for more than one.' 


</p>
            <p>A dangerous quality, if real; and a not less dangerous one, if feigned. But 
Mr. Dombey 
hardly seemed to think so, as he still stood with his back to the fire, drawn 
up to his full 
height, and looking at his head-clerk with a dignified composure, in which 
there seemed to 
lurk a stronger latent sense of power than usual. 


</p>
            <p>`Talking of Morfin,' resumed Mr. Carker, taking out one paper from the rest, 
`he reports a 
junior dead in the agency at Barbados, and purposes to reserve a passage in 
the Son and 
Heir—she'll sail in a month or so—for the successor. You don't care who 
goes, I suppose? 
We have nobody of that sort here.' 


</p>
            <p>Mr. Dombey shook his head with supreme indifference. 


</p>
            <p>`It's no very precious appointment,' observed Mr. Carker, taking up a pen, 
with which to 
endorse a memorandum on the back of the paper. `I hope he may bestow it on 
some 
orphan nephew of a musical friend. It may perhaps stop <hi>his</hi>
fiddle-playing, if he 
has a gift that way. Who's that? Come in!' 


</p>
            <p>`I beg your pardon, Mr. Carker. I didn't know you were here, Sir,' answered 
Walter, 
appearing with some letters in his hand, unopened, and newly arrived. `Mr. 
Carker the 
Junior, Sir—' 


</p>
            <p>At the mention of this name, Mr. Carker the Manager was, or affected to be 
touched to 
the quick with shame and humiliation. He cast his eyes full on Mr. Dombey 
with an 
altered and apologetic look, abased them on the ground, and remained for a 
moment 
without speaking. 


</p>
            <p>`I thought, Sir,' he said suddenly and angrily, turning on Walter, `that you 
had been before 
requested not to drag Mr. Carker the Junior into your conversation.'  `I beg 
your pardon,' 
returned Walter. `I was only going to say that Mr. Carker the Junior had told 
me he 
believed you were gone out, or I should not have knocked at the door when you 
were 
engaged with Mr. Dombey. These are letters for Mr. Dombey, Sir.' 


</p>
            <p>`Very well, Sir,' returned Mr. Carker the Manager, plucking them sharply from 
his hand. 
`Go about your business.' 


</p>
            <p>But in taking them with so little ceremony, Mr. Carker dropped one on the 
floor, and did 
not see what he had done; neither did Mr. Dombey observe the letter lying 
near his feet. 
Walter hesitated for a moment, thinking that one or other of them would 
notice it; but 
finding that neither did, he stopped. came back, picked it up, and laid it 
himself on Mr. 
Dombey's desk. The letters were post-letters; and it happened that the one in 
question was 
Mrs. Pipchin's regular report, directed as usual—for Mrs. Pipchin was but an 
indifferent 
penwoman—by Florence. Mr. Dombey, having his attention silently called to 
this letter by 
Walter, started, and looked fiercely at him, as if he believed that he had 
purposely selected 
it from all the rest. 


</p>
            <p>`You can leave the room, Sir!' said Mr. Dombey, haughtily. 


</p>
            <p>He crushed the letter in his hand; and having watched Walter out at the door, 
put it in his 
pocket without breaking the seal. 


</p>
            <p>`You want somebody to send to the West Indies, you were saying,' observed Mr. 
Dombey, hurriedly. 


</p>
            <p>`Yes,' replied Carker. 


</p>
            <p>`Send young Gay.' 


</p>
            <p>`Good, very good indeed. Nothing easier,' said Mr. Carker, without any show 
of surprise, 
and taking up the pen to reendorse the letter, as coolly as he had done 
before. `”Send 
young Gay.”' 


</p>
            <p>`Call him back,' said Mr. Dombey. 


</p>
            <p>Mr. Carker was quick to do so, and Walter was quick to return. 


</p>
            <p>`Gay,' said Mr. Dombey, turning a little to look at him over his shoulder. 
`Here is a—' 


</p>
            <p>`An opening,' said Mr. Carker, with his mouth stretched to the utmost. 


</p>
            <p>`In the West Indies. At Barbados. I am going to send you,' said Mr. Dombey, 
scorning to 
embellish the bare truth, `to fill a junior situation in the counting-house 
at Barbados. Let 
your uncle know from me, that I have chosen you to go to the West Indies.' 


</p>
            <p>Walter's breath was so completely taken away by his astonishment, that he 
could hardly 
find enough for the repetition of the words `West Indies.' 


</p>
            <p>`Somebody must go,' said Mr. Dombey, `and you are young and healthy, and your 
uncle's 
circumstances are not good. Tell your uncle that you are appointed. You will 
not go yet. 
There will be an interval of a month—or two perhaps.' 


</p>
            <p>`Shall I remain there, Sir?' inquired Walter. 


</p>
            <p>`Will you remain there, Sir!' repeated Mr. Dombey, turning a little more 
round towards 
him. `What do you mean? What does he mean, Carker?' 


</p>
            <p>`Live there, Sir,' faltered Walter. 


</p>
            <p>`Certainly,' returned Mr. Dombey. 


</p>
            <p>Walter bowed. 


</p>
            <p>`That's all,' said Mr. Dombey, resuming his letters. `You will explain to him 
in good time 
about the usual outfit and so forth, Carker, of course. He needn't wait, 
Carker.' 


</p>
            <p>`You needn't wait, Gay,' observed Mr. Carker: bare to the gums. 


</p>
            <p>`Unless,' said Mr. Dombey, stopping in his reading without looking off the 
letter, and 
seeming to listen. `Unless he has anything to say.' 


</p>
            <p>`No, Sir,' returned Walter, agitated and confused, and almost stunned, as an 
infinite 
variety of pictures presented themselves to his mind; among which Captain 
Cuttle, in his 
glazed hat, transfixed with astonishment at Mrs. MacStinger's, and his uncle 
bemoaning 
his loss in the little back parlour, held prominent places. `I hardly 
know—I—I am much 
obliged, Sir.' 


</p>
            <p>`He needn't wait, Carker,' said Mr. Dombey. 


</p>
            <p>And as Mr. Carker again echoed the words, and also collected his papers as if 
he were 
going away too, Walter felt that his lingering any longer would be an 
unpardonable 
intrusion—especially as he had nothing to say—and therefore walked out 
quite 
confounded. 


</p>
            <p>Going along the passage, with the mingled consciousness and helplessness of a 
dream, he 
heard Mr. Dombey's door shut again, as Mr. Carker came out: and immediately 
afterwards 
that gentleman called to him. 


</p>
            <p>`Bring your friend Mr. Carker the Junior to my room, Sir, if you please.' 


</p>
            <p>Walter went to the outer office and apprised Mr. Carker the Junior of his 
errand, who 
accordingly came out from behind a partition where he sat alone in one 
corner, and 
returned with him to the room of Mr. Carker the Manager. 


</p>
            <p>That gentleman was standing with his back to the fire, and his hands under 
his coat-tails, 
looking over his white cravat, as unpromisingly as Mr. Dombey himself could 
have 
looked. He received them without any change in his attitude or softening of 
his harsh and 
black expression: merely signing to Walter to close the door. 


</p>
            <p>`John Carker,' said the Manager, when this was done, turning suddenly upon 
his brother, 
with his two rows of teeth bristling as if he would have bitten him, `what is 
the league 
between you and his young man, in virtue of which I am haunted and hunted by 
the 
mention of your name? Is it not enough for you, John Carker, that I am your 
near relation, 
and can't detach myself from that—' 


</p>
            <p>`Say disgrace, James,' interposed the other in a low voice, finding that he 
stammered for a 
word. `You mean it, and have reason, say disgrace.' 


</p>
            <p>`From that disgrace,' assented his brother with keen emphasis, `but is the 
fact to be 
blurted out and trumpeted, and proclaimed continually in the presence of the 
very House! 
In moments of confidence too? Do you think your name is calculated harmonise 
in this 
place with trust and confidence, John Carker?' 


</p>
            <p>`No,' returned the other. `No, James. God knows I have no such thought.' 


</p>
            <p>`What is your thought, then?' said his brother, `and why do you thrust 
yourself in my 
way? Haven't you injured me enough already?' 


</p>
            <p>`I have never injured you, James, wilfully.' 


</p>
            <p>`You are my brother,' said the Manager. `That's injury enough.' 


</p>
            <p>`I wish I could undo it, James.' 


</p>
            <p>`I wish you could and would.' 


</p>
            <p>During this conversation, Walter had looked from one brother to the other, 
with pain and 
amazement. He who was the Senior in years, and Junior in the house, stood, 
with his eyes 
cast upon the ground, and his head bowed, humbly listening to the reproaches 
of the other. 
Though these were rendered very bitter by the tone and look with which they 
were 
accompanied, and by the presence of Walter whom they so much surprised and 
shocked, 
he entered no other protest against them than by slightly raising his right 
hand in a 
deprecatory manner, as if he would have said, `Spare me!' So, had they been 
blows, and 
he a brave man, under strong constraint, and weakened by bodily suffering, he 
might have 
stood before the executioner. 


</p>
            <p>Generous and quick in all his emotions, and regarding himself as the innocent 
occasion of 
these taunts, Walter now struck in, with all the earnestness he felt. 


</p>
            <p>`Mr. Carker,' he said, addressing himself to the Manager. `Indeed, indeed, 
this is my fault 
solely. In a kind of heedlessness, for which I cannot blame myself enough, I 
have, I have 
no doubt, mentioned Mr. Carker the Junior much oftener than was necessary; 
and have 
allowed his name sometimes to slip through my lips, when it was against your 
express 
wish. But it has been my own mistake, Sir. We have never exchanged one word 
upon the 
subject—very few, indeed, on any subject. And it has not been,' added 
Walter, after a 
moment's pause, `all heedlessness on my part, Sir; for I have felt an 
interest in Mr. Carker 
ever since I have been here, and have hardly been able to help speaking of 
him 
sometimes, when I have thought of him so much!' 


</p>
            <p>Walter said this from his soul, and with the very breath of honour. For he 
looked upon the 
bowed head, and the downcast eyes, and upraised hand, and thought, `I have 
felt it; and 
why should I not avow it in behalf of this unfriended, broken man!' 


</p>
            <p>`In truth, you have avoided me, Mr. Carker,' said Walter, with the tears 
rising to his eyes; 
so true was his compassion. `I know it, to my disappointment and regret. When 
I first 
came here, and ever since, I am sure I have tried to be as much your friend, 
as one of my 
age could presume to be; but it has been of no use.' 


</p>
            <p>`And observe,' said the Manager, taking him up quickly, `it will be of still 
less use, Gay, 
if you persist in forcing Mr. John Carker's name on people's attention. That 
is not the way 
to befriend Mr. John Carker. Ask him if he thinks it is.' 


</p>
            <p>`It is no service to me,' said the brother. `It only leads to such a 
conversation as the 
present, which I need not say I could have well spared. No one can be a 
better friend to 
me:' he spoke here very distinctly, as if he would impress it upon Walter: 
`than in 
forgetting me, and leaving me to go my way, unquestioned and unnoticed.' 


</p>
            <p>`Your memory not being retentive, Gay, of what you are told by others,' said 
Mr. Carker 
the Manager, warming himself with great and increased satisfaction, `I 
thought it well that 
you should be told this from the best authority,' nodding towards his 
brother. `You are not 
likely to forget it now, I hope. That's all, Gay. You can go.' 


</p>
            <p>Walter passed out at the door, and was about to close it after him, when, 
hearing the voice 
of the brothers again, and also the mention of his own name, he stood 
irresolutely, with 
his hand upon the lock, and the door ajar, uncertain whether to return or go 
away. In this 
position he could not help overhearing what followed. 


</p>
            <p>`Think of me more leniently, if you can, James,' said John Carker, `when I 
tell you I have 
had—how could I help having, with my history, written here'—striking 
himself upon the 
breast—`my whole heart awakened by my observation of that boy, Walter Gay. I 
saw in 
him when he first came here, almost my other self.' 


</p>
            <p>`Your other self!' repeated the Manager, disdainfully. 


</p>
            <p>`Not as I am, but as I was when I first came here too; as sanguine, giddy, 
youthful, 
inexperienced; flushed with the same restless and adventurous fancies; and 
full of the 
same qualities, fraught with the same capacity of leading on to good or 
evil.' 


</p>
            <p>`I hope not,' said his brother, with some hidden and sarcastic meaning in his 
tone. 


</p>
            <p>`You strike me sharply; and your hand is steady, and your thrust is very 
deep,' returned 
the other, speaking (or so Walter thought) as if some cruel weapon actually 
stabbed him 
as he spoke. `I imagined all this when he was a boy. I believed it. It was a 
truth to me. I 
saw him lightly walking on the edge of an unseen gulf where so many others 
walk with 
equal gaiety, and from which—' 


</p>
            <p>`The old excuse,' interrupted his brother, as he stirred the fire. `So many. 
Go on. Say, so 
many fall.' 


</p>
            <p>`From which <hi rend="sc">one</hi> traveller fell,' returned the other, `who set forward, 
on his way, 
a boy like him, and missed his footing more and more, and slipped a little 
and a little 
lower, and went on stumbling still, until he fell headlong and found himself 
below a 
shattered man. Think what I suffered, when I watched that boy.' 


</p>
            <p>`You have only yourself to thank for it,' returned the brother. 


</p>
            <p>`Only myself,' he assented with a sigh. `<hi>I</hi> don't seek to divide the 
blame or 
shame.' 


</p>
            <p>`You <hi>have</hi> divided the shame,' James Carker muttered through his teeth. 
And 
through so many and such close teeth, he could mutter well. 


</p>
            <p>`Ah, James,' returned his brother, speaking for the first time in an accent 
of reproach, and 
seeming, by the sound of his voice, to have covered his face with his hands, 
`I have been, 
since then, a useful foil to you. You have trodden on me freely in your 
climbing up. Don't 
spurn me with your heel!' 


</p>
            <p>A silence ensued. After a time, Mr. Carker the Manager was heard rustling 
among his 
papers, as if he had resolved to bring the interview to a conclusion. At the 
same time his 
brother withdrew nearer to the door.  `That's all,' he said. `I watched him 
with such 
trembling and such fear, as was some little punishment to me, until he passed 
the place 
where I first fell; and then, though I had been his father, I believe I never 
could have 
thanked God more devoutly. I didn't dare to warn him, and advise him; but if 
I had seen 
direct cause, I would have shown him my example. I was afraid to be seen 
speaking with 
him, lest it should be thought I did him harm, and tempted him to evil, and 
corrupted him: 
or lest I really should. There may be such contagion in me; I don't know. 
Piece out my 
history, in connexion with young Walter Gay, and what he has made me feel; 
and think of 
me more leniently, James, if you can.' 


</p>
            <p>With these words he came out to where Walter was standing. He turned a little 
paler when 
he saw him there, and paler yet when Walter caught him by the hand, and said 
in a 
whisper: 


</p>
            <p>`Mr. Carker, pray let me thank you! Let me say how much I feel for you! How 
sorry I 
am, to have been the unhappy cause of all this! How I almost look upon you 
now as my 
protector and guardian! How very, very much, I feel obliged to you and pity 
you!' said 
Walter, squeezing both his hands, and hardly knowing, in his agitation, what 
he did or 
said. 


</p>
            <p>`Mr. Morfin's room being close at hand and empty, and the door wide open, 
they moved 
thither by one accord: the passage being seldom free from some one passing to 
or fro. 
When they were there, and Walter saw in Mr. Carker's face some traces of the 
emotion 
within, he almost felt as if he had never seen the face before; it was so 
greatly 
changed. 


</p>
            <p>`Walter,' he said, laying his hand on his shoulder. `I am far removed from 
you, and may I 
ever be. Do you know what I am?' 


</p>
            <p>`What you are!' appeared to hang on Walter's lips, as he regarded him 
attentively. 


</p>
            <p>`It was begun,' said Carker, `before my twenty-first birthday—led up to, 
long before, but 
not begun till near that time. I had robbed them when I came of age. I robbed 
them 
afterwards. Before my twenty-second birthday, it was all found out; and then, 
Walter, 
from all men's society, I died.' 


</p>
            <p>Again his last few words hung trembling upon Walter's lips, but he could 
neither utter 
them, nor any of his own. 


</p>
            <p>`The House was very good to me. May Heaven reward the old man for his 
forbearance! 
This one, too, his son, who was then newly in the firm, where I had held 
great trust! I was 
called into that room which is now his—I have never entered it since—and 
came out, what 
you know me. For many years I sat in my present seat, alone as now, but then 
a known 
and recognised example to the rest. They were all merciful to me, and I 
lived. Time has 
altered that part of my poor expiation; and I think, except the three heads 
of the House, 
there is no one here who knows my story rightly. Before the little boy grows 
up, and has 
it told to him, my corner may be vacant. I would rather that it might be so! 
This is the 
only change to me since that day, when I felt all youth, and hope, and good 
men's 
company, behind me in that room. God bless you, Walter! Keep you, and all 
dear to you, 
in honesty, or strike them dead!' 


</p>
            <p>Some recollection of his trembling from head to foot, as if with excessive 
cold, and of his 
bursting into tears, was all that Walter could add to this, when he tried to 
recall exactly 
what had passed between them. 


</p>
            <p>When Walter saw him next, he was bending over his desk in his old silent, 
drooping, 
humbled way. Then, observing him at his work, and feeling how resolved he 
evidently 
was that no further intercource should arise between them, and thinking again 
and again 
on all he had seen and heard that morning in so short a time, in connexion 
with the 
history of both the Carkers, Walter could hardly believe that he was under 
orders for the 
West Indies, and would soon be lost to Uncle Sol, and Captain Cuttle, and to 
glimpses 
few and far between of Florence Dombey—no, he meant Paul—and to all he 
loved, and 
liked, and looked for, in his daily life. 


</p>
            <p>But it was true, and the news had already penetrated to the outer office; for 
while he sat 
with a heavy heart, pondering on these things, and resting his head upon his 
arm, Perch 
the messenger, descending from his mahogany bracket, and jogging his elbow, 
begged his 
pardon, but wished to say in his ear, Did he think he could arrange to send 
home to 
England a jar of preserved Ginger, cheap, for Mrs. Perch's own eating, in the 
course of 
her recovery from her next confinement? 

</p>
         </div>
         <div xml:id="c14" type="chapter">
            <head>CHAPTER XIV</head>
            <head>Paul grows more and more Old-fashioned, and goes Home for the 
Holidays</head>
            <p>WHEN the Midsummer vacation approached, no indecent manifestations of joy 
were 
exhibited by the leaden-eyed young gentlemen assembled at Doctor Blimber's. 
Any such 
violent expression as `breaking up,' would have been quite inapplicable to 
that polite 
establishment. The young gentlemen oozed away, semi-annually, to their own 
homes; but 
they never broke up. They would have scorned the action. 


</p>
            <p>Tozer, who was constantly galled and tormented by a starched white cambric 
neckerchief, 
which he wore at the express desire of Mrs. Tozer, his parent, who, designing 
him for the 
Church, was of opinion that he couldn't be in that forward state of 
preparation too 
soon—Tozer said, indeed, that choosing between two evils, he thought he 
would rather stay 
where he was, than go home. However inconsistent this declaration might 
appear with that 
passage in Tozer's Essay on the subject, wherein he had observed `that the 
thoughts of 
home and all its recollections, awakened in his mind the most pleasing 
emotions of 
anticipation and delight,' and had also likened himself to a Roman General, 
flushed with a 
recent victory over the Iceni, or laden with Carthaginian spoil, advancing 
within a few 
hours' march of the Capitol, presupposed, for the purposes of the simile, to 
be the 
dwelling-place of Mrs. Tozer, still it was very sincerely made. For it seemed 
that Tozer 
had a dreadful uncle, who not only volunteered examinations of him, in the 
holidays, on 
abstruse points, but twisted innocent events and things, and wrenched them to 
the same 
fell purpose. So that if this uncle took him to the Play, or, on a similar 
pretence of 
kindness, carried him to see a Giant, or a Dwarf, or a Conjuror, or anything, 
Tozer knew 
he had read up some classical allusion to the subject before-hand, and was 
thrown into a 
state of mortal apprehension: not foreseeing where he might break out, or 
what authority 
he might not quote against him. 


</p>
            <p>As to Briggs, <hi>his</hi> father made no show of artifice about it. He never 
would leave 
him alone. So numerous and severe were the mental trials of that unfortunate 
youth in 
vacation time, that the friends of the family (then resident near Bays-water, 
London) 
seldom approached the ornamental piece of water in Kensington Gardens, 
without a vague 
expectation of seeing Master Briggs's hat floating on the surface, and an 
unfinished 
exercise lying on the bank. Briggs, therefore, was not at all sanguine on the 
subject of 
holidays; and these two sharers of little Paul's bedroom were so fair a 
sample of the 
young gentlemen in general, that the most elastic among them contemplated the 
arrival of 
those festive periods with genteel resignation. 


</p>
            <p>It was far otherwise with little Paul. The end of these first holidays was to 
witness his 
separation from Florence, but who ever looked forward to the end of holidays 
whose 
beginning was not yet come! Not Paul, assuredly. As the happy time drew near, 
the lions 
and tigers climbing up the bedroom walls, became quite tame and frolicsome. 
The grim 
sly faces in the squares and diamonds of the floor-cloth, relaxed and peeped 
out at him 
with less wicked eyes. The grave old clock had more of personal interest in 
the tone of its 
formal inquiry; and the restless sea went rolling on all night, to the 
sounding of a 
melancholy strain—yet it was pleasant too—that rose and fell with the 
waves, and rocked 
him, as it were, to sleep. 


</p>
            <p>Mr. Feeder, B.A., seemed to think that he, too, would enjoy the holidays very 
much. Mr. 
Toots projected a life of holidays from that time forth; for, as he regularly 
informed Paul 
every day, it was his `last half' at Doctor Blimber's, and he was going to 
begin to come 
into his property directly. 


</p>
            <p>It was perfectly understood between Paul and Mr. Toots, that they were 
intimate friends, 
notwithstanding their distance in point of years and station. As the vacation 
approached, 
and Mr. Toots breathed harder and stared oftener in Paul's society, than he 
had done 
before, Paul knew that he meant he was sorry they were going to lose sight of 
each other, 
and felt very much obliged to him for his patronage and good opinion. 


</p>
            <p>It was even understood by Doctor Blimber, Mrs. Blimber, and Miss Blimber, as 
well as by 
the young gentlemen in general, that Toots had somehow constituted himself 
protector and 
guardian of Dombey, and the circumstance became so notorious, even to Mrs. 
Pipchin, 
that the good old creature cherished feelings of bitterness and jealousy 
against Toots; and, 
in the sanctuary of her own home, repeatedly denounced him as a 
`chuckle-headed 
noodle.' Whereas the innocent Toots had no more idea of awakening Mrs. 
Pipchin's 
wrath, than he had of any other definite possibility or proposition. On the 
contrary, he was 
disposed to consider her rather a remarkable character, with many points of 
interest about 
her. For this reason he smiled on her with so much urbanity, and asked her 
how she did, 
so often, in the course of her visits to little Paul, that at last she one 
night told him 
plainly, she wasn't used to it, whatever he might think; and she could not, 
and she would 
not bear it, either from himself or any other puppy then existing: at which 
unexpected 
acknowledgment of his civilities, Mr. Toots was so alarmed that he secreted 
himself in a 
retired spot until she had gone. Nor did he ever again face the doughty Mrs. 
Pipchin, 
under Doctor Blimber's roof. 


</p>
            <p>They were within two or three weeks of the holidays, when, one day, Cornelia 
Blimber 
called Paul into her room, and said, `Dombey, I am going to send home your 
analysis.' 


</p>
            <p>`Thank you, Ma'am,' returned Paul. 


</p>
            <p>`You know what I mean, do you, Dombey?' inquired Miss Blimber, looking hard 
at him 
through the spectacles. 


</p>
            <p>`No, Ma'am,' said Paul. 


</p>
            <p>`Dombey, Dombey,' said Miss Blimber, `I begin to be afraid you are a sad boy. 
When 
you don't know the meaning of an expression, why don't you seek for 
information?' 


</p>
            <p>`Mrs. Pipchin told me I wasn't to ask questions,' returned Paul. 


</p>
            <p>`I must beg you not to mention Mrs. Pipchin to me, on any account, Dombey,' 
returned 
Miss Blimber. `I couldn't think of allowing it. The course of study here, is 
very far 
removed from anything of that sort. A repetition of such allusions would make 
it 
necessary for me to request to hear, without a mistake, before breakfast-time 
to-morrow 
morning, from <hi>Verbum personale</hi> down to <hi>simillima cygno</hi>.' 


</p>
            <p>`I didn't mean, Ma'am—' began little Paul. 


</p>
            <p>`I must trouble you not to tell me that you didn't mean, if you please, 
Dombey,' said Miss 
Blimber, who preserved an awful politeness in her admonitions. `That is a 
line of 
argument I couldn't dream of permitting.' 


</p>
            <p>Paul felt it safest to say nothing at all, so he only looked at Miss 
Blimber's spectacles. 
Miss Blimber having shaken her head at him gravely, referred to a paper lying 
before 
her. 


</p>
            <p>`”Analysis of the character of P. Dombey.” If my recollection serves me,' 
said Miss 
Blimber breaking off, `the word analysis as opposed to synthesis, is thus 
defined by 
Walker. “The resolution of an object, whether of the senses or of the 
intellect, into its first 
elements.” As opposed to synthesis, you observe. <hi>Now</hi> you know what 
analysis is, 
Dombey.' 


</p>
            <p>Dombey didn't seem to be absolutely blinded by the light let in upon his 
intellect, but he 
made Miss Blimber a little bow. 


</p>
            <p>`”Analysis,”' resumed Miss Blimber, casting her eye over the paper, `”of the 
character of 
P. Dombey.” I find that the natural capacity of Dombey is extremely good; and 
that his 
general disposition to study may be stated in an equal ratio. Thus, taking 
eight as our 
standard and highest number, I find these qualities in Dombey stated each at 
six 
three-fourths!' 


</p>
            <p>Miss Blimber paused to see how Paul received this news. Being undecided 
whether six 
three-fourths meant six pounds fifteen, or sixpence three farthings, or six 
foot three, or 
three quarters past six, or six somethings that he hadn't learnt yet, with 
three unknown 
something elses over, Paul rubbed his hands and looked straight at Miss 
Blimber. It 
happened to answer as well as anything else he could have done; and Cornelia 
proceeded. 


</p>
            <p>`”Violence two. Selfishness two. Inclination to low company, as evinced in 
the case of a 
person named Glubb, originally seven, but since reduced. Gentlemanly 
demeanour four, 
and improving with advancing years.” Now what I particularly wish to call 
your attention 
to, Dombey, is the general observation at the close of this analysis.' 


</p>
            <p>Paul set himself to follow it with great care. 


</p>
            <p>`”It may be generally observed of Dombey,”'said Miss Blimber, reading in a 
loud voice, 
and at every second word directing her spectacles towards the little figure 
before her: 
`”that his abilities and inclinations are good, and that he has made as much 
progress as 
under the circumstances could have been expected. But it is to be lamented of 
this young 
gentleman that he is singular (what is usually termed old-fashioned) in his 
character and 
conduct, and that without presenting anything in either which distinctly 
calls for 
reprobation, he is often very unlike other young gentlemen of his age and 
social position.” 
Now, Dombey,' said Miss Blimber, laying down the paper, `do you understand 
that?' 


</p>
            <p>`I think I do, Ma'am,' said Paul. 


</p>
            <p>`This analysis, you see, Dombey,'Miss Blimber continued, is going to be sent 
home to 
your respected parent. It will naturally be very painful to him to find that 
you are singular 
in your character and conduct. It is naturally painful to us; for we can't 
like you, you 
know, Dombey, as well as we could wish.' 


</p>
            <p>She touched the child upon a tender point. He had secretly become more and 
more 
solicitous from day to day, as the time of his departure drew more near, that 
all the house 
should like him. From some hidden reason, very imperfectly understood by 
himself—if 
understood at all—he felt a gradually increasing impulse of affection, 
towards almost 
everything and everybody in the place. He could not bear to think that they 
would be quite 
indifferent to him when he was gone. He wanted them to remember him kindly; 
and he 
had made it his business even to conciliate a great hoarse shaggy dog, 
chained up at the 
back of the house, who had previously been the terror of his life; that even 
he might miss 
him when he was no longer there. 


</p>
            <p>Little thinking that in this, he only showed again the difference between 
himself and his 
compeers, poor tiny Paul set it forth to Miss Blimber as well as he could, 
and begged her, 
in despite of the official analysis, to have the goodness to try and like 
him. To Mrs. 
Blimber, who had joined them, he preferred the same petition: and when that 
lady could 
not forbear, even in his presence, from giving utterance to her 
often-repeated opinion, that 
he was an odd child, Paul told her that he was sure she was quite right; that 
he thought it 
must be his bones, but he didn't know; and that he hoped she would overlook 
it, for he 
was fond of them all. 


</p>
            <p>`Not so fond,' said Paul, with a mixture of timidity and perfect frankness, 
which was one 
of the most peculiar and most engaging qualities of the child, `not so fond 
as I am of 
Florence, of course; that could never be. You couldn't expect that, could 
you, 
Ma'am?' 


</p>
            <p>`Oh! the old-fashioned little soul!' cried Mrs. Blimber, in a whisper. 


</p>
            <p>`But I like everybody here very much,' pursued Paul, `and I should grieve to 
go away, and 
think that any one was glad that I was gone, or didn't care.' 


</p>
            <p>Mrs. Blimber was now quite sure that Paul was the oddest child in the world; 
and when 
she told the Doctor what had passed, the Doctor did not controvert his wife's 
opinion. But 
he said, as he had said before, when Paul first came, that study would do 
much; and he 
also said, as he had said on that occasion, `Bring him on, Cornelia! Bring 
him on!' 


</p>
            <p>Cornelia had always brought him on as vigorously as she could; and Paul had 
had a hard 
life of it. But over and above the getting through his tasks, he had long had 
another 
purpose always present to him, and to which he still held fast. It was, to be 
a gentle, 
useful, quiet little fellow, always striving to secure the love and 
attachment of the rest; and 
though he was yet often to be seen at his old post on the stairs, or watching 
the waves and 
clouds from his solitary window, he was oftener found, too, among the other 
boys, 
modestly rendering them some little voluntary service. Thus it came to pass, 
that even 
among those rigid and absorbed young anchorites, who mortified themselves 
beneath the 
roof of Doctor Blimber, Paul was an object of general interest; a fragile 
little plaything 
that they all liked, and that no one would have thought of treating roughly. 
But he could 
not change his nature, or re-write the analysis; and so they all agreed that 
Dombey was 
old-fashioned. 


</p>
            <p>There were some immunities, however, attaching to the character enjoyed by no 
one else. 
They could have better spared a newer-fashioned child, and that alone was 
much. When 
the others only bowed to Doctor Blimber and family on retiring for the night, 
Paul would 
stretch out his morsel of a hand, and boldly shake the Doctor's; also Mrs. 
Blimber's; also 
Cornelia's. If anybody was to be begged off from impending punishment, Paul 
was always 
the delegate. The weak-eyed young man himself had once consulted him, in 
reference to a 
little breakage of glass and china. And it was darkly rumoured that the 
butler, regarding 
him with favour such as that stern man had never shown before to mortal boy, 
had 
sometimes mingled porter with his table-beer to make him strong. 


</p>
            <p>Over and above these extensive privileges, Paul had free right of entry to 
Mr. Feeder's 
room, from which apartment he had twice led Mr. Toots into the open air in a 
state of 
faintness, consequent on an unsuccessful attempt to smoke a very blunt cigar: 
one of a 
bundle which that young gentleman had covertly purchased on the shingle from 
a most 
desperate smuggler, who had acknowledged, in confidence, that two hundred 
pounds was 
the price set upon his head, dead or alive, by the Custom House. It was a 
snug room, Mr. 
Feeder's, with his bed in another little room inside of it; and a flute, 
which Mr. Feeder 
couldn't play yet, but was going to make a point of learning, he said, 
hanging up over the 
fireplace. There were some books in it, too, and a fishing-rod; for Mr. 
Feeder said he 
should certainly make a point of learning to fish, when he could find time. 
Mr. Feeder had 
amassed, with similar intentions, a beautiful little curly secondhand 
key-bugle, a 
chess-board and men, a Spanish Grammar, a set of sketching materials, and a 
pair of 
boxing-gloves. The art of self-defence Mr. Feeder said he should undoubtedly 
make a 
point of learning, as he considered it the duty of every man to do; for it 
might lead to the 
protection of a female in distress. 


</p>
            <p>But Mr. Feeder's great possession was a large green jar of snuff, which Mr. 
Toots had 
brought down as a present, at the close of the last vacation; and for which 
he had paid a 
high price, as having been the genuine property of the Prince Regent. Neither 
Mr. Toots 
not Mr. Feeder could partake of this or any other snuff, even in the most 
stinted and 
moderate degree, without being seized with convulsions of sneezing. 
Nevertheless it was 
their great delight to moisten a box-full with cold tea, stir it up on a 
piece of parchment 
with a paper-knife, and devote themselves to its consumption then and there. 
In the course 
of which cramming of their noses, they endured surprising torments with the 
constancy of 
martyrs: and, drinking table-beer at intervals, felt all the glories of 
dissipation. 


</p>
            <p>To little Paul sitting silent in their company, and by the side of his chief 
patron, Mr. 
Toots, there was a dread charm in these reckless occasions: and when Mr. 
Feeder spoke of 
the dark mysteries of London, and told Mr. Toots that he was going to observe 
it himself 
closely in all its ramifications in the approaching holidays, and for that 
purpose had made 
arrangements to board with two old maiden ladies at Peckham, Paul regarded 
him as if he 
were the hero of some book of travels or wild adventure, and was almost 
afraid of such a 
slashing person. 


</p>
            <p>Going into this room one evening, when the holidays were very near, Paul 
found Mr. 
Feeder filling up the blanks in some printed letters, while some others, 
already filled up 
and strewn before him, were being folded and sealed by Mr. Toots. Mr. Feeder 
said, `Aha, 
Dombey, there you are, are you?'—for they were always kind to him, and glad 
to see 
him—and then said, tossing one of the letters towards him, `And <hi>there</hi>
you are, too, 
Dombey. That's yours.' 


</p>
            <p>`Mine, Sir?' said Paul. 


</p>
            <p>`Your invitation,' returned Mr. Feeder. 


</p>
            <p>Paul, looking at it, found, in copper-plate print, with the exception of his 
own name and 
the date, which were in Mr. Feeder's Penmanship, that Doctor and Mrs. Blimber 
requested 
the pleasure of Mr. P. Dombey's company at an early party on Wednesday 
Evening the 
Seventeenth Instant; and that the hour was half-past seven o'clock; and that 
the object was 
Quadrilles. Mr. Toots also showed him, by holding up a companion sheet of 
paper, that 
Doctor and Mrs. Blimber requested the pleasure of Mr. Toots's company at an 
early party 
on Wednesday Evening the Seventeenth Instant, when the hour was half-past 
seven 
o'clock, and when the object was Quadrilles. He also found, on glancing at 
the table 
where Mr. Feeder sat, that the pleasure of Mr. Briggs's company, and of Mr. 
Tozer's 
company, and of every young gentleman's company, was requested by Doctor and 
Mrs. 
Blimber on the same genteel occasion. 


</p>
            <p>Mr. Feeder then told him, to his great joy, that his sister was invited, and 
that it was a 
half-yearly event, and that, as the holidays began that day, he could go away 
with his 
sister after the party, if he liked, which Paul interrupted him to say he 
<hi>would</hi> like, 
very much. Mr. Feeder then gave him to understand that he would be expected 
to inform 
Doctor and Mrs. Blimber, in superfine small-hand, that Mr. P. Dombey would be 
happy to 
have the honour of waiting on them, in accordance with their polite 
invitation. Lastly, Mr. 
Feeder said, he had better not refer to the festive occasion, in the hearing 
of Doctor and 
Mrs. Blimber; as these preliminaries, and the whole of the arrangements, were 
conducted 
on principles of classicality and high breeding; and that Doctor and Mrs. 
Blimber on the 
one hand, and the young gentlemen on the other, were supposed, in their 
scholastic 
capacities, not to have the least idea of what was in the wind. 


</p>
            <p>Paul thanked Mr. Feeder for these hints, and pocketing his invitation, sat 
down on a stool 
by the side of Mr. Toots as usual. But Paul's head, which had long been 
ailing more or 
less, and was sometimes very heavy and painful, felt so uneasy that night, 
that he was 
obliged to support it on his hand. And yet it dropped so, that by little and 
little it sunk on 
Mr. Toots's knee, and rested there, as if it had no care to be ever lifted up 
again. 


</p>
            <p>That was no reason why he should be deaf, but he must have been, he thought, 
for, by 
and by, he heard Mr. Feeder calling in his ear, and gently shaking him to 
rouse his 
attention. And when he raised his head, quite scared, and looked about him, 
he found that 
Doctor Blimber had come into the room; and that the window was open, and that 
his 
forehead was wet with sprinkled water; though how all this had been done 
without his 
knowledge, was very curious indeed. 


</p>
            <p>`Ah! Come, come! That's well! How is my little friend now?' said Doctor 
Blimber, 
encouragingly. 


</p>
            <p>`Oh, quite well, thank you, Sir,' said Paul. 


</p>
            <p>But there seemed to be something the matter with the floor, for he couldn't 
stand upon it 
steadily; and with the walls too, for they were inclined to turn round and 
round, and could 
only be stopped by being looked at very hard indeed. Mr. Toots's head had the 
appearance 
of being at once bigger and farther off than was quite natural: and when he 
took Paul in 
his arms, to carry him up stairs, Paul observed with astonishment that the 
door was in 
quite a different place from that in which he had expected to find it, and 
almost thought, 
at first, that Mr. Toots was going to walk straight up the chimney. 


</p>
            <p>It was very kind of Mr. Toots to carry him to the top of the house so 
tenderly; and Paul 
told him that it was. But Mr. Toots said he would do a great deal more than 
that, if he 
could; and indeed he did more as it was: for he helped Paul to undress, and 
helped him to 
bed, in the kindest manner possible, and then sat down by the bedside and 
chuckled very 
much; while Mr. Feeder, B.A., leaning over the bottom of the bedstead, set 
all the little 
bristles on his head bolt upright with his bony hands, and then made believe 
to spar at 
Paul with great science, on account of his being all right again, which was 
so 
uncommonly facetious, and kind too in Mr. Feeder, that Paul, not being able 
to make up 
his mind whether it was best to laugh or cry at him, did both at once. 


</p>
            <p>How Mr. Toots melted away, and Mr. Feeder changed into Mrs. Pipchin, Paul 
never 
thought of asking; neither was he at all curious to know; but when he saw 
Mrs. Pipchin 
standing at the bottom of the bed, instead of Mr. Feeder, he cried out, `Mrs. 
Pipchin, don't 
tell Florence!' 


</p>
            <p>`Don't tell Florence what, my little Paul?' said Mrs. Pipchin, coming round 
to the bedside, 
and sitting down in the chair. 


</p>
            <p>`About me,' said Paul. 


</p>
            <p>`No, no,' said Mrs. Pipchin. 


</p>
            <p>`What do you think I mean to do when I grow up, Mrs. Pipchin?' inquired Paul, 
turning 
his face towards her on his pillow, and resting his chin wistfully on his 
folded hands. 


</p>
            <p>Mrs. Pipchin couldn't guess. 


</p>
            <p>`I mean,' said Paul, `to put my money all together in one Bank, never try to 
get any more, 
go away into the country with my darling Florence, have a beautiful garden, 
fields, and 
woods, and live there with her all my life!' 


</p>
            <p>`Indeed!' cried Mrs. Pipchin. 


</p>
            <p>`Yes,' said Paul. `That's what I mean to do, when I—' He stopped, and 
pondered for a 
moment. 


</p>
            <p>Mrs. Pipchin's grey eye scanned his thoughtful face. 


</p>
            <p>`If I grow up,' said Paul. Then he went on immediately to tell Mrs. Pipchin 
all about the 
party, about Florence's invitation, about the pride he would have in the 
admiration that 
would be felt for her by all the boys, about their being so kind to him and 
fond of him, 
about his being so fond of them, and about his being so glad of it. Then he 
told Mrs. 
Pipchin about the analysis, and about his being certainly old-fashioned, and 
took Mrs. 
Pipchin's opinion on that point, and whether she knew why it was, and what it 
meant. 
Mrs. Pipchin denied the fact altogether, as the shortest way of getting out 
of the difficulty; 
but Paul was far from satisfied with that reply, and looked so searchingly at 
Mrs. Pipchin 
for a truer answer, that she was obliged to get up and look out of the window 
to avoid his 
eyes. 


</p>
            <p>There was a certain calm Apothecary, who attended at the establishment when 
any of the 
young gentlemen were ill, and somehow <hi>he</hi> got into the room and 
appeared at the 
bedside, with Mrs. Blimber. How they came there, or how long they had been 
there, Paul 
didn't know; but when he saw them, he sat up in bed, and answered all the 
Apothecary's 
questions at full length, and whispered to him that Florence was not to know 
anything 
about it, if he pleased, and that he had set his mind upon her coming to the 
party. He was 
very chatty with the Apothecary, and they parted excellent friends. Lying 
down again with 
his eyes shut, he heard the Apothecary say, out of the room and quite a long 
way off—or 
he dreamed it—that there was a want of vital power (what was that, Paul 
wondered) and 
great constitutional weakness. That as the little fellow had set his heart on 
parting with his 
school-mates on the seventeenth, it would be better to indulge the fancy if 
he grew no 
worse. That he was glad to hear from Mrs. Pipchin, that the little fellow 
would go to his 
friends in London on the eighteenth. That he would write to Mr. Dombey, when 
he should 
have gained a better knowledge of the case, and before that day. That there 
was no 
immediate cause for—what? Paul lost that word. And that the little fellow 
had a fine mind, 
but was an old-fashioned boy. 


</p>
            <p>What old fashion could that be, Paul wondered with a palpitating heart, that 
was so visibly 
expressed in him; so plainly seen by so many people! 


</p>
            <p>He could neither make it out, not trouble himself long with the effort. Mrs. 
Pipchin was 
again beside him, if she had ever been away (he thought she had gone out with 
the 
Doctor, but it was all a dream perhaps), and presently a bottle and glass got 
into her hands 
magically, and she poured out the contents for him. After that, he had some 
real good 
jelly, which Mrs. Blimber brought to him herself; and then he was so well, 
that Mrs. 
Pipchin went home, at his urgent solicitation, and Briggs and Tozer came to 
bed. Poor 
Briggs grumbled terribly about his own analysis, which could hardly have 
discomposed 
him more if it had been a chemical process; but he was very good to Paul, and 
so was 
Tozer, and so were all the rest, for they everyone looked in before going to 
bed, and said, 
`How are you now, Dombey?' `Cheer up, little Dombey!' and so forth. After 
Briggs had 
got into bed, he lay awake for a long time, still bemoaning his analysis, and 
saying he 
knew it was all wrong, and they couldn't have analysed a murderer worse, and 
how would 
Doctor Blimber like it if his pocket-money depended on it? It was very easy, 
Briggs said, 
to make a galley-slave of a boy all the half-year, and then score him up 
idle; and to crib 
two dinners a-week out of his board, and then score him up greedy: but that 
wasn't going 
to be submitted to, he believed, was it? Oh! Ah! 


</p>
            <p>Before the weak-eyed young man performed on the gong next morning, he came up 
stairs 
to Paul and told him he was to lie still, which Paul very gladly did. Mrs. 
Pipchin 
reappeared a little before the Apothecary, and a little after the good young 
woman whom 
Paul had seen cleaning the stove on that first morning (how long ago it 
seemed now!) had 
brought him his breakfast. There was another consultation a long way off, or 
else Paul 
dreamed it again; and then the Apothecary, coming back with Doctor and Mrs. 
Blimber, 
said: 


</p>
            <p>`Yes, I think, Doctor Blimber, we may release this young gentleman from his 
books just 
now; the vacation being so very near at hand.' 


</p>
            <p>`By all means,' said Doctor Blimber. `My love, you will inform Cornelia, if 
you 
please.' 


</p>
            <p>`Assuredly,' said Mrs. Blimber. 


</p>
            <p>The Apothecary bending down, looked closely into Paul's eyes, and felt his 
head, and his 
pulse, and his heart, with so much interest and care, that Paul said, `Thank 
you, sir.' 


</p>
            <p>`Our little friend,' observed Doctor Blimber, `has never complained.' 


</p>
            <p>`Oh no!' replied the Apothecary. `He was not likely to complain.' 


</p>
            <p>`You find him greatly better?' said Doctor Blimber. 


</p>
            <p>`Oh! he is greatly better, Sir,' returned the Apothecary. 


</p>
            <p>Paul had begun to speculate, in his own odd way, on the subject that might 
occupy the 
Apothecary's mind just at that moment; so musingly had he answered the two 
questions of 
Doctor Blimber. But the Apothecary happening to meet his little patient's 
eyes, as the 
latter set off on that mental expedition, and coming instantly out of his 
abstraction with a 
cheerful smile, Paul smiled in return and abandoned it. 


</p>
            <p>He lay in bed all that day, dozing and dreaming, and looking at Mr. Toots: 
but got up on 
the next, and went down stairs. Lo and behold, there was something the matter 
with the 
great clock; and a workman on a pair of steps had taken its face off, and was 
poking 
instruments into the works by the light of a candle! This was a great event 
for Paul, who 
sat down on the bottom stair, and watched the operation attentively: now and 
then 
glancing at the clock face, leaning all askew, against the wall hard by, and 
feeling a little 
confused by a suspicion that it was ogling him. 


</p>
            <p>The workman on the steps was very civil; and as he said, when he observed 
Paul, `How 
do you do, Sir?' Paul got into conversation with him, and told him he hadn't 
been quite 
well lately. The ice being thus broken, Paul asked him a multitude of 
questions about 
chimes and clocks: as, whether people watched up in the lonely church 
steeples by night 
to make them strike, and how the bells were rung when people dies, and 
whether those 
were different bells from wedding bells, or only sounded dismal in the 
fancies of the 
living. Finding that his new acquaintance was not very well informed on the 
subject of the 
Curfew Bell of ancient days, Paul gave him an account of that institution; 
and also asked 
him, as a practical man, what he thought about King Alfred's idea of 
measuring time by 
the burning of candles; to which the workman replied, that he thought it 
would be the ruin 
of the clock trade if it was to come up again. In fine, Paul looked on, until 
the clock had 
quite recovered its familiar aspect, and resumed its sedate inquiry: when the 
workman, 
putting away his tools in a long basket, bade him good day, and went away. 
Though not 
before he had whispered something, on the door-mat, to the footman, in which 
there was 
the phrase `old-fashioned'—for Paul heard it. 


</p>
            <p>What could that old fashion be, that seemed to make the people sorry! what 
could it 
be! 


</p>
            <p>Having nothing to learn now, he thought of this frequently; though not so 
often as he 
might have done, if he had had fewer things to think of. But he had a great 
many; and 
was always thinking, all day long. 


</p>
            <p>First, there was Florence coming to the party. Florence would see that the 
boys were fond 
of him; and that would make her happy. This was his great theme. Let Florence 
once be 
sure that they were gentle and good to him, and that he had become a little 
favourite 
among them, and then she would always think of the time he had passed there, 
without 
being very sorry. Florence might be all the happier too for that perhaps, 
when he came 
back. 


</p>
            <p>When he came back! Fifty times a day, his noiseless little feet went up the 
stairs to his 
own room, as he collected every book and scrap, and trifle that belonged to 
him, and put 
them all together there, down to the minutest thing, for taking home!There 
was no shade 
of coming back on little Paul; no preparation for it, or other reference to 
it, grew out of 
anything he thought or did, except this slight one in connexion with his 
sister. On the 
contrary, he had to think of everything familiar to him, in his contemplative 
moods and in 
his wanderings about the house, as being to be parted with; and hence the 
many things he 
had to think of, all day long. 


</p>
            <p>He had to peep into those rooms up-stairs, and think how solitary they would 
be when he 
was gone, and wonder through how many silent days, weeks, months, and years, 
they 
would continue just as grave and undisturbed. He had to think—would any 
other child 
(old-fashioned, like himself) stray there at any time, to whom the same 
grotesque 
distortions of pattern and furniture would manifest themselves; and would 
anybody tell 
that boy of little Dombey, who had been there once? 


</p>
            <p>He had to think of a portrait on the stairs, which always looked earnestly 
after him as he 
went away, eyeing it over his shoulder: and which, when he passed it in the 
company of 
any one, still seemed to gaze at him, and not at his companion. He had much 
to think of, 
in association with a print that hung up in another place, where, in the 
centre of a 
wondering group, one figure that he knew, a figure with a light about its 
head—benignant, 
mild, and merciful—stood pointing upward. 


</p>
            <p>At his own bedroom window, there were crowds of thoughts that mixed with 
these, and 
came on, one upon another, like the rolling waves. Where those wild birds 
lived, that were 
always hovering out at sea in troubled weather; where the clouds rose and 
first began; 
whence the wind issued on its rushing flight, and where it stopped; whether 
the spot where 
he and Florence had so often sat, and watched, and talked about these things, 
could ever 
be exactly as it used to be without them; whether it could ever be the same 
to Florence, if 
he were in some distant place, and she were sitting there alone. 


</p>
            <p>He had to think, too, of Mr. Toots, and Mr. Feeder, B.A; of all the boys; and 
of Doctor 
Blimber, Mrs. Blimber, and Miss Blimber; of home, and of his aunt and Miss 
Tox; of his 
father, Dombey and Son, Walter with the poor old uncle who had got the money 
he 
wanted, and that gruff-voiced Captain with the iron hand. Besides all this, 
he had a 
number of little visits to pay, in the course of the day; to the schoolroom, 
to Doctor 
Blimber's study, to Mrs. Blimber's private a apartment, to Miss Blimber's, 
and to the dog. 
For he was free of the whole house now, to range it as he chose; and, in his 
desire to part 
with everybody on affectionate terms, he attended, in his way, to them all. 
Sometimes he 
found places in books for Briggs, who was always losing them; sometimes he 
looked up 
words in dictionaries for other young gentlemen who were in extremity; 
sometimes he 
held skeins of silk for Mrs. Blimber to wind; sometimes he put Cornelia's 
desk to rights; 
sometimes he would even creep into the Doctor's study, and, sitting on the 
carpet near his 
learned feet, turn the globes softly, and go round the world, or take a 
flight among the 
far-off stars. 


</p>
            <p>In those days immediately before the holidays, in short, when the other young 
gentlemen 
were labouring for dear life through a general resumption of the studies of 
the whole 
half-year, Paul was such a privileged pupil as had never been seen in that 
house before. 
He could hardly believe it himself; but his liberty lasted from hour to hour, 
and from day 
to day; and little Dombey was caressed by everyone. Doctor Blimber was so 
particular 
about him, that he requested Johnson to retire from the dinner-table one day, 
for having 
thoughtlessly spoken to him as `poor little Dombey;' which Paul thought 
rather hard and 
severe, though he had flushed at the moment, and wondered why Johnson should 
pity him. 
It was the more questionable justice, Paul thought, in the Doctor, from his 
having certainly 
overheard that great authority give his assent on the previous evening, to 
the proposition 
(stated by Mrs. Blimber) that poor dear little Dombey was more old-fashioned 
than ever. 
And now it was that Paul began to think it must surely be old-fashioned to be 
very thin, 
and light, and easily tired, and soon disposed to lie down anywhere and rest; 
for he 
couldn't help feeling that these were more and more his habits every day. 


</p>
            <p>At last the party-day arrived; and Doctor Blimber said at breakfast, 
`Gentlemen, we will 
resume our studies on the twenty-fifth of next month.' Mr. Toots immediately 
threw off 
his allegiance, and put on his ring: and mentioning the Doctor in casual 
conversation 
shortly afterwards, spoke of him as `Blimber!' This act of freedom inspired 
the older 
pupils with admiration and envy; but the younger spirits were appalled, and 
seemed to 
marvel that no beam fell down and crushed him. 


</p>
            <p>Not the least allusion was made to the ceremonies of the evening, either at 
breakfast or at 
dinner; but there was a bustle in the house all day, and in the course of his 
perambulations, Paul made acquaintance with various strange benches and 
candlesticks, 
and met a harp in a green greatcoat standing on the landing outside the 
drawing-room 
door. There was something queer, too, about Mrs. Blimber's head at 
dinner-time, as if she 
had screwed her hair up too tight; and though Miss Blimber showed a graceful 
bunch of 
plaited hair on each temple, she seemed to have her own little curls in paper 
underneath, 
and in a play-bill too: for Paul read `Theatre Royal' over one of her 
sparkling spectacles, 
and `Brighton' over the other. 


</p>
            <p>There was a grand array of white waistcoats and cravats in the young 
gentlemen's 
bedrooms as evening approached; and such a smell of singed hair, that Doctor 
Blimber 
sent up the footman with his compliments, and wished to know if the house was 
on fire. 
But it was only the hairdresser curling the young gentlemen, and over-heating 
his tongs in 
the ardour of business. 


</p>
            <p>When Paul was dressed—which was very soon done, for he felt unwell and 
drowsy, and 
was not able to stand about it very long—he went down into the drawing-room; 
where he 
found Doctor Blimber pacing up and down the room full dressed, but with a 
dignified and 
unconcerned demeanour, as if he thought it barely possible that one or two 
people might 
drop in by and by. Shortly afterwards, Mrs. Blimber appeared, looking lovely, 
Paul 
thought; and attired in such a number of skirts that it was quite an 
excursion to walk 
round her. Miss Blimber came down soon after her mama; a little squeezed in 
appearance, 
but very charming. 


</p>
            <p>Mr. Toots and Mr. Feeder were the next arrivals. Each of these gentlemen 
brought his hat 
in his hand, as if he lived somewhere else; and when they were announced by 
the butler, 
Doctor Blimber said, `Aye, aye, aye! God bless my soul!' and seemed extremely 
glad to 
see them. Mr. Toots was one blaze of jewellery and buttons: and he felt the 
circumstance 
so strongly, that when he had shaken hands with the Doctor, and had bowed to 
Mrs. 
Blimber and Miss Blimber, he took Paul aside, and said, `What do you think of 
this, 
Dombey?' 


</p>
            <p>But notwithstanding this modest confidence in himself, Mr. Toots appeared to 
be involved 
in a good deal of uncertainty whether, on the whole, it was judicious to 
button the bottom 
button of his waistcoat, and whether, on a calm revision of all the 
circumstances, it was 
best to wear his wristbands turned up or turned down. Observing that Mr. 
Feeder's were 
turned up, Mr. Toots turned his up; but the wristbands of the next arrival 
being turned 
down, Mr. Toots turned his down. The differences in point of waistcoat 
buttoning, not 
only at the bottom, but at the top too, became so numerous and complicated as 
the arrivals 
thickened, that Mr. Toots was continually fingering that article of dress, as 
if he were 
performing on some instrument; and appeared to find the incessant execution 
it demanded, 
quite bewildering. 


</p>
            <p>All the young gentlemen, tightly cravatted, curled, and pumped, and with 
their best hats in 
their hands, having been at different times announced and introduced, Mr. 
Baps, the 
dancing-master, came, accompanied by Mrs. Baps, to whom Mrs. Blimber was 
extremely 
kind and condescending. Mr. Baps was a very gentleman, with a slow and 
measured 
manner of speaking; and before he had stood under the lamp five minutes, he 
began to 
talk to Toots (who had been silently comparing pumps with him) about what you 
were to 
do with your raw materials when they came into your ports in return for your 
drain of 
gold. Mr. Toots, to whom the question seemed perplexing, suggested `Cook 
'em.' But Mr. 
Baps did not appear to think that would do. 


</p>
            <p>Paul now slipped away from the cushioned corner of a sofa, which had been his 
post of 
observation, and went down stairs into the tea-room to be ready for Florence, 
whom he 
had not seen for nearly a fortnight, as he had remained at Doctor Blimber's 
on the 
previous Saturday and Sunday, lest he should take cold. Presently she came: 
looking so 
beautiful in her simple ball dress, with her fresh flowers in her hand, that 
when she knelt 
down on the ground to take Paul round the neck and kiss him (for there was no 
one there, 
but his friend and another young woman waiting to serve out the tea), he 
could hardly 
make up his mind to let her go again, or to take away her bright and loving 
eyes from his 
face. 


</p>
            <p>`But what is the matter, Floy?' asked Paul, almost sure that he saw a tear 
there. 


</p>
            <p>`Nothing, darling; nothing,' returned Florence. 


</p>
            <p>Paul touched her cheek gently with his finger—and it <hi>was</hi> a tear! 
`Why, Floy!' said 
he. 


</p>
            <p>`We'll go home together, and I'll nurse you, love,' said Florence. 


</p>
            <p>`Nurse me!' echoed Paul. 


</p>
            <p>Paul couldn't understand what that had to do with it, not why the two young 
women 
looked on so seriously, nor why Florence turned away her face for a moment, 
and then 
turned it back, lighted up again with smiles. 


</p>
            <p>`Floy,' said Paul, holding a ringlet of her dark hair in his hand. `Tell me, 
dear. Do 
<hi>you</hi> think I have grown old-fashioned?' 


</p>
            <p>His sister laughed, and fondled him, and told him `No.' 


</p>
            <p>`Because I know they say so,' returned Paul, `and I want to know what they 
mean, 
Floy.' 


</p>
            <p>But a loud double knock coming at the door, and Florence hurrying to the 
table, there was 
no more said between them. Paul wondered again when he saw his friend whisper 
to 
Florence, as if she were comforting her; but a new arrival put that out of 
his head 
speedily. 


</p>
            <p>It was Sir Barnet Skettles, Lady Skettles, and Master Skettles. Master 
Skettles was to be a 
new boy after the vacation, and Fame had been busy, in Mr. Feeder's room, 
with his 
father, who was in the House of Commons, and of whom Mr. Feeder had said that 
when 
he <hi>did</hi> catch the Speaker's eye (which he had been expected to do for 
three or four 
years), it was anticipated that he would rather touch up the Radicals. 


</p>
            <p>`And what room is this now, for instance?' said Lady Skettles to Paul's 
friend, 'Melia. 


</p>
            <p>`Doctor Blimber's study, ma'am,' was the reply. 


</p>
            <p>Lady Skettles took a panoramic survey of it through her glass, and said to 
Sir Barnet 
Skettles, with a nod of approval, `Very good.' Sir Barnet assented, but 
Master Skettles 
looked suspicious and doubtful. 


</p>
            <p>`And this little creature, now,' said Lady Skettles, turning to Paul. `Is he 
one of the—' 


</p>
            <p>`Young gentlemen, ma'am; yes, ma'am,' said Paul's friend. 


</p>
            <p>`And what is your name, my pale child?' said Lady Skettles. 


</p>
            <p>`Dombey,' answered Paul. 


</p>
            <p>Sir Barnet Skettles immediately interposed, and said that he had had the 
honour of 
meeting Paul's father at a public dinner, and that he hoped he was very well. 
Then Paul 
heard him say to Lady Skettles, `City—very rich—most respectable—Doctor 
mentioned it.' 
And then he said to Paul, `Will you tell your good papa that Sir Barnet 
Skettles rejoiced 
to hear that he was very well, and sent him his best compliments?' 


</p>
            <p>`Yes, Sir,' answered Paul. 


</p>
            <p>`That is my brave boy,' said Sir Barnet Skettles. `Barnet,' to Master 
Skettles, who was 
revenging himself for the studies to come, on the plum-cake, `this is a young 
gentleman 
you ought to know. This is a young gentleman you <hi>may</hi> know, Barnet,' 
said Sir 
Barnet Skettles, with an emphasis on the permission. 


</p>
            <p>`What eyes! What hair! What a lovely face!' exclaimed Lady Skettles softly, 
as she 
looked at Florence through her glass. 


</p>
            <p>`My sister,' said Paul, presenting her. 


</p>
            <p>The satisfaction of the Skettleses was now complete. And as Lady Skettles had 
conceived, 
at first sight, a liking for Paul, they all went up stairs together: Sir 
Barnet Skettles taking 
care of Florence, and young Barnet following. 


</p>
            <p>Young Barnet did not remain long in the background after they had reached the 
drawing-room, for Dr. Blimber had him out in no time, dancing with Florence. 
He did not 
appear to Paul to be particularly happy, or particularly anything but sulky, 
or to care much 
what he was about; but as Paul heard Lady Skettles say to Mrs. Blimber, while 
she beat 
time with her fan, that her dear boy was evidently smitten to death by that 
angel of a 
child, Miss Dombey, it would seem that Skettles Junior was in a state of 
bliss, without 
showing it. 


</p>
            <p>Little Paul thought it a singular coincidence that nobody had occupied his 
place among the 
pillows; and that when he came into the room again, they should all make way 
for him to 
go back to it, remembering it was his. Nobody stood before him either, when 
they 
observed that he liked to see Florence dancing, but they left the space in 
front quite clear, 
so that he might follow her with his eyes. They were so kind too, even the 
strangers, of 
whom there were soon a great many, that they came and spoke to him every now 
and 
then, and asked him how he was, and if his head ached, and whether he was 
tired. He was 
very much obliged to them for all their kindness and attention, and reclining 
propped up 
in his corner, with Mrs. Blimber and Lady Skettles on the same sofa, and 
Florence coming 
and sitting by his side as soon as every dance was ended, he looked on very 
happily 
indeed. 


</p>
            <p>Florence would have sat by him all night, and would not have danced at all of 
her own 
accord, but Paul made her, by telling her how much it pleased him. And he 
told her the 
truth, too; for his small heart swelled, and his face glowed, when he saw how 
much they 
all admired her, and how she was the beautiful little rosebud of the room. 


</p>
            <p>From his nest among the pillows, Paul could see and hear almost everything 
that passed, 
as if the whole were being done for his amusement. Among other little 
incidents that the 
observed, he observed Mr. Baps the dancing-master get into conversation with 
Sir Barnet 
Skettles, and very soon ask him, as he had asked Mr. Toots, what you were to 
do with 
your raw materials, when they came into your ports in return for your drain 
of 
gold—which was such a mystery to Paul that he was quite desirous to know 
what ought to 
be done with them. Sir Barnet Skettles had much to say upon the question, and 
said it; but 
it did not appear to solve the question, for Mr. Baps retorted, Yes, but 
supposing Russia 
stepped in with her tallows; which struck Sir Barnet almost dumb, for he 
could only shake 
his head after that, and say, Why then you must fall back upon your cottons, 
he 
supposed. 


</p>
            <p>Sir Barnet Skettles looked after Mr. Baps when he went to cheer up Mrs. Baps 
(who, 
being quite deserted, was pretending to look over the music-book of the 
gentleman who 
played the harp), as if he thought him a remarkable kind of man; and shortly 
afterwards 
he said so in those words to Doctor Blimber, and inquired if he might take 
the liberty of 
asking who he was, and whether he had ever been in the Board of Trade. Doctor 
Blimber 
answered no, he believed not; and that in fact he was a Professor of— 


</p>
            <p>`Of something connected with statistics, I'll swear?' observed Sir Barnet 
Skettles. 


</p>
            <p>`Why no, Sir Barnet,' replied Doctor Blimber, rubbing his chin. No, not 
exactly.' 


</p>
            <p>`Figures of some sort, I would venture a bet,' said Sir Barnet Skettles. 


</p>
            <p>`Why yes,' said Doctor Blimber,' `yes, but not of that sort. Mr. Baps is a 
very worthy sort 
of man, Sir Barnet, and—in fact he's our professor of dancing.' 


</p>
            <p>Paul was amazed to see that this piece of information quite altered Sir 
Barnet Skettles' 
opinion of Mr. Baps, and that Sir Barnet flew into a perfect rage, and 
glowered at Mr. 
Baps over on the other side of the room. He even went so far as to <hi rend="sc">d</hi>
Mr. Baps to 
Lady Skettles, in telling her what had happened, and to say that it was like 
his most 
con-sum-mate and confoun-ded impudence. 


</p>
            <p>There was another thing that Paul observed. Mr. Feeder, after imbibing 
several 
custard-cups of negus, began to enjoy himself. The dancing in general was 
ceremonious, 
and the music rather solemn—a little like church music in fact—but after 
the custard—cups, 
Mr. Feeder told Mr. Toots that he was going to throw a little spirit into the 
thing. After 
that, Mr. Feeder not only began to dance as if he meant dancing and nothing 
else, but 
secretly to stimulate the music to perform wild tunes. Further, he became 
particular in his 
attentions to the ladies; and dancing with Miss Blimber, whispered to 
her—whispered to 
her!—though not so softly but that Paul heard him say this remarkable 
poetry, 

<q>
                  <l>`Had I a heart for falsehood framed, </l>
                  <l>I ne'er could injure You!' </l>
               </q>

This Paul heard him repeat to young ladies in succession. Well might Mr. 
Feeder say to 
Mr. Toots, that he was afraid he should be the worse for it to-morrow! 


</p>
            <p>Mrs. Blimber was a little alarmed by this—comparatively speaking—profligate 
behaviour; 
and especially by the alteration in the character of the music, which, 
beginning to 
comprehend low melodies that were popular in the streets, might not 
unnaturally be 
supposed to give offence to Lady Skettles. But Lady Skettles was so very kind 
as to beg 
Mrs. Blimber not to mention it; and to receive her explanation that Mr. 
Feeder's spirits 
sometimes betrayed him into excesses on these occasions, with the greatest 
courtesy and 
politeness; observing, that he seemed a very nice sort of person for his 
situation, and that 
she particularly liked the unassuming style of his hair—which (as already 
hinted) was 
about a quarter of an inch long. 


</p>
            <p>Once, when there was a pause in the dancing, Lady Skettles told Paul that he 
seemed very 
fond of music. Paul replied, That he was; and if she was too, she ought to 
hear his sister, 
Florence, sing. Lady Skettles presently discovered that she was dying with 
anxiety to have 
that gratification; and though Florence was at first very much frightened at 
being asked to 
sing before so many people, and begged earnestly to be excused, yet, on Paul 
calling her 
to him, and saying, `Do, Floy!Please! For me, my dear!' she went straight to 
the piano, 
and began. When they all drew a little away, that Paul might see her; and 
when he saw 
her sitting there all alone, so young, and good, and beautiful, and kind to 
him; and heard 
her thrilling voice, so natural and sweet, and such a golden link between him 
and all his 
life's love and happiness, rising out of the silence; he turned his face 
away, and hid his 
tears. Not, as he told them when they spoke to him, not that the music was 
too plaintive 
or too sorrowful, but it was so dear to him. 


</p>
            <p>They all loved Florence! How could they help it! Paul had known beforehand 
that they 
must and would; and sitting in his cushioned corner, with calmly folded 
hands, and one 
leg loosely doubled under him, few would have thought what triumph and 
delight 
expanded his childish bosom while he watched her, or what a sweet 
tranquillity he felt. 
Lavish encomiums on `Dombey's sister' reached his ears from all the boys: 
admiration of 
the self-possessed and modest little beauty was on every lip: reports of her 
intelligence 
and accomplishments floated past him, constantly; and, as if borne in upon 
the air of the 
summer night, there was a half-intelligible sentiment diffused around, 
referring to Florence 
and himself, and breathing sympathy for both, that soothed and touched 
him. 


</p>
            <p>He did not know why. For all that the child observed, and felt, and thought, 
that night—the 
present and the absent; what was then and what had been—were blended like 
the colours 
in the rainbow, or in the plumage of rich birds when the sun is shining on 
them, or in the 
softening sky when the same sun is setting. The many things he had had to 
think of lately, 
passed before him in the music; not as claiming his attention over again, or 
as likely 
evermore to occupy it, but as peacefully disposed of and gone. A solitary 
window, gazed 
through years ago, looked out upon an ocean, miles and miles away; upon its 
waters, 
fancies, busy with him only yesterday, were hushed and lulled to rest like 
broken waves. 
The same mysterious murmur he had wondered at, when lying on his couch upon 
the 
beach, he thought he still heard sounding through his sister's song, and 
through the hum 
of voices, and the tread of feet, and having some part in the faces flitting 
by, and even in 
the heavy gentleness of Mr. Toots, who frequently came up to shake him by the 
hand. 
Through the universal kindness he still thought he heard it, speaking to him; 
and even his 
oldfashioned reputation seemed to be allied to it, he knew not how. Thus 
little Paul sat 
musing, listening, looking on, and dreaming; and was very happy. 


</p>
            <p>Until the time arrived for taking leave: and then, indeed, there was a 
sensation in the 
party. Sir Barnet Skettles brought up Skettles Junior to shake hands with 
him, and asked 
him if he would remember to tell his good papa, with his best compliments, 
that he, Sir 
Barnet Skettles, had said he hoped the two young gentlemen would become 
intimately 
acquainted. Lady Skettles kissed him, and parted his hair upon his brow, and 
held him in 
her arms; and even Mrs. Baps—poor Mrs. Baps! Paul was glad of that—came 
over from 
beside the music-book of the gentleman who played the harp, and took leave of 
him quite 
as heartily as anybody in the room. 


</p>
            <p>`Good-bye, Doctor Blimber,' said Paul, stretching out his hand. 


</p>
            <p>`Good-bye, my little friend,' returned the Doctor. 


</p>
            <p>`I'm very much obliged to you, Sir,' said Paul, looking innocently up into 
his awful face. 
`Ask them to take care of Diogenes, if you please.' 


</p>
            <p>Diogenes was the dog: who had never in his life received a friend into his 
confidence, 
before Paul. The Doctor promised that every attention should be paid to 
Diogenes in 
Paul's absence, and Paul having again thanked him, and shaken hands with him, 
bade 
adieu to Mrs. Blimber and Cornelia with such heartfelt earnestness that Mrs. 
Blimber 
forgot from that moment to mention Cicero to Lady Skettles, though she had 
fully 
intended it all the evening. Cornelia, taking both Paul's hands in hers, 
said, `Dombey, 
Dombey, you have always been my favourite pupil. God bless you!' And it 
showed, Paul 
thought, how easily one might do injustice to a person; for Miss Blimber 
meant it—though 
she <hi>was</hi> a Forcer. 


</p>
            <p>A buzz then went round among the young gentlemen, of `Dombey's going!' 
`Little 
Dombey's going!' and there was a general move after Paul and Florence down 
the 
staircase and into the hall, in which the whole Blimber family were included. 
Such a 
circumstance, Mr. Feeder said aloud, as had never happened in the case of any 
former 
young gentleman within his experience; but it would be difficult to say if 
this were sober 
fact or custard-cups. The servants, with the butler at their head, had all an 
interest in 
seeing Little Dombey go; and even the weak-eyed young man, taking out his 
books and 
trunks to the coach that was to carry him and Florence to Mrs. Pipchin's for 
the night, 
melted visibly. 


</p>
            <p>Not even the influence of the softer passion on the young gentlemen—and they 
all, to a 
boy, doated on Florence—could restrain them from taking quite a noisy leave 
of Paul; 
waving hats after him, pressing downstairs to shake hands with him, crying 
individually 
`Dombey, don't forget me!' and indulging in many such ebullitions of feeling, 
uncommon 
among those young Chesterfields. Paul whispered Florence, as she wrapped him 
up before 
the door was opened, Did she hear them? Would she ever forget it? Was she 
glad to know 
it? And a lively delight was in his eyes as he spoke to her. 


</p>
            <p>Once, for a last look, he turned and gazed upon the faces thus addressed to 
him, surprised 
to see how shining and how bright, and numerous they were, and how they were 
all piled 
and heaped up, as faces are at crowded theatres. They swam before him as he 
looked, like 
faces in an agitated glass; and next moment he was in the dark coach outside, 
holding 
close to Florence. From that time, whenever he thought of Doctor Blimber's, 
it came back 
as he had seen it in this last view; and it never seemed to be a real place 
again, but 
always a dream, full of eyes. 


</p>
            <p>This was not quite the last of Doctor Blimber's, however. There was something 
else. 
There was Mr. Toots. Who, unexpectedly letting down one of the coach-windows, 
and 
looking in, said, with a most egregious chuckle, `Is Dombey there?' and 
immediately put 
it up again, without waiting for an answer. Nor was this quite the last of 
Mr. Toots, even; 
for before the coachman could drive off, he as suddenly let down the other 
window, and 
looking in with a precisely similar chuckle, said in a precisely similar tone 
of voice, `Is 
Dombey there?' and disappeared precisely as before. 


</p>
            <p>How Florence laughed! Paul often remembered it, and laughed himself whenever 
he did 
so. 


</p>
            <p>But there was much, soon afterwards—next day, and after that—which Paul 
could only 
recollect confusedly. As, why they stayed at Mrs. Pipchin's days and nights, 
instead of 
going home; why he lay in bed, with Florence sitting by his side; whether 
that had been 
his father in the room, or only a tall shadow on the wall; whether he had 
heard his doctor 
say, of some one, that if they had removed him before the occasion on which 
he had built 
up fancies, strong in proportion to his own weakness, it was very possible he 
might have 
pined away. 


</p>
            <p>He could not even remember whether he had often said to Florence, `Oh Floy, 
take me 
home, and never leave me!' but he thought he had. He fancied sometimes he had 
heard 
himself repeating, `Take me home, Floy! take me home!' 


</p>
            <p>But he could remember, when he got home, and was carried up the 
well-remembered 
stairs, that there had been the rumbling of a coach for many hours together, 
while he lay 
upon the seat, with Florence still beside him, and old Mrs. Pipchin sitting 
opposite. He 
remembered his old bed too, when they laid him down in it: his aunt, Miss 
Tox, and 
Susan: but there was something else, and recent too, that still perplexed 
him. 


</p>
            <p>`I want to speak to Florence, if you please,' he said. `To Florence by 
herself, for a 
moment!' 


</p>
            <p>She bent down over him, and the others stood away. 


</p>
            <p>`Floy, my pet, wasn't that Papa in the hall, when they brought me from the 
coach?' 


</p>
            <p>`Yes, dear.' 


</p>
            <p>`He didn't cry, and go into his room, Floy, did he, when he saw me coming 
in?' 


</p>
            <p>Florence shook her head, and pressed her lips against his cheek. 


</p>
            <p>`I'm very glad he didn't cry,' said little Paul. `I thought he did. Don't 
tell them that I 
asked.' 

</p>
         </div>
         <div xml:id="c15" type="chapter">
            <head>CHAPTER XV</head>
            <head>Amazing Artfulness of Captain Cuttle, and a new Pursuit for Walter 
Gay</head>
            <p>WALTER could not, for several days, decide what to do in the Barbados 
business; and even cherished some faint hope that Mr. Dombey might not have 
meant what he had said, or that he might change his mind, and tell him he was 
not to go. But as nothing occurred to give this idea (which was sufficiently 
improbable in itself) any touch of confirmation, and as time was slipping by, 
and he had none to lose, he felt that he must act, without hesitating any 
longer. 


</p>
            <p>Walter's chief difficulty was, how to break the change in his affairs to 
Uncle Sol, to whom he was sensible it would be a terrible blow. He had the 
greater difficulty in dashing Uncle Sol's spirits with such an astounding 
piece of intelligence, because they had lately recovered very much, and the 
old man had become so cheerful, that the little back parlour was itself 
again. Uncle Sol had paid the first appointed portion of the debt to Mr. 
Dombey, and was hopeful of working his way through the rest; and to cast him 
down afresh, when he had sprung up so manfully from his troubles, was a very 
distressing necessity. 


</p>
            <p>Yet it would never do to run away from him. He must know of it beforehand: 
and how to tell him was the point. As to the question of going or not going, 
Walter did not consider that he had any power of choice in the matter. Mr. 
Dombey had truly told him that he was young, and that his uncle's 
circumstances were not good; and Mr. Dombey had plainly expressed, in the 
glance with which he had accompanied that reminder, that if he declined to go 
he might stay at home if he chose, but not in his counting-house. His uncle 
and he lay under a great obligation to Mr. Dombey, which was of Walter's own 
soliciting. He might have begun in secret to despair of ever winning that 
gentleman's favour, and might have thought that he was now and then disposed 
to put a slight upon him, which was hardly just. But what would have been 
duty without that, was still duty with it—or Walter thought so—and duty 
must be done. 


</p>
            <p>When Mr. Dombey  had looked at him, and told him he was young, and that his 
uncle's circumstances were not good, there had been an expression of disdain 
in his face; a contemptuous and disparaging assumption that he would be quite 
content to live idly on a reduced old man, which stung the boy's generous 
soul. Determined to assure Mr. Dombey, in so far as it was possible to give 
him the assurance without expressing it in words, that indeed he mistook his 
nature, Walter had been anxious to show even more cheerfulness and activity 
after the West Indian interview than he had shown before: if that were 
possible, in one of his quick and zealous disposition. He was too young and 
inexperienced to think, that possibly this very quality in him was not 
agreeable to Mr. Dombey, and that it was no stepping-stone to his good 
opinion to be elastic and hopeful of pleasing under the shadow of his 
powerful displeasure, whether it were right or wrong. But it may have 
been—it may have been—that the great man thought himself defied in this new 
exposition of an honest spirit, and purposed to bring it down. 


</p>
            <p>`Well! at last and at least, Uncle Sol must be told,' thought Walter, with a 
sigh. And as Walter was apprehensive that his voice might perhaps quaver a 
little, and that his countenance might not be quite as hopeful as he could 
wish it to be, if he told the old man himself, and saw the first effects of 
his communication on his wrinkled face, he resolved to avail himself of the 
services of that powerful mediator, Captain Cuttle. Sunday coming round, he 
set off therefore, after breakfast, once more to beat up Captain Cuttle's 
quarters. 


</p>
            <p>It was not unpleasant to remember, on the way thither, that Mrs. MacStinger 
resorted to a great distance every Sunday morning, to attend the ministry of 
the Reverend Melchisedech Howler, who, having been one day discharged from 
the West India Docks on a false suspicion (got up expressly against him by 
the general enemy) of screwing gimlets into puncheons, and applying his lips 
to the orifice, had announced the destruction of the world for that day two 
years, at ten in the morning, and opened a front parlour for the reception of 
ladies and gentlemen of the Ranting persuasion, upon whom, on the first 
occasion of their assemblage, the admonitions of the Reverend Melchisedech 
had produced so powerful an effect, that, in their rapturous performance of a 
sacred jig, which closed the service, the whole flock broke through into a 
kitchen below, and disabled a mangle belonging to one of the fold. 


</p>
            <p>This the Captain, in a moment of uncommon conviviality, had confided to 
Walter and his uncle, between the repetitions of lovely Peg, on the night 
when Brogley the broker was paid out. The Captain himself was punctual in his 
attendance at a church in his own neighbourhood, which hoisted the Union Jack 
every Sunday morning; and where he was good enough—the lawful beadle being 
infirm—to keep an eye upon the boys, over whom he exercised great power, in 
virtue of his mysterious hook. Knowing the regularity of the Captain's 
habits, Walter made all the haste he could, that he might anticipate his 
going out; and he made such good speed, that he had the pleasure, on turning 
into Brig Place, to behold the broad blue coat and waistcoat hanging out of 
the Captain's open window, to air in the sun. 


</p>
            <p>It appeared incredible that the coat and waistcoat could be seen by mortal 
eyes without the Captain: but he certainly was not in them, otherwise his 
legs—the houses in Brig Place not being lofty—would have obstructed the 
street door, which was perfectly clear. Quite wondering at this discovery, 
Walter gave a single knock. 


</p>
            <p>`Stinger,' he distinctly heard the Captain say, up in his room, as if that 
were no business of his. Therefore Walter gave two knocks. 


</p>
            <p>`Cuttle,' he heard the Captain say upon that; and immediately afterwards the 
Captain, in his clean shirt and braces, with his neckerchief hanging loosely 
round his throat like a coil of rope, and his glazed hat on, appeared at the 
window, leaning out over the broad blue coat and waistcoat. 


</p>
            <p>`Wal'r!' cried the Captain, looking down upon him in amazement. 


</p>
            <p>`Ay, ay, Captain Cuttle,' returned Walter, `only me.' 


</p>
            <p>`What's the matter, my lad?' inquired the Captain, with great concern. `Gills 
an't been and sprung nothing again?' 


</p>
            <p>`No, no,' said Walter. `My uncle's all right, Captain Cuttle.' 


</p>
            <p>The Captain expressed his gratification, and said he would come down below 
and open the door, which he did. 


</p>
            <p>`Though you're early, Wal'r,' said the Captain, eyeing him still doubtfully, 
when they got upstairs. 


</p>
            <p>`Why, the fact is, Captain Cuttle,' said Walter, sitting down, `I was afraid 
you would have gone out, and I want to benefit by your friendly counsel.' 


</p>
            <p>`So you shall,' said the Captain; `what'll you take?' 


</p>
            <p>`I want to take your opinion, Captain Cuttle,' returned Walter, smiling. 
`That's the only thing for me.' 


</p>
            <p>`Come on then,' said the Captain. `With a will, my lad!' 


</p>
            <p>Walter related to him what had happened; and the difficulty in which he felt 
respecting his uncle, and the relief it would be to him if Captain Cuttle, in 
his kindness, would help him to smooth it away; Captain Cuttle's infinite 
consternation and astonishment at the prospect unfolded to him, gradually 
swallowing that gentleman up, until it left his face quite vacant, and the 
suit of blue, the glazed hat, and the hook, apparently without an owner. 


</p>
            <p>`You see, Captain Cuttle,' pursued Walter, `for myself, I am young, as Mr. 
Dombey said, and not to be considered. I am to fight my way through the 
world, I know; but there are two points I was thinking, as I came along, that 
I should by very particular about, in respect to my uncle. I don't mean to 
say that I deserve to be the pride and delight of his life—you believe me, I 
know—but I am. Now, don't you think I am?' 


</p>
            <p>The Captain seemed to make an endeavour to rise from the depths of his 
astonishment, and get back to his face; but the effort being ineffectual, the 
glazed hat merely nodded with a mute, unutterable meaning. 


</p>
            <p>`If I live and have my health,' said Walter, `and I am not afraid of that, 
still, when I leave England I can hardly hope to see my uncle again. He is 
old, Captain Cuttle; and besides, his life is a life of custom——' 


</p>
            <p>`Steady, Wal'r! Of a want of custom?' said the Captain, suddenly 
reappearing. 


</p>
            <p>`Too true,' returned Walter, shaking his head: `but I meant a life of habit, 
Captain Cuttle—that sort of custom. And if (as you very truly said, I am 
sure) he would have died the sooner for the loss of the stock, and all those 
objects to which he has been accustomed for so many years, don't you think he 
might die a little sooner for the loss of——' 


</p>
            <p>`Of his Nevy,' interposed the Captain. `Right!' 


</p>
            <p>`Well then,' said Walter, trying to speak gaily, `we must do our best to make 
him believe that the separation is but a temporary one, after all; but as I 
know better, or dread that I know better, Captain Cuttle, and as I have so 
many reasons for regarding him with affection, and duty, and honour, I am 
afraid I should make but a very poor hand at that, if I tried to persuade him 
of it. That's my great reason for wishing you to break it out to him; and 
that's the first point.' 


</p>
            <p>`Keep her off a point or so!' observed the Captain, in a contemplative 
voice. 


</p>
            <p>`What did you say, Captain Cuttle?' inquired Walter. 


</p>
            <p>`Stand by!' returned the Captain, thoughtfully. 


</p>
            <p>Walter paused to ascertain if the Captain had any particular information to 
add to this, but as he said no more, went on. 


</p>
            <p>`Now, the second point, Captain Cuttle. I am sorry to say, I am not a 
favourite with Mr. Dombey. I have always tried to do my best, and I have 
always done it; but he does not like me. He can't help his likings and 
dislikings, perhaps. I say nothing of that. I only say that I am certain he 
does not like me. He does not send me to this post as a good one; he disdains 
to represent it as being better than it is; and I doubt very much if it will 
ever lead me to advancement in the House—whether it does not, on the 
contrary, dispose of me for ever, and put me out of the way. Now, we must say 
nothing of this to my uncle, Captain Cuttle, but must make it out to be as 
favourable and promising as we can; and when I tell you what it really is, I 
only do so, that in case any means should ever arise of lending me a hand, so 
far off, I may have one friend at home who knows my real situation.' 


</p>
            <p>`Wal'r, my boy,' replied the Captain, `in the Proverbs of Solomon you will 
find the following words, `May we never want a friend in need, nor a bottle 
to give him!' When found, make a note of.' 


</p>
            <p>Here the Captain stretched out his hand to Walter, with an air of downright 
good faith that spoke volumes; at the same time repeating (for he felt proud 
of the accuracy and pointed application of his quotation), `When found, make 
a note of.' 


</p>
            <p>`Captain Cuttle,' said Walter, taking the immense fist extended to him by the 
Captain in both his hands, which it completely filled, `next to my Uncle Sol, 
I love you. There is no one on earth in whom I can more safely trust, I am 
sure. As to the mere going away, Captain Cuttle, I don't care for that; why 
should I care for that! If I were free to seek my own fortune—if I were free 
to go as a common sailor—if I were free to venture on my own account to the 
farthest end of the world—I would gladly go! I would have gladly gone, years 
ago, and taken my chance of what might come of it. But it was against my 
uncle's wishes, and against the plans he had formed for me; and there was an 
end of that.  But what I feel, Captain Cuttle, is that we have been a little 
mistaken all along, and that, so far as any improvement in my prospects is 
concerned, I am no better off now than I was when I first entered Dombey's 
House-perhaps a little worse, for the House may have been kindly inclined 
towards me them, and it certainly is not now.' 


</p>
            <p>`Turn again, Whittington,' muttered the disconsolate Captain after looking at 
Walter for some time. 


</p>
            <p>`Aye,' replied Walter laughing, `and turn a great many times, too Captain 
Cuttle, I'm afraid, before such fortune as his ever turns up again. Not that 
I complain,' he added, in his lively, animated, energetic way. `I have 
nothing to complain of. I am provided for. I can live. When I leave my uncle, 
I leave him to you; and I can leave him to no one better, Captain Cuttle. I 
haven't told you all this because I despair, not I; it's to convince you that 
I can't pick and choose in Dombey's House, and that where I am sent, there I 
must go, and what I am offered, that I must take.  It's better for my uncle 
that I should be sent away; for Mr. Dombey is a valuable friend to him, as he 
proved himself, you know when, Captain Cuttle; and I am persuaded he won't be 
less valuable when he hasn't me there, every day, to awaken his dislike.  So 
hurrah for the West Indies, Captain Cuttle! How does that tune go that the 
sailors sing? 


</p>
            <p>
               <q>
                  <l>`For the Port of Barbados, Boys! </l>
                  <l>                           Cheerily! </l>
                  <l>Leaving old England behind us, Boys! </l>
                  <l>                           Cheerily!' </l>
                  <l/>
                  <l>Here the Captain roared in chorus— </l>
                  <l/>
                  <l>`Oh cheerily, cheerily! </l>
                  <l>                           Oh cheer—i—ly!' </l>
               </q>
            </p>
            <p>The last line reaching the quick ears of an ardent skipper not quite sober, 
who lodged opposite, and who instantly sprung out of bed, threw up his 
window, and joined in, across the street, at the top of his voice, produced a 
fine effect. When it was impossible to sustain the concluding note any 
longer, the skipper bellowed forth a terrific `ahoy!' intended in part as a 
friendly greeting, and in part to show that he was not at all breathed. That 
done, he shut down his window, and went to bed again. 


</p>
            <p>`And now, Captain Cuttle,' said Walter, handing him the blue coat and 
waistcoat, and bustling very much, `if you'll come and break the news to 
Uncle Sol (which he ought to have known, days upon days ago, by rights), I'll 
leave you at the door, you know, and walk about until the afternoon.' 


</p>
            <p>The Captain, however, scarcely appeared to relish the commission, or to be by 
any means confident of his powers of executing it.  He had arranged the 
future life and adventures of Walter so very differently, and so entirely to 
his own satisfaction; he had felicitated himself so often on the sagacity and 
foresight displayed in that arrangement, and had found it so complete and 
perfect in all its parts; that to suffer it to go to pieces all at once, and 
even to assist in breaking it up, required a great effort of his resolution. 
The Captain, too, found it difficult to unload his old ideas upon the 
subject, and to take a perfectly new cargo on board, with that rapidity which 
the circumstances required, or without jumbling and confounding the two. 
Consequently, instead of putting on his coat and waistcoat with anything like 
the impetuosity that could alone have kept pace with Walter's mood, he 
declined to invest himself with those garments at all at present; and 
informed Walter that on such a serious matter, he must be allowed to `bite 
his nails a bit.' 


</p>
            <p>`It's an old habit of mine, Wal'r,' said the Captain, `any time these fifty 
year.  When you see Ned Cuttle bite his nails, Wal'r, then you may know that 
Ned Cuttle's aground.' 


</p>
            <p>Thereupon the Captain put his iron hook between his teeth, as if it were a 
hand; and with an air of wisdom and profundity that was the very 
concentration and sublimation of all philosophical reflection and grave 
inquiry, applied himself to the consideration of the subject in its various 
branches. 


</p>
            <p>`There's a friend of mine,' murmured the Captain, in an absent manner, `but 
he's at present coasting round to Whitby, that would deliver such an opinion 
on this subject, or any other that could be named, as would give Parliament 
six and beat 'em.  Been knocked overboard, that man,' said the Captain, 
`twice, and none the worse for it.  Was beat in his apprenticeship, for three 
weeks (off and on), about the head with a ringbolt. And yet a clearer-minded 
man don't walk.' 


</p>
            <p>In spite of his respect for Captain Cuttle, Walter could not help inwardly 
rejoicing at the absence of this sage, and devoutly hoping that his limpid 
intellect might not be brought to bear on his difficulties until they were 
quite settled. 


</p>
            <p>`If you was to take and show that man the buoy at the Nore,' said Captain 
Cuttle in the same tone, `and ask him his opinion of it, Wal'r, he'd give you 
an opinion that was no more like that buoy than your uncle's buttons are. 
There ain't a man that walks—certainly not on <hi>two</hi> legs—that can come 
near him.  Not near him!' 


</p>
            <p>`What's his name, Captain Cuttle?' inquired Walter, determined to be 
interested in the Captain's friend. 


</p>
            <p>`His name's Bunsby,' said the Captain.  `But Lord, it might be anything for 
the matter of that, with such a mind as his!' 


</p>
            <p>The exact idea which the Captain attached to this concluding piece of praise, 
he did not further elucidate; neither did Walter seek to draw it forth.  For 
on his beginning to review, with the vivacity natural to himself and to his 
situation, the leading points in his own affairs, he soon discovered that the 
Captain had relapsed into his former profound state of mind; and that while 
he eyed him steadfastly from beneath his bushy eyebrows, he evidently neither 
saw not heard him, but remained immersed in cogitation. 


</p>
            <p>In fact, Captain Cuttle was labouring with such great designs, that far from 
being aground, he soon got off into the deepest of water, and could find no 
bottom to his penetration. By degrees it became perfectly plain to the 
Captain that there was some mistake here; that it was undoubtedly much more 
likely to be Walter's mistake than his; that if there were really any West 
India scheme afoot, it was a very different one from what Walter, who was 
young and rash, supposed; and could only be some new device for making his 
fortune with unusual celerity. `Or if there should be any little hitch 
between 'em,' thought the Captain, meaning between Walter and Mr. Dombey, `it 
only wants a word in season from a friend of both parties, to set it right 
and smooth, and make all taut again.' Captain Cuttle's deduction from these 
considerations was, that as he already enjoyed the pleasure of knowing Mr. 
Dombey, from having spent a very agreeable half-hour in his company at 
Brighton (on the morning when they borrowed the money); and that, as a couple 
of men of the world, who understood each other, and were mutually disposed to 
make things comfortable, could easily arrange any little difficulty of this 
sort, and come at the real facts; the friendly thing for him to do would be, 
without saving anything about it to Walter at present, just to step up to Mr. 
Dombey's house—say to the servant `Would ye be so good, my lad, as report 
Cap'en Cuttle here?'—meet Mr. Dombey in a confidential spirit—hook him by 
the button-hole—talk it over—make it all right—and come away 
triumphant! 


</p>
            <p>As these reflections presented themselves to the Captain's mind, and by slow 
degrees assumed this shape and form, his visage cleared like a doubtful 
morning when it gives place to a bright noon.  His eyebrows, which had been 
in the highest degree portentous, smoothed their rugged bristling aspect, and 
became serene; his eyes, which had been nearly closed in the severity of his 
mental exercise, opened freely; a smile which had been at first but three 
specks—one at the right-hand corner of his mouth, and one at the corner of 
each eye—gradually overspread his whole face, and rippling up into his 
forehead, lifted the glazed hat: as if that too had been aground with Captain 
Cuttle, and were now, like him, happily afloat again. 


</p>
            <p>Finally the Captain left off biting his nails, and said, `Now, Wal'r, my boy, 
you may help me on with them slops.' By which the Captain meant his coat and 
waistcoat. 


</p>
            <p>Walter little imagined why the Captain was so particular in the arrangement 
of his cravat, as to twist the pendent ends into a sort of pigtail, and pass 
them through a massive gold ring with a picture of a tomb upon it, and a neat 
iron railing, and a tree, in memory of some deceased friend.  Nor why the 
Captain pulled up his shirt-collar to the utmost limits allowed by the Irish 
linen below, and by so doing decorated himself with a complete pair of 
blinkers; nor why he changed his shoes, and put on an unparalleled pair of 
ankle-jacks, which he only wore on extraordinary occasions. The Captain being 
at length attired to his own complete satisfaction, and having glanced at 
himself from head to foot in a shaving-glass which he removed from a nail for 
that purpose, took up his knotted stick, and said he was ready. 


</p>
            <p>The Captain's walk was more complacent than usual when they got out into the 
street; but this Walter supposed to be the effect of the ankle-jacks, and 
took little heed of.  Before they had gone very far, they encountered a woman 
selling flowers; when the Captain stopping short, as if struck by a happy 
idea, made a purchase of a largest bundle in her basket: a most glorious 
nosegay, fan-shaped, some two feet and a half round, and composed of all the 
jolliest-looking flowers that blow. 


</p>
            <p>Armed with this little token which he designed for Mr. Dombey, Captain Cuttle 
walked on with Walter until they reached the Instrument-maker's door, before 
which they both paused. 


</p>
            <p>`You're going in?' said Walter. 


</p>
            <p>`Yes,' returned the Captain, who felt that Walter must be got rid of before 
he proceeded any further, and that he had better time his projected visit 
somewhat later in the day. 


</p>
            <p>`And you won't forget anything?' 


</p>
            <p>`No,' returned the Captain. 


</p>
            <p>`I'll go upon my walk at once,' said Walter, `and then I shall be out of the 
way, Captain Cuttle.' 


</p>
            <p>`Take a good long 'un, my lad!' replied the Captain, calling after him. 
Walter waved his hand in assent, and went his way. 


</p>
            <p>His way was nowhere in particular; but he thought he would go out into the 
fields, where he could reflect upon the unknown life before him, and resting 
under some tree, ponder quietly.  He knew no better fields than those near 
Hampstead, and no better means of getting at them than by passing Mr. 
Dombey's house. 


</p>
            <p>It was as stately and as dark as ever, when he went by and glanced up at its 
frowning front.  The blinds were all pulled down, but the upper windows stood 
wide open, and the pleasant air stirring those curtains and waving them to 
and fro, was the only sign of animation in the whole exterior.  Walter walked 
softly as he passed, and was glad when he had left the house a door or two 
behind. 


</p>
            <p>He looked back then; with the interest he had always felt for the place since 
the adventure of the lost child, years ago; and looked especially at those 
upper windows.  While he was thus engaged, a chariot drove to the door, and a 
portly gentleman in black, with a heavy watch-chain, alighted, and went in. 
When he afterwards remembered this gentleman and his equipage together, 
Walter had no doubt he was a physician; and then he wondered who was ill; but 
the discovery did not occur to him until he had walked some distance, 
thinking listlessly of other things. 


</p>
            <p>Though still, of what the house had suggested to him; for Walter pleased 
himself with thinking that perhaps the time might come, when the beautiful 
child who was his old friend and had always been so grateful to him and so 
glad to see him since, might interest her brother in his behalf and influence 
his fortunes for the better.  He liked to imagine this—more, at that moment, 
for the pleasure of imagining her continued remembrance of him, than for any 
worldly profit he might gain: but another and more sober fancy whispered to 
him that if he were alive then, he would be beyond the sea and forgotten; she 
married, rich, proud, happy.  There was no more reason why she should 
remember him with any interest in such an altered state of things, than any 
plaything she ever had. No, not so much. 


</p>
            <p>Yet Walter so idealised the pretty child whom he had found wandering in the 
rough streets, and so identified her with her innocent gratitude of that 
night and the simplicity and truth of its expression, that he blushed for 
himself as a libeller when he argued that she could ever grow proud.  On the 
other hand, his meditations were of that fantastic order that it seemed 
hardly less libellous in him to imagine her grown a woman: to think of her as 
anything but the same artless, gentle, winning little creature, that she had 
been in the days of good Mrs. Brown.  In a word, Walter found out that to 
reason with himself about Florence at all, was to become very unreasonable 
indeed; and that he could do not better than preserve her image in his mind 
as something precious, unattainable, unchangeable, and indefinite—indefinite 
in all its power of giving him pleasure, and restraining him like an angel's 
hand from anything unworthy. 


</p>
            <p>It was a long stroll in the fields that Walter took that day, listening to 
the birds, and the Sunday bells, and the softened murmur of the 
town—breathing sweet scents; glancing sometimes at the dim horizon beyond 
which his voyage and his place of destination lay; then looking round on the 
green English grass and the home landscape.  But he hardly once thought, even 
of going away, distinctly; and seemed to put off reflection idly, from hour 
to hour, and from minute to minute, while he yet went on reflecting all the 
time. 


</p>
            <p>Walter had left the fields behind him, and was plodding homeward in the same 
abstracted mood, when he heard a shout from a man, and then a woman's voice 
calling to him loudly by name.  Turning quickly in his surprise, he saw that 
a hackney-coach, going in the contrary direction, had stopped at no great 
distance; that the coachman was looking back from his box and making signals 
to him with his whip; and that a young woman inside was leaning out of the 
window, and beckoning with immense energy.  Running up to this coach, he 
found that the young woman was Miss Nipper, and that Miss Nipper was in such 
a flutter as to be almost beside herself. 


</p>
            <p>`Staggs's Gardens, Mr. Walter!' said Miss Nipper: `if you please, oh do!' 


</p>
            <p>`Eh?' cried Walter; `what is the matter?' 


</p>
            <p>`Oh, Mr. Walter, Staggs's Gardens, if you please!' said Susan. 


</p>
            <p>`There!' cried the coachman, appealing to Walter, with a sort of exulting 
despair; `that's the way the young lady's been a goin' on for up'ards of a 
mortal hour, and me continivally backing out of no thoroughfares, where she 
would drive up.  I've had a many fares in this coach, first and last, but 
never such a fare as her.' 


</p>
            <p>`Do you want to go to Staggs's Gardens, Susan?' inquired Walter. 


</p>
            <p>`Ah! <hi>She</hi> wants to go there! <hi rend="sc">where is it</hi>?' growled the 
coachman. 


</p>
            <p>`I don't know where it is!' exclaimed Susan, wildly.  `Mr. Walter, I was 
there once myself, along with Miss Floy and our poor darling Master Paul, on 
the very day when you found Miss Floy in the City, for we lost her coming 
home, Mrs. Richards and me, and a mad bull, and Mrs. Richards's eldest, and 
though I went there afterwards, I can't remember where it is, I think it's 
sunk into the ground.  Oh, Mr. Walter, don't desert me, Staggs's Gardens, if 
you please! Miss Floy's darling—all our darlings—little, meek, meek Master 
Paul! Oh Mr. Walter!' 


</p>
            <p>`Good God!' cried Walter. `Is he very ill?' 


</p>
            <p>`The pretty flower!' cried Susan, wringing her hands, `has took the fancy 
that he'd like to see his old nurse, and I've come to bring her to his 
bedside, Mrs. Staggs, of Polly Toodle's Gardens, some one pray!' 


</p>
            <p>Greatly moved by what he heard, and catching Susan's earnestness immediately, 
Walter, now that he understood the nature of her errand, dashed into it with 
such ardour that the coachman had enough to do to follow closely as he ran 
before, inquiring here and there and everywhere, the way to Staggs's 
Gardens. 


</p>
            <p>There was no such place as Staggs's Gardens.  It had vanished from the earth. 
 Where the old rotten summer-houses once had stood, places now reared their 
heads, and granite columns of gigantic girth opened a vista to the railway 
world beyond.  The miserable waste ground, where the refuse-matter had been 
heaped of yore, was swallowed up and gone; and in its frowsy stead were tiers 
of warehouses, crammed with rich goods and costly merchandise.  The old 
by-streets now swarmed with passengers and vehicles of every kind: the new 
streets that had stopped disheartened in the mud and waggon-ruts, formed 
towns within themselves, originating wholesome comforts and conveniences 
belonging to themselves, and never tried nor thought of until they sprung 
into existence.  Bridges that had led to nothing, led to villas, gardens, 
churches, healthy public walks.  The carcasses of houses, and beginnings of 
new thoroughfares, had started off upon the line at steam's own speed, and 
shot away into the country in a monster train. 


</p>
            <p>As to the neighbourhood which had hesitated to acknowledge the railroad in 
its straggling days, that had grown wise and penitent, as any Christian might 
in such a case, and now boasted of its powerful and prosperous relation. 
There were railway patterns in its drapers' shops, and railway journals in 
the windows of its newsmen.  There were railway hotels, office-houses, 
lodging-houses, boarding-houses; railway plans, maps, views, wrappers, 
bottles, sandwich-boxes, and timetables; railway hackney-coach and cabstands; 
railway omni-buses, railway streets and buildings, railway hangers-on and 
parasites, and flatterers out of all calculation.  There was even railway 
time observed in clocks, as if the sun itself had given in.  Among the 
vanquished was the master chimney-sweeper, whilome incredulous at Staggs's 
Gardens, who now lived in a stuccoed house three stories high, and gave 
himself out, with golden flourishes upon a varnished board, as contractor for 
the cleansing of railway chimneys by machinery. 


</p>
            <p>To and from the heart of this great change, all day and night, throbbing 
currents rushed and returned incessantly like its life's blood.  Crowds of 
people and mountains of goods, departing and arriving scores upon scores of 
times in every four-and-twenty hours, produced a fermentation in the place 
that was always in action.  The very houses seemed disposed to pack up and 
take trips.  Wonderful Members of Parliament, who, little more than twenty 
years before, had made themselves merry with the wild railroad theories of 
engineers, and given them the liveliest rubs in cross-examination, went down 
into the north with their watches in their hands, and sent on messages before 
by the electric telegraph, to say that they were coming.  Night and day the 
conquering engines rumbled at their distant work, or, advancing smoothly to 
their journey's end, and gliding like tame dragons into the allotted corners 
grooved out to the inch for their reception, stood bubbling and trembling 
there, making the walls quake, as if they were dilating with the secret 
knowledge of great powers yet unsuspected in them, and strong purposes not 
yet achieved. 


</p>
            <p>But Staggs's Gardens had been cut up root and branch. Oh woe the day when 
`not a rood of English ground'—laid out in Staggs's Gardens—is secure! 


</p>
            <p>At last, after much fruitless inquiry, Walter, followed by the coach and 
Susan, found a man who had once resided in that vanished land, and who was no 
other than the master sweep before referred to, grown stout, and knocking a 
double knock at his own door.  He knowed Toodle, he said, well.  Belonged to 
the Railroad, didn't he? 


</p>
            <p>`Yes, sir, yes!' cried Susan Nipper from the coach window. 


</p>
            <p>Where did he live now? hastily inquired Walter. 


</p>
            <p>He lived in the Company's own Buildings, second turning to the right, down 
the yard, cross over, and take the second on the right again.  It was number 
eleven; they couldn't mistake it; but if they did, they had only to ask for 
Toodle, Engine Fireman, and any one would show them which was his house.  At 
this unexpected stroke of success, Susan Nipper dismounted from the coach 
with all speed, took Walter's arm, and set off at a breathless pace on foot; 
leaving the coach there to await their return. 


</p>
            <p>`Has the little boy been long ill, Susan?' inquired Walter, as they hurried 
on. 


</p>
            <p>`Ailing for a deal of time, but no one knew how much,' said Susan; adding, 
with excessive sharpness, `Oh, them Blimbers!' 


</p>
            <p>`Blimbers?' echoed Walter. 


</p>
            <p>`I couldn't forgive myself at such a time as this, Mr. Walter,' said Susan, 
`and when there's so much serious distress to think about, if I rested hard 
on any one, especially on them that little darling Paul speaks well of, but I 
<hi>may</hi> wish that the family was set to work in a stony soil to make new 
roads, and that Miss Blimber went in front, and had the pickaxe!' 


</p>
            <p>Miss Nipper then took breath, and went on faster than before, as if this 
extraordinary aspiration had relieved her. Walter, who had by this time no 
breath of his own to spare, hurried along without asking any more questions; 
and they soon, in their impatience, burst in at a little door and came into a 
clean parlour full of children. 


</p>
            <p>`Where's Mrs. Richards?' exclaimed Susan Nipper, looking round.  `Oh Mrs. 
Richards, Mrs. Richards, come along with me, my dear creetur!' 


</p>
            <p>`Why, if it an't Susan!' cried Polly, rising with her honest face and 
motherly figure from among the group, in great surprise. 


</p>
            <p>`Yes, Mrs. Richards, it's me,' said Susan, `and I wish it wasn't, though I 
may not seem to flatter when I say so, but little Master Paul is very ill, 
and told his Pa to-day that he would like to see the face of his old nurse, 
and him and Miss Floy hope you'll come along with me—and Mr. Walter, Mrs. 
Richards—forgetting what is past, and do a kindness to the sweet dear that 
is withering away.  Oh, Mrs. Richards, withering away!' Susan Nipper crying, 
Polly shed tears to see her, and to hear what she had said; and all the 
children gathered round (including numbers of new babies); and Mr. Toodle, 
who had just come home from Birmingham, and was eating his dinner out of a 
basin, laid down his knife and fork, and put on his wife's bonnet and shawl 
for her, which were hanging up behind the door; then tapped her on the back; 
and said, with more fatherly feeling than eloquence, `Polly!cut away!' 


</p>
            <p>So they got back to the coach, long before the coachman expected them; and 
Walter, putting Susan and Mrs. Richards inside, took his seat on the box 
himself that there might be no more mistakes, and deposited them safely in 
the hall of Mr. Dombey's house—where, by the bye, he saw a mighty nosegay 
lying, which reminded him of the one Captain Cuttle had purchased in his 
company that morning.  He would have lingered to know more of the young 
invalid, or waited any length of time to see if he could render the least 
service; but, painfully sensible that such conduct would be looked upon by 
Mr. Dombey as presumptuous and forward, he returned slowly, sadly, anxiously, 
away. 


</p>
            <p>He had not gone five minutes' walk from the door, when a man came running 
after him, and begged him to return. Walter retraced his steps as quickly as 
he could, and entered the gloomy house with a sorrowful foreboding. 

</p>
         </div>
         <div xml:id="c16" type="chapter">
            <head>CHAPTER XVI</head>
            <head>What the Waves were always saying</head>
            <p>PAUL had never risen from his little bed. He lay there, listening to the 
noises in the street, quite tranquilly; not caring much how the time went, 
but watching it and watching everything about him with observing eyes. 


</p>
            <p>When the sunbeams struck into his room through the rustling blinds, and 
quivered on the opposite wall like golden water, he knew that evening was 
coming on, and that the sky was red and beautiful. As the reflection died 
away, and a gloom went creeping up the wall, he watched it deepen, deepen, 
deepen, into night. Then he thought how the long streets were dotted with 
lamps, and how the peaceful stars were shining overhead. His fancy had a 
strange tendency to wander to the river, which he knew was flowing through 
the great city; and now he thought how black it was, and how deep it would 
look, reflecting the hosts of stars—and more than all, how steadily it 
rolled away to meet the sea. 


</p>
            <p>As it grew later in the night, and footsteps in the street became so rare 
that he could hear them coming, count them as they passed, and lose them in 
the hollow distance, he would lie and watch the many-coloured ring about the 
candle, and wait patiently for day. His only trouble was, the swift and rapid 
river. He felt forced, sometimes, to try to stop it—to stem it with his 
childish hands—or choke its way with sand—and when he saw it coming on, 
resistless, he cried out! But a word from Florence, who was always at his 
side, restored him to himself; and leaning his poor head upon her breast, he 
told Floy of his dream, and smiled. 


</p>
            <p>When day began to dawn again, he watched for the sun; and when its cheerful 
light began to sparkle in the room, he pictured to himself—pictured! he 
saw—the high church towers rising up into the morning sky, the town 
reviving, waking, starting into life once more, the river glistening as it 
rolled (but rolling fast as ever), and the country bright with dew. Familiar 
sounds and cries came by degrees into the street below; the servants in the 
house were roused and busy; faces looked in at the door, and voices asked his 
attendants softly how he was. Paul always answered for himself, `I am better. 
I am a great deal better, thank you! Tell Papa so!' 


</p>
            <p>By little and little, he got tired of the bustle of the day, the noise of 
carriages and carts, and people passing and repassing; and would fall asleep, 
or be troubled with a restless and uneasy sense again—the child could hardly 
tell whether this were in his sleeping or his waking moments—of that rushing 
river. `Why, will it never stop, Floy?' he would sometimes ask her. `It is 
bearing me away, I think!' 


</p>
            <p>But Floy could always soothe and reassure him; and it was his daily delight 
to make her lay her head down on his pillow, and take some rest. 


</p>
            <p>`You are always watching me, Floy. Let me watch <hi>you</hi>, now!' They would 
prop him up with cushions in a corner of his bed, and there he would recline 
the while she lay beside him: bending forward oftentimes to kiss her, and 
whispering to those who were near that she was tired, and how she had sat up 
so many night beside him. 


</p>
            <p>Thus, the flush of the day, in its heat and light, would gradually decline; 
and again the golden water would be dancing on the wall. 


</p>
            <p>He was visited by as many as three grave doctors—they used to assemble 
downstairs, and come up together—and the room was so quiet, and Paul was so 
observant of them (though he never asked of anybody what they said), that he 
even knew the difference in the sound of their watches. But his interest 
centred in Sir Parker Peps, who always took his seat on the side of the bed. 
For Paul had heard them say long ago, that that gentleman had been with his 
mama when she clasped Florence in her arms, and died. And he could not forget 
it, now. He liked him for it. He was not afraid. 


</p>
            <p>The people round him changed as unaccountably as on that first night at 
Doctor Blimber's—except Florence; Florence never changed—and what had been 
Sir Parker Peps, was now his father, sitting with his head upon his hand. Old 
Mrs. Pipchin dozing in an easy chair, often changed to Miss Tox, or his aunt; 
and Paul was quite content to shut his eyes again, and see what happened next 
without emotion. But this figure with its head upon its hand returned so 
often, and remained so long, and sat so still and solemn, never speaking, 
never being spoken to, and rarely lifting up its face, that Paul began to 
wonder languidly, if it were real; and in the night-time saw it sitting 
there, with fear. 


</p>
            <p>`Floy!' he said. `What <hi>is</hi> that?' 


</p>
            <p>`Where, dearest?' 


</p>
            <p>`There! at the bottom of the bed.' 


</p>
            <p>`There's nothing there, except Papa!' 


</p>
            <p>The figure lifted up its head, and rose, and coming to the beside, said: `My 
own boy! Don't you know me?' 


</p>
            <p>Paul looked it in the face, and thought, was this his father? But the face so 
altered to his thinking, thrilled while he gazed, as if it were in pain; and 
before he could reach out both his hands to take it between them, and draw it 
towards him, the figure turned away quickly from the little bed, and went out 
at the door. 


</p>
            <p>Paul looked at Florence with a fluttering heart, but he knew what she was 
going to say, and stopped her with his face against her lips. The next time 
he observed the figure sitting at the bottom of the bed, he called to it. 


</p>
            <p>`Don't be so sorry for me, dear Papa! Indeed I am quite happy!' 


</p>
            <p>His father coming and bending down to him—which he did quickly, and without 
first pausing by the bedside—Paul held him round the neck, and repeated 
those words to him several times, and very earnestly; and Paul never saw him 
in his room again at any time, whether it were day or night, but he called 
out, `Don't be so sorry for me! Indeed I am quite happy!' This was the 
beginning of his always saying in the morning that he was a great deal 
better, and that they were to tell his father so. 


</p>
            <p>How many times the golden water danced upon the wall; how many nights the 
dark, dark river rolled towards the sea in spite of him; Paul never counted, 
never sought to know. If their kindness, or his sense of it, could have 
increased, they were more kind, and he more grateful every day; but whether 
they were many days or few, appeared of little moment now, to the gentle boy. 


</p>
            <p>One night he had been thinking of his mother, and her picture in the 
drawing-room down stairs, and thought she must have loved sweet Florence 
better than his father did, to have held her in her arms when she felt that 
she was dying—for even he, her brother, who had such dear love for her, 
could have no greater wish than that. The train of thought suggested to him 
to inquire if he had ever seen his mother; for he could not remember whether 
they had told him, yes or no, the river running very fast, and confusing his 
mind. 


</p>
            <p>`Floy, did I ever see mama?' 


</p>
            <p>`No, darling, why?' 


</p>
            <p>`Did I ever see any kind face, like mama's, looking at me when I was a baby, 
Floy?' 


</p>
            <p>He asked, incredulously, as if he had some vision of a face before him. 


</p>
            <p>`Oh yes, dear!' 


</p>
            <p>`Whose, Floy?' 


</p>
            <p>`Your old nurse's. Often.' 


</p>
            <p>`And where is my old nurse?' said Paul. `Is she dead too? Floy, are we 
<hi>all</hi> dead, except you?' 


</p>
            <p>There was a hurry in the room, for an instant—longer, perhaps; but it seemed 
no more—then all was still again; and Florence, with her face quite 
colourless, but smiling, held his head upon her arm. Her arm trembled very 
much. 


</p>
            <p>`Show me that old nurse, Floy, if you please!' 


</p>
            <p>`She is not here, darling. She shall come to-morrow.' 


</p>
            <p>`Thank you, Floy!' 


</p>
            <p>Paul closed his eyes with those words, and fell asleep. When he awoke, the 
sun was high, and the broad day was clear and warm. He lay a little, looking 
at the windows, which were open, and the curtains rustling in the air, and 
waving to and fro: then he said, `Floy, is it to-morrow? Is she come?' 


</p>
            <p>Some one seemed to go in quest of her. Perhaps it was Susan.  Paul thought he 
heard her telling him when he had closed his eyes again, that she would soon 
be back; but he did not open them to see. She kept her word—perhaps she had 
never been away—but the next thing that happened was a noise of footsteps on 
the stairs, and then Paul woke—woke mind and body—and sat upright in his 
bed. He saw them now about him. There was no grey mist before them, as there 
had been sometimes in the night. He knew them every one, and called them by 
their names. 


</p>
            <p>`And who is this? Is this my old nurse?' said the child, regarding with a 
radiant smile, a figure coming in. 


</p>
            <p>Yes, yes. No other stranger would have shed those tears at sight of him, and 
called him her dear boy, her pretty boy, her own poor blighted child. No 
other woman would have stooped down by his bed, and taken up his wasted hand, 
and put it to her lips and breast, as one who had some right to fondle it. No 
other woman would have so forgotten everybody there but him and Floy, and 
been so full of tenderness and pity. 


</p>
            <p>`Floy! this is a kind good face!' said Paul. `I am glad to see again. Don't 
go away, old nurse! Stay here.' 


</p>
            <p>His senses were all quickened, and he heard a name he knew. 


</p>
            <p>`Who was that, who said “Walter”?' he asked, looking round. `Some one said 
Walter. Is he here? I should like to see him very much.' 


</p>
            <p>Nobody replied directly; but his father soon said to Susan, `Call him back, 
then: let him come up!' After a short pause of expectation, during which he 
looked with smiling interest and wonder, on his nurse, and saw that she had 
not forgotten Floy, Walter was brought into the room. His open face and 
manner, and his cheerful eyes, had always made him a favourite with Paul; and 
when Paul saw him, he stretched out his hand, and said `Good-bye!' 


</p>
            <p>`Good-bye, my child!' said Mrs. Pipchin, hurrying to his bed's head. `Not 
good-bye?' 


</p>
            <p>For an instant, Paul looked at her with the wistful face with which he had so 
often gazed upon her in his corner by the fire. `Ah yes,' he said placidly, 
`good-bye! Walter dear, good-bye!'—turning his head to where he stood, and 
putting out his hand again. `Where is Papa?' 


</p>
            <p>He felt his father's breath upon his check, before the words had parted from 
his lips. 


</p>
            <p>`Remember Walter, dear papa,' he whispered, looking in his face. `Remember 
Walter. I was fond of Walter!' The feeble hand waved in the air, as if it 
cried `good-bye!'to Walter once again. 


</p>
            <p>`Now lay me down,' he said, `and, Floy, come close to me, and let me see 
you!' 


</p>
            <p>Sister and brother wound their arms around each other, and the golden light 
came streaming in, and fell upon them, locked together. 


</p>
            <p>`How fast the river runs, between its green banks and the rushes, Floy! But 
it's very near the sea. I hear the waves!They always said so!' 


</p>
            <p>Presently he told her that the motion of the boat upon the stream was lulling 
him to rest.  How green the banks were now, how bright the flowers growing on 
them, and how tall the rushes! Now the boat was out at sea, but gliding 
smoothly on.  And now there was a shore before him.  Who stood on the 
bank!— 


</p>
            <p>He put his hands together, as he had been used to do at his prayers. He did 
not remove his arms to do it; but they saw him fold them so, behind her 
neck. 


</p>
            <p>`Mama is like you, Floy. I know her by the face! But tell them that the print 
upon the stairs at school is not divine enough. The light about the head is 
shining on me as I go!' 


</p>
            <p>The golden ripple on the wall came back again, and nothing else stirred in 
the room.  The old, old fashion! The fashion that came in with our first 
garments, and will last unchanged until our race has run its course, and the 
wide firmament is rolled up like a scroll. The old, old fashion—Death! 


</p>
            <p>Oh thank God, all who see it, for that older fashion yet, of Immortality! And 
look upon us, angels of young children, with regards not quite estranged, 
when the swift river bears us to the ocean! 

</p>
         </div>
         <div xml:id="c17" type="chapter">
            <head>CHAPTER XVII</head>
            <head>Captain Cuttle does a little Business for the Young People</head>
            <p>CAPTAIN CUTTLE, in the exercise of that surprising talent for deep-laid and 
unfathomable  scheming,  with which (as is not unusual in  men of transparent 
simplicity) he sincerely believed himself to be endowed by nature, had gone 
to Mr. Dombey's house on the eventful Sunday, winking all the way as  a vent 
for  his superfluous  sagacity,  and had presented himself in the full lustre 
of the ankle-jacks before the eyes of Towlinson. Hearing from that 
individual, to his great concern, of the impending calamity, Captain Cuttle, 
in his delicacy, sheered off again confounded; merely handing in the nosegay 
as a small mark of his solicitude, and leaving his respectful compliments for 
the family in general, which he accompanied with an expression of his hope 
that they would lay their heads well to the wind under existing 
circumstances, and a friendly intimation that he would `look up again' 
to-morrow. 


</p>
            <p>The Captain's compliments were never heard of any more. The Captain's 
nosegay, after lying in the hall all night, was swept into the dust-bin next 
morning; and the Captain's sly arrangement, involved in one catastrophe with 
greater hopes and loftier designs, was crushed to pieces.  So when an 
avalanche bears down a mountain-forest, twigs and bushes suffer with the 
trees, and all perish together. 


</p>
            <p>When Walter returned home on the Sunday evening from his long walk, and its 
memorable close, he was too much occupied at first by the tidings he had to 
give them, and by the emotions naturally awakened  in his breast by the scene 
through which he had passed, to observe either that his uncle was evidently 
unacquainted with the intelligence the Captain had undertaken to impart, or 
that the Captain made signals with his hook, warning him to avoid the 
subject. Not that the Captain's signals were calculated to have proved very 
comprehensible, however attentively observed; for, like those Chinese sages 
who are said in their conferences to write certain learned words in the air 
that are wholly impossible of pronunciation, the Captain made such waves and 
flourishes as nobody without a previous knowledge of his mystery, would have 
been at all likely to understand. 


</p>
            <p>Captain Cuttle, however, becoming cognisant of what had happened, 
relinquished these attempts, as he perceived the slender chance that now 
existed of his being able to obtain a little easy chat with Mr. Dombey before 
the period of Walter's departure. But in admitting to himself, with a 
disappointed and crestfallen countenance, that Sol Gills must be told, and 
that Walter must go—taking the case for the present as he found it, and not 
having it enlightened or improved beforehand by the knowing management of a 
friend—the Captain still felt an unabated confidence that he, Ned Cuttle, 
was the man for Mr. Dombey; and that, to set Walter's fortunes quite square, 
nothing was wanted but that they two should come together. For the Captain 
never could forget how well he and Mr. Dombey had got on at Brighton; with 
what nicety each of them had put in a word when it was wanted; how exactly 
they had taken one another's measure; nor how Ned Cuttle had pointed out that 
resource in the first extremity, and had brought the interview to the desired 
termination. On all these grounds the Captain soothed himself with thinking 
that though Ned Cuttle was forced by the pressure of events to `stand by' 
almost useless for the present, Ned would fetch up with a wet sail in good 
time, and carry all before him. 


</p>
            <p>Under the influence of this good-natured delusion, Captain Cuttle even went 
to far as to revolve in his own bosom, while he sat looking at Walter and 
listening with a tear on his shirt-collar to what he related, whether it 
might not be at once genteel and politic to give Mr. Dombey a verbal 
invitation, whenever they should meet, to come and cut his mutton in Brig 
Place on some day of his own naming, and enter on the question of his young 
friend's prospects over a social glass. But the uncertain temper of Mrs. 
MacStinger, and the possibility of her setting up her rest in the passage 
during such an entertainment, and there delivering some homily of an 
uncomplimentary nature, operated as a check on the Captain's hospitable 
thoughts, and rendered him timid of giving them encouragement. 


</p>
            <p>One fact was quite clear to the Captain, as Walter, sitting thoughtfully over 
his untasted dinner, dwelt on all that had happened; namely, that however 
Walter's modesty might stand in the way of his perceiving it himself, he was 
as one might say, a member of Mrs. Dombey's family. He had been, in his own 
person, connected with the incident he so pathetically described; he had been 
by name remembered and commended in close association with it; and his 
fortunes must have a particular interest in his employer's eyes. If the 
Captain had any lurking doubt whatever of his own conclusions, he had not the 
least doubt that they were good conclusions for the peace of mind of the 
Instrument-maker. Therefore he availed himself of so favourable a movement 
for breaking the West Indian Intelligence to his old friend, as a piece of 
extraordinary preferment; declaring that for his part he would freely give a 
hundred thousand pounds (if he had it) for Walter's gain in the long-run, and 
that he had no doubt such an investment would yield a handsome premium. 


</p>
            <p>Solomon Gills was at first stunned by the communication, which fell upon the 
little back-parlour like a thunderbolt, and tore up the hearth savagely.  But 
the Captain flashed such golden prospects before his dim sight: hinted so 
mysteriously at Whittingtonian consequences; laid such emphasis on what 
Walter had just now told them: and appealed to it so confidently as a 
corroboration of his predictions, and a great advance towards the realisation 
of the romantic legend of Lovely Peg: that he bewildered the old man. Walter, 
for his part, feigned to be so full of hope and ardour, and so sure of coming 
home again soon, and backed up the Captain with such expressive shakings of 
his head and rubbings of his hands, that Solomon, looking first at him and 
then at Captain Cuttle, began to think he ought to be transported with 
joy. 


</p>
            <p>`But I'm behind the time, you understand,' he observed in apology, passing 
his hand nervously down the whole row of bright buttons on his coat, and then 
up again, as if they were beads and he were telling them twice over: `and I 
would rather have my dear boy here.  It's an old-fashioned notion, I dare 
say.  He was always fond of the sea. He's'—and he looked wistfully at 
Walter—he's glad to go.' 


</p>
            <p>`Uncle Sol!' cried Walter, quickly, `if you say that, I won't go. No, Captain 
Cuttle, I won't. If my uncle thinks I could be glad to leave him, though I 
was going to be made Governor of all the Islands in the West Indies, that's 
enough. I'm a fixture.' 


</p>
            <p>`Wal'r, my lad,' said the Captain. `Steady! Sol Gills, take an observation of 
your nevy.' 


</p>
            <p>Following with his eyes the majestic action of the Captain's hook, the old 
man looked at Walter. 


</p>
            <p>`Here is a certain craft,' said the Captain, with a magnificent sense of the 
allegory into which he was soaring, `a-going to put out on a certain voyage. 
What name is wrote upon that craft indelibly? Is it The Gay? or,'said the 
Captain, raising his voice as much as to say, observe the point of this, `is 
it The Gills?' 


</p>
            <p>`Ned,' said the old man, drawing Walter to his side, and taking his arm 
tenderly through his, `I know. I know. Of course I know that Wally considers 
me more than himself always. That's in my mind. When I say he is glad to go, 
I mean I hope he is.  Eh? look you, Ned, and you too, Wally, my dear, this is 
new and unexpected to me; and I'm afraid my being behind the time, and poor, 
is at the bottom of it.  Is it really good fortune for him, do you tell me, 
now?' said the old man, looking anxiously from one to the other. `Really and 
truly? Is it? I can reconcile myself to almost anything that advances Wally, 
but I won't have Wally putting himself at any disadvantage for me, or keeping 
anything from me.  You, Ned Cuttle!' said the old man, fastening on the 
Captain, to the manifest confusion of that diplomatist; `are you dealing 
plainly by your old friend? Speak out, Ned Cuttle. Is there anything behind? 
Ought he to go? How do you know it first, and why?' 


</p>
            <p>As it was a contest of affection and self-denial, Walter struck in with 
infinite effect, to the Captain's relief; and between them they tolerably 
reconciled old Sol Gills, by continued talking, to the project; or rather so 
confused him, that nothing, not even the pain of separation, was distinctly 
clear to his mind. 


</p>
            <p>He had not much time to balance the matter; for on the very next day, Walter 
received from Mr. Carker the Manager, the necessary credentials for his 
passage and outfit, together with the information that the Son and Heir would 
said in a fortnight, or within a day or two afterwards at latest. In the 
hurry of preparation: which Walter purposely enhanced as much as possible: 
the old man lost what little self-possession he ever had; and so the time of 
departure drew on rapidly. 


</p>
            <p>The Captain, who did not fail to make himself acquainted with all that 
passed, through inquiries of Walter from day to day, found the time still 
tending on towards his going away, without any occasion offering itself, or 
seeming likely to offer itself, for a better understanding of his position. 
It was after much consideration of this fact, and much pondering over such an 
unfortunate combination of circumstances, that a bright idea occurred to the 
Captain.  Suppose he made a call on Mr. Carker, and tried to find out from 
<hi>him</hi> how the land really lay! 


</p>
            <p>Captain Cuttle liked this idea very much.  It came upon him in a moment of 
inspiration, as he was smoking an early pipe in Brig Place after breakfast; 
and it was worthy of the tobacco. It would quiet his conscience, which was an 
honest one, and was made a little uneasy by what Walter had confided to him, 
and what Sol Gills had said; and it would be a deep, shrewd act of 
friendship.  He would sound Mr. Carker carefully, and say much or little, 
just as he read that gentleman's character, and discovered that they got on 
well together or the reverse. 


</p>
            <p>Accordingly without the fear of Walter before his eyes (who he knew was at 
home packing), Captain Cuttle again assumed his ankle-jacks and mourning 
brooch, and issued forth on this second expedition.  He purchased no 
propitiatory nosegay on the present occasion, as he was going to a place of 
business; but he put a small sunflower in his button-hole to give himself an 
agreeable relish of the country; and with this, and the knobby stick, and the 
glazed hat, bore down upon the offices of Dombey and Son. 


</p>
            <p>After taking a glass of warm rum-and-water at a tavern close by, to collect 
his thoughts, the Captain made a rush down the court, lest its good effects 
should evaporate, and appeared suddenly to Mr. Perch. 


</p>
            <p>`Matey,' said the Captain, in persuasive accents. `One of your Governors is 
named Carker.' 


</p>
            <p>Mr. Perch admitted it; but gave him to understand, as in official duty bound, 
that all his Governors were engaged, and never expected to be disengaged any 
more. 


</p>
            <p>`Look'ee here, mate,' said the Captain in his ear; `my name's Cap'en 
Cuttle.' 


</p>
            <p>The Captain would have hooked Perch gently to him, but Mr. Perch eluded the 
attempt; not so much in design, as in starting at the sudden thought that 
such a weapon unexpectedly exhibited to Mrs. Perch might, in her then 
condition, be destructive to that lady's hopes. 


</p>
            <p>`If you'll be so good as just report Cap'en Cuttle here, when you get a 
chance,'said the Captain, `I'll wait.' 


</p>
            <p>Saying which, the Captain took his seat on Mr. Perch's bracket, and drawing 
out his handkerchief from the crown of the glazed hat, which he jammed 
between his knees (without injury to its shape, for nothing human could bend 
it), rubbed his head well all over, and appeared refreshed. He subsequently 
arranged his hair with his hook, and sat looking round the office, 
contemplating the clerks with a serene respect. 


</p>
            <p>The Captain's equanimity was so impenetrable, and he was altogether so 
mysterious a being, that Perch the messenger was daunted. 


</p>
            <p>`What name was it you said?' asked Mr. Perch, bending down over him as he sat 
on the bracket. 


</p>
            <p>`Cap'en,' in a deep hoarse whisper. 


</p>
            <p>`Yes,' said Mr. Perch, keeping time with his head. 


</p>
            <p>`Cuttle.' 


</p>
            <p>`Oh!' said Mr. Perch, in the same tone, for he caught it, and couldn't help 
it; the Captain, in his diplomacy, was so impressive. `I'll see if he's 
disengaged now. I don't know. Perhaps he may be for a minute.' 


</p>
            <p>`Aye, aye, my lad, I won't detain him longer than a minute,' said the 
Captain, nodding with all the weighty importance that he felt within him. 
Perch, soon returning, said, `Will Captain Cuttle walk this way?' 


</p>
            <p>Mr. Carker the Manager, standing on the hearth-rug before the empty 
fireplace, which was ornamented with a castellated sheet of brown paper, 
looked at the Captain as he came in, with no very special encouragement. 


</p>
            <p>`Mr. Carker?' said Captain Cuttle. 


</p>
            <p>`I believe so,' said Mr. Carker, showing all his teeth. 


</p>
            <p>The Captain liked his answering with a smile; it looked pleasant. `You see,' 
began the Captain, rolling his eyes slowly round the little room, and taking 
in as much of it as his shirt-collar permitted; `I'm a seafaring man myself, 
Mr. Carker, and Wal'r, as is on your books here, is almost a son of mine.' 


</p>
            <p>`Walter Gay?' said Mr. Carker, showing all his teeth again. 


</p>
            <p>`Wal'r Gay it is,' replied the Captain, `right!' The Captain's manner 
expressed a warm approval of Mr. Carker's quickness of perception. `I'm a 
intimate friend of his and his uncle's. Perhaps,' said the Captain, `you may 
have heard your head Governor mention my name?—Captain Cuttle.' 


</p>
            <p>`No!' said Mr. Carker, with a still wider demonstration than before. 


</p>
            <p>`Well,' resumed the Captain, `I've the pleasure of his acquaintance. I waited 
upon him down on the Sussex coast there, with my young friend Wal'r, when—in 
short, when there was a little accommodation wanted.' The Captain nodded his 
head in a manner that was at once comfortable, easy, and expressive. `You 
remember, I dare say?' 


</p>
            <p>`I think,' said Mr. Carker, `I had the honour of arranging the business.' 


</p>
            <p>`To be sure!' returned the Captain. `Right again! you had. Now I've took the 
liberty of coming here—' 


</p>
            <p>`Won't you sit down?' said Mr. Carker, smiling. 


</p>
            <p>`Thank'ee,' returned  the Captain, availing himself of the offer. `A man does 
get more way upon himself, perhaps, in his conversation, when he sits down. 
Won't you take a cheer yourself?' 


</p>
            <p>`No thank you,' said the Manager, standing, perhaps from the force of winter 
habit, with his back against the chimney-piece, and looking down upon the 
Captain with an eye in every tooth and gum. `You have taken the liberty, you 
were going to say—though it's none—' 


</p>
            <p>`Thank'ee kindly, my lad,' returned the Captain:  `of coming here, on account 
of my friend Wal'r. Sol Gills, his uncle, is a man of science, and in science 
he may be considered a clipper; but he ain't what I should altogether call a 
able seaman—not a man of practice. Wal'r is as trim a lad as ever stepped; 
but he's a little down by the head in one respect, and that is modesty. Now 
what I should wish to put to you,' said the Captain, lowering his voice, and 
speaking in a kind of confidential growl, `in a friendly way, entirely 
between you and me, and for my own private reckoning, 'till your head 
Governor has wore round a bit, and I can come alongside of him, is this.—Is 
everything right and comfortable here, and is Wal'r out'ard bound with a 
pretty fair wind?' 


</p>
            <p>`What do you think now, Captain Cuttle?' returned Carker, gathering up his 
skirts and settling himself in his position. `<hi>You</hi> are a practical man; 
what do you think?' 


</p>
            <p>The  acuteness and significance of the Captain's eye as he cocked it in 
reply, no words short of those unutterable Chinese words before referred to 
could describe. 


</p>
            <p>`Come!' said the Captain, unspeakably encouraged, `what do you say? Am I 
right or wrong?' 


</p>
            <p>So much had the Captain expressed in his eye, emboldened and incited by Mr. 
Carker's smiling urbanity, that he felt himself in as fair a condition to put 
the question, as if he had expressed his sentiments with the utmost 
elaboration. 


</p>
            <p>`Right,' said Mr. Carker, `I have no doubt.' 


</p>
            <p>`Out'ard bound with fair weather, then, I say,' cried Captain Cuttle. 


</p>
            <p>Mr. Carker smiled assent. 


</p>
            <p>`Wind right astarn, and plenty of it,' pursued the Captain. 


</p>
            <p>Mr. Carker smiled assent again. 


</p>
            <p>`Aye, aye!' said Captain Cuttle, greatly relieved and pleased. `I know'd how 
she headed, well enough; I told Wal'r so. Thank'ee, thank'ee.' 


</p>
            <p>`Gay has brilliant prospects,' observed Mr. Carker, stretching his mouth 
wider yet: `all the world before him.' 


</p>
            <p>`All the world and his wife too, as the saying is,' returned the delighted 
Captain. 


</p>
            <p>At the word `wife' (which he had uttered without design), the Captain 
stopped, cocked his eye again, and putting the glazed hat on the top of the 
knobby stick, gave it a twirl, and looked sideways at his always smiling 
friend. 


</p>
            <p>`I'd bet a gill of old Jamaica,' said the Captain, eyeing him attentively, 
`that I know what you're smiling at.' 


</p>
            <p>Mr. Carker took his cue, and smiled the more. 


</p>
            <p>`It goes no farther?' said the Captain, making a poke at the door with the 
knobby stick to assure himself that it was shut. 


</p>
            <p>`Not an inch,' said Mr. Carker. 


</p>
            <p>`You're thinking of a capital F perhaps?' said the Captain. 


</p>
            <p>Mr. Carker didn't deny it. 


</p>
            <p>`Anything about a L,' said the Captain, `or a O?' 


</p>
            <p>Mr. Carker still smiled. 


</p>
            <p>`Am I right again?' inquired  the Captain in a whisper, with the scarlet 
circle on his forehead swelling in his triumphant joy. 


</p>
            <p>Mr. Carker, in reply, still smiling, and now nodding assent, Captain Cuttle 
rose and squeezed him by the hand, assuring him, warmly, that they were on 
the same tack, and that as for him (Cuttle) he had laid his course that way 
all along. `He know'd her first,' said the Captain, with all the secrecy and 
gravity that the subject demanded, `in an uncommon manner—<hi>you</hi>
remember his finding her in the street when she was a'most a babby—he has 
liked her ever since, and she him, as much as two such youngsters can. We've 
always said, Sol Gills and me, that they was cut out for each other.' 


</p>
            <p>A cat, or a monkey, or a hyena, or a death's-head, could not have shown the 
Captain more teeth at one time, than Mr. Carker showed him at this period of 
their interview. 


</p>
            <p>`There's a general in-draught that way,' observed the happy Captain. `Wind 
and water sets in that direction, you see. Look at his being present t' other 
day!' 


</p>
            <p>`Most favourable to his hopes,' said Mr. Carker. 


</p>
            <p>`Look at his being towed along  in the wake of that day!' pursued the 
Captain. `Why what can cut him adrift now?' 


</p>
            <p>`Nothing,' replied Mr. Carker. 


</p>
            <p>`You're right again,' returned the Captain, giving his hand another squeeze. 
`Nothing it is. So! steady! There's a son gone: pretty little creetur. Ain't 
there?' 


</p>
            <p>`Yes, there's a son gone,' said the acquiescent Carker. 


</p>
            <p>`Pass the word, and there's another ready for you,' quoth the Captain. `Nevy 
of a scientific uncle! Nevy of Sol Gills!Wal'r! Wal'r, as is already in your 
business! And'—said the Captain, rising gradually to a quotation he was 
preparing for a final burst, `who—comes from Sol Gills's daily, <hi>to</hi>
your business, and your buzzums.' 


</p>
            <p>The Captain's complacency as he gently jogged Mr. Carker with his elbow, on 
concluding each of the foregoing short sentences, could be surpassed by 
nothing but the exultation with which he fell back and eyed him when he had 
finished this brilliant display of eloquence and sagacity; his great blue 
waistcoat heaving with the throes of such a masterpiece, and his nose in a 
state of violent inflammation from the same cause. 


</p>
            <p>`Am I right?' said the Captain. 


</p>
            <p>`Captain Cuttle,' said Mr. Carker, bending down at the knees, for a moment, 
in an odd manner, as if he were falling together to hug the whole of himself 
at once, `your views in reference to Walter Gay are thoroughly and accurately 
right. I understand that we speak together in confidence.' 


</p>
            <p>`Honour!' interposed the Captain. `Not a word.' 


</p>
            <p>`To him or any one?' pursued the Manager. 


</p>
            <p>Captain Cuttle frowned and shook his head. 


</p>
            <p>`But merely for your own satisfaction and guidance—and guidance, of course,' 
repeated Mr. Carker, `with a view to your future proceedings.' 


</p>
            <p>`Thank'ee kindly, I am sure,' said the Captain, listening with great 
attention. 


</p>
            <p>`I have no hesitation in saying, that's the fact. You have hit the 
probabilities exactly.' 


</p>
            <p>`And with regard to your head Governor,' said the Captain, `why an interview 
had better come about nat'ral between us. There's time enough.' 


</p>
            <p>Mr. Carker, with his mouth from ear to ear, repeated, `Time enough.' Not 
articulating the words, but bowing his head affably, and forming them with 
his tongue and lips. 


</p>
            <p>`And as I know—it's what I always said—that Wal'r's in a way to make his 
fortune,'said the Captain. 


</p>
            <p>`To make his fortune,' Mr. Carker repeated, in the same dumb manner. 


</p>
            <p>`And as Wal'r's going on this little voyage is, as I may say, in his day's 
work, and a part of his general expectations here,' said the Captain. 


</p>
            <p>`Of his general expectations here,' assented Mr. Carker, dumbly as before. 


</p>
            <p>`Why, so long as I know that,' pursued the Captain, `there's no hurry, and my 
mind's at ease.' 


</p>
            <p>Mr. Carker still blandly assenting in the same voiceless manner, Captain 
Cuttle was strongly confirmed in his opinion that he was one of the most 
agreeable men he had ever met, and that even Mr. Dombey might improve himself 
on such a model. With great heartiness, therefore, the Captain once again 
extended his enormous hand (not unlike an old block in colour), and gave him 
a grip that left upon his smoother flesh a proof impression of the chinks and 
crevices with which the Captain's palm was liberally tattooed. 


</p>
            <p>`Farewell!' said the Captain. `I an't a man of many words, but I take it very 
kind of you to be so friendly, and above-board. You'll excuse me if I've been 
at all intruding, will you?' said the Captain. 


</p>
            <p>`Not at all,' returned the other. 


</p>
            <p>`Thank'ee. My berth an't very roomy,' said the Captain, turning back again, 
`but it's tolerably snug; and if you was to find yourself near Brig Place, 
number nine, at any time—will you make a note of it?—and would come up 
stairs, without minding what was said by the person at the door, I should be 
proud to see you.' 


</p>
            <p>With that hospitable invitation, the Captain said `Good day!' and walked out 
and shut the door; leaving Mr. Carker still reclining against the 
chimney-piece. In whose sly look and watchful manner; in whose false mouth, 
stretched but not laughing; in whose spotless cravat and very whiskers; even 
in whose silent passing of his soft hand over his white linen and his smooth 
face; there was something desperately cat-like. 


</p>
            <p>The unconscious Captain walked out in a state of self-glorification that 
imparted quite a new cut to the broad blue suit. `Stand by, Ned!' said the 
Captain to himself. `You've done a little business for the youngsters to-day, 
my lad!' 


</p>
            <p>In his exultation, and in his familiarity, present and prospective, with the 
House, the Captain, when he reached the outer office, could not refrain from 
rallying Mr. Perch a little, and asking him whether he thought everybody was 
still engaged. But not to be bitter on a man who had done his duty, the 
Captain whispered in his ear, that if he felt disposed for a glass of 
rum-and-water, and would follow, he would be happy to bestow the same upon 
him. 


</p>
            <p>Before leaving the premises, the Captain, somewhat to the astonishment of the 
clerks, looked round from a central point of view, and took a general survey 
of the office as part and parcel of a project in which his young friend was 
nearly interested. The strong-room excited his especial admiration; but, that 
he might not appear too particular, he limited himself to an approving 
glance, and, with a graceful recognition of the clerks as a body, that was 
full of politeness and patronage, passed out into the court. Being promptly 
joined by Mr. Perch, he conveyed that gentleman to the tavern, and fulfilled 
his pledge—hastily, for Perch's time was precious. 


</p>
            <p>`I'll give you for a toast,' said the Captain, `Wal'r!' 


</p>
            <p>`Who?' submitted Mr. Perch. 


</p>
            <p>`Wal'r!' repeated the Captain, in a voice of thunder. 


</p>
            <p>Mr. Perch, who seemed to remember having heard in infancy that there was once 
a poet of that name, made no objection; but he was much astonished at the 
Captain's coming into the City to propose to poet; indeed, if he had proposed 
to put a poet's statue up—say Shakespeare's for example—in a civic 
thoroughfare, he could hardly have done a greater outrage to Mr. Perch's 
experience. On the whole, he was such a mysterious and incomprehensible 
character, that Mr. Perch decided not to mention him to Mrs. Perch at all, in 
case of giving rise to any disagreeable consequences. 


</p>
            <p>Mysterious and incomprehensible, the Captain, with that lively sense upon him 
of having done a little business for the youngsters, remained all day, even 
to his most intimate friends; and but that Walter attributed his winks and 
grins, and other such pantomimic reliefs of himself, to his satisfaction in 
the success of their innocent deception upon old Sol Gills, he would 
assuredly have betrayed himself before night. As it was, however, he kept his 
own secret; and went home late from the Instrument-maker's house, wearing the 
glazed hat so much on one side, and carrying such a beaming expression in his 
eyes, that Mrs. MacStinger (who might have been brought up at Doctor 
Blimber's, she was such a Roman matron) fortified herself, at the first 
glimpse of him, behind the open street door, and refused to come out to the 
contemplation of her blessed infants, until he was securely lodged in his own 
room. 

</p>
         </div>
         <div xml:id="c18" type="chapter">
            <head>CHAPTER XVIII</head>
            <head>Father and Daughter</head>
            <p>THERE is a hush through Mr. Dombey's house. Servants gliding up and 
downstairs rustle, but make no sound of footsteps. They talk together 
constantly, and sit long at meals, making much of their meat and drink, and 
enjoying themselves after a grim unholy fashion. Mrs. Wickam, with her eyes 
suffused with tears, relates melancholy anecdotes; and tells them how she 
always said at Mrs. Pipchin's that it would be so, and takes more table-ale 
tan usual, and is very sorry but sociable. Cook's state of mind is similar. 
She promises a little fry for supper, and struggles about equally against her 
feelings and the onions. Towlinson begins to think there's a fate in it, and 
wants to know if anybody can tell him of any good that ever came of living in 
a corner house. It seems to all of them as having happened a long time ago; 
though yet the child lies, calm and beautiful, upon his little bed. 


</p>
            <p>After dark there come some visitors—noiseless visitors, with shoes of 
felt—who have been there before; and with them comes that bed of rest which 
is so strange a one for infant sleepers. All this time, the bereaved father 
has not been seen even by this attendant; for he sits in an inner corner of 
his own dark room when any one is there, and never seems to move at other 
times, except to pace it to and fro. But in the morning it is whispered among 
the household that he was heard to go up stairs in the dead night, and that 
he stayed there—in the room—until the sun was shining. 


</p>
            <p>At the offices in the City, the ground-glass windows are made more dim by 
shutters; and while the lighted lamps upon the desks are half extinguished by 
the day that wanders in, the day is half extinguished by the lamps, and an 
unusual gloom prevails. There is not much business done. The clerks are 
indisposed to work; and they make assignations to eat chops in the afternoon, 
and go up the river. Perch, the messenger, stays long upon his errands; and 
finds himself in bars of public-houses, invited thither by friends, and 
holding forth on the uncertainty of human affairs. He goes home to Ball's 
Pond earlier in the evening than usual, and treats Mrs. Perch to a veal 
cutlet and scotch ale. Mr. Carker the Manager treats no one; neither is he 
treated; but alone in his own room he shows his teeth all day; and it would 
seem that there is something gone from Mr. Carker's path—some obstacle 
reremoved—which clears his way before him. 


</p>
            <p>Now the rosy children living opposite to Mr. Dombey's house, peep from their 
nursery windows down into the street; for there are four black horses at his 
door, with feathers on their heads; and feathers tremble on the carriage that 
they draw; and these, and an array of men with scarves and staves, attract a 
crowd. The juggler who was going to twirl the basin, puts his loose coat on 
again over his fine dress; and his trudging wife, one-sided with her heavy 
baby in her arms, loiters to see the company come out. But closer to her 
dingy breast she presses her baby, when the burden that is so easily carried 
is borne forth; and the youngest of the rosy children at the high window 
opposite, needs no restraining hand to check her in her glee, when, pointing 
with her dimpled finger, she looks into her nurse's face, and asks `What's 
that?' 


</p>
            <p>And now, among the knot of servants dressed in mourning, and the weeping 
women, Mr. Dombey passes through the hall to the other carriage that is 
waiting to receive him. He is not `brought down,' these observes think, by 
sorrow and distress of mind. His walk is as erect, his bearing is as stiff as 
ever it has been. He hides his face behind no handkerchief, and looks before 
him. But that his face is something sunk and rigid, and is pale, it bears the 
same expression as of old. He takes his place within the carriage, and three 
other gentlemen follow. Then the grand funeral moves slowly down the street. 
The feathers are yet nodding in the distance, when the juggler has the basin 
spinning on a cane, and has the same crowd to admire it. But the juggler's 
wife is less alert than usual with the money-box, for a child's burial has 
set her thinking that perhaps the baby underneath her shabby shawl may not 
grow up to be a man, and wear a sky-blue fillet round his head, and 
salmon-coloured worsted drawers, and tumble in the mud. 


</p>
            <p>The feathers wind their gloomy way along the streets, and come within the 
sound of a church bell. In this same church, the pretty boy received all that 
will soon be left of him on earth—a name. All of him that is dead, they lay 
there, near the perishable substance of his mother. It is well. Their ashes 
lie where Florence in her walks—oh lonely, lonely walks!—may pass them any 
day. 


</p>
            <p>The service over, and the clergyman withdrawn, Mr. Dombey looks round, 
demanding in a low voice, whether the person who has been requested to attend 
to receive instructions for the tablet, is there? 


</p>
            <p>Some one comes forward, and says `Yes.' 


</p>
            <p>Mr. Dombey intimates where he would have it placed; and shows him, with his 
hand upon the wall, the shape and size; and how it is to follow the memorial 
to the mother. Then, with his pencil, he writes out the inscription, and 
gives it to him: adding, `I wish to have it done at once.' 


</p>
            <p>`It shall be done immediately, Sir.' 


</p>
            <p>`There is really nothing to inscribe but name and age, you see.' 


</p>
            <p>The man bows, glancing at the paper, but appears to hesitate. Mr. Dombey not 
observing his hesitation, turns away, and leads towards the porch. 


</p>
            <p>`I beg your pardon, Sir;' a touch falls gently on his mourning cloak; `but as 
you wish it done immediately, and it may be put in hand when I get back—' 


</p>
            <p>`Well?' 


</p>
            <p>`Will you be so good as read it over again? I think there's a mistake'. 


</p>
            <p>`Where?' 


</p>
            <p>The statuary gives him back the paper, and points out, with his pocket rule, 
the words, `beloved and only child.' 


</p>
            <p>`It should be, `son,' I think, Sir?' 


</p>
            <p>`You are right. Of course. Make the correction.' 


</p>
            <p>The father, with a hastier step, pursues his way to the coach. When the other 
three, who follow closely, take their seats, his face is hidden for the first 
time—shaded by his cloak. Nor do they see it any more that day. He alights 
first, and passes immediately into his own room. The other mourners (who are 
only Mr. Chick, and two of the medical attendants) proceed upstairs to the 
drawing-room, to be received by Mrs. Chick and Miss Tox. And what the face 
is, in the shut-up chamber underneath: or what the thoughts are: what the 
heart is, what the contest or the suffering: no one knows. 


</p>
            <p>The chief thing that they know below stairs, in the kitchen, is that `it 
seems like Sunday.' They can hardly persuade themselves but that there is 
something unbecoming, if not wicked, in the conduct of the people out of 
doors, who pursue their ordinary occupations, and wear everyday attire. It is 
quite a novelty to have the blinds up, and the shutters open: and they make 
themselves dismally comfortable over bottles of wine, which are freely 
broached as on a festival. They are much inclines to moralise. Mr. Towlinson 
proposes with a sigh, `Amendment to us all' for which, as Cook says with 
another sigh, `There's room enough, God knows.'  In the evening, Mrs. Chick 
and Miss Tox take to needlework again. In the evening also, Mr. Towlinson 
goes out to take the air, accompanied by the housemaid, who has not yet tried 
her mourning bonnet. They are very tender to each other at dusky 
street-corners, and Towlinson has visions of leading an altered and blameless 
existence as a serious greengrocer in Oxford Market. 


</p>
            <p>There is sounder sleep and deeper rest in Mr. Dombey's house to-night, than 
there has been for many nights. The morning sun awakens the old household, 
settled down once more in their old ways. The rosy children opposite run past 
with hoops. There is a splendid wedding in the church. The juggler's wife is 
active with the money-box in another quarter of the town. The mason sings and 
whistles as he chips out <hi rend="sc">p-a-u-l</hi> in the marble slab before him. 


</p>
            <p>And can it be that in a world so full and busy, the loss of one weak creature 
makes a void in any heart, so wide and deep that nothing but the width and 
depth of vast eternity can fill it up! Florence, in her innocent affliction, 
might have answered, `Oh my brother, oh my dearly loved and loving brother! 
Only friend and companion of my slighted childhood! Could any less idea shed 
the light already dawning on your early grave, or give birth to the softened 
sorrow that is springing into life beneath this rain of tears!' 


</p>
            <p>`My dear child,' said Mrs. Chick, who held it as a duty incumbent on her, to 
improve the occasion, `when you are as old as I am—' 


</p>
            <p>`Which will be the prime of life,' observed Miss Tox. 


</p>
            <p>`You will then,' pursued Mrs. Chick, gently squeezing Miss Tox's hand in 
acknowledgment of her friendly remark, `you will then know that all grief is 
unavailing, and that it is our duty to submit.' 


</p>
            <p>`I will try, dear aunt. I do try,' answered Florence, sobbing. 


</p>
            <p>`I am glad to hear it,' said Mrs. Chick, `because, my love, as our dear Miss 
Tox—of whose sound sense and excellent judgment, there cannot possibly be 
two opinions—' 


</p>
            <p>`My dear Louisa, I shall really be proud, soon,' said Miss Tox. 


</p>
            <p>—`will tell you, and confirm by her experience,' pursued Mrs. Chick, `we are 
called upon on all occasions to make an effort. It is required of us. If 
any—my dear,' turning to Miss Tox, `I want a word. Mis—Mis—' 


</p>
            <p>`Demeanour?'suggested Miss Tox. 


</p>
            <p>`No, no, no,' said Mrs. Chick. `How can you! Goodness me, it's on the end of 
my tongue. Mis—' 


</p>
            <p>`Placed affection?' suggested Miss Tox, timidly. 


</p>
            <p>`Good gracious, Lucretia!' returned Mrs. Chick. `How very monstrous! 
Misanthrope, is the word I want. The idea! Misplaced affection! I say, if any 
misanthrope were to put, in my presence, the question “Why were we born?” I 
should reply, “To make an effort.”'  `Very good indeed,' said Miss Tox, much 
impressed by the originality of the sentiment. `<hi>Very</hi> good.' 


</p>
            <p>`Unhappily,' pursued Mrs. Chick, `we have a warning under our own eyes. We 
have but too much reason to suppose, my dear child, that if an effort had 
been made in time, in this family, a train of the most trying and distressing 
circumstances might have been avoided. Nothing shall ever persuade me,' 
observed the good matron, with a resolute air, `but that if that effort had 
been made by poor dear Fanny, the poor dear darling child would at least have 
had a stronger constitution.' 


</p>
            <p>Mrs. Chick abandoned herself to her feelings for half a moment; but, as a 
practical illustration of her doctrine, brought herself up short, in the 
middle of a sob, and went on again. 


</p>
            <p>`Therefore, Florence, pray let us see that you have some strength of mind, 
and do not selfishly aggravate the distress in which your poor Papa is 
plunged.' 


</p>
            <p>`Dear aunt!' said Florence, kneeling quickly down before her, that she might 
the better and more earnestly look into her face. `Tell me more about Papa. 
Pray tell me about him!Is he quite heartbroken?' 


</p>
            <p>Miss Tox was of a tender nature, and there was something in this appeal that 
moved her very much. Whether she saw it in a succession, on the part of the 
neglected child, to the affectionate concern so often expressed by her dead 
brother—or a love that sought to twine itself about the heart that had loved 
him, and that could not bear to be shut out from sympathy with such a sorrow, 
in such sad community of love and grief—or whether she only recognised the 
earnest and devoted spirit which, although discarded and repulsed, was wrung 
with tenderness long unreturned, and in the waste and solitude of this 
bereavement cried to him to seek a comfort in it, and to give some, by some 
small response—whatever may have been her understanding of it, it moved Miss 
Tox. For the moment she forgot the majesty of Mrs. Chick, and, patting 
Florence hastily on the cheek, turned aside and suffered the tears to gush 
from her eyes, without waiting for a lead from that wise matron. 


</p>
            <p>Mrs. Chick herself lost, for a moment, the presence of mind on which she so 
much prided herself; and remained mute, looking on the beautiful young face 
that had so long, so steadily, and patiently, been turned towards the little 
bed. But recovering her voice—which was synonymous with her presence of 
mind, indeed they were one and the same thing—she replied with dignity: 


</p>
            <p>`Florence, my dear child, your poor Papa is peculiar at times; and to 
question me about him, is to question me upon a subject which I really do not 
pretend to understand. I believe I have as much influence with your Papa as 
anybody has. Still, all I can say is, that he has said very little to me; and 
that I have only seen him once or twice for a minute at a time, and indeed 
have hardly seen him then, for his room has been dark. I have said to your 
Papa, “Paul!”—that is the exact expression I used—“Paul! why do you not 
take something stimulating?”  Your Papa's reply has always been, “Louisa, 
have the goodness to leave me. I want nothing. I am better by myself.” If I 
was to be put upon my oath to-morrow, Lucretia, before a magistrate,' said 
Mrs. Chick, `I have no doubt I could venture to swear to those identical 
words.' 


</p>
            <p>Miss Tox expressed her admiration by saying, `My Louisa is ever 
methodical!' 


</p>
            <p>`In short, Florence,' resumed her aunt, `literally nothing has passed between 
your poor Papa and myself, until to-day; when I mentioned to your Papa that 
Sir Barnet and Lady Skettles had written exceedingly kind notes—our sweet 
boy!Lady Skettles loved him like a—where's my pocket handkerchief?' 


</p>
            <p>Miss Tox produced one. 


</p>
            <p>`Exceedingly kind notes, proposing that you should visit them for change of 
scene. Mentioning to your Papa that I thought Miss Tox and myself might now 
go home (in which he quite agreed), I inquired if he had any objection to 
your accepting this invitation. He said, “No, Louisa, not the least!”' 


</p>
            <p>Florence raised her tearful eyes. 


</p>
            <p>`At the same time, if you would prefer staying here, Florence, to paying this 
visit at present, or to going home with me—' 


</p>
            <p>`I should much prefer it, aunt,' was the faint rejoinder. 


</p>
            <p>`Why then, child,' said Mrs. Chick, `you can. It's a strange choice, I must 
say. But you always <hi>were</hi> strange. Anybody else at your time of life, 
and after what has passed—my dear Miss Tox, I have lost my pocket 
handkerchief again—would be glad to leave here, one would suppose.' 


</p>
            <p>`I should not life to feel,' said Florence, `as if the house was avoided. I 
should not like to think that the—his—the rooms up stairs were quite empty 
and dreary, aunt. I would rather stay here, for the present. Oh my brother! 
oh my brother!' 


</p>
            <p>It was a natural emotion, not to be suppressed; and it would make way even 
between the fingers of the hands with which she covered up her face. The 
overcharged and heavy-laden breast must sometimes have that vent, or the poor 
wounded solitary heart within it would have fluttered like a bird with broken 
wings, and sunk down in the dust. 


</p>
            <p>`Well, child!' said Mrs. Chick, after a pause. `I wouldn't on any account say 
anything unkind to you, and that I'm sure you know. You will remain here, 
then, and do exactly as you like. No one will interfere with you, Florence, 
or wish to interfere with you, I'm sure.' 


</p>
            <p>Florence shook her head in sad assent. 


</p>
            <p>`I had no sooner begun to advise your poor Papa that he really ought to seek 
some distraction and restoration in a temporary change,' said Mrs. Chick, 
`than he told me he had already formed the intention of going into the 
country for a short time. I'm sure I hope he'll go very soon. He can't go too 
soon. But I suppose there are some arrangements connected with his private 
papers and so forth, consequent on the affliction that has tried us all so 
much—I can't think what's become of mine: Lucretia, lend me yours, my 
dear—that may occupy him for one or two evenings in his own room. Your 
papa's a Dombey, child, if ever there was one,' said Mrs. Chick, drying both 
her eyes at once with great care on opposite corners of Miss Tox's 
handkerchief. `He'll make an effort. There's no fear of him.' 


</p>
            <p>`Is there nothing, aunt,' said Florence, trembling, `I might do to—' 


</p>
            <p>`Lord, my dear child,' interposed Mrs. Chick, hastily, `what are you talking 
about? If your Papa said to Me—I have given you his exact words, “Louisa, I 
want nothing; I am better by myself”—what do you think he'd say to you? You 
mustn't show yourself to him, child. Don't dream of such a thing.' 


</p>
            <p>`Aunt,' said Florence, `I will go and lie down on my bed.' 


</p>
            <p>Mrs. Chick approved of this resolution, and dismissed her with a kiss. But 
Miss Tox, on a faint pretence of looking for the mislaid handkerchief, went 
upstairs after her; and tried in a few stolen minutes to comfort her, in 
spite of great discouragement from Susan Nipper. For Miss Nipper, in her 
burning zeal, disparaged Miss Tox as a crocodile; yet her sympathy seemed 
genuine, and had at least the vantage-ground of disinterestedness—there was 
little favour to be won by it. 


</p>
            <p>And was there no one nearer and dearer than Susan, to uphold the striving 
heart in its anguish? Was there no other neck to clasp; no other face to turn 
to? no one else to say a soothing word to such deep sorrow? Was Florence so 
alone in the bleak world that nothing else remained to her? Nothing. Stricken 
motherless and brotherless at once—for in the loss of little Paul, that 
first and greatest loss fell heavily upon her—this was the only help she 
had. Oh, who can tell how much she needed help at first! 


</p>
            <p>At first, when the house subsided into its accustomed course, and they had 
all gone away, except the servants, and her father shut up in his own rooms, 
Florence could do nothing but weep, and wander up and down, and sometimes, in 
a sudden pang of desolate remembrance, fly to her own chamber, wring her 
hands, lay her face down on her bed, and know no consolation: nothing but the 
bitterness and cruelty of grief. This commonly ensued upon the recognition of 
some spot or object very tenderly associated with him; and it made the 
miserable house, at first, a place of agony. 


</p>
            <p>But it is not in the nature of pure love to burn so fiercely and unkindly 
long. The flame that in its grosser composition has the taint of earth, may 
prey upon the breast that gives it shelter; but the sacred fire from heaven 
is as gentle in the heart, as when it rested on the heads of the assembled 
twelve, and showed each man his brother, brightened and unhurt. The image 
conjured up, there soon returned the placid face, the softened voice, the 
loving looks, the quiet trustfulness and peace; and Florence, though she wept 
still, wept more tranquilly, and courted the remembrance. 


</p>
            <p>It was not very long before the golden water, dancing on the wall, in the old 
place, at the old serene time, had her calm eye fixed upon it as it ebbed 
away. It was not very long before that room again knew her, often; sitting 
there alone, as patient and as mild as when she had watched beside the little 
bed. When any sharp sense of its being empty smote upon her, she could kneel 
beside it, and pray<hi rend="sc">god</hi>—it was the pouring out of her full heart—to 
let one angel love her and remember her. 


</p>
            <p>It was not very long before, in the midst of the dismal house so wide and 
dreary, her low voice in the twilight, slowly and stopping sometimes, touched 
the old air to which he had so often listened, with his drooping head upon 
her arm. And after that, and when it was quite dark, a little strain of music 
trembled in the room: so softly played and sung, that it was more like the 
mournful recollection of what she had done at his request on that last night, 
than the reality repeated. But it was repeated, often—very often, in the 
shadowy solitude; and broken murmurs of the strain still trembled on the 
keys, when the sweet voice was hushed in tears. 


</p>
            <p>Thus she gained heart to look upon the work with which her fingers had been 
busy by his side on the sea-shore; and thus it was not very long before she 
took to it again—with something of a human love for it, as if it had been 
sentient and had known him; and, sitting in a window, near her mother's 
picture, in the unused room so long deserted, wore away the thoughtful 
hours. 


</p>
            <p>Why did the dark eyes turn so often from this work to where the rosy children 
lived? They were not immediately suggestive of her loss; for they were all 
girls: four little sisters. But they were motherless like her—and had a 
father. 


</p>
            <p>It was easy to know when he had gone out and was expected home, for the elder 
child was always dressed and waiting for him at the drawing-room window, or 
in the balcony; and when he appeared, her expectant face lighted up with joy, 
while the others at the high window, and always on the watch too, clapped 
their hands, and drummed them on the sill, and called to him. The elder child 
would come down to the hall, and put her hand in his, and lead him up the 
stairs; and Florence would see her afterwards sitting by his side, or on his 
knee, or hanging coaxingly about his neck and talking to him: and though they 
were always gay together, he would often watch her face as if he thought her 
like her mother that was dead. Florence would sometimes look no more at this, 
and bursting into tears would hide behind the curtain as if she were 
frightened, or would hurry from the window. Yet she could not help returning; 
and her work would soon fall unheeded from her hands again. 


</p>
            <p>It was the house that had been empty, years ago, It had remained so for a 
long time. At last, and while she had been away from home, this family had 
taken it; and it was repaired and newly painted; and there were birds and 
flowers about it; and it looked very different from its old self. But she 
never thought of the house. The children and their father were all in all. 


</p>
            <p>When he had dined, she could see them, through the open windows, go down with 
their governess or nurse, and cluster round the table; and in the still 
summer weather, the sound of their childish voices and clear laughter would 
come ringing across the street, into the drooping air of the room in which 
she sat. Then they would climb and clamber up stairs with him, and romp about 
him on the sofa, or group themselves at his knee, a very nosegay of little 
faces, while he seemed to tell them some story. Or they would come running 
out into the balcony; and then Florence would hide herself quickly, lest it 
should check them in their joy, to see her in her black dress, sitting there 
alone. 


</p>
            <p>The elder child remained with her father when the rest had gone away, and 
made his tea for him—happy little housekeeper she was then!—and sat 
conversing with him, sometimes at the window, sometimes in the room, until 
the candles came. He made her his companion, though she was some years 
younger than Florence; and she could be as staid and pleasantly demure, with 
her little book or work-box, as a woman. When they had candles, Florence from 
her own dark room was not afraid to look again. But when the time came for 
the child to say `Good night, papa,' and go to bed, Florence would sob and 
tremble as she raised her face to him, and could look no more. 


</p>
            <p>Though still she would turn, again and again, before going to bed herself, 
from the simple air that had lulled him to rest so often, long ago, and from 
the other low soft broken strain of music, back to that house. But that she 
ever thought of it, or watched it, was a secret which she kept within her own 
young breast. 


</p>
            <p>And did that breast of Florence—Florence, so ingenuous and true—so worthy 
of the love that he had borne her, and had whispered in his last faint 
words—whose guileless heart was mirrored in the beauty of her face, and 
breathed in every accent of her gentle voice—did that young breast hold any 
other secret? Yes. One more. 


</p>
            <p>When no one in the house was stirring, and the lights were all extinguished, 
she would softly leave her own room, and with noiseless feet descend the 
staircase, and approach her father's door. Against it, scarcely breathing, 
she would rest her face and head, and press her lips, in the yearning of her 
love. She crouched upon the cold stone floor outside it, every night, to 
listen even for his breath; and in her one absorbing wish to be allowed to 
show him some affection, to be a conso- lation to him, to win him over to the 
endurance of some tenderness from her, his solitary child, she would have 
knelt down at his feet, if she had dared, in humble supplication. 


</p>
            <p>No one knew it. No one thought of it. The door was ever closed, and he shut 
up within. He went out once or twice, and it was said in the house that he 
was very soon going on his country journey; but he lived in those rooms, and 
lived alone, and never saw her, or inquired for her. Perhaps he did not even 
know that she was in the house. 


</p>
            <p>One day, about a week after the funeral, Florence was sitting at her work, 
when Susan appeared, with a face half laughing and half crying to announce a 
visitor. 


</p>
            <p>` A visitor! To me, Susan!' said Florence, looking up in astonishment. 


</p>
            <p>`Well, it <hi>is</hi> a wonder, ain't it now, Miss Floy?' said Susan; `but I 
wish you had a many visitors, I do, indeed, for you'd be all the better for 
it, and it's my opinion that the sooner you and me goes even to them old 
Skettleses, Miss, the better for both, I may not wish to live in crowds, Miss 
Floy, but still I'm not a oyster.' 


</p>
            <p>To do Miss Nipper justice, she spoke more for her young mistress than 
herself; and her face showed it. 


</p>
            <p>`But the visitor, Susan,' said Florence. 


</p>
            <p>Susan, with an hysterical explosion that was as much a laugh as a sob, and as 
much a sob as a laugh, answered, 


</p>
            <p>`Mr. Toots!' 


</p>
            <p>The smile that appeared on Florence's face passed from it in a moment, and 
her eyes filled with tears. But at any rate it was a smile, and that gave 
great satisfaction to Miss Nipper. 


</p>
            <p>`My own feelings exactly, Miss Floy,' said Susan, putting her apron to her 
eyes, and shaking her head. `Immediately I see that Innocent in the Hall, 
Miss Floy, I burst out laughing first, and then I choked.' 


</p>
            <p>Susan Nipper involuntarily proceeded to do the like again on the spot. In the 
meantime Mr. Toots, who had come up stairs after her, all unconscious of the 
effect he produced, announced himself with his knuckles on the door, and 
walked in very briskly. 


</p>
            <p>`How d'ye do, Miss Dombey?' said Mr. Toots. `I'm very well, I thank you; how 
are you?' 


</p>
            <p>Mr. Toots—than whom there were few better fellows in the world, though there 
may have been one or two brighter spirits—had laboriously invented this long 
burst of discourse with the view of relieving the feelings both of Florence 
and himself. But finding that he had run through his property, as it were, in 
an injudicious manner, by squandering the whole before taking a chair, or 
before Florence had uttered a word, or before he had well got in at the door, 
he deemed it advisable to begin again. 


</p>
            <p>`How d'ye do, Miss Dombey?' said Mr. Toots. `I'm very well, I thank you; how 
are you?' 


</p>
            <p>Florence gave him her hand, and said she was very well. 


</p>
            <p>`I'm very well indeed,' said Mr. Toots, taking a chair. `Very well indeed, I 
am. I don't remember,' said Mr. Toots, after reflecting a little, `that I was 
ever better, thank you.' 


</p>
            <p>`It's very kind of you to come,' said Florence, taking up her work. `I am 
very glad to see you.' 


</p>
            <p>Mr. Toots responded with a chuckle. Thinking that might be too lively, he 
corrected it with a sigh. Thinking that might be too melancholy, he corrected 
it with a chuckle. Not thoroughly pleasing himself with either mode of reply, 
he breathed hard. 


</p>
            <p>`You were very kind to my dear brother,' said Florence, obeying her own 
natural impulse to relieve him by saying so. `He often talked to me about 
you.' 


</p>
            <p>`Oh, it's of no consequence,' said Mr. Toots hastily. `Warm, ain't it?' 


</p>
            <p>`It is beautiful weather,' replied Florence. 


</p>
            <p>`It agrees with <hi>me</hi>!' said Mr. Toots. `I don't think I ever was so well 
as I find myself at present, I'm obliged to you.' 


</p>
            <p>After stating this curious and unexpected fact, Mr. Toots fell into a deep 
well of silence. 


</p>
            <p>`You have left Dr. Blimber's, I think?' said Florence, trying to help him 
out. 


</p>
            <p>`I should hope so,' returned Mr. Toots. And tumbled in again. 


</p>
            <p>He remained at the bottom, apparently drowned, for at least ten minutes. At 
the expiration of that period, he suddenly floated, and said, 


</p>
            <p>`Well! Good morning, Miss Dombey.' 


</p>
            <p>`Are you going?' asked Florence, rising. 


</p>
            <p>`I don't know, though. No, not just at present,' said Mr. Toots, sitting down 
again, most unexpectedly. `The fact is—I say, Miss Dombey!' 


</p>
            <p>`Don't be afraid to speak to me,' said Florence, with a quiet smile, `I 
should be very glad if you would talk about my brother.' 


</p>
            <p>`Would you, though?' retorted Mr. Toots, with sympathy in every fibre of his 
otherwise expressionless face. `Poor Dombey! I'm sure I never thought that 
Burgess and Co.—fashionable tailors (but very dear), that we used to talk 
about—would make this suit of clothes for such a purpose.' Mr. Toots was 
dressed in mourning. `Poor Dombey! I say! Miss Dombey!' blubbered Toots. 


</p>
            <p>`Yes,' said Florence. 


</p>
            <p>`There's a friend he took to very much at last. I thought you'd like to have 
him, perhaps, as a sort of keepsake. You remember his remembering 
Diogenes?' 


</p>
            <p>`Oh yes! oh yes!' cried Florence. 


</p>
            <p>`Poor Dombey! So do I,' said Mr. Toots. 


</p>
            <p>Mr. Toots, seeing Florence in tears, had great difficulty in getting beyond 
this point, and had nearly tumbled into the well again. But a chuckle saved 
him on the brink. 


</p>
            <p>`I say,' he proceeded, `Miss Dombey! I could have had him stolen for ten 
shillings, if they hadn't given him up: and I would: but they were glad to 
get rid of him, I think. If you'd like to have him, he's at the door. I 
brought him on purpose for you. He ain't a lady's dog, you know,' said Mr. 
Toots, `but you won't mind that, will you?' 


</p>
            <p>In fact Diogenes was at that moment, as they presently ascertained from 
looking down into the street, staring through the window of a hackney 
cabriolet, into which, for conveyance to that spot, he had been ensnared, on 
a false pretence of rats among the straw. Sooth to say, he was as unlike a 
lady's dog as might be; and in his gruff anxiety to get out, presented an 
appearance sufficiently unpromising, as he gave short yelps out of one side 
of his mouth, and overbalancing himself by the intensity of every one of 
those efforts, tumbled down into the straw, and then sprung panting up again, 
putting out his tongue, as if he had come express to a Dispensary to be 
examined for his health. 


</p>
            <p>But though Diogenes was as ridiculous a dog as one would meet with on a 
summer's day; a blundering, ill-favoured, clumsy, bullet-headed dog, 
continually acting on a wrong idea that there was an enemy in the 
neighbourhood, whom it was meritorious to bark at; and though he was far from 
good-tempered, and certainly was not clever, and had hair all over his eyes, 
and a comic nose, and an inconsistent tail, and a gruff voice; he was dearer 
to Florence, in virtue of that parting remembrance of him, and that request 
that he might be taken care of, than the most valuable and beautiful of his 
kind. So dear, indeed, was this same ugly Diogenes, and so welcome to her, 
that she took the jewelled hand of Mr. Toots and kissed it in her gratitude. 
And when Diogenes, released, came tearing up the stairs and bouncing into the 
room (such a business as there was first, to get him out of the cabriolet!), 
dived under all the furniture, and wound a long iron chain, that dangled from 
his neck, round legs of chairs and tables, and then tugged at it until his 
eyes became unnaturally visible, in consequence of their nearly starting out 
of his head; and when he growled at Mr. Toots, who affected familiarity; and 
went pell-mell at Towlinson, morally convinced that he was the enemy whom he 
had barked at round the corner all his life and had never seen yet; Florence 
was as pleased with him as if he had been a miracle of discretion. 


</p>
            <p>Mr. Toots was so overjoyed by the success of his present, and was so 
delighted to see Florence bending down over Diogenes, smoothing his coarse 
back with her little delicate hand—Diogenes graciously allowing it from the 
first moment of their acquaintance—that he felt it difficult to take leave, 
and would, no doubt, have been a much longer time in making up his mind to do 
so, if he had not been assisted by Diogenes himself, who suddenly took it 
into his head to bay Mr. Toots, and to make short runs at him with his mouth 
open. Not exactly seeing his way to the end of these demonstrations, and 
sensible that they placed the pantaloons constructed by the art of Burgess 
and Co. in jeopardy, Mr. Toots, with chuckles, lapsed out at the door: by 
which, after looking in again two or three times, without any object at all, 
and being on each occasion greeted with a fresh run from Diogenes, he finally 
took himself off and got away. 


</p>
            <p>`Come, then, Di! Dear Di! Make friends with your new mistress. Let us love 
each other, Di!' said Florence fondling his shaggy head. And Di, the rough 
and gruff, as if his hairy hide were pervious to the tear that dropped upon 
it, and his dog's heart melted as it fell, put his nose up to her face, and 
swore fidelity. 


</p>
            <p>Diogenes the man did not speak plainer to Alexander the Great than Diogenes 
the dog spoke to Florence. He subscribed to the offer of his little mistress 
cheerfully, and devoted himself to her service. A banquet was immediately 
provided for him in a corner; and when he had eaten and drunk his fill, he 
went to the window where Florence was sitting, looking on, rose up on his 
hind legs, with his awkward fore paws on her shoulders, licked her face and 
hands, nestled his great head against her heart, and wagged his tail till he 
was tired. Finally, Diogenes coiled himself up at her feet and went to 
sleep. 


</p>
            <p>Although Miss Nipper was nervous in regard of dogs, and felt it necessary to 
come into the room with her skirts carefully collected about her, as if she 
were crossing a brook on stepping-stones; also to utter little screams and 
stand up on chairs when Diogenes stretched himself: she was in her own manner 
affected by the kindness of Mr. Toots, and could not see Florence so alive to 
the attachment and society of this rude friend of little Paul's, without some 
mental comments thereupon that brought the water to her eyes. Mr. Dombey, as 
a part of her reflections, may have been, in the association of ideas, 
connected with the dog; but, at any rate, after observing Diogenes and his 
mistress all the evening, and after exerting herself with much good-will to 
provide Diogenes a bed in an ante-chamber outside his mistress's door, she 
said hurriedly to Florence, before leaving her for the night: 


</p>
            <p>`Your Pa's a going off, Miss Floy, to-morrow morning.' 


</p>
            <p>`To-morrow morning, Susan?' 


</p>
            <p>`Yes, Miss; that's the orders. Early.' 


</p>
            <p>`Do you know,' asked Florence, without looking at her, `where Papa is going, 
Susan?' 


</p>
            <p>`Not exactly, Miss. He's going to meet that precious Major first, and I must 
say if I was acquainted with any Major myself (which Heavens forbid), it 
shouldn't be a blue one!' 


</p>
            <p>`Hush, Susan!' urged Florence gently. 


</p>
            <p>`Well, Miss Floy,' returned Miss Nipper, who was full of burning indignation, 
and minded her stops even less than usual. `I can't help it, blue he is, and 
while I was a Christian, although humble, I would have natural-coloured 
friends, or none.' 


</p>
            <p>It appeared from what she added and had gleaned downstairs, that Mrs. Chick 
had proposed the Major for Mr. Dombey's companion, and that Mr. Dombey, after 
some hesitation, had invited him. 


</p>
            <p>`Talk of <hi>him</hi> being a change, indeed!' observed Miss Nipper to herself 
with boundless contempt. `If he's a change give me a constancy.' 


</p>
            <p>`Good night, Susan,' said Florence. 


</p>
            <p>`Good night, my darling dear Miss Floy.' 


</p>
            <p>Her tone of commiseration smote the chord so often roughly touched, but never 
listened to while she or any one looked on. Florence left alone, laid her 
head upon her hand, and pressing the other over her swelling heart, held free 
communication with her sorrows. 


</p>
            <p>It was a wet night; and the melancholy rain fell pattering and dropping with 
a wearied sound. A sluggish wind was blowing, and went moaning round the 
house, as if it were in pain or grief. A shrill noise quivered through the 
trees. While she sat weeping, it grew late, and dreary midnight tolled out 
from the steeples. 


</p>
            <p>Florence was little more than a child in years—not yet fourteen—and the 
loneliness and gloom of such an hour in the great house where Death had 
lately made its own tremendous devastation, might have set an older fancy 
brooding on vague terrors. But her innocent imagination was too full of one 
theme to admit them. Nothing wandered in her thoughts but love—a wandering 
love, indeed, and cast away—but turning always to her father. 


</p>
            <p>There was nothing in the dropping of the rain, the moaning of the wind, the 
shuddering of the trees, the striking of the solemn clocks, that shook this 
one thought, or diminished its interest. Her recollections of the dear dead 
boy—and they were never absent—were itself; the same thing. And oh, to be 
shut out: to be so lost: never to have looked into her father's face or 
touched him since that hour! 


</p>
            <p>She could not go to bed, poor child, and never had gone yet, since then, 
without making her nightly pilgrimage to his door. It would have been a 
strange sad sight, to see her now, stealing lightly down the stairs through 
the thick gloom, and stopping at it with a beating heart, and blinded eyes, 
and hair that fell down loosely and unthought of; and touching it outside 
with her wet cheek. But the night covered it, and no one knew. 


</p>
            <p>The moment that she touched the door on this night, Florence found that it 
was open. For the first time it stood open, though by but a hair's-breadth: 
and there was a light within. The first impulse of the timid child—and she 
yielded to it—was to retire swiftly. Her next, to go back, and to enter; and 
this second impulse held her in irresolution on the stair-case. 


</p>
            <p>In its standing open, even by so much as that chink, there seemed to be hope. 
There was encouragement in seeing a ray of light from within, stealing 
through the dark stern door-way, and falling in a thread upon the marble 
floor. She turned back, hardly knowing what she did, but urged on by the love 
within her, and the trial they had undergone together, but not shared: and 
with her hands a little raised and trembling, glided in. 


</p>
            <p>Her father sat at his old table in the middle room. He had been arranging 
some papers, and destroying others, and the latter lay in fragile ruins 
before him. The rain dripped heavily upon the glass panes in the outer room, 
where he had so often watched poor Paul, a baby; and the low complainings of 
the wind were heard without. 


</p>
            <p>But not by him. He sat with his eyes fixed on the table, so immersed in 
thought, that a far heavier tread than the light foot of his child could 
make, might have failed to rouse him. His face was turned towards her. By the 
waning lamp, and at the haggard hour, it looked worn and dejected; and in the 
utter loneliness surrounding him, there was an appeal to Florence that struck 
home. 


</p>
            <p>`Papa! Papa! speak to me, dear Papa!' 


</p>
            <p>He started at her voice, and leaped up from his seat. She was close before 
him, with extended arms, but he fell back. 


</p>
            <p>`What is the matter?' he said, sternly. `Why do you come here? What has 
frightened you?' 


</p>
            <p>If anything had frightened her, it was the face he turned upon her. The 
glowing love within the breast of his young daughter froze before it, and she 
stood and looked at him as if stricken into stone. 


</p>
            <p>There was not one touch of tenderness or pity in it. There was not one gleam 
of interest, parental recognition, or relenting in it. There was a change in 
it, but not of that kind. The old indifference and cold constraint had given 
place to something: what, she never thought and did not dare to think, and 
yet she felt it in its force, and knew it well without a name: that as it 
looked upon her, seemed to cast a shadow on her head. 


</p>
            <p>Did he see before him the successful rival of his son, in health and life? 
Did he look upon his own successful rival of his son, in that son's 
affection? Did a mad jealousy and withered pride, poison sweet remembrances 
that should have endeared and made her precious to him? Could it be possible 
that it was gall to him to look upon her in her beauty and her promise: 
thinking of his infant boy! 


</p>
            <p>Florence had no such thoughts. But love is quick to know when it is spurned 
and hopeless: and hope died out of hers, as she stood looking in her father's 
face. 


</p>
            <p>`I ask you, Florence, are you frightened? Is there anything the matter, that 
you come here?' 


</p>
            <p>`I came, Papa—' 


</p>
            <p>`Against my wishes. Why?' 


</p>
            <p>She saw he knew why: it was written broadly on his face: and dropped her head 
upon her hands with one prolonged low cry. 


</p>
            <p>Let him remember it in that room, years to come. It has faded from the air, 
before he breaks the silence. It may pass as quickly from his brain, as he 
believes, but it is there. Let him remember it in that room, years to 
come! 


</p>
            <p>He took her by the arm. His hand was cold, and loose, and scarcely closed 
upon her. 


</p>
            <p>`You are tired, I dare say,' he said, taking up the light, and leading her 
towards the door, `and want rest. We all want rest. Go, Florence. You have 
been dreaming.' 


</p>
            <p>The dream she had had, was over then, God help her! and she felt that it 
could never more come back. 


</p>
            <p>`I will remain here to light you up the stairs. The whole house is yours 
above there,' said her father, slowly. `You are its mistress now. Good 
night!' 


</p>
            <p>Still covering her face, she sobbed, and answered `Good night, dear papa,' 
and silently ascended. Once she looked back as if she would have returned to 
him, but for fear. It was a momentary thought, too hopeless to encourage; and 
her father stood there with the light—hard, unresponsive, motionless—until 
the fluttering dress of his fair child was lost in the darkness. 


</p>
            <p>Let him remember it in that room, years to come. The rain that falls upon the 
roof: the wind that mourns outside the door: may have foreknowledge in their 
melancholy sound. Let him remember it in that room, years to come! 


</p>
            <p>The last time he had watched her, from the same place, winding up those 
stairs, she had had her brother in her arms. It did not move his heart 
towards her now, it steeled it: but he went into his room, and locked his 
door, and sat down in his chair, and cried for his lost boy. 


</p>
            <p>Diogenes was broad awake upon his post, and waiting for his little 
mistress. 


</p>
            <p>`Oh, Di! Oh, dear Di! Love me for his sake!' 


</p>
            <p>Diogenes already loved her for her own, and didn't care how much he showed 
it. So he made himself vastly ridiculous by performing a variety of uncouth 
bounces in the ante-chamber, and concluded, when poor Florence was at last 
asleep, and dreaming of the rosy children opposite, by scratching open her 
bedroom door: rolling up his bed into a pillow: lying down on the boards, at 
the full length of his tether, with his head towards her: and looking lazily 
at her, upside down, out of the tops of his eyes, until from winking and 
winking he fell asleep himself, and dreamed, with gruff barks, of his enemy. 

</p>
         </div>
         <div xml:id="c19" type="chapter">
            <head>CHAPTER XIX</head>
            <head>Walter goes away</head>
            <p>THE Wooden Midshipman at the Instrument-maker's door, like the hard-hearted 
little 
midshipman he was, remained supremely indifferent to Walter's going away, 
even when 
the very last day of his sojourn in the back parlour was on the decline. With 
his quadrant 
at his round black knob of an eye, and his figure in its old attitude of 
indomitable alacrity, 
the midshipman displayed his elfin small-clothes to the best advantage, and, 
absorbed in 
scientific pursuits, had no sympathy with worldly concerns. He was so far the 
creature of 
circumstances, that a dry day covered him with dust, and a misty day peppered 
him with 
little bits of soot, and a wet day brightened up his tarnished uniform for 
the moment, and 
a very hot day blistered him; but otherwise he was a callous, obdurate, 
conceited 
midshipman, intent on his own discoveries, and caring as little for what went 
on about 
him, terrestrially, as Archimedes at the taking of Syracuse. 


</p>
            <p>Such a midshipman he seemed to be, at least, in the then position of domestic 
affairs. 
Walter eyed him kindly many a time in passing in and out; and poor old Sol, 
when Walter 
was not there, would come and lean against the doorpost, resting his weary 
wig as near 
the shoe-buckles of the guardian genius of his trade and shop as he could. 
But no fierce 
idol with a mouth from ear to ear, and a murderous visage made of parrot's 
feathers, was 
ever more indifferent to the appeals of its savage votaries, than was the 
midshipman to 
these marks of attachment. 


</p>
            <p>Walter's heart felt heavy as he looked round his old bedroom, up among the 
parapets and 
chimney-pots, and thought that one more night already darkening would close 
his 
acquaintance with it, perhaps for ever. Dismantled of his little stock of 
books and pictures, 
it looked coldly and reproachfully on him for his desertion, and had already 
a 
foreshadowing upon it of its coming strangeness. `A few hours more,' thought 
Walter, 
`and no dream I ever had here when I was a schoolboy will be so little mine 
as this old 
room. The dream may come back in my sleep, and I may return waking to this 
place, it 
may be: but the dream at least will serve no other master, and the room may 
have a score, 
and every one of them may change, neglect, misuse it.' 


</p>
            <p>But his uncle was not to be left alone in the little back parlour, where he 
was then sitting 
by himself; for Captain Cuttle, considerate in his roughness, stayed away 
against his will, 
purposely that they should have some talk together unobserved: so Walter, 
newly returned 
home from his last day's bustle, descended briskly, to bear him company. 


</p>
            <p>`Uncle,' he said gaily, laying his hand upon the old man's shoulder, `what 
shall I send you 
home from Barbados?' 


</p>
            <p>`Hope, my dear Wally. Hope that we shall meet again, on this side of the 
grave. Send me 
as much of that as you can.' 


</p>
            <p>`So I will, Uncle: I have enough and to spare, and I'll not be chary of it! 
And as to lively 
turtles, and limes for Captain Cuttle's punch, and preserves for you on 
Sundays, and all 
that sort of thing, why I'll send you ship-loads, Uncle: when I'm rich 
enough.' 


</p>
            <p>Old Sol wiped his spectacles, and faintly smiled. 


</p>
            <p>`That's right, Uncle!' cried Walter, merrily, and clapping him half a dozen 
times more 
upon the shoulder. `You cheer up me! I'll cheer up you! We'll be as gay as 
larks 
to-morrow morning, Uncle, and we'll fly as high! As to my anticipations, they 
are singing 
out of sight now.' 


</p>
            <p>`Wally, my dear boy,' returned the old man, I'll do my best, I'll do my 
best.' 


</p>
            <p>`And <hi>your</hi> best, Uncle,' said Walter, with his pleasant laugh, `is the 
best best that I 
know. You'll not forget what you're to send <hi>me</hi>, Uncle?' 


</p>
            <p>`No, Wally, no,' replied the old man; `everything I hear about Miss Dombey, 
now that she 
is left alone, poor lamb, I'll write. I fear it won't be much though, 
Wally.' 


</p>
            <p>`Why, I'll tell you what, Uncle,' said Walter, after a moment's hesitation, 
`I have just 
been up there.' 


</p>
            <p>`Ay, ay, ay?' murmured the old man, raising his eyebrows, and his spectacles 
with 
them. 


</p>
            <p>`Not to see <hi>her</hi>,' said Walter, `though I could have seen her, I dare 
say, if I had 
asked, Mr. Dombey being out of town: but to say a parting word to Susan. I 
thought I 
might venture to do that, you know, under the circumstances, and remembering 
when I 
saw Miss Dombey last.' 


</p>
            <p>`Yes, my boy, yes,' replied his Uncle, rousing himself from a temporary 
abstraction. 


</p>
            <p>`So I saw her,' pursued Walter, `Susan, I mean: and I told her I was off and 
away 
to-morrow. And I said, Uncle, that you had always had an interest in Miss 
Dombey since 
that night when she was here, and always wished her well and happy, and 
always would 
be proud and glad to serve her in the least: I thought I might say that, you 
know, under 
the circumstances. Don't you think so?' 


</p>
            <p>`Yes, my boy, yes,' replied his Uncle, in the tone as before. 


</p>
            <p>`And I added,' pursued Walter, `that if she—Susan, I mean—could ever let 
you know, 
either through herself, or Mrs. Richards, or anybody else who might be coming 
this way, 
that Miss Dombey <hi>was</hi> well and happy, you would take it very kindly, 
and would 
write so much to me, and I should take it very kindly too. There! Upon my 
word, Uncle,' 
said Walter, `I scarcely slept all last night through thinking of doing this; 
and could not 
make up my kind when I was out, whether to do it or not; and yet I am sure it 
is the true 
feeling of my heart, and I should have been quite miserable afterwards if I 
had not 
relieved it.' 


</p>
            <p>His honest voice and manner corroborated what he said, and quite established 
its 
ingenuousness. 


</p>
            <p>`So, if you ever see her, Uncle,' said Walter, `I mean Miss Dombey now—and 
perhaps you 
may, who knows!—tell her how much I felt for her; how much I used to think 
of her when 
I was here; how I spoke of her, with the tears in my eyes, uncle, on this 
last night before I 
went away. Tell her that I said I never could forget her gentle manner, or 
her beautiful 
face, or her sweet kind disposition that was better than all. And as I didn't 
take them from 
a woman's feet, or a young lady's: only a little innocent child's,' said 
Walter: `tell her, if 
you don't mind, Uncle, that I kept those shoes—she'll remember how often 
they fell off, 
that night—and took them away with me as a remembrance!' 


</p>
            <p>They were at that very moment going out at the door in one of Walter's 
trunks. A porter 
carrying off his baggage on a truck for shipment at the docks on board the 
Son and Heir, 
had got possession of them; and wheeled them away under the very eye of the 
insensible 
Midshipman before their owner had well finished speaking. 


</p>
            <p>But that ancient mariner might have been excused his insensibility to the 
treasure as it 
rolled away. For, under his eye at the same moment, accurately within his 
range of 
observation, coming full into the sphere of his startled and intensely 
wide-awake look-out, 
were Florence and Susan Nipper: Florence looking up into his face half 
timidly, and 
receiving the whole shock of his wooden ogling! 


</p>
            <p>More than this, they passed into the shop, and passed in at the parlour door 
before they 
were observed by anybody but the Midshipman. And Walter, having his back to 
the door, 
would have known nothing of their apparition even then, but for seeing his 
uncle spring 
out of his own chair, and nearly tumble over another. 


</p>
            <p>`Why, Uncle!' exclaimed Walter. `What's the matter?' 


</p>
            <p>Old Solomon replied, `Miss Dombey!' 


</p>
            <p>`Is it possible?' cried Walter, looking round and starting up in his turn. 
`Here!' 


</p>
            <p>Why, it was so possible and so actual, that, while the words were on his 
lips, Florence 
hurried past him; took Uncle Sol's snuff-coloured lappels, one in each hand; 
kissed him on 
the cheek; and turning, gave her hand to Walter with a simple truth and 
earnestness that 
was her own, and no one else's in the world! 


</p>
            <p>`Going away, Walter!' said Florence. 


</p>
            <p>`Yes, Miss Dombey,' he replied, but not so hopefully as he endeavoured: `I 
have a voyage 
before me.' 


</p>
            <p>`And your Uncle,' said Florence, looking back at Solomon. `He is sorry you 
are going, I 
am sure. Ah! I see he is! Dear Walter, I am very sorry too.' 


</p>
            <p>`Goodness knows,' exclaimed Miss Nipper, `there's a many we could spare 
instead, if 
numbers is a object, Mrs. Pipchin as a overseer would come cheap at her 
weight in gold, 
and if a knowledge of black slavery should be required, them Blimbers is the 
very people 
for the sitiwation.' 


</p>
            <p>With that Miss Nipper untied her bonnet strings, and after looking vacantly 
for some 
moments into a little black teapot that was set forth with the usual homely 
service on the 
table, shook her head and a tin canister, and began unasked to make the 
tea. 


</p>
            <p>In the meantime Florence had turned again to the Instrument-maker, who was as 
full of 
admiration as surprise. `So grown!' said old Sol. `So improved! And yet not 
altered!Just 
the same!' 


</p>
            <p>`Indeed!' said Florence. 


</p>
            <p>`Ye—Yes,' returned old Sol, rubbing his hands slowly, and considering the 
matter half 
aloud, as something pensive in the bright eyes looking at him arrested his 
attention. `Yes, 
that expression was in the younger face, too!' 


</p>
            <p>`You remember me,' said Florence with a smile, `and what a little creature I 
was 
then?' 


</p>
            <p>`My dear young lady,' returned the Instrument-maker, `how could I forget you, 
often as I 
have thought of you and heard of you since! At the very moment, indeed, when 
you came 
in, Wally was talking about you to me, and leaving messages for you, 
and—' 


</p>
            <p>`Was he?' said Florence. `Thank you, Walter! Oh thank you, Walter! I was 
afraid you 
might be going away and hardly thinking of me;' and again she gave him her 
little hand 
so freely and so faithfully that Walter held it for some moments in his own, 
and could not 
bear to let it go. 


</p>
            <p>Yet Walter did not hold it as he might have held it once, nor did its touch 
awaken those 
old day-dreams of his boyhood that had floated past him sometimes even 
lately, and 
confused him with their indistinct and broken shapes. The purity and 
innocence of her 
endearing manner, and its perfect trustfulness, and the undisguised regard 
for him that lay 
so deeply seated in her constant eyes, and glowed upon her fair face through 
the smile that 
shaded—for alas! it was a smile too sad to brighten—it, were not of their 
romantic race. 
They brought back to his thoughts the early deathbed he had seen her tending, 
and the 
love the child had borne her; and on the wings of such remembrances she 
seemed to rise 
up, far above his idle fancies, into clearer and serener air. 


</p>
            <p>`I—I am afraid I must call you Walter's Uncle, Sir,' said Florence to the 
old man, `if 
you'll let me.' 


</p>
            <p>`My dear young lady,' cried old Sol. `Let you! Good gracious!' 


</p>
            <p>`We always knew you by that name, and talked of you,' said Florence, glancing 
round, 
and sighing gently. `The nice old parlour! Just the same! How well I 
recollect it!' 


</p>
            <p>Old Sol looked first at her, then at his nephew, and then rubbed his hands, 
and rubbed his 
spectacles, and said below his breath, `Ah! time, time, time!' 


</p>
            <p>There was a short silence: during which Susan Nipper skilfully impounded two 
extra cups 
and saucers from the cupboard, and awaited the drawing of the tea with a 
thoughtful 
air. 


</p>
            <p>`I want to tell Walter's Uncle,' said Florence, laying her hand timidly upon 
the old man's 
as it rested on the table, to bespeak his attention, `something that I am 
anxious about. He 
is going to be left alone, and if he will allow me—not to take Walter's 
place, for that I 
couldn't do, but to be his true friend and help him if I ever can while 
Walter is away, I 
shall be very much obliged to him indeed. Will you? May I, Walter's 
Uncle?' 


</p>
            <p>The Instrument-maker, without speaking, put her hand to his lips, and Susan 
Nipper, 
leaning back with her arms crossed, in the chair of presidency into which she 
had voted 
herself, bit one end of her bonnet strings, and heaved a gentle sigh as she 
looked up at the 
skylight. 


</p>
            <p>`You will let me come to see you,' said Florence, `when I can; and you will 
tell me 
everything about yourself and Walter; and you will have no secrets from Susan 
when she 
comes and I do not, but will confide in us, and trust us, and rely upon us. 
And you'll try 
to let us be a comfort to you? Will you, Walter's Uncle?' 


</p>
            <p>The sweet face looking into his, the gentle pleading eyes, the soft voice, 
and the light 
touch on his arm made the more winning by a child's respect and honour for 
his age, that 
gave to all an air of graceful doubt and modest hesitation—these, and her 
natural 
earnestness, so overcame the poor old Instrument-maker, that he only 
answered: 


</p>
            <p>`Wally! say a word for me, my dear. I'm very grateful.' 


</p>
            <p>`No, Walter,' returned Florence with her quiet smile. `Say nothing for him, 
if you please. I 
understand him very well, and we must learn to talk together without you, 
dear 
Walter.' 


</p>
            <p>The regretful tone in which she said these latter words, touched Walter more 
than all the 
rest. 


</p>
            <p>`Miss Florence,' he replied, with an effort to recover the cheerful manner he 
had preserved 
while talking with his uncle, `I know no more than my uncle, what to say in 
acknowledgment of such kindness, I am sure. But what could I say, after all, 
if I had the 
power of talking for an hour, except that it is like you?' 


</p>
            <p>Susan Nipper began upon a new part of her bonnet string, and nodded at the 
skylight, in 
approval of the sentiment expressed. 


</p>
            <p>`Oh! but, Walter,' said Florence, `there is something that I wish to say to 
you before you 
go away, and you must call me Florence, if you please, and not speak like a 
stranger.' 


</p>
            <p>`Like a stranger!' returned Walter. `No. I couldn't speak so. I am sure, at 
least, I couldn't 
feel like one.' 


</p>
            <p>`Aye, but that is not enough, and is not what I mean. For, Walter,' added 
Florence, 
bursting into tears, `he liked you very much, and said before he died that he 
was fond of 
you, and said “Remember Walter!” and if you'll be a brother to me, Walter, 
now that he is 
gone and I have none on earth, I'll be your sister all my life, and think of 
you like one 
wherever we may be! This is what I wished to say, dear Walter, but I cannot 
say it as I 
would, because my heart is full.' 


</p>
            <p>And in its fulness and its sweet simplicity, she held out both her hands to 
him. Walter 
taking them, stooped down and touched the tearful face that neither shrunk 
nor turned 
away, nor reddened as he did so, but looked up at him with confidence and 
truth. In that 
one moment, every shadow of doubt or agitation passed away from Walter's 
soul. It 
seemed to him that he responded to her innocent appeal, beside the dead 
child's bed: and, 
in the solemn presence he had seen there, pledged himself to cherish and 
protect her very 
image, in his banishment, with brotherly regard; to garner up her simple 
faith, inviolate; 
and hold himself degraded if he breathed upon it any thought that was not in 
her own 
breast when she gave it to him. 


</p>
            <p>Susan Nipper, who had bitten both her bonnet strings at once, and imparted a 
great deal of 
private emotion to the skylight, during this transaction, now changed the 
subject by 
inquiring who took milk and who took sugar; and being enlightened on these 
points, 
poured out the tea. They all four gathered socially about the little table, 
and took tea under 
that young lady's active superintendence; and the presence of Florence in the 
back parlour, 
brightened the Tartar frigate on the wall. 


</p>
            <p>Half an hour ago Walter, for his life, would have hardly called her by her 
name. But he 
could do so now when she entreated him. He could think of her being there, 
without a 
lurking misgiving that it would have been better if she had not come. He 
could calmly 
think how beautiful she was, how full of promise, what a home some happy man 
would 
find in such a heart one day. He could reflect upon his own place in that 
heart, with pride; 
and with a brave determination, if not to deserve it—he still thought that 
far above 
him—never to deserve it less. 


</p>
            <p>Some fairy influence must surely have hovered round the hands of Susan Nipper 
when she 
made the tea, engendering the tranquil air that reigned in the back parlour 
during its 
discussion. Some counter-influence must surely have hovered round the hands 
of Uncle 
Sol's chronometer, and moved them faster than the Tartar frigate ever went 
before the 
wind. Be this as it may, the visitors had a coach in waiting at a quiet 
corner not far off; 
and the chronometer, on being incidentally referred to, gave such a positive 
opinion that it 
had been waiting a long time, that it was impossible to doubt the fact, 
especially when 
stated on such unimpeachable authority. If Uncle Sol had been going to be 
hanged by his 
own time, he never would have allowed that the chronometer was too fast, by 
the least 
fraction of a second. 


</p>
            <p>Florence at parting recapitulated to the old man all that she had said 
before, and bound 
him to their compact. Uncle Sol attended her lovingly to the legs of the 
Wooden 
Midshipman, and there resigned her to Walter, who was ready to escort her and 
Susan 
Nipper to the coach. 


</p>
            <p>`Walter,' said Florence by the way, `I have been afraid to ask before your 
uncle. Do you 
think you will be absent very long?' 


</p>
            <p>`Indeed,' said Walter, `I don't know. I fear so. Mr. Dombey signified as 
much, I thought, 
when he appointed me.' 


</p>
            <p>`Is it a favour, Walter?' inquired Florence, after a moment's hesitation, and 
looking 
anxiously in his face. 


</p>
            <p>`The appointment?' returned Walter. 


</p>
            <p>`Yes.' 


</p>
            <p>Walter would have given anything to have answered in the affirmative, but his 
face 
answered before his lips could, and Florence was too attentive to it not to 
understand its 
reply. 


</p>
            <p>`I am afraid you have scarcely been a favourite with papa,' she said, 
timidly. 


</p>
            <p>`There is no reason,' replied Walter, smiling, `Why I should be.' 


</p>
            <p>`No reason, Walter!' 


</p>
            <p>`There <hi>was</hi> no reason,' said Walter, understanding what she meant. 
`There are 
many people employed in the house. Between Mr. Dombey and a young man like 
me, 
there's a wide space of separation. If I do my duty, I do what I ought, and 
do no more 
than all the rest.' 


</p>
            <p>Had Florence any misgiving of which she was hardly conscious: any misgiving 
that had 
sprung into an indistinct and undefined existence since that recent night 
when she had 
gone down to her father's room: that Walter's accidental interest in her, and 
early 
knowledge of her, might have involved him in that powerful displeasure and 
dislike? Had 
Walter any such idea, or any sudden thought that it was in her mind at that 
moment? 
Neither of them hinted at it. Neither of them spoke at all, for some short 
time. Susan, 
walking on the other side of Walter, eyed them both sharply; and certainly 
Miss Nipper's 
thoughts travelled in that direction, and very confidently too. 


</p>
            <p>`You may come back very soon,' said Florence, `perhaps, Walter.' 


</p>
            <p>`I <hi>may</hi> come back,' said Walter, `an old man, and find you an old lady. 
But I hope 
for better things.' 


</p>
            <p>`Papa,' said Florence, after a moment, `will—will recover from his grief, 
and—speak more 
freely to me one day, perhaps; and if he should, I will tell how much I wish 
to see you 
back again, and ask him to recall you for my sake.' 


</p>
            <p>There was a touching modulation in these words about her father, that Walter 
understood 
too well. 


</p>
            <p>The coach being close at hand, he would have left her without speaking, for 
now he felt 
what parting; but Florence held his hand when she was seated, and then he 
found there 
was a little packet in her own. 


</p>
            <p>`Walter,' she said, looking full upon him with her affectionate eyes, `like 
you, I hope for 
better things. I will pray for them, and believe that they will arrive. I 
made this little gift 
for Paul. Pray take it with my love, and do not look at it until you are gone 
away. And 
now, God bless you, Walter!never forget me. You are my brother, dear!' 


</p>
            <p>He was glad that Susan Nipper came between them, or he might have left her 
with a 
sorrowful remembrance of him. He was glad too that she did not look out of 
the coach 
again, but waved the little hand to him instead, as long as he could see 
it. 


</p>
            <p>In spite of her request, he could not help opening the packet that night when 
he went to 
bed. It was a little purse: and there was money in it. 


</p>
            <p>Bright rose the sun next morning, from his absence in strange countries, and 
up rose 
Walter with it to receive the Captain, who was already at the door: having 
turned out 
earlier than was necessary, in order to get under weigh while Mrs. MacStinger 
was yet 
slumbering. The Captain pretended to be in tip-top spirits, and brought a 
very smoky 
tongue in one of the pockets of the broad blue coat for breakfast. 


</p>
            <p>`And, Wal'r,' said the Captain, When they took their seats at table, `if your 
uncle's the 
man I think him, he'll bring out the last bottle of <hi>the</hi> Madeira on the 
present 
occasion.' 


</p>
            <p>`No, no, Ned,' returned the old man. `No! That shall be opened when Walter 
comes home 
again.' 


</p>
            <p>`Well said!' cried the Captain. `Hear him!' 


</p>
            <p>`There it lies,' said Sol Gills, `down in the little cellar, covered with 
dirt and cobwebs. 
There may be dirt and cobwebs over you and me perhaps, Ned, before it sees 
the 
light.' 


</p>
            <p>`Hear him!' cried the Captain. `Good morality! Wal'r my lad. Train up a 
fig-tree in the 
way it should go, and when you are old sit under the shade on it. Overhaul 
the—Well,' 
said the Captain on second thoughts, `I an't quite certain where that's to be 
found, but 
when found, make a note of. Sol Gills, heave ahead again!' 


</p>
            <p>`But there, or somewhere, it shall lie, Ned, until Wally comes back to claim 
it,' said the 
old man. `That's all I meant to say.' 


</p>
            <p>`And well said too,' returned the Captain; `and if we three don't crack that 
bottle in 
company, I'll give you two leave to drink my allowance!' 


</p>
            <p>Notwithstanding the Captain's excessive joviality, he made but a poor hand at 
the smoky 
tongue, though he tried very hard, when anybody looked at him, to appear as 
if he were 
eating with a vast appetite. He was terribly afraid, likewise, of being left 
alone with either 
uncle or nephew; appearing to consider that his only chance of safety as to 
keeping up 
appearances, was in there being always three together. This terror on the 
part of the 
Captain, reduced him to such ingenious evasions as running to the door, when 
Solomon 
went to put his coat on, under pretence of having seen an extraordinary 
hackney-coach 
pass: and darting out into the road when Walter went up stairs to take leave 
of the 
lodgers, on a feint of smelling fire in a neighbouring chimney. These 
artifices Captain 
Cuttle deemed inscrutable by any uninspired observer. 


</p>
            <p>Walter was coming down from his parting expedition up stairs, and was 
crossing the shop 
to go back to the little parlour, when he saw a faded face he knew, looking 
in at the door, 
and darted towards it. 


</p>
            <p>`Mr. Carker!' cried Walter, pressing the hand of John Carker the Junior. 
`Pray come in! 
This is kind of you, to be here so early to say good-bye to me. You knew how 
glad it 
would make me to shake hands with you, once, before going away. I cannot say 
how glad 
I am to have this opportunity. Pray come in.' 


</p>
            <p>`It is not likely that we may ever meet again, Walter,' returned the other, 
gently resisting 
his invitation, `and I am glad of this opportunity too. I may venture to 
speak to you, and 
to take you by the hand, on the eve of separation. I shall not have to resist 
your frank 
approaches, Walter any more.' 


</p>
            <p>There was a melancholy in his smile as he said it, that showed he had found 
some 
company and friendship for his thoughts even in that. 


</p>
            <p>`Ah, Mr. Carker!' returned Walter, `Why did your resist them? You could have 
done me 
nothing but good, I am very sure.' 


</p>
            <p>He shook his head. `If there were any good,' he said, `I could do on this 
earth, I would do 
it, Walter, for you. The sight of you from day to day, has been at once 
happiness and 
remorse to me. But the pleasure has outweighed the pain. I know that, now, by 
knowing 
what I lose.' 


</p>
            <p>`Come in, Mr. Carker, and make acquaintance with my good old uncle,' urged 
Walter. `I 
have often talked to him about you, and he will be glad to tell you all he 
hears from me. I 
have not,' said Walter, noticing his hesitation, and speaking with 
embarrassment himself: 
`I have not told him anything about our last conversation, Mr. Carker; not 
even him, 
believe me.' 


</p>
            <p>The grey Junior pressed his hand, and tears rose in his eyes. 


</p>
            <p>`If I ever make acquaintance with him, Walter,' he returned, `it will be that 
I may hear 
tidings of you. Rely on my not wronging your forbearance and consideration. 
It would be 
to wrong it, not to tell him all the truth, before I sought a word of 
confidence from him. 
But I have no friend or acquaintance except you: and even for your sake, am 
little likely 
to make any.' 


</p>
            <p>`I wish,' said Walter, `you had suffered me to be your friend indeed. I 
always wished it, 
Mr. Carker, as you know; but never half so much as now, when we are going to 
part.' 


</p>
            <p>`It is enough,' replied the other, `that you have been the friend of my own 
breast, and that 
when I have avoided you most, my heart inclined the most towards you, and was 
fullest of 
you. Walter, good-bye!' 


</p>
            <p>`Good-bye, Mr. Carker. Heaven be with you, Sir!' cried Walter, with 
emotion. 


</p>
            <p>`If,' said the other, retaining his hand while he spoke; `if when you come 
back, you miss 
me from my old corner, and should hear from any one where I am lying, come 
and look 
upon my grave. Think that I might have been as honest and as happy as you! 
And let 
<hi>me</hi> think, when I know my time is coming on, that some one like my 
former self 
may stand there, for a moment, and remember me with pity and 
forgiveness!Walter, 
good-bye!' 


</p>
            <p>His figure crept like a shadow down the bright, sun-lighted street, so 
cheerful yet so 
solemn in the early summer morning; and slowly passed away. 


</p>
            <p>The relentless chronometer at last announced that Walter must turn his back 
upon the 
Wooden Midshipman: and away they went, himself, his uncle, and the Captain, 
in a 
hackney-coach to a wharf, where they were to take steam-boat for some Reach 
down the 
river, the name of which, as the Captain gave it out, was a hopeless mystery 
to the ears of 
landsmen. Arrived at this Reach (whither the ship had repaired by last 
night's tide), they 
were boarded by various excited watermen, and among others by a dirty Cyclops 
of the 
Captain's acquaintance, who, with his one eye, had made the Captain out some 
mile and a 
half off, and had been exchanging unintelligible roars with him ever since. 
Becoming the 
lawful prize of this personage, who was frightfully hoarse and 
constitutionally in want of 
shaving, they were all three put aboard the Son and Heir. And the Son and 
Heir was in a 
pretty state of confusion, with sails lying all bedraggled on the wet decks, 
loose ropes 
tripping people up, men in red shirts running barefoot to and fro, casks 
blockading every 
foot of space, and, in the thickest of the fray, a black cook in a black 
caboose up to his 
eyes in vegetables and blinded with smoke. 


</p>
            <p>The Captain immediately drew Walter into a corner, and with a great effort, 
that made his 
face very red, pulled up the silver watch, which was so big, and so tight in 
his pocket, that 
it came out like a bung. 


</p>
            <p>`Wal'r said the Captain, handing it over, and shaking him heartily by the 
hand, `a parting 
gift, my lad. Put it back half an hour every morning, and about another 
quarter towards 
the afternoon, and it's a watch that'll do you credit.' 


</p>
            <p>`Captain Cuttle! I couldn't think of it!' cried Walter, detaining him, for he 
was running 
away. `Pray take it back. I have one already.' 


</p>
            <p>`Then, Wal'r,' said the Captain, suddenly diving into one of his pockets and 
bringing up 
the two teaspoons and the sugar-tongs, with which he had armed himself to 
meet such an 
objection, `take this here trifle of plate, instead.' 


</p>
            <p>`No, no, I couldn't indeed!' cried Walter, `a thousand thanks! Don't throw 
them away, 
Captain Cuttle!' for the Captain was about to jerk them overboard. `They'll 
be of much 
more use to you than me. Give me your stick. I have often thought I should 
like to have 
it. There! Good-bye, Captain Cuttle! Take care of my uncle! Uncle Sol, God 
bless 
you!' 


</p>
            <p>They were over the side in the confusion, before Walter caught another 
glimpse of either; 
and when he ran up to the stern, and looked after them, he saw his uncle 
hanging down 
his head in the boat, and Captain Cuttle rapping him on the back with the 
great silver 
watch (it must have been very painful), and gesticulating hopefully with the 
teaspoons and 
sugartongs. Catching sight of Walter, Captain Cuttle dropped the property 
into the bottom 
of the boat with perfect unconcern, being evidently oblivious of its 
existence, and pulling 
off the glazed hat hailed him lustily. The glazed hat made quite a show in 
the sun with its 
glistening, and the Captain continued to wave it until he could be seen no 
longer. Then the 
confusion on board, which had been rapidly increasing, reached its height; 
two or three 
other boats went away with a cheer; the sails shone bright and full above, as 
Walter 
watched them spread their surface to the favourable breeze; the water flew in 
sparkles 
from the prow; and off upon her voyage went the Son and Heir, as hopefully 
and 
trippingly as many another son and heir, gone down, had started on his way 
before 
her. 


</p>
            <p>Day after day, old Sol and Captain Cuttle kept her reckoning in the little 
back parlour and 
worked out her course, with the chart spread before them on the round table. 
At night, 
when old Sol climbed upstairs, so lonely, to the attic where it sometimes 
blew great guns, 
he looked up at the stars and listened to the wind, and kept a longer watch 
than would 
have fallen to his lot on board the ship. The last bottle of the old Madeira, 
which had had 
its cruising days, and known its dangers of the deep, lay silently beneath 
its dust and 
cobwebs, in the meanwhile, undisturbed. 

</p>
         </div>
         <div xml:id="c20" type="chapter">
            <head>CHAPTER XX</head>
            <head>Mr. Dombey goes upon a Journey</head>
            <p>`MR. DOMBEY, Sir,' said Major Bagstock, `Joey B. is not in general a man of 
sentiment, for Joseph is tough. But Joe  has  his feelings, Sir, and when 
they  <hi>are</hi> awakened—Damme, Mr. Dombey,' cried the Major with sudden 
ferocity, `this is weakness, and I won't submit to it!' 


</p>
            <p>Major Bagstock delivered himself of these expressions on receiving Mr. Dombey 
as his guest at the head of his own staircase in Princess's Place. Mr. Dombey 
has come to breakfast with the Major, previous to their setting forth on 
their trip;  and the ill-starred Native had already undergone a world  of 
misery arising out of the muffins, while, in connexion with the general 
question of boiled eggs, life was a burden to him. 


</p>
            <p>`It is not for an old soldier of the Bagstock breed,' observed the Major, 
relapsing into a mild state, `to deliver himself up, a prey to his own 
emotions; but—damme, Sir,' cried the Major, in another spasm of ferocity, `I 
condole with you!' 


</p>
            <p>The Major's purple visage deepened in its hue, and the Major's lobster eyes 
stood out in bolder relief, as he shook Mr. Dombey by the hand, imparting to 
that peaceful action as defiant a character as if it had been the prelude to 
his immediately boxing Mr. Dombey for a thousand pounds a side and the 
championship of England. With a rotatory motion of his head, and a wheeze 
very like the cough of a horse, the Major then conducted his visitor to the 
sitting-room, and there welcomed him (having now composed his feelings) with 
the freedom and frankness of a travelling companion. 


</p>
            <p>`Dombey,' said the Major, `I'm glad to see you. I'm proud to see you. There 
are not many men in Europe to whom J. Bagstock would say that—for Josh is 
blunt. Sir: it's his nature—but Joey B. is proud to see you, Dombey.' 


</p>
            <p>`Major,' returned Mr. Dombey, `you are very obliging.' 


</p>
            <p>`No, Sir,' said the Major, `Devil a bit! That's not my character. If that had 
been Joe's character. Joe might have been, by this time, Lieutenant-General 
Sir Joseph Bagstock, K.C.B., and might have received you in very different 
quarters. You don't know old Joe yet, I find. But this occasion, being 
special, is a source of pride to me. By the Lord, Sir,' said the Major 
resolutely, `it's an honour to me!' 


</p>
            <p>Mr. Dombey, in his estimation of himself and his money, felt that this was 
very true, and therefore did not dispute the point. But the instinctive 
recognition of such a truth by the Major, and his plain avowal of it, were 
very agreeable. It was a confirmation to Mr. Dombey, if he has required any, 
of his not being mistaken in the Major. It was an assurance to him that his 
power extended beyond his own immediate sphere; and  that the Major, as an 
officer and a gentleman, had a no less  becoming sense of it, than the beadle 
of the Royal Exchange. 


</p>
            <p>And if it were ever consolatory to know this, or the like of this, it was 
consolatory then, when the impotence of his will, the instability of his 
hopes, the feebleness of wealth, had been so direfully impressed upon him. 
What could it do, his boy had asked him. Sometimes, thinking of the baby 
question, he could hardly forbear inquiring, himself, what <hi>could</hi> it do 
indeed: what had it done? 


</p>
            <p>But these were lonely thoughts, bred late at night in the sullen despondency 
and gloom of his retirement, and pride easily found its reassurance in many 
testimonies to the truth, as unimpeachable and precious as the Major's. Mr. 
Dombey, in his friendlessness, inclined to the Major. It cannot be said that 
he warmed towards him, but he thawed a little. The Major had had some 
part—and not too much—in the days by the seaside. He was a man of the 
world, and knew some great people. He talked much, and told stories; and Mr. 
Dombey was disposed to regard him as a choice spirit who shone in society, 
and who had not that poisonous ingredient of poverty with which choice 
spirits in general are too much adulterated. His station was undeniable. 
Altogether the Major was a creditable companion, well accustomed to a life of 
leisure, and to such places as that they were about to visit, and having an 
air of gentlemanly ease about him that mixed well enough with his own City 
character, and did not compete with it at all. If Mr. Dombey had any 
lingering idea that the Major, as a man accustomed, in the way of his 
calling, to make light of the ruthless had that hand lately crushed his 
hopes, might unconsciously impart some useful philosophy to him, and scare 
away his weak regrets, he hid it from himself, and left it lying at the 
bottom of his pride, unexamined. 


</p>
            <p>`Where is my scoundrel?' said the Major, looking wrathfully round the 
room. 


</p>
            <p>The Native, who had no particular name, but answered to any vituperative 
epithet, presented himself instantly at the door and ventured to come no 
nearer. 


</p>
            <p>`You villain!' said the choleric Major, `where's the breakfast?' 


</p>
            <p>The dark servant disappeared in search of it, and was quickly heard 
reascending the stairs in such a tremulous state, that the plates and dishes 
on the tray he carried, trembling sympathetically as he came, rattled again, 
all the way up. 


</p>
            <p>`Dombey,' said the Major, glancing at the Native as he arranged the table, 
and encouraging him with an awful shake of his fist when he upset a spoon, 
`here is a devilled grill, a savoury pie, a dish of kidneys, and so forth. 
Pray sit down. Old Joe can give you nothing but camp fare, you see.' 


</p>
            <p>`Very excellent fare, Major,' replied his guest; and not in mere politeness 
either; for the Major always took the best possible care of himself, and 
indeed ate rather more of rich meats than was good for him, insomuch that his 
Imperial complexion was mainly referred by the faculty to that 
circumstance. 


</p>
            <p>`You have been looking over the way, Sir,' observed the Major. `Have you seen 
our friend?' 


</p>
            <p>`You mean Miss Tox,' retorted Mr. Dombey. `No.' 


</p>
            <p>`Charming woman, Sir,' said the Major, with a fat laugh rising in his short 
throat, and nearly suffocating him. 


</p>
            <p>`Miss Tox is a very good sort of person, I believe,' replied Mr. Dombey. 


</p>
            <p>The haughty coldness of the reply seemed to afford Major Bagstock infinite 
delight. He swelled and swelled, exceedingly: and even laid down his knife 
and fork for a moment, to rub his hands. 


</p>
            <p>`Old Joe, Sir,' said the Major, `was a bit of a favourite in that quarter 
once. But Joe has had his day. J. Bagstock is 
extinguished—outrivalled—floored, Sir. I tell you what, Dombey.'  The 
Major  paused  in  his  eating,  and  looked   mysteriously indignant. 
`That's a de-vilish ambitious woman, Sir.' 


</p>
            <p>Mr. Dombey said `Indeed?' with frigid indifference: mingled perhaps with some 
contemptuous incredulity as to Miss Tox having the presumption to harbour 
such a superior quality. 


</p>
            <p>`That woman, Sir,' said the Major, `is, in her way, a Lucifer. Joey B. has 
had his day, Sir, but he keeps his eyes. He sees, does Joe. His Royal 
Highness the late Duke of York observed of Joey, at a levee, that he saw.' 


</p>
            <p>The Major accompanied this with such a look, and, between eating, drinking, 
hot tea, devilled grill, muffins, and meaning, was altogether so swollen and 
inflamed about the head, that even Mr. Dombey showed some anxiety for him. 


</p>
            <p>`That ridiculous old spectacle, Sir,' pursued the Major, `aspires. She 
aspires sky-high, Sir. Matrimonially, Dombey.' 


</p>
            <p>`I am sorry for her,' said Mr. Dombey. 


</p>
            <p>`Don't say that, Dombey,' returned the Major in a warning voice. 


</p>
            <p>`Why should I not, Major?' said Mr. Dombey. 


</p>
            <p>The Major gave no answer but the horse's cough, and went on eating 
vigorously. 


</p>
            <p>`She has taken an interest in your household,' said the Major, stopping short 
again, `and has been a frequent visitor at your house for some time now.' 


</p>
            <p>`Yes,' replied Mr. Dombey with great stateliness, `Miss Tox was originally 
received there, at the time of Mrs. Dombey's death, as a friend of my 
sister's; and being a well-behaved person, and showing a liking for the poor 
infant, she was permitted—I may say encouraged—to repeat her visits with my 
sister, and gradually to occupy a kind of footing of familiarity in the 
family. I have,' said Mr. Dombey, in the tone of a man who was making a great 
and valuable concession, `I have a respect for Miss Tox. She has been so 
obliging as to render many  little  services  in my house: trifling  and 
insignificant  services perhaps, Major, but not to be disparaged on that 
account: and I hope I have had the good fortune to be enabled to acknowledge 
them by such attention and notice as it has been in my power to bestow. I 
hold myself indebted to Miss Tox, Major,' added Mr. Dombey, with a slight 
wave of his hand, `for the pleasure of your acquaintance.' 


</p>
            <p>`Dombey,' said the Major, warmly: `no! No, Sir! Joseph Bagstock can never 
permit that assertion to pass uncontradicted. Your knowledge of old Joe, Sir, 
such as he is, and old Joe's knowledge of you, Sir, had its origin in a noble 
fellow, Sir—in a great creature, Sir. Dombey!' said the Major, with a 
struggle which it was not very difficult to parade, his whole life being a 
struggle against all kinds of apoplectic symptoms, `we knew each other 
through your boy.' 


</p>
            <p>Mr. Dombey seemed touched, as it is not improbable the Major designed he 
should be, by this allusion. He looked down and sighed: and the Major, 
rousing himself fiercely, again said, in reference to the state of mind into 
which he felt himself in danger of falling, that this was weakness, and 
nothing should induce him to submit to it. 


</p>
            <p>`Our friend has a remote connexion with that event,' said the Major, `and all 
the credit that belongs to her, J. B. is willing to give her, Sir. 
Notwithstanding which, Ma'am,' he added, raising his eyes from his plate, and 
casting them across Princess's Place, to where Miss Tox was at that moment 
visible at her window watering her flowers, `you're a scheming jade, Ma'am, 
and your ambition is a piece of monstrous impudence. If it only made yourself 
ridiculous, Ma'am,' said the Major, rolling his head at the unconscious Miss 
Tox, while his starting eyes appeared to make a leap towards her, `you might 
do that to your heart's content, Ma'am, without any objection, I assure you, 
on the part of Bagstock.' Here the Major laughed frightfully up in the tips 
of his ears and in the veins of his head. `But when, Ma'am,' said the Major, 
`you compromise other people, and generous, unsuspicious people too, as a 
repayment for their condescension, you stir the blood of old Joe in his 
body.' 


</p>
            <p>`Major,' said Mr. Dombey, reddening, `I hope you do not hint at anything so 
absurd on the part of Miss Tox as—' 


</p>
            <p>`Dombey,' returned the Major, `I hint at nothing. But Joey B. has lived in 
the world, Sir: lived in the world with his eyes open, Sir, and his ears 
cocked: and Joe tells you, Dombey, that there's a de-vilish artful and 
ambitious woman over the way.' 


</p>
            <p>Mr. Dombey involuntarily glanced over the way; and an angry glance he sent in 
that direction, too. 


</p>
            <p>`That's all on such a subject that shall pass the lips of Joseph Bagstock,' 
said the Major firmly. `Joe is not a talebearer, but there are times when he 
must speak, when he <hi>will</hi> speak!—confound your arts, Ma'am,' cried the 
Major, again apostrophising his fair neighbour, with great ire,—`when the 
provocation is too strong to admit of his remaining silent.' 


</p>
            <p>The emotion of this outbreak threw the Major into a paroxysm of horse's 
coughs, which held him for a long time. On recovering he added: 


</p>
            <p>`And now, Dombey, as you have invited Joe—old Joe, who has no other merit, 
Sir, but that he is tough and hearty—to be your guest and guide at 
Leamington, command him in any way you please, and he is wholly yours. I 
don't know, Sir,' said the Major, wagging his double chin with a jocose air, 
`what it is you people see in Joe to make you hold him in such great request, 
all of you; but this I know, Sir, that if he wasn't pretty tough, and 
obstinate in his refusals, you'd kill him among you with your invitations and 
so forth, in double-quick time.' 


</p>
            <p>Mr. Dombey, in a few words, expressed his sense of the preference he received 
over those other distinguished members of society who were clamouring for the 
possession of Major Bagstock. But the Major cut him short by giving him to 
understand that he followed his own inclinations, and that they had risen up 
in a body and said with one accord, `J. B., Dombey is the man for you to 
choose as a friend.' 


</p>
            <p>The Major being by this time in a state of repletion, with essence of savoury 
pie oozing out at the corners of his eyes, and devilled grill and kidneys 
tightening his cravat: and the time moreover approaching for the departure of 
the railway train to Birmingham, by which they were to leave town: the Native 
got him into his great-coat with immense difficulty, and buttoned him up 
until his face looked staring and gasping, over the top of that garment, as 
if he  were in a barrel. The Native then handed him separately, and with a 
decent interval between each supply, his wash-leather gloves, his thick 
stick, and his hat; which latter article the Major wore with a rakish air on 
one side of his head, by way of toning down his remarkable visage. The Native 
had previously packed, in all possible and impossible parts of Mr. Dombey's 
chariot, which was in waiting, an unusual quantity of carpet-bags and small 
portmanteaus, no less apoplectic in appearance than the Major himself: and 
having filled his own pockets with Seltzer water, East India sherry, 
sandwiches, shawls, telescopes, maps, and newspapers, any or all of which 
light baggage the Major might require at any instant of the journey, he 
announced that everything was ready. To complete the equipment of this 
unfortunate foreigner (currently believed to be a prince in his own country), 
when he took his seat in the rumble by the side of Mr. Towlinson, a pile of 
the Major's cloaks and great-coats was hurled upon him by the landlord, who 
aimed at him from the pavement with those great missiles like a Titan, and so 
covered him up, that he proceeded, in a living tomb, to the railroad 
station. 


</p>
            <p>But before the carriage moved away, and while the Native was in the act of 
sepulture, Miss Tox appearing at her window, waved a lily-white handkerchief. 
Mr. Dombey received this parting salutation very coldly—very coldly even for 
him—and honouring her with the slightest possible inclination of his head, 
leaned back in the carriage with a very discontented look.  His  marked 
behaviour  seemed to afford  the  Major  (who  was  all politeness in his 
recognition of Miss Tox) unbounded satisfaction; and he sat for a long time 
afterwards, leering, and choking, like an over-fed Mephistopheles. 


</p>
            <p>During the bustle of preparation at the railway, Mr. Dombey and the major 
walked up and down the platform side by side; the former taciturn and gloomy, 
and the latter entertaining him, or entertaining himself, with a variety of 
anecdotes and reminiscences, in most of which Joe Bagstock was the principal 
performer. Neither of the two observed that in the course of these walks, 
they attracted the attention of a working man who was standing near the 
engine, and who touched his hat every time they passed; for Mr. Dombey 
habitually looked over the vulgar herd, not at them; and the Major was 
looking, at the time, into the core of one of his stories. At length, 
however, this man stepped before them as they turned round, and pulling his 
hat off, and keeping it off, ducked his head to Mr. Dombey. 


</p>
            <p>`Beg your pardon, Sir,' said the man, `but I hope you're a doin' pretty well, 
Sir.' 


</p>
            <p>He was dressed in a canvass suit abundantly besmeared with coal-dust and oil, 
and cinders in his whiskers, and a smell of half-slaked ashes all over him. 
He was not a bad-looking fellow, nor even what could be fairly called a 
dirty-looking fellow, in spite of this; and, in short, he was Mr. Toodle, 
professionally clothed. 


</p>
            <p>`I shall have the honour of stokin' of you down, Sir,' said Mr. Toodle. `Beg 
your pardon, Sir. I hope you find yourself a coming round?' 


</p>
            <p>Mr. Dombey looked at him, in return for his tone of interest, as if a man 
like that would make his very eyesight dirty. 


</p>
            <p>`'Scuse the liberty, Sir,' said Toodle, seeing he was not clearly remembered, 
`but my wife Polly, as was called Richards in your family—' 


</p>
            <p>A change in Mr. Dombey's face, which seemed to express recollection of him, 
and so it did, but it expressed in a much stronger degree and angry sense of 
humiliation, stopped Mr. Toodle short. 


</p>
            <p>`Your wife wants money, I suppose,' said Mr.  Dombey, putting his hand in his 
pocket, and speaking (but that he always did) haughtily. 


</p>
            <p>`No thank'ee, Sir,' returned Toodle, `I can't say she does. <hi>I</hi>
don't.' 


</p>
            <p>Mr. Dombey was stopped short now in his turn: and awkwardly: with his hand in 
his pocket. 


</p>
            <p>`No, Sir,' said Toodle, turning his oilskin cap round and round; `we're a 
doin' pretty well, Sir; we haven't no cause to complain in the worldly way, 
Sir. We've had four more since then, Sir, but we rubs on.' 


</p>
            <p>Mr. Dombey would have rubbed on to his own carriage, though in so doing he 
had rubbed the stoker underneath the wheels; but his attention was arrested 
by something in connexion with the cap still going slowly round and round in 
the man's hand. 


</p>
            <p>`We lost one babby,' observed Toodle, `there's no denyin.' 


</p>
            <p>`Lately,' added Mr. Dombey, looking at the cap. 


</p>
            <p>`No, Sir, up'ard of three years ago, but all the rest is hearty. And in the 
matter o' readin', Sir,' said Toodle, ducking again, as if to remind Mr. 
Dombey of what had passed between them on that subject long ago, `them boys 
o' mine, they learned me, among 'em, arter all. They've made a wery tolerable 
scholar of me, Sir, them boys.' 


</p>
            <p>`Come, Major!' said Mr. Dombey. 


</p>
            <p>`Beg your pardon, Sir,' resumed Toodle, taking a step before them and 
deferentially stopping them again, still cap in hand: `I wouldn't have 
troubled you with such a pint except as a way of gettin' in the name of my 
son Biler—christened Robin—him as you was so good as to make a Charitable 
Grinder on.' 


</p>
            <p>`Well, man,' said Mr. Dombey in his severest manner. `What about him?' 


</p>
            <p>`Why, Sir,' returned Toodle, shaking his head with a face of great anxiety 
and distress, `I'm forced to say, Sir, that  he's  gone wrong.' 


</p>
            <p>`He has gone wrong, has he?' said Mr. Dombey, with a hard kind of 
satisfaction. 


</p>
            <p>`He has fell into bad company, you see, gentlemen,' pursued the father, 
looking wistfully at both, and evidently taking the Major into the 
conversation with the hope of having his sympathy. `He has got into bad ways. 
God send he may come to again, gentlemen, but he's on the wrong track now! 
You could hardly be off hearing of it somehow, Sir,' said Toodle, again 
addressing Mr. Dombey individually; `and it's better I should out and say my 
boy's gone rather wrong. Polly's dreadful down about it, genelmen,' said 
Toodle with the same dejected look, and another appeal to the Major. 


</p>
            <p>`A son of this man's whom I caused to be educated, Major,' said Mr. Dombey, 
giving him his arm. `The usual return!' 


</p>
            <p>`Take advice from plain old Joe, and never educate that sort of people, Sir,' 
returned the Major. `Damme, Sir, it never does! I always fails!' 


</p>
            <p>The simple father was beginning to submit that he hoped his son, the quondam 
Grinder, huffed and cuffed, and flogged and badged, and taught, as parrots 
are, by a brute jobbed into his place of schoolmaster with as much fitness 
for it as a hound, might not have been educated on quite a right plan in some 
undiscovered respect, when Mr. Dombey angrily repeating `The usual return!' 
led the Major away. And the Major being heavy to hoist into Mr. Dombey's 
carriage elevated in midair, and having to stop and swear that he would flay 
the Native alive, and break very bone in his skin, and visit other physical 
torments upon him, every time he couldn't get his foot on the step, and fell 
back on that dark exile, had barely time before they started to repeat 
hoarsely that it would never do: that it always failed: and that if he were 
to educate `his own vagabond,' he would certainly be hanged. 


</p>
            <p>Mr. Dombey assented bitterly; but there was something more in his bitterness, 
and in his moody way of falling back in the  carriage,  and looking with 
knitted brows  at  the  changing objects  without,  that  the failure of 
that  noble  educational system administered by the Grinders' Company. He had 
seen upon the man's rough cap a piece of new crape, and he had assured 
himself, from his manner and his answers, that he wore it for his son. 


</p>
            <p>So! from high to low, at home or abroad, from Florence in his great house to 
the coarse churl who was feeding the fire then smoking before them, every one 
set up some claim or other to a share in his dead boy, and was a bidder 
against him!Could he ever forget how that woman had wept over his pillow, and 
called him her own child! or how he, waking from his sleep, had asked for 
her, and had raised himself in his bed and brightened when she came in! 


</p>
            <p>To think of this presumptuous raker among coals and ashes going on before 
there, with his sign of mourning! To think that he dared to enter, even by a 
common show like that, into the trial and disappointment of a proud 
gentleman's secret heart! To think that this lost child, who was to have 
divided with him his riches, and his projects, and his power, and allied with 
whom he was to have shut out all the world as with a double door of gold, 
should have let in such a herd to insult him with their knowledge of his 
defeated hopes, and their boasts of claiming community of feeling with 
himself, so far removed: if not of having crept into the place wherein he 
would have lorded it, alone! 


</p>
            <p>He found no  pleasure or of relief in the journey. Tortured by these thoughts 
he carried monotony with him, through the rushing landscape, and hurried 
headlong, not through a rich and varied country, but a wilderness of blighted 
plans and gnawing jealousies. The very speed at which the train was whirled 
along mocked the swift course of the young life that had been borne away so 
steadily and so inexorably to its foredoomed end. The power that forced 
itself upon its iron way—its own—defiant of all paths and roads, piercing 
through the heart of every obstacle, and dragging living creatures of all 
classes, ages, and degrees behind it, was a type of the triumphant monster, 
Death. 


</p>
            <p>Away, with a shriek, and a roar, and a rattle, from the town, burrowing among 
the dwellings of men and making the streets hum, flashing out into the 
meadows for a moment, mining in  through the damp earth, booming on in 
darkness and heavy air, bursting out again into the sunny day so bright and 
wide; away, with a shriek, and a roar, and a rattle, through the fields, 
through the woods, through the corn, through the hay,  through the chalk, 
through the mould, through the clay, through the rock, among objects close at 
hand and almost in the grasp, ever flying from the traveller, and a deceitful 
distance ever moving slowly within him: like as in the track of the 
remorseless monster, Death! 


</p>
            <p>Through the hallow, on the height, by the heath, by the orchard, by the park, 
by the garden, over the canal, across the river, where the sheep are feeding, 
where the mill is going, where the barge is floating, where the dead are 
lying, where the factory is smoking, where the stream is running, where the 
village clusters, where the great cathedral rises, where the bleak moor lies, 
and the wild breeze smooths or ruffles it at its inconstant will; away, with 
a shriek, and a roar, and a rattle, and no trace to leave behind but dust and 
vapour: like as in the track of the remorseless monster, Death! 


</p>
            <p>Breasting the wind and light, the shower and sunshine, away, and still away, 
it rolls and roars, fierce and rapid, smooth and certain, and great works and 
massive bridges, crossing up above, fall like a beam of shadow an inch broad, 
upon the eye, and then are lost. Away, and still away, onward and onward 
ever: glimpses of cottage-homes, of houses, mansions, rich estates, of 
husbandry and handicraft, of people, of old roads and paths that look 
deserted, small, and insignificant as they are left behind: and so they do, 
and what else is there but such glimpses, in the track of the indomitable 
monster, Death! 


</p>
            <p>Away, with a shriek, and a roar, and a rattle, plunging down into the earth 
again, and working on in such a storm of energy and perseverance, that amidst 
the darkness and whirlwind the motion seems reversed, and to tend furiously 
backward, until a ray of light upon the wet wall shows its surface flying 
past like a fierce stream. Away once more into the day, and through the day, 
with a shrill yell of exultation, roaring, rattling, tearing on, spurning 
everything with its dark breath, sometimes pausing for a minute where a crowd 
of faces are, that in a minute more are not; sometimes lapping water 
greedily, and before the spout at which it drinks has ceased to drip upon the 
ground, shrieking, roaring, rattling through the purple distance! 


</p>
            <p>Louder and louder yet, it shrieks and cries as it comes tearing on resistless 
to the goal: and now its way, still like the way of Death, is strewn with 
ashes thickly. Everything around is blackened. There are dark pools of water, 
muddy lanes, and miserable habitations far below. There are jagged walls and 
falling houses close at hand, and through the battered roofs and broken 
windows, wretched rooms are seen, where want and fever hide themselves in 
many wretched shapes, while smoke and crowded gables, and distorted chimneys, 
and deformity of brick and mortar penning up deformity of mind and body, 
choke the murky distance. As Mr. Dombey looks out of his carriage window, it 
is never in his thoughts that the monster who has brought him there has let 
the light of day in on these things: not made or caused them. It was the 
journey's fitting end, and might have been the end of everything; it was so 
ruinous and dreary. 


</p>
            <p>So, pursuing the one course of thought, he had the one relentless monster 
still before him. All things looked black, and cold, and deadly upon him, and 
he on them. He found a likeness to his misfortune everywhere. There was a 
remorseless triumph going on about him, and it galled and stung him in his 
pride and jealousy, whatever form it took: though most of all when it divided 
with him the love and memory of his lost boy. 


</p>
            <p>There was a face—he had looked upon it, on the previous night, and it on him 
with eyes that read his soul, though they were dim with tears, and hidden 
soon behind two quivering hands—that often had attended him in fancy, on 
this ride. He had seen it, with the expression of last night, timidly 
pleading to him. It was not reproachful, but there was something of doubt, 
almost of hopeful incredulity in it, which, as he once more saw that fade 
away into a desolate certainty of his dislike, was like reproach. It was a 
trouble to him to think of this face of Florence. 


</p>
            <p>Because he felt any new compunction towards it? No. Because the feeling it 
awakened in him—of which he had had some old foreshadowing in older 
times—was full-formed now, and spoke out plainly, moving him too much, and 
threatening to grow too strong for his composure. Because the face was 
abroad, in the expression of defeat and persecution that seemed to encircle 
him like the air. Because it barbed the arrow of that cruel and remorseless 
enemy on which his thoughts so ran, and put into its grasp a double-handed 
sword. Because he knew full well, in his own breast, as he stood there, 
tinging the scene of transition before him with the morbid colours of his own 
mind, and making it a ruin and a picture of decay, instead of hopeful change, 
and promise of better things, that life had quite as much to do with his 
complainings as death.  One child  was  gone, and one child left. Why was the 
object  of  his hope removed instead of her? 


</p>
            <p>The sweet, calm, gentle presence in his fancy, moved him to no reflection but 
that. She had been unwelcome to him from the first; she was an aggravation of 
his bitterness now. If his son had been his only child, and the same blow had 
fallen on him, it would have been heavy to bear; but infinitely lighter than 
now, when it might have fallen on her (whom he could have lost, or he 
believed it, without a pang), and had not. Her loving and innocent face 
rising before him, and had no softening or winning influence. He rejected the 
angel, and took up with the tormenting spirit crouching in his bosom. Her 
patience, goodness, youth, devotion, love, were as so many atoms in the ashes 
upon which he set his heel. He saw her image in the blight and blackness all 
around him, not irradiating but deepening the gloom. More than once upon this 
journey, and how again as he stood pondering at this journey's end, tracing 
figures in the dust with his stick, the thought came into his mind, what was 
there he could interpose between himself and it? 


</p>
            <p>The Major, who had been blowing and panting all the way down, like another 
engine, and whose eye had often wandered from his newspaper to leer at the 
prospect, as if there were a procession of discomfited Miss Toxes pouring out 
in the smoke of the train, and flying away over the fields to hide themselves 
in any place of refuge, aroused his friend by informing him that the 
post-horses were harnessed and the carriage ready. 


</p>
            <p>`Dombey,' said the Major, rapping him on the arm with his cane, `don't be 
thoughtful. It's a bad habit. Old Joe, Sir, wouldn't be as tough as you see 
him, if he had ever encouraged it. You are too great a man, Dombey, to be 
thoughtful. In your position, Sir, you're far above that kind of thing.' 


</p>
            <p>The Major even in his friendly remonstrances, thus consulting the dignity and 
honour of Mr. Dombey, and showing a lively sense of their importance, Mr. 
Dombey felt more than ever disposed to defer to a gentleman possessing so 
much good sense and such a well-regulated mind; accordingly he made an effort 
to listen to the Major's stories, as they trotted along the turnpike road; 
and the Major, finding both the pace and the road a great deal better adapted 
to his conversational powers than the mode of travelling they had just 
relinquished, came out for his entertainment. 


</p>
            <p>In this flow of spirits and conversation, only interrupted by his usual 
plethoric symptoms, and by intervals of lunch, and from time to time by some 
violent assault upon the Native, who wore a pair of ear-rings in his 
dark-brown ears, and on whom his European clothes sat with an outlandish 
impossibility of adjustment—being, of their own accord, and without any 
reference to the tailor's art, long where they ought to be short, short where 
they ought to be long, tight where they ought to be loose, and loose where 
they ought to be tight—and to which he imparted a new grace, whenever the 
Major attacked him, by shrinking into them like a shrivelled nut, or a cold 
monkey—in this flow of spirits and conversation, the Major continued all 
day: so that when evening came on, and found them trotting through the green 
and leafy road near Leamington, the Major's voice, what with talking and 
eating and chuckling and choking, appeared to be in the box under the rumble, 
or in some neighbouring hay-stack. Nor did the Major improve it at the Royal 
Hotel, where rooms and dinner had been ordered, and where he so oppressed his 
organs of speech by eating and drinking, that when he retired to bed he had 
no voice at all, except to cough with, and could only make himself 
intelligible to the dark servant by gasping at him. 


</p>
            <p>He not only rose next morning, however, like a giant refreshed, but conducted 
himself, at breakfast, like a giant refreshing. At this meal they arranged 
their daily habits. The Major was to take the responsibility or ordering 
everything to eat and drink; and they were to have a late breakfast together 
every morning, and a late dinner together every day. Mr. Dombey would prefer 
remaining in his own room, or walking in the country by himself, on that 
first day of their sojourn at Leamington; but next morning he would be happy 
to accompany the Major to the Pump-room, and about the town. So they parted 
until dinner-time. Mr. Dombey retired to nurse his wholesome thoughts in his 
own way. The Major, attended by the Native carrying a camp-stool, a 
great-coast, and an umbrella, swaggered up and down through all the public 
places: looking into subscription books to find out who was there, looking up 
old ladies by whom he was much admired, reporting J.B. tougher than ever, and 
puffing his rich friend Dombey wherever he went. There never was a man who 
stood by a friend more staunchly than the Major, when in puffing him, he 
puffed himself. 


</p>
            <p>It was surprising how much new conversation the Major had to let off at 
dinner-time, and what occasion he gave Mr. Dombey to admire his social 
qualities. At breakfast next morning, he knew the contents of the latest 
newspapers received; and mentioned several subjects in connexion with them, 
on which his opinion had recently been sought by persons of such power and 
might, that they were only to be obscurely hinted at. Mr. Dombey, who had 
been so long shut up within himself, and who had rarely, at any time, 
overstepped the enchanted circle within which the operations of Dombey and 
Son were conducted, began to think this an improvement on his solitary life; 
and in place of excusing himself for another day, as he had thought of doing 
when alone, walked out with the Major arm-in-arm. 

</p>
         </div>
         <div xml:id="c21" type="chapter">
            <head>CHAPTER XXI</head>
            <head>New Faces</head>
            <p>THE Major, more blue-faced and staring—more over-ripe, as it were, than 
ever—and giving vent, every now and then, to one of the horse's coughs, not 
so much of necessity as in a spontaneous explosion of importance, walked 
arm-in-arm with  Mr. Dombey up the sunny side of the way, with his cheeks 
swelling over  his tight stock, his legs majestically wide apart, and his 
great head wagging from side to side, as if he were remonstrating within 
himself for being such a captivating object. They had not walked many yards, 
before the Major encountered somebody else he knew, nor many yards farther 
before the Major encountered somebody else he knew, but he merely shook his 
fingers at them as he passed, and led Mr. Dombey on: pointing out the 
localities as they went, and enlivening the walk with any current scandal 
suggested by them. 


</p>
            <p>In this manner the Major and Mr. Dombey were walking arm-in-arm, much to 
their own satisfaction, when they beheld advancing towards them, a wheeled 
chair, in which a lady was seated, indolently steering her carriage by a kind 
of rudder in front, while it was propelled by some unseen power in the rear. 
Although the lady was not young, she was very blooming in the face—quite 
rosy—and her dress and attitude  were  perfectly juvenile. Walking by the 
side of the chair, and carrying her gossamer parasol with a proud and weary 
air, as if so great an effort must be soon abandoned and the parasol dropped, 
sauntered a much younger lady, very handsome, very haughty, very wilful, who 
tossed her head and drooped her  eyelids, as though, if there were anything 
in all the  world worth looking into, save a mirror, it certainly was not the 
earth or sky. 


</p>
            <p>`Why,  what  the devil have we here, Sir!'  cried  the  Major, stopping as 
this little cavalcade drew near. 


</p>
            <p>`My  dearest  Edith!' drawled the lady in  the  chair,  `Major Bagstock!' 


</p>
            <p>The Major no sooner heard the voice, than he relinquished Mr.  Dombey's arm, 
darted forward, took the hand of the  lady in the chair and pressed it to his 
lips. With no less gallantry, the Major folded both his gloves upon his 
heart, and bowed low to the other lady. And now, the chair having stopped, 
the motive power became visible in the shape of a flushed page pushing 
behind, who seemed to have in part outgrown and in part out-pushed his 
strength, for when he stood upright he was  tall,  and wan, and thin, and his 
plight appeared  the  more forlorn from his having injured the shape of his 
hat, by butting at the carriage with his head to urge it forward, as is 
sometimes done by elephants in Oriental countries. 


</p>
            <p>`Joe Bagstock,' said the Major to both ladies, `is a proud and happy man for 
the rest of his life.' 


</p>
            <p>`You false creature!' said the old lady in the chair, insipidly. `Where do 
you come from? I can't bear you.' 


</p>
            <p>`Then suffer old Joe to present a friend, Ma'am,' said the Major, promptly, 
`as a reason for being tolerated. Mr. Dombey, Mrs. Skewton.' The lady in the 
chair was gracious. `Mr. Dombey, Mrs. Granger.' The lady with the parasol was 
faintly conscious of Mr. Dombey's taking off his hat, and bowing low. `I am 
delighted, Sir,' said the Major, `to have this opportunity.' 


</p>
            <p>The Major seemed in earnest, for he looked at all the three, and leered in 
his ugliest manner. 


</p>
            <p>`Mrs. Skewton, Dombey,' said the Major, `makes havoc in the heart of old 
Josh.' 


</p>
            <p>Mr. Dombey signified that he didn't wonder at it. 


</p>
            <p>`You perfidious goblin,' said the lady in the chair, `have done! How long 
have you been here, bad man?' 


</p>
            <p>`One day,' replied the Major. 


</p>
            <p>`And can you be a day, or even a minute,' returned the lady, slightly 
settling her false curls and false eyebrows with her fan, and showing her 
false teeth, set off by her false complexion, `in the garden of 
what's-its-name—' 


</p>
            <p>`Eden, I suppose Mama,' interrupted the younger lady, scornfully. 


</p>
            <p>`My dear Edith,' said the other, `I cannot help it. I never can remember 
those frightful names—without having your whole Soul and Being inspired by 
the sight of Nature; by the perfume,'  said Mrs. Skewton, rustling a 
handkerchief that was  faint  and sickly with essences, `of her artless 
breath, you creature!' 


</p>
            <p>The discrepancy between Mrs. Skewton's fresh enthusiasm of words, and 
forlornly faded manner, was hardly less observable than that between her age, 
which was about seventy, and her dress, which would have been youthful for 
twenty-seven. Her attitude in the wheeled chair (which she never varied) was 
one in which she had been taken in a barouche, some fifty years before, by a 
then fashionable artist who had appended to his published sketch the name of 
Cleopatra: in consequence of  a  discovery  made by the critics of the time, 
that it  bore  an  exact resemblance to that Princess as she reclined on 
board her galley. Mrs. Skewton was a beauty then, and bucks threw 
wine-glasses over their heads by dozens in her honor. The beauty and the 
barouche had both passed away, but she still preserved the attitude, and for 
this reason expressly, maintained the wheeled chair and the butting page: 
there being nothing whatever, except the attitude, to prevent her from 
walking. 


</p>
            <p>`Mr. Dombey is devoted to Nature, I trust?' said Mrs. Skewton, settling her 
diamond brooch. And by the way, she chiefly lived upon the reputation of some 
diamonds, and her family connexions. 


</p>
            <p>`My  friend Dombey, Ma'am,' returned the Major, `may be devoted to her in 
secret, but a man who is paramount in the greatest city in the universe—' 


</p>
            <p>`No one can be a stranger,' said Mrs. Skewton, `to Mr. Dombey's immense 
influence.' 


</p>
            <p>As Mr. Dombey acknowledged the compliment with a bend of his head, the 
younger lady glancing at him, met his eyes. 


</p>
            <p>`You reside here, Madam?' said Mr. Dombey, addressing her. 


</p>
            <p>`No, we have been to a great many places. To Irrigate and Scarborough, and 
into Devonshire. We have been visiting, and resting here and there. Mama 
likes change.' 


</p>
            <p>`Edith of course does not,' said Mrs. Skewton, with a ghastly archness. 


</p>
            <p>`I have not found that there is any change in such places,' was the answer, 
delivered with supreme indifference. 


</p>
            <p>`They libel me. There is only one change, Mr. Dombey,' observed Mrs. Skewton, 
with a mincing sigh, `for which I really care, and that I fear I shall never 
be permitted to enjoy. People cannot spare one. But seclusion and 
contemplation are my what-his-name—' 


</p>
            <p>`If you mean Paradise, Mama, you had better say so, to render yourself 
intelligible,' said the younger lady. 


</p>
            <p>`My dearest Edith,' returned Mrs. Skewton, `you know that I am wholly 
dependent upon you for those odious names. I assure you, Mr. Dombey, Nature 
intended me for an Arcadian. I am thrown away in society. Cows are my 
passion. What I have ever sighed for, has been to retreat to a Swiss farm, 
and live entirely surrounded by cows—and china.' 


</p>
            <p>This  curious  association  of objects, suggesting a  remembrance of the 
celebrated bull who got by mistake into a crockery shop, was received with 
perfect gravity by Mr. Dombey, who intimated his opinion that Nature was, no 
doubt, a very respectable institution. 


</p>
            <p>`What I want,' drawled Mrs. Skewton, pinching her shrivelled throat, `is 
heart.' It was frightfully true in one sense, if not in that in which she 
used the phrase. `What I want, is frankness, confidence, less 
conventionality, and freer play of soul. We are so dreadfully artificial.' 


</p>
            <p>We were, indeed. 


</p>
            <p>`In short,' said Mrs. Skewton, `I want Nature everywhere. It would be so 
extremely charming.' 


</p>
            <p>`Nature is inviting us away now, Mama, if you are ready,' said the younger 
lady, curling her handsome lip. At this  hint,  the  wan page, who had been 
surveying the party over the top of the chair, vanished behind it, as if the 
ground had swallowed him up. 


</p>
            <p>`Stop a moment, Withers!' said Mrs. Skewton, as the chair began to move; 
calling to the page with all the languid dignity with  which she had called 
in days of yore to a coachman with a wig, cauliflower nosegay, and silk 
stockings. `Where are you staying, abomination?' 


</p>
            <p>The Major was staying at the Royal Hotel, with his friend Dombey. 


</p>
            <p>`You may come and see us any evening when you are good,' lisped Mrs. Skewton. 
`If Mr. Dombey will honour us, we shall be happy. Withers, go on!' 


</p>
            <p>The Major again pressed to his blue lips the tips of the fingers that were 
disposed on the ledge of the wheeled chair with careful carelessness, after 
the Cleopatra model: and Mr. Dombey bowed. The elder lady honoured them both 
with a very gracious smile and a girlish wave of her hand; the younger lady 
with the very slightest inclination of her head that common courtesy 
allowed. 


</p>
            <p>The last glimpse of the wrinkled face of the mother, with that patched colour 
on it which the sun made infinitely more haggard and dismal than any want of 
colour could have been, and of the proud beauty of the daughter with her 
graceful figure and erect deportment, engendered such an involuntary 
disposition on the part of both the Major and Mr. Dombey to look after them, 
that they both turned at the same moment. The Page, nearly as much aslant as 
his own shadow, was toiling  after  the  chair,  uphill, like a  slow 
battering-ram;  the  top  of Cleopatra's bonnet was fluttering in exactly the 
same corner to the inch as before; and the Beauty, loitering by herself a 
little in advance, expressed in all her elegant form, from head to foot, the 
same supreme disregard of everything and everybody. 


</p>
            <p>`I tell you what, Sir,' said the Major, as they resumed their walk  again. 
`If Joe Bagstock were a younger man, there's not a woman in the world whom 
he'd prefer for Mrs. Bagstock to that woman. By George, Sir!' said the Major, 
`she's superb!' 


</p>
            <p>`Do you mean the daughter?' inquired Mr. Dombey. 


</p>
            <p>`Is Joey B. a turnip, Dombey,' said the Major, `that he should mean the 
mother?' 


</p>
            <p>`You were complimentary to the mother,' returned Mr. Dombey. 


</p>
            <p>`An ancient flame, Sir,' chuckled Major Bagstock. `De-vilish ancient. I 
humour her.' 


</p>
            <p>`She impresses me as being perfectly genteel,' said Mr. Dombey. 


</p>
            <p>`Genteel, Sir, said the Major, stopping short, and staring in his companion's 
face. `The Honourable Mrs. Skewton, Sir, is sister to the late Lord Feenix, 
and aunt to the present Lord. The family are not wealthy—they're poor, 
indeed—and she lives upon a small jointure; but if you come to blood, Sir!' 
The Major gave a flourish with his stick and walked on again, in despair of 
being able to say what you came to, if you came to that. 


</p>
            <p>`You addressed the daughter, I observed,' said Mr. Dombey, after a short 
pause, `as Mrs. Granger.' 


</p>
            <p>`Edith Skewton, Sir,' returned the Major, stopping short again, and punching 
a mark in the ground with his cane, to represent her, `married (at eighteen) 
Granger of Ours;' whom the Major indicated by another punch. `Granger, Sir,' 
said the Major, tapping the last ideal portrait, and rolling his head 
emphatically, `was Colonel of Ours; a de-vilish handsome fellow, Sir, of 
forty-one. He died, Sir, in the second year of his marriage.' The Major ran 
the representative of the deceased  Granger through and through the body with 
his walking-stick, and went on again, carrying his stick over his 
shoulder. 


</p>
            <p>`How long is this ago?' asked Mr. Dombey, making another halt. 


</p>
            <p>`Edith Granger, Sir,' replied the Major, shutting one eye, putting his head 
on one side, passing his cane into his left hand, and smoothing his 
shirt-frill with his right, `is, at this present time, not quite thirty. And 
damme, Sir,' said the Major, shouldering his stick once more, and walking on 
again, `she's a peerless woman!' 


</p>
            <p>`Was there any family?' asked Mr. Dombey presently. 


</p>
            <p>`Yes, Sir' said the Major. `There was a boy.' 


</p>
            <p>Mr. Dombey's eyes sought the ground, and a shade came over his face. 


</p>
            <p>`Who was drowned, Sir,' pursued the Major. `When a child of four or five 
years old.' 


</p>
            <p>`Indeed?' said Mr. Dombey, raising his head. 


</p>
            <p>`By the upsetting of a boat in which his nurse had no business to  have  put 
him,' said the Major. `That's <hi>his</hi> history. Edith Granger is Edith 
Granger still; but if tough old Joey B., Sir, were  a  little  younger and a 
little richer, the name  of  that  immortal paragon should be Bagstock.' 


</p>
            <p>The Major heaved his shoulders, and his cheeks, and laughed more like an 
over-fed Mephistopheles than ever, as he said the words. 


</p>
            <p>`Provided the lady made no objection, I suppose?' said Mr. Dombey coldly. 


</p>
            <p>`By Gad, Sir,' said the Major, `the Bagstock breed are not accustomed to that 
sort of obstacle. Though it's true enough that  Edith  might have married 
twin-ty times, but for  being  proud, Sir, Proud.' 


</p>
            <p>Mr. Dombey seemed, by his face, to think no worse of her for that. 


</p>
            <p>`It's a great quality after all,' said the Major. `By the Lord, it's a high 
quality! Dombey! You are proud yourself, and your friend, Old Joe, respects 
you for it, Sir.' 


</p>
            <p>With this tribute to the character of his ally, which seemed to be wrung from 
him by the force of circumstances and the irresistible tendency of their 
conversation, the Major closed the subject, and glided into a general 
exposition of the extent to which he had been beloved and doated on by 
splendid women and brilliant creatures. 


</p>
            <p>On the next day but one, Mr. Dombey and the Major encountered the Honourable 
Mrs. Skewton and her daughter in the Pump-room; on the day after, they met 
them again very near the place where they had met them first. After meeting 
them  thus, three or four times in all, it became a point of mere  civility 
to old acquaintances that the Major should go there one  evening. Mr. Dombey 
had to originally intended to pay visits,  but on the Major announcing this 
intention, he said he would  have the pleasure of accompanying him. So the 
Major told the Native to go round before dinner, and say, with his and Mr. 
Dombey's compliments, that they would have the honour of visiting the ladies 
that same evening, if the ladies were alone. In answer to which message, the 
Native brought back a very small note with a very large quantity of scent 
about it, indited by the Honourable Mrs. Skewton to Major Bagstock, and 
briefly saying, `You are a shocking bear, and I have a great mind not to 
forgive you, but if you are very good indeed,' which was underlined, `you may 
come. Compliments (in which Edith unites) to Mr. Dombey.' 


</p>
            <p>The Honourable Mrs. Skewton and her daughter, Mrs. Granger, resided, while at 
Leamington, in lodgings that were fashionable enough and dear enough, but 
rather limited in point of space and conveniences; so that the Honourable 
Mrs. Skewton, being in bed, had her feet in the window and her head in the 
fireplace, while the Honourable Mrs. Skewton's maid was quartered in a closet 
within the drawing-room, so extremely small, that, to avoid developing the 
whole of its accommodations, she was obliged to writhe in and out of the door 
like a beautiful serpent. Withers, the wan page, slept out of the house 
immediately under the tiles at a neighbouring milk-shop; and the wheeled 
chair, which was the stone of that young Sisyphus, passed the night in a shed 
belonging to the same dairy, where new-laid eggs were produced by the poultry 
connected with the establishment, who roosted on a broken donkey-cart, 
persuaded, to all appearance, that it grew there, and was a species of 
tree. 


</p>
            <p>Mr. Dombey and the Major found Mrs. Skewton arranged, as Cleopatra, among the 
cushions of a sofa: very airily dressed; and certainly not resembling 
Shakspeare's Cleopatra, whom age could not wither. On their way up stairs 
they had heard the sound of a harp, but it had ceased on their being 
announced, and Edith now stood beside it handsomer and haughtier than ever. 
It was a remarkable characteristic of this lady's beauty that it appeared to 
vaunt and assert itself without her aid, and against her will. She knew that 
she was beautiful: it was impossible that it could be otherwise: but she 
seemed with her own pride to defy her very self. 


</p>
            <p>Whether she held cheap, attractions that could only call forth admiration 
that was worthless to her, or whether she designed to render them more 
precious to admirers by this usage of them, those to whom they <hi>were</hi>
precious seldom paused to consider. 


</p>
            <p>`I hope, Mrs. Granger,' said Mr. Dombey, advancing a step towards her, `we 
are not the cause of your ceasing to play?' 


</p>
            <p>`<hi>You?</hi> oh no!' 


</p>
            <p>`Why do you not go on then, my dearest Edith?' said Cleopatra. 


</p>
            <p>`I left off as I began—of my own fancy.' 


</p>
            <p>The exquisite indifference of her manner in saying this: an indifference 
quite removed from dulness or insensibility, for it was pointed with proud 
purpose: was well set off by the carelessness with which she drew her hand 
across the strings, and came from that part of the room. 


</p>
            <p>`Do you know, Mr. Dombey,' said her languishing mother, playing with a 
hand-screen, `that occasionally my dearest Edith and myself actually almost 
differ—' 


</p>
            <p>`Not quite, sometimes, Mama?' said Edith. 


</p>
            <p>`Oh never quite, my darling! Fie, fie, it would break my heart,' returned her 
mother, making a faint attempt to pat  her with the screen, which Edith made 
no movement to meet, `—about these cold conventionalities of manner that are 
observed in little things? Why are we not more natural? Dear me! With all 
those yearnings, and gushings, and impulsive  throbbings that we have 
implanted in our souls, and which are so very charming, why are we not more 
natural?' 


</p>
            <p>Mr. Dombey said it was very true, very true. 


</p>
            <p>`We could be more natural I suppose if we tried?' said Mrs. Skewton. 


</p>
            <p>Mr. Dombey thought it possible. 


</p>
            <p>`Devil a bit, Ma'am,' said the Major. `We couldn't afford it. Unless the 
world was peopled with J.B.'s—tough and blunt old Joes, Ma'am, plain red 
herrings with hard roes, Sir—we couldn't afford it. It wouldn't do.' 


</p>
            <p>`You naughty Infidel,' said Mrs. Skewton, `be mute.' 


</p>
            <p>`Cleopatra commands,' returned the Major, kissing his hand, `and Antony 
Bagstock obeys.' 


</p>
            <p>`The man has no sensitiveness,' said Mrs. Skewton, cruelly holding up the 
hand-screen so as to shut the Major out. `No sympathy. And what do we live 
for <hi>but</hi> sympathy! What else is so extremely charming! Without that 
gleam of sunshine on our cold cold earth,' said Mrs. Skewton, arranging her 
lace tucker, and complacently observing the effect of her bare lean arm, 
looking upward from the wrist, `how could we possibly bear it? In short, 
obdurate man!' glancing at the Major, round the screen, `I would have my 
world all heart; and Faith is so excessively charming, that I won't allow you 
to disturb it, do you hear?' 


</p>
            <p>The Major replied that it was hard in Cleopatra to require the world to be 
all heart, and yet to appropriate to herself the hearts of all the world; 
which obliged Cleopatra to remind him that flattery was insupportable to her, 
and that if he had the boldness to address her in that strain any more, she 
would positively send him home. 


</p>
            <p>Withers the Wan, at this period, handing round the tea, Mr. Dombey again 
addressed himself to Edith. 


</p>
            <p>`There is not much company here, it would seem?' said Mr. Dombey, in his own 
portentous gentlemanly way. 


</p>
            <p>`I believe not. We see none.' 


</p>
            <p>`Why really,' observed Mrs. Skewton from her couch, `there are no people here 
just now with whom we care to associate.' 


</p>
            <p>`They have not enough heart,' said Edith, with a smile. The very twilight of 
a smile: so singularly were its light and darkness blended. 


</p>
            <p>`My dearest Edith rallies me, you see!' said her mother,  shaking her head: 
which shook a little of itself sometimes, as if the palsy twinkled now and 
then in opposition to the diamonds. `Wicked one!' 


</p>
            <p>`You have been here before, if I am not mistaken?' said Mr. Dombey. Still to 
Edith. 


</p>
            <p>`Oh, several times. I think we have been everywhere.' 


</p>
            <p>`A beautiful country!' 


</p>
            <p>`I suppose it is. Everybody says so.' 


</p>
            <p>`Your cousin Feenix raves about it, Edith,' interposed her mother from her 
couch. 


</p>
            <p>The daughter slightly turned her graceful head, and raising her eyebrows by a 
hair's-breadth, as if her cousin Feenix were of all the mortal world the 
least to be regarded, turned her eyes again towards Mr. Dombey. 


</p>
            <p>`I hope, for the credit of my good taste, that I am tired of the 
neighbourhood,' she said. 


</p>
            <p>`You have almost reason to be, Madam,' he replied, glancing at a variety of 
landscape drawings, of which he had already recognised several as 
representing neighbouring points of view, and which were strewn abundantly 
about the room, `if these beautiful productions are from your hand.' 


</p>
            <p>She gave him no reply, but sat in a disdainful beauty, quite amazing. 


</p>
            <p>`Have they that interest?' said Mr. Dombey. `Are they yours?' 


</p>
            <p>`Yes.' 


</p>
            <p>`And you play, I already know.' 


</p>
            <p>`Yes.' 


</p>
            <p>`And sing?' 


</p>
            <p>`Yes.' 


</p>
            <p>She answered all these questions with a strange reluctance; and with that 
remarkable air of opposition to herself, already noticed as belonging to her 
beauty. Yet she was not embarrassed, but wholly self-possessed. Neither did 
she seem to wish to avoid the conversation, for she addressed her face, 
and—so far as she could—her manner also, to him; and continued to do so, 
when he was silent. 


</p>
            <p>`You have many resources against weariness at least,' said Mr. Dombey. 


</p>
            <p>`Whatever their efficiency may be,' she returned, `you know them all now. I 
have no more.' 


</p>
            <p>`May I hope to prove them all?' said Mr. Dombey, with solemn gallantry, 
laying down a drawing he had held, and motioning towards the harp. 


</p>
            <p>`Oh certainly! If you desire it!' 


</p>
            <p>She rose as she spoke, and crossing by her mother's couch, and directing a 
stately look towards her, which was instantaneous in its duration, but 
inclusive (if any one had seen it) of a multitude of expressions, among which 
that of the twilight smile, without the smile itself, overshadowed all the 
rest, went out of the room. 


</p>
            <p>The major, who was quite forgiven by this time, had wheeled a little table up 
to Cleopatra, and was sitting down to play picquet with her. Mr. Dombey, not 
knowing the game, sat down to watch them for his edification until Edith 
should return. 


</p>
            <p>`We are going to have some music, Mr. Dombey, I hope?' said Cleopatra. 


</p>
            <p>`Mrs. Granger has been kind enough to promise so,' said Mr. Dombey. 


</p>
            <p>`Ah! That's very nice. Do you propose, Major?' 


</p>
            <p>`No, Ma'am,' said the Major. `Couldn't do it.' 


</p>
            <p>`You're a barbarous being,' replied the lady, `and my hand's destroyed. You 
are fond of music, Mr. Dombey?' 


</p>
            <p>`Eminently so,' was Mr. Dombey's answer. 


</p>
            <p>`Yes. It's very nice,' said Cleopatra, looking at her cards. `So much heart 
in it—undeveloped recollections of a previous state of existence—and all 
that—which is so truly charming. Do you know,' simpered Cleopatra, reversing 
the knave of clubs, who had come into her game with his heels uppermost, 
`that if anything could tempt me to put a period to my life, it would be 
curiosity to find out what it's all about, and what it means; there are so 
many provoking mysteries, really, that are hidden from us. Major, you to 
play.' 


</p>
            <p>The Major played; and Mr. Dombey, looking on for his instruction, would soon 
have been in a state of dire confusion, but that he gave no attention to the 
game whatever, and sat wondering instead when Edith would come back. 


</p>
            <p>She came at last, and sat down to her harp, and Mr. Dombey rose and stood 
beside her, listening. He had little taste for music, and no knowledge of the 
strain she played, but he saw her bending over it, and perhaps he heard among 
the sounding strings some distant music of his own, that tamed the monster of 
the iron road, and made it less inexorable. 


</p>
            <p>Cleopatra had a sharp eye, verily, at picquet. It glistened like a bird's, 
and did not fix itself upon the game, but pierced the room from end to end, 
and gleamed on harp, performer, listener, everything. 


</p>
            <p>When the haughty beauty had concluded, she arose, and receiving Mr. Dombey's 
thanks and compliments in exactly the same manner as before, went with 
scarcely any pause to the piano, and began there. 


</p>
            <p>Edith Granger, any song but that! Edith Granger, you are very handsome, and 
your touch upon the keys is brilliant, and your voice is deep and rich; but 
not the air that his neglected daughter sang to his dead son! 


</p>
            <p>Alas, he knows it not; and if he did, what air of hers would stir him, rigid 
man! Sleep lonely Florence, sleep! Peace in thy dreams, although the night 
has turned dark, and the clouds are gathering, and threaten to discharge 
themselves in hail! 

</p>
         </div>
         <div xml:id="c22" type="chapter">
            <head>CHAPTER XXII</head>
            <head>A Trifle of Management by Mr. Carker the Manager</head>
            <p>MR. CARKER the Manager sat at his desk, smooth and soft as usual, reading 
those letters which were reserved for him to open, backing them occasionally 
with such memoranda and references as their business purport required, and 
parcelling them out into little heaps for distribution through the several 
departments of the House. The post had come in heavy that morning, and Mr. 
Carker the Manager had a good deal to do. 


</p>
            <p>The general action of a man so engaged—pausing to look over a bundle of 
papers in his hand, dealing them round in various portions, taking up another 
bundle and examining its contents with knitted brows and pursed-out 
lips—dealing, and sorting, and pondering by turns—would easily suggest some 
whimsical resemblance to a player at cards. The face of Mr. Carker the 
Manager was in good keeping with such a fancy. It was the face of a man who 
studied his play, warily: who made himself master of all the strong and weak 
points of the game: who registered the cards in his mind as they fell about 
him, knew exactly what was on them, what they missed, and what they made: who 
was crafty to find out what the other players held, and who never betrayed 
his own hand. 


</p>
            <p>The letters were in various languages, but Mr. Carker the Manager read them 
all. If there had been anything in the offices of Dombey and Son that he 
could <hi>not</hi> read, there would have been a card wanting in the pack. He 
read almost at a glance, and made combinations of one letter with another and 
one business with another as he went on, adding new matter to the heaps—much 
as a man would know the cards at sight, and work out their combinations in 
his mind after they were turned. Something too deep for a partner, and much 
too deep for an adversary, Mr. Carker the Manager sat in the rays of the sun 
that came down slanting on him through the skylight, playing his game 
alone. 


</p>
            <p>And although it is not among the instincts wild or domestic of the cat tribe 
to play at cards, feline from sole to crown was Mr. Carker the Manager, as he 
basked in the strip of summer-light and warmth that shone upon his table and 
the ground as if they were a crooked dial-plate, and himself the only figure 
on it. With hair and whiskers deficient in colour at all times, but feebler 
than common in the rich sunshine, and more like the coat of a sandy 
tortoise-shell cat; with long nails, nicely pared and sharpened; with a 
natural antipathy to any speck of dirt, which made him pause sometimes and 
watch the falling motes of dust, and rub them off his smooth white hand or 
glossy linen: Mr. Carker the Manager, sly of manner, sharp of tooth, soft of 
foot, watchful of eye, oily of tongue, cruel of heart, nice of habit, sat 
with a dainty steadfastness and patience at his work, as if he were waiting 
at a mouse's hole. 


</p>
            <p>At length the letter were disposed of, excepting one which he reserved for a 
particular audience. Having locked the more confidential correspondence in a 
drawer, Mr. Carker the Manager rang his bell. 


</p>
            <p>`Why do <hi>you</hi>answer it?' was his reception of his brother. 


</p>
            <p>`The messenger is out, and I am the next,' was the submissive reply. 


</p>
            <p>`You are the next?' muttered the Manager. `Yes! Creditable to me! There!' 


</p>
            <p>Pointing to the heaps of opened letters, he turned disdainfully away, in his 
elbow-chair, and broke the seal of that one which he held in his hand. 


</p>
            <p>`I am sorry to trouble you, James,' said the brother, gathering them up, 
`but——' 


</p>
            <p>`Oh! you have something to say. I knew that. Well?' 


</p>
            <p>Mr. Carker the Manager did not raise his eyes or turn them on his brother, 
but kept them on his letter, though without opening it. 


</p>
            <p>`Well?' he repeated sharply. 


</p>
            <p>`I am uneasy about Harriet.' 


</p>
            <p>`Harriet who? what Harriet? I know nobody of that name.' 


</p>
            <p>`She is not well, and has changed very much of late.' 


</p>
            <p>`She changed very much, a great many years ago,' replied the Manager; `and 
that is all I have to say.' 


</p>
            <p>`I think if you would hear me—' 


</p>
            <p>`Why should I hear you, Brother John?' returned the Manager, laying a 
sarcastic emphasis on those two words, and throwing up his head, but not 
lifting his eyes. `I tell you, Harriet Carker made her choice many years ago 
between her two brothers. She may repent it, but she must abide by it.' 


</p>
            <p>`Don't mistake me. I do not say she <hi>does</hi> repent it. It would be black 
ingratitude in me to hint at such a thing,' returned the other. `Though 
believe me, James, I am as sorry for her sacrifice as you.' 


</p>
            <p>`As I?' exclaimed the Manager. `As I?' 


</p>
            <p>`As sorry for her choice—for what you call her choice—as you are angry at 
it,' said the Junior. 


</p>
            <p>`Angry?' repeated the other, with a wide show of his teeth. 


</p>
            <p>`Displeased. Whatever word you like best. You know my meaning. There is no 
offence in my intention.' 


</p>
            <p>`There is offence in everything you do,' replied his brother, glancing at him 
with a sudden scowl, which in a moment gave place to a wider smile than the 
last. `Carry those papers away, if you please. I am busy.' 


</p>
            <p>His politeness was so much more cutting than his wrath, that the Junior went 
to the door. But stopping at it, and looking round, he said: 


</p>
            <p>`When Harriet tried in vain to plead for me with you, on your first just 
indignation, and my first disgrace; and when she left you, James, to follow 
my broken fortunes, and devote herself, in her mistaken affection, to a 
ruined brother, because without her he had no one, and was lost; she was 
young and pretty. I think if you could see her now—if you would go and see 
her—she would move your admiration and compassion.' 


</p>
            <p>The Manager inclined his head, and showed his teeth, as who should say, in 
answer to some careless small-talk, `Dear me! Is that the case?' but said 
never a word. 


</p>
            <p>`We thought in those days: you and I both: that she would marry young, and 
lead a happy and light-hearted life,' pursued the other. `Oh if you knew how 
cheerfully she cast those hopes away; how cheerfully she has gone forward on 
the path she took, and never once looked back; you never could say again that 
her name was strange in your ears. Never!' 


</p>
            <p>Again the Manager inclined his head, and showed his teeth, and seemed to say, 
`Remarkable indeed! You quite surprise me!' And again he uttered never a 
word. 


</p>
            <p>`May I go on?' said John Carker, mildly. 


</p>
            <p>`On your way?' replied his smiling brother. `If you will have the 
goodness.' 


</p>
            <p>John Carker, with a sigh, was passing slowly out at the door, when his 
brother's voice detained him for a moment on the threshold. 


</p>
            <p>`If she has gone, and goes, her own way cheerfully,' he said, throwing the 
still unfolded letter on his desk, and putting his hands firmly in his 
pockets, `you may tell her that I go as cheerfully on mine. If she has never 
once looked back, you may tell her that I have, sometimes, to recall her 
taking part with you, and that my resolution is no easier to wear away;' he 
smiled very sweetly here; `than marble.' 


</p>
            <p>`I tell her nothing of you. We never speak about you. Once a year, on your 
birthday, Harriet says always, “Let us remember James by name, and wish him 
happy,” but we say no more.' 


</p>
            <p>`Tell it then, if you please,' returned the other, `to yourself. You can't 
repeat it too often, as a lesson to you to avoid the subject in speaking to 
me. I know no Harriet Carker. There is no such person. <hi>You</hi>may have a 
sister; make much of her. I have none.' 


</p>
            <p>Mr. Carker the Manager took up the letter again, and waved it with a smile of 
mock courtesy towards the door. Unfolding it as his brother withdrew, and 
looking darkly after him as he left the room, he once more turned round in 
his elbow-chair, and applied himself to a diligent perusal of its 
contents. 


</p>
            <p>It was in the writing of his great chief, Mr. Dombey, and dated from 
Leamington. Though he was a quick reader of all other letters, Mr. Carker 
read this slowly; weighing the words as he went, and bringing every tooth in 
his head to bear upon them. When he had read it through once, he turned it 
over again, and picked out these passages. `I find myself benefited by the 
change, and am not yet inclined to name any time for my return.' `I wish, 
Carker, you would arrange to come down once and see me here, and let me know 
how things are going on, in person.' `I omitted to speak to you about young 
Gay. If not gone per Son and Heir, or if Son and Heir still lying in the 
Docks, appoint some other young man and keep him in the City for the present. 
I am not decided.' `Now that's unfortunate!' said Mr. Carker the Manager, 
expanding his mouth, as if it were made of India-rubber: `for he is far 
away.' 


</p>
            <p>Still that passage, which was in a postscript, attracted his attention and 
his teeth, once more. 


</p>
            <p>`I think,' he said, `my good friend Captain Cuttle mentioned something about 
being towed along in the wake of that day. What a pity he's so far away!' 


</p>
            <p>He refolded the letter, and was sitting trifling with it, standing it 
long-wise and broad-wise on his table, and turning it over and over on all 
sides—doing pretty much the same thing, perhaps, by its contents—when Mr. 
Perch the messenger knocked softly at the door, and coming in on tiptoe, 
bending his body at every step as if it were the delight of his life to bow, 
laid some papers on the table. 


</p>
            <p>`Would you please to be engaged, Sir?' asked Mr. Perch, rubbing his hands, 
and deferentially putting his head on one side, like a man who felt he had no 
business to hold it up in such a presence, and would keep it as much out of 
the way as possible. 


</p>
            <p>`Who wants me?' 


</p>
            <p>`Why, Sir,' said Mr. Perch, in a soft voice, `really nobody, Sir, to speak of 
at present. Mr. Gills the Ship's Instrument-maker, Sir, has looked in, about 
a little matter of payment, he says: but I mentioned to him, Sir, that you 
was engaged several deep; several deep.' 


</p>
            <p>Mr. Perch coughed once behind his hand, and waited for further orders. 


</p>
            <p>`Anybody else?' 


</p>
            <p>`Well, Sir,' said Mr. Perch, `I wouldn't of my own self take the liberty of 
mentioning, Sir, that there was anybody else; but that same young lad that 
was here yesterday, Sir, and last week, has been hanging about the place; and 
it looks, Sir,' added Mr. Perch, stopping to shut the door, `dreadful 
unbusiness-like to see him whistling to the sparrows down the court, and 
making of 'em answer him.' 


</p>
            <p>`You said he wanted something to do, didn't you, Perch?' asked Mr. Carker, 
leaning back in his chair and looking at that officer. 


</p>
            <p>`Why, Sir,' said Mr. Perch, coughing behind his hand again, `his expression 
certainly were that he was in wants of a sitiwation, and that he considered 
something might be done for him about the Docks, being used to fishing with a 
rod and line: but—' Mr. Perch shock his head very dubiously indeed. 


</p>
            <p>`What does he say when he comes?' asked Mr. Carker. 


</p>
            <p>`Indeed, Sir,' said Mr. Perch, coughing another cough behind his hand, which 
was always his resource as an expression of humility when nothing else 
occurred to him, `his observation generally air that he would humbly wish to 
see one of the gentlemen, and that he wants to earn a living. But you see, 
Sir,' added Perch, dropping his voice to a whisper, and turning, in the 
inviolable nature of his confidence, to give the door a thrust with his hand 
and knee, as if that would shut it any more when it was shut already, `it's 
hardly to be bore, Sir, that a common lad like that should come a prowling 
here, and saying that his mother nursed our House's young gentleman, and that 
he hopes our House will give him a chance on that account. I am sure, Sir,' 
observed Mr. Perch, `that although Mrs. Perch was at that time nursing as 
thriving a little girl, Sir, as we've ever took the liberty of adding to our 
family, I wouldn't have made so free as drop a hint of her being capable of 
imparting nourishment, not if it was never so!' 


</p>
            <p>Mr. Carker grinned at him like a shark, but in an absent, thoughtful 
manner. 


</p>
            <p>`Whether,' submitted Mr. Perch, after a short silence, and another cough, `it 
mightn't be best for me to tell him, that if he was seen here any more he 
would be given into custody; and to keep to it! With respect to bodily fear,' 
said Mr. Perch, `I'm so timid, myself, by nature, Sir, and my nerves is so 
unstrung by Mrs. Perch's state, that I could take my affidavit easy.' 


</p>
            <p>`Let me see this fellow, Perch,' said Mr. Carker. `Bring him in!' 


</p>
            <p>`Yes, Sir. Begging your pardon, Sir,' said Mr. Perch, hesitating at the door, 
`he's rough, Sir, in appearance.' 


</p>
            <p>`Never mind. If he's there, bring him in. I'll see Mr. Gills directly. Ask 
him to wait.' 


</p>
            <p>Mr. Perch bowed; and shutting the door, as precisely and carefully as if he 
were not coming back for a week, went on his quest among the sparrows in the 
court. While he was gone, Mr. Carker assumed his favourite attitude before 
the fire-place, and stood looking at the door; presenting, with his under lip 
tucked into the smile that showed his whole row of upper teeth, a singularly 
crouching appearance. 


</p>
            <p>The messenger was not long in returning, followed by a pair of heavy boots 
that came bumping along the passage like boxes. With the unceremonious words 
`Come along with you!'—a very unusual form of introduction from his 
lips—Mr. Perch then ushered into the presence a strong-built lad of fifteen, 
with a round red face, a round sleek head, round black eyes, round limbs, and 
round body, who, to carry out the general rotundity of his appearance, had a 
round hat in his hand, without a particle of brim to it. 


</p>
            <p>Obedient to a nod from Mr. Carker, Perch had no sooner confronted the visitor 
with that gentleman than he withdrew. The moment they were face to face 
alone, Mr. Carker, without a word of preparation, took him by the throat, and 
shook him until his head seemed loose upon his shoulders. 


</p>
            <p>The boy, who in the midst of his astonishment could not help staring wildly 
at the gentleman with so many white teeth who was choking him, and at the 
office walls, as though determined, if he <hi>were</hi> choked, that his last 
look should be at the mysteries for his intrusion into which he was paying 
such a severe penalty, at last contrived to utter— 


</p>
            <p>`Come, Sir! You let me alone, will you!' 


</p>
            <p>`Let you alone!' said Mr. Carker. `What! I have got you, have I?' There was 
no doubt of that, and tightly too. `You dog,' said Mr. Carker, through his 
set jaws, `I'll strangle you!' 


</p>
            <p>Biler whimpered, would he though? oh no he wouldn't—and what was he doing 
of—and why didn't he strangle somebody of his own size and not <hi>him:</hi>
but Biler was quelled by the extraordinary nature of his reception, and, as 
his head became stationary, and he looked the gentleman in the face, or 
rather in the teeth, and saw him snarling at him, he so far forgot his 
manhood as to cry. 


</p>
            <p>`I haven't done nothing to you, Sir,' said Biler, otherwise Rob, otherwise 
Grinder, and always Toodle. 


</p>
            <p>`You young scoundrel!' replied Mr. Carker, slowly releasing him, and moving 
back a step into his favourite position. `What do you mean by daring to come 
here?' 


</p>
            <p>`I didn't mean no harm, Sir,' whimpered Rob, putting one hand to his throat, 
and the knuckles of the other to his eyes. `I'll never come again, Sir. I 
only wanted work.' 


</p>
            <p>`Work, young Cain that you are!' repeated Mr. Carker, eyeing him narrowly. 
`An't you the idlest vagabond in London?' 


</p>
            <p>The impeachment, while it much affected Mr. Toodle Junior, attached to his 
character so justly, that he could not say a word in denial. He stood looking 
at the gentleman, therefore, with a frightened, self-convicted, and 
remorseful air. As to his looking at him, it may be observed that he was 
fascinated by Mr. Carker, and never took his round eyes off him for an 
instant. 


</p>
            <p>`An't you a thief?' said Mr. Carker, with his hands behind him in his 
pockets. 


</p>
            <p>`No, Sir,' pleaded Rob. 


</p>
            <p>`You are!' said Mr. Carker. 


</p>
            <p>`I an't indeed, Sir,' whimpered Rob. `I never did such a thing as thieve, 
Sir, if you'll believe me. I know I've been going wrong, Sir, ever since I 
took to bird-catching and walking-matching. I'm sure a cove might think,' 
said Mr. Toodle Junior, with a burst of penitence, `that singing birds was 
innocent company, but nobody knows what harm is in them little creeturs and 
what they brings you down to.' 


</p>
            <p>They seemed to have brought <hi>him</hi> down to a velveteen jacket and 
trousers very much the worse for wear, a particularly small red waistcoat 
like a gorget, an interval of blue check, and the hat before mentioned. 


</p>
            <p>`I an't been home twenty times since them birds got their will of me,' said 
Rob, `and that's ten months. How can I go home when everybody's miserable to 
see me! I wonder,' said Biler, blubbering outright, and smearing his eyes 
with his coat-cuff, `that I haven't been and drownded myself over and over 
again.' 


</p>
            <p>All of which, including his expression of surprise at not having achieved 
this last scarce performance, the boy said, just as if the teeth of Mr. 
Carker drew it out of him, and he had no power of concealing anything with 
that battery of attraction in full play. 


</p>
            <p>`You're a nice young gentleman!' said Mr. Carker, shaking his head at him. 
`There's hemp-seed sown for <hi>you</hi>, my fine fellow!' 


</p>
            <p>`I'm sure, Sir,' returned the wretched Biler, blubbering again, and again 
having recourse to his coat-cuff: `I shouldn't care, sometimes, if it was 
growed too. My misfortunes all began in wagging, Sir; but what could I do, 
exceptin' wag?' 


</p>
            <p>`Excepting what?' said Mr. Carker. 


</p>
            <p>`Wag, Sir. Wagging from school.' 


</p>
            <p>`Do you mean pretending to go there, and not going?' said Mr. Carker. 


</p>
            <p>`Yes, Sir, that's wagging, Sir,' returned the quondam Grinder, much affected. 
`I was chivied through the streets, Sir, when I went there, and pounded when 
I got there. So I wagged and hid myself, and that began it.' 


</p>
            <p>`And you mean to tell me,' said Mr. Carker, taking him by the throat again, 
holding him out at arm's-length, and surveying him in silence for some 
moments, `that you want a place, do you?' 


</p>
            <p>`I should be thankful to be tried, Sir,' returned Toodle Junior, faintly. 


</p>
            <p>Mr. Carker the Manager pushed him backward into a corner—the boy submitting 
quietly, hardly venturing to breathe, and never once removing his eyes from 
his face—and rang the bell. 


</p>
            <p>`Tell Mr. Gills to come here.' 


</p>
            <p>Mr. Perch was too deferential to express surprise or recognition of the 
figure in the corner: and Uncle Sol appeared immediately. 


</p>
            <p>`Mr. Gills!' said Carker, with a smile, `sit down. How do you do? You 
continue to enjoy your health, I hope?' 


</p>
            <p>`Thank you, Sir,' returned Uncle Sol, taking out his pocket-book, and handing 
over some notes as he spoke. `Nothing ails me in body but old age. 
Twenty-five, Sir.' 


</p>
            <p>`You are as punctual and exact, Mr. Gills,' replied the smiling Manager, 
taking a paper from one of his many drawers, and making an endorsement on it, 
while Uncle Sol looked over him, `as one of your own chronometers. Quite 
right.' 


</p>
            <p>`The Son and Heir has not been spoken, I find by the list, Sir,' said Uncle 
Sol, with a slight addition to the usual tremor in his voice. 


</p>
            <p>`The Son and Heir has not been spoken,' returned Carker. `There seems to have 
been tempestuous weather, Mr. Gills, and she has probably been driven out of 
her course.' 


</p>
            <p>`She is safe, I trust in Heaven!' said old Sol. 


</p>
            <p>`She is safe, I trust in Heaven!' assented Mr. Carker in that voiceless 
manner of his: which made the observant young Toodle tremble again. `Mr. 
Gills,' he added aloud, throwing himself back in his chair, `you must miss 
your nephew very much?' 


</p>
            <p>Uncle Sol, standing by him, shook his head and heaved a deep sigh. 


</p>
            <p>`Mr. Gills,' said Carker, with his soft hand playing round his mouth, and 
looking up into the Instrument-maker's face, `it would be company to you to 
have a young fellow in your shop just now, and it would be obliging me if you 
would give one house-room for the present. No, to be sure,' he added quickly, 
in anticipation of what the old man was going to say, `there's not much 
business doing there, I know; but you can make him clean the place out, 
polish up the instruments; drudge, Mr. Gills. That's the lad!' 


</p>
            <p>Sol Gills pulled down his spectacles from his forehead to his eyes, and 
looked at Toodle Junior standing upright in the corner: his head presenting 
the appearance (which it always did) of having been newly drawn out of a 
bucket of cold water; his small waistcoat rising and falling quickly in the 
play of this emotions; and his eyes intently fixed on Mr. Carker, without the 
least reference to his proposed master. 


</p>
            <p>`Will you give him house-room, Mr. Gills?' said the Manager. 


</p>
            <p>Old Sol, without being quite enthusiastic on the subject, replied that he was 
glad of any opportunity, however slight, to oblige Mr. Carker, whose wish on 
such a point was a command: and that the Wooden Midshipman would consider 
himself happy to receive in his berth any visitor of Mr. Carker's 
selecting. 


</p>
            <p>Mr. Carker bared himself to the tops and bottoms of his gums: making the 
watchful Toodle Junior tremble more and more: and acknowledged the 
Instrument-maker's politeness in his most affable manner. 


</p>
            <p>`I'll dispose of him so, then, Mr. Gills,' he answered, rising, and shaking 
the old man by the hand, `until I make up my mind what to do with him, and 
what he deserves. As I consider myself responsible for him, Mr. Gills,' here 
he smiled a wide smile at Rob, who shock before it: `I shall be glad if 
you'll look sharply after him, and report his behaviour to me. I'll ask a 
question or two of his parents as I ride home this afternoon—respectable 
people—to confirm some particulars in his own account of himself; and that 
done, Mr. Gills, I'll send him round to you to-morrow morning. Good-bye!' 


</p>
            <p>His smile at parting was so full of teeth, that it confused old Sol, and made 
him vaguely uncomfortable. He went home, thinking of raging seas, foundering 
ships, drowning men, an ancient bottle of Madeira never brought to light, and 
other dismal matter. 


</p>
            <p>`Now, boy!' said Mr. Carker, putting his hand on young Toodle's shoulder, and 
bringing him out into the middle of the room. `You have heard me?' 


</p>
            <p>Rob said, `Yes, Sir.' 


</p>
            <p>`Perhaps you understand,' pursued his patron, `that if you ever deceive or 
play tricks with me, you had better have drowned yourself, indeed, once for 
all, before you came here?' 


</p>
            <p>There was nothing in any branch of mental acquisition that Rob seemed to 
understand better than that. 


</p>
            <p>`If you have lied to me,' said Mr. Carker, `in anything, never come in my way 
again. If not, you may let me find you waiting for me somewhere near your 
mother's house this afternoon. I shall leave this at five o'clock, and ride 
there on horseback. Now, give me the address.' 


</p>
            <p>Rob repeated it slowly, as Mr. Carker wrote it down. Rob even spelt it over a 
second time, letter by letter, as if he thought that the omission of a dot or 
scratch would lead to his destruction. Mr. Carker then handed him out of the 
room; and Rob, keeping his round eyes fixed upon his patron to the last, 
vanished for the time being. 


</p>
            <p>Mr. Carker the Manager did a great deal of business in the course of the day, 
and bestowed his teeth upon a great many people. In the office, in the court, 
in the street, and on 'Change, they glistened and bristled to a terrible 
extent. Five o'clock arriving, and with it Mr. Carker's bay horse, they got 
on horseback, and went gleaming up Cheapside. 


</p>
            <p>As no one can easily ride fast, even if inclined to do so, through the press 
and throng of the City at that hour, and as Mr. Carker was not inclined, he 
went leisurely along, picking his way among the carts and carriages, avoiding 
whenever he could the wetter and more dirty places in the over-watered road, 
and taking infinite pains to keep himself and his steed clean. Glancing at 
the passers-by while he was thus ambling on his way, he suddenly encountered 
the round eyes of the sleek-headed Rob intently fixed upon his face as if 
they had never been taken off, while the boy himself, with a 
pocket-handkerchief twisted up like a speckled eel and girded round his 
waist, made a very conspicuous demonstration of being prepared to attend upon 
him, at whatever pace he might think proper to go. 


</p>
            <p>This attention, however flattering, being one of an unusual kind, and 
attracting some notice from the other passengers, Mr. Carker took advantage 
of a clearer thoroughfare and a cleaner road, and broke into a trot. Rob 
immediately did the same. Mr. Carker presently tried a canter; Rob was still 
in attendance. Then a short gallop; it was all one to the boy. Whenever Mr. 
Carker turned his eyes to that side of the road, he still saw Toodle Junior 
holding his course, apparently without distress, and working himself along by 
the elbows after the most approved manner of professional gentlemen who get 
over the ground for wagers. 


</p>
            <p>Ridiculous as this attendance was, it was a sign of an influence established 
over the boy, and therefore Mr. Carker, affecting not to notice it, rode away 
into the neighbourhood of Mr. Toodle's house. On his slackening his pace 
here, Rob appeared before him to point out the turnings; and when he called 
to a man at a neighbouring gateway to hold his horse, pending his visit to 
the Buildings that had succeeded Staggs's Gardens, Rob dutifully held the 
stirrup, while the Manager dismounted. 


</p>
            <p>`Now, Sir,' said Mr. Carker, taking him by the shoulder, `come along!' 


</p>
            <p>The prodigal son was evidently nervous of visiting the parental abode; but 
Mr. Carker pushing him on before, he had nothing for it but to open the right 
door, and suffer himself to be walked into the midst of his brothers and 
sisters, mustered in overwhelming force round the family tea-table. At sight 
of the prodigal in the grasp of a stranger, these tender relations united in 
a general howl, which smote upon the prodigal's breast so sharply when he saw 
his mother stand up among them, pale and trembling, with the baby in her 
arms, that he lent his own voice to the chorus. 


</p>
            <p>Nothing doubting now that the stranger, if not Mr. Ketch in person, was one 
of that company, the whole of the young family wailed the louder, while its 
more infantine members, unable to control the transports of emotion 
appertaining to their time of life, threw themselves on their backs like 
young birds when terrified by a hawk, and kicked violently. At length, poor 
Polly making herself audible, said, with quivering lips, `Oh Rob, my poor 
boy, what have you done at last!' 


</p>
            <p>`Nothing, mother,' cried Rob, in a piteous voice, `ask the gentleman!' 


</p>
            <p>`Don't be alarmed,' said Mr. Carker, `I want to do him good.' 


</p>
            <p>At this announcement, Polly, who had not cried yet, began to do so. The elder 
Toodles, who appeared to have been meditating a rescue, unclenched their 
fists. The younger Toodles clustered round their mother's gown, and peeped 
from under their own chubby arms at their desperado brother and his unknown 
friend. Everybody blessed the gentleman with the beautiful teeth, who wanted 
to do good. 


</p>
            <p>`This fellow,' said Mr. Carker to Polly, giving him a gentle shake, `is your 
son, eh, Ma'am?' 


</p>
            <p>`Yes, Sir,' sobbed Polly, with a curtsey; `yes, Sir,' 


</p>
            <p>`A bad son, I am afraid?' said Mr. Carker. 


</p>
            <p>`Never a bad son to me, Sir,' returned Polly. 


</p>
            <p>`To whom then?' said Mr. Carker. 


</p>
            <p>`He has been a little wild, Sir,' returned Polly, checking the baby, who was 
making convulsive efforts with his arms and legs to launch himself on Biler, 
through the ambient air, `and has gone with wrong companions: but I hope he 
has seen the misery of that, Sir, and will do well again.' 


</p>
            <p>Mr. Carker looked at Polly, and the clean room, and the clean children, and 
the simple Toodle face, combined of father and mother, that was reflected and 
repeated everywhere about him—and seemed to have achieved the real purpose 
of his visit. 


</p>
            <p>`Your husband, I take it, is not at home?' he said. 


</p>
            <p>`No, Sir,' replied Polly. `He's down the line at present.' 


</p>
            <p>The prodigal Rob seemed very much relieved to hear it: though still in the 
absorption of all his faculties in his patron, he hardly took his eyes from 
Mr. Carker's face, unless for a moment at a time to steal a sorrowful glance 
at his mother. 


</p>
            <p>`Then,' said Mr. Carker, `I'll tell you how I have stumbled on this boy of 
yours, and who I am, and what I am going to do for him.' 


</p>
            <p>This Mr. Carker did, in his own way; saying that he at first intended to have 
accumulated nameless terrors on his presumptuous head, for coming to the 
whereabout of Dombey and Son. That he had relented, in consideration of his 
youth, his professed contribution, and his friends. That he was afraid he 
took a rash step in doing anything for the boy, and one that might expose him 
to the censure of the prudent; but that he did it of himself and for himself, 
and risked the consequences single-handed; and that his mother's past 
connection with Mr. Dombey's family had nothing to do with it, and that Mr. 
Dombey had nothing to do with it, but that he, Mr. Carker, was the be-all and 
the end-all of this business. Taking great credit to himself for his 
goodness, and receiving no less from all the family then present, Mr. Carker 
signified, indirectly but still pretty plainly, that Rob's implicit fidelity, 
attachment, and devotion, were for evermore his due, and the least homage he 
could receive. And with this great truth Rob himself was so impressed, that 
standing gazing on his patron with tears rolling down his cheeks, he nodded 
his shiny head until it seemed almost as loose as it had done under the same 
patron's hands that morning. 


</p>
            <p>Polly, who had passed Heaven knows how many sleepless nights on account of 
this her dissipated firstborn, and had not seen him for weeks and weeks, 
could have almost kneeled to Mr. Carker the Manager, as to a Good Spirit—in 
spite of his teeth. But Mr. Carker rising to depart, she only thanked him 
with her mother's prayers and blessings; thanks so rich when paid out of the 
Heart's mint, especially for any service Mr. Carker had rendered, that he 
might have given back a large amount of change, and yet been overpaid. 


</p>
            <p>As that gentleman made his way among the crowding children to the door, Rob 
retreated on his mother, and took her and the baby in the same repentant 
hug. 


</p>
            <p>`I'll try hard, dear mother, now. Upon my soul I will!' said Rob. 


</p>
            <p>`Oh do, my dear boy! I am sure you will, for our sakes and your own!' cried 
Polly, kissing him. `But you're coming back to speak to me, when you have 
seen the gentleman away?' 


</p>
            <p>`I don't know, mother.' Rob hesitated, and looked down. `Father—when's he 
coming home?' 


</p>
            <p>`Not till two o'clock to-morrow morning.' 


</p>
            <p>`I'll come back, mother dear!' cried Rob. And passing through the shrill cry 
of his brothers and sisters in reception of this promise, he followed Mr. 
Carker out. 


</p>
            <p>`What!'  said  Mr. Carker, who had heard this. `You have a  bad  father, have 
you?' 


</p>
            <p>`No, Sir!' returned Rob, amazed. `There ain't a better nor a kinder father 
going, than mine is.' 


</p>
            <p>`Why don't you want to see him then?' inquired his patron. 


</p>
            <p>`There's such a difference between a father and a mother, Sir,' said Rob, 
after faltering for a moment. `He couldn't hardly believe yet that I was 
going to do better—though I know he'd try to—but a mother—<hi>she</hi>
always believes what's good, Sir; at least I know my mother does, God bless 
her!' 


</p>
            <p>Mr. Carker's mouth expanded, but he said no more until he was mounted on his 
horse, and had dismissed the man who held it, when, looking down from the 
saddle steadily into the attentive and watchful face of the boy, he said: 


</p>
            <p>`You'll come to me to-morrow morning, and you shall be shown where that old 
gentleman lives; that old gentleman who was with me this morning; where you 
are going, as you heard me say.' 


</p>
            <p>`Yes, Sir,' returned Rob. 


</p>
            <p>`I have a great interest in that old gentleman, and in serving him, you serve 
me, boy, do you understand? Well,' he added, interrupting him, for he saw his 
round face brighten when he was told that: `I see you do. I want to know all 
about that old gentleman, and how he goes on from day to day—for I am 
anxious to be of service to him—and especially who comes there to see him. 
Do you understand?' 


</p>
            <p>Rob nodded his steadfast face, and said `Yes, Sir,' again. 


</p>
            <p>`I should like to know that he has friends who are attentive to him, and that 
they don't desert him—for he lives very much alone now, poor fellow; but 
that they are fond of him, and of his nephew who has gone abroad. There is a 
very young lady who may perhaps come to see him. I want particularly to know 
all about <hi>her</hi>.' 


</p>
            <p>`I'll take care, Sir,' said the boy. 


</p>
            <p>`And take care,' returned his patron, bending forward to advance his grinning 
face closer to the boy's, and pat him on the shoulder with the handle of his 
whip: `take care you talk about affairs of mine to nobody but me.' 


</p>
            <p>`To nobody in the world, Sir,' replied Rob, shaking his head. 


</p>
            <p>`Neither there,' said Mr. Carker, pointing to the place they had just left, 
`nor anywhere else. I'll try how true and grateful you can be. I'll prove 
you!' Making this, by his display of teeth and by the action of his head, as 
much a threat as a promise, he turned from Rob's eyes, which were nailed upon 
him as if he had won the boy by a charm, body and soul, and rode away. But 
again becoming conscious, after trotting a short distance, that his devoted 
henchman, girt as before, was yielding him the same attendance, to the great 
amusement of sundry spectators, he reined up, and ordered him off. To insure 
his obedience, he turned in the saddle and watched him as he retired. It was 
curious to see that even then Rob could not keep his eyes wholly averted from 
his patron's face, but, constantly turning and turning again to look after 
him, involved himself in a tempest of buffetings and jostlings from the other 
passengers in the street: of which, in the pursuit of the one paramount idea, 
he was perfectly heedless. 


</p>
            <p>Mr. Carker the Manager rode on at a foot-pace, with the easy air of one who 
had performed all the business of the day in a satisfactory manner, and got 
it comfortably off his mind. Complacent and affable as man could be, Mr. 
Carker picked his way along the streets and hummed a soft tune as he went. He 
seemed to purr, he was so glad. 


</p>
            <p>And in some sort, Mr. Carker, in his fancy, basked upon a hearth too. Coiled 
up snugly at certain feet, he was ready for a spring, or for a tear, or for a 
scratch, or for a velvet touch, as the humour took him and occasion served. 
Was there any bird in a cage, that came in for a share of his regards? 


</p>
            <p>`A very young lady!' thought Mr. Carker the Manager, through his song. `Ay! 
when I saw her last, she was a little child. With dark eyes and hair, I 
recollect, and a good face; a very good face! I dare say she's pretty.' 


</p>
            <p>More affable and pleasant yet, and humming his song until his many teeth 
vibrated to it, Mr. Carker picked his way along, and turned at last into the 
shady street where Mr. Dombey's house stood. He had been so busy, winding 
webs round good faces, and obscuring them with meshes, that he hardly thought 
of being at this point of his ride, until, glancing down the cold perspective 
of tall houses, he reined in his horse quickly within a few yards of the 
door. But to explain why Mr. Carker reined in his horse quickly, and what he 
looked at in no small surprise, a few digressive words are necessary. 


</p>
            <p>Mr. Toots, emancipated from the Blimber thraldom and coming into the 
possession of a certain portion of his worldly wealth, `which,' as he had 
been wont, during his last half-year's probation, to communicate to Mr. 
Feeder every evening as a new discovery, `the executors couldn't keep him out 
of,' had applied himself, with great diligence, to the science of Life. Fired 
with a noble emulation to pursue a brilliant and distinguished career, Mr. 
Toots had furnished a choice set of apartments; had established among them a 
sporting bower, embellished with the portraits of winning horses, in which he 
took no particle of interest; and a divan, which made him poorly. In this 
delicious abode, Mr. Toots devoted himself to the cultivation of those gentle 
arts which refine and humanise existence, his chief instructor in which was 
an interesting character called the Game Chicken, who was always to be heard 
of at the bar of the Black Badger, wore a shaggy white great-coat in the 
warmest weather, and knocked Mr. Toots about the head three times a week, for 
the small consideration of ten and six per visit. 


</p>
            <p>The Game Chicken, who was quite the Apollo of Mr. Toots's Pantheon, had 
introduced to him a marker who taught billiards, a Life Guard who taught 
fencing, a job-master who taught riding, a Cornish gentleman who was up to 
anything in the athletic line, and two or three other friends connected no 
less intimately with the fine arts. Under whose auspices Mr. Toots could 
hardly fail to improve apace, and under whose tuition he went to work. 


</p>
            <p>But however it came about, it came to pass, even while these gentlemen had 
the gloss of novelty upon them, that Mr. Toots felt, he didn't know how, 
unsettled and uneasy. There were husks in his corn, that even Game Chickens 
couldn't peck up; gloomy giants in his leisure, that even Game Chickens 
couldn't knock down. Nothing seemed to do Mr. Toots so much good as 
incessantly leaving cards at Mr. Dombey's door. No tax-gatherer in the 
British dominions—that wide-spread territory on which the sun never sets, 
and where the tax-gatherer never goes to bed—was more regular and 
persevering in his calls than Mr. Toots. 


</p>
            <p>Mr. Toots never went up stairs; and always performed the same ceremonies, 
richly dressed for the purpose, at the hall door. 


</p>
            <p>`Oh! Good morning!' would be Mr. Toots's first remark to the servant. `For 
Mr. Dombey,' would be Mr. Toots's next remark, as he handed in a card. `For 
Miss Dombey,' would be his next, as he handed in another. 


</p>
            <p>Mr. Toots would then turn round as if to go away; but the man knew him by 
this time, and knew he wouldn't. 


</p>
            <p>`Oh, I beg your pardon,' Mr. Toots would say, as if a thought had suddenly 
descended on him. `Is the young woman at home?' 


</p>
            <p>The man would rather think she was, but wouldn't quite know. Then he would 
ring a bell that rang upstairs, and would look up the staircase, and would 
say, yes, she <hi>was</hi> at home, and was coming down. Then Miss Nipper would 
appear, and the man would retire. 


</p>
            <p>`Oh! How de do?' Mr. Toots would say, with a chuckle and a blush. 


</p>
            <p>Susan would thank him, and say she was very well. 


</p>
            <p>`How's Diogenes going on?' would be Mr. Toot's second interrogation. 


</p>
            <p>Very well indeed. Miss Florence was fonder and fonder of him every day. Mr. 
Toots was sure to hail this with a burst of chuckles, like the opening of a 
bottle of some effervescent beverage. 


</p>
            <p>`Miss Florence is quite well, Sir,' Susan would add. 


</p>
            <p>`Oh, it's of no consequence, thank'ee,' was the invariable reply of Mr. 
Toots; and when he had said so, he always went away very fast. 


</p>
            <p>Now it is certain that Mr. Toots had a filmy something in his mind, which led 
him to conclude that if he could aspire successfully in the fulness of time, 
to the hand of Florence, he would be fortunate and blest. It is certain that 
Mr. Toots, by some remote and roundabout road, had got to that point, and 
that there he made a stand. His heart was wounded; he was touched; he was in 
love. He had made a desperate attempt, one night, and had sat up all night 
for the purpose, to write an acrostic on Florence, which affected him to 
tears in the conception. But he never proceeded in the execution further than 
the words `For when I gaze,'—the flow of imagination in which he had 
previously written down the initial letters of the other seven lines, 
deserting him at that point. 


</p>
            <p>Beyond devising that very artful and politic measure of leaving a card for 
Mr. Dombey daily, the brain of Mr. Toots had not worked much in reference to 
the subject that held his feelings prisoner. But deep consideration at length 
assured Mr. Toots that an important step to gain, was, the conciliation of 
Miss Susan Nipper, preparatory to giving her some inkling of his state of 
mind. 


</p>
            <p>A little light and playful gallantry towards this lady seemed the means to 
employ in that early chapter of the history, for winning her to his 
interests. Not being able quite to make up his mind about it, he consulted 
the Chicken—without taking that gentleman into his confidence; merely 
informing him that a friend in Yorkshire had written to him (Mr. Toots) for 
his opinion on such a question. The Chicken replying that his opinion always 
was, `Go in and win,' and further, `When your man's before you and your work 
cut out, go in and do it,' Mr. Toots considered this a figurative way of 
supporting his own view of the case, and heroically resolved to kiss Miss 
Nipper next day. 


</p>
            <p>Upon the next day, therefore, Mr. Toots, putting into requisition some of the 
greatest marvels that Burgess and Co. had ever turned out, went off to Mr. 
Dombey's upon this design. But his heart failed him so much as he approached 
the scene of action, that, although he arrived on the ground at three o'clock 
in the afternoon, it was six before he knocked at the door. 


</p>
            <p>Everything happened as usual, down to the point where Susan said her young 
mistress was well, and Mr. Toots said it was of no consequence. To her 
amazement, Mr. Toots, instead of going off like a rocket, after that 
observation, lingered and chuckled. 


</p>
            <p>`Perhaps you'd like to walk up stairs, Sir!' said Susan. 


</p>
            <p>`Well, I think I will come in!' said Mr. Toots. 


</p>
            <p>But instead of walking up stairs, the bold Toots made an awkward plunge at 
Susan when the door was shut, and embracing that fair creature, kissed her on 
the cheek. 


</p>
            <p>`Go along with you!' cried Susan, `or I'll tear your eyes out.' 


</p>
            <p>`Just another!' said Mr. Toots. 


</p>
            <p>`Go along with you!' exclaimed Susan, giving him a push. `Innocents like you, 
too! Who'll begin next? Go along, Sir!' 


</p>
            <p>Susan was not in any serious strait, for she could hardly speak for laughing; 
but Diogenes, on the staircase, hearing a rustling against the wall, and a 
shuffling of feet, and seeing through the banisters that there was some 
contention going on, and foreign invasion in the house, formed a different 
opinion, dashed down to the rescue, and in the twinkling of an eye had Mr. 
Toots by the leg. 


</p>
            <p>Susan screamed, laughed, opened the street-door, and ran down stairs; the 
bold Toots tumbled staggering out into the street, with Diogenes holding on 
to one leg of his pantaloons, as if Burgess and Co. were his cooks, and had 
provided that dainty morsel for his holiday entertainment; Diogenes shaken 
off, rolled over and over in the dust, got up again, whirled round the giddy 
Toots and snapped at him: and all this turmoil, Mr. Carker, reining up his 
horse and sitting a little at a distance, saw to his amazement, issue from 
the stately house of Mr. Dombey. 


</p>
            <p>Mr. Carker remained watching the discomfited Toots, when Diogenes was called 
in, and the door shut: and while that gentleman, taking refuge in a doorway 
near at hand, bound up the torn leg of his pantaloons with a costly silk 
handkerchief that had formed part of his expensive outfit for the 
adventure. 


</p>
            <p>`I beg your pardon, Sir,' said Mr. Carker, riding up, with his most 
propitiatory smile. `I hope you are not hurt?' 


</p>
            <p>`Oh no, thank you,' replied Mr. Toots, raising his flushed face, `it's of no 
consequence.' Mr. Toots would have signified, if he could, that he liked it 
very much. 


</p>
            <p>`If the dog's teeth have entered the leg, Sir—' began Carker, with a display 
of his own. 


</p>
            <p>`No, thank you,' said Mr. Toots, `it's all quite right. It's very 
comfortable, thank you.' 


</p>
            <p>`I have the pleasure of knowing Mr. Dombey,' observed Carker. 


</p>
            <p>`Have you though?' rejoined the blushing Toots. 


</p>
            <p>`And you will allow me, perhaps, to apologise, in his absence,' said Mr. 
Carker, taking off his hat, `for such a misadventure, and to wonder how it 
can possibly have happened.' 


</p>
            <p>Mr. Toots is so much gratified by this politeness, and the lucky chance of 
making friends with a friend of Mr. Dombey, that he pulls out his card-case, 
which he never loses an opportunity of using, and hands his name and address 
to Mr. Carker: who responds to that courtesy by giving him his own, and with 
that they part. 


</p>
            <p>As Mr. Carker picks his way so softly past the house, glancing up at the 
windows, and trying to make out the pensive face behind the curtain looking 
at the children opposite, the rough head of Diogenes came clambering up close 
by it, and the dog, regardless of all soothing, barks and growls, and makes 
at him from that height, as if he would spring down and tear him limb from 
limb. 


</p>
            <p>Well spoken, Di, so near your Mistress! Another, and another with your head 
up, your eyes flashing, and your vexed mouth worrying itself, for want of 
him! Another, as he picks his way along! You have a good scent, Di,—cats, 
boy, cats! 

</p>
         </div>
         <div xml:id="c23" type="chapter">
            <head>CHAPTER XXIII</head>
            <head>Florence solitary, and the Midshipman mysterious</head>
            <p>FLORENCE lived alone in  the great dreary house, and day succeeded day, and 
still she 
lived alone; and the blank walls looked down upon her with a vacant stare, as 
if they had 
a Gorgon-like mind to stare her youth and beauty into stone. 


</p>
            <p>No magic dwelling-place in magic story, shut up in the heart of a thick wood, 
was ever 
more solitary and deserted to the fancy, than was her father's mansion in its 
grim reality, 
as it stood lowering on the street: always by night, when lights were shining 
from 
neighbouring windows, a blot upon its scanty brightness; always by day, a 
frown upon its 
never-smiling face. 


</p>
            <p>There were not two dragon sentries keeping ward before the gate of this 
abode, as in 
magic legend are usually found on duty over the wronged innocence imprisoned; 
but 
besides a glowering visage, with its thin lips parted wickedly, that surveyed 
all comers 
from above the archway of the door, there was a monstrous fantasy of rusty 
iron, curling 
and twisting like a petrifaction of an arbour over the threshold, budding in 
spikes and 
corkscrew points, and bearing, one on either side, two ominous extinguishers, 
that seemed 
to say, `Who enter here, leave light behind!' There were no talismanic 
characters engraven 
on the portal, but the house was now so neglected in appearance, that boys 
chalked the 
railings and the pavement—particularly round the corner where the side wall 
was—and 
drew ghosts on the stable door; and being sometimes driven off by Mr. 
Towlinson, made 
portraits of him, in return, with his ears growing out horizontally from 
under his hat. 
Noise ceased to be, within the shadow of the roof. The brass band that came 
into the 
street once a week, in the morning, never brayed a note in at those windows; 
but all such 
company, down to a poor little piping organ of weak intellect, with an 
imbecile party of 
automaton dancers, waltzing in and out at folding-doors, fell off from it 
with one accord, 
and shunned it as a hopeless place. 


</p>
            <p>The spell upon it was more wasting than the spell that used to set enchanted 
houses 
sleeping once upon a time but left their waking freshness unimpaired. 


</p>
            <p>The passive desolation of disuse was everywhere silently manifest about it. 
Within doors, 
curtains, drooping heavily, lost their old folds and shapes, and hung like 
cumbrous palls. 
Hecatombs of furniture, still piled and covered up, shrunk like imprisoned 
and forgotten 
men, and changed insensibly. Mirrors were dim as with the breath of years. 
Patterns of 
carpets faded and became perplexed and faint, like the memory of those years' 
trifling 
incidents. Boards, starting at unwonted footsteps, creaked and shook. Keys 
rusted in the 
locks of doors. Damp started on the walls, and as the stains came out, the 
pictures seemed 
to go in and secrete themselves. Mildew and mould began to lurk in closets. 
Fungus trees 
grew in corners of the cellars. Dust accumulated, nobody knew whence nor how; 
spiders, 
moths, and grubs were heard of every day. An exploratory blackbeetle now and 
then was 
found immovable upon the stairs, or in an upper room, as wondering how he got 
there. 
Rats began to squeak and scuffle in the night time, through dark galleries 
they mined 
behind the panelling. 


</p>
            <p>The dreary magnificence of the state rooms, seen imperfectly by the doubtful 
light 
admitted through closed shutters, would have answered well enough for an 
enchanted 
abode. Such as the tarnished paws of gilded lions, stealthily put out from 
beneath their 
wrappers; the marble lineaments of busts on pedestals, fearfully revealing 
themselves 
through veils; the clocks that never told the time, or, if wound up by any 
chance, told it 
wrong, and struck unearthly numbers, which are not upon the dial; the 
accidental tinklings 
among the pendant lustres, more startling than alarm-bells; the softened 
sounds and 
laggard air that made their way among these objects, and a phantom crowd of 
others, 
shrouded and hooded, and made spectral of shade. But, besides, there was the 
great 
staircase, where the lord of the place so rarely set his foot, and by which 
his little child 
had gone up to Heaven. There were other staircases and passages where no one 
went for 
weeks together; there were two closed rooms associated with dead members of 
the family, 
and with whispered recollections of them; and to all the house but Florence, 
there was a 
gentle figure moving through the solitude and gloom, that gave to every 
lifeless thing a 
touch of present human interest and wonder. 


</p>
            <p>For Florence lived alone in the deserted house, and day succeeded day, and 
still she lived 
alone, and the cold walls looked down upon her with a vacant stare, as if 
they had a 
Gorgon-like mind to stare her youth and beauty into stone. 


</p>
            <p>The grass began to grow upon the roof, and in the crevices of the basement 
paving. A 
scaly crumbling vegetation sprouted round the window-sills. Fragments of 
mortar lost their 
hold upon the insides of the unused chimneys, and came dropping down. The two 
trees 
with the smoky trunks were blighted high up, and the withered branches 
domineered 
above the leaves. Through the whole building white had turned yellow, yellow 
nearly 
black; and since the time when the poor lady died, it had slowly become a 
dark gap in the 
long monotonous street. 


</p>
            <p>But Florence bloomed there, like the king's fair daughter in the story. Her 
books, her 
music, and her daily teachers, were her only real companions, Susan Nipper 
and Diogenes 
excepted: of whom the former, in her attendance on the studies of her young 
mistress, 
began to grow quite learned herself, while the latter, softened possibly by 
the same 
influences, would lay his head upon the window-ledge, and placidly open and 
shut his 
eyes upon the street, all through a summer morning; sometimes pricking up his 
head to 
look with great significance after some noisy dog in a cart, who was barking 
his way 
along, and sometimes, with an exasperated and unaccountable recollection of 
his supposed 
enemy in the neighbourhood, rushing to the door, whence, after a deafening 
disturbance, 
he would come jogging back with a ridiculous complacency that belonged to 
him, and lay 
his jaw upon the window-ledge again, with the air of a dog who had done a 
public 
service. 


</p>
            <p>So Florence lived in her wilderness of a home, within the circle of her 
innocent pursuits 
and thoughts, and nothing harmed her. She could go down to her father's rooms 
now, and 
think of him, and suffer her loving heart humbly to approach him, without 
fear of repulse. 
She could look upon the objects that had surrounded him in his sorrow, and 
could nestle 
near his chair, and not dread the glance that she so well remembered. She 
could render 
him such little tokens of her duty and service, as putting everything in 
order for him with 
her own hands, binding little nosegays for his table, changing them as one by 
one they 
withered, and he did not come back, preparing something for him every day, 
and leaving 
some timid mark of her presence near his usual seat. To-day, it was a little 
painted stand 
for his watch; to-morrow she would be afraid to leave it, and would 
substitute some other 
trifle of her making not so likely to attract his eye. Waking in the night, 
perhaps, she 
would tremble at the thought of his coming home and angrily rejecting it, and 
would hurry 
down with slippered feet and quickly beating heart, and bring it away. At 
another time, 
she would only lay her face upon his desk, and leave a kiss there, and a 
tear. 


</p>
            <p>Still no one knew of this. Unless the household found it out when she was not 
there—and 
they all held Mr. Dombey's rooms in awe—it was as deep a secret in her 
breast as what 
had gone before it. Florence stole into those rooms at twilight, early in the 
morning, and 
at times when meals were served downstairs. And although they were in every 
nook the 
better and the brighter for her care, she entered and passed out as quietly 
as any sunbeam, 
excepting that she left her light behind. 


</p>
            <p>Shadowy company attended Florence up and down the echoing house, and sat with 
her in 
the dismantled rooms. As if her life were an enchanted vision, there arose 
out of her 
solitude ministering thoughts, that made it fanciful and unreal. She imagined 
so often what 
her life would have been if her father could have loved her and she had been 
a favourite 
child, that sometimes, for the moment, she almost believed it was so, and, 
borne on by the 
current of that pensive fiction, seemed to remember how they had watched her 
brother in 
his grave together; how they had freely shared his heart between them; how 
they were 
united in the dear remembrance of him; how they often spoke about him yet; 
and her kind 
father, looking at her gently, told her of their common hope and trust in 
God. At other 
times she pictured to herself her mother yet alive. And oh the happiness of 
falling on her 
neck, and clinging to her with the love and confidence of all her soul! And 
oh the 
desolation of the solitary house again, with evening coming on, and no one 
there! 


</p>
            <p>But there was one thought, scarcely shaped out to herself, yet fervent and 
strong within 
her, that upheld Florence when she strove, and filled her true young heart, 
so sorely tried, 
with constancy of purpose. Into her mind, as into all others contending with 
the great 
affliction of our mortal nature, there had stolen solemn wonderings and 
hopes, arising in 
the dim world beyond the present life, and murmuring, like faint music, of 
recognition in 
the far-off land between her brother and her mother: of some present 
consciousness in 
both of her: some love and commiseration for her: and some knowledge of her 
as she 
went her way upon the earth. It was a soothing consolation to Florence to 
give shelter to 
these thoughts, until one day—it was soon after she had last seen her father 
in his own 
room, late at night—the fancy came upon her, that, in weeping for his 
alienated heart, she 
might stir the spirits of the dead against him. Wild, weak, childish, as it 
may have been to 
think so, and to tremble at the half-formed thought, it was the impulse of 
her loving 
nature; and from that hour Florence strove against the cruel wound in her 
breast, and tried 
to think of him whose hand had made it only with hope. 


</p>
            <p>Her father did not know—she held to it from that time—how much she loved 
him. She was 
very young, and had no mother, and had never learned, by some fault or 
misfortune, how 
to express to him that she loved him. She would be patient, and would try to 
gain that art 
in time, and win him to a better knowledge of his only child. 


</p>
            <p>This became the purpose of her life. The morning sun shone down upon the 
faded house, 
and found the resolution bright and fresh within the bosom of its solitary 
mistress. 
Through all the duties of the day, it animated her; for Florence hoped that 
the more she 
knew, and the more accomplished she became, the more glad he would be when he 
came 
to know and like her. Sometimes she wondered, with a swelling heart and 
rising tear, 
whether she was proficient enough in anything to surprise him when they 
should become 
companions. Sometimes she tried to think if there were any kind of knowledge 
that would 
bespeak his interest more readily than another. Always: at her books, her 
music, and her 
work: in her morning walks, and in her nightly prayers: she had her 
engrossing aim in 
view. Strange study for a child, to learn the road to a hard parent's 
heart! 


</p>
            <p>There were many careless loungers through the street, as the summer evening 
deepened 
into night, who glanced across the road at the sombre house, and saw the 
youthful figure 
at the window, such a contrast to it, looking upward at the stars as they 
began to shine, 
who would have slept the worse if they had known on what design she mused so 
steadfastly. The reputation of the mansion as a haunted house, would not have 
been the 
gayer with some humble dwellers elsewhere, who were struck by its external 
gloom in 
passing and repassing on their daily avocations, and so named it, if they 
could have read 
its story in the darkening face. But Florence held her sacred purpose, 
unsuspected and 
unaided: and studied only how to bring her father to the understanding that 
she loved him, 
and made no appeal against him in any wandering thought. 


</p>
            <p>Thus Florence lived alone in the deserted house, and day succeeded day, and 
still she 
lived alone, and the monotonous walls looked down upon her with a stare, as 
if they had a 
Gorgon-like intent to stare her youth and beauty into stone. 


</p>
            <p>Susan Nipper stood opposite to her young mistress one morning, as she folded 
and sealed 
a note she had been writing: and showed in her looks an approving knowledge 
of its 
contents. 


</p>
            <p>`Better late than never, dear Miss Floy,' said Susan, `and I do say, that 
even a visit to 
them old Skettleses will be a God-send.' 


</p>
            <p>`It is very good of Sir Barnet and Lady Skettles, Susan,' returned Florence, 
with a mild 
correction of that young lady's familiar mention of the family in question, 
`to repeat their 
invitation so kindly.' 


</p>
            <p>Miss Nipper, who was perhaps the most thoroughgoing partisan on the face of 
the earth, 
and who carried her partisanship into all matters great or small, and 
perpetually waged 
war with it against society, screwed up her lips and shook her head, as a 
protest against 
any recognition of disinterestedness in the Skettleses, and a plea in bar 
that they would 
have valuable consideration for their kindness, in the company of 
Florence. 


</p>
            <p>`They know what they're about, if ever people did,' murmured Miss Nipper, 
drawing in 
her breath, `oh! trust them Skettleses for that!' 


</p>
            <p>`I am not very anxious to go to Fulham, Susan, I confess,' said Florence 
thoughtfully: `but 
it will be right to go. I think it will be better.' 


</p>
            <p>`Much better,' interposed Susan, with another emphatic shake of her head. 


</p>
            <p>`And so,' said Florence, `though I would prefer to have gone when there was 
no one 
there, instead of in this vacation time, when it seems there are some young 
people staying 
in the house, I have thankfully said yes.' 


</p>
            <p>`For which <hi>I</hi> say, Miss Floy, Oh be joyful!' returned Susan. `Ah! 
h—h!' 


</p>
            <p>This last ejaculation, with which Miss Nipper frequently wound up a sentence, 
at about 
that epoch of time, was supposed below the level of the hall to have a 
general reference to 
Mr. Dombey, and to be expressive of a yearning in Miss Nipper to favour that 
gentleman 
with a piece of her mind. But she never explained it; and it had, in 
consequence, the 
charm of mystery, in addition to the advantage of the sharpest expression. 


</p>
            <p>`How long it is before we have any news of Walter, Susan!' observed Florence, 
after a 
moment's silence. 


</p>
            <p>`Long indeed, Miss Floy!' replied her maid. `And Perch said, when he came 
just now to 
see for letters—but what signifies what <hi>he</hi> says!' exclaimed Susan, 
reddening and 
breaking off. `Much <hi>he</hi> knows about it!' 


</p>
            <p>Florence raised her eyes quickly, and a flush overspread her face. 


</p>
            <p>`If I hadn't,' said Susan Nipper, evidently struggling with some latent 
anxiety and alarm, 
and looking full at her young mistress, while endeavouring to work herself 
into a state of 
resentment with the unoffending Mr. Perch's image, `if I hadn't more 
manliness than that 
insipidest of his sex, I'd never take pride in my hair again, but turn it up 
behind my ears, 
and wear coarse caps, without a bit of border, until death released me from 
my 
insignificance. I may not be a Amazon, Miss Floy, and wouldn't so demean 
myself by 
such disfigurement, but anyways I'm not a giver up, I hope.' 


</p>
            <p>`Give up! What?' cried Florence, with a face of terror. 


</p>
            <p>`Why, nothing, Miss,' said Susan. `Good gracious, nothing!It's only that wet 
curl-paper of 
a man Perch, that any one might almost make away with, with a touch, and 
really it would 
be a blessed event for all parties if some one <hi>would</hi> take pity on him, 
and would 
have the goodness!' 


</p>
            <p>`Does he give up the ship, Susan?' inquired Florence, very pale. 


</p>
            <p>`No, Miss,' returned Susan, `I should like to see him make so bold as do it 
to my face! 
No, Miss, but he goes on about some bothering ginger that Mr. Walter was to 
send to 
Mrs. Perch, and shakes his dismal head, and says he hopes it may be coming; 
anyhow, he 
says, it can't come now in time for the intended occasion, but may do for 
next, which 
really,' said Miss Nipper, with aggravated scorn, `puts me out of patience 
with the man, 
for though I can bear a great deal, I am not a camel, neither am I,' added 
Susan, after a 
moment's consideration, `if I know myself, a dromedary neither.' 


</p>
            <p>`What else does he say, Susan?' inquired Florence, earnestly. `Won't you tell 
me?' 


</p>
            <p>`As if I wouldn't tell you anything, Miss Floy, and everything!' said Susan. 
`Why, Miss, 
he says that there begins to be a general talk about the ship, and that they 
have never had 
a ship on that voyage half so long unheard of, and that the Captain's wife 
was at the 
office yesterday, and seemed a little put out about it, but any one could say 
that, we knew 
nearly that before.' 


</p>
            <p>`I must visit Walter's uncle,' said Florence, hurriedly, `before I leave 
home. I will go and 
see him this morning. Let us walk there, directly, Susan.' 


</p>
            <p>Miss Nipper having nothing to urge against the proposal, but being perfectly 
acquiescent, 
they were soon equipped, and in the streets, and on their way towards the 
little 
Midshipman. 


</p>
            <p>The state of mind in which poor Walter had gone to Captain Cuttle's, on the 
day when 
Brogley the broker came into possession, and when there seemed to him to be 
an 
execution in the very steeples, was pretty much the same as that in which 
Florence now 
took her way to Uncle Sol's; with this difference, that Florence suffered the 
added pain of 
thinking that she had been, perhaps, the innocent occasion of involving 
Walter in peril, 
and all to whom he was dear, herself included, in an agony of suspense. For 
the rest, 
uncertainty and danger seemed written upon everything. The weathercocks on 
spires and 
housetops were mysterious with hints of stormy wind, and pointed, like so 
many ghostly 
fingers, out to dangerous seas, where fragments of great wrecks were 
drifting, perhaps, 
and helpless men were rocked upon them into a sleep as deep as the 
unfathomable waters. 
When Florence came into the City, and passed gentlemen who were talking 
together, she 
dreaded to hear them speaking of the ship, and saying it was lost. Pictures 
and prints of 
vessels fighting with the rolling waves filled her with alarm. The smoke and 
clouds, 
though moving gently, moved too fast for her apprehensions, and made her fear 
there was 
a tempest blowing at that moment on the ocean. 


</p>
            <p>Susan Nipper may or may not have been affected similarly, but having her 
attention much 
engaged in struggles with boys, whenever there was any press of people—for, 
between that 
grade of human kind and herself, there was some natural animosity that 
invariably broke 
out, whenever they came together—it would seem that she had not much leisure 
on the 
road for intellectual operations. 


</p>
            <p>Arriving in good time abreast of the Wooden Midshipman on the opposite side 
of the way, 
and waiting for an opportunity to cross the street, they were a little 
surprised at first to 
see, at the Instrument-maker's door, a round-headed lad, with his chubby face 
addressed 
towards the sky, who, as they looked at him, suddenly thrust into his 
capacious mouth two 
fingers of each hand, and with the assistance of that machinery whistled, 
with astonishing 
shrillness, to some pigeons at a considerable elevation in the air. 


</p>
            <p>`Mrs. Richards's eldest, Miss!' said Susan, `and the worrit of Mrs. 
Richards's life!' 


</p>
            <p>As Polly had been to tell Florence of the resuscitated prospects of her son 
and heir, 
Florence was prepared for the meeting: so, a favourable moment presenting 
itself, they 
both hastened across, without any further contemplation of Mrs. Richards's 
bane. That 
sporting character, unconscious of their approach, again whistled with his 
utmost might, 
and then yelled in a rapture of excitement, `Strays! Whoo-oop!Strays!' which 
identification had such an effect upon the conscious-stricken pigeons, that 
instead of going 
direct to some town in the North of England, as appeared to have been their 
original 
intention, they began to wheel and falter; whereupon Mrs. Richards's 
firstborn pierced 
them with another whistle, and again yelled, in a voice that rose above the 
turmoil of the 
street, `Strays! Whoo-oop! Strays!' 


</p>
            <p>From this transport, he was abruptly recalled to terrestrial objects, by a 
poke from Miss 
Nipper, which sent him into the shop. 


</p>
            <p>`Is this the way you show your penitence, when Mrs. Richards has been 
fretting for you 
months and months?' said Susan, following the poke. `Where's Mr. Gills?' 


</p>
            <p>Rob, who smoothed his first rebellious glance at Miss Nipper when he saw 
Florence 
following, put his knuckles to his hair, in honour of the latter, and said to 
the former, that 
Mr. Gills was out. 


</p>
            <p>`Fetch him home,' said Miss Nipper, with authority, `and say that my young 
lady's 
here.' 


</p>
            <p>`I don't know where he's gone,' said Rob. 


</p>
            <p>`Is <hi>that</hi> your penitence?' cried Susan, with stinging sharpness. 


</p>
            <p>`Why how can I go and fetch him when I don't know where to go?' whimpered the 
baited 
Rob. `How can you be so unreasonable?' 


</p>
            <p>`Did Mr. Gills say when he should be home?' asked Florence. 


</p>
            <p>`Yes, Miss,' replied Rob, with another application of his knuckles to his 
hair. `He said he 
should be home early in the afternoon; in about a couple of hours from now, 
Miss.' 


</p>
            <p>`Is he very anxious about his nephew?' inquired Susan. 


</p>
            <p>`Yes, Miss,' returned Rob, preferring to address himself to Florence and 
slighting Nipper; 
`I should say he was very much so. He ain't indoors, Miss, not a quarter of 
an hour 
together. He can't settle in one place five minutes. He goes about, like 
a—just like a stray,' 
said Rob, stooping to get a glimpse of the pigeons through the window, and 
checking 
himself, with his fingers half-way to his mouth, on the verge of another 
whistle. 


</p>
            <p>`Do you know a friend of Mr. Gills, called Captain Cuttle?' inquired 
Florence, after a 
moment's reflection. 


</p>
            <p>`Him with a hook, Miss?' rejoined Rob, with an illustrative twist of his left 
hand. `Yes, 
Miss. He was here the day before yesterday.' 


</p>
            <p>`Has he not been here since?' asked Susan. 


</p>
            <p>`No, Miss,' returned Rob, still addressing his reply to Florence. 


</p>
            <p>`Perhaps Walter's uncle has gone there, Susan,' observed Florence, turning to 
her. 


</p>
            <p>`To Captain Cuttle's, Miss?' interposed Rob; `no, he's not gone there, Miss. 
Because he 
left particular word that if Captain Cuttle called, I should tell him how 
surprised he was, 
not to have seen him yesterday, and should make him stop till he came 
back.' 


</p>
            <p>`Do you know where Captain Cuttle lives?' asked Florence. 


</p>
            <p>Rob replied in the affirmative, and turning to a greasy parchment book on the 
shop desk, 
read the address aloud. 


</p>
            <p>Florence again turned to her maid and took counsel with her in a low voice, 
while Rob the 
round-eyed, mindful of his patron's secret charge, looked on and listened. 
Florence 
proposed that they should go to Captain Cuttle's house; hear from his own 
lips, what he 
thought of the absence of any tidings of the Son and Heir; and bring him, if 
they could, to 
comfort Uncle Sol. Susan at first objected slightly, on the score of 
distance; but a 
hackney-coach being mentioned by her mistress, withdrew that opposition, and 
gave in her 
assent. There were some minutes of discussion between them before they came 
to this 
conclusion, during which the staring Rob paid close attention to both 
speakers, and 
inclined his ear to each by turns, as if he were appointed arbitrator of the 
arguments. 


</p>
            <p>In fine, Rob was despatched for a coach, the visitors keeping shop meanwhile; 
and when 
he brought it, they got into it, leaving word for Uncle Sol that they would 
be sure to call 
again, on their way back. Rob having stared after the coach until it was as 
invisible as the 
pigeons had now become, sat down behind the desk with a most assiduous 
demeanour; 
and in order that he might forget nothing of what had transpired, made notes 
of it on 
various small scraps of paper, with a vast expenditure of ink. There was no 
danger of 
these documents betraying anything, if accidentally lost; for long before a 
word was dry, it 
became as profound a mystery to Rob, as if he had had no part whatever in its 
production. 


</p>
            <p>While he was yet busy with these labours, the hackney-coach, after 
encountering 
unheard-of difficulties from swivel-bridges, soft roads, impassable canals, 
caravans of 
casks, settlements of scarlet-beans and little wash-houses, and many such 
obstacles 
abounding in that country, stopped at the corner of Brig Place. Alighting 
here, Florence 
and Susan Nipper walked down the street, and sought out the abode of Captain 
Cuttle. 


</p>
            <p>It happened by evil chance to be one of Mrs. MacStinger's great cleaning 
days. On these 
occasions, Mrs. MacStinger was knocked up by the policeman at a quarter 
before three in 
the morning, and rarely succumbed before twelve o'clock next night. The chief 
object of 
this institution appeared to be, that Mrs. MacStinger should move all the 
furniture into the 
back garden at early dawn, walk about the house in pattens all day, and move 
the furniture 
back again after dark. These ceremonies greatly fluttered those doves the 
young 
MacStingers, who were not only unable at such times to find any resting-place 
for the 
soles of their feet, but generally came in for a good deal of pecking from 
the maternal 
bird during the progress of the solemnities. 


</p>
            <p>At the moment when Florence and Susan Nipper presented themselves at Mrs. 
MacStinger's door, that worthy but redoubtable female was in the act of 
conveying 
Alexander MacStinger, aged two years and three months, along the passage for 
forcible 
deposition in a sitting posture on the street pavement; Alexander being black 
in the face 
with holding his breath after punishment, and a cool paving-stone being 
usually found to 
act as a powerful restorative in such cases. 


</p>
            <p>The feelings of Mrs. MacStinger, as a woman and a mother, were outraged by 
the look of 
pity for Alexander which she observed on Florence's face. Therefore, Mrs. 
MacStinger 
asserting those finest emotions of our nature, in preference to weakly 
gratifying her 
curiosity, shook and buffeted Alexander both before and during the 
application of the 
paving-stone, and took no further notice of the strangers. 


</p>
            <p>`I beg your pardon, ma'am,' said Florence, when the child had found his 
breath again, and 
was using it. `Is this Captain Cuttle's house?' 


</p>
            <p>`No,' said Mrs. MacStinger. 


</p>
            <p>`Not Number Nine?' asked Florence, hesitating. 


</p>
            <p>`Who said it wasn't Number Nine?' said Mrs. MacStinger. 


</p>
            <p>Susan Nipper instantly struck in, and begged to inquire what Mrs. MacStinger 
meant by 
that, and if she knew whom she was talking to. 


</p>
            <p>Mrs. MacStinger in retort, looked at her all over. `What do <hi>you</hi> want 
with Captain 
Cuttle, I should wish to know?' said Mrs. MacStinger. 


</p>
            <p>`Should you? Then I'm sorry that you won't be satisfied,' returned Miss 
Nipper. 


</p>
            <p>`Hush, Susan! If you please!' said Florence. `Perhaps you can have the 
goodness to tell us 
where Captain Cuttle lives, ma'am, as he don't live here.' 


</p>
            <p>`Who says he don't live here?' retorted the implacable MacStinger. `I said it 
wasn't 
Cap'en Cuttle's house—and it ain't his house—and forbid it, that it ever 
should be his 
house—for Cap'en Cuttle don't know how to keep a house—and don't deserve to 
have a 
house—it's <hi>my</hi> house—and when I let the upper floor to Cap'en Cuttle, 
oh I do a 
thankless thing, and cast pearls before swine!' 


</p>
            <p>Mrs. MacStinger pitched her voice for the upper windows in offering these 
remarks, and 
cracked off each clause sharply by itself as if from a rifle possessing an 
infinity of barrels. 
After the last shot, the Captain's voice was heard to say, in feeble 
remonstrance from his 
own room, `Steady below!' 


</p>
            <p>`Since you want Cap'en Cuttle, there he is!' said Mrs. MacStinger, with an 
angry motion 
of her hand. On Florence making bold to enter, without any more parley, and 
on Susan 
following, Mrs. MacStinger recommenced her pedestrian exercise in pattens, 
and 
Alexander MacStinger (still on the paving-stone), who had stopped in his 
crying to attend 
to the conversation, began to wail again, entertaining himself during that 
dismal 
performance, which was quite mechanical, with a general survey of the 
prospect, 
terminating in the hackney-coach. 


</p>
            <p>The Captain in his own apartment was sitting with his hands in his pockets 
and his legs 
drawn up under his chair, on a very small desolate island, lying about midway 
in an ocean 
of soap and water. The Captain's windows had been cleaned, the walls had been 
cleaned, 
the stove had been cleaned, and everything, the stove excepted, was wet, and 
shining with 
soft soap and sand: the smell of which dry-saltery impregnated the air. In 
the midst of the 
dreary scene, the Captain, cast away upon his island, looked round on the 
waste of waters 
with a rueful countenance, and seemed waiting for some friendly bark to come 
that way, 
and take him off. 


</p>
            <p>But when the Captain, directing his forlorn visage towards the door, saw 
Florence appear 
with her maid, no words can describe his astonishment. Mrs. MacStinger's 
eloquence 
having rendered all other sounds but imperfectly distinguishable, he had 
looked for no 
rarer visitor than the potboy or the milkman; wherefore, when Florence 
appeared, and 
coming to the confines of the island, put her hand in his, the Captain stood 
up, aghast, as 
if he supposed her, for the moment, to be some young member of the Flying 
Dutchman's 
family. 


</p>
            <p>Instantly recovering his self-possession, however, the Captain's first care 
was to place her 
on dry land, which he happily accomplished, with one motion of his arm. 
Issuing forth, 
then, upon the main, Captain Cuttle took Miss Nipper round the waist, and 
bore her to the 
island also. Captain Cuttle, then, with great respect and admiration, raised 
the hand of 
Florence to his lips, and standing off a little (for the island was not large 
enough for 
three), beamed on her from the soap and water like a new description of 
Triton. 


</p>
            <p>`You are amazed to see us, I am sure,' said Florence, with a smile. 


</p>
            <p>The inexpressibly gratified Captain kissed his hook in reply, and growled, as 
if a choice 
and delicate compliment were included in the words, `Stand by! Stand by!' 


</p>
            <p>`But I couldn't rest,' said Florence, `without coming to ask you what you 
think about dear 
Walter—who is my brother now—and whether there is anything to fear, and 
whether you 
will not go and console his poor uncle every day, until we have some 
intelligence of 
him?' 


</p>
            <p>At these words Captain Cuttle, as by an involuntary gesture, clapped his hand 
to his head, 
on which the hard glazed hat was not, and looked discomfited. 


</p>
            <p>`Have you any fears for Walter's safety?' inquired Florence, from whose face 
the Captain 
(so enraptured he was with it) could not take his eyes: while she, in her 
turn, looked 
earnestly at him, to be assured of the sincerity of his reply. 


</p>
            <p>`No, Heart's-delight,' said Captain Cuttle, `I am not afeard. Wal'r is a lad 
as'll go through 
a deal o' hard weather. Wal'r is a lad as'll bring as much success to that 
'ere brig as a lad 
is capable on. Wal'r,' said the Captain, his eyes glistening with the praise 
of his young 
friend, and his hook raised to announce a beautiful quotation, `is what you 
may call a 
out'ard and visible sign of an in'ard and spirited grasp, and when found make 
a note 
of.' 


</p>
            <p>Florence, who did not quite understand this, though the Captain evidently 
thought it full of 
meaning, and highly satisfactory, mildly looked to him for something more. 


</p>
            <p>`I am not afeard, my Heart's-delight,' resumed the Captain. `There's been 
most uncommon 
bad weather in them latitudes, there's no denyin', and they have drove and 
drove and been 
beat off, may be t'other side the world. But the ship's a good ship, and the 
lad's a good 
lad; and it ain't easy, thank the Lord,' the Captain made a little bow, `to 
break up hearts 
of oak, whether they're in brigs or buzzums. Here we have 'em both ways, 
which is 
bringing it up with a round turn, and so I ain't a bit afeard as yet.' 


</p>
            <p>`As yet?' repeated Florence. 


</p>
            <p>`Not a bit,' returned the Captain, kissing his iron hand; `and afore I begin 
to be, my 
Heart's-delight, Wal'r will have wrote home from the island, or from some 
port or 
another, and made all taut and ship-shape. And with regard to old Sol Gills,' 
here the 
Captain became solemn, `who I'll stand by, and not desert until death doe us 
part, and 
when the stormy winds do blow, do blow, do blow—overhaul the Catechism,' 
said the 
Captain parenthetically, `and there you'll find them expressions—if it would 
console Sol 
Gills to have the opinion of a seafaring man as has got a mind equal to any 
undertaking 
that he puts it alongside of, and as was all but smashed in his 
'prenticeship, and of which 
the name is Bunsby, that 'ere man shall give him such an opinion in his own 
parlour as'll 
stun him. Ah!' said Captain Cuttle, vauntingly, `as much as if he'd gone and 
knocked his 
head again a door!' 


</p>
            <p>`Let us take this gentleman to see him, and let us hear what he says,' cried 
Florence. `Will 
you go with us now? We have a coach here.' 


</p>
            <p>Again the Captain clapped his hand to his head, on which the hard glazed hat 
was not, 
and looked discomfited. But at this instant a most remarkable phenomenon 
occurred. The 
door opening, without any note of preparation, and apparently of itself, the 
hard glazed hat 
in question skimmed into the room like a bird, and alighted heavily at the 
Captain's feet. 
The door then shut as violently as it had opened, and nothing ensued in 
explanation of the 
prodigy. 


</p>
            <p>Captain Cuttle picked up his hat, and having turned it over with a look of 
interest and 
welcome, began to polish it on his sleeve. While doing so, the Captain eyed 
his visitors 
intently, and said in a low voice: 


</p>
            <p>`You see I should have bore down on Sol Gills yesterday, and this morning, 
but she—she 
took it away and kep it. That's the long and short of the subject.' 


</p>
            <p>`Who did, for goodness sake?' asked Susan Nipper. 


</p>
            <p>`The lady of the house, my dear,' returned the Captain, in a gruff whisper, 
and making 
signals of secrecy. `We had some words about the swabbing of these here 
planks, and 
she—in short,' said the Captain, eyeing the door, and relieving himself with 
a long breath, 
`she stopped my liberty.' 


</p>
            <p>`Oh! I wish she had me to deal with!' said Susan, reddening with the energy 
of the wish. 
`I'd stop her!' 


</p>
            <p>`Would you, do you think, my dear?' rejoined the Captain, shaking his head 
doubtfully, 
but regarding the desperate courage of the fair aspirant with obvious 
admiration. `I don't 
know. It's difficult navigation. She's very hard to carry on with, my dear. 
You never can 
tell how she'll head, you see. She's full one minute, and round upon you 
next. And when 
she <hi>is</hi> a tartar,' said the Captain, with the perspiration breaking out 
upon his 
forehead—. There was nothing but a whistle emphatic enough for the 
conclusion of the 
sentence, so the Captain whistled tremulously. After which he again shook his 
head, and 
recurring to his admiration of Miss Nipper's devoted bravery, timidly 
repeated, `Would 
you, do you think, my dear?' 


</p>
            <p>Susan only replied with a bridling smile, but that was so very full of 
defiance, that there is 
no knowing how long Captain Cuttle might have stood entranced in its 
contemplation, if 
Florence in her anxiety had not again proposed their immediately resorting to 
the oracular 
Bunsby. Thus reminded of his duty, Captain Cuttle put on the glazed hat 
firmly, took up 
another knobby stick, with which he had supplied the place of that one given 
to Walter, 
and offering his arm to Florence, prepared to cut his way through the 
enemy. 


</p>
            <p>It turned out, however, that Mrs. MacStinger had already changed her course, 
and that she 
headed, as the Captain had remarked she often did, in quite a new direction. 
For when 
they got downstairs, they found that exemplary woman beating the mats on the 
doorsteps, 
with Alexander, still upon the paving-stone, dimly looming through a fog of 
dust; and so 
absorbed was Mrs. MacStinger in her household occupation, that when Captain 
Cuttle and 
his visitors passed, she beat the harder, and neither by word nor gesture 
showed any 
consciousness of their vicinity. The Captain was so well pleased with this 
easy 
escape—although the effect of the door-mats on him was like a copious 
administration of 
snuff, and made him sneeze until the tears ran down his face—that he could 
hardly believe 
his good fortune; but more than once, between the door and the hackney-coach, 
looked 
over his shoulder, with an obvious apprehension of Mrs. MacStinger's giving 
chase 
yet. 


</p>
            <p>However, they got to the corner of Brig Place without any molestation from 
that terrible 
fire-ship; and the Captain mounting the coach-box—for his gallantry would 
not allow him 
to ride inside with the ladies, though besought to do so—piloted the driver 
on his course 
for Captain Bunsby's vessel, which was called the Cautious Clara, and was 
lying hard by 
Ratcliffe. 


</p>
            <p>Arrived at the wharf off which this great commander's ship was jammed in 
among some 
five hundred companions, whose tangled rigging looked like monstrous cobwebs 
half 
swept down, Captain Cuttle appeared at the coach-window, and invited Florence 
and Miss 
Nipper to accompany him on board; observing that Bunsby was to the last 
degree 
soft-hearted in respect of ladies, and that nothing would so much tend to 
bring his 
expansive intellect into a state of harmony as their presentation to the 
Cautious Clara. 


</p>
            <p>Florence readily consented; and the Captain, taking her little hand in his 
prodigious palm, 
led her, with a mixed expression of patronage, paternity, pride, and 
ceremony, that was 
pleasant to see, over several very dirty decks, until, coming to the Clara, 
they found that 
cautious craft (which lay outside the tier) with her gangway removed, and 
half-a-dozen 
feet of river interposed between herself and her nearest neighbour. It 
appeared, from 
Captain Cuttle's explanation, that the great Bunsby, like himself, was 
cruelly treated by 
his landlady, and that when her usage of him for the time being was so hard 
that he could 
bear it no longer, he set this gulf between them as a last resource. 


</p>
            <p>`Clara a-hoy!' cried the Captain, putting a hand to each side of his 
mouth. 


</p>
            <p>`A-hoy!' cried a boy, like the Captain's echo, tumbling up from below. 


</p>
            <p>`Bunsby aboard?' cried the Captain, hailing the boy in a stentorian voice, as 
if he were 
half-a-mile off instead of two yards. 


</p>
            <p>`Aye, aye!' cried the boy, in the same tone. 


</p>
            <p>The boy then shoved out a plank to Captain Cuttle, who adjusted it carefully, 
and led 
Florence across: returning presently for Miss Nipper. So they stood upon the 
deck of the 
Cautious Clara, in whose standing rigging, divers fluttering articles of 
dress were curing, 
in company with a few tongues and some mackerel. 


</p>
            <p>Immediately there appeared, coming slowly up above the bulk-head of the 
cabin, another 
bulk-head—human, and very large—with one stationary eye in the mahogany 
face, and one 
revolving one, on the principle of some lighthouses. This head was decorated 
with shaggy 
hair, like oakum, which had no governing inclination towards the north, east, 
west, or 
south, but inclined to all four quarters of the compass, and to every point 
upon it. The 
head was followed by a perfect desert of chin, and by a shirt-collar and 
neckerchief, and 
by a dreadnought pilot-coat, and by a pair of dreadnought pilot-trousers, 
whereof the 
waistband was so very broad and high, that it became a succedaneum for a 
waistcoat: 
being ornamented near the wearer's breast-bone with some massive wooden 
buttons, like 
backgammon men. As the lower portions of these pantaloons became revealed, 
Bunsby 
stood confessed; his hands in their pockets, which were of vast size; and his 
gaze directed, 
not to Captain Cuttle or the ladies, but the mast-head. 


</p>
            <p>The profound appearance of this philosopher, who was bulky and strong, and on 
whose 
extremely red face an expression of taciturnity sat enthroned, not 
inconsistent with his 
character, in which that quality was proudly conspicuous, almost daunted 
Captain Cuttle, 
though on familiar terms with him. Whispering to Florence that Bunsby had 
never in his 
life expressed surprise, and was considered not to know what it meant, the 
Captain 
watched him as he eyed his mast-head, and afterwards swept the horizon; and 
when the 
revolving eye seemed to be coming round in his direction, said: 


</p>
            <p>`Bunsby, my lad, how fares it?' 


</p>
            <p>A deep, gruff, husky utterance, which seemed to have no connexion with 
Bunsby, and 
certainly had not the least effect upon his face, replied, `Aye, aye, 
shipmet, how goes it?' 
At the same time Bunsby's right hand and arm, emerging from a pocket, shook 
the 
Captain's, and went back again. 


</p>
            <p>`Bunsby,' said the Captain, striking home at once, `here you are; a man of 
mind, and a 
man as can give as opinion. Here's a young lady as wants to take that 
opinion, in regard 
of my friend Wal'r; likewise my t'other friend, Sol Gills, which is a 
character for you to 
come within hail of, being a man of science, which is the mother of 
inwention, and knows 
no law. Bunsby, will you wear, to oblige me, and come along with us?' 


</p>
            <p>The great commander, who seemed by the expression of his visage to be always 
on the 
look-out for something in the extremest distance, and to have no ocular 
knowledge of 
anything within ten miles, made no reply whatever. 


</p>
            <p>`Here is a man,' said the Captain, addressing himself to his fair auditors, 
and indicating 
the commander with his outstretched hook, `that has fell down more than any 
man alive; 
that has had more accidents happen to his own self than the Seamen's Hospital 
to all 
hands; that took as many spars and bars and bolts about the outside of his 
head when he 
was young, as you'd want a order for on Chatham-yard to build a 
pleasure-yacht with; and 
yet that got his opinions in that way, it's my belief, for there an't nothing 
like 'em afloat 
or ashore.' 


</p>
            <p>The stolid commander appeared, by a very slight vibration in his elbows, to 
express some 
satisfaction in this encomium; but if his face had been as distant as his 
gaze was, it could 
hardly have enlightened the beholders less in reference to anything that was 
passing in his 
thoughts. 


</p>
            <p>`Shipmet,' said Bunsby, all of a sudden, and stooping down to look out under 
some 
interposing spar, `what'll the ladies drink?' 


</p>
            <p>Captain Cuttle, whose delicacy was shocked by such an inquiry in connection 
with 
Florence, drew the sage aside, and seeming to explain in his ear, accompanied 
him below; 
where, that he might not take offence, the Captain drank a dram himself, 
which Florence 
and Susan, glancing down the open skylight, saw the sage, with difficulty 
finding room for 
himself between his berth and a very little brass fireplace, serve out for 
self and friend. 
They soon reappeared on deck, and Captain Cuttle, triumphing in the success 
of his 
enterprise, conducted Florence back to the coach, while Bunsby followed, 
escorting Miss 
Nipper, whom he hugged upon the way (much to that young lady's indignation) 
with his 
pilot-coated arm, like a blue bear. 


</p>
            <p>The Captain put his oracle inside, and gloried so much in having secured him, 
and having 
got that mind into a hackney-coach, that he could not refrain from often 
peeping in at 
Florence through the little window behind the driver, and testifying his 
delight in smiles, 
and also in taps upon his forehead, to hint to her that the brain of Bunsby 
was hard at it. 
In the meantime, Bunsby, still hugging Miss Nipper (for his friend, the 
Captain, had not 
exaggerated the softness of his heart), uniformly preserved his gravity of 
deportment, and 
showed no other consciousness of her or anything. 


</p>
            <p>Uncle Sol, who had come home, received them at the door, and ushered them 
immediately 
into the little back parlour: strangely altered by the absence of Walter. On 
the table, and 
about the room, were the charts and maps on which the heavy-hearted 
Instrument-maker 
had again and again tracked the missing vessel across the sea, and on which, 
with a pair 
of compasses that he still had in his hand, he had been measuring, a minute 
before, how 
far she must have driven, to have driven here or there: and trying to 
demonstrate that a 
long time must elapse before hope was exhausted. 


</p>
            <p>`Whether she can have run,' said Uncle Sol, looking wistfully over the chart; 
`but no, 
that's almost impossible. Or whether she can have been forced by stress of 
weather,—but 
that's not reasonably likely. Or whether there is any hope she so far changed 
her course 
as—but even I can hardly hope that!' With such broken suggestions, poor old 
Uncle Sol 
roamed over the great sheet before him, and could not find a speck of hopeful 
probability 
in it large enough to set one small point of the compasses upon. 


</p>
            <p>Florence saw immediately—it would have been difficult to help seeing—that 
there was a 
singular indescribable change in the old man, and that while his manner was 
far more 
restless and unsettled than usual, there was yet a curious, contradictory 
decision in it, that 
perplexed her very much. She fancied once that he spoke wildly, and at 
random; for on 
her saying she regretted not to have seen him when she had been there before 
that 
morning, he at first replied that he had been to see her, and directly 
afterwards seemed to 
wish to recall that answer. 


</p>
            <p>`You have been to see me?' said Florence. `To-day?' 


</p>
            <p>`Yes, my dear young lady,' returned Uncle Sol, looking at her and away from 
her in a 
confused manner. `I wished to see you with my own eyes, and to hear you with 
my own 
ears, once more before—' There he stopped. 


</p>
            <p>`Before when? Before what?' said Florence, putting her hand upon his arm. 


</p>
            <p>`Did I say “before?”' replied old Sol. `If I did, I must have meant before we 
should have 
news of my dear boy.' 


</p>
            <p>`You are not well,' said Florence, tenderly. `You have been so very anxious. 
I am sure 
you are not well.' 


</p>
            <p>`I am as well,' returned the old man, shutting up his right hand, and holding 
it out to 
show her: `as well and firm as any man at my time of life can hope to be. 
See! It's 
steady. Is its master not as capable of resolution and fortitude as many a 
younger man? I 
think so. We shall see.' 


</p>
            <p>There was that in his manner more than in his words, though they remained 
with her too, 
which impressed Florence so much, that she would have confided her uneasiness 
to 
Captain Cuttle at that moment, if the Captain had not seized that moment for 
expounding 
the state of circumstances on which the opinion of the sagacious Bunsby was 
requested, 
and entreating that profound authority to deliver the same. 


</p>
            <p>Bunsby, whose eye continued to be addressed to somewhere about the half-way 
house 
between London and Gravesend, two or three times put out his rough right arm, 
as 
seeking to wind it for inspiration round the fair form of Miss Nipper; but 
that young 
female having withdrawn herself, in displeasure, to the opposite side of the 
table, the soft 
heart of the Commander of the Cautious Clara met with no response to its 
impulses. After 
sundry failures in this wise, the Commander, addressing himself to nobody, 
thus spake; or 
rather the voice within him said of its own accord, and quite independent of 
himself, as if 
he were possessed by a gruff spirit: 


</p>
            <p>`My name's Jack Bunsby!' 


</p>
            <p>`He was christened John,' cried the delighted Captain Cuttle. `Hear him!' 


</p>
            <p>`And what I says,' pursued the voice, after some deliberation, `I stands 
to.' 


</p>
            <p>The Captain, with Florence on his arm, nodded at the auditory, and seemed to 
say, `Now 
he's coming out. This is what I meant when I brought him.' 


</p>
            <p>`Whereby,' proceeded the voice, `why not? If so, what odds? Can any man say 
otherwise? 
No. Awast then!' 


</p>
            <p>When it had pursued its train of argument to this point, the voice stopped, 
and rested. It 
then proceeded very slowly, thus: 


</p>
            <p>`Do I believe that this here Son and Heir's gone down, my lads? Mayhap. Do I 
say so? 
Which? If a skipper stands out by Sen' George's Channel, making for the 
Downs, what's 
right ahead of him? The Goodwins. He isn't forced to run upon the Goodwins, 
but he 
may. The bearings of this observation lays in the application on it. That 
an't no part of my 
duty. Awast then, keep a bright look-out for'ard, and good luck to you!' 


</p>
            <p>The voice here went out of the back parlour and into the street, taking the 
Commander of 
the Cautious Clara with it, and accompanying him on board again with all 
convenient 
expedition, where he immediately turned in, and refreshed his mind with a 
nap. 


</p>
            <p>The students of the sage's precepts, left to their own application of his 
wisdom upon a 
principle which was the main leg of the Bunsby tripod, as it is perchance of 
some other 
oracular stools—looked upon one another in a little uncertainty; while Rob 
the Grinder, 
who had taken the innocent freedom of peering in, and listening, through the 
skylight in 
the roof, came softly down from the leads, in a state of very dense 
confusion. Captain 
Cuttle, however, whose admiration of Bunsby was, if possible, enhanced by the 
splendid 
manner in which he had justified his reputation and come through this solemn 
reference, 
proceeded to explain that Bunsby meant nothing but confidence; that Bunsby 
had no 
misgivings; and that such an opinion as that man had given, coming from such 
a mind as 
his, was Hope's own anchor, with good roads to cast it in. Florence 
endeavoured to 
believe that the Captain was right; but the Nipper, with her arms tight 
folded, shook her 
head in resolute denial, and had no more trust in Bunsby than in Mr. Perch 
himself. 


</p>
            <p>The philosopher seemed to have left Uncle Sol pretty much where he had found 
him, for 
he still went roaming about the watery world, compasses in hand, and 
discovering no rest 
for them. It was in pursuance of a whisper in his ear from Florence, while 
the old man 
was absorbed in this pursuit, that Captain Cuttle laid his heavy hand upon 
his 
shoulder. 


</p>
            <p>`What cheer, Sol Gills?' cried the Captain, heartily. 


</p>
            <p>`But so-so, Ned,' returned the Instrument-maker. `I have been remembering, 
all this 
afternoon, that on the very day when my boy entered Dombey's house and came 
home 
late to dinner, sitting just there where you stand, we talked of storm and 
shipwreck, and I 
could hardly turn him from the subject.' 


</p>
            <p>But meeting the eyes of Florence, which were fixed with earnest scrutiny upon 
his face, 
the old man stopped and smiled. 


</p>
            <p>`Stand by, old friend!' cried the Captain. `Look alive! I tell you what, Sol 
Gills; arter I've 
convoyed Heart's-delight safe home,' here the Captain kissed his hook to 
Florence, `I'll 
come back and take you in tow for the rest of this blessed day. You'll come 
and eat your 
dinner along with me, Sol, somewheres or another.' 


</p>
            <p>`Not to-day, Ned!' said the old man quickly, and appearing to be 
unaccountably startled 
by the proposition. `Not to-day. I couldn't do it!' 


</p>
            <p>`Why not?' returned the Captain, gazing at him in astonishment. 


</p>
            <p>`I—I have so much to do. I—I mean to think of, and arrange. I couldn't do 
it, Ned, indeed. 
I must go out again, and be alone, and turn my mind to many things 
to-day.' 


</p>
            <p>The Captain looked at the Instrument-maker, and looked at Florence, and again 
at the 
Instrument-maker. `To-morrow, then,' he suggested, at last. 


</p>
            <p>`Yes, yes. To-morrow,' said the old man. `Think of me to-morrow. Say 
to-morrow.' 


</p>
            <p>`I shall come here early, mind, Sol Gills,' stipulated the Captain. 


</p>
            <p>`Yes, yes. The first thing to-morrow morning,' said old Sol; `and now 
good-bye, Ned 
Cuttle, and God bless you!' 


</p>
            <p>Squeezing both the Captain's hands, with uncommon fervour, as he said it, the 
old man 
turned to Florence, folded hers in his own, and put them to his lips; then 
hurried her out 
to the coach with very singular precipitation. Altogether, he made such an 
effect on 
Captain Cuttle that the Captain lingered behind, and instructed Rob to be 
particularly 
gentle and attentive to his master until the morning: which injunction he 
strengthened with 
the payment of one shilling down, and the promise of another sixpence before 
noon next 
day. This kind office performed, Captain Cuttle, who considered himself the 
natural and 
lawful body-guard of Florence, mounted the box with a mighty sense of his 
trust, and 
escorted her home. At parting, he assured her that he would stand by Sol 
Gills, close and 
true; and once again inquired of Susan Nipper, unable to forget her gallant 
words in 
reference to Mrs. MacStinger, `Would you, do you think, my dear, though?' 


</p>
            <p>When the desolate house had closed upon the two, the Captain's thoughts 
reverted to the 
old Instrument-maker, and he felt uncomfortable. Therefore, instead of going 
home, he 
walked up and down the street several times, and, eking out his leisure until 
evening, 
dined late at a certain angular little tavern in the City, with a public 
parlour like a wedge, 
to which glazed hats much resorted. The Captain's principal intention was to 
pass Sol 
Gills's after dark, and look in through the window: which he did. The parlour 
door stood 
open, and he could see his old friend writing busily and steadily at the 
table within, while 
the little Midshipman, already sheltered from the night dews, watched him 
from the 
counter; under which Rob the Grinder made his own bed, preparatory to 
shutting the shop. 
Reassured by the tranquillity that reigned within the precincts of the wooden 
mariner, the 
Captain headed for Brig Place, resolving to weigh anchor betimes in the 
morning. 

</p>
         </div>
         <div xml:id="c24" type="chapter">
            <head>CHAPTER XXIV</head>
            <head>The Study of a Loving Heart</head>
            <p>SIR BARNET and Lady Skettles, very good people, resided in a pretty villa at 
Fulham, on 
the banks of the Thames; which was one of the most desirable residences in 
the world 
when a rowing-match happened to be going past, but had its little 
inconveniences at other 
times, among which may be enumerated the occasional appearance of the river 
in the 
drawing-room, and the contemporaneous disappearance of the lawn and 
shrubbery. 


</p>
            <p>Sir Barnett Skettles expressed his personal consequence chiefly through an 
antique gold 
snuff-box, and a ponderous silk pocket-handkerchief, which he had an imposing 
manner of 
drawing out of his pocket like a banner, and using with both hands at once. 
Sir Barnet's 
object in life was constantly to extend the range of his acquaintance. Like a 
heavy body 
dropped into water—not to disparage so worthy a gentleman by the 
comparison—it was in 
the nature of things that Sir Barnet must spread an ever-widening circle 
about him, until 
there was no room left. Or, like a sound in air, the vibration of which, 
according to the 
speculation of an ingenious modern philosopher, may go on travelling for ever 
through the 
interminable fields of space, nothing but coming to the end of his moral 
tether could stop 
Sir Barnet Skettles in his voyage of discovery through the social system. 


</p>
            <p>Sir Barnet was proud of making people acquainted with people. He liked the 
thing for its 
own sake, and it advanced his favourite object too. For example, if Sir 
Barnet had the 
good fortune to get hold of a raw recruit, or a country gentleman, and 
ensnared him to his 
hospitable villa, Sir Barnet would say to him, on the morning after his 
arrival, `Now, my 
dear Sir, is there anybody you would like to know? Who is there you would 
wish to meet? 
Do you take any interest in writing people, or in painting or sculpturing 
people, or in 
acting people, or in anything of that sort?' Possibly the patient answered 
yes, and 
mentioned somebody, of whom Sir Barnet had no more personal knowledge than of 
Ptolemy the Great. Sir Barnet replied, that nothing on earth was easier, as 
he knew him 
very well: immediately called on the aforesaid somebody, left his card, wrote 
a short 
note,—`My dear Sir—penalty of your eminent position—friend at my house 
naturally 
desirous—Lady Skettles and myself participate—trust that genius being 
superior to 
ceremonies, you will do us the distinguished favour of giving us the 
pleasure,' &amp;c., 
&amp;c.—and so killed a brace of birds with one stone, dead as door-nails. 


</p>
            <p>With the snuff-box and banner in full force, Sir Barnet Skettles propounded 
his usual 
inquiry to Florence on the first morning of her visit. When Florence thanked 
him, and said 
there was no one in particular whom she desired to see, it was natural she 
should think 
with a pang, of poor lost Walter. When Sir Barnet Skettles, urging his kind 
offer, said, 
`My dear Miss Dombey, are you sure you can remember no one whom your good 
papa—to 
whom I beg you to present the best compliments of myself and Lady Skettles 
when you 
write—might wish you to know?' it was natural, perhaps, that her poor head 
should droop 
a little, and that her voice should tremble as it softly answered in the 
negative. 


</p>
            <p>Skettles Junior, much stiffened as to his cravat, and sobered down as to his 
spirits, was at 
home for the holidays, and appeared to feel himself aggrieved by the 
solicitude of his 
excellent mother that he should be attentive to Florence. Another and a 
deeper injury 
under which the soul of young Barnet chafed, was the company of Dr. and Mrs. 
Blimber, 
who had been invited on a visit to the paternal roof-tree, and of whom the 
young 
gentleman often said he would have preferred their passing the vacation at 
Jericho. 


</p>
            <p>`Is there anybody <hi>you</hi> can suggest now, Doctor Blimber?' said Sir 
Barnet Skettles, 
turning to that gentleman. 


</p>
            <p>`You are very kind, Sir Barnet,' returned Doctor Blimber. `Really I am not 
aware that 
there is, in particular. I like to know my fellow-men in general, Sir Barnet. 
What does 
Terence say? Any one who is the parent of a son is interesting to 
<hi>me</hi>.' 


</p>
            <p>`Has Mrs. Blimber any wish to see any remarkable person?' asked Sir Barnet, 
courteously. 


</p>
            <p>Mrs. Blimber replied, with a sweet smile and a shake of her sky-blue cap, 
that if Sir 
Barnet could have made her known to Cicero, she would have troubled him; but 
such an 
introduction not being feasible, and she already enjoying the friendship of 
himself and his 
amiable lady, and possessing with the Doctor her husband their joint 
confidence in regard 
to their dear son—here young Barnet was observed to curl his nose—she asked 
no 
more. 


</p>
            <p>Sir Barnet was fain, under these circumstances, to content himself for the 
time with the 
company assembled. Florence was glad of that; for she had a study to pursue 
among them, 
and it lay too near her heart, and was too precious and momentous, to yield 
to any other 
interest. 


</p>
            <p>There were some children staying in the house. Children who were as frank and 
happy 
with fathers and with mothers as those rosy faces opposite home. Children who 
had no 
restraint upon their love, and freely showed it. Florence sought to learn 
their secret; sought 
to find out what it was she had missed; what simple art they knew, and she 
knew not; 
how she could be taught by them to show her father that she loved him, and to 
win his 
love again. 


</p>
            <p>Many a day did Florence thoughtfully observe these children. On many a bright 
morning 
did she leave her bed when the glorious sun rose, and walking up and down 
upon the 
river's bank, before any one in the house was stirring, look up at the 
windows of their 
rooms, and think of them, asleep, so gently tended and affectionately thought 
of. Florence 
would feel more lonely then, than in the great house all alone; and would 
think sometimes 
that she was better there than here, and that there was greater peace in 
hiding herself than 
in mingling with others of her age, and finding how unlike them all she was. 
But attentive 
to her study, though it touched her to the quick at every little leaf she 
turned in the hard 
book, Florence remained among them, and tried with patient hope, to gain the 
knowledge 
that she wearied for. 


</p>
            <p>Ah! how to gain it! how to know the charm in its beginning!There were 
daughters here, 
who rose up in the morning, and lay down to rest at night, possessed of 
fathers' hearts 
already. They had no repulse to overcome, no coldness to dread, no frown to 
smooth 
away. As the morning advanced, and the windows opened one by one, and the dew 
began 
to dry upon the flowers and grass, and youthful feet began to move upon the 
lawn, 
Florence, glancing round at the bright faces, thought what was there she 
could learn from 
these children? It was too late to learn from them; each could approach her 
father 
fearlessly, and put up her lips to meet the ready kiss, and wind her arm 
about the neck 
that bent down to caress her. <hi>She</hi> could not begin by being so bold. 
Oh! could it 
be that there was less and less hope as she studied more and more! 


</p>
            <p>She remembered well, that even the old woman who had robbed her when a little 
child—whose image and whose house, and all she had said and done, were 
stamped upon 
her recollection, with the enduring sharpness of a fearful impression made at 
that early 
period of life—had spoken fondly of her daughter, and how terribly even she 
had cried out 
in the pain of hopeless separation from her child. But her own mother, she 
would think 
again, when she recalled this, had loved her well. Then, sometimes, when her 
thoughts 
reverted swiftly to the void between herself and her father, Florence would 
tremble, and 
the tears would start upon her face, as she pictured to herself her mother 
living on, and 
coming also to dislike her, because of her wanting the unknown grace that 
should 
conciliate that father naturally, and had never done so from her cradle. She 
knew that this 
imagination did wrong to her mother's memory, and had no truth in it, or base 
to rest 
upon; and yet she tried so hard to justify him, and to find the whole blame 
in herself, that 
she could not resist its passing, like a wild cloud, through the distance of 
her mind. 


</p>
            <p>There came among the other visitors, soon after Florence, one beautiful girl, 
three or four 
years younger than she, who was an orphan child, and who was accompanied by 
her aunt, 
a grey-haired lady, who spoke much to Florence, and who greatly liked (but 
that they all 
did) to hear her sing of an evening, and would always sit near her at that 
time, with 
motherly interest. They had only been two days in the house, when Florence, 
being in an 
arbour in the garden one warm morning, musingly observant of a youthful group 
upon the 
turf, through some intervening boughs, and wreathing flowers for the head of 
one little 
creature among them who was the pet and plaything of the rest, heard this 
same lady and 
her niece, in placing up and down a sheltered nook close by, speak of 
herself. 


</p>
            <p>`Is Florence an orphan like me, aunt?' said the child. 


</p>
            <p>`No, my love. She has no mother, but her father is living.' 


</p>
            <p>`Is she in mourning for her poor mama, now?' inquired the child quickly. 


</p>
            <p>`No; for her only brother.' 


</p>
            <p>`Has she no other brother?' 


</p>
            <p>`None.' 


</p>
            <p>`No sister?' 


</p>
            <p>`None.' 


</p>
            <p>`I am very, very sorry!' said the little girl. 


</p>
            <p>As they stopped soon afterwards to watch some boats, and had been silent in 
the 
meantime, Florence, who had risen when she heard her name, and had gathered 
up her 
flowers to go and meet them, that they might know of her being within 
hearing, resumed 
her seat and work, expecting to hear no more; but the conversation 
recommenced next 
moment. 


</p>
            <p>`Florence is a favourite with every one here, and deserves to be, I am sure,' 
said the child, 
earnestly. `Where is her papa?' 


</p>
            <p>The aunt replied, after a moment's pause, that she did not know. Her tone of 
voice 
arrested Florence, who had started from her seat again; and held her fastened 
to the spot, 
with her work hastily caught up to her bosom, and her two hands saving it 
from being 
scattered on the ground. 


</p>
            <p>`He is in England, I hope, aunt?' said the child. 


</p>
            <p>`I believe so. Yes; I know he is, indeed.' 


</p>
            <p>`Has he ever been here?' 


</p>
            <p>`I believe not. No.' 


</p>
            <p>`Is he coming here to see her?' 


</p>
            <p>`I believe not.' 


</p>
            <p>`Is he lame, or blind, or ill, aunt?' asked the child. 


</p>
            <p>The flowers that Florence held to her breast began to fall when she heard 
those words, so 
wonderingly spoken. She held them closer; and her face hung down upon 
them. 


</p>
            <p>`Kate,' said the lady, after another moment of silence, `I will tell you the 
whole truth 
about Florence as I have heard it, and believe it to be. Tell no one else, my 
dear, because 
it may be little known here, and your doing so would give her pain.' 


</p>
            <p>`I never will!' exclaimed the child. 


</p>
            <p>`I know you never will,' returned the lady. `I can trust you as myself. I 
fear then, Kate, 
that Florence's father cares little for her, very seldom sees her, never was 
kind to her in 
her life, and now quite shuns her and avoids her. She would love him dearly 
if he would 
suffer her, but he will not—though for no fault of hers; and she is greatly 
to be loved and 
pitied by all gentle hearts.' 


</p>
            <p>More of the flowers that Florence held, fell scattering on the ground; those 
that remained 
were wet, but not with dew; and her face dropped upon her laden hands. 


</p>
            <p>`Poor Florence! Dear, good Florence!' cried the child. 


</p>
            <p>`Do you know why I have told you this, Kate?' said the lady. 


</p>
            <p>`That I may be very kind to her, and take great care to try to please her. Is 
that the reason, 
aunt?' 


</p>
            <p>`Partly,' said the lady, `but not all. Though we see her so cheerful; with a 
pleasant smile 
for every one; ready to oblige us all, and bearing her part in every 
amusement here: she 
can hardly be quite happy, do you think she can, Kate?' 


</p>
            <p>`I am afraid not,' said the little girl. 


</p>
            <p>`And you can understand,' pursued the lady, `why her observation of children 
who have 
parents who are fond of them, and proud of them—like many here, just 
now—should make 
her sorrowful in secret?' 


</p>
            <p>`Yes, dear aunt,' said the child, `I understand that very well. Poor 
Florence!' 


</p>
            <p>More flowers strayed upon the ground, and those she yet held to her breast 
trembled as if 
a wintry wind were rustling them. 


</p>
            <p>`My Kate,' said the lady, whose voice was serious, but very calm and sweet, 
and had so 
impressed Florence from the first moment of her hearing it, `of all the 
youthful people 
here, you are her natural and harmless friend; you have not the innocent 
means, that 
happier children have—' 


</p>
            <p>`There are none happier, aunt!' exclaimed the child, who seemed to cling 
about her. 


</p>
            <p>`—As other children have, dear Kate, of reminding her of her misfortune. 
Therefore I 
would have you, when you try to be her little friend, try all the more for 
that, and feel that 
the bereavement you sustained—thank Heaven! before you knew its 
weight—gives you 
claim and hold upon poor Florence.' 


</p>
            <p>`But I am not without a parent's love, aunt, and I never have been,' said the 
child, `with 
you.' 


</p>
            <p>`However that may be, my dear,' returned the lady, `your misfortune is a 
lighter one than 
Florence's; for not an orphan in the wide world can be so deserted as the 
child who is an 
outcast from a living parent's love.' 


</p>
            <p>The flowers were scattered on the ground like dust; the empty hands were 
spread upon the 
face; and orphaned Florence, shrinking down upon the ground, wept long and 
bitterly. 


</p>
            <p>But true of heart and resolute in her good purpose, Florence held to it as 
her dying mother 
held by her upon the day that gave Paul life. He did not know how much she 
loved him. 
However long the time in coming, and however slow the interval, she must try 
to bring 
that knowledge to her father's heart one day or other. Meantime she must be 
careful in no 
thoughtless word, or look, or burst of feeling awakened by any chance 
circumstance, to 
complain against him, or to give occasion for these whispers to his 
prejudice. 


</p>
            <p>Even in the response she made the orphan child, to whom she was attracted 
strongly, and 
whom she had such occasion to remember, Florence was mindful of him. If she 
singled 
her out too plainly (Florence thought) from among the rest, she would 
confirm—in one 
mind certainly: perhaps in more—the belief that he was cruel and unnatural. 
Her own 
delight was no set-off to this. What she had overheard was a reason, not for 
soothing 
herself, but for saving him; and Florence did it, in pursuance of the study 
of her heart. 


</p>
            <p>She did so always. If a book were read aloud, and there were anything in the 
story that 
pointed at an unkind father, she was in pain for their application of it to 
him; not for 
herself. So with any trifle of an interlude that was acted, or picture that 
was shown, or 
game that was played, among them. The occasions for such tenderness towards 
him were 
so many, that her mind misgave her often, it would indeed be better to go 
back to the old 
house, and live again within the shadow of its dull walls, undisturbed. How 
few who saw 
sweet Florence, in her spring of womanhood, the modest little queen of those 
small revels, 
imagined what a load of sacred care lay heavy in her breast! How few of those 
who 
stiffened in her father's freezing atmosphere, suspected what a heap of fiery 
coals was 
piled upon his head! 


</p>
            <p>Florence pursued her study patiently, and, failing to acquire the secret of 
the nameless 
grace she sought, among the youthful company who were assembled in the house, 
often 
walked out alone, in the early morning, among the children of the poor. But 
still she found 
them all too far advanced to learn from. They had won their household places 
long ago, 
and did not stand without, as she did, with a bar across the door. 


</p>
            <p>There was one man whom she several times observed at work very early, and 
often with a 
girl of about her own age seated near him. He was a very poor man, who seemed 
to have 
no regular employment, but now went roaming about the banks of the river when 
the tide 
was low, looking out for bits and scraps in the mud; and now worked at the 
unpromising 
little patch of garden-ground before his cottage; and now tinkered up a 
miserable old boat 
that belonged to him; or did some job of that kind for a neighbour, as chance 
occurred. 
Whatever the man's labour, the girl was never employed; but sat, when she was 
with him, 
in a listless, moping state, and idle. 


</p>
            <p>Florence had often wished to speak to this man; yet she had never taken 
courage to do so, 
as he made no movement towards her. But one morning when she happened to come 
upon 
him suddenly, from a by-path among some pollard willows which terminated in 
the little 
shelving piece of stony ground that lay between his dwelling and the water, 
where he was 
bending over a fire he had made to caulk the old boat which was lying bottom 
upwards, 
close by, he raised his head at the sound of her footstep, and gave her Good 
morning. 


</p>
            <p>`Good morning,' said Florence, approaching nearer, `you are at work 
early.' 


</p>
            <p>`I'd be glad to be often at work earlier, Miss, if I had work to do.' 


</p>
            <p>`Is it so hard to get?' asked Florence. 


</p>
            <p>`<hi>I</hi> find it so,' replied the man. 


</p>
            <p>Florence glanced to where the girl was sitting, drawn together, with her 
elbows on her 
knees, and her chin on her hands, and said: 


</p>
            <p>`Is that your daughter?' 


</p>
            <p>He raised his head quickly, and looking towards the girl with a brightened 
face, nodded to 
her, and said `Yes.' Florence looked towards her too, and gave her a kind 
salutation; the 
girl muttered something in return, ungraciously and sullenly. 


</p>
            <p>`Is she in want of employment also?' said Florence. 


</p>
            <p>The man shook his head. `No, Miss,' he said. `I work for both.' 


</p>
            <p>`Are there only you two, then?' inquired Florence. 


</p>
            <p>`Only us two,' said the man. `Her mother has been dead these ten year. 
Martha!' (he lifted 
up his head again, and whistled to her) `won't you say a word to the pretty 
young 
lady?' 


</p>
            <p>The girl made an impatient gesture with her cowering shoulders, and turned 
her head 
another way. Ugly, misshapen, peevish, ill-conditioned, ragged, dirty—but 
beloved! Oh, 
yes!Florence had seen her father's look towards her, and she knew whose look 
it had no 
likeness to. 


</p>
            <p>`I'm afraid she's worse this morning, my poor girl!' said the man, suspending 
his work, 
and contemplating his ill-favoured child, with a compassion that was the more 
tender for 
being rough. 


</p>
            <p>`She is ill, then!' said Florence. 


</p>
            <p>The man drew a deep sigh. `I don't believe my Martha's had five short days' 
good 
health,' he answered, looking at her still, `in as many long years.' 


</p>
            <p>`Aye! and more than that, John,' said a neighbour, who had come down to help 
him with 
the boat. 


</p>
            <p>`More than that, you say, do you?' cried the other, pushing back his battered 
hat, and 
drawing his hand across his forehead. `Very like. It seems long, long 
time.' 


</p>
            <p>`And the more the time,' pursued the neighbour, `the more you've favoured and 
humoured 
her, John, till she's got to be a burden to herself, and everybody else.' 


</p>
            <p>`Not to me,' said her father, falling to his work again. `Not to me.' 


</p>
            <p>Florence could feel—who better?—how truly he spoke. She drew a little 
closer to him, and 
would have been glad to touch his rugged hand, and thank him for his goodness 
to the 
miserable object that he looked upon with eyes so different from any other 
man's. 


</p>
            <p>`Who would favour my poor girl—to call it favouring—if <hi>I</hi> didn't?' 
said the father. 


</p>
            <p>`Aye, aye,' cried the neighbour. `In reason, John. But you!You rob yourself 
to give to her. 
You bind yourself hand and foot on her account. You make your life miserable 
along of 
her. And what does <hi>she</hi> care! You don't believe she knows it?' 


</p>
            <p>The father lifted up his head again, and whistled to her. Martha made the 
same impatient 
gesture with her crouching shoulders, in reply; and he was glad and happy. 


</p>
            <p>`Only for that, Miss,' said the neighbour, with a smile, in which there was 
more of secret 
sympathy than he expressed; `only to get that, he never lets her out of his 
sight!' 


</p>
            <p>`Because the day'll come, and has been coming a long while,' observed the 
other, bending 
low over his work, `when to get half as much from that unfort'nate child of 
mine—to get 
the trembling of a finger, or the waving of a hair—would be to raise the 
dead.' 


</p>
            <p>Florence softly put some money near his hand on the old boat, and left 
him. 


</p>
            <p>And now Florence began to think, if she were to fall ill, if she were to fade 
like her dear 
brother, would he then know that she had loved him; would she then grow dear 
to him; 
would he come to her bedside, when she was weak and dim of sight, and take 
her into his 
embrace, and cancel all the past? Would he so forgive her, in that changed 
condition, for 
not having been able to lay open her childish heart to him, as to make it 
easy to relate 
with what emotions she had gone out of his room that night; what she had 
meant to say if 
she had had the courage; and how she had endeavoured, afterwards, to learn 
the way she 
never knew in infancy? 


</p>
            <p>Yes, she thought if she were dying, he would relent. She thought, that if she 
lay, serene 
and not unwilling to depart, upon the bed that was curtained round with 
recollections of 
their darling boy, he would be touched home, and would say, `Dear Florence, 
live for me, 
and we will love each other as we might have done, and be as happy as we 
might have 
been these many years!' She thought that if she heard such words from him, 
and had her 
arms clasped round him, she could answer with a smile, `It is too late for 
anything but 
this; I never could be happier, dear father!' and so leave him, with a 
blessing on her 
lips. 


</p>
            <p>The golden water she remembered on the wall, appeared to Florence, in the 
light of such 
reflections, only as a current flowing on to rest, and to a region where the 
dear ones, gone 
before, were waiting, hand in hand; and often when she looked upon the darker 
river 
rippling at her feet, she thought with awful wonder, but not terror, of that 
river which her 
brother had so often said was bearing him away. 


</p>
            <p>The father and his sick daughter were yet fresh in Florence's mind, and, 
indeed, that 
incident was not a week old, when Sir Barnet and his lady going out walking 
in the lanes 
one afternoon, proposed to her to bear them company. Florence readily 
consenting, Lady 
Skettles ordered out young Barnet as a matter of course. For nothing 
delighted Lady 
Skettles so much, as beholding her eldest son with Florence on his arm. 


</p>
            <p>Barnet, to say the truth, appeared to entertain an opposite sentiment on the 
subject, and on 
such occasions frequently expressed himself audibly, though indefinitely, in 
reference to `a 
parcel of girls.' As it was not easy to ruffle her sweet temper, however, 
Florence generally 
reconciled the young gentleman to his fate after a few minutes, and they 
strolled on 
amicably: Lady Skettles and Sir Barnet following, in a state of perfect 
complacency and 
high gratification. 


</p>
            <p>This was the order of procedure on the afternoon in question: and Florence 
had almost 
succeeded in overruling the present objections of Skettles Junior to his 
destiny, when a 
gentleman on horseback came riding by, looked at them earnestly as he passed, 
drew in 
his rein, wheeled round, an came riding back again, hat in hand. 


</p>
            <p>The gentleman had looked particularly at Florence; and when the little party 
stopped, on 
his riding back, he bowed to her, before saluting Sir Barnet and his lady. 
Florence had no 
remembrance of having ever seen him, but she started involuntarily when he 
came near 
her, and drew back. 


</p>
            <p>`My horse is perfectly quiet, I assure you,' said the gentleman. 


</p>
            <p>It was not that, but something in the gentleman himself—Florence could not 
have said 
what—that made her recoil as if she had been stung. 


</p>
            <p>`I have the honour to address Miss Dombey, I believe?' said the gentleman, 
with a most 
persuasive smile. On Florence inclining her head, he added, `My name is 
Carker. I can 
hardly hope to be remembered by Miss Dombey, except by name. Carker.' 


</p>
            <p>Florence, sensible of a strange inclination to shiver, though the day was 
hot, presented him 
to her host and hostess; by whom he was very graciously received. 


</p>
            <p>`I beg pardon,' said Mr. Carker, `a thousand times! But I am going down 
to-morrow 
morning to Mr. Dombey, at Leamington, and if Miss Dombey can intrust me with 
any 
commission, need I say how <hi>very</hi> happy I shall be?' 


</p>
            <p>Sir Barnet immediately divining that Florence would desire to write a letter 
to her father, 
proposed to return, and besought Mr. Carker to come home and dine in his 
riding gear. 
Mr. Carker had the misfortune to be engaged to dinner, but if Miss Dombey 
wished to 
write, nothing would delight him more than to accompany them back, and to be 
her 
faithful slave in waiting as long as she pleased. As he said this with his 
widest smile, and 
bent down close to her to pat his horse's neck, Florence meeting his eyes, 
saw, rather than 
heard him say, `There is no news of the ship!' 


</p>
            <p>Confused, frightened, shrinking from him, and not even sure that he had said 
those words, 
for he seemed to have shown them to her in some extraordinary manner through 
his smile, 
instead of uttering them, Florence faintly said that she was obliged to him, 
but she would 
not write; she had nothing to say. 


</p>
            <p>`Nothing to send, Miss Dombey?' said the man of teeth. 


</p>
            <p>`Nothing,' said Florence, `but my—but my dear love—if you please.' 


</p>
            <p>Disturbed as Florence was, she raised her eyes to his face with an imploring 
and 
expressive look, that plainly besought him, if he knew—which he as plainly 
did—that any 
message between her and her father was an uncommon charge, but that one most 
of all, to 
spare her. Mr. Carker smiled and bowed low, and being charged by Sir Barnet 
with the 
best compliments of himself and Lady Skettles, took his leave and rode away: 
leaving a 
favourable impression on that worthy couple. Florence was seized with such a 
shudder as 
he went, that Sir Barnet, adopting the popular superstition, supposed 
somebody was 
passing over her grave. Mr. Carker, turning a corner, on the instant, looked 
back, and 
bowed, and disappeared, as if he rode off to the churchyard straight, to do 
it. 

</p>
         </div>
         <div xml:id="c25" type="chapter">
            <head>CHAPTER XXV</head>
            <head>Strange News of Uncle Sol</head>
            <p>CAPTAIN CUTTLE, though no sluggard, did not turn out so early on the morning 
after 
he had seen Sol Gills, through the shop-window, writing in the parlour, with 
the 
Midshipman upon the counter, and Rob the Grinder making up his bed below it, 
but that 
the clocks struck six as he raised himself on his elbow, and took a survey of 
his little 
chamber. The Captain's eyes must have done severe duty, if he usually opened 
them as 
wide on awaking as he did that morning; and were but roughly rewarded for 
their 
vigilance, if he generally rubbed them half as hard. But the occasion was no 
common one, 
for Rob the Grinder had certainly never stood in the doorway of Captain 
Cuttle's bedroom 
before, and in it he stood then, panting at the Captain, with a flushed and 
touzled air of 
bed about him, that greatly heightened both his colour and expression. 


</p>
            <p>`Holloa!' roared the Captain. `What's the matter?' 


</p>
            <p>Before Rob could stammer a word in answer, Captain Cuttle turned out, all in 
a heap, and 
covered the boy's mouth with his hand. 


</p>
            <p>`Steady, my lad,' said the Captain, `don't ye speak a word to me as yet!' 


</p>
            <p>The Captain, looking at his visitor in great consternation, gently shouldered 
him into the 
next room, after laying this injunction upon him; and disappearing for a few 
moments, 
forthwith returned in the blue suit. Holding up his hand in token of the 
injunction not yet 
being taken off, Captain Cuttle walked up to the cupboard, and poured himself 
out a dram; 
a counterpart of which he handed to the messenger. The Captain then stood 
himself up in 
a corner, against the wall, as if to forestall the possibility of being 
knocked backwards by 
the communication that was to be made to him; and having swallowed his 
liquor, with his 
eyes fixed on the messenger, and his face as pale as his face could be, 
requested him to 
`heave ahead.' 


</p>
            <p>`Do you mean, tell you, Captain?' asked Rob, who had been greatly impressed 
by these 
precautions. 


</p>
            <p>`Aye!' said the Captain. 


</p>
            <p>`Well, sir,' said Rob, `I ain't got much to tell. But look here!' 


</p>
            <p>Rob produced a bundle of keys. The Captain surveyed them, remained in his 
corner, and 
surveyed the messenger. 


</p>
            <p>`And look here!' pursued Rob. 


</p>
            <p>The boy produced a sealed packet, which Captain Cuttle stared at as he had 
stared at the 
keys. 


</p>
            <p>`When I woke this morning, Captain,' said Rob, `which was about a quarter 
after five, I 
found these on my pillow. The shop-door was unbolted and unlocked, and Mr. 
Gills 
gone.' 


</p>
            <p>`Gone!' roared the Captain. 


</p>
            <p>`Flowed, sir,' returned Rob. 


</p>
            <p>The Captain's voice was so tremendous, and he came out of his corner with 
such way on 
him, that Rob retreated before him into another corner: holding out the keys 
and packet, to 
prevent himself from being run down. 


</p>
            <p>`”For Captain Cuttle,” sir,' cried Rob, `is on the keys, and on the packet 
too. Upon my 
word and honour, Captain Cuttle, I don't know anything more about it. I wish 
I may die if 
I do! Here's a sitiwation for a lad that's just got a sitiwation,' cried the 
unfortunate 
Grinder, screwing his cuff into his face; `his master bolted with his place, 
and him blamed 
for it!' 


</p>
            <p>These lamentations had reference to Captain Cuttle's gaze, or rather glare, 
which was full 
of vague suspicions, threatenings, and denunciations. Taking the proffered 
packet from his 
hand, the Captain opened it and read as follows: `My dear Ned Cuttle. 
Enclosed is my 
will!' The Captain turned it over, with a doubtful look—`and 
Testament.—Where's the 
Testament?' said the Captain, instantly impeaching the ill-fated Grinder. 
`What have you 
done with that, my lad?' 


</p>
            <p>`<hi>I</hi> never see it,' whimpered Rod. `Don't keep on suspecting an innocent 
lad, 
Captain. <hi>I</hi> never touched the Testament.' 


</p>
            <p>Captain Cuttle shook his head, implying that somebody must be made answerable 
for it; 
and gravely proceeded:— 


</p>
            <p>`Which don't break open for a year, or until you have decisive intelligence 
of my dear 
Walter, who is dear to you Ned, too, I am sure.' The Captain paused and shook 
his head 
in some emotion; then, as a re-establishment of his dignity in this trying 
position, looked 
with exceeding sternness at the Grinder. `If you should never hear of me, or 
see me more, 
Ned, remember an old friend as he will remember you to the last—kindly; and 
at least 
until the period I have mentioned has expired, keep a home in the old place 
for Walter. 
There are no debts, the loan from Dombey's house is paid off, and all my keys 
I send 
with this. Keep this quite, and make no inquiry for me; it is useless. So no 
more, dear 
Ned, from your true friend, Solomon Gills.' The Captain took a long breath, 
and then read 
these words, written below: `”The boy Rob, well recommended, as I told you, 
from 
Dombey's house. If all else should come to the hammer, take care, Ned, of the 
little 
Midshipman.”' 


</p>
            <p> To convey to posterity any idea of the manner in which the Captain, after 
turning this 
letter over and over, and reading it a score of times, sat down in his chair, 
and held a 
court-martial on the subject in his own mind, would require the united genius 
of all the 
great men, who, discarding their own untoward days, have determined to go 
down to 
posterity, and have never got there. At first the Captain was too much 
confounded and 
distressed to think of anything but the letter itself; and even when his 
thoughts began to 
glance upon the various attendant facts, they might, perhaps, as well have 
occupied 
themselves with their former theme, for any light they reflected on them. In 
this state of 
mind, Captain Cuttle having the Grinder before the court, and no one else, 
found it a great 
relief to decide, generally, that he was an object of suspicion: which the 
Captain so clearly 
expressed in his visage, that Rob remonstrated. 


</p>
            <p>`Oh, don't, Captain!' cried the Grinder. `I wonder how you can! what have I 
done to be 
looked at, like that?' 


</p>
            <p>`My lad,' said Captain Cuttle, `don't you sing out afore you're hurt. And 
don't you 
commit yourself, whatever you do.' 


</p>
            <p>`I haven't been and committed nothing, Captain!' answered Rob. 


</p>
            <p>`Keep her free, then,' said the Captain, impressively, `and ride easy.' 


</p>
            <p>With a deep sense of the responsibility imposed upon him, and the necessity 
of thoroughly 
fathoming this mysterious affair, as became a man in his relations with the 
parties, Captain 
Cuttle resolved to go down and examine the premises, and to keep the Grinder 
with him. 
Considering that youth as under arrest at present, the Captain was in some 
doubt whether 
it might not be expedient to handcuff him, or tie his ankles together, or 
attach a weight to 
his legs; but not being clear as to the legality of such formalities, the 
Captain decided 
merely to hold him by the shoulder all the way, and knock him down if he made 
any 
objection. 


</p>
            <p>However, he made none, and consequently got to the Instrument-maker's house 
without 
being placed under any more stringent restraint. As the shutters were not yet 
taken down, 
the Captain's first care was to have the shop opened; and when the daylight 
was freely 
admitted, he proceeded, with its aid, to further investigation. 


</p>
            <p>The Captain's first care was to establish himself in a chair in the shop, as 
President of the 
solemn tribunal that was sitting within him; and to require Rob to lie down 
in his bed 
under the counter, show exactly where he discovered the keys and packet when 
he awoke, 
how he found the door when he went to try it, how he started off to Brig 
Place—cautiously 
preventing the latter imitation from being carried farther than the 
threshold—and so on to 
the end of the chapter. When all this had been done several times, the 
Captain shook his 
head and seemed to think the matter had a bad look. 


</p>
            <p>Next, the Captain, with some indistinct idea of finding a body, instituted a 
strict search 
over the whole house; groping in the cellars with a lighted candle, thrusting 
his hook 
behind doors, bringing his head into violent contact with beams, and covering 
himself with 
cobwebs. Mounting up to the old man's bed-room, they found that he had not 
been in bed 
on the previous night, but had merely lain down on the coverlet, as was 
evident from the 
impression yet remaining there. 


</p>
            <p>`And <hi>I</hi> think, Captain,' said Rob, looking round the room, `that when 
Mr. Gills 
was going in and out so often, these last few days, he was taking little 
things away, 
piecemeal, not to attract attention.' 


</p>
            <p>`Aye!' said the Captain, mysteriously. `When so, my lad?' 


</p>
            <p>`Why,' returned Rob, looking about, `I don't see his shaving tackle. Nor his 
brushes, 
Captain. Nor no shirts. Nor yet his shoes.' 


</p>
            <p>As each of these articles was mentioned, Captain Cuttle took particular 
notice of the 
corresponding department of the Grinder, lest he should appear to have been 
in recent use, 
or should prove to be in present possession thereof. But Rob had no occasion 
to shave, 
certainly was not brushed, and wore the clothes he had worn for a long time 
past, beyond 
all possibility of mistake. 


</p>
            <p>`And what should you say,' said the Captain—`not committing yourself—about 
his time of 
sheering  off? Hey?' 


</p>
            <p>`Why, I think, Captain,' returned Rob, `that he must have gone pretty soon 
after I began 
to snore.' 


</p>
            <p>`What o'clock was that?' said the Captain, prepared to be very particular 
about the exact 
time. 


</p>
            <p>`How can I tell, Captain!' answered Rob. `I only know that I'm a heavy 
sleeper at first, 
and a light one towards morning; and if Mr. Gills has come through the shop 
near 
daybreak, though ever so much on tip-toe, I'm pretty sure I should have heard 
him shut 
the door at all events.' 


</p>
            <p>On mature consideration of this evidence, Captain Cuttle began to think that 
the 
Instrument-maker must have vanished of his own accord; to which logical 
conclusion he 
was assisted by the letter addressed to himself, which, as being 
unquestionably in the old 
man's handwriting, would seem, with no great forcing, to bear the 
construction, that he 
arranged of his own will, to go, and so went. The Captain had next to 
consider where and 
why? and as there was no way whatsoever that he saw to the solution of the 
first 
difficulty, he confined his media-tuitions to the second. 


</p>
            <p>Remembering the old man's curious manner, and the farewell he had taken of 
him; 
unaccountably fervent at the time, but quite intelligible now: a terrible 
apprehension 
strengthened on the Captain, that, overpowered by his anxieties and regrets 
for Walter, he 
had been driven to commit suicide. Unequal to the wear and tear of daily 
life, as he had 
often professed himself to be, and shaken as he no doubt was by the 
uncertainty and 
deferred hope he had undergone, it seemed no violently strained misgiving, 
but only too 
probable. 


</p>
            <p>Free from debt, and with no fear for his personal liberty, or the seizure of 
his goods, what 
else but such a state of madness could have hurried him away alone and 
secretly? As to 
his carrying some apparel with him, if he had really done so—and they were 
not even sure 
of that—he might have done so, the Captain argued, to prevent inquiry, to 
distract attention 
from his probable fate, or to ease the very mind that was now revolving all 
these 
possibilities. Such, reduced into plain language, and condensed within a 
small compass, 
was the final result and substance of Captain Cuttle's deliberations: which 
took a long 
time to arrive at this pass, and were, like some more public deliberations, 
very discursive 
and disorderly. 


</p>
            <p>Dejected and despondent in the extreme, Captain Cuttle felt it just to 
release Rob from the 
arrest in which he had placed him, and to enlarge him, subject to a kind of 
honourable 
inspection which he still resolved to exercise; and having hired a man, from 
Brogley the 
Broker, to sit in the shop during their  absence, the Captain, taking Rob 
with him, issued 
forth upon a dismal quest after the mortal remains of Solomon Gills. 


</p>
            <p>Not a station-house or bone-house, or work-house in the metropolis escaped a 
visitation 
from the hard glazed hat. Along the wharves, among the shipping on the 
bank-side, up the 
river, down the river, here, there, everywhere, it went gleaming where men 
were thickest, 
like the hero's helmet in an epic battle. For a whole week the Captain read 
of all the 
found and missing people in all the newspapers and handbills, and went forth 
on 
expeditions at all hours of the day to identify Solomon Gills, in poor little 
ship-boys who 
had fallen over-board, an in tall foreigners with dark beards who had taken 
poison—`to 
make sure,' Captain Cuttle said, `that it warn't him.' It is a sure thing 
that it never was, 
and that the good Captain had no other satisfaction. 


</p>
            <p>Captain Cuttle at last abandoned these attempts as hopeless, and set himself 
to consider 
what was to be done next. After several new perusals of his poor friend's 
letter, he 
considered that the maintenance of `a home in the old place for Walter' was 
the primary 
duty imposed upon him. Therefore, the Captain's decision was, that he would 
keep house 
on the premises of Solomon Gills himself, and would go into the 
instrument-business, and 
see what came of it. 


</p>
            <p>But as this step involved the relinquishment of his apartments at Mrs. 
MacStinger's, and 
he knew that resolute woman would never hear of his deserting them, the 
Captain took the 
desperate determination of running away. 


</p>
            <p>`Now, look ye here, my lad,' said the Captain to Rob, when he had matured 
this notable 
scheme, `to-morrow, I shan't be found in this here roadstead till night—not 
till arter 
midnight p'rhaps. But you keep watch till you hear me knock, and the moment 
you do, 
turn-to, and open the door.' 


</p>
            <p>`Very good, Captain,' said Rob. 


</p>
            <p>`You'll continue to be rated on these here books,' pursued the Captain 
condescendingly, 
`and I don't say but what you may get promotion, if you and me should pull 
together with 
a will. But the moment you hear me knock to-morrow night, whatever time it 
is, turn-to 
and show yourself smart with the door.' 


</p>
            <p>`I'll be sure to do it, Captain,' replied Rob. 


</p>
            <p>`Because you understand,' resumed the Captain, coming back again to enforce 
this charge 
upon his mind, `there may be, for anything I can say, a chase; and I might be 
took while I 
was waiting, if you didn't show yourself smart with the door.' 


</p>
            <p>Rob again assured the Captain that he would be prompt and wakeful; and the 
Captain 
having made this prudent arrangement, went home to Mrs. MacStinger's for the 
last 
time. 


</p>
            <p>The sense the Captain had of its being the last time, and of the awful 
purpose hidden 
beneath his blue waistcoat, inspired him with such a mortal dread of Mrs. 
MacStinger, that 
the sound of that lady's foot down stairs at any time of the day, was 
sufficient to throw 
him into a fit of trembling. It fell out, too, that Mrs. MacStinger was in a 
charming 
temper—mild and placid as a house-lamb; and Captain Cuttle's conscience 
suffered terrible 
twinges, when she came up to inquire if she could cook him nothing for his 
dinner. 


</p>
            <p>`A nice small kidney-pudding now, Cap'en Cuttle,' said his landlady: `or a 
sheep's heart. 
Don't mind my trouble.' 


</p>
            <p>`No thank'ee, Ma'am,' returned the Captain. 


</p>
            <p>`Have a roast fowl,' said Mrs. MacStinger, `with a bit of weal stuffing and 
some egg 
sauce. Come, Cap'en Cuttle!Give yourself a little treat!' 


</p>
            <p>`No thank'ee, Ma'am,' returned the Captain very humbly. 


</p>
            <p>`I'am sure you're out of sorts, and want to be stimulated,' said Mrs. 
MacStinger. `Why 
not have, for once in a way, a bottle of sherry wine?' 


</p>
            <p>`Well, Ma'am,' rejoined the Captain, `if you'd be so good as take a glass or 
two, I think I 
would try that. Would you do me the favour, Ma'am,' said the Captain, torn to 
pieces by 
his conscience, `to accept a quarter's rent ahead?' 


</p>
            <p>`And why so, Cap'en Cuttle?' retorted Mrs. MacStinger—sharply, as the 
Captain 
thought. 


</p>
            <p>The Captain was frightened to death. `If you would, Ma'am,' he said with 
submission, `it 
would oblige me. I can't keep my money very well. It pays itself out. I 
should take it kind 
if you'd comply.' 


</p>
            <p>`Well, Cap'en Cuttle,' said the unconscious MacStinger, rubbing her hands, 
`you can do as 
you please. It's not for me, with my family, to refuse, no more than it is to 
ask.' 


</p>
            <p>`And would you, Ma'am.' said the Captain, taking down the tin canister in 
which he kept 
his cash, from the top shelf of the cupboard, `be so good as offer 
eighteen-pence a-piece 
to the little family all round? If you could make it convenient, Ma'am, to 
pass the word 
presently for them children to come for'ard, in a body, I should be glad to 
see 'em.' 


</p>
            <p>These innocent MacStingers were so many daggers to the Captain's breast, when 
they 
appeared in a swarm, and tore at him with the confiding trustfulness he so 
little deserved. 
The eye of Alexander MacStinger, who had been his favourite, was 
insupportable to the 
Captain; the voice of Juliana MacStinger, who was the picture of her mother, 
made a 
coward of him. 


</p>
            <p>Captain Cuttle kept up appearances, nevertheless, tolerably well, and for an 
hour or two 
was very hardly used and roughly handled by the young MacStingers: who in 
their 
childish frolics, did a little damage also to the glazed hat, by sitting in 
it, two at a time, as 
in a nest, and drumming on the inside of the crown with their shoes. At 
length the Captain 
sorrowfully dismissed them: taking leave of these cherubs with the poignant 
remorse and 
grief of a man who was going to execution. 


</p>
            <p>In the silence of night, the Captain packed up his heavier property in a 
chest, which he 
locked, intending to leave it there, in all probability for ever, but on the 
forlorn chance of 
one day finding a man sufficiently bold and desperate to come and ask for it. 
Of his 
lighter necessaries, the Captain made a bundle; and disposed his plate about 
his person, 
ready for flight. At the hour of midnight, when Brig Place was buried in 
slumber, and 
Mrs. MacStinger was lulled in sweet oblivion, with her infants around her, 
the guilty 
Captain, stealing down on tiptoe, in the dark, opened the door, closed it 
softly after him, 
and took to his heels. 


</p>
            <p>Pursued by the image of Mrs. MacStinger springing out of bed, and, regardless 
of 
costume, following and bringing him back; pursued also by a consciousness of 
his 
enormous crime; Captain Cuttle held on at a great pace, and allowed no grass 
to grow 
under his feet, between Brig Place and the Instrument-maker's door. It opened 
when he 
knocked—for Rob was on the watch—and when it was bolted and locked behind 
him, 
Captain Cuttle felt comparatively safe. 


</p>
            <p>`Whew!' cried the Captain, looking round him. `It's a breather!' 


</p>
            <p>`Nothing the matter, is there, Captain?' cried the gaping Rob. 


</p>
            <p>`No, no!' said Captain Cuttle, after changing colour, and listening to a 
passing footstep in 
the street. `But mind ye, my lad; if any lady, except either of them two as 
you see t'other 
day, ever comes and asks for Cap'en Cuttle, be sure to report no person of 
that name 
known, nor never heard of here; observe them orders, will you?' 


</p>
            <p>`I'll take care, Captain,' returned Rob. 


</p>
            <p>`You might say—if you liked,' hesitated the Captain, `that you'd read in the 
paper that a 
Cap'en of that name was gone to Australia, emigrating, along with a whole 
ship's 
complement of people as had all swore never to come back no more.' 


</p>
            <p>Rob nodded his understanding of these instructions; and Captain Cuttle 
promising to make 
a man of him, if he obeyed orders, dismissed him, yawning, to his bed under 
the counter, 
and went aloft to the chamber of Solomon Gills. 


</p>
            <p>What the Captain suffered next day, whenever a bonnet passed, or how often he 
darted out 
of the shop to elude imaginary MacStingers, and sought safety in the attic, 
cannot be told. 
But to avoid the fatigues attendant on this means of self-preservation, the 
Captain 
curtained the glass door of communication between the shop and parlour, on 
the inside, 
fitted a key to it from the bunch that had been sent to him: and cut a small 
hole of espial 
in the wall. The advantage of this fortification is obvious. On a bonnet 
appearing, the 
Captain instantly slipped into his garrison, locked himself up, and took a 
secret 
observation of the enemy. Finding it a false alarm, the Captain instantly 
slipped out again. 
And the bonnets in the street were so very numerous, and alarms were so 
inseparable from 
their appearance, that the Captain was almost incessantly slipping in and out 
all day 
long. 


</p>
            <p>Captain Cuttle found time, however, in the midst of this fatiguing service to 
inspect the 
stock; in connexion with which he had the general idea (very laborious to 
Rob) that too 
much friction could not be bestowed upon it, and that it could not be made 
too bright. He 
also ticketed a few attractive-looking articles at a venture, at prices 
ranging from ten 
shillings to fifty pounds, and exposed them in the window to the great 
astonishment of the 
public. 


</p>
            <p>After effecting these improvements, Captain Cuttle, surrounded by the 
instruments, began 
to feel scientific: and looked up at the stars at night, through the 
skylight, when he was 
smoking his pipe in the little back parlour before going to bed, as if he had 
established a 
kind of property in them. As a tradesman in the City, too, he began to have 
an interest in 
the Lord Mayor, and the Sheriffs, and in Public Companies; and felt bound to 
read the 
quotations of the Funds every day, though he was unable to make out, on any 
principle of 
navigation, what the figures meant, and could have very well dispensed with 
the fractions. 
Florence, the Captain waited on, with his strange news of Uncle Sol, 
immediately after 
taking possession of the Midshipman; but she was away from home. So the 
Captain sat 
himself down in his altered station of life, with no company but Rob the 
Grinder; and 
losing count of time, as men do when great changes come upon them, thought 
musingly of 
Walter, and of Solomon Gills, and even of Mrs. MacStinger herself, as among 
the things 
that had been. 

</p>
         </div>
         <div xml:id="c26" type="chapter">
            <head>CHAPTER XXVI</head>
            <head>Shadows of the Past and Future</head>
            <p>`YOUR most obedient, Sir,' said the Major. `Damme, Sir, a friend of my friend 
Dombey's 
is a friend of mine, and I'm glad to see you!' 


</p>
            <p>`I am infinitely obliged, Carker,' explained Mr. Dombey, `to Major Bagstock, 
for his 
company and conversation. Major Bagstock has rendered me great service, 
Carker.' 


</p>
            <p>Mr. Carker the Manager, hat in hand, just arrived at Leamington, and just 
introduced to 
the Major, showed the Major his whole double range of teeth, and trusted he 
might take 
the liberty of thanking him with all his heart for having effected so great 
an improvement 
in Mr. Dombey's looks and spirits. 


</p>
            <p>`By Gad, Sir,' said the Major, in reply, `there are no thanks due to me, for 
it's a give and 
take affair. A great creature like our friend Dombey, Sir,' said the Major, 
lowering his 
voice, but not lowering it so much as to render it inaudible to that 
gentleman, `cannot help 
improving and exalting his friends. He strengthens and invigorates a man, 
Sir, does 
Dombey, in his moral nature.' 


</p>
            <p>Mr. Carker snapped at the expression. In his moral nature. Exactly. The very 
words he had 
been on the point of suggesting. 


</p>
            <p>`But when my friend Dombey, Sir,' added the Major, `talks to you of Major 
Bagstock, I 
must crave leave to set him and you right. He means plain Joe, Sir—Joey 
B.—Josh. 
Bagstock—Joseph—rough and tough Old J., Sir. At your service.' 


</p>
            <p>Mr. Carker's excessively friendly inclinations towards the Major, and Mr. 
Carker's 
admiration of his roughness, toughness, and plainness, gleamed out of every 
tooth in Mr. 
Carker's head. 


</p>
            <p>`And now, Sir,' said the Major, `you and Dombey have the devil's own amount 
of 
business to talk over.' 


</p>
            <p>`By no means, Major,' observed Mr. Dombey. 


</p>
            <p>`Dombey,' said the Major, defiantly, `I know better; a man of your mark—the 
Colossus of 
commerce—is not to be interrupted. Your moments are precious. We shall meet 
at 
dinner-time. In the interval, old Joseph will be scare. The dinner-hour is a 
sharp seven, 
Mr. Carker.' 


</p>
            <p>With that, the Major, greatly swollen as to his face, withdrew; but 
immediately putting in 
his head at the door again, said: 


</p>
            <p>`I beg your pardon. Dombey, have you any message to 'em?' 


</p>
            <p>Mr. Dombey in some embarrassment, and not without a glance at the courteous 
keeper of 
his business confidence, entrusted the Major with his compliments. 


</p>
            <p>`By the Lord, Sir,' said the Major, `you must make it something warmer than 
that, or old 
Joe will be far from welcome.' 


</p>
            <p>`Regards then, if you will, Major,' returned Mr. Dombey. 


</p>
            <p>`Damme, Sir,' said the Major, shaking his shoulders and his great cheeks 
jocularly: `make 
it something warmer than that.' 


</p>
            <p>`What you please, then, Major,' observed Mr. Dombey. 


</p>
            <p>`Our friend is sly, Sir, sly, Sir, de-vilish sly,' said the Major staring 
round the door at 
Carker. `So is Bagstock.' But stopping in the midst of a chuckle, and drawing 
himself up 
to his full height, the Major solemnly exclaimed, as he struck himself on the 
chest, 
`Dombey! I envy your feelings. God bless you!' and withdrew. 


</p>
            <p>`You must have found the gentleman a great resource,' said Carker, following 
his with his 
teeth. 


</p>
            <p>`Very great indeed,' said Mr. Dombey. 


</p>
            <p>`He has friends here, no doubt,' pursued Carker. `I perceive, from what he 
has said, that 
you go into society here. Do you know,' smiling horribly, `I am so very glad 
that you go 
into society!' 


</p>
            <p>Mr. Dombey acknowledged this display of interest on the part of his second in 
command, 
by twirling his watch-chain, and slightly moving his head. 


</p>
            <p>`You were formed for society.' said Carker, `Of all the men I know, you are 
the best 
adapted, by nature and by position, for society. Do you know I have been 
frequently 
amazed that you should have held it at arm's length so long!' 


</p>
            <p>`I have had my reasons, Carker. I have been alone, and indifferent to it. But 
you have 
great social qualifications yourself, and are the more likely to have been 
surprised.' 


</p>
            <p>`Oh! <hi>I</hi>!' returned the other, with ready self-disparagement. `It's 
quite another 
matter in the case of a man like me. I don't come into comparison with 
<hi>you</hi>.' 


</p>
            <p>Mr. Dombey put his hand to his neckcloth, settled his chin in it, coughed, 
and stood 
looking at his faithful friend and servant for a few moments in silence. 


</p>
            <p>`I shall have the pleasure, Carker,' said Mr. Dombey at length: making as if 
he swallowed 
something a little too large for his throat: `to present you to my—to the 
Major's friends. 
Highly agreeable people.' 


</p>
            <p>`Ladies among them, I presume?' insinuated the smooth Manager. 


</p>
            <p>`They are all—that is to say, they are both—ladies,' replied Mr. Dombey. 


</p>
            <p>`Only two?' smiled Carker. 


</p>
            <p>`They are only two. I have confined my visits to their residence, and have 
made no other 
acquaintance here.' 


</p>
            <p>`Sisters, perhaps?' quoth Carker. 


</p>
            <p>`Mother and daughter,' replied Mr. Dombey. 


</p>
            <p>As Mr. Dombey dropped his eyes, and adjusted his neck-cloth again, the 
smiling face of 
Mr. Carker the Manager became in a moment, and without any stage of 
transition, 
transformed into a most intent and frowning face, scanning his closely, and 
with an ugly 
sneer. As Mr. Dombey raised his eyes, it changed back, no less quickly, to 
its old 
expression, and showed him every gum of which it stood possessed. 


</p>
            <p>`You are very kind,' said Carker, `I shall be delighted to know them. 
Speaking of 
daughters, I have seen Miss Dombey.' 


</p>
            <p>There was sudden rush of blood to Mr. Dombey's face. 


</p>
            <p>`I took the liberty of waiting on her,' said Carker, `to inquire if she could 
charge me with 
any little commission. I am not so fortunate as to be the bearer of any but 
her—but her 
dear love.' 


</p>
            <p>Wolf's face that it was then, with even the hot tongue revealing itself 
through the 
stretched mouth, as the eyes encountered Mr. Dombey's! 


</p>
            <p>`What business intelligence is there?' inquired the latter gentleman, after a 
silence, during 
which Mr. Carker had produced some memoranda and other papers. 


</p>
            <p>`There is very little,' returned Carker. `Upon the whole we have not had our 
usual good 
fortune of late, but that is of little moment to you. At Lloyd's, they give 
up the Son and 
Heir for lost. Well, she was insured, from her keel to her masthead.' 


</p>
            <p>`Carker,' said Mr. Dombey, taking a chair near him, `I cannot say that young 
man, Gay, 
ever impressed me favourably—' 


</p>
            <p>`Nor me,' interposed the Manager. 


</p>
            <p>`But I wish,' said Mr. Dombey, without heeding the interruption, `he had 
never gone on 
board that ship. I wish he had never been sent out.' 


</p>
            <p>`It is a pity you didn't say so, in good time, is it not?' retorted Carker, 
coolly. `However, I 
think it's all for the best. I really think it's all for the best. Did I 
mention that there was 
something like a little confidence between Miss Dombey and myself?' 


</p>
            <p>`No,' said Mr. Dombey, sternly. 


</p>
            <p>`I have no doubt,' returned Mr. Carker, after an impressive pause, `that 
wherever Gay is, 
he is much better where he is, that at home here. If I were, or could be, in 
your place, I 
should be satisfied of that. I am quite satisfied of it myself. Miss Dombey 
is confiding and 
young—perhaps hardly proud enough, for  your daughter—if she have a fault. 
Not that that 
is much though, I am sure. Will you check these balances with me?' 


</p>
            <p>Mr. Dombey leaned back in his chair, instead of bending over the papers that 
were laid 
before him, and looked the Manager steadily in the face. The Manager, with 
his eyelids 
slightly raised, affected to be glancing at his figures, and to await the 
leisure of his 
principal. He showed that he affected this, as if from great delicacy, and 
with a design to 
spare Mr. Dombey's feelings; and the latter, as he looked at him, was 
cognizant of his 
intended consideration, and felt that but for it, this confidential Carker 
would have said a 
great deal more, which he, Mr. Dombey, was too proud to ask for. It was his 
way in 
business, often. Little by little, Mr. Dombey's gaze relaxed, and his 
attention became 
diverted to the papers before him; but while busy with the occupation they 
afforded him, 
he frequently stopped, and looked at Mr. Carker again. Whenever he did so, 
Mr. Carker 
was demonstrative, as before, in his delicacy, and impressed it on his great 
chief more and 
more. 


</p>
            <p>While they were thus engaged; and under the skilful culture of the Manager, 
angry 
thoughts in reference to poor Florence brooded and bred in Mr. Dombey's 
breast, usurping 
the place of the cold dislike that generally reigned there; Major Bagstock, 
much admired 
by the old ladies of Leamington, and followed by the Native, carrying the 
usual amount of 
light baggage, straddled along the shady side of the way, to make a morning 
call on Mrs. 
Skewton. It being mid-day when the Major reached the bower of Cleopatra, he 
had the 
good fortune to find his Princess on her usual sofa, languishing over a cup 
of coffee, with 
the room so darkened and shaded for her more luxurious repose, that Withers, 
who was in 
attendance on her, loomed like a phantom page. 


</p>
            <p>`What insupportable creature is this, coming in?' said Mrs. Skewton. `I 
cannot bear it. Go 
away, whoever you are!' 


</p>
            <p>`You have not the heart to banish J. B. Ma'am!' said the Major, halting 
midway, to 
remonstrate, with his cane over his shoulder. 


</p>
            <p>`Oh it's you, is it? On second thoughts, you may enter,' observed 
Cleopatra. 


</p>
            <p>The Major entered accordingly, and advancing to the sofa pressed her charming 
hand to 
his lips. 


</p>
            <p>`Sit down,' said Cleopatra, listlessly waving her fan, `a long way off. Don't 
come too near 
me, for I am frightfully faint and sensitive this morning, and you smell of 
the Sun. You 
are absolutely tropical.' 


</p>
            <p>`By George, Ma'am,' said the Major, `the time has been when Joseph Bagstock 
has been 
grilled and blistered by the Sun; the time was, when he was forced, Ma'am, 
into such full 
blow, by high hothouse heat in the West Indies, that he was known as the 
Flower. A man 
never heard of Bagstock, Ma'am, in those days; he heard of the Flower—the 
Flower of 
Ours. The Flower may have faded, more or less, Ma'am,' observed the Major, 
dropping 
into a much nearer chair than had been indicated by his cruel Divinity, `but 
it is a tough 
plant yet, and constant as the evergreen.' 


</p>
            <p>Here the Major, under cover of the dark room, shut up one eye, rolled his 
head like a 
Harlequin, and, in his great self-satisfaction, perhaps went nearer to the 
confines of 
apoplexy than he had ever gone before. 


</p>
            <p>`Where is Mrs. Granger?' inquired Cleopatra of her page. 


</p>
            <p>Withers believed she was in her own room. 


</p>
            <p>`Very well,' said Mrs. Skewton. `Go away, and shut the door. I am 
engaged.' 


</p>
            <p>As Withers disappeared, Mrs. Skewton turned her head languidly towards the 
Major, 
without otherwise moving, and asked him how his friend was? 


</p>
            <p>`Dombey, Ma'am,' returned the Major, with a facetious gurgling in his throat, 
`is as well 
as a man in his condition <hi>can</hi> be. His condition is a desperate one, 
Ma'am. He is 
touched, is Dombey! Touched!' cried the Major. `He is bayonetted through the 
body.' 


</p>
            <p>Cleopatra cast a sharp look at the Major, that contrasted forcibly with the 
affected drawl 
in which she presently said— 


</p>
            <p>`Major Bagstock, although I know but little of the world,—nor can I really 
regret my 
inexperience, for I fear it is a false place, full of withering 
conventionalities: where Nature 
is but little regarded, and where the music of the heart, and the gushing of 
the soul, and 
all that sort of thing, which is so truly poetical, is seldom heard,—I 
cannot misunderstand 
your meaning. There is an allusion to Edith—to my extremely dear child,' 
said Mrs. 
Skewton, tracing the outline of her eyebrows with her forefinger, `in your 
words, to which 
the tenderest of chords vibrates excessively!' 


</p>
            <p>`Bluntness, Ma'am,' returned the Major, `has ever been the characteristic of 
the Bagstock 
breed. You are right, Joe admits it.' 


</p>
            <p>`And that allusion,' pursued Cleopatra, `would involve one of the most—if 
not positively 
<hi>the</hi> most—touching, and thrilling, and sacred emotions of which our 
sadly-fallen 
nature is susceptible, I conceive.' 


</p>
            <p>The Major laid his hand upon his lips, and wafted a kiss to Cleopatra, as if 
to identify the 
emotion in question. 


</p>
            <p>`I feel that I am weak. I feel that I am wanting in that energy, which should 
sustain a 
mama: not to say a parent: on such a subject,' said Mrs. Skewton, trimming 
her lips with 
the laced edge of her pocket-handkerchief; `but I can hardly approach a topic 
so 
excessively momentous to my dearest Edith without a feeling of faintness. 
Nevertheless, 
bad man, as you have boldly remarked upon it, and as it has occasioned me 
great 
anguish:' Mrs. Skewton touched her left side with her fan: `I will not shrink 
from my 
duty.' 


</p>
            <p>The Major, under cover of the dimness, swelled, and swelled, and rolled his 
purple face 
about, and winked his lobster eye, until he fell into a fit of wheezing, 
which obliged him 
to rise and take a turn or two about the room, before his fair friend could 
proceed. 


</p>
            <p>`Mr. Dombey,' said Mrs. Skewton, when she at length resumed, `was obliging 
enough, 
now many weeks ago, to do us the honour of visiting us here; in company, my 
dear 
Major, with yourself. I acknowledge—let me be open—that it is my failing to 
be the 
creature of impulse, and to wear my heart, as it were, outside. I know my 
failing full well. 
My enemy cannot know it better. But I am not penitent; I would rather not be 
frozen by 
the heartless world, and am content to bear this imputation justly.' 


</p>
            <p>Mrs. Skewton arranged her tucker, pinched her wiry throat to give it a soft 
surface, and 
went on, with great complacency. 


</p>
            <p>`It gave me (my dearest Edith too, I am sure) infinite pleasure to receive 
Mr. Dombey. As 
a friend of yours, my dear Major, we were naturally disposed to be 
prepossessed in his 
favour; and I fancied that I observed an amount of Heart in Mr. Dombey, that 
was 
excessively refreshing.' 


</p>
            <p>`There is devilish little heart in Dombey now, Ma'am,' said the Major. 


</p>
            <p>`Wretched man!' cried Mrs. Skewton, looking at him languidly, `pray be 
silent.' 


</p>
            <p>`J. B. is dumb, Ma'am,' said the Major. 


</p>
            <p>`Mr. Dombey,' pursued Cleopatra, smoothing the rosy hue upon her cheeks, 
`accordingly 
repeated his visit; and possibly finding some attraction in the simplicity 
and primitiveness 
of our tastes—for there is always a charm in nature—it is so very 
sweet—became one of our 
little circle every evening. Little did I think of the awful responsibility 
into which I 
plunged when I encouraged Mr. Dombey—to—' 


</p>
            <p>`To beat up these quarters, Ma'am,' suggested Major Bagstock. 


</p>
            <p>`Coarse person!' said Mrs. Skewton, `you anticipate my meaning, though in 
odious 
language.' 


</p>
            <p>Here Mrs. Skewton rested her elbow on the little table at her side, and 
suffering her wrist 
to droop in what she considered a graceful and becoming manner, dangled her 
fan to and 
fro, and lazily admired her hand while speaking. 


</p>
            <p>`The agony I have endured,' she said mincingly, `as the truth has by degrees 
dawned upon 
me, has been too exceedingly terrific to dilate upon. My whole existence is 
bound up in 
my sweetest Edith; and to see her change from day to day—my beautiful pet, 
who has 
positively garnered up her heart since the death of that most delightful 
creature, 
Granger—is the most affecting thing in the world.' 


</p>
            <p>Mrs. Skewton's world was not a very trying one, if one might judge of it by 
the influence 
of its most affecting circumstance upon her; but this by the way. 


</p>
            <p>`Edith,' simpered Mrs. Skewton, `who is the perfect pearl of my life, is said 
to resemble 
me. I believe we <hi>are</hi> alike.' 


</p>
            <p>`There is one man in the world who never will admit that any one resembles 
you, 
Ma'am,' said the Major; `and that man's name is Old Joe Bagstock.' 


</p>
            <p>Cleopatra made as if she would brain the flatterer with her fan, but 
relenting, smiled upon 
him and proceeded: 


</p>
            <p>`If my charming girl inherits any advantages from me, wicked one!': the Major 
was the 
wicked one: `she inherits also my foolish nature. She has great force of 
character—mines 
has been said to be immense, though I don't believe it—but once moved, she 
is susceptible 
and sensitive to the last extent. What are my feelings when I see her pining! 
They destroy 
me.' 


</p>
            <p>The Major advancing his double chin, and pursing up his blue lips into a 
soothing 
expression, affected the profoundest sympathy. 


</p>
            <p>`The confidence,' said Mrs. Skewton, `that has subsisted between us—the free 
development 
of soul, and openness of sentiment—is touching to think of. We have been 
more like 
sisters than mama and child.' 


</p>
            <p>`J. B.'s own sentiment,' observed the Major, `expressed by J. B. fifty 
thousand times!' 


</p>
            <p>`Do not interrupt, rude man!' said Cleopatra. `What are my feelings, then, 
when I find that 
there is one subject avoided by us! That there is a what's-his-name—a 
gulf—opened 
between us. That my own artless Edith is changed to me!They are of the most 
poignant 
description, of course.' 


</p>
            <p>The Major left his chair, and took one nearer to the little table. 


</p>
            <p>`From day to day I see this, my dear Major,' proceeded Mrs. Skewton. `From 
day to day I 
feel this. From hour to hour I reproach myself for that excess of faith and 
trustfulness 
which has led to such distressing consequences; and almost from minute to 
minute, I hope 
that Mr. Dombey may explain himself, and relieve the torture I undergo, which 
is 
extremely wearing. But nothing happens, my dear Major; I am the salve of 
remorse—take 
care of the coffee-cup: you are so very awkward—my darling Edith is an 
altered being; 
and I really don't see what is to be done, or what good creature I can advise 
with.' 


</p>
            <p>Major Bagstock, encouraged perhaps by the softened and confidential tone into 
which 
Mrs. Skewton, after several times lapsing into it for a moment, seemed now to 
have 
subsided for good, stretched out his hand across the little table, and said 
with a leer, 


</p>
            <p>`Advise with Joe, Ma'am.' 


</p>
            <p>`Then, you aggravating monster,' said Cleopatra, giving one hand to the 
Major, and 
tapping his knuckles with her fan, which she held in the other: `why don't 
you talk to me? 
you know what I mean. Why don't you tell me something to the purpose?' 


</p>
            <p>The Major laughed, and kissed the hand she had bestowed upon him, and laughed 
again 
immensely. 


</p>
            <p>`Is there as much Heart in Mr. Dombey as I gave him credit for?' languished 
Cleopatra 
tenderly. `Do you think he is in earnest, my dear Major? Would you recommend 
his being 
spoken to, or his being left alone? Now tell me, like a dear man, what would 
you advise.' 


</p>
            <p>`Shall we marry him to Edith Granger, Ma'am?' chuckled the Major, 
hoarsely. 


</p>
            <p>`Mysterious creature!' returned Cleopatra, bringing her fan to bear upon the 
Major's nose. 
`How can <hi>we</hi> marry him?' 


</p>
            <p>`Shall we marry him to Edith Granger, Ma'am, I say?' chuckled the Major 
again. 


</p>
            <p>Mrs. Skewton returned no answer in words, but smiled upon the Major with so 
much 
archness and vivacity, that that gallant officer considering himself 
challenged, would have 
imprinted a kiss on her exceedingly red lips, but for her interposing the fan 
with a very 
winning and juvenile dexterity. It might have been in modesty; it might have 
been in 
apprehension of some danger to their bloom. 


</p>
            <p>`Dombey, Ma'am,' said the Major, `is a great catch.' 


</p>
            <p>`Oh, mercenary wretch!' cried Cleopatra, with a little shriek, `I am 
shocked.' 


</p>
            <p>`And Dombey, Ma'am,' pursued the Major, thrusting forward his head, and 
distending his 
eyes, `is in earnest. Joseph says it; Bagstock knows it; J. B. keeps him to 
the mark. Leave 
Dombey to himself, Ma'am. Dombey is safe, Ma'am. Do as you have done; do no 
more; 
and trust to J. B. for the end.' 


</p>
            <p>`You really think so, my dear Major?' returned Cleopatra, who had eyed him 
very 
cautiously, and very searchingly, in spite of her listless bearing. 


</p>
            <p>`Sure of it, Ma'am,' rejoined the Major. `Cleopatra the peerless, and her 
Antony Bagstock, 
will often speak of this, triumphantly, when sharing the elegance and wealth 
of Edith 
Dombey's establishment. Dombey's right-hand man, Ma'am,' said the Major, 
stopping 
abruptly in a chuckle, and becoming serious, `has arrived.' 


</p>
            <p>`This morning?' said Cleopatra. 


</p>
            <p>`This morning, Ma'am,' returned the Major. `And Dombey's anxiety for his 
arrival, 
ma'am, is to be referred—take J. B.'s word for this; for Joe is de-vilish 
sly'—the Major 
tapped his nose, and screwed up one of his eyes tight: which did not enhance 
his native 
beauty—`to his desire that what is in the wind should become known to him, 
without 
Dombey's telling and consulting him. For Dombey is as proud, Ma'am,' said the 
Major, 
`as Lucifer.' 


</p>
            <p>`A charming quality,' lisped Mrs. Skewton; `reminding one of dearest 
Edith.' 


</p>
            <p>`Well Ma'am,' said the Major. `I have thrown out hints already, and the 
right-hand man 
understands 'em; and I'll throw out more, before the day is done. Dombey 
projected this 
morning a ride to Warwick Castle, and to Kenilworth, to-morrow, to be 
preceded by a 
breakfast with us. I undertook the delivery of this invitation. Will you 
honour us so far, 
Ma'am?' said the Major, swelling with shortness of breath and slyness, as he 
produced a 
note, addressed to the Honourable Mrs. Skewton, by favour of Major Bagstock, 
wherein 
hers ever faithfully, Paul Dombey, besought her and her amiable and 
accomplished 
daughter to consent to the proposed excursion; and in a postscript unto 
which, the same 
ever faithfully Paul Dombey entreated to be recalled to the remembrance of 
Mrs. 
Granger. 


</p>
            <p>`Hush!' said Cleopatra, suddenly, `Edith!' 


</p>
            <p>The loving mother can scarcely be described as resuming her insipid and 
affected air when 
she made this exclamation; for she had never cast it off; nor was it likely 
that she ever 
would or could, in any other place than in the grave. But hurriedly 
dismissing whatever 
shadow of earnestness, or faint confession of a purpose, laudable or wicked, 
that her face, 
or voice, or manner, had, for the moment, betrayed, she lounged upon the 
couch, her most 
insipid and most languid self again, as Edith entered the room. 


</p>
            <p>Edith, so beautiful and stately, but so cold and so repelling. Who, slightly 
acknowledging 
the presence of Major Bagstock, and directing a keen glance at her mother, 
drew back the 
curtain from a window, and sat down there, looking out. 


</p>
            <p>`My dearest Edith,' said Mrs. Skewton, `where on earth have you been? I have 
wanted 
you, my love, most sadly.' 


</p>
            <p>`You said you were engaged, and I stayed away,' she answered, without turning 
her 
head. 


</p>
            <p>`It was cruel to Old Joe, Ma'am,' said the Major in his gallantry. 


</p>
            <p>`It was very cruel, I know,' she said, still looking out—and said with such 
calm disdain, 
that the Major was discomfited, and could think of nothing in reply. 


</p>
            <p>`Major Bagstock, my darling Edith,' drawled her mother, `who is generally the 
most 
useless and disagreeable creature in the world: as you know—' 


</p>
            <p>`It is surely not worth while, Mama,' said Edith, looking round, `to observe 
these forms of 
speech. We are quite alone. We know each other.' 


</p>
            <p>The quite scorn that sat upon her handsome face—a scorn that evidently 
lighted on herself, 
no less than them—was so intense and deep, that her mother's simper, for the 
instant, 
though of a hardy constitution, drooped before it. 


</p>
            <p>`My darling girl,' she began again. 


</p>
            <p>`Not woman yet?' said Edith, with a smile. 


</p>
            <p>`How very odd you are to-day, my dear! Pray let me say, my love, that Major 
Bagstock 
has brought the kindest of notes from Mr. Dombey, proposing that we should 
breakfast 
with him to-morrow, and ride to Warwick and Kenilworth. Will you go, 
Edith?' 


</p>
            <p>`will I go!' she repeated, turning very red, and breathing quickly as she 
looked round at 
her mother. 


</p>
            <p>`I knew you would, my own,' observed the latter carelessly. `It is, as you 
say, quite a 
form to ask. Here is Mr. Dombey's letter, Edith.' 


</p>
            <p>`Thank you. I have no desire to read it,' was her answer. 


</p>
            <p>`Then perhaps I had better answer it myself,' said Mrs. Skewton, `though I 
had thought of 
asking <hi>you</hi> to be my secretary, darling.' As Edith made no movement and 
no 
answer, Mrs. Skewton begged the Major to wheel her little table nearer, and 
to set open 
the desk it contained, and to take out pen and paper for her; all which 
congenial offices of 
gallantry the Major discharged, with much submission and devotion. 


</p>
            <p>`Your regards, Edith, my dear?' said Mrs. Skewton, pausing, pen in hand, at 
the 
postscript. 


</p>
            <p>`What you will, Mama,' she answered, without turning her head, and with 
supreme 
indifference. 


</p>
            <p>Mrs. Skewton wrote what she would, without seeking for any more explicit 
directions, and 
handed her letter to the Major, who receiving it as a precious charge, made a 
show of 
laying it near his heart, but was fain to put it in the pocket of his 
pantaloons on account of 
the insecurity of his waistcoat. The Major then took a very polished and 
chivalrous 
farewell of both ladies, which the elder one acknowledged in her usual 
manner, while the 
younger, sitting with her face addressed to the window, bent her head so 
slightly that it 
would have been a greater compliment to the Major to have made no sign at 
all, and to 
have left him to infer that he had not been heard or thought of. 


</p>
            <p>`As to alteration in her, Sir,' mused the Major on his way back; on which 
expedition—the 
afternoon being sunny and hot—he ordered the Native and the light baggage to 
the front, 
and walked in the shadow of that expatriated prince: `as to alteration, Sir, 
and pining, and 
so forth, that won't go down with Joseph Bagstock. None of that, Sir. It 
won't do here. 
But as to there being something of a division between 'em—or a gulf as the 
mother calls 
it—damme, Sir, that seems true enough. And it's odd enough! Well, Sir!' 
panted the 
Major, `Edith Granger and Dombey are well matched; let 'em fight it out! 
Bagstock backs 
the winner!' 


</p>
            <p>The Major, by saying these latter words aloud, in the vigour of his thoughts, 
caused the 
unhappy Native to stop, and turn round, in the belief that he was personally 
addressed. 
Exasperated to the last degree by this act of insubordination, the Major 
(though he was 
swelling with enjoyment of his own humour, at the moment of its occurrence) 
instantly 
thrust his cane among the Native's ribs, and continued to stir him up, at 
short intervals, all 
the way to the Hotel. 


</p>
            <p>Nor was the Major less exasperated as he dressed for dinner, during which 
operation the 
dark servant underwent the pelting of a shower of miscellaneous objects, 
varying in size 
from a boot to a hairbrush, and including everything that came within his 
master's reach. 
For the Major plumbed himself on having the Native in a perfect state of 
drill, and visited 
the least departure from strict discipline with this kind of fatigue duty. 
Add to this, that he 
maintained the Native about his person as a counter-irritant against the 
gout, and all other 
vexations, mental as well as bodily; and the Native would appear to have 
earned his 
pay—which was not large. 


</p>
            <p>At length, the Major having disposed of all the missiles that were convenient 
to his hand, 
and having called the Native so many new names as must have given him great 
occasion 
to marvel at the resources of the English language, submitted to have his 
cravat put on; 
and being dressed, and finding himself in  a brisk flow of spirits after this 
exercise, went 
downstairs to enliven `Dombey' and his right-hand man. 


</p>
            <p>Dombey was not yet in the room, but the right-hand man was there, and his 
dental 
treasures were, as usual, ready for the Major. 


</p>
            <p>`Well, Sir!' said the Major. `How have you passed the time since I had the 
happiness of 
meeting you? Have you walked at all?' 


</p>
            <p>`A saunter of barely half an hour's duration,' returned Carker. `We have been 
so much 
occupied.' 


</p>
            <p>`Business, eh?' said the Major. 


</p>
            <p>`A variety of little matters necessary to be gone through,' replied Carker. 
`But do you 
know—this is quite unusual with me, educated in a distrustful school, and 
who am not 
generally disposed to be communicative,' he said, breaking off, and speaking 
in a 
charming tone of frankness—`but I feel quite confidential with you, Major 
Bagstock.' 


</p>
            <p>`You do me honour, Sir,' returned the Major. `You may be.' 


</p>
            <p>`Do you know, then,' pursued Carker, `that I have not found my 
friend—<hi>our</hi> friend, 
I ought rather to call him—' 


</p>
            <p>`Meaning Dombey, Sir?' cried the Major. `You see me, Mr. Carker, standing 
here! J. 
B.?' 


</p>
            <p>He was puffy enough to see, and blue enough; and Mr. Carker intimated that he 
had that 
pleasure. 


</p>
            <p>`Then you see a man, Sir, who would go through fire and water to serve 
Dombey,' 
returned Major Bagstock. 


</p>
            <p>Mr. Carker smiled, and said he was sure of it. `Do you know, Major,' he 
proceeded: `to 
resume where I left off: that I have not found our friend so attentive to 
business to-day, as 
usual?' 


</p>
            <p>`No?' observed the delighted Major. 


</p>
            <p>`I have found him a little abstracted, and with this attention disposed to 
wander,' said 
Carker. 


</p>
            <p>`By Jove, Sir,' cried the Major, `there's a lady in the case.' 


</p>
            <p>`Indeed, I begin to believe there really is,' returned Carker; `I thought you 
might be 
jesting when you seemed to hint at it; for I know you military men—' 


</p>
            <p>The Major gave the horse's cough, and shook his head and shoulders, as much 
as to say, 
`Well! we <hi>are</hi> gay dogs, there's no denying.' He then seized Mr. Carker 
by the 
button-hole, and with starting eyes whispered in his ear, that she was a 
woman of 
extraordinary charms, Sir. That she was a young widow, Sir. That she was of a 
fine 
family, Sir. That Dombey was over head and ears in love with her, Sir, and 
that it would 
be a good match on both sides; for she has beauty, blood, and talent, and 
Dombey had 
fortune; and what more could any couple have? Hearing Mr. Dombey's footsteps 
without, 
the Major cut himself short by saying, that Mr. Carker would see her 
to-morrow morning, 
and would judge for himself; and between his mental excitement, and the 
exertion of 
saying all this in wheezy whispers, the Major sat gurgling in the throat and 
watering at the 
eyes, until dinner was ready. 


</p>
            <p>The Major, like some other noble animals, exhibited himself to great 
advantage at 
feeding-time. On this occasion, he shone resplendent at one end of the table, 
supported by 
the milder lustre of Mr. Dombey at the other; while Carker on one side lent 
his ray to 
either light, or suffered it to merge into both, as occasion arose. 


</p>
            <p>During the first course or two, the Major was usually grave; for the Native, 
in obedience 
to general orders, secretly issued, collected every sauce and cruet round 
him, and gave him 
a great deal to do, in taking out the stoppers, and mixing up the contents in 
his plate. 
Besides which, the Native had private zests and flavours on a side-table, 
with which the 
Major daily scorched himself; to say nothing of strange machines out of which 
he spirted 
unknown liquids into the Major's drink. But on this occasion, Major Bagstock, 
even 
amidst these many occupations, found time to be social; and his sociality 
consisted in 
excessive slyness for the behoof of Mr. Carker, and the betrayal of Mr. 
Dombey's state of 
mind. 


</p>
            <p>`Dombey,' said the Major, `you don't eat; what's the matter?'  `Thank you,' 
returned that 
gentleman, `I am doing very well; I have no great appetite to-day.' 


</p>
            <p>`Why, Dombey, what's become of it?' asked the Major. `Where's it gone? You 
haven't 
left it with our friends, I'll swear, for I can answer for their having none 
to-day at 
luncheon. I can answer for one of 'em, at least: I won't say which.' 


</p>
            <p>Then the Major winked at Carker, and became so frightfully sly, that his dark 
attendant 
was obliged to pat him on the back, without orders, or he would probably have 
disappeared under the table. 


</p>
            <p>In a later stage of the dinner: that is to say, when the Native stood at the 
Major's elbow 
ready to serve the first bottle of champagne: the Major became still 
slyer. 


</p>
            <p>`Fill this to the brim, you scoundrel,' said the Major, holding up his glass. 
`Fill Mr. 
Carker's to the brim too. And Mr. Dombey's too. By Gad, gentlemen,' said the 
Major, 
winking at his new friend, while Mr. Dombey looked into his plate with a 
conscious air, 
`we'll consecrate this glass of wine to a Divinity whom Joe is proud to know, 
and at a 
distance humbly and reverently to admire. Edith,' said the Major, `is her 
name; angelic 
Edith!' 


</p>
            <p>`To angelic Edith!' cried the smiling Carker. 


</p>
            <p>`Edith, by all means,' said Mr. Dombey. 


</p>
            <p>The entrance of the waiters with new dishes caused the Major to be slyer yet, 
but in a 
more serious vein. `For though among ourselves, Joe Bagstock mingles jest and 
earnest on 
this subject, Sir,' said the Major, laying his finger on his lips, and 
speaking half apart to 
Carker, `he holds that name too sacred to be made the property of these 
fellows, or of any 
fellows. Not a word, Sir, while they are here!' 


</p>
            <p>This was respectful and becoming on the Major's part, and Mr. Dombey plainly 
felt it so. 
Although embarrassed in his own frigid way, by the Major's allusions, Mr. 
Dombey has 
no objection to such rallying, it was clear, but rather courted it. Perhaps 
the Major had 
been pretty near the truth, when he had divined that morning that the great 
man who was 
too haughty formally to consult with, or confide in his prime minister, on 
such a matter, 
yet  wished him to be fully possessed of it. Let this be how it may, he often 
glanced at 
Mr. Carker while the Major plied his light artillery, and seemed watchful of 
its effect upon 
him. 


</p>
            <p>But the Major, having secured an attentive listener, and a smiler who had not 
his match in 
all the world—`in short, a de-vilish intelligent and agreeable fellow,' as 
he often afterwards 
declared—was not going to let him off with a little slyness personal to Mr. 
Dombey. 
Therefore, on the removal of the cloth, the Major developed himself as a 
choice spirit in 
the broader and more comprehensive range of narrating regimental stories, and 
cracking 
regimental jokes, which he did with such prodigal exuberance, that Carker was 
(or feigned 
to be) quite exhausted with laughter and admiration: while Mr. Dombey looked 
on over 
his starched cravat, like the Major's proprietor, or like a stately showman 
who was glad to 
see his bear dancing well. 


</p>
            <p>When the Major was too hoarse with meat and drink, and the display of his 
social powers, 
to render himself intelligible any longer, they adjourned to coffee. After 
which, the Major 
inquired of Mr. Carker the Manager, with little apparent hope of an answer in 
the 
affirmative, if he played picquet. 


</p>
            <p>`Yes, I play picquet a little,' said Mr. Carker. 


</p>
            <p>`Backgammon, perhaps?' observed the Major, hesitating. 


</p>
            <p>`Yes, I play backgammon a little too,' replied the man of teeth. 


</p>
            <p>`Carker plays at all games, I believe,' said Mr. Dombey, laying himself on a 
sofa like a 
man of wood, without a hinge or a joint in him; `and plays them well.' 


</p>
            <p>In sooth, he played the two in question, to such perfection, that the Major 
was astonished, 
and asked him, at random, if he played chess. 


</p>
            <p>`Yes, I play chess a little,' answered Carker. `I have sometimes played, and 
won a 
game—it's a mere trick—without seeing the board.' 


</p>
            <p>`By Gad, Sir!' said the Major, staring, `you are a contrast to Dombey, who 
plays 
nothing.' 


</p>
            <p>`Oh! <hi>He!</hi>' returned the Manager. `<hi>He</hi> has never had occasion to 
acquire 
such little arts. To men like me, they are sometimes useful. As at present, 
Major Bagstock, 
when they enable me to take a hand with you.' 


</p>
            <p>It might be only the false mouth, so smooth and wide; and yet there seemed to 
lurk 
beneath the humility and subserviency of this short speech, a something like 
a snarl; and, 
for a moment, one might have thought that the white teeth were prone to bite 
the hand 
they fawned upon. But the Major thought nothing about it; and Mr. Dombey lay 
meditating with his eyes half shut, during the whole of the play, which 
lasted until 
bed-time. 


</p>
            <p>By that time, Mr. Carker, though the winner, had mounted high into the 
Major's good 
opinion, insomuch that when he left the Major at his own room before going to 
bed, the 
Major as a special attention, sent the Native—who always rested on a 
mattress spread upon 
the ground at his master's door—along the gallery, to light him to his room 
in state. 


</p>
            <p>There was  a faint blur on the surface of the mirror in Mr. Carker's chamber, 
and its 
reflection was, perhaps, a false one. But it showed, that night, the image of 
a man, who 
saw, in his fancy, a crowd of people slumbering on the ground at his feet, 
like the poor 
Native at his master's door: who picked his way among them: looking down, 
maliciously 
enough: but trod upon no upturned face—as yet. 

</p>
         </div>
         <div xml:id="c27" type="chapter">
            <head>CHAPTER XXVII</head>
            <head>Deeper Shadows</head>
            <p>Mr. CARKER the Manger rose with the lark, and went out, walking in the summer 
day. His meditations—and he meditated with contracted brows while he 
strolled along—hardly seemed to soar as high as the lark, or to mount in 
that direction; rather they kept close to their nest upon the earth, and 
looked about, among the dust and worms. But there was not a bird in the air, 
singing unseen, farther beyond the reach of human eye than Mr. Carker's 
thoughts. He had his face so perfectly under control, that few could say 
more, in distinct terms, of its expression, than that it smiled or that it 
pondered. It pondered now, intently. As the lark rose higher, he sank deeper 
in thought. As the lark poured out her melody clearer and stronger, he fell 
into a graver and profounder silence. At length, when the lark came headlong 
down, with an accumulating stream  of song, and dropped among the green wheat 
near him, rippling in the breath of the morning like a river, he sprang up 
from his reverie, and looked round with a sudden smile, as courteous and as 
soft as if he had had numerous observers to propitiate; nor did he relapse, 
after being thus awakened; but clearing his face, like one who bethought 
himself that it might otherwise wrinkle and tell tales, went smiling on, as 
if for practice. 


</p>
            <p>Perhaps with an eye to first impressions, Mr. Carker was very carefully and 
trimly dressed, that morning. Though always somewhat formal, in his dress, in 
intimation of the great man whom he served, he stopped short of the extent of 
Mr. Dombey's stiffness: at once perhaps because he knew it to be ludicrous, 
and because in doing so he found another means of expressing his sense of the 
difference and distance between them. Some people quoted him indeed, in this 
respect, as a pointed commentary, and not a flattering one, on his icy 
patron—but the world is prone to misconstruction, and Mr. Carker was not 
accountable for its bad propensity. 


</p>
            <p>Clean and florid: with his light complexion, fading as it were, in the sun, 
and his dainty step enhancing the softness of the turf: Mr. Carker the 
Manager strolled about meadows, and green lanes, and glided among avenues of 
trees, until it was time to return to breakfast. Taking a nearer way back, 
Mr. Carker pursued, airing his teeth, and said aloud as he did so, `Now to 
see the second Mrs. Dombey!' 


</p>
            <p>He had strolled beyond the town, and re-entered it by a pleasant walk, where 
there was a deep shade of leafy trees, and where there were a few benches 
here and there for those who chose to rest. It not being a place of general 
resort at any hour, and wearing at that time of the still morning the air of 
being quite deserted and retired, Mr. Carker had it, or thought he had it, 
all to himself. So, with the whim of an idle man, to whom there yet remained 
twenty minutes for reaching a destination easily accessible in ten, Mr. 
Carker threaded the great boles of the trees, and went passing in and out, 
before this one and behind that, weaving a chain of footsteps on the dewy 
ground. 


</p>
            <p>But he found he was mistaken in supposing there was no one in the grove, for 
as he softly rounded the trunk of one large tree, on which the obdurate bark 
was knotted and overlapped like the hide of a rhinoceros or some kindred 
monster of the ancient days before the Flood, he saw an unexpected figure 
sitting on a bench near at hand, about which, in another moment, he would 
have wound the chain he was making. 


</p>
            <p>It was that of a lady, elegantly dressed and very handsome, whose dark proud 
eyes were fixed upon the ground, and in whom some passion or struggle was 
raging. For as she sat looking down, she held a corner of her under lip 
within her mouth, her bosom heaved, her nostril quivered, her head trembled, 
indignant tears were on her cheek, and her foot was set upon the moss as 
though she would have crushed it into nothing. And yet almost the self-same 
glance that showed him this, showed him the self-same lady rising with a 
scornful air of weariness and lassitude, and turning away with nothing 
expressed in face or figure but careless beauty and imperious disdain. 


</p>
            <p>A withered and very ugly old woman, dressed not so much like a gipsy as like 
any of that medley race of vagabonds who tramp about the country, begging, 
and stealing, and tinkering, and weaving rushes, by turns, or all together, 
had  been observing the lady, too; for, as she rose, this second figure 
strangely confronting the first, scrambled up from the ground—out of it, it 
almost appeared—and stood in the way. 


</p>
            <p>`Let me tell your fortune, my pretty lady,' said the old woman, munching with 
her jaws, as if the Death's Head beneath her yellow skin were impatient to 
get out. 


</p>
            <p>`I can tell it for myself,' was the reply. 


</p>
            <p>`Aye, aye, pretty lady; but not right. You didn't tell it right when you were 
sitting there. I see you! Give me a piece of silver, pretty lady, and I'll 
tell your fortune true. There's riches, pretty lady, in your face.' 


</p>
            <p>`I know,' returned the lady, passing her with a dark smile, and a proud step. 
`I knew it before.' 


</p>
            <p>`What! You won't give me nothing?' cried the old woman. `You won't give me 
nothing to tell your fortune, pretty lady? How much will you give me 
<hi>not</hi> to tell it, then? Give me something, or I'll call it after you!' 
croaked the old woman, passionately. 


</p>
            <p>Mr. Carker, whom the lady was about to pass close, slinking against his tree 
as she crossed to gain the path, advanced so as to meet her, and pulling off 
his hat as she went by, bade the old women hold her peace. The lady 
acknowledged his interference with an inclination of the head, and went her 
way. 


</p>
            <p>`You give me something then, or I'll call it after her!' screamed the old 
woman, throwing up her arms, and pressing forward against his outstretched 
hand. `Or come,' she added, dropping her voice suddenly, looking at him 
earnestly, and seeming in a moment to forget the object of her wrath, `give 
me something, or I'll call it after <hi>you!</hi>' 


</p>
            <p>`After <hi>me</hi>, old lady!' returned the Manager, putting his hand in his 
pocket. 


</p>
            <p>`Yes,' said the woman, steadfast  in her scrutiny, and holding out her 
shrivelled hand. `<hi>I</hi> know!' 


</p>
            <p>`What do you know?' demanded Carker, throwing her a shilling. `Do you know 
who the handsome lady is?' 


</p>
            <p>Munching like that sailor's wife of yore, who had chestnuts in her lap, and 
scowling like the witch who asked for some in vain, the old woman picked the 
shilling up, and going backwards, like a crab, or like a heap of crabs: for 
her alternately expanding and contracting hands might have represented  two 
of that species, and her creeping face, some half-a-dozen more: crouched on 
the veinous root of an old tree, pulled out a short black pipe from within 
the crown of her bonnet, lighted it with a match, and smoked in silence, 
looking fixedly at her questioner. 


</p>
            <p>Mr. Carker laughed, and turned upon his heel. 


</p>
            <p>`Good!' said the old woman. `One child dead, and one child living: one wife 
dead, and one wife coming. Go and meet her!' 


</p>
            <p>In spite of himself, the Manager looked round again, and stopped. The old 
woman, who had not removed her pipe, and was munching and mumbling while she 
smoked, as if in conversation with in invisible familiar, pointed with her 
finger in the direction he was going, and laughed. 


</p>
            <p>`What was that you said, Bedlamite?' he demanded. 


</p>
            <p>The woman mumbled, and chattered, and smoked, and still pointed before him; 
but remained silent. Muttering a farewell that was not complimentary, Mr. 
Carker pursued his way; but as he turned out of that place, and looked over 
his shoulder at the root of the old tree, he could yet see the finger 
pointing before him, and thought he heard the woman screaming, `Go and meet 
her!' 


</p>
            <p>Preparations for a choice repast were completed, he found, at the hotel; and 
Mr. Dombey, and the Major, and the breakfast, were awaiting the ladies. 
Individual constitution has much to do with the development of such facts, no 
doubt; but in this case, appetite carried it hollow over the tender passion; 
Mr. Dombey being very cool and collected, and the Major fretting and fuming 
in a state of violent heat and irritation. At length the door was thrown open 
by the Native, and, after a pause, occupied by her languishing along the 
gallery, a very blooming, but not very youthful lady, appeared. 


</p>
            <p>`My dear Mr. Dombey,' said the lady, `I am afraid we are late, but Edith has 
been out already looking for a favourable point of view for a sketch, and 
kept me waiting for her. Falsest of Majors,' giving him her little finger, 
`how do you do?' 


</p>
            <p>`Mrs. Skewton,' said Mr. Dombey, `let me gratify my friend Carker:' Mr. 
Dombey unconsciously emphasised the word friend, as saying “no really; I do 
allow him to take credit for that distinction;” `by presenting him to you. 
You have heard me mention Mr. Carker.' 


</p>
            <p>`I am charmed, I am sure,' said Mrs. Skewton, graciously. 


</p>
            <p>Mr. Carker was charmed, of course. Would he have been more charmed on Mr. 
Dombey's behalf, if Mrs. Skewton had been (as he at first supposed her) the 
Edith whom they had toasted over night? 


</p>
            <p>`Why, where, for Heaven's sake, is Edith?' exclaimed Mrs. Skewton, looking 
round. `Still at the door, giving Withers orders about the mounting of those 
drawings! My dear Mr. Dombey, will you have the kindness—' 


</p>
            <p>Mr. Dombey was already gone to seek her. Next moment he returned, bearing on 
his arm the same elegantly dressed and very handsome lady whom Mr. Carker had 
encountered underneath the trees. 


</p>
            <p>`Carker—' began Mr. Dombey. But their recognition of each other was so 
manifest, that Mr. Dombey stopped surprised. 


</p>
            <p>`I am obliged to the gentleman,' said Edith, with a stately bend, `for 
sparing me some annoyance from an importunate beggar just now.' 


</p>
            <p>`I am obliged to my good fortune,' said Mr. Carker, bowing low, `for the 
opportunity of rendering so slight a service to one whose servant I am proud 
to be.' 


</p>
            <p>As her eye rested on him for an instant, and then lighted on the ground, he 
saw in its bright and searching glance a suspicion that he had not come up at 
the moment of his interference, but had secretly observed her sooner. As he 
saw that, she saw in <hi>his</hi> eye that her distrust was not without 
foundation. 


</p>
            <p>`Really,' cried Mrs. Skewton, who had taken this opportunity of inspecting 
Mr. Carker through her glass, and satisfying herself (as she lisped audibly 
to the Major) that he was all heart; `really now, this is one of the most 
enchanting coincidences that I ever heard of. The idea! My dearest Edith, 
there is such an obvious destiny in it, that really one might almost be 
induced to cross one's arms upon one's frock, and say, like those wicked 
Turks, there is no What's-his-name but Thingummy, and What-you-may-call-it is 
his prophet!' 


</p>
            <p>Edith deigned no revision of this extraordinary quotation from the Koran, but 
Mr. Dombey felt it necessary to offer a few polite remarks. 


</p>
            <p>`It gives me great pleasure,' said Mr. Dombey, with cumbrous gallantry, `that 
a gentleman so nearly connected with myself as Carker is, should have had the 
honour and happiness of rendering the least assistance to Mrs. Granger.' Mr. 
Dombey bowed to her. `But it gives me some pain, and it occasions me to be 
really envious of Carker;' he unconsciously laid stress on these words, as 
sensible that they must appear to involve a very surprising proposition; 
`envious of Carker, that I had not that honour and that happiness myself.' 
Mr. Dombey bowed again. Edith, saving for a curl of her lip, was 
motionless. 


</p>
            <p>`By the Lord, Sir,' cried the Major, bursting into speech at sight of the 
waiter, who was come to announce breakfast, `it's an extraordinary thing to 
me that no one can have the honour and happiness of shooting all such beggars 
through the head without being brought to book for it. But here's an arm for 
Mrs. Granger if she'll do J. B. the honour to accept it; and the greatest 
service Joe can render you, ma'am, just now, is, to lead you in to table!' 


</p>
            <p>With this, the Major gave his arm to Edith; Mr. Dombey led the way with Mrs. 
Skewton; Mr. Carker went last, smiling on the party. 


</p>
            <p>`I am quite rejoiced, Mr. Carker,' said the lady-mother, at breakfast, after 
another approving survey of him through her glass, `that you have timed your 
visit so happily, as to go with us to-day. It is the most enchanting 
expedition!' 


</p>
            <p>`Any expedition would be enchanting in such society,' returned Carker; `but I 
believe it is, in itself, full of interest.' 


</p>
            <p>`Oh!' cried Mrs. Skewton, with a faded little scream of rapture, `the Castle 
is charming!—associations of the Middle Ages—and all that—which is so 
truly exquisite. Don't you doat upon the Middle Ages, Mr. Carker?' 


</p>
            <p>`Very much, indeed,' said Mr. Carker. 


</p>
            <p>`Such charming times!' cried Cleopatra. `So full of faith!So vigorous and 
forcible! So picturesque! So perfectly removed from commonplace! Oh dear! If 
they would only leave us a little more of the poetry of existence in these 
terrible days!' 


</p>
            <p>Mrs. Skewton was looking sharp after Mr. Dombey all the time she said this, 
who was looking at Edith: who was listening, but who never lifted up her 
eyes. 


</p>
            <p>`We are dreadfully real, Mr. Carker,' said Mrs. Skewton; `are we not?' 


</p>
            <p>Few people has less reason to complain of their reality than Cleopatra, who 
had as much that was false about her as could well go to the composition of 
anybody with a real individual existence. But Mr. Carker commiserated our 
reality nevertheless, and agreed that we were very hardly used in that 
regard. 


</p>
            <p>`Pictures at the Castle, quite divine!' said Cleopatra. `I hope you doat upon 
pictures?' 


</p>
            <p>`I assure you, Mrs. Skewton,' said Mr. Dombey, with solemn encouragement of 
his Manager, `that Carker has a very good taste for pictures; quite a natural 
power of appreciating them. He is a very creditable artist himself. He will 
be delighted, I am sure, with Mrs. Granger's taste and skill.' 


</p>
            <p>`Damme, Sir!' cried Major Bagstock, `my opinion is, that you're the admirable 
Carker, and can do anything.' 


</p>
            <p>`Oh!' smiled Carker, with humility, `you are much too sanguine, Major 
Bagstock. I can do very little. But Mr. Dombey is so generous in his 
estimation of any trivial accomplishment a man like myself may find it almost 
necessary to acquire, and to which, in his very different sphere, he is far 
superior, that—' Mr. Carker shrugged his shoulders, deprecating further 
praise, and said no more. 


</p>
            <p>All this time, Edith never raised her eyes, unless to glance towards her 
mother when that lady's fervent spirit shone forth in words. But as Carker 
ceased, she looked at Mr. Dombey for a moment. For a moment only; but with a 
transient gleam of scornful wonder on her face, not lost on one observer, who 
was smiling round the board. 


</p>
            <p>Mr. Dombey caught the dark eyelash in its descent, and took the opportunity 
of arresting it. 


</p>
            <p>`You have been to Warwick often, unfortunately?' said Mr. Dombey. 


</p>
            <p>`Several times' 


</p>
            <p>`The visit will be tedious to you, I am afraid.' 


</p>
            <p>`Oh no; not at all.' 


</p>
            <p>`Ah! You are like your cousin Feenix, my dearest Edith,' said Mrs. Skewton. 
`He has been to Warwick Castle fifty times, if he has been there once; yet if 
he came to Leamington to-morrow—I wish he would, dear angel!—he would make 
his fifty-second visit next day.' 


</p>
            <p>`We are all enthusiastic, are we not, mama?' said Edith, with a cold 
smile. 


</p>
            <p>`Too much so, for our peace, perhaps, my dear,' returned her mother; `but we 
won't complain. Our own emotions are our recompense. If, as your cousin 
Feenix says, the sword wears out the what's-its-name—' 


</p>
            <p>`The scabbard, perhaps,' said Edith. 


</p>
            <p>`Exactly—a little too fast, it is because it is bright and glowing, you 
know, my dearest love.' 


</p>
            <p>Mrs. Skewton heaved a gentle sigh, supposed to cast a shadow on the surface 
of that dagger of lath, whereof her susceptible bosom was the sheath: and 
leaning her head on one side, in the Cleopatra manner, looked with pensive 
affection on her darling child. 


</p>
            <p>Edith had turned her face towards Mr. Dombey when he first addressed her, and 
had remained in that attitude, while speaking to her mother, and while her 
mother spoke to her, as though offering him her attention, if he had anything 
more to say. There was something in the manner of this simple courtesy: 
almost defiant, and giving it the character of being rendered on compulsion, 
or as a matter of traffic to which she was a reluctant party: again not lost 
upon that same observer who was smiling round the board. It set him thinking 
of her as he had first seen her, when she had believed herself to be alone 
among the trees. 


</p>
            <p>Mr. Dombey having nothing else to say, proposed—the breakfast being now 
finished, and the Major gorged, like any Boa Constrictor—that they should 
start. A barouche being in waiting, according to the orders of that 
gentleman, the two ladies, the Major and himself, took their seats in it; the 
Native and the wan page mounted the box, Mr. Towlinson being left behind; and 
Mr. Carker, on horseback, brought up the rear. 


</p>
            <p>Mr. Carker cantered behind the carriage, at the distance of a hundred yards 
or so, and watched it, during all the ride, as if he were a cat, indeed, and 
its four occupants, mice. Whether he looked to one side of the road, or to 
the other—over distant landscape, with its smooth undulations, wind-mills, 
corn, grass, bean fields, wild-flowers, farm-yards, hayricks, and the spire 
among the wood—or upwards in the sunny air, where butterflies were sporting 
round his head, and birds were pouring out their songs—or downward, where 
the shadows of the branches interlaced, and made a trembling carpet on the 
road—or onward, where the overhanging trees formed aisles and arches, dim 
with the softened light that steeped through leaves—one corner of his eye 
was ever on the formal head of Mr. Dombey, addressed towards him, and the 
feather in the bonnet, drooping so neglectfully and scornfully between them; 
much as he had seen the haughty eyelids droop; not least so, when the face 
met that now fronting it. Once, and once only, did his wary glance release 
these objects; and that was, when a leap over a low hedge, and a gallop 
across a field, enabled him to anticipate the carriage coming by the road, 
and to be standing ready, at the journey's end, to hand the ladies out. Then, 
and but then, he met her glance for an instant in her first surprise; but 
when he touched her, in alighting, with his soft white hand, it overlooked 
him altogether as before. 


</p>
            <p>Mrs. Skewton was bent on taking charge of Mr. Carker herself, and showing him 
the beauties of the Castle. She was determined to have his arm, and the 
Major's too. It would do that incorrigible creature: who was the most 
barbarous infidel in point of poetry: good to be in such company. This chance 
arrangement left Mr. Dombey at liberty to escort Edith: which he did, 
stalking before them through the apartments with a gentlemanly solemnity. 


</p>
            <p>`Those darling byegone times, Mr. Carker,' said Cleopatra, `with their 
delicious fortresses, and their dear old dungeons, and their delightful 
places of torture, and their romantic vengeances, and their picturesque 
assaults and sieges, and everything that makes life truly charming! How 
dreadfully we have degenerated!' 


</p>
            <p>`Yes, we have fallen off deplorably,' said Mr. Carker. 


</p>
            <p>The peculiarity of their conversation was, that Mrs. Skewton, in spite of her 
ecstasies, and Mr. Carker, in spite of his urbanity, were both intent on 
watching Mr. Dombey and Edith. With all their conversational endowments, they 
spoke somewhat distractedly, and at random in consequence. 


</p>
            <p>`We have no Faith left, positively,' said Mrs. Skewton, advancing her 
shrivelled ear; for Mr. Dombey was saying something to Edith. `We have no 
Faith in he dear old Barons, who were the most delightful creatures—or in 
the dear old Priests, who were the most warlike of men—or even in the days 
of that inestimable Queen Bess, upon the wall there, which were so extremely 
golden. Dear creature! She was all Heart!And that charming father of hers! I 
hope you doat on Harry the Eighth!' 


</p>
            <p>`I admire him very much,' said Carker. 


</p>
            <p>`So bluff!' cried Mrs. Skewton, `wasn't he? So burly. So truly English. Such 
a picture, too, he makes, with his dear little peppy eyes, and his benevolent 
chin!' 


</p>
            <p>`Ah, ma'am!' said Carker, stopping short; `but if you speak of pictures, 
there's a composition! What gallery in the world can produce the counterpart 
of that?' 


</p>
            <p>As the smiling gentleman thus spake, he pointed through a doorway to where 
Mr. Dombey and Edith were standing alone in the centre of another room. 


</p>
            <p>They were not interchanging a word or a look. Standing together, arm in arm, 
they had the appearance of being more divided than if seas had rolled between 
them. There was a difference even in the pride of the two, that removed them 
farther from each other, than if one had been the proudest and the other the 
humblest specimen of humanity in all creation. He, self-important, unbending, 
formal, austere. She, lovely and graceful in an uncommon degree, but totally 
regardless of herself and him and everything around, and spurning her own 
attractions with her haughty brow and lip, as if they were a badge or livery 
she hated. So unmatched were they, and opposed, so forced and linked together 
by a chain which adverse hazard and mischance had forged: that fancy might 
have imagined the pictures on the walls around them, startled by the 
unnatural conjunction, and observant of it in their several expressions. Grim 
knights and warriors looked scowling on them. A churchman, with his hand 
upraised, denounced the mockery of such a couple coming to God's altar. Quiet 
waters in landscapes, with the sun reflected in their depths, asked, if 
better means of escape were not at hand, was there no drowning left? Ruins 
cried, `Look here, and see what We are, wedded to uncongenial Time!' Animals, 
opposed by nature, worried one another, as a moral to them. Loves and Cupids 
took to flight afraid, and Martyrdom had no such torment in its painted 
history of suffering. 


</p>
            <p>Nevertheless, Mrs. Skewton was so charmed by the sight to which Mr. Carker 
invoked her attention, that she could not refrain from saying, half aloud, 
how sweet, how very full of soul it was! Edith, overhearing, looked round, 
and flushed indignant scarlet to her hair. 


</p>
            <p>`My dearest Edith knows I was admiring her!' said Cleopatra, tapping her, 
almost timidly, on the back with her parasol. `Sweet pet!' 


</p>
            <p>Again Mr. Carker saw the strife he had witnessed so unexpectedly among the 
trees. Again he saw the haughty languor and indifference come over it, and 
hide it like a cloud. 


</p>
            <p>She did not raise her eyes to him; but with a slight peremptory motion of 
them, seemed to bid her mother come near. Mrs. Skewton thought it expedient 
to understand the hint, and advancing quickly, with her two cavaliers, kept 
near her daughter from that time. 


</p>
            <p>Mr. Carker now, having nothing to distract his attention, began to discourse 
upon the pictures and to select the best, and point them out to Mr. Dombey: 
speaking with his usual familiar recognition of Mr. Dombey's greatness, and 
rendering homage by adjusting his eye-glass for him, or finding out the right 
place in his catalogue, or holding his stick, or the like. These services did 
not so much originate with Mr. Carker, in truth, as with Mr. Dombey himself, 
who was apt to assert his chieftainship by saying, with subdued authority, 
and in an easy way—for him—`Here, Carker, have the goodness to assist me, 
will you?' which the smiling gentleman always did with pleasure. 


</p>
            <p>They made the tour of the pictures, the walls, crow's nest, and so forth; and 
as they were still one little party, and the Major was rather in the shade: 
being sleepy during the process of digestion: Mr. Carker became communicative 
and agreeable. At first, he addressed himself for the most part to Mrs. 
Skewton; but as that sensitive lady was in such ecstasies with the works of 
art, after the first quarter of an hour, that she could do nothing but yawn 
(they were such perfect inspirations, she observed as a reason for that mark 
of rapture), he transferred his attentions to Mr. Dombey. Mr. Dombey said 
little beyond an occasional `Very true, Carker,' or `Indeed, Carker,' but he 
tacitly encouraged Carker to proceed, and inwardly approved of his behaviour 
very much: deeming it as well that somebody should talk, and thinking that 
his remarks, which were, as one might say, a branch of the parent 
establishment, might amuse Mrs. Granger. Mr. Carker, who possessed an 
excellent discretion, never took the liberty of addressing that lady, direct; 
but she seemed to listen, though she never looked at him; and once or twice, 
when he was emphatic in his peculiar humility, the twilight smile stole over 
her face, not as a light, but as a deep black shadow. 


</p>
            <p>Warwick Castle being at length pretty well exhausted, and the Major very much 
so: to say nothing of Mrs. Skewton, whose peculiar demonstrations of delight 
had become very frequent indeed: the carriage was again put in requisition, 
and they rode to several admired points of view in the neighbourhood. Mr. 
Dombey ceremoniously observed of one of these, that a sketch, however slight, 
from the fair hand of Mrs. Granger, would be a remembrance to him of that 
agreeable day: though he wanted no artificial remembrance, he was sure (here 
Mr. Dombey made another of his bows), which he must always highly value. 
Withers the lean having Edith's sketch-book under his arm, was immediately 
called upon by Mrs. Skewton to produce the same: and the carriage stopped, 
that Edith might make the drawing, which Mr. Dombey was to put away among his 
treasures. 


</p>
            <p>`But I am afraid I trouble you too much,' said Mr. Dombey. 


</p>
            <p>`By no means. Where would you wish it taken from?' she answered, turning to 
him with the same enforced attention as before. 


</p>
            <p>Mr. Dombey, with another bow, which cracked the starch in his cravat, would 
beg to leave that to the Artist. 


</p>
            <p>`I would rather you chose for yourself,' said Edith. 


</p>
            <p>`Suppose then,' said Mr. Dombey, `we say from here. It appears a good spot 
for the purpose, or—Carker, what do <hi>you</hi> think?' 


</p>
            <p>There happened to be in the foreground, at some little distance, a grove of 
trees, not unlike that in which Mr. Carker had made his chain of footsteps in 
the morning, and with a seat under one tree, greatly resembling, in the 
general character of its situation, the point where his chain had broken. 


</p>
            <p>`Might I venture to suggest to Mrs. Granger,' said Carker, `that that is an 
interesting—almost a curious—point of view?' 


</p>
            <p>She followed the direction of his riding-whip with her eyes, and raised them 
quickly to his face. It was the second glance they had exchanged since their 
introduction; and would have been exactly like the first, but that its 
expression was plainer. 


</p>
            <p>`Will you like that?' said Edith to Mr. Dombey. 


</p>
            <p>`I shall be charmed,' said Mr. Dombey to Edith. 


</p>
            <p>Therefore the carriage was driven to the spot where Mr. Dombey was to be 
charmed; and Edith, without moving from her seat, and opening her sketch-book 
with her usual proud indifference, began to sketch. 


</p>
            <p>`My pencils are all pointless,' she said, stopping and turning them over. 


</p>
            <p>`Pray allow me,' said Mr. Dombey. `Or Carker will do it better, as he 
understands these things. Carker, have the goodness to see to these pencils 
for Mrs. Granger.' 


</p>
            <p>Mr. Carker rode up close to the carriage-door on Mrs. Granger's side, and 
letting the rein fall on his horse's neck, took the pencils from her hand 
with a smile and a bow, and sat in the saddle leisurely mending them. Having 
done so, he begged to be allowed to hold them, and to hand them to her as 
they were required; and thus Mr. Carker, with many commendations of Mrs. 
Granger's extraordinary skill—especially in trees—remained close at her 
side, looking over the drawing as she made it. Mr. Dombey in the meantime 
stood bolt upright in the carriage like a highly respectable ghost, looking 
on too; while Cleopatra and the Major dallied as two ancient doves might 
do. 


</p>
            <p>`Are you satisified with that, or shall I finish it a little more?' said 
Edith, showing the sketch to Mr. Dombey. 


</p>
            <p>Mr. Dombey begged that it might not be touched; it was perfection. 


</p>
            <p>`It is most extraordinary,' said Carker, bringing every one of his red gums 
to bear upon his praise. `I was not prepared for anything so beautiful, and 
so unusual altogether.' 


</p>
            <p>This might have applied to the sketcher no less than to the sketch; but Mr. 
Carker's manner was openness itself—not as to his mouth alone, but as to his 
whole spirit. So it continued to be while the drawing was laid aside for Mr. 
Dombey, and while the sketching materials were put up; then he handed in the 
pencils (which were received with a distant acknowledgment of his help, but 
without a look), and tightening his rein, fell back, and followed the 
carriage again. 


</p>
            <p>Thinking, perhaps, as he rode, that even this trivial sketch had been made 
and delivered to its owner, as if it had been bargained for and bought. 
Thinking, perhaps, that although she had assented with such perfect readiness 
to his request, her haughty face, bent over the drawing, or glancing at the 
distant objects represented in it, had been the face of a proud woman, 
engaged in a sordid and miserable transaction. Thinking, perhaps, of such 
things: but smiling certainly, and while he seemed to look about him freely, 
in enjoyment of the air and exercise, keeping always that sharp corner of his 
eye upon the carriage. 


</p>
            <p>A stroll among the haunted ruins of Kenilworth, and more rides to more points 
of view; most of which, Mrs. Skewton reminded Mr. Dombey, Edith had already 
sketched, as he had seen in looking over her drawings: brought the day's 
expedition to a close. Mrs. Skewton and Edith were driven to their own 
lodgings; Mr. Carker was graciously invited by Cleopatra to return thither 
with Mr. Dombey and the Major, in the evening, to hear some of Edith's music; 
and the three gentlemen repaired to their hotel dinner. 


</p>
            <p>The dinner was the counterpart of yesterday's, except that the Major was 
twenty-four hours more triumphant and less mysterious. Edith was toasted 
again. Mr. Dombey was again agreeably embarrassed. And Mr. Carker was full of 
interest and praise. 


</p>
            <p>There were no other visitors at Mrs. Skewton's. Edith's drawings were strewn 
about the room, a little more abundantly than usual perhaps; and Withers, the 
wan page, handed round a little stronger tea. The harp was there; the piano 
was there; and Edith sang and played. But even the music was played by Edith 
to Mr. Dombey's order, as it were, in the same uncompromising way. As 
thus. 


</p>
            <p>`Edith, my dearest love,' said Mrs. Skewton, half an hour after tea, `Mr. 
Dombey is dying to hear you, I know.' 


</p>
            <p>`Mr. Dombey has life enough left to say so for himself, mama, I have no 
doubt.' 


</p>
            <p>`I shall be immensely obliged,' said Mr. Dombey. 


</p>
            <p>`What do you wish?' 


</p>
            <p>`Piano?' hesitated Mr. Dombey. 


</p>
            <p>`Whatever you please. You have only to choose.' 


</p>
            <p>Accordingly, she began with the piano. It was the same with the harp; the 
same with her singing; the same with the selection of the pieces that she 
sang and played. Such frigid and constrained, yet prompt and pointed 
acquiescence with the wishes he imposed upon her, and on no one else, was 
sufficiently remarkable to penetrate through all the mysteries of picquet, 
and impress itself on Mr. Carker's keen attention. Nor did he lose sight of 
the fact that Mr. Dombey was evidently proud of his power, and liked to show 
it. 


</p>
            <p>Nevertheless, Mr. Carker played so well—some games with the Major, and some 
with Cleopatra, whose vigilance of eye in respect of Mr. Dombey and Edith no 
lynx could have surpassed—that he even heightened his position in the 
lady-mother's good graces; and when on taking leave he regretted that he 
would be obliged to return to London next morning, Cleopatra trusted: 
community of feeling not being met with every day: that it was far from being 
the last time they would meet. 


</p>
            <p>`I hope so,' said Mr. Carker, with an expressive look at the couple in the 
distance, as he drew towards the door, following the Major. `I think so.' 


</p>
            <p>Mr. Dombey, who had taken a stately leave of Edith, bent, or made some 
approach to a bend, over Cleopatra's couch, and said, in a low voice: 


</p>
            <p>`I have requested Mrs. Granger's permission to call on her to-morrow 
morning—for a purpose—and she has appointed twelve o'clock. May I hope to 
have the pleasure of finding you at home, madam, afterwards?' 


</p>
            <p>Cleopatra was so much fluttered and moved, by hearing this, of course, 
incomprehensible speech, that she could only shut her eyes, and shake her 
head, and give Mr. Dombey her hand; which Mr. Dombey, not exactly knowing 
what to do with, dropped. 


</p>
            <p>`Dombey, come along!' cried the Major, looking in at the door. `Damme, Sir, 
old Joe has a great mind to propose an alteration in the name of the Royal 
Hotel, and that it should be called the Tree Jolly Bachelors, in honour of 
ourselves and Carker.' With this the Major slapped Mr. Dombey on the back, 
and winking over his shoulder at the ladies, with a frightful tendency of 
blood to the head, carried him off. 


</p>
            <p>Mrs. Skewton reposed on her sofa, and Edith sat apart, by her harp, in 
silence. The mother, trifling with her fan, looked stealthily at the daughter 
more than once, but the daughter, brooding gloomily with downcast eyes, was 
not to be disturbed. 


</p>
            <p>Thus they remained for a long hour, without a word, until Mrs. Skewton's maid 
appeared, according to custom, to prepare her gradually for night. At night, 
she should have been a skeleton, with dart and hour-glass, rather than a 
woman, this attendant; for her touch was as the touch of Death. The painted 
object shrivelled underneath her hand; the form collapsed, the hair dropped 
off, the arched dark eyebrows changed to scanty tufts of grey; the pale lips 
shrunk, the skin became cadaverous and loose; an old, worn, yellow, nodding 
woman, with red eyes, alone remained in Cleopatra's place, huddled up, like a 
slovenly bundle, in a greasy flannel gown. 


</p>
            <p>The very voice was changed, as it addressed Edith, when they were alone 
again. 


</p>
            <p>`Why don't you tell me,' it said sharply, `that he is coming here to-morrow 
by appointment?' 


</p>
            <p>`Because you know it,' returned Edith, `Mother.' 


</p>
            <p>The mocking emphasis she laid on that one word! 


</p>
            <p>`You know he has bought me,' she resumed. `Or that he will, to-morrow. He has 
considered of his bargain; he has shown it to his friend; he is even rather 
proud of it; he thinks that it will suit him, and may be had sufficiently 
cheap; and he will buy to-morrow. God, that I have lived for this, and that I 
feel it!' 


</p>
            <p>Compress into one handsome face the conscious self-abasement, and the burning 
indignation of a hundred women, strong in passion and in pride; and there it 
hid itself with two white shuddering arms. 


</p>
            <p>`What do you mean?' returned the angry mother. `Haven't you from a 
child—' 


</p>
            <p>`A child !' said Edith, looking at her, `when was I a child? What childhood 
did you ever leave to me? I was a woman—artful, designing, mercenary, laying 
snares for men—before I knew myself, or you, or even understood the base and 
wretched aim of every new display I learnt. You gave birth to a woman. Look 
upon her. She is in her pride to-night.' 


</p>
            <p>And as she spoke, she struck her hand upon her beautiful bosom, as though she 
would have beaten down herself. 


</p>
            <p>`Look at me,' she said, `who have never known what it is to have an honest 
heart, and love. Look at me, taught to scheme and plot when children play; 
and married in my youth—an old age of design—to one for whom I had no 
feeling but indifference. Look at me, whom he left a widow, dying before his 
inheritance descended to him—a judgment on you! well deserved!—and tell me 
what has been my life for ten years since.' 


</p>
            <p>`We have been making every effort to endeavour to secure to you a good 
establishment,' rejoined her mother. `That has been your life. And now you 
have got it.' 


</p>
            <p>`There is no slave in a market; there is no horse in a fair: so shown and 
offered and examined and paraded, mother, as I have been, for ten shameful 
years,' cried Edith, with a burning brow, and the same bitter emphasis on the 
one word. `Is it not so? Have I been made the bye-word of all kinds of men? 
Have fools, have profligates, have boys, have dotards, dangled after me, and 
one by one rejected me, and fallen off, because you were too plain with all 
your cunning: yes, and too true, with all those false pretences: until we 
have almost come to be notorious? The licence of look and touch,' she said, 
with flashing eyes, `have I submitted to it, in half the places of resort 
upon the map of England. Have I been hawked and vended here and there until 
the last grain of self-respect is dead within me, and I loathe myself? Has 
<hi>this</hi> been my late childhood? I had none before. Do not tell me that I 
had, to-night, of all nights in my life!' 


</p>
            <p>`You might have been well married,' said her mother, `twenty times at least, 
Edith, if you had given encouragement enough.' 


</p>
            <p>`No! Who takes me, refuse that I am, and as I well deserve to be,' she 
answered, raising her head, and trembling in her energy of shame and stormy 
pride, `shall take me, as this man does, with no art of mine put forth to 
lure him. He sees me at the auction, and he thinks it well to buy me. Let 
him! When he came to view me—perhaps to bid—he required to see the roll of 
my accomplishments. I gave it to him. When he would have me show one of them, 
to justify his purchase to his men, I require of him to say which he demands, 
and I exhibit it. I will do no more. He makes the purchase of his own will, 
and with his own sense of its worth, and the power of his money; and I hope 
it may never disappoint him. <hi>I</hi> have not vaunted and pressed the 
bargain; neither have you, so far as I have been able to prevent you.' 


</p>
            <p>`You talk strangely to-night, Edith, to your own mother.' 


</p>
            <p>`It seems so to me; stranger to me than you,' said Edith. `But my education 
was completed long ago. I am too old now, and have fallen too low, by 
degrees, to take a new course, and to stop yours, and to help myself. The 
germ of all that purifies a woman's breast, and makes it true and good, has 
never stirred in mine, and I have nothing else to sustain me when I despise 
myself.' There had been a touching sadness in her voice, but it was gone, 
when she went on to say, with a curled lip, `So, as we are genteel and poor, 
I am content that we should be made rich by these means; all I say is, I have 
kept the only purpose I have had the strength to form—I had almost said the 
power, with you at my side, mother—and have not tempted this man on.' 


</p>
            <p>`This man! You speak,' said her mother, `as if you hated him.' 


</p>
            <p>`And you thought I loved him, did you not?' she answered, stopping on her way 
across the room, and looking round. `Shall I tell you,' she continued, with 
her eyes fixed on her mother, `who already knows us thoroughly, and reads us 
right, and before whom I have even less of self-respect or confidence than 
before my own inward self; being so much degraded by his knowledge of me?' 


</p>
            <p>`This is an attack, I suppose,' returned her mother coldly, `on poor, 
unfortunate what's-his-name—Mr. Carker! Your want of self-respect and 
confidence, my dear, in reference to that person (who is very agreeable, it 
strikes me), is not likely to have much effect on your establishment. Why do 
you look at me so hard? Are you ill?' 


</p>
            <p>Edith suddenly let fall her face, as if it had been stung, and while she 
pressed her hands upon it, a terrible tremble crept over her whole frame. It 
was quickly gone; and with her usual step, she passed out of the room. 


</p>
            <p>The maid who should have been a skeleton, then reappeared, and giving one arm 
to her mistress, who appeared to have taken off her manner with her charms, 
and to have put on paralysis with her flannel gown, collected the ashes of 
Cleopatra, and carried them away in the other, ready for tomorrow's 
revivification. 

</p>
         </div>
         <div xml:id="c28" type="chapter">
            <head>CHAPTER XXVIII</head>
            <head>Alterations</head>
            <p>`SO the day has come at length, Susan,' said Florence to the excellent 
Nipper, `when we are going back to our quiet home!' 


</p>
            <p>Susan drew in her breath with an amount of expression not easily described, 
and further relieving her feelings with a smart cough, answered, `Very quiet 
indeed, Miss Floy, no doubt. Excessive so.' 


</p>
            <p>`When I was a child,' said Florence, thoughtfully, and after musing for some 
moments, `did you ever see that gentleman who has taken the trouble to ride 
down here to speak to me, now three times—three times, I think, Susan?' 


</p>
            <p>`Three times, Miss,' returned the Nipper. `Once when you was out a walking 
with them Sket—' 


</p>
            <p>Florence gently looked at her, and Miss Nipper checked herself. 


</p>
            <p>`With Sir Barnet and his lady, I mean to say, Miss, and the young gentleman. 
And two evenings since then.' 


</p>
            <p>`When I was a child, and when company used to come to visit papa, did you 
ever see that gentleman at home, Susan?' asked Florence. 


</p>
            <p>`Well, Miss,' returned her maid, after considering, `I really couldn't say I 
ever did. When your poor dear ma died, Miss Floy, I was very new in the 
family, you see, and <hi>my</hi> element:' the Nipper bridled, as opining that 
her merits had been always designedly extinguished by Mr. Dombey: `was the 
floor below the attics.' 


</p>
            <p>`To be sure,' said Florence, still thoughtfully; `you are not likely to have 
known who came to the house. I quite forgot.' 


</p>
            <p>`Not, Miss, but what we talked about the family and visitors,' said Susan, 
`and but what I heard much said, although the nurse before Mrs. Richards 
<hi>did</hi> make unpleasant remarks when I was in company, and hint at little 
Pitchers, but that could only be attributed, poor thing,' observed Susan, 
with composed forbearance, `to habits of intoxication, for which she was 
required to leave, and did.' 


</p>
            <p>Florence, who was seated at her chamber window, with her face resting on her 
hand, sat looking out, and hardly seemed to hear what Susan said, she was so 
lost in thought. 


</p>
            <p>`At all events, Miss,' said Susan, `I remember very well that this same 
gentleman, Mr. Carker, was almost, if not quite, as great a gentleman with 
your Papa then, as he is now. It used to be said in the house then, Miss, 
that he was at the head of all your Pa's affairs in the City, and managed the 
whole, and that your Pa minded him more than anybody, which, begging your 
pardon, Miss Floy, he might easy do, for he never minded anybody else. I knew 
that, Pitcher as I might have been.' 


</p>
            <p>Susan Nipper, with an injured remembrance of the nurse before Mrs. Richards, 
emphasised `Pitcher' strongly. 


</p>
            <p>`And that Mr. Carker has not fallen off, Miss,' she pursued, `but has stood 
his ground, and kept his credit with your Pa, I know from what is always said 
among our people by that Perch, whenever he comes to the house; and though 
he's the weakest weed in the world, Miss Floy, and no one can have a moment's 
patience with the man, he knows what goes on in the City tolerable well, and 
says that your Pa does nothing without Mr. Carker, and leaves all to Mr. 
Carker, and acts according to Mr. Carker, and has Mr. Carker always at his 
elbow, and I do believe that he believes (that washiest of Perches!) that 
after your Pa, the Emperor of India is the child unborn to Mr. Carker.' 


</p>
            <p>Not a word of this was lost on Florence, who, with an awakened interest in 
Susan's speech, no longer gazed abstractedly on the prospect without, but 
looked at her, and listened with attention. 


</p>
            <p>`Yes, Susan,' she said, when that young lady had concluded. `He is in Papa's 
confidence, and is his friend, I am sure.' 


</p>
            <p>Florence's mind ran high on this theme, and had done for some days. Mr. 
Carker, in the two visits with which he had followed up his first one, had 
assumed a confidence between himself and her—a right on his part to be 
mysterious and stealthy, in telling her that the ship was still unheard of—a 
kind of mildly restrained power and authority over her—that made her wonder, 
and caused her great uneasiness. She had no means of repelling it, or of 
freeing herself from the web he was gradually winding about her; for that 
would have required some art and knowledge of the world, opposed to such 
address is his; and Florence had none. True, he had said no more to her than 
that there was no news of the ship, and that he feared the worst; but how he 
came to know that she was interested in the ship, and why he had the right to 
signify his knowledge to her, so insidiously and darkly, troubled Florence 
very much. 


</p>
            <p>This conduct on the part of Mr. Carker, and her habit of often considering it 
with wonder and uneasiness, began to invest him with an uncomfortable 
fascination in Florence's thoughts. A more distinct remembrance of his 
features, voice, and manner: which she sometimes courted, as a means of 
reducing him to the level of a real personage, capable of exerting no greater 
charm over her than another: did not remove the vague impression. And yet he 
never frowned, or looked upon her with an air of dislike or animosity, but 
was always smiling and serene. 


</p>
            <p>Again, Florence, in pursuit of her strong purpose with reference to her 
father, and her steady resolution to believe that she was herself unwittingly 
to blame for their so cold and distant relations, would recall to mind that 
this gentleman was his confidential friend, and would think, with an anxious 
heart, could her struggling tendency to dislike and fear him be a part of 
that misfortune in her, which had turned her father's love adrift, and left 
her so alone? She dreaded that it might be; sometimes believed it was: then 
she resolved that she would try to conquer this wrong feeling; persuaded 
herself that she was honoured and encouraged by the notice of her father's 
friend; and hoped that patient observation of him and trust in him would lead 
her bleeding feet along that stony road which ended in her father's heart. 


</p>
            <p>Thus, with no one to advise her—for she could advise with no one without 
seeming to complain against him—gentle Florence tossed on an uneasy sea of 
doubt and hope; and Mr. Carker, like a scaly monster of the deep, swam down 
below, and kept his shining eye upon her. 


</p>
            <p>Florence had a new reason in all this for wishing to be at home again. Her 
lonely life was better suited to her course of timid hope and doubt; and she 
feared sometimes, that in her absence she might miss some hopeful chance of 
testifying her affection for her father. Heaven knows, she might have set her 
mind at rest, poor child! on this last point; but her slighted love was 
fluttering within her, and, even in her sleep, it flew away in dreams, and 
nestled, like a wandering bird come home, upon her father's neck. 


</p>
            <p>Of Walter she thought often. Ah! how often, when the night was gloomy, and 
the wind was blowing round the house!But hope was strong in her breast. It is 
so difficult for the young and ardent, even with such experience as hers, to 
imagine youth and ardour quenched like a weak flame, and the bright day of 
life merging into night, at noon, that hope was strong yet. Her tears fell 
frequently for Walter's sufferings; but rarely for his supposed death, and 
never long. 


</p>
            <p>She had written to the old Instrument-maker, but had received no answer to 
her note: which indeed required none. Thus matters stood with Florence on the 
morning when she was going home, gladly, to her old secluded life. 


</p>
            <p>Doctor and Mrs. Blimber, accompanied (much against his will) by their valued 
charge, Master Barnet, were already gone back to Brighton, where that young 
gentleman and his fellow-pilgrims to Parnassus were then, no doubt, in the 
continual resumption of their studies. The holiday time was past and over; 
most of the juvenile guests at the villa had taken their departure: and 
Florence's long visit was come to an end. 


</p>
            <p>There was one guest, however, albeit not resident within the house, who had 
been very constant in his attention to the family, and who still remained 
devoted to them. This was Mr. Toots, who after renewing, some weeks ago, the 
acquaintance he had had the happiness of forming with Skettles Junior, on the 
night when he burst the Blimberian bonds and soared into freedom with his 
ring on, called regularly every other day, and left a perfect pack of cards 
at the hall-door; so many indeed, that the ceremony was quite a deal on the 
part of Mr. Toots, and a hand at whist on the part of the servant. 


</p>
            <p>Mr. Toots, likewise, with the bold and happy idea of preventing the family 
from forgetting him (but there is reason to suppose that this expedient 
originated in the teeming brain of the Chicken), had established a six-oared 
cutter, manned by aquatic friends of the Chicken's and steered by that 
illustrious character in person, who wore a bright red fireman's coat for the 
purpose, and concealed the perpetual black eye with which he was afflicted, 
beneath a green shade. Previous to the institution of this equipage, Mr. 
Toots sounded the Chicken on a hypothetical case, as, supposing the Chicken 
to be enamoured of a young lady named Mary, and to have conceived the 
intention of starting a boat of his own, what would he call that boat? The 
Chicken replied, with divers strong asseverations, that he would either 
christen it Poll or The Chicken's Delight. Improving on this idea, Mr. Toots, 
after deep study and the exercise of much invention, resolved to call his 
boat The Toots's Joy, as a delicate compliment to Florence, of which no man 
knowing the parties, could possibly miss the appreciation. 


</p>
            <p>Stretched on a crimson cushion in his gallant bark, with his shoes in the 
air, Mr. Toots, in the exercise of his project, had come up the river, day 
after day, and week after week, and had flitted to and fro, near Sir Barnet's 
garden, and had caused his crew to cut across and across the river at sharp 
angles, for his better exhibition to any lookers-out from Sir Barnet's 
windows, and had had such evolutions performed by the Toots's Joy as had 
filled all the neighbouring part of the water-side with astonishment. But 
whenever he saw any one in Sir Barnet's garden on the brink of the river, Mr. 
Toots always feigned to be passing there, by a combination of coincidences of 
the most singular and unlikely description. 


</p>
            <p>`How are you, Toots?' Sir Barnet would say, waving his hand from the lawn, 
while the artful Chicken steered close in shore. 


</p>
            <p>`How de do, Sir Barnet?' Mr. Toots would answer, `What a surprising thing 
that I should see <hi>you</hi> here!' 


</p>
            <p>Mr. Toots, in his sagacity, always said this, as if, instead of that being 
Sir Barnet's house, it were some deserted edifice on the banks of the Nile, 
or Ganges. 


</p>
            <p>`I never was so surprised!' Mr. Toots would exclaim.—`Is Miss Dombey 
there?' 


</p>
            <p>Whereupon Florence would appear, perhaps. 


</p>
            <p>`Oh, Diogenes is quite well, Miss Dombey,' Mr. Toots would cry. `I called to 
ask this morning.' 


</p>
            <p>`Thank you very much!' the pleasant voice of Florence would reply. 


</p>
            <p>`Won't you come ashore, Toots?' Sir Barnet would say then. `Come! you're in 
no hurry. Come and see us.' 


</p>
            <p>`Oh, it's of no consequence, thank you!' Mr. Toots would blushingly rejoin. 
`I thought Miss Dombey might like to know, that's all. Good-bye!' And poor 
Mr. Toots, who was dying to accept the invitation, but hadn't the courage to 
do it, signed to the Chicken, with an aching heart, and away went the Joy, 
cleaving the water like an arrow. 


</p>
            <p>The Joy was lying in a state of extraordinary splendour, at the garden steps, 
on the morning of Florence's departure. When she went down stairs to take 
leave, after her talk with Susan, she found Mr. Toots awaiting her in the 
drawing-room. 


</p>
            <p>`Oh, how de do, Miss Dombey?' said the stricken Toots, always dreadfully 
disconcerted when the desire of his heart was gained, and he was speaking to 
her; `thank you, I'm very well indeed, I hope you're the same, so was 
Diogenes yesterday.' 


</p>
            <p>`You are very kind,' said Florence. 


</p>
            <p>`Thank you, it's of no consequence,' retorted Mr. Toots. `I thought perhaps 
you wouldn't mind, in this fine weather, coming home by water, Miss Dombey. 
There's plenty of room in the boat for your maid.' 


</p>
            <p>`I am very much obliged to you,' said Florence, hesitating. `I really am—but 
I would rather not.' 


</p>
            <p>`Oh, it's of no consequence,' retorted Mr. Toots. `Good morning!' 


</p>
            <p>`Won't you wait and see Lady Skettles?' asked Florence, kindly. 


</p>
            <p>`Oh no, thank you,' returned Mr. Toots, `it's of no consequence at all.' 


</p>
            <p>So shy was Mr. Toots on such occasions, and so flurried!But Lady Skettles 
entering at the moment, Mr. Toots was suddenly seized with a passion for 
asking her how she did, and hoping she was very well; nor could Mr. Toots by 
any possibility leave off shaking hands with her, until Sir Barnet appeared: 
to whom he immediately clung with the tenacity of desperation. 


</p>
            <p>`We are losing, to-day, Toots,' said Sir Barnet, turning towards Florence, 
`the light of our house, I assure you.' 


</p>
            <p>`Oh, it's of no conseq——I mean yes, to be sure,' faltered the embarrassed 
Toots. `<hi rend="sc">good</hi>morning!' 


</p>
            <p>Notwithstanding the emphatic nature of this farewell, Mr. Toots, instead of 
going away, stood leering about him, vacantly. Florence, to relieve him, bade 
adieu, with many thanks, to Lady Skettles, and gave her arm to Sir Barnet. 


</p>
            <p>`May I beg of you, my dear Miss Dombey,' said her host, as he conducted her 
to the carriage, `to present my best compliments to your dear Papa?' 


</p>
            <p>It was distressing to Florence to receive the commission, for she felt as if 
she were imposing on Sir Barnet by allowing him to believe that a kindness 
rendered to her, was rendered to her father. As she could not explain, 
however, she bowed her head and thanked him; and again she thought that the 
dull home, free from such embarrassments, and such reminders of her sorrow, 
was her natural and best retreat. 


</p>
            <p>Such of her late friends and companions as were yet remaining at the villa, 
came running from within, and from the garden, to say good-bye. They were all 
attached to her, and very earnest in taking leave of her. Even the household 
were sorry for her going, and the servants came nodding and curtseying round 
the carriage door. As Florence looked round on the kind faces, and saw among 
them those of Sir Barnet and his lady, and of Mr. Toots, who was chuckling 
and staring at her from a distance, she was reminded of the night when Paul 
and she had come from Doctor Blimber's: and when the carriage drove away, her 
face was wet with tears. 


</p>
            <p>Sorrowful tears, but tears of consolation, too; for all the softer memories 
connected with the dull old house to which she was returning made it dear to 
her, as they rose up. How long it seemed since she had wandered through the 
silent rooms: since she had last crept, softly and afraid, into those her 
father occupied: since she had felt the solemn but yet soothing influence of 
the beloved dead in every action of her daily life! This new farewell 
reminded her, besides, of her parting with poor Walter: of his looks and 
words that night: and of the gracious blending she had noticed in him, of 
tenderness for those he left behind, with courage and high spirit. His little 
history was associated with the old house too, and gave it a new claim and 
hold upon her heart. 


</p>
            <p>Even Susan Nipper softened towards the home of so many years, as they were on 
their way towards it. Gloomy as it was, and rigid justice as she rendered to 
its gloom, she forgave it a great deal. `I shall be glad to see it again, I 
don't deny, Miss,' said the Nipper. `There ain't much in it to boast of, but 
I wouldn't have it burnt or pulled down, neither!' 


</p>
            <p>`You'll be glad to go through the old rooms, won't you, Susan?' said 
Florence, smiling. 


</p>
            <p>`Well, Miss,' returned the Nipper, softening more and more towards the house, 
as they approached it nearer, `I won't deny but what I shall, though I shall 
hate 'em again, to-morrow, very likely.' 


</p>
            <p>Florence felt that, for her, there was greater peace within it than 
elsewhere. It was better and easier to keep her secret shut up there, among 
the tall dark walls, than to carry it abroad into the light, and try to hide 
it from a crowd of happy eyes. It was better to pursue the study of her 
loving heart, alone, and find no new discouragements in loving hearts about 
her. It was easier to hope, and pray, and love on, all uncared for, yet with 
constancy and patience, in the tranquil sanctuary of such remembrances: 
although it mouldered, rusted, and decayed about her: than in a new scene, 
let its gaiety be what it would. She welcomed back her old enchanted dream of 
life, and longed for the old dark door to close upon her, once again. 


</p>
            <p>Full of such thoughts, they turned into the long and sombre street. Florence 
was not on that side of the carriage which was nearest to her home, and as 
the distance lessened between them and it, she looked out of her window for 
the children over the way. 


</p>
            <p>She was thus engaged, when an exclamation from Susan caused her to turn 
quickly round. 


</p>
            <p>`Why, Gracious me!' cried Susan, breathless, `where's our house!' 


</p>
            <p>`Our house!' said Florence. 


</p>
            <p>Susan, drawing in her head from the window, thrust it out again, drew it in 
again as the carriage stopped, and stared at her mistress in amazement. 


</p>
            <p>There was a labyrinth of scaffolding raised all round the house from the 
basement to the roof. Loads of bricks and stones, and heaps of mortar, and 
piles of wood, blocked up half the width and length of the broad street at 
the side. Ladders were raised against the walls: labourers were climbing up 
and down; men were at work upon the steps of the scaffolding: painters and 
decorators were busy inside; great rolls of ornamental paper were being 
delivered from a cart at the door; an upholsterer's waggon also stopped the 
way; no furniture was to be seen through the gaping and broken windows in any 
of the rooms; nothing but workmen, and the implements of their several trades 
swarming from the kitchens to the garrets. Inside and outside alike: 
bricklayers, painters, carpenters, masons: hammer, hod, brush, pickaxe, saw, 
and trowel: all at work together, in full chorus. 


</p>
            <p>Florence descended from the coach, half doubting if it were, or could be the 
right house, until she recognized Towlinson, with a sun-burnt face, standing 
at the door to receive her. 


</p>
            <p>`There is nothing the matter?' inquired Florence. 


</p>
            <p>`Oh no, Miss.' 


</p>
            <p>`There are great alterations going on.' 


</p>
            <p>`Yes, Miss, great alterations,' said Towlinson. 


</p>
            <p>Florence passed him as if she were in a dream, and hurried up stairs. The 
garish light was in the long-darkened drawing-room, and there were steps and 
platforms, and men in paper caps, in the high places. Her mother's picture 
was gone with the rest of the moveables, and on the mark where it had been, 
was scrawled in chalk, `this room in-panel. Green and gold.' The staircase 
was a labyrinth of posts and planks like the out-side of the house, and a 
whole Olympus of plumbers and glaziers was reclining in various attitudes, on 
the skylight. Her own room was not yet touched within, but there were beams 
and boards raised against it without, baulking the daylight. She went up 
swiftly to that other bedroom, where the little bed was; and a dark giant of 
a man with a pipe in his mouth, and his head tied up in a 
pocket-handkerchief, was staring in at the window. 


</p>
            <p>It was here that Susan Nipper, who had been in quest of Florence, found her, 
and said, would she go down stairs to her Papa, who wished to speak to 
her. 


</p>
            <p>`At home! and wishing to speak to me!' cried Florence, trembling. 


</p>
            <p>Susan, who was infinitely more distraught than Florence herself, repeated her 
errand; and Florence, pale and agitated, hurried down again, without a 
moment's hesitation. She thought upon the way down, would she dare to kiss 
him? The longing of her heart resolved her, and she thought she would. 


</p>
            <p>Her father might have heard that heart beat, when it came into his presence. 
One instant, and it would have beat against his breast— 


</p>
            <p>But he was not alone. There were two ladies there; and Florence stopped. 
Striving so hard with her emotion, that if her brute friend Di had not burst 
in and overwhelmed her with his caresses as a welcome home—at which one of 
the ladies gave a little scream, and that diverted her attention from 
herself—she would have swooned upon the floor. 


</p>
            <p>`Florence,' said her father, putting out his hand: so stiffly that it held 
her off: `how do you do?' 


</p>
            <p>Florence took the hand between her own, and putting it timidly to her lips, 
yielded to its withdrawal. It touched the door in shutting it, with quite as 
much endearment as it had touched her. 


</p>
            <p>`What dog is that?' said Mr. Dombey, displeased. 


</p>
            <p>`It is a dog, Papa—from Brighton.' 


</p>
            <p>`Well!' said Mr. Dombey; and a cloud passed over his face, for he understood 
her. 


</p>
            <p>`He is very good-tempered,' said Florence, addressing herself with her 
natural grace and sweetness to the two lady strangers. `He is only glad to 
see me. Pray forgive him.' 


</p>
            <p>She saw in the glance they interchanged, that the lady who had screamed, and 
who was seated, was old; and that the other lady, who stood near her Papa, 
was very beautiful, and of an elegant figure. 


</p>
            <p>`Mrs. Skewton,' said her father, turning to the first, and holding out his 
hand, `this is my daughter Florence.' 


</p>
            <p>`Charming, I am sure,' observed the lady, putting up her glass. `So natural! 
My darling Florence, you must kiss me, if you please.' 


</p>
            <p>Florence having done so, turned towards the other lady, by whom her father 
stood waiting. 


</p>
            <p>`Edith,' said Mr. Dombey, `this is my daughter Florence. Florence, this lady 
will soon be your Mama.' 


</p>
            <p>Florence started, and looked up at the beautiful face in a conflict of 
emotions, among which the tears that name awakened, struggled for a moment 
with surprise, interest, admiration, and an indefinable sort of fear. Then 
she cried out, `Oh, Papa, may you be happy! may you be very, very happy all 
your life!' and then fell weeping on the lady's bosom. 


</p>
            <p>There was a short silence. The beautiful lady, who at first had seemed to 
hesitate whether or no she should advance to Florence, held her to her 
breast, and pressed the hand with which she clasped her, close about her 
waist, as if to reassure her and comfort her. Not one word passed the lady's 
lips. She bent her head down over Florence, and she kissed her on the cheek, 
but she said no word. 


</p>
            <p>`Shall we go on through the rooms,' said Mr. Dombey, `and see how our workmen 
are doing? Pray allow me, my dear madam.' 


</p>
            <p>He said this in offering his arm to Mrs. Skewton, who had been looking at 
Florence through her glass, as though picturing to herself what she might be 
made, by the fashion—from her own copious storehouse, no doubt—of a little 
more Heart and Nature. Florence was still sobbing on the lady's breast, and 
holding to her, when Mr. Dombey was heard to say from the Conservatory: 


</p>
            <p>`Let us ask Edith. Dear me, where is she?' 


</p>
            <p>`Edith, my dear!' cried Mrs. Skewton, `where are you? Looking for Mr. Dombey 
somewhere, I know. We are here, my love.' 


</p>
            <p>The beautiful lady released her hold of Florence, and pressing her lips once 
more upon her face, withdrew hurriedly, and joined them. Florence remained 
standing in the same place: happy, sorry, joyful, and in tears, she knew not 
how, or how long, but all at once: when her new Mama came back, and took her 
in her arms again. 


</p>
            <p>`Florence,' said the lady, hurriedly, and looking into her face with great 
earnestness. `You will not begin by hating me?' 


</p>
            <p>`By hating you, Mama?' cried Florence, winding her arm round her neck, and 
returning the look. 


</p>
            <p>`Hush! Begin by thinking well of me,' said the beautiful lady. `Begin by 
believing that I will try to make you happy, and that I am prepared to love 
you, Florence. Good-bye. We shall meet again soon. Good-bye! Don't stay here, 
now.' 


</p>
            <p>Again she pressed her to her breast—she had spoken in a rapid manner, but 
firmly—and Florence saw her rejoin them in the other room. 


</p>
            <p>And now Florence began to hope that she would learn from her new and 
beautiful Mama, how to gain her father's love; and in her sleep that night, 
in her lost old home, her own Mama smiled radiantly upon the hope, and 
blessed it. Dreaming Florence! 

</p>
         </div>
         <div xml:id="c29" type="chapter">
            <head>CHAPTER XXIX</head>
            <head>The Opening of the Eyes of Mrs. Chick</head>
            <p>MISS TOX, all unconscious of any such rare appearances in connexion with Mr. 
Dombey's house, as scaffoldings and ladders, and men with their heads tied up 
in 
pocket-handkerchiefs, glaring in at the windows like flying genii or strange 
birds,—having 
breakfasted one morning at about this eventful period of time, on her 
customary viands; to 
wit, one French roll rasped, one egg new laid (or warranted to be), and one 
little pot of 
tea, wherein was infused one little silver scoopful of that herb on behalf of 
Miss Tox, and 
one little silver scoopful on behalf of the teapot—a flight of fancy in 
which good 
housekeepers delight; went up stairs to set forth the bird waltz on the 
harpsichord, to 
water and arrange the plants, to dust the nick-nacks, and according to her 
daily custom, to 
make her little drawing-room the garland of Princess's Place. 


</p>
            <p>Miss Tox endued herself with a pair of ancient gloves, like dead leaves, in 
which she was 
accustomed to perform these avocations—hidden from human sight at other 
times in a table 
drawer—and went methodically to work; beginning with the bird waltz; 
passing, by a 
natural association of ideas, to her bird—a very high-shouldered canary, 
stricken in years, 
and much rumpled, but a piercing singer, as Princess's Place well knew; 
taking, next in 
order, the little china ornaments, paper fly-cages, and so forth; and coming 
round, in good 
time, to the plants, which generally required to be snipped here and there 
with a pair of 
scissors, for some botanical reason that  was very powerful with Miss Tox. 


</p>
            <p>Miss Tox was slow in coming to the plants, this morning. The weather was 
warm, the 
wind southerly; and there was a sigh of the summer-time in Princess's Place, 
that turned 
Miss Tox's thoughts upon the country. The pot-boy attached to the Princess's 
Arms had 
come out with a can and trickled water, in a flowing pattern, all over 
Princess's Place, and 
it gave the weedy ground a fresh scent—quite a growing scent, Miss Tox said. 
There was a 
tiny blink of sun peeping in from the great street round the corner, and the 
smoky 
sparrows hopped over it and back again, brightening as they passed: or bathed 
in it, like a 
stream, and became glorified sparrows, unconnected with chimneys. Legends in 
praise of 
Ginger-Beer, with pictorial representations of thirsty customers submerged in 
the 
effervescence, or stunned by the flying corks, were conspicuous in the window 
of the 
Princess's Arms. They were making late hay, somewhere out of town; and though 
the 
fragrance had a long way to come, and many counter fragrances to contend with 
among 
the dwellings of the poor (may God reward the worthy gentlemen who stickle 
for the 
Plague as part and parcel of the wisdom of our ancestors, and who do their 
little best to 
keep those dwellings miserable!), yet it was wafted faintly into Princess's 
Place, 
whispering of Nature and her wholesome air, as such things will, even unto 
prisoners and 
captives, and those who are desolate and oppressed, in very spite of aldermen 
and knights 
to boot: at whose sage nod—and how they nod!—the rolling world stands 
still! 


</p>
            <p>Miss Tox sat down upon the widow-seat, and thought of her good papa 
deceased—Mr. 
Tox, of the Customs Department of the public service; and of her childhood, 
passed at a 
seaport, among a considerable quantity of cold tar, and some rusticity. She 
fell into a 
softened remembrance of meadows, in old time, gleaming with buttercups, like 
so many 
inverted firmaments of golden stars; and how she had made chains of 
dandelion-stalks for 
youthful vowers of eternal constancy, dressed chiefly in nankeen; and how 
soon those 
fetters had withered and broken. 


</p>
            <p>Sitting on the window-seat, and looking out upon the sparrows and the blink 
of sun, Miss 
Tox thought likewise of her good mama deceased—sister to the owner of the 
powdered 
head and pigtail—of her virtues and her rheumatism. And when a man with 
bulgy legs, and 
a rough voice, and a heavy basket on his head that crushed his hat into a 
mere black 
muffin, came crying flowers down Princess's Place, making his timid little 
roots of daisies 
shudder in the vibration of every yell he gave, as though he had been an 
ogre, hawking 
little children, summer recollections were so strong upon Miss Tox, that she 
shook her 
head, and murmured she would be comparatively old before she knew it—which 
seemed 
likely. 


</p>
            <p>In her pensive mood, Miss Tox's thoughts went wandering on Mr. Dombey's 
track; 
probably because the Major had returned home to his lodgings opposite, and 
had just 
bowed to her from his window. What other reason could Miss Tox have for 
connecting 
Mr. Dombey with her summer days and dandelion fetters? Was he more cheerful? 
thought 
Miss Tox. Was he reconciled to the decrees of fate? Would he ever marry 
again? and if 
yes, whom? What sort of person now! 


</p>
            <p>A flush—it was warm weather—overspread Miss Tox's face, as, while 
entertaining these 
meditations, she turned her head, and was surprised by the reflection of her 
thoughtful 
image in the chimney-glass. Another flush succeeded when she saw a little 
carriage drive 
into Princess's Place, and make straight for her own door. Miss Tox arose, 
took up her 
scissors hastily, and so coming, at last, to the plants, was very busy with 
them when Mrs. 
Chick entered the room. 


</p>
            <p>`How is my sweetest friend!' exclaimed Miss Tox, with open arms. 


</p>
            <p>A little stateliness was mingled with Miss Tox's sweetest friend's demeanour, 
but she 
kissed Miss Tox, and said, `Lucretia, thank you, I am pretty well. I hope you 
are the 
same. Hem!' 


</p>
            <p>Mrs. Chick was labouring under a peculiar little monosyllabic cough; a sort 
of primer, or 
easy introduction to the art of coughing. 


</p>
            <p>`You call very early, and how kind that is, my dear!' pursued Miss Tox. `Now, 
have you 
breakfasted?' 


</p>
            <p>`Thank you, Lucretia,' said Mrs. Chick. `I have. I took an early 
breakfast'—the good lady 
seemed curious on the subject of Princess's Place, and looked all round it as 
she 
spoke—`with my brother, who has come home.' 


</p>
            <p>`He is better, I trust, my love,' faltered Miss Tox. 


</p>
            <p>`He is greatly better, thank you. Hem!' 


</p>
            <p>`My dear Louisa must be careful of that cough,' remarked Miss Tox. 


</p>
            <p>`It's nothing,' returned Mrs. Chick. `It's merely change of weather. We must 
expect 
change.' 


</p>
            <p>`Of weather?' asked Miss Tox, in her simplicity. 


</p>
            <p>`Of everything,' returned Mrs. Chick. `Of course we must. It's a world of 
change. Any 
one would surprise me very much, Lucretia, and would greatly alter my opinion 
of their 
understanding, if they attempted to contradict or evade what is so perfectly 
evident. 
Change!' exclaimed Mrs. Chick, with severe philosophy. `Why, my gracious me, 
what is 
there that does <hi>not</hi> change! even the silkworm, who I am sure might be 
supposed 
not to trouble itself about such subjects, changes into all sorts of 
unexpected things 
continually.' 


</p>
            <p>`My Louisa,' said the mild Miss Tox, `is ever happy in her illustrations.' 


</p>
            <p>`You are so kind, Lucretia,' returned Mrs. Chick, a little softened, `as  to 
say so, and to 
think so, I believe. I hope neither of us may ever have any cause to lessen 
our opinion of 
the other, Lucretia.' 


</p>
            <p>`I am sure of it,' returned Miss Tox. 


</p>
            <p>Mrs. Chick coughed as before, and drew lines on the carpet with the ivory end 
of her 
parasol. Miss Tox, who had experience of her fair friend, and knew that under 
the pressure 
of any slight fatigue or vexation she was prone to a discursive kind of 
irritability, availed 
herself of the pause, to change the subject. 


</p>
            <p>`Pardon me, my dear Louisa,' said Miss Tox, `but have I caught sight of the 
manly form 
of Mr. Chick in the carriage?' 


</p>
            <p>`He is there,' said Mrs. Chick, `but pray leave him there. He has his 
newspaper, and 
would be quite contented for the next two hours. Go on with your flowers, 
Lucretia, and 
allow me to sit here and rest.' 


</p>
            <p>`My Louisa knows,' observed Miss Tox, `that between friends like ourselves, 
any 
approach to ceremony would be out of the question. Therefore—' Therefore 
Miss Tox 
finished the sentence, not in words but action; and putting on her gloves 
again, which she 
had taken off, and arming herself once more with her scissors, began to snip 
and clip 
among the leaves with microscopic industry. 


</p>
            <p>`Florence has returned home also,' said Mrs. Chick, after sitting silent for 
some time, with 
her head on one side, and her parasol sketching on the floor; `and really 
Florence is a 
great deal too old now, to continue to lead that solitary life to which she 
has been 
accustomed. Of course she is. There can be no doubt about it. I should have 
very little 
respect, indeed, for anybody who could advocate a different opinion. Whatever 
my wishes 
might be, I <hi>could not</hi> respect them. We cannot command our feelings to 
such an 
extent as that.' 


</p>
            <p>Miss Tox assented, without being particular as to the intelligibility of the 
proposition. 


</p>
            <p>`If she's a strange girl,' said Mrs. Chick, `and if my brother Paul cannot 
feel perfectly 
comfortable in her society, after all the sad things that have happened, and 
all the terrible 
disappointments that have been undergone, then, what is the reply? That he 
must make an 
effort. That he is bound to make an effort. We have always been a family 
remarkable for 
effort. Paul is at the head of the family; almost the only representative of 
it left—for what 
am I—<hi>I</hi> am of no consequence—' 


</p>
            <p>`My dearest love,' remonstrated Miss Tox. 


</p>
            <p>Mrs. Chick dried her eyes, which were, for the moment, overflowing; and 
proceeded: 


</p>
            <p>`And consequently he is more than ever bound to make an effort. And though 
his having 
done so, comes upon me with a sort of shock—for mine is a very weak and 
foolish nature; 
which is anything but a blessing I am sure; I often wish my heart was a 
marble slab, or a 
paving-stone—' 


</p>
            <p>`My sweet Louisa,' remonstrated Miss Tox again. 


</p>
            <p>`Still, it is a triumph to me to know that he is so true to himself, and to 
his name of 
Dombey; although, of course, I always knew he would be. I only hope,' said 
Mrs. Chick, 
after a pause, `that she may be worthy of the name too.' 


</p>
            <p>Miss Tox filled a little green watering-pot from a jug, and happening to look 
up when she 
had done so, was so surprised by the amount of expression Mrs. Chick had 
conveyed into 
her face, and was bestowing upon her, that she put the little watering-pot on 
the table for 
the present, and sat down near it. 


</p>
            <p>`My dear Louisa,' said Miss Tox, `will it be the least satisfaction to you, 
if I venture to 
observe in reference to that remark, that I, as a humble individual, think 
your sweet niece 
in every way most promising?' 


</p>
            <p>`What do you mean, Lucretia?' returned Mrs. Chick, with increased stateliness 
of manner. 
`To what remark of mine, my dear, do you refer?' 


</p>
            <p>`Her being worthy of her name, my love.' replied Miss Tox. 


</p>
            <p>`If,' said Mrs. Chick, with solemn patience, `I have not expressed myself 
with clearness, 
Lucretia, the fault of course is mine. There is, perhaps, no reason why I 
should express 
myself at all, except the intimacy that has subsisted between us, and which I 
very much 
hope, Lucretia—confidently hope—nothing will occur to disturb. Because, why 
should I do 
anything else? There is no reason; it would be absurd. But I wish to express 
myself 
clearly, Lucretia; and therefore to go back to that remark, I must beg to say 
that it was not 
intended to relate to Florence, in any way.' 


</p>
            <p>`Indeed!' returned Miss Tox. 


</p>
            <p>`No,' said Mrs. Chick shortly and decisively. 


</p>
            <p>`Pardon me, my dear,' rejoined her meek friend; `but I cannot have understood 
it. I fear I 
am dull.' 


</p>
            <p>Mrs. Chick looked round the room and over the way; at the plants, at the 
bird, at the 
watering-pot, at almost everything within view, except Miss Tox; and finally 
dropping her 
glance upon Miss Tox, for a moment, on its way to the ground, said, looking 
meanwhile 
with elevated eyebrows at the carpet: 


</p>
            <p>`When I speak, Lucretia, of her being worthy of the name, I speak of my 
brother Paul's 
second wife. I believe I have already said, in effect, if not in the very 
words I now use, 
that it is his intention to marry a second wife.' 


</p>
            <p>Miss Tox left her seat in a hurry, and returned to her plants; clipping among 
the stems and 
leaves, with as little favour as a barber working at so many pauper heads of 
hair. 


</p>
            <p>`Whether she will be fully sensible of the distinction conferred upon her,' 
said Mrs. Chick, 
in a lofty tone, `is quite another question. I hope she may be. We are bound 
to think well 
of one another in this world, and I hope she may be. I have not been advised 
with myself. 
If I had been advised with, I have no doubt my advice would have been 
cavalierly 
received, and therefore it is infinitely better as it is. I much prefer it as 
it is.' 


</p>
            <p>Miss Tox, with head bent down, still clipped among the plants. Mrs. Chick, 
with energetic 
shakings of her own head from time to time, continued to hold forth, as if in 
defiance of 
somebody. 


</p>
            <p>`If my brother Paul had consulted with me, which he sometimes does—or 
rather, 
sometimes used to do; for he will naturally do that no more now, and this is 
a 
circumstance which I regard as a relief from responsibility,' said Mrs. 
Chick, hysterically, 
`for I thank Heaven I am not jealous—' here Mrs. Chick again shed tears: `if 
my brother 
Paul had come to me, and had said, “Louisa, what kind of qualities would you 
advise me 
to look out for, in a wife?” I should certainly have answered, “Paul, you 
must have family, 
you must have beauty, you must have dignity, you must have connexion.” Those 
are the 
words I should have used. You might have led me to the block immediately 
afterwards,' 
said Mrs. Chick, as if that consequence were highly probable, `but I should 
have used 
them. I should have said, “Paul! You to marry a second time without family! 
You to 
marry without beauty! You to marry without dignity! You to marry without 
connexion!There is nobody in the world, not mad, who could dream of daring to 
entertain 
such a preposterous idea!”' 


</p>
            <p>Miss Tox stopped clipping; and with her head among the plants, listened 
attentively. 
Perhaps Miss Tox thought there was hope in this exordium, and the warmth of 
Mrs. 
Chick. 


</p>
            <p>`I should have adopted this course of argument,' pursued the discreet lady, 
`because I trust 
I am not a fool. I make no claim to be considered a person of superior 
intellect—though I 
believe some people have been extraordinary enough to consider me so; one so 
little 
humoured as I am, would very soon be disabused of any such notion; but I 
trust I am not 
a downright fool. And to tell <hi rend="sc">me,</hi>' said Mrs. Chick with ineffable 
disdain, `that 
my brother Paul Dombey could ever contemplate the possibility of uniting 
himself to 
anybody—I don't care who'—she was more sharp and emphatic in that short 
clause than in 
any other part of her discourse—`not possessing these requisites, would be 
to insult what 
understanding I <hi>have</hi> got, as much as if I was to be told that I was 
born and bred 
an elephant, which I <hi>may</hi> be told next,' said Mrs. Chick, with 
resignation. `It 
wouldn't surprise me at all. I expect it.' 


</p>
            <p>In the moment's silence that ensued, Miss Tox's scissors gave a feeble clip 
or two: but 
Miss Tox's face was still in- visible, and Miss Tox's morning gown was 
agitated. Mrs. 
Chick looked sideways at her, through the intervening plants, and went on to 
say, in a 
tone of bland conviction, and as one dwelling on a point of fact that hardly 
required to be 
stated: 


</p>
            <p>`Therefore, of course my brother Paul has done what was to be expected of 
him, and what 
anybody might have foreseen he would do, if he entered the marriage state 
again. I 
confess it takes me rather by surprise, however gratifying; because when Paul 
went out of 
town I had no idea at all that he would form any attachment out of town, and 
he certainly 
had no attachment when he left here. However, it seems to be extremely 
desirable in every 
point of view. I have no doubt the mother is a most genteel and elegant 
creature, and I 
have no right whatever to dispute the policy of her living with them: which 
is Paul's 
affair, not mine—and as to Paul's choice, herself, I have only seen her 
picture yet, but that 
is beautiful indeed. Her name is beautiful too,' said Mrs. Chick, shaking her 
head with 
energy, and arranging herself in her chair;`Edith is at once uncommon, as it 
strike me, and 
distinguished. Consequently, Lucretia, I have no doubt you will be happy to 
hear that the 
marriage is to take place immediately—of course, you will:' great emphasis 
again: `and 
that you are delighted with this change in the condition of my brother, who 
has shown you 
a great deal of pleasant attention at various times.' 


</p>
            <p>Miss Tox made no verbal answer, but took up the little watering-pot with a 
trembling 
hand, and looked vacantly round as if considering what article of furniture 
would be 
improved by the contents. The room door opening at this crisis of Miss Tox's 
feelings, she 
started, laughed aloud, and fell into the arms of the person entering; 
happily insensible 
alike of Mrs. Chick's indignant countenance and of the Major at his window 
over the way, 
who had his double-barrelled eye-glass in full action, and whose face and 
figure were 
dilated with Mephistophelean joy. 


</p>
            <p>Not so the expatriated Native, amazed supporter of Miss Tox's swooning form, 
who, 
coming straight upstairs, with a polite inquiry touching Miss Tox's health 
(in exact 
pursuance of the Major's malicious instructions), had accidentally arrived in 
the very nick 
of time to catch the delicate burden in his arms, and to receive the contents 
of the little 
watering-pot in his shoe; both of which circumstances, coupled with his 
consciousness of 
being closely watched by the wrathful Major, who had threatened the usual 
penalty in 
regard of every bone in his skin in case of any failure, combined to render 
him a moving 
spectacle of mental and bodily distress. 


</p>
            <p>For some moments, this afflicted foreigner remained clasping Miss Tox to his 
heart, with 
an energy of action in remarkable opposition to his disconcerted face, while 
that poor lady 
trickled slowly down upon him the very last sprinklings of the little 
watering-pot, as if he 
were a delicate exotic (which indeed he was), and might be almost expected to 
blow while 
the gentle rain descended. Mrs. Chick, at length recovering sufficient 
presence of mind to 
interpose, commanded him to drop Miss Tox upon the sofa and withdraw; and the 
exile 
promptly obeying, she applied herself to promote Miss Tox's recovery. 


</p>
            <p>But none of that gentle concern which usually characterises the daughters of 
Eve in their 
tending of each other; none of that freemasonry in fainting, by which they 
are generally 
bound together in a mysterious bond of sisterhood; was visible in Mrs. 
Chick's 
demeanour. Rather like the executioner who restores the victim to sensation 
previous to 
proceeding with the torture (or was wont to do so, in the good old times for 
which all true 
men wear perpetual mourning), did Mrs. Chick administer the smelling-bottle, 
the slapping 
on the hands, the dashing of cold water on the face, and the other proved 
remedies. And 
when, at length, Miss  Tox opened her eyes, and gradually became restored to 
animation 
and consciousness, Mrs. Chick drew off as form a criminal, and reversing the 
precedent of 
the murdered king of Denmark, regarded her more in anger than in sorrow. 


</p>
            <p>`Lucretia!' said Mrs. Chick. `I will not attempt to disguise what I feel. My 
eyes are 
opened, all at once. I wouldn't have believed this, if a Saint had told it to 
me.' 


</p>
            <p>`I am foolish to give way to faintness,' Miss Tox faltered. `I shall be 
better presently.' 


</p>
            <p>`You will be better presently, Lucretia!' repeated Mrs. Chick, with exceeding 
scorn. `Do 
you suppose I am blind? Do you imagine I am in my second childhood? No, 
Lucretia!I 
am obliged to you!' 


</p>
            <p>Miss Tox directed an imploring, helpless kind of look towards her friend, and 
put her 
handkerchief before her face. 


</p>
            <p>`If any one had told me this yesterday,' said Mrs. Chick, with majesty, `or 
even 
half-an-hour ago, I should have been tempted, I almost believe, to strike 
them to the earth, 
Lucretia Tox, my eyes are opened to you all at once. The scales:' here Mrs. 
Chick cast 
down an imaginary pair, such as are commonly used in grocers' shops: `have 
fallen from 
my sight. The blindness of my confidence is past, Lucretia. It has been 
abused and played 
upon, and evasion is quite out of the question now, I assure you.' 


</p>
            <p>`Oh! to what do you allude so cruelly, my love?' asked Miss Tox, through her 
tears. 


</p>
            <p>`Lucretia,' said Mrs. Chick, `ask your own heart. I must entreat you not to 
address me by 
any such familiar term as you have just used, if you please. I have some 
self-respect left, 
though you may think otherwise.' 


</p>
            <p>`Oh, Louisa!' cried Miss Tox. `How can you speak to me like that?' 


</p>
            <p>`How can I speak to you like that?' retorted Mrs. Chick, who, in default of 
having any 
particular argument to sustain herself upon, relied principally on such 
repetitions for her 
most withering effects. `Like that! You may well say like that, indeed!' 


</p>
            <p>Miss Tox sobbed pitifully. 


</p>
            <p>`The idea!' said Mrs. Chick, `of your having basked at my brother's fireside, 
like a 
serpent, and would yourself, through me, almost into his confidence, 
Lucretia, that you 
might, in secret, entertain designs upon him, and dare to aspire to 
contemplate the 
possibility of his uniting himself to <hi>you!</hi> Why, it is and idea,' said 
Mrs. Chick, 
with sarcastic dignity, `the absurdity of which almost relieves its 
treachery.' 


</p>
            <p>`Pray, Louisa,' urged Miss Tox, `do not say such dreadful things.' 


</p>
            <p>`Dreadful things!' repeated Mrs. Chick. `Dreadful things!Is it not a fact, 
Lucretia, that you 
have just now been unable to command your feelings even before me, whose eyes 
you had 
so completely closed?' 


</p>
            <p>`I have made no complaint,' sobbed Miss Tox. `I have said nothing. If I have 
been a little 
overpowered by your news, Louisa, and have ever had any lingering thought 
that Mr. 
Dombey was inclined to be particular towards me, surely <hi>you</hi> will not 
condemn 
me.' 


</p>
            <p>`She is going to say.' said Mrs. Chick, addressing herself to the whole of 
the furniture, in 
a comprehensive glance of resignation and appeal, `She is going to say—I 
know it—that I 
have encouraged her!' 


</p>
            <p>`I don't wish to exchange reproaches, dear Louisa,' sobbed Miss Tox. `Nor do 
I wish to 
complain. But, in my own defence—' 


</p>
            <p>`Yes,' cried Mrs. Chick, looking round the room with a prophetic smile, 
`that's what she's 
going to say. I knew it. You had better say it. Say it openly! Be open, 
Lucretia Tox,' said 
Mrs. Chick, with desperate sternness, `whatever you are.' 


</p>
            <p>`In my own defence,' faltered Miss Tox, `and only in my own defence against 
your 
unkind words, my dear Louisa, I would merely ask you if you haven't often 
favoured such 
a fancy, and even said it might happen, for anything we could tell?' 


</p>
            <p>`There is a point,' said Mrs. Chick, rising, not as if she were going to stop 
at the floor, 
but as if she were about to soar up, high, into her native skies, `beyond 
which endurance 
becomes ridiculous, if not culpable. I can bear much; but not too much. What 
spell was on 
me when I came into this house this day, I don't know; but I had a 
presentiment—a dark 
presentiment,' said Mrs. Chick, with a shiver, `that something was going to 
happen. Well 
may I have had that foreboding, Lucretia, when my confidence of many years is 
destroyed 
in an instant, when my eyes are opened all at once, and when I find you 
revealed in your 
true colours. Lucretia, I have been mistaken in you. It is better for us both 
that this subject 
should end here. I wish you well, and I shall ever wish you well. But, as an 
individual 
who desires to be true to herself in her own poor position, whatever that 
position may be, 
or may not be—and as the sister of my brother—and as the sister-in-law of 
my brother's 
wife—and as a connexion by marriage of my brother's wife's mother—may I be 
permitted 
to add, as a Dombey?—I can wish you nothing else but good morning.' 


</p>
            <p>These words, delivered with cutting suavity, tempered and chastened by a 
lofty air of 
moral rectitude, carried the speaker to the door. There she inclined her head 
in a ghostly 
and statue-like manner, and so withdrew to her carriage, to seek comfort and 
consolation 
in the arms of Mr. Chick her lord. 


</p>
            <p>Figuratively speaking, that is to say: for the arms of Mr. Chick were full of 
his newspaper. 
Neither did that gentleman address his eyes towards his wife otherwise than 
by stealth. 
Neither did he offer any consolation whatever. In short, he sat reading, and 
humming fag 
ends of tunes, and sometimes glancing furtively at her without delivering 
himself of a 
word, good, bad, or indifferent. 


</p>
            <p>In the meantime Mrs. Chick sat swelling and bridling, and tossing her head, 
as if she were 
still repeating that solemn formula of farewell to Lucretia Tox. At length, 
she said aloud, 
`Oh the extent to which her eyes had been opened that day!' 


</p>
            <p>`To which your eyes have been opened,, my dear!' repeated Mr. Chick. 


</p>
            <p>`Oh, don't talk to me!' said Mrs. Chick. `If you can bear to see me in this 
state, and not 
ask me what the matter is, you had better hold your tongue for ever.' 


</p>
            <p>`What <hi>is</hi> the matter, my dear?' asked Mr. Chick. 


</p>
            <p>`To think,' said Mrs. Chick, in a state of soliloquy, `that she should ever 
have conceived 
the base idea of connecting herself with our family by a marriage with Paul! 
To think that 
when she was playing at horses with that dear child who is now in his 
grave—I never liked 
it at the time—she should have been hiding such a double-faced design! I 
wonder she was 
never afraid that something would happen to her. She is fortunate if nothing 
does.' 


</p>
            <p>`I really thought, my dear,' said Mr. Chick slowly, after rubbing the bridge 
of his nose for 
some time with his newspaper, `that you had gone on the same tack yourself, 
all along, 
until this morning; and had thought it would be a convenient thing enough, if 
it could 
have been brought about.' 


</p>
            <p>Mrs. Chick instantly burst into tears, and told Mr. Chick that if he wished 
to trample upon 
her with his boots, he had better do it. 


</p>
            <p>`But with Lucretia Tox I have done,' said Mrs. Chick, after abandoning 
herself to her 
feelings for some minutes, to Mr. Chick's great terror. `I can bear to resign 
Paul's 
confidence in favour of one who, I hope and trust, may be deserving of it, 
and with whom 
he has a perfect right to replace poor Fanny if he chooses; I can bear to be 
informed, in 
Paul's cool manner, of such a change in his plans, and never to be consulted 
until all is 
settled and determined; but deceit I can <hi>not</hi> bear, and with Lucretia 
Tox I have 
done. It is better as it is,' said Mrs. Chick, piously; `much better. It 
would have been a 
long time before I could have accommodated myself comfortably with her, after 
this; and 
I really don't know, as Paul is going to be very grand, and these are people 
of condition, 
that she would have been quite presentable, and might not have compromised 
myself. 
There's a providence in everything; everything works for the best; I have 
been tried 
to-day, but, upon the whole I don't regret it.' 


</p>
            <p>In which Christian spirit, Mrs. Chick dried her eyes, and smoothed her lap, 
and sat as 
became a person calm under a great wrong. Mr. Chick, feeling his unworthiness 
no doubt, 
took an early opportunity of being set down at a street corner and walking 
away, 
whistling, with his shoulders very much raised, and his hands in his 
pockets. 


</p>
            <p>While poor excommunicated Miss Tox, who, if she were a fawner and toad-eater, 
was at 
least an honest and a constant one, and had ever borne a faithful friendship 
towards her 
impeacher, and had been truly absorbed and swallowed up in devotion to the 
magnificence 
of Mr. Dombey—while poor excommunicated Miss Tox watered her plants with her 
tears, 
and felt that it was winter in Princess's Place. 

</p>
         </div>
         <div xml:id="c30" type="chapter">
            <head>CHAPTER XXX</head>
            <head>The Interval before the Marriage</head>
            <p>ALTHOUGH the enchanted house was not more, and the working world had broken 
into it, and was hammering and crashing and tramping up and down stairs all 
day long, keeping Diogenes in an incessant paroxysm of barking, from sunrise 
to sunset—evidently convinced that his enemy had got the better of him at 
last, and was then sacking the premises in triumphant defiance—there was, at 
first, no other great change in the method of Florence's life. At night, when 
the work-people went away, the house was dreary and deserted again; and 
Florence, listening to their voices echoing through the hall and staircase as 
they departed, pictured to herself the cheerful homes to which they were 
returning, and the children who were waiting for them, and was glad to think 
that they were merry and well pleased to go. 


</p>
            <p>She welcomed back the evening silence as on old friend, but it came now with 
an altered face, and looked more kindly on her. Fresh hope was in it. The 
beautiful lady who had soothed and caressed her, in the very room in which 
her heart had been so wrung, was a spirit of promise to her. Soft shadows of 
the bright life dawning, when her father's affection should be gradually won, 
and all, or much should be restored, of what she had lost on the dark day 
when a mother's love had faded with a mother's last breath on her cheek, 
moved about her in the twilight and were welcome company. Peeping at the rosy 
children her neighbours, it was a new and precious sensation to think that 
they might soon speak together and know each other; when she would not fear, 
as of old, to show herself before them, lest they should be grieved to see 
her in her black dress sitting there alone! 


</p>
            <p>In her thoughts of her new mother, and in the love and trust overflowing her 
pure heart towards her, Florence loved her own dead mother more and more. She 
had no fear of setting up a rival in her breast. The new flower sprang from 
the deep-planted and long-cherished root, she knew. Every gentle word that 
had fallen from the lips of the beautiful lady, sounded to Florence like an 
echo of the voice long hushed and silent. How could she love that memory less 
for living tenderness, when it was her memory of all parental tenderness and 
love! 


</p>
            <p>Florence was, one day, sitting reading in her room, and thinking of the lady 
and her promised visit soon—for her book turned on a kindred subject—when, 
raising her eyes, she saw her standing in the doorway. 


</p>
            <p>`Mama!' cried Florence, joyfully meeting her. `Come again!' 


</p>
            <p>`Not Mama yet,' returned the lady, with a serious smile, as she encircled 
Florence's neck with her arm. 


</p>
            <p>`But very soon to be,' cried Florence. 


</p>
            <p>`Very soon now, Florence: very soon.' 


</p>
            <p>Edith bent her head a little, so as to press the blooming cheek of Florence 
against her own, and for some few moments remained thus silent. There was 
something so very tender in her manner, that Florence was even more sensible 
of it than on the first occasion of their meeting. 


</p>
            <p>She led Florence to a chair beside her, and sat down: Florence looking in her 
face, quite wondering at its beauty, and willingly leaving her hand in 
hers. 


</p>
            <p>`Have you been alone, Florence, since I was here last?' 


</p>
            <p>`Oh yes!' smiled Florence, hastily. 


</p>
            <p>She hesitated and cast down her eyes; for her new Mama was very earnest in 
her look, and the look was intently and thoughtfully fixed upon her face. 


</p>
            <p>`I—I—am used to be alone,' said Florence. `I don't mind it at all. Di and I 
pass whole days together, sometimes.' Florence might have said, whole weeks 
and months. 


</p>
            <p>`Is Di your maid, love?' 


</p>
            <p>`My dog, Mama,' said Florence, laughing. `Susan is my maid.' 


</p>
            <p>`And these are your rooms,' said Edith, looking round. `I was not shown these 
rooms the other day. We must have them improved, Florence. They shall be made 
the prettiest in the house.' 


</p>
            <p>`If I might change them, Mama,' returned Florence; `there is one up stairs I 
should like much better.' 


</p>
            <p>`Is this not high enough, dear girl?' asked Edith, smiling. 


</p>
            <p>`The other was my brother's room,' said Florence, `and I am very fond of it. 
I would have spoken to Papa about it when I came home, and found the workmen 
here, and everything changing: but—' 


</p>
            <p>Florence dropped her eyes, lest the same look should make her falter 
again. 


</p>
            <p>`—but I was afraid it might distress him; and as you said you would be here 
again soon, Mama, and are the mistress of everything, I determined to take 
courage and ask you.' 


</p>
            <p>Edith sat looking at her, with her brilliant eyes intent upon her face, until 
Florence raising her own, she, in her turn, withdrew her gaze, and turned it 
on the ground. It was then that Florence thought how different this lady's 
beauty was, from what she had supposed. She had thought it of a proud and 
lofty kind; yet her manner was so subdued and gentle, that if she had been of 
Florence's own age and character, it scarcely could have invited confidence 
more. 


</p>
            <p>Except when a constrained and singular reserve crept over her; and then she 
seemed (but Florence hardly understood this, though she could not choose but 
notice it, and think about it) as if she were humbled before Florence, and 
ill at ease. When she had said that she was not her Mama yet, and when 
Florence had called her the mistress of everything there, this change in her 
was quick and startling; and now, while the eyes of Florence rested on her 
face, she sat as though she would have shrunk and hidden from her, rather 
than as one about to love and cherish her, in right of such a near 
connexion. 


</p>
            <p>She gave Florence her ready promise, about her new room, and said she would 
give directions about it herself. She then asked some questions concerning 
poor Paul; and when they had sat in conversation for some time, told Florence 
she had come to take her to her own home. 


</p>
            <p>`We have come to London now, my mother and I,' said Edith, `and you shall 
stay with us until I am married. I wish that we should know and trust each 
other, Florence.' 


</p>
            <p>`You are very kind to me.' said Florence, `dear Mama. How much I thank 
you!' 


</p>
            <p>`Let me say now, for it may be the best opportunity,' continued Edith, 
looking round to see that they were quite alone, and speaking in a lower 
voice, `that when I am married, and have gone away for some weeks, I shall be 
easier at heart if you will come home here. No matter who invites you to stay 
elsewhere, come home here. It is better to be alone then—what I would say 
is,' she added, checking herself, `that I know well you are best at home, 
dear Florence.' 


</p>
            <p>`I will come home on the very day, Mama.' 


</p>
            <p>`Do so. I rely on that promise. Now, prepare to come with me, dear girl. You 
will find me down stairs when you are ready.' 


</p>
            <p>Slowly and thoughtfully did Edith wander alone through the mansion of which 
she was so soon to be the lady: and little heed took she of all the elegance 
and splendour it began to display. The same indomitable haughtiness of soul, 
the same proud scorn expressed in eye and lip, the same fierce beauty, only 
tamed by a sense of its own little worth, and of the little worth of 
everything around it, went through the grand saloons and halls, that had got 
loose among the shady trees, and raged and rent themselves. The mimic roses 
on the walls and floors were set round with sharp thorns, that tore her 
breast; in every scrap of gold so dazzling to the eye, she saw some hateful 
atom of her purchase-money; the broad high mirrors showed her, at full 
length, a women with a noble quality yet dwelling in her nature, who was too 
false to her better self, and too debased and lost, to save herself. She 
believed that all this was so plain, more or less, to all eyes, that she had 
no resource or power of self-assertion but in pride: and with this pride, 
which tortured her own heart night and day, she fought her fate out, braved 
it, and defied it. 


</p>
            <p>Was this the woman whom Florence—an innocent girl, strong only in her 
earnestness and simple truth—could so impress and quell, that by her side 
she was another creature, with her tempest of passion hushed, and her very 
pride itself subdued? Was this the woman who now sat beside her in a 
carriage, with her arms entwined, and who, while she courted and entreated 
her to love and trust her, drew her fair head to nestle on her breast, and 
would have laid down life to shield it from wrong or harm? 


</p>
            <p>Oh, Edith! it were well to die, indeed, at such a time!Better and happier 
far, perhaps, to die so, Edith, than to live on to the end! 


</p>
            <p>The Honourable Mrs. Skewton, who was thinking of anything rather than of such 
sentiments—for, like many genteel persons who have existed at various times, 
she set her face against death altogether, and objected to the mention of any 
such low and levelling upstart—had borrowed a house in Brook Street, 
Grosvenor Square, from a stately relative (one of the Feenix brood), who was 
out of town, and who did not object to lending it, in the handsomest manner, 
for nuptial purposes, as the loan implied his final release and acquittance 
from all further loans and gifts to Mrs. Skewton and her daughter. It being 
necessary for the credit of the family to make a handsome appearance at such 
a time, Mrs. Skewton, with the assistance of an accommodating tradesman 
resident in the parish of Mary-le-bone, who lent out all sorts of articles to 
the nobility and gentry, from a service of plate to an army of foot-men, 
clapped into this house a silver-headed butler (who was charged extra on that 
account, as having the appearance of an ancient family retainer), two very 
tall young men in livery, and a select staff of kitchen-servants; so that a 
legend arose, downstairs, that Withers the page, released at once from his 
numerous household duties, and from the propulsion of the wheeled-chair 
(inconsistent with the metropolis), had been several times observed to rub 
his eyes and pinch his limbs, as if he misdoubted his having overslept 
himself at the Leamington milkman's, and being still in a celestial dream. A 
variety of requisites in plate and china being also conveyed to the same 
establishment from the same convenient source, with several miscellaneous 
articles, including a neat chariot and a pair of bays, Mrs. Skewton cushioned 
herself on the principal sofa, in the Cleopatra attitude, and held her court 
in fair state. 


</p>
            <p>`And how,' said Mr. Skewton, on the entrance of her daughter and her charge, 
`is my charming Florence? You must come and kiss me, Florence, if you please, 
my love.' 


</p>
            <p>Florence was timidly stooping to pick out a place in the white part of Mrs. 
Skewton's face, when that lady presented her ear, and relieved her of her 
difficulty. 


</p>
            <p>`Edith, my dear,' said Mrs. Skewton, `positively, I—stand a little more in 
the light, my sweetest Florence, for a moment.' 


</p>
            <p>Florence blushingly complied. 


</p>
            <p>`You don't remember, dearest Edith,' said her mother, `what you were when you 
were about the same age as our exceedingly precious Florence, or a few years 
younger?' 


</p>
            <p>`I have long forgotten, mother.' 


</p>
            <p>`For positively, my dear,' said Mrs. Skewton, `I do think that I see a 
decided resemblance to what you were then, in our extremely fascinating young 
friend. And it shows,' said Mrs. Skewton, in a lower voice, which conveyed 
her opinion that Florence was in a very unfinished state, `what cultivation 
will do.' 


</p>
            <p>`It does, indeed,' was Edith's stern reply. 


</p>
            <p>Her mother eyed her sharply for a moment, and feeling herself on unsafe 
ground, said, as a diversion: 


</p>
            <p>`My charming Florence, you must come and kiss me once more, if you please, my 
love.' 


</p>
            <p>Florence complied, of course, and again imprinted her lips or Mrs. Skewton's 
ear. 


</p>
            <p>`And you have heard, no doubt, my darling pet,' said Mrs. Skewton, detaining 
her hand, `that your Papa, whom we all perfectly adore and dote upon, is to 
be married to my dearest Edith this day week.' 


</p>
            <p>`I knew it would be very soon,' returned Florence, `but not exactly when.' 


</p>
            <p>`My darling Edith,' urged her mother, gaily, `is it possible you have not 
told Florence?' 


</p>
            <p>`Why should I tell Florence?' She returned, so suddenly and harshly, that 
Florence could scarcely believe it was the same voice. 


</p>
            <p>Mrs. Skewton then told Florence, as another and safer diversion, that her 
father was coming to dinner, and that he would no doubt be charmingly 
surprised to see her; as he had spoken last night of dressing in the City, 
and had known nothing of Edith's design, the execution of which, according to 
Mrs. Skewton's expectation, would throw him into a perfect ecstasy. Florence 
was troubled to hear this; and her distress became so keen, as the 
dinner-hour approached, that if she had known how to frame an entreaty to be 
suffered to return home, without involving her father in her explanation, she 
would have hurried back on foot, bareheaded, breathless, and alone, rather 
than incur the risk of meeting his displeasure. 


</p>
            <p>As the time drew nearer, she could hardly breathe. She dared not approach a 
window, lest he should see her from the street. She dared not go up stairs to 
hide her emotion, lest, in passing out at the door, she should meet him 
unexpectedly; besides which dread, she left as though she never could come 
back again if she were summoned to his presence. In this conflict of fears, 
she was sitting by Cleopatra's couch, endeavouring to understand and to reply 
to the bald discourse of that lady, when she heard his foot upon the 
stair. 


</p>
            <p>`I hear him now!' cried Florence, starting.  `He is coming!' 


</p>
            <p>Cleopatra, who in her juvenility was always playfully disposed, and who in 
her self-engrossment did not trouble herself about the nature of this 
agitation, pushed Florence behind her couch, and dropped a shawl over her, 
preparatory to giving Mr. Dombey a rapture of surprise. It was so quickly 
done, that in a moment Florence heard his awful step in the room. 


</p>
            <p>He saluted his intended mother-in-law, and his intended bride. The strange 
sound of his voice thrilled through the whole frame of his child. 


</p>
            <p>`My dear Dombey,' said Cleopatra, `come here and tell me how your pretty 
Florence is.' 


</p>
            <p>`Florence is very well,' said Mr. Dombey, advancing towards the couch. 


</p>
            <p>`At home?' 


</p>
            <p>`At home,' said Mr. Dombey. 


</p>
            <p>`My dear Dombey,' returned Cleopatra, with bewitching vivacity; `now are you 
sure you are not deceiving me? I don't know what my dearest Edith will say to 
me when I make such a declaration, but upon my honour I am afraid you are the 
falsest of men, my dear Dombey.' 


</p>
            <p>Though he had been; and had been detected on the spot, in the most enormous 
falsehood that was ever said or done; he could hardly have been more 
disconcerted than he was, when Mrs. Skewton plucked the shawl away, and 
Florence, pale and trembling, rose before him like a ghost. He had not yet 
recovered his presence of mind, when Florence had run up to him, clasped her 
hands round his neck, kissed his face, and hurried out of the room. He looked 
round as if to refer the matter to somebody else, but Edith had gone after 
Florence, instantly. 


</p>
            <p>`Now, confess, my dear Dombey,' said Mrs. Skewton, giving him her hand, `that 
you never were more surprised and pleased in your life.' 


</p>
            <p>`I never was more surprised,' said Mr. Dombey. 


</p>
            <p>`Nor pleased, my dearest Dombey?' returned Mrs. Skewton, holding up her 
fan. 


</p>
            <p>`I—yes, I am exceedingly glad to meet Florence here,' said Mr. Dombey. He 
appeared to consider gravely about it for a moment, and then said, more 
decidedly, `Yes, I really am very glad indeed to meet Florence here.' 


</p>
            <p>`You wonder how she comes here?' said Mrs. Skewton, `don't you?' 


</p>
            <p>`Edith, perhaps—' suggested Mr. Dombey. 


</p>
            <p>`Ah! wicked guesser!' replied Cleopatra, shaking her head. `Ah! cunning, 
cunning man! One shouldn't tell these things; your sex, my dear Dombey, are 
so vain, and so apt to abuse our weaknesses; but you know my open soul—very 
well; immediately.' 


</p>
            <p>This was addressed to one of the very tall young men who announced dinner. 


</p>
            <p>`But Edith, my dear Dombey,' she continued in a whisper, `when she cannot 
have you near her—and as I tell her, she cannot expect that always—will at 
least have near her something or somebody belonging to you. Well, how 
extremely natural that is! And in this spirit, nothing would keep her from 
riding off to-day to fetch our darling Florence. Well, how excessively 
charming that is!' 


</p>
            <p>As she waited for an answer, Mr. Dombey answered, `Eminently so.' 


</p>
            <p>`Bless you, my dear Dombey, for that proof of heart!' cried Cleopatra, 
squeezing his hand. `But I am growing too serious!Take me down stairs, like 
an angel, and let us see what these people intend to give us for dinner. 
Bless you, dear Dombey!' 


</p>
            <p>Cleopatra skipping off her couch with tolerable briskness, after the last 
benediction, Mr. Dombey took her arm in his and led her ceremoniously down 
stairs; one of the very tall young men on hire, whose organ of veneration was 
imperfectly developed, thrusting his tongue into his cheek, for the 
entertainment of the other very tall young man on hire, as the couple turned 
into the dining-room. 


</p>
            <p>Florence and Edith were already there, and sitting side by side. Florence 
would have risen when her father entered, to resign her chair to him; but 
Edith openly put her hand upon her arm, and Mr. Dombey took an opposite place 
at the round table. 


</p>
            <p>The conversation was almost entirely sustained by Mrs. Skewton. Florence 
hardly dared to raise her eyes, lest they should reveal the traces of tears; 
far less dared to speak; and Edith never uttered one word, unless in answer 
to a question. Verily, Cleopatra worked hard, for the establishment that was 
so nearly clutched; and verily it should have been a rich one to reward 
her! 


</p>
            <p>`And so your preparations are nearly finished at last, my dear Dombey?' said 
Cleopatra, when the dessert was put upon the table, and the silver-headed 
butler had withdrawn. `Even the lawyers' preparations!' 


</p>
            <p>`Yes, madam,' replied Mr. Dombey; `the deed of settlement, the professional 
gentlemen inform me, is now ready, and as I was mentioning to you, Edith has 
only to do us the favour to suggest her own time for its execution.' 


</p>
            <p>Edith sat like a handsome statue; as cold, as silent, and as still. 


</p>
            <p>`My dearest love,' said Cleopatra, `do you hear what Mr. Dombey says? Ah, my 
dear Dombey!' aside to that gentleman, `how her absence, as the time 
approaches, reminds me of the days, when that most agreeable of creatures, 
her papa, was in your situation!' 


</p>
            <p>`I have nothing to suggest. It shall be when you please,' said Edith, 
scarcely looking over the table at Mr. Dombey. 


</p>
            <p>`To-morrow?' suggested Mr. Dombey. 


</p>
            <p>`If you please.' 


</p>
            <p>`Or would next day,' said Mr. Dombey, `suit your engagements better?' 


</p>
            <p>`I have no engagements. I am always at your disposal. Let it be when you 
like. 


</p>
            <p>`No engagements, my dear Edith!' remonstrated her mother, `when you are in a 
most terrible state of flurry all day long, and have a thousand and one 
appointments with all sorts of tradespeople!' 


</p>
            <p>`They are of your making,' returned Edith, turning on her with a slight 
contraction of her brow. `You and Mr. Dombey can arrange between you.' 


</p>
            <p>`Very true indeed, my love, and most considerate of you!' said Cleopatra. `My 
darling Florence, you must really come and kiss me once more, if you please, 
my dear!' 


</p>
            <p>Singular coincidence, that these gushes of interest in Florence hurried 
Cleopatra away from almost every dialogue in which Edith had a share, however 
trifling! Florence had certainly never undergone so much embracing, and 
perhaps had never been, unconsciously, so useful in her life. 


</p>
            <p>Mr. Dombey was far from quarrelling, in his own breast, with the manner of 
his beautiful betrothed. He had that good reason for sympathy with 
haughtiness and coldness, which is found in a fellow-feeling. It flattered 
him to think how these deferred to him, in Edith's case, and seemed to have 
no will apart from his. It flattered him to picture to himself, this proud 
and stately woman doing the honours of his house, and chilling his guests 
after his own manner. The dignity of Dombey and Son would be heightened and 
maintained, indeed, in such hands. 


</p>
            <p>So thought Mr. Dombey, when he was left alone at the dining-table, and mused 
upon his past and future fortunes: finding no uncongeniality in an air of 
scant and gloomy state that pervaded the room, in colour a dark brown, with 
black hatchments of pictures blotching the walls, and twenty-four black 
chairs, with almost as many nails in them as so many coffins, waiting like 
mutes, upon the threshold of the Turkey carpet; and two exhausted negroes 
holding up two withered branches of candelabra on the sideboard, and a musty 
smell prevailing as if the ashes of ten thousand dinners were entombed in the 
sarcophagus below it. The owner of the house lived much abroad; the air of 
England seldom agreed long with a member of the Feenix family; and the room 
had gradually put itself into deeper and still deeper mourning for him, until 
it was become so funereal as to want nothing but a body in it to be quite 
complete. 


</p>
            <p>No bad representation of the body, for the nonce, in his unbending form, if 
not in his attitude, Mr. Dombey looked down into the cold depths of the dead 
sea of mahogany on which the fruit dishes and decanters lay at anchor: as if 
the subjects of his thoughts were rising towards the surface one by one, and 
plunging down again. Edith was there in all her majesty of brow and figure; 
and close to her came Florence, with her timid head turned to him, as it had 
been, for an instant, when she left the room; and Edith's eyes upon her, and 
Edith's hand put out protectingly. A little figure in a low arm-chair came 
springing next into the light, and looked upon him wonderingly, with its 
bright eyes and its old-young face, gleaming as in the flickering of an 
evening fire. Again came Florence close upon it, and absorbed his whole 
attention. Whether as a fore-doomed difficulty and disappointment to him; 
whether as a rival who had crossed him in his way, and might again; whether 
as his child, of whom, in his successful wooing, he could stoop to think, as 
claiming, at such a time, to be no more estranged; or whether as a hint to 
him that the mere appearance of caring for his own blood should be maintained 
in his new relations; he best knew. Indifferently well, perhaps, at best; for 
marriage company and marriage altars, and ambitious scenes—still blotted 
here and there with Florence—always Florence—turned up so fast, and so 
confusedly, that he rose, and went up stairs, to escape them. 


</p>
            <p>It was quite late at night before candles were brought; for at present they 
made Mrs. Skewton's head ache, she complained; and in the meantime Florence 
and Mrs. Skewton talked together (Cleopatra being very anxious to keep her 
close to herself), or Florence touched the piano softly for Mrs. Skewton's 
delight; to make no mention of a few occasions in the course of the evening, 
when that affectionate lady was impelled to solicit another kiss, and which 
always happened after Edith had said anything. They were not many, however, 
for Edith sat apart by an open window during the whole time (in spite of her 
mother's fears that she would take cold), and remained there until Mr. Dombey 
took leave. He was serenely gracious to Florence when he did so; and Florence 
went to bed in a room within Edith's, so happy and hopeful, that she thought 
of her late self as if it were some other poor deserted girl who was to be 
pitied for her sorrow; and in her pity, sobbed herself to sleep. 


</p>
            <p>The week fled fast. There were drives to milliners, dress-makers, jewellers, 
lawyers, florists, pastry-cooks; and Florence was always of the party. 
Florence was to go to the wedding. Florence was to cast off her mourning, and 
to wear a brilliant dress on the occasion. The milliner's intentions on the 
subject of this dress—the milliner was a Frenchwoman, and greatly resembled 
Mrs. Skewton—were so chaste and elegant, that Mrs. Skewton bespoke one like 
it for herself. The milliner said it would become her to admiration, and that 
all the world would take her for the young lady's sister. 


</p>
            <p>The week fled faster. Edith looked at nothing and cared for nothing. Her rich 
dresses came home, and were tried on, and were loudly commended by Mrs. 
Skewton and the milliners, and were put away without a word from her. Mrs. 
Skewton made their plans for every day, and executed them. Sometimes Edith 
sat in the carriage when they went to make purchases; sometimes, when it was 
absolutely necessary, she went into the shops. But Mrs. Skewton conducted the 
whole business, whatever it happened to be: and Edith looked on as 
uninterested and with as much apparent indifference as if she had no concern 
in it. Florence might perhaps have thought she was haughty and listless, but 
that she was never so to her. So Florence quenched her wonder in her 
gratitude whenever it broke out, and soon subdued it. 


</p>
            <p>The week fled faster. It had nearly winged its flight away. The last night of 
the week, the night before the marriage was come. In the dark room—for Mrs. 
Skewton's head was no better yet, though she expected to recover permanently 
to-morrow—were that lady, Edith, and Mr. Dombey. Edith was at her open 
window looking out into the street; Mr. Dombey and Cleopatra were talking 
softly on the sofa. It was growing late; and Florence being fatigued, had 
gone to bed. 


</p>
            <p>`My dear Dombey,' said Cleopatra, `you will leave me Florence to-morrow, when 
you deprive me of my sweetest Edith.' 


</p>
            <p>Mr. Dombey said he would, with pleasure. 


</p>
            <p>`To have her about me, here, while you are both at Paris, and to think that, 
at her age, I am assisting in the formation of her mind, my dear Dombey,' 
said Cleopatra, `will be a perfect balm to me in the extremely shattered 
state to which I shall be reduced.' 


</p>
            <p>Edith turned her head suddenly. Her listless manner was exchanged, in a 
moment, to one of burning interest, and, unseen in the darkness, she attended 
closely to their conversation. 


</p>
            <p>Mr. Dombey would be delighted to leave Florence in such admirable 
guardianship. 


</p>
            <p>`My dear Dombey,' returned Cleopatra, `a thousand thanks for your good 
opinion. I feared you were going, with malice aforethought, as the dreadful 
lawyers say—those horrid proses!—to condemn me to utter solitude.' 


</p>
            <p>`Why do me so great an injustice, my dear madam?' said Mr. Dombey. 


</p>
            <p>`Because my charming Florence tells me so positively she must go home 
to-morrow,' returned Cleopatra, `that I began to be afraid, my dearest 
Dombey, you were quite a Bashaw.' 


</p>
            <p>`I assure you, madam!' said Mr. Dombey, `I have laid no commands on Florence; 
and if I had, there are no commands like your wish.' 


</p>
            <p>`My dear Dombey,' replied Cleopatra, `what a courtier you are! Though I'll 
not say so, either; for courtiers have no heart, and yours pervades your 
charming life and character. And are you really going so early, my dear 
Dombey!' 


</p>
            <p>Oh, indeed! it was late, and Mr. Dombey feared he must. 


</p>
            <p>`Is this a fact, or is it all a dream!' lisped Cleopatra. `Can I believe, my 
dearest Dombey, that you are coming back to-morrow morning to deprive me of 
my sweet companion; my own Edith!' 


</p>
            <p>Mr. Dombey, who was accustomed to take things literally, reminded Mrs. 
Skewton that they were to meet first at the church. 


</p>
            <p>`The pang,' said Mrs. Skewton, `of consigning a child, even to you, my dear 
Dombey, is one of the most excruciating imaginable; and combined with a 
naturally delicate constitution, and the extreme stupidity of the pastry-cook 
who has undertaken the breakfast, is almost too much for my poor strength. 
But I shall rally, my dear Dombey, in the morning; do not fear for me, or be 
uneasy on my account. Heaven bless you! My dearest Edith!' she cried archly. 
`Somebody is going, pet.' 


</p>
            <p>Edith, who had turned her head again towards the window, and whose interest 
in their conversation had ceased, rose up in her place, but made no advance 
towards him, and said nothing. Mr. Dombey, with a lofty gallantry adapted to 
his dignity and the occasion, betook his creaking boots towards her, put her 
hand to his lips, said, `To-morrow morning I shall have the happiness of 
claiming this hand as Mrs. Dombey's,' and bowed himself solemnly out. 


</p>
            <p>Mrs. Skewton rang for candles as soon as the house-door had closed upon him. 
With the candles appeared her maid, with the juvenile dress that was to 
delude the world to-morrow. The dress had savage retribution in it, as such 
dresses ever have, and made her infinitely older and more hideous than her 
greasy flannel gown. But Mrs. Skewton tried it on with mincing satisfaction; 
smirked at her cadaverous self in the glass, as she thought of its killing 
effect upon the Major; and suffering her maid to take it off again, and to 
prepare her for repose, tumbled into ruins like a house of painted cards. 


</p>
            <p>All this time, Edith remained at the dark window looking out into the street. 
When she and her mother were at last left alone, she moved from it for the 
first time that evening, and came opposite to her. The yawning, shaking, 
peevish figure of the mother, with her eyes raised to confront the proud 
erect form of the daughter, whose glance of fire was bent downward upon her, 
had a conscious air upon it, that no levity or temper could conceal. 


</p>
            <p>`I am tired to death,' said she. `You can't be trusted for a moment. You are 
worse than a child. Child! No child would be half so obstinate and 
undutiful.' 


</p>
            <p>`Listen to me, mother,' returned Edith, passing these words by with a scorn 
that would not descend to trifle with them. `You must remain alone here, 
until I return.' 


</p>
            <p>`Must remain alone here, Edith, until you return!' repeated her mother. 


</p>
            <p>`Or in that name upon which I shall call to-morrow to witness what I do, so 
falsely, and so shamefully, I swear I will refuse the hand of this man in the 
church. If I do not, may I fall dead upon the pavement!' 


</p>
            <p>The mother answered with a look of quick alarm, in no degree diminished by 
the look she met. 


</p>
            <p>`It is enough,' said Edith, steadily, `that we are what we are. I will have 
no youth and truth dragged down to my level. I will have no guileless nature 
undermined, corrupted, and perverted, to amuse the leisure of a world of 
mothers. You know my meaning. Florence must go home.' 


</p>
            <p>`You are an idiot, Edith,' cried her angry mother. `Do you expect there can 
ever be peace for you in that house, till she is married, and away?' 


</p>
            <p>`Ask me, or ask yourself, if I ever expect peace in that house,' said her 
daughter, `and you know the answer.' 


</p>
            <p>`And am I to be told to-night, after all my pains and labour, and when you 
are going, through me, to be rendered independent,' her mother almost 
shrieked in her passion, while her palsied head shook like a leaf, `that 
there is corruption and contagion in me, and that I am not fit company for a 
girl!What are you, pray? What are you?' 


</p>
            <p>`I have put the question to myself,' said Edith, ashy pale, and pointing to 
the window, `more than once when I have been sitting there, and something in 
the faded likeness of my sex has wandered past outside; and God knows I have 
met with my reply. Oh mother, mother, if you had but left me to my natural 
heart when I too was a girl—a younger girl than Florence—how different I 
might have been!' 


</p>
            <p>Sensible that any show of anger was useless here, her mother restrained 
herself, and fell a whimpering, and bewailed that she had lived too long, and 
that her only child had cast her off, and that duty towards parents was 
forgotten in these evil days, and that she had heard unnatural taunts, and 
cared for life no longer. 


</p>
            <p>`If one is to go on living through continual scenes like this,' she whined, 
`I am sure it would be much better for me to think of some means of putting 
an end to my existence. Oh! The idea of your being my daughter, Edith, and 
addressing me in such a strain!' 


</p>
            <p>`Between us, mother,' returned Edith, mournfully, `the time for mutual 
reproaches is past.' 


</p>
            <p>`Then why do you revive it?' whimpered her mother. `You know that you are 
lacerating me in the cruellest manner. You know how sensitive I am to 
unkindness. At such a moment, too, when I have so much to think of, and am 
naturally anxious to appear to the best advantage! I wonder at you, Edith. To 
make your mother a fright upon your wedding-day!' 


</p>
            <p>Edith bent the same fixed look upon her, as she sobbed and rubbed her eyes; 
and said in the same low steady voice, which had neither risen nor fallen 
since she first addressed her, `I have said that Florence must go home.' 


</p>
            <p>`Let her go!' cried the afflicted and affrighted parent, hastily. `I am sure 
I am willing she should go. What is the girl to me?' 


</p>
            <p>`She is so much to me, that rather than communicate, or suffer to be 
communicated to her, one grain of the evil that is in my breast, mother, I 
would renounce you, as I would (if you gave me cause) renounce him in the 
church to-morrow,' replied Edith. `Leave her alone. She shall not, while I 
can interpose, be tampered with and tainted by the lessons I have learned. 
This is no hard condition on this bitter night.' 


</p>
            <p>`If you had proposed it in a filial manner, Edith,' whined her mother, 
`perhaps not; very likely not. But such extremely cutting words—' 


</p>
            <p>`They are past and at an end between us now,' said Edith. `Take your own way, 
mother; share as you please in what you have gained; spend, enjoy, make much 
of it; and be as happy as you will. The object of our lives is won. 
Henceforth let us wear it silently. My lips are closed upon the past from 
this hour. I forgive you your part in to-morrow's wickedness. May God forgive 
my own!' 


</p>
            <p>Without a tremor in her voice, or frame, and passing onward with a foot that 
set itself upon the neck of every soft emotion, she bade her mother good 
night, and repaired to her own room. 


</p>
            <p>But not to rest; for there was no rest in the tumult of her agitation when 
alone. To and fro, and to and fro, and to and fro again, five hundred times, 
among the splendid preparations for her adornment on the morrow; with her 
dark hair shaken down, her dark eyes flashing with a raging light, her broad 
white bosom red with the cruel grasp of the relentless hand with which she 
spurned it from her, pacing up and down with an averted head, as if she would 
avoid the sight of her own fair person, and divorce herself from its 
companionship. Thus, in the dead time of the night before her bridal, Edith 
Granger wrestled with her unquiet spirit, tearless, friendless, silent, 
proud, and uncomplaining. 


</p>
            <p>At length it happened that she touched the open door which led into the room 
where Florence lay. 


</p>
            <p>She started, stopped, and looked in. 


</p>
            <p>A light was burning there, and showed her Florence in her bloom of innocence 
and beauty, fast asleep. Edith held her breath, and felt herself drawn on 
towards her. 


</p>
            <p>Drawn nearer, nearer, nearer yet; at last, drawn so near, that stooping down, 
she pressed her lips to the gentle hand that lay outside the bed,  and put it 
softly to her neck. Its touch was like the prophet's rod of old upon the 
rock. Her tears sprung forth beneath it, as she sunk upon her knees, and laid 
her aching head and streaming hair upon the pillow by its side. 


</p>
            <p>Thus Edith Granger passed the night before her bridal. Thus the sun found her 
on her bridal morning. 

</p>
         </div>
         <div xml:id="c31" type="chapter">
            <head>CHAPTER XXXI</head>
            <head>The Wedding</head>
            <p>DAWN, with its passionless blank face, steals shivering to the church beneath 
which lies 
the dust of little Paul and his mother, and looks in at the windows. It is 
cold and dark. 
Night crouches yet, upon the pavement, and broods, sombre and heavy, in nooks 
and 
corners of the building. The steeple-clock, perched up above the houses, 
emerging from 
beneath another of the countless ripples in the tide of time that regularly 
roll and break on 
the eternal shore, is greyly visible, like a stone beacon, recording how the 
sea flows on; 
but within doors, dawn, at first, can only peep at night, and see that it is 
there. 


</p>
            <p>Hovering feebly round the church, and looking in, dawn moans and weeps for 
its short 
reign, and its tears trickle on the window-glass, and the trees against the 
church-wall bow 
their heads, and wring their many hands in sympathy. Night, growing pale 
before it, 
gradually fades out of the church, but lingers in the vaults below, and sits 
upon the 
coffins. And now comes bright day, burnishing the steeple-clock, and 
reddening the spire, 
and drying up the tears of dawn, and stifling its complaining; and the scared 
dawn, 
following the night, and chasing it from its last refuge, shrinks into the 
vaults itself and 
hides, with a frightened face, among the dead, until night returns, 
refreshed, to drive it 
out. 


</p>
            <p>And now, the mice, who have been busier with the prayer-books than their 
proper owners, 
and with the hassocks, more worn by their little teeth by human knees, hide 
their bright 
eyes in their holes, and gather close together in affright at the resounding 
clashing of the 
church-door. For the beadle, that man of power, comes early this morning with 
the sexton; 
and Mrs. Miff, the wheezy little pew-opener—a mighty dry old lady, sparely 
dressed, with 
not an inch of fulness anywhere about her—is also here, and has been waiting 
at the 
church-gate half-an-hour, as her place is, for the beadle. 


</p>
            <p>A vinegary face has Mrs. Miff, and a mortified bonnet, and eke a thirsty soul 
for 
sixpences and shillings. Beckoning to stray people to come into pews, has 
given Mrs. Miff 
an air of mystery; and there is reservation in the eye of Mrs. Miff, as 
always knowing of a 
softer seat, but having her suspicions of the fee. There is no such fact as 
Mr. Miff, nor has 
there been, these twenty years, and Mrs. Miff would rather not allude to him. 
He held 
some bad opinions, it would seem, about free seats, and though Mrs. Miff 
hopes he may 
be gone upwards, she couldn't positively undertake to say so. 


</p>
            <p>Busy is Mrs. Miff this morning at the church-door, beating and dusting the 
altar-cloth, the 
carpet, and the cushions; and much has Mrs. Miff to say, about the wedding 
they are 
going to have. Mrs. Miff is told, that the new furniture and alterations in 
the house cost 
full five thousand pound if they cost a penny; and Mrs. Miff has heard, upon 
the best 
authority, that the lady hasn't got a sixpence wherewithal to bless herself. 
Mrs. Miff 
remembers, likewise, as if it had happened yesterday, the first wife's 
funeral, and then the 
christening, and then the other funeral; and Mrs. Miff says, by-the-bye 
she'll 
soap-and-water that 'ere tablet presently, against the company arrive. Mr. 
Sownds, the 
Beadle, who is sitting in the sun upon the church steps all this time (and 
seldom does 
anything else, except, in cold weather, sitting by the fire), approves of 
Mrs. Miff's 
discourse, and asks if Mrs. Miff has heard it said, that the lady is uncommon 
handsome? 
The information Mrs. Miff has received, being of this nature, Mr. Sownds the 
Beadle, 
who, though orthodox and corpulent, is still an admirer of female beauty, 
observes, with 
unction, yes, he hears she is a spanker—an expression that seems somewhat 
forcible to 
Mrs. Miff, or would, from any lips but those of Mr. Sownds the Beadle. 


</p>
            <p>In Mr. Dombey's house, at this same time, there is great stir and bustle, 
more especially 
among the women: not one of whom has had a wink of sleep since four o'clock, 
and all 
of whom were fully dressed before six. Mr. Towlinson is an object of greater 
consideration than usual to the housemaid, and the cook says at 
breakfast-time that one 
wedding makes many, which the housemaid can't believe, and don't think true 
at all. Mr. 
Towlinson reserves his sentiments on this question; being rendered something 
gloomy by 
the engagement of a foreigner with whiskers (Mr. Towlinson is whiskerless 
himself), who 
has been hired to accompany the happy pair to Paris, and who is busy packing 
the new 
chariot. In respect of this personage, Mr. Towlinson admits, presently, that 
he never knew 
of any good that ever come of foreigners; and being charged by the ladies 
with prejudice, 
says, look at Bonaparte who was at the head of 'em, and see what <hi>he</hi>
was always 
up to!Which the housemaid says is very true. 


</p>
            <p>The pastry-cook is hard at work in the funeral room in Brook Street, and the 
very tall 
young men are busy looking on. One of the very tall young men already smells 
of sherry, 
and his eyes have a tendency to become fixed in his head, and to stare at 
objects without 
seeing them. The very tall young man is conscious of this failing in himself; 
and informs 
his comrade that it's his `exciseman.' The very tall young man would say 
excitement, but 
his speech is hazy. 


</p>
            <p>The men who play the bells have got  scent of the marriage; and the 
marrow-bones and 
cleavers too; and a brass band too. The first, are practising in a back 
settlement near 
Battle-bridge; the second, put themselves in communication, through their 
chief, with Mr. 
Towlinson, to whom they offer terms to be bought off; and the third, in the 
person of an 
artful trombone, lurks and dodges round the corner, waiting for some traitor 
tradesman to 
reveal the place and hour of breakfast, for a bribe. Expectation and 
excitement extend 
further yet, and take a wider range. From Balls Pond, Mr. Perch brings Mrs. 
Perch to 
spend the day with Mr. Dombey's servants, and accompany them, 
surreptitiously, to see 
the wedding. In Mr. Toots's lodgings, Mr. Toots attires himself as if he were 
at least the 
Bridegroom; determined to behold the spectacle in splendour from a secret 
corner of the 
gallery, and thither to convey the Chicken: for it is Mr. Toots's desperate 
intent to point 
out Florence to the Chicken, then and there, and openly to say, `Now, 
Chicken, I will not 
deceive you any longer; the friend I have sometimes mentioned to you is 
myself; Miss 
Dombey is the object of my passion; what are your opinions, Chicken, in this 
state of 
things, and what, on the spot, do you advise?' The so-much-to-be-astonished 
Chicken, in 
the meanwhile, dips his beak into a tankard of strong beer, in Mr. Toots's 
kitchen, and 
pecks up two pounds of beefsteaks. In Princess's Place, Miss Tox is up and 
doing; for she 
too, though in sore distress, is resolved to put a shilling in the hands of 
Mrs. Miff, and see 
the ceremony which has a cruel fascination for her, from some lonely corner. 
The quarters 
of the Wooden Midshipman are all alive; for Captain Cuttle, in his 
ankle-jacks and with a 
huge shirt-collar, is seated at his breakfast, listening to Rob the Grinder 
as he reads the 
marriage service to him beforehand, under orders, to the end that the Captain 
may 
perfectly understand the solemnity he is about to witness: for which purpose, 
the Captain 
gravely lays injunctions on his chaplain, from time to time, to `put about,' 
or to `overhaul 
that 'ere article again,' or to stick to his own duty, and leave the Amens to 
him, the 
Captain; one of which he repeats, whenever a pause is made by Rob the 
Grinder, with 
sonorous satisfaction. 


</p>
            <p>Besides all this, and much more, twenty nursery-maids in Mr. Dombey's street 
alone, have 
promised twenty families of little women, whose instinctive interest in 
nuptials dates from 
their cradles, that they shall go and see the marriage. Truly, Mr. Sownds the 
Beadle has 
good reason to feel himself in office, as he suns his portly figure on the 
church steps, 
waiting for the marriage hour. Truly, Mrs. Miff has cause to pounce on an 
unlucky dwarf 
child, with a giant baby, who peeps in at the porch, and drive her forth with 
indignation! 


</p>
            <p>Cousin Feenix has come over from abroad, expressly to attend the marriage. 
Cousin 
Feenix was a man about town, forty years ago; but he is still so juvenile in 
figure and in 
manner, and so well got up, that strangers are amazed when they discover 
latent wrinkles 
in his lordship's face, and crows' feet in his eyes; and first observe him, 
not exactly 
certain when he walks across a room, of going quite straight to where he 
wants to go. But 
Cousin Feenix, getting up at half-past seven o'clock or so, is quite another 
thing from 
Cousin Feenix got up; and very dim, indeed, he looks, while being shaved at 
Long's 
Hotel, in Bond Street. 


</p>
            <p>Mr. Dombey leaves his dressing-room, amidst a general whisking away of the 
women on 
the staircase, who disperse in all directions, with a great rustling of 
skirts, except Mrs. 
Perch, who, being (but that she always is) in an interesting situation, is 
not nimble, and is 
obliged to face him, and is ready to sink with confusion as she 
curtseys;—may Heaven 
avert all evil consequences from the house of Perch! Mr. Dombey walks up to 
the 
drawing-room, to bide his time. Gorgeous are Mr. Dombey's new blue coat, 
fawn-coloured pantaloons, and lilac waistcoat; and a whisper goes about the 
house, that 
Mr. Dombey's hair is curled. 


</p>
            <p>A double knock announces the arrival of the Major, who is orgeous too, and 
wears a 
whole geranium in his button-hole, and has his hair curled tight and crisp, 
as well the 
Native knows 


</p>
            <p>`Dombey!' says the Major, putting out both hands, `how are you?' 


</p>
            <p>`Major,' says Mr. Dombey, `how are You?' 


</p>
            <p>`By Jove, Sir,' says the Major, `Joey B. is in such case this morning, 
Sir,'—and here he 
hits himself hard upon the breast—`in such case this morning, Sir, that, 
damme, Dombey, 
he has half a mind to make a double marriage of it, Sir, and take the 
mother.' 


</p>
            <p>Mr. Dombey smiles; but faintly, even for him; for Mr. Dombey feels that he is 
going to 
be related to the mother, and that, under those circumstances, she is not to 
be joked 
about. 


</p>
            <p>`Dombey,' says the Major, seeing this, `I give you joy. I congratulate you, 
Dombey. By 
the Lord, Sir,' says the Major, `you are more to be envied, this day, than 
any man in 
England!' 


</p>
            <p>Here again Mr. Dombey's assent is qualified; because he is going to confer a 
great 
distinction on a lady; and, no doubt, she is to be envied most. 


</p>
            <p>`As to Edith Granger, Sir,' pursues the Major, `there is not a woman in all 
Europe but 
might—and would, Sir, you will allow Bagstock to add—and would give her 
ears, and her 
earrings, too, to be in Edith Granger's place.' 


</p>
            <p>`You are good enough to say so, Major,' says Mr. Dombey. 


</p>
            <p>`Dombey,' returns the Major, `you know it. Let us have no false delicacy. You 
know it. 
Do you know it, or do you not, Dombey?' says the Major, almost in a 
passion. 


</p>
            <p>`Oh, really, Major—' 


</p>
            <p>`Damme, Sir,' retorts the Major, `do you know that fact, or do you not? 
Dombey! Is old 
Joe your friend? Are we on that footing of unreserved intimacy, Dombey, that 
may justify 
a man—a blunt old Joseph B., Sir—in speaking out; or am I to take open 
order, Dombey, 
and to keep my distance, and to stand on forms?' 


</p>
            <p>`My dear Major Bagstock.' says Mr. Dombey, with a gratified air, `you are 
quite 
warm.' 


</p>
            <p>`By Gad, Sir,' says the Major, `I am warm. Joseph B. does not deny it, 
Dombey. He is 
warm. This is an occasion, Sir, that calls forth all the honest sympathies 
remaining in an 
old, infernal, battered, used-up, invalided, J. B. carcase. And I tell you 
what, Dombey—at 
such a time a man must blurt out what he feels, or put a muzzle on; and 
Joseph Bagstock 
tells you to your face, Dombey, as he tells his club behind your back, that 
he never will 
be muzzled when Paul Dombey is in question. Now, damme, Sir,' concludes the 
Major, 
with great firmness, `what do you make of that?' 


</p>
            <p>`Major,' says Mr. Dombey, `I assure you that I am really obliged to you. I 
had no idea of 
checking your too partial friendship.' 


</p>
            <p>`Not too partial, Sir!' exclaims the choleric Major.  `Dombey, I deny it.' 


</p>
            <p>`Your friendship I will say then,' pursues Mr. Dombey, `on any account. Nor 
can I forget, 
Major, on such an occasion as the present, how much I am indebted to it.' 


</p>
            <p>`Dombey,' says the Major, with appropriate action, `that is the hand of 
Joseph Bagstock: 
of plain old Joey B., Sir, if you like that better! That is the hand of which 
His Royal 
Highness the late Duke of York did me the honour to observe, Sir, to His 
Royal Highness 
the late Duke of Kent, that it was the hand of Josh.: a rough and tough, and 
possibly an 
up-to-snuff, old vagabond. Dombey, may the present moment be the least 
unhappy of our 
lives. God bless you!' 


</p>
            <p>Now enters Mr. Carker, gorgeous likewise, and smiling like a wedding-guest 
indeed. He 
can scarcely let Mr. Dombey's hand go, he is so congratulatory; and he shakes 
the 
Major's hand so heartily at the same time, that his voice shakes too, in 
accord with his 
arms, as it comes sliding from between his teeth. 


</p>
            <p>`The very day is auspicious,' says Mr. Carker. `The brightest and most genial 
weather! I 
hope I am not a moment late?' 


</p>
            <p>`Punctual to your time, Sir,' says the Major. 


</p>
            <p>`I am rejoiced, I am sure,' says Mr. Carker. `I was afraid I might be a few 
seconds after 
the appointed time, for I was delayed by a procession of waggons; and I took 
the liberty 
of riding round to Brook Street'—this to Mr. Dombey—`to leave a few poor 
rarities of 
flowers for Mrs. Dombey. A man in my position, and so distinguished as to be 
invited 
here, is proud to offer some homage in acknowledgment of his vassalage: and 
as I have no 
doubt Mrs. Dombey is overwhelmed with what is costly and magnificent;' with a 
strange 
glance at his patron; `I hope the very poverty of my offering, may find 
favour for it.' 


</p>
            <p>`Mrs. Dombey, that is to be,' returns Mr. Dombey, condescending, `will be 
very sensible 
of your attention, Carker, I am sure.' 


</p>
            <p>`And if she is to be Mrs. Dombey this morning, Sir, says the Major, putting 
down his 
coffee-cup, and looking at his watch, `it's high time we were off!' 


</p>
            <p>Forth, in a barouche, ride Mr. Dombey, Major Bagstock, and Mr. Carker, to the 
church. 
Mr. Sownds the Beadle has long risen from the steps, and is in waiting with 
his cocked 
hat in his hand. Mrs. Miff curtseys and proposes chairs in the vestry. Mr. 
Dombey prefers 
remaining in the church. As he looks up at the organ, Miss Tox in the gallery 
shrinks 
behind the fat leg of a cherub on a monument, with cheeks like a young Wind. 
Captain 
Cuttle, on the contrary, stands up and waves his hook, in token of welcome 
and 
encouragement. Mr. Toots informs the Chicken, behind his hand, that the 
middle 
gentleman, he in the fawn-coloured pantaloons, is the father of his love. The 
Chicken 
hoarsely whispers Mr. Toots that he's as stiff a cove as ever he see, but 
that it is within 
the resources of Science to double him up, with one blow in the waistcoat. 


</p>
            <p>Mr. Sownds and Mrs. Miff are eyeing Mr. Dombey from a little distance, when 
the noise 
of approaching wheels is heard, and Mr. Sownds goes out; Mrs. Miff, meeting 
Mr. 
Dombey's eye as it is withdrawn from the presumptuous maniac up stairs, who 
salutes 
him with so much urbanity, drops a curtsey, and informs him that she believes 
his `good 
lady' is come. Then there is a crowding and a whispering at the door, and the 
good lady 
enters, with a haughty step. 


</p>
            <p>There is no sign upon her face, of last night's suffering; there is no trace 
in her manner, of 
the woman on the bended knees reposing her wild head, in beautiful 
abandonment, upon 
the pillow of the sleeping girl. That girl, all gentle and lovely, is at her 
side—a striking 
contrast to her own disdainful and defiant figure, standing there, composed, 
erect, 
inscrutable of will, resplendent and majestic in the zenith of its charms, 
yet beating down, 
and treading on, the admiration that it challenges. 


</p>
            <p>There is a pause while Mr. Sownds the Beadle glides into the vestry for the 
clergyman 
and clerk. At this juncture, Mrs. Skewton speaks to Mr. Dombey: more 
distinctly and 
emphatically than her custom is, and moving at the same time, close to 
Edith. 


</p>
            <p>`My dear Dombey,' said the good Mama, `I fear I must relinquish darling 
Florence after 
all, and suffer her to go home, as she herself proposed. After my loss of 
to-day, my dear 
Dombey, I feel I shall not have spirits, even for her society.' 


</p>
            <p>`Had she not better stay with you?' returns the Bridegroom. 


</p>
            <p>`I think not, my dear Dombey. No, I think not. I shall be better alone. 
Besides, my dearest 
Edith will be her natural and constant guardian when you return, and I had 
better not 
encroach upon her trust, perhaps. She might be jealous. Eh, dear Edith?' 


</p>
            <p>The affectionate Mama Presses her daughter's arm, as she says this; perhaps 
entreating her 
attention earnestly. 


</p>
            <p>`To be serious, my dear Dombey,' she resumes, `I will relinquish our dear 
child, and not 
inflict my gloom upon her. We have settled that, just now. She fully 
understands, dear 
Dombey. Edith, my dear,—she fully understands.' 


</p>
            <p>Again, the good mother presses her daughter's arm. Mr. Dombey offers no 
additional 
remonstrance; for the clergyman and clerk appear; and Mrs. Miff, and Mr. 
Sownds the 
Beadle, group the party in their proper places at the altar rails. 


</p>
            <p>`”Who giveth this woman to be married to this man?”' 


</p>
            <p>Cousin Feenix does that. He has come from Baden-Baden or purpose. `Confound 
it,' 
Cousin Feenix says—good-natured creature, Cousin Feenix—`when we <hi>do</hi>
get a rich 
City fellow into the family, let us show him some attention; let us do 
something for 
him.' 


</p>
            <p>`<hi>I</hi> give this woman to be married to this man,' saith Cousin Feenix 
therefore. 
Cousin Feenix, meaning to go in a straight line, but turning off sideways by 
reason of his 
wilful legs, gives the wrong woman to be married to this man, at first—to 
wit, a 
bridesmaid of some condition, distantly connected with the family, and ten 
years Mrs. 
Skewton's junior—but Mrs. Miff, interposing her mortified bonnet, 
dexterously turns him 
back, and runs him, as on castors, full at the `good lady:' whom Cousin 
Feenix giveth to 
be married to this man accordingly. 


</p>
            <p>And will they in the sight of heaven—? 


</p>
            <p>Aye, that they will: Mr. Dombey says he will. And what says Edith? <hi>She</hi>
will. 


</p>
            <p>So, from that day forward, for better for worse, for richer for poorer, in 
sickness and in 
health, to love and to cherish, till death do them part, they plight their 
troth to one 
another, and are married. 


</p>
            <p>In a firm, free hand, the Bride subscribes her name in the register, when 
they adjourn to 
the vestry. `There an't a many ladies come here,' Mrs. Miff says with a 
curtsey—to look at 
Mrs. Miff, at such a season, is to make her mortified bonnet go down with a 
dip—`writes 
their names like this good lady!' Mr. Sownds the Beadle thinks it is a truly 
spanking 
signature, and worthy of the writer—this, however, between himself and 
conscience. 


</p>
            <p>Florence signs too, but unapplauded, for her hand shakes. All the party sign; 
Cousin 
Feenix last; who puts his noble name into a wrong place, and enrols himself 
as having 
been born that morning. 


</p>
            <p>The Major now salutes the Bride right gallantly, and carries out that branch 
of military 
tactics in reference to all the ladies: notwithstanding Mrs. Skewton's being 
extremely hard 
to kiss, and squeaking shrilly in the sacred edifice. The example is followed 
by Cousin 
Feenix, and even by Mr. Dombey. Lastly, Mr. Carker, with his white teeth 
glistening, 
approaches Edith, more as if he meant to bite her, than to taste the sweets 
that linger on 
her lips. 


</p>
            <p>There is a glow upon her proud cheek, and a flashing in her eyes, that may be 
meant to 
stay him; but it does not, for he salutes her as the rest have done, and 
wishes her all 
happiness. 


</p>
            <p>`If wishes,' says he in a low voice, ` are not superfluous, applied to such a 
union.' 


</p>
            <p>`I thank you, Sir,' she answers, with a curled lip, and a heaving bosom. 


</p>
            <p>But, does Edith feel still, as on the night when she knew that Mr. Dombey 
would return to 
offer his alliance, that Carker knows her thoroughly, and reads her right, 
and that she is 
more degraded by his knowledge of her, than by aught else? Is it for this 
reason that her 
haughtiness shrinks beneath his smile, like snow within the hand that grasps 
it firmly, and 
that her imperious glance droops in meeting his, and seeks the ground? 


</p>
            <p>`I am proud to see,' said Mr. Carker, with a servile stooping of his neck, 
which the 
revelations making by his eyes and teeth proclaim to be a lie, `I am proud to 
see that my 
humble offering is graced by Mrs. Dombey's hand, and permitted to hold so 
favoured a 
place in so joyful an occasion.' 


</p>
            <p>Though she bends her head, in answer, there is something in the momentary 
action of her 
hand, as if she would crush the flowers it holds, and fling them, with 
contempt, upon the 
ground. But, she puts the hand through the arm of her new husband, who has 
been 
standing near, conversing with the Major, and is proud again, and motionless, 
and 
silent. 


</p>
            <p>The carriages are once more at the church door. Mr. Dombey, with his bride 
upon his 
arm, conducts her through the twenty families of little women who are on the 
steps, and 
every one of whom remembers the fashion and the colour of her every article 
of dress 
from that moment, and reproduces it on her doll, who is for ever being 
married. Cleopatra 
and Cousin Feenix enter the same carriage. The Major hands into a second 
carriage, 
Florence, and the bridesmaid who so narrowly escaped being given away by 
mistake, and 
then enters it himself, and is followed by Mr. Carker. Horses prance and 
caper; coachmen 
and footmen shine in fluttering favours, flowers, and new-made liveries. Away 
they dash 
and rattle through the streets: and as they pass along, a thousand heads are 
turned to look 
at them, and a thousand sober moralists revenge themselves for not being 
married too, that 
morning, by reflecting that these people little think such happiness can't 
last. 


</p>
            <p>Miss Tox emerges from behind the cherub's leg, when all is quiet, and comes 
slowly 
down from the gallery. Miss Tox's eyes are red, and her pocket-handkerchief 
is damp. She 
is wounded, but not exasperated, and she hopes they may be happy. She quite 
admits to 
herself the beauty of the bride, and her own comparatively feeble and faded 
attractions; 
but the stately image of Mr. Dombey in his lilac waistcoat, and his 
fawn-coloured 
pantaloons, is present to her mind, and Miss Tox weeps afresh, behind her 
veil, on her 
way home to Princess's Place. Captain Cuttle, having joined in all the amens 
and 
responses, with a devout growl, feels much improved by his religious 
exercises; and in a 
peaceful frame of mind, pervades the body of the church, glazed hat in hand, 
and reads 
the tablet to the memory of little Paul. The gallant Mr. Toots, attended by 
the faithful 
Chicken, leaves the building in torments of love. The Chicken is as yet 
unable to elaborate 
a scheme for winning Florence, but his first idea has gained possession of 
him, and he 
thinks the doubling up of Mr. Dombey would be a move in the right direction. 
Mr. 
Dombey's servants come out of their hiding-places, and prepare to rush to 
Brook Street, 
when they are delayed by symptoms of indisposition on the part of Mrs. Perch, 
who 
entreats a glass of water, and becomes alarming; Mrs. Perch gets better soon, 
however, 
and is borne away; and Mrs. Miff, and Mr. Sownds the Beadle, sit upon the 
steps to count 
what they have gained by the affair, and talk it over, while the sexton tolls 
a funeral. 


</p>
            <p>Now, the carriages arrive at the Bride's residence, and the players on the 
bells begin to 
jingle, and the band strikes up, and Mr. Punch, that model of connubial 
bliss, salutes his 
wife. Now, the people run and push, and press round in a gaping throng, while 
Mr. 
Dombey, leading Mrs. Dombey by the hand, advances solemnly into the Feenix 
Halls. 
Now, the rest of the wedding party alight, and enter after them. And why does 
Mr. Carker, 
passing through the people to the hall-door, think of the old woman who 
called to him in 
the Grove that morning? Or why does Florence, as she passes, think, with a 
tremble, of 
her childhood, when she was lost, and of the visage of good Mrs. Brown? 


</p>
            <p>Now, there are more congratulations on this happiest of days, and more 
company, though 
not much; and now they leave the drawing-room, and range themselves at table 
in the 
dark-brown dining-room, which no confectioner can brighten up, let him 
garnish the 
exhausted negroes with as many flowers and love-knots as he will. 


</p>
            <p>The pastry-cook has done his duty like a man, though, and a rich breakfast is 
set forth. 
Mr. and Mrs. Chick have joined the party, among others. Mrs. Chick admires 
that Edith 
should be, by nature, such a perfect Dombey; and is affable and confidential 
to Mrs. 
Skewton, whose mind is relieved of a great load, and who takes her share of 
the 
champagne. The very tall young man who suffered from excitement early, is 
better; but a 
vague sentiment of repentance has seized upon him, and he hates the other 
very tall young 
man, and wrests dishes from him by violence, and takes a grim delight in 
disobliging the 
company. The company are cool and calm, and do not outrage the black 
hatchments of 
pictures looking down upon them, by any excess of mirth. Cousin Feenix and 
the Major 
are the gayest there; but Mr. Carker has a smile for the whole table. He has 
an especial 
smile for the Bride, who very, very seldom meets it. 


</p>
            <p>Cousin Feenix rises, when the company have breakfasted, and the servants have 
left the 
room; and wonderfully young he looks, with his white wristbands almost 
covering his 
hands (otherwise rather bony), and the bloom of the champagne in his 
cheeks. 


</p>
            <p>`Upon my honour,' says Cousin Feenix, `although it's an unusual sort of thing 
is a private 
gentleman's house, I must beg leave to call upon you to drink what is usually 
called a—in 
fact a toast.' 


</p>
            <p>The Major very hoarsely indicates his approval. Mr. Carker, bending his head 
forward 
over the table in the direction of Cousin Feenix, smiles and nods a great 
many times. 


</p>
            <p>`A—in fact it's not a—' Cousin Feenix beginning again, thus, comes to a 
dead stop. 


</p>
            <p>`Hear, hear!' says the Major, in a tone of conviction. 


</p>
            <p>Mr. Carker softly claps his hands, and bending forward over the table again, 
smiles and 
nods a great many more times than before, as if he were particularly struck 
by this last 
observation, and desired personally to express his sense of the good it has 
done him. 


</p>
            <p>`It is,' says Cousin Feenix, `an occasion in fact, when the general usages of 
life may be a 
little departed from, without impropriety; and although I never was an orator 
in my life, 
and when I was in the House of Commons, and had the honour of seconding the 
address, 
was—in fact, was laid up for a fort-night with the consciousness of 
failure—' 


</p>
            <p>The Major and Mr. Carker are so much delighted by this fragment of personal 
history, that 
Cousin Feenix laughs, and addressing them individually, goes on to say: 


</p>
            <p>`And in point of fact, when I was devilish ill—still, you know, I feel that 
a duty devolves 
upon me. And when a duty devolves upon an Englishman, he is bound to get out 
of it, in 
my opinion, in the best way he can. Well! our family has had the 
gratification, to-day, of 
connecting itself, in the person of my lovely and accomplished relative, whom 
I now 
see—in point of fact, present—' 


</p>
            <p>Here there is general applause. 


</p>
            <p>`Present,' repeats Cousin Feenix, feeling that it is a neat point which will 
bear 
repetition,—`with one who—that is to say, with a man, at whom the finger of 
scorn can 
never—in fact, with my honourable friend Dombey, if he will allow me to call 
him so.' 


</p>
            <p>Cousin Feenix bows to Mr. Dombey; Mr. Dombey solemnly returns the bow; 
everybody is 
more or less gratified and affected by this extraordinary, and perhaps 
unprecedented, 
appeal to the feelings. 


</p>
            <p>`I have not,' says Cousin Feenix, `enjoyed those opportunities which I could 
have desired, 
of cultivating the acquaintance of my friend Dombey, and studying those 
qualities which 
do equal honour to his head, and, in point of fact, to his heart; for it has 
been my 
misfortune to be, as we used to say in my time in the House of Commons, when 
it was 
not the custom to allude to the Lords, and when the order of parliamentary 
proceedings 
was perhaps better observed than it is now—to be in—in point of fact,' says 
Cousin Feenix, 
cherishing his joke, with great slyness, and finally bringing it out with a 
jerk, `”in another 
place!”' 


</p>
            <p>The Major falls into convulsions, and is recovered with difficulty. 


</p>
            <p>`But I know sufficient of my friend Dombey,' resumes Cousin Feenix in a 
graver tone, as 
if he had suddenly become a sadder and wiser man, `to know that he is, in 
point of fact, 
what may be emphatically called a—a merchant—a British merchant—and a—and 
a man. 
And although I have been resident abroad for some years (it would give me 
great pleasure 
to receive my friend Dombey, and everybody here, at Baden-Baden, and to have 
an 
opportunity of making 'em known to the Grand Duke), still I know enough, I 
flatter 
myself, of my lovely and accomplished relative, to know that she possesses 
every requisite 
to make a man happy, and that her marriage with my friend Dombey is one of 
inclination 
and affection on both sides.' 


</p>
            <p>Many smiles and nods from Mr. Carker. 


</p>
            <p>`Therefore,' says Cousin Feenix, `I congratulate the family of which I am a 
member, on 
the acquisition of my friend Dombey. I congratulate my friend Dombey on his 
union with 
my lovely and accomplished relative who possesses every requisite to make a 
man happy; 
and I take the liberty of calling on you all, in point of fact, to 
congratulate both my friend 
Dombey and my lovely and accomplished relative, on the present occasion.' 


</p>
            <p>The speech of Cousin Feenix is received with great applause, and Mr. Dombey 
returns 
thanks on behalf of himself and Mrs. Dombey. J. B. shortly afterwards 
proposes Mr. 
Skewton. The breakfast languishes when that is done, the violated hatchments 
are avenged, 
and Edith rises to assume her travelling dress. 


</p>
            <p>All the servants in the meantime, have been breakfasting below. Champagne has 
grown 
too common among them to be mentioned, and roast fowls, raised pies, and 
lobster-salad, 
have become mere drugs. The very tall young man has recovered his spirits, 
and again 
alludes to the exciseman. His comrade's eye begins to emulate his own, and 
he, too, stares 
at objects without taking cognizance thereof. There is a general redness in 
the faces of the 
ladies; in the face of Mrs. Perch particularly, who is joyous and beaming, 
and lifted so far 
above the cares of life, that if she were asked just now to direct a wayfarer 
to Ball's Pond, 
where her own cares lodge, she would have some difficulty in recalling the 
way. Mr. 
Towlinson has proposed the happy pair; to which the silver-headed butler has 
responded 
neatly, and with emotion; for he half begins to think he <hi>is</hi> an old 
retainer of the 
family, and that he is bound to be affected by these changes. The whole 
party, and 
especially the ladies, are very frolicsome. Mr. Dombey's cook, who generally 
takes the 
lead in society, has said, it is impossible to settle down after this, and 
why not go, in a 
party, to the play? Everybody (Mrs. Perch included) has agreed to this: even 
the Native, 
who is tigerish in his drink, and who alarms the ladies (Mrs. Perch 
particularly) by the 
rolling of his eyes. One of the very tall young men has even proposed a ball 
after the 
play, and it presents itself to no one (Mrs. Perch included) in the light of 
an impossibility. 
Words have arisen between the housemaid and Mr. Towlinson; she, on the 
authority of an 
old saw, asserting marriages to be made in Heaven: he, affecting to trace the 
manufacture 
elsewhere; he, supposing that she says so, because she thinks of being 
married her own 
self: she, saying, Lord forbid, at any rate, that she should ever marry 
<hi>him.</hi> To calm 
these flying taunts, the silver-headed butler rises to propose the health of 
Mr. Towlinson, 
whom to know is to esteem, and to esteem is to wish well settled in life with 
the object of 
his choice, wherever (here the silver-headed butler eyes the housemaid) she 
may be. Mr. 
Towlinson returns thanks in a speech replete with feeling, of which the 
peroration turns on 
foreigners, regarding whom he says they may find favour, sometimes with weak 
and 
inconstant intellects that can be led away by hair, but all he hopes, is, he 
may never hear 
of no foreigner never boning nothing out of no travelling chariot. The eye of 
Mr. 
Towlinson is so severe and so expressive here, that the housemaid is turning 
hysterical, 
when she and all the rest, roused by the intelligence that the Bride is going 
away, hurry 
upstairs to witness her departure. 


</p>
            <p>The chariot is at the door; the Bride is descending to the hall, where Mr. 
Dombey waits 
for her. Florence is ready on the staircase to depart too; and Miss Nipper, 
who has held a 
middle state between the parlour and the kitchen, is prepared to accompany 
her. As Edith 
appears, Florence hastens towards her, to bid her farewell. 


</p>
            <p>Is Edith cold, that she should tremble! Is there anything unnatural or 
unwholesome in the 
touch of Florence, that the beautiful form recedes and contracts, as if it 
could not bear it!Is 
there so much hurry in this going away, that Edith, with a wave of her hand, 
sweeps on, 
and is gone! 


</p>
            <p>Mrs. Skewton, overpowered by her feelings as a mother, sinks on her sofa in 
the Cleopatra 
attitude, when the clatter of the chariot wheels is lost, and sheds several 
tears. The Major, 
coming with the rest of the company from table, endeavours to comfort her; 
but she will 
not be comforted on any terms, and so the Major takes his leave. Cousin 
Feenix takes his 
leave, and Mr. Carker takes his leave. The guests all go away. Cleopatra, 
left alone, feels 
a little giddy from her strong emotion, and falls asleep. 


</p>
            <p>Giddiness prevails below stairs too. The very tall young man whose excitement 
came on 
so soon, appears to have his head glued to the table in the pantry, and 
cannot be detached 
from it. A violent revulsion has taken place in the spirits of Mrs. Perch, 
who is low on 
account of Mr. Perch, and tells cook that she fears he is not so much 
attached to his 
home, as he used to be, when they were only nine in family. Mr. Towlinson has 
a singing 
in his ears and a large wheel going round and round inside his head. The 
housemaid 
wishes it wasn't wicked to with that one was dead. 


</p>
            <p>There is a general delusion likewise, in these lower regions, on the subject 
of time; 
everybody conceiving that it ought to be, at the earliest, ten o'clock at 
night, whereas it is 
not yet three in the afternoon. A shadowy idea of wickedness committed, 
haunts every 
individual in the party; and each one secretly thinks the other a companion 
in guilt, whom 
it would be agreeable to avoid. No man or woman has the hardihood to hint at 
the 
projected visit to the play. Any one reviving the notion of the ball, would 
be scouted as a 
malignant idiot. 


</p>
            <p>Mrs. Skewton sleeps up stairs, two hours afterwards, and naps are not yet 
over in the 
kitchen. The hatchments in the dining-room look down on crumbs, dirty plates, 
spillings of 
wine, half-thawed ice, stale discoloured heel-taps, scraps of lobster, 
drumsticks of fowls, 
and pensive jellies, gradually resolving themselves into a lukewarm gummy 
soup. The 
marriage is, by this time, almost as denuded to its show and garnish as the 
breakfast. Mr. 
Dombey's servants moralise so much about it, and are so repentant over their 
early tea, at 
home, that by eight o'clock or so, they settle down into confirmed 
seriousness; and Mr. 
Perch, arriving at that time from the City, fresh and jocular, with a white 
waistcoat and a 
comic song, ready to spend the evening, and prepared for any amount of 
dissipation, is 
amazed to find himself coldly received, and Mrs. Perch but poorly, and to 
have the 
pleasing duty of escorting that lady home by the next omnibus. 


</p>
            <p>Night closes in. Florence having rambled through the handsome house, from 
room to 
room, seeks her own chamber, where the care of Edith has surrounded her with 
luxuries 
and comforts; and divesting herself of her handsome dress, puts on her old 
simple 
mourning for dear Paul, and sits down to read, with Diogenes winking and 
blinking on the 
ground beside her. But Florence cannot read to-night. The house seems strange 
and new, 
and there are loud echoes in it. There is a shadow on her heart: she knows 
not why or 
what: but it is heavy. Florence shuts her book, and gruff Diogenes, who takes 
that for a 
signal, puts his paws upon her lap, and rubs his ears against her caressing 
hands. But 
Florence cannot see him plainly, in a little time, for there is a mist 
between her eyes and 
him, and her dead brother and dead mother shine in it like angels. Walter, 
too, poor 
wandering shipwrecked boy, oh, where is he? 


</p>
            <p>The Major don't know; that's for certain; and don't care. The Major, having 
choked and 
slumbered, all the afternoon, has taken a late dinner at his club, and now 
sits over his pint 
of wine, driving a modest young man, with a fresh-coloured face, at the next 
table (who 
would give a handsome sum to be able to rise and go away, but cannot do it) 
to the verge 
of madness, by anecdotes of Bagstock, Sir, at Dombey's wedding, and Old Joe's 
devilish 
gentlemanly friend, Lord Feenix. While Cousin Feenix, who ought to be at 
Long's' and in 
bed, finds himself, instead, at a gaming-table, where his wilful legs have 
taken him, 
perhaps, in his own despite. 


</p>
            <p>Night, like a giant, fills the church, from pavement to roof, and holds 
dominion through 
the silent hours. Pale dawn again comes peeping through the windows; and, 
giving place 
to day, sees night withdraw into the vaults, and follows it, and drives it 
out, and hides 
among the dead. The timid mice again cower close together, when the great 
door clashes, 
and Mr. Sownds and Mrs. Miff, treading the circle of their daily lives, 
unbroken as a 
marriage ring, come in. Again, the cocked hat and the mortified bonnet stand 
in the 
background at the marriage hour; and again this man taketh this woman, and 
this woman 
taketh this man, on the solemn terms: 


</p>
            <p>`To have and to hold, from this day forward, for better for worse, for richer 
for poorer, in 
sickness and in health, to love and to cherish, until death do them part.' 


</p>
            <p>The very words that Mr. Carker rides into town repeating, with his mouth 
stretched to the 
utmost, as he picks his dainty way. 

</p>
         </div>
         <div xml:id="c32" type="chapter">
            <head>CHAPTER XXXII</head>
            <head>The Wooden Midshipman goes to Pieces</head>
            <p>HONEST Captain Cuttle, as the weeks flew over him in his fortified retreat, 
by no means 
abated any of his prudent provisions against surprise, because of the 
non-appearance of the 
enemy. The Captain argued that his present security was too profound and 
wonderful to 
endure much longer; he knew that when the wind stood in a fair quarter, the 
weathercock 
was seldom nailed there; and he was too well acquainted with the determined 
and 
dauntless character of Mrs. MacStinger, to doubt that that heroic woman had 
devoted 
herself to the task of his discovery and capture. Trembling beneath the 
weight of these 
reasons, Captain Cuttle lived a very close and retired life; seldom stirring 
abroad until 
after dark; venturing even then only into the obscurest streets; never going 
forth at all on 
Sundays; and both within and without the walls of his retreat, avoiding 
bonnets, as if they 
were worn by raging lions. 


</p>
            <p>The Captain never dreamed that in the event of his being pounced upon by Mrs. 
MacStinger, in his walks, it would be possible to offer resistance. He felt 
that it could not 
be done. He saw himself, in his mind's eye, put meekly in a hackney-coach, 
and carried 
off to his old lodgings. He foresaw that, once immured there, he was a lost 
man: his hat 
gone; Mrs. MacStinger watchful of him day and night; reproaches heaped upon 
his head, 
before the infant family; himself the guilty object of suspicion and 
distrust; an ogre in the 
children's eyes, and in their mother's a detected traitor. 


</p>
            <p>A violent perspiration, and a lowness of spirits always came over the Captain 
as this 
gloomy picture presented itself to his imagination. It generally did so 
previous to his 
stealing out of doors at night for air and exercise. Sensible of the risk he 
ran, the Captain 
took leave of Rob, at those times, with the solemnity which became a man who 
might 
never return: exhorting him, in the event of his (the Captain's) being lost 
sight  of, for a 
time, to tread in the paths of virtue, and  keep the brazen instruments well 
polished. 


</p>
            <p>But not to throw away a chance; and to secure to himself a means, in case of 
the worst, of 
holding communication with the external world; Captain Cuttle soon conceived 
the happy 
idea of teaching Rob the Grinder some secret signal, by which that adherent 
might make 
his presence and fidelity known to his commander, in the hour of adversity. 
After much 
cogitation, the Captain decided in favour of instructing him to whistle the 
marine melody, 
`Oh cheerily, cheerily!' and Rob the Grinder attaining a point as near 
perfection in that 
accomplishment as a landsman could hope to reach, the Captain impressed these 
mysterious instructions on his mind: 


</p>
            <p>`Now, my lad, stand by! If ever I'm took—' 


</p>
            <p>`Took, Captain!' interposed Rob, with his round eyes wide open. 


</p>
            <p>`Ah!' said Captain Cuttle darkly, `if ever I goes away, meaning to come back 
to supper, 
and don't come within hail again twenty-four hours arter my loss, go you to 
Brig Place 
and whistle that 'ere tune near my old moorings—not as if you was a meaning 
of it, you 
understand, but as if you'd drifted there, promiscuous. If I answer in that 
tune, you sheer 
off, my lad, and come back four-and-twenty hours arterwards; if I answer in 
another tune, 
do you stand off and on, and wait till I throw out further signals. Do you 
understand them 
orders, now?' 


</p>
            <p>`What am I to stand off and on of, Captain?' inquired Rob. `The 
horse-road?' 


</p>
            <p>`Here's a smart lad for you!' cried the Captain, eyeing him sternly, `as 
don't know his 
own native alphabet! Go away a bit and come back again alternate—d'ye 
understand 
that?' 


</p>
            <p>`Yes, Captain,' said Rob. 


</p>
            <p>`Very good my lad, then,' said the Captain, relenting. `Do it!' 


</p>
            <p>That he might do it the better, Captain Cuttle sometimes condescended, of an 
evening 
after the shop was shut, to rehearse this scene: retiring into the parlour 
for the purpose, as 
into the lodgings of a supposititious MacStinger, and carefully observing the 
behaviour of 
his ally, from the hole of espial he had cut in the wall. Rob the Grinder 
discharged 
himself of his duty with so much exactness and judgment, when thus put to the 
proof, that 
the Captain presented him, at divers times, with seven sixpences, in token of 
satisfaction; 
and gradually felt stealing over his spirit the resignation of a man who had 
made provision 
for the worst, and taken every reasonable precaution against an unrelenting 
fate. 


</p>
            <p>Nevertheless, the Captain did not tempt ill-fortune, by being a whit more 
venturesome 
than before. Though he considered it a point of good breeding in himself, as 
a general 
friend of the family, to attend Mr. Dombey's wedding (of which he had heard 
from Mr. 
Perch), and to show that gentleman a pleasant and approving countenance from 
the 
gallery, he had repaired to the church in a hackney cabriolet with both 
windows up; and 
might have scrupled even to make that venture, in his dread of Mrs. 
MacStinger, but that 
the lady's attendance on the ministry of the Reverend Melchisedech rendered 
it peculiarly 
unlikely that she would be found in communion with the Establishment. 


</p>
            <p>The Captain got safe home again, and fell into the ordinary routine of his 
new life, 
without encountering any more direct alarm from the enemy, than was suggested 
to him 
by the daily bonnets in the street. But other subjects began to lay heavy on 
the Captain's 
mind. Walter's ship was still unheard of. No news came of old Sol Gills. 
Florence did not 
even know of the old man's disappearance, and Captain Cuttle had not the 
heart to tell 
her. Indeed the Captain, as his own hopes of the generous, handsome, 
gallant-hearted 
youth, whom he had loved, according to his rough manner, from a child, began 
to fade, 
and faded more and more from day to day, shrink with instinctive pain from 
the thought 
of exchanging a word with Florence. If he had had good news to carry to her, 
the honest 
Captain would have braved the newly decorated house and splendid 
furniture—though 
these, connected with the lady he had seen at church, were awful to him—and 
made his 
away into her presence. With a dark horizon gathering around their common 
hopes, 
however, that darkened every hour, the Captain almost felt as if he were a 
new misfortune 
and affliction to her; and was scarcely less afraid of a visit from Florence, 
than from Mrs. 
MacStinger herself. 


</p>
            <p>It was a chill dark autumn evening, and Captain Cuttle had ordered a fire to 
be kindled in 
the little back parlour, now more than ever like the cabin of a ship. The 
rain fell fast, and 
the wind blew hard; and straying out on the house-top by that stormy bedroom 
of his old 
friend, to take an observation of the weather, the Captain's heart died 
within him, when he 
saw how wild and desolate it was. Not that he associated the weather of that 
time with 
poor Walter's destiny, or doubted that if Providence had doomed him to be 
lost and 
shipwrecked, it was over, long ago; but that beneath an outward influence, 
quite distinct 
from the subject-matter of his thoughts, the Captain's spirits sank, and his 
hopes turned 
pale, as those of wiser men had often done before him, and will often do 
again. 


</p>
            <p>Captain Cuttle, addressing his face to the sharp wind and slanting rain, 
looked up at the 
heavy scud that was flying fast over the wilderness of house-tops, and looked 
for 
something cheery there in vain. The prospect near at hand was no better. In 
sundry 
tea-chests and other rough boxes at his feet, the pigeons of Rob the Grinder 
were cooing 
like so many dismal breezes getting up. A crazy weathercock of a midshipman, 
with a 
telescope at his eye, once visible from the street, but long bricked out, 
creaked and 
complained upon his rusty pivot as the shrill blast spun him round and round, 
and sported 
with him cruelly. Upon the Captain's coarse blue vest the cold raindrops 
started like steel 
beads; and he could hardly maintain himself aslant against the stiff 
Nor'-Wester that came 
pressing against him, importunate to topple him over the parapet, and throw 
him on the 
pavement below. If there were any Hope alive that evening, the Captain 
thought, as he 
held his hat on, it certainly kept house, and wasn't out of doors; so the 
Captain, shaking 
his head in a despondent manner, went in to look for it. 


</p>
            <p>Captain Cuttle descended slowly to the little back parlour, and, seated in 
his accustomed 
chair, looked for it in the fire; but it was not there, though the fire was 
bright. He took out 
his tobacco-box and pipe, and composing himself to smoke, looked for it in 
the red glow 
from the bowl, and in the wreaths of vapour that curled upward from his lips; 
but there 
was not so much as an atom of the rust of Hope's anchor in either. He tried a 
glass of 
grog; but melancholy truth was at the bottom of that well, and he couldn't 
finish it. He 
made a turn or two in the shop, and looked for Hope among the instruments; 
but they 
obstinately worked out reckonings for the missing ship, in spite of any 
opposition he could 
offer, that ended at the bottom of the lone sea. 


</p>
            <p>The wind still rushing, and the rain still pattering, against the closed 
shutters, the Captain 
brought to before the Wooden Midshipman upon the counter, and thought, as he 
dried the 
little officer's uniform with his sleeve, how many years the Midshipman had 
seen, during 
which few changes—hardly any—had transpired among his ship's company; how 
the 
changes had come all together, one day, as it might be; and of what a 
sweeping kind they 
were. Here was the little society of the back parlour broken up, and 
scattered far and wide. 
Here was no audience for Lovely Peg, even if there had been anybody to sing 
it, which 
there was not, for the Captain was as morally certain that nobody but he 
could execute 
that ballad, as he was that he had not the spirit, under existing 
circumstances, to attempt it. 
There was no bright face of `Wal'r' in the house;—here the Captain 
transferred his sleeve 
for a moment from the Midshipman's uniform to his own cheek;—the familiar 
wig and 
buttons of Sol Gills were a vision of the past; Richard Whittington was 
knocked on the 
head; and every plan and project, in connexion with the Midshipman, lay 
drifting, without 
mast or rudder, on the waste of waters. 


</p>
            <p>As the Captain, with a dejected face, stood revolving these thoughts, and 
polishing the 
Midshipman, partly in the tenderness of old acquaintance, and partly in the 
absence of his 
mind, a knocking at the shop-door communicated a frightful start to the frame 
of Rob the 
Grinder, seated on the counter, whose large eyes had been intently fixed on 
the Captain's 
face, and who had been debating within himself, for the five hundredth time, 
whether the 
Captain could have done a murder, that he had such an evil conscience, and 
was always 
running away. 


</p>
            <p>`What's that?' said Captain Cuttle, softly. 


</p>
            <p>`Somebody's knuckles, Captain,' answered Rob the Grinder. 


</p>
            <p>The Captain, with an abashed and guilty air, immediately sneaked on tiptoe to 
the little 
parlour and locked himself in. Rob, opening the door, would have parleyed 
with the visitor 
on the threshold if the visitor had come in female guise; but the figure 
being of the male 
sex, and Rob's orders only applying to women, Rob held the door open and 
allowed it to 
enter: which it did very quickly, glad to get out of the driving rain. 


</p>
            <p>`A job for Burgess and Co. at any rate,' said the visitor, looking over his 
shoulder 
compassionately at his own legs, which were very wet and covered with 
splashes. `Oh, 
how-de-do, Mr. Gills?' 


</p>
            <p>The salutation was addressed to the Captain, now emerging from the back 
parlour with a 
most transparent and utterly futile affectation of coming out by accident. 


</p>
            <p>`Thankee,' the gentleman went on to say in the same breath; `I'm very well 
indeed, 
myself, I'm much obliged to you. My name is Toots,—<hi>Mister </hi>Toots.' 


</p>
            <p>The Captain remembered to have seen this young gentleman at the wedding, and 
made 
him a bow. Mr. Toots replied with a chuckle; and being embarrassed, as he 
generally was, 
breathed hard, shook hands with the Captain for a long time, and then falling 
on Rob the 
Grinder, in the absence of any other resource, shook hands with him in a most 
affectionate 
and cordial manner. 


</p>
            <p>`I say; I should like to speak a word to you, Mr. Gills, if you please,' said 
Toots at length, 
with surprising presence of mind. `I say! Miss D. O. M. you know!' 


</p>
            <p>The Captain, with responsive gravity and mystery, immediately waved his hook 
towards 
the little parlour, whither Mr. Toots followed him. 


</p>
            <p>`Oh! I beg your pardon though,' said Mr. Toots, looking up in the Captain's 
face as he sat 
down in a chair by the fire, which the Captain placed for him; `you don't 
happen to know 
the Chicken at all; do you, Mr. Gills?' 


</p>
            <p>`The Chicken?' said the Captain. 


</p>
            <p>`The Game Chicken,' said Mr. Toots. 


</p>
            <p>The Captain shaking his head, Mr. Toots explained that the man alluded to was 
the 
celebrated public character who had covered himself and his country with 
glory in his 
contest with the Nobby Shropshire One; but this piece of information did not 
appear to 
enlighten the Captain very much. 


</p>
            <p>`Because he's outside: that's all,' said Mr. Toots. `But it's of no 
consequence; he won't 
get very wet, perhaps.' 


</p>
            <p>`I can pass the word for him in a moment,' said the Captain. 


</p>
            <p>`Well, if you <hi>would</hi> have the goodness to let him sit in the shop with 
your young 
man,' chuckled Mr. Toots, `I should be glad; because, you know, he's easily 
offended, and 
the damp's rather bad for his stamina. <hi>I'</hi>ll call him in, Mr. 
Gills.' 


</p>
            <p>With that, Mr. Toots repairing to the shop-door, sent a peculiar whistle into 
the night, 
which produced a stoical gentleman in a shaggy white great-coat and a 
flat-brimmed hat, 
with very short hair, a broken nose, and a considerable tract of bare and 
sterile country 
behind each ear. 


</p>
            <p>`Sit down, Chicken,' said Mr. Toots. 


</p>
            <p>The compliant Chicken spat out some small pieces of straw on which he was 
regaling 
himself, and took in a fresh supply from a reserve he carried in his hand. 


</p>
            <p>`There an't no drain of nothing short handy, is there?' said the Chicken, 
generally. `This 
here sluicing night is hard lines to a man as lives on his condition.' 


</p>
            <p>Captain Cuttle proffered a glass of rum, which the Chicken, throwing back his 
head, 
emptied into himself, as into a cask, after proposing the brief sentiment, 
`Towards us!' Mr. 
Toots and the Captain returning then to the parlour, and taking their seats 
before the fire, 
Mr. Toots began: 


</p>
            <p>`Mr. Gills—' 


</p>
            <p>`Awast!' said the Captain. `My name's Cuttle.' 


</p>
            <p>Mr. Toots looked greatly disconcerted, while the Captain proceeded 
gravely. 


</p>
            <p>`Cap'en Cuttle is my name, and England is my nation, this here is my 
dwelling-place, and 
blessed be creation—Job,' said the Captain, as an index to his authority. 


</p>
            <p>`Oh! I couldn't see Mr. Gills, could I?' said Mr. Toots; `because—' 


</p>
            <p>`If you could see Sol Gills, young gen'l'm'n,' said the Captain, 
impressively, and laying 
his heavy hand on Mr. Toots's knee, `old Sol, mind you—with your own 
eyes—as you sit 
there—-you'd be welcome to me, than a wind astarn, to a ship becalmed. But 
you can't see 
Sol Gills. And why can't you see Sol Gills?' said the Captain, apprised by 
the face of Mr. 
Toots that he was making a profound impression on that gentleman's mind. 
`Because he's 
inwisible.' 


</p>
            <p>Mr. Toots in his agitation was going to reply that it was of no consequence 
at all. But he 
corrected himself, and said, `Lor bless me!' 


</p>
            <p>`That there man,' said the Captain, `has left me in charge here by a piece of 
writing, but 
though he was a'most as good as my sworn brother, I know no more where he's 
gone, or 
why he's gone; if so be to seek his nevy, or if so be along of being not 
quite settled in his 
mind; than you do. One morning at daybreak, he went over the side,' said the 
Captain, 
`without a splash, without a ripple. I have looked for that man high and low, 
and never set 
eyes, nor ears, nor nothing else, upon him, from that hour.' 


</p>
            <p>`But, good Gracious, Miss Dombey don't know—' Mr. Toots began. 


</p>
            <p>`Why, I ask you, as a feeling heart,' said the Captain, dropping his voice, 
`why should she 
know? why should she be made to know, until such time as there warn't any 
help for it? 
She took to old Sol Gills, did that sweet creetur, with a kindness, with a 
affability, with 
a—what's the good of saying so? you know her.' 


</p>
            <p>`I should hope so,' chuckled Mr. Toots, with a conscious blush that suffused 
his whole 
countenance. 


</p>
            <p>`And you come here from her?' said the Captain. 


</p>
            <p>`I should think so,' chuckled Mr. Toots. 


</p>
            <p>`Then all I need observe, is,' said the Captain, `that you know a angel, and 
are chartered 
<hi>by</hi>a angel.' 


</p>
            <p>Mr. Toots instantly seized the Captain's hand, and requested the favour of 
his 
friendship. 


</p>
            <p>`Upon my word and honour,' said Mr. Toots, earnestly, `I should be very much 
obliged to 
you if you'd improve my acquaintance. I should like to know you, Captain, 
very much. I 
really am in want of a friend, I am. Little Dombey was my friend at old 
Blimber's, and 
would have been now, if he'd have lived. The Chicken,' said Mr. Toots, in a 
forlorn 
whisper, `is very well—admirable in his way—the sharpest man perhaps in the 
world; 
there's not a move he isn't up to, everybody says so—but I don't know—he's 
not 
everything. So she <hi>is</hi>an angel, Captain. If there is an angel anywhere, 
it's Miss 
Dombey. That's what I've always said. Really though, you know,' said Mr. 
Toots, `I 
should be very much obliged to you if you'd cultivate my acquaintance.' 


</p>
            <p>Captain Cuttle received this proposal in a polite manner, but still without 
committing 
himself to its acceptance; merely observing, `Aye, aye, my lad. We shall see, 
we shall 
see;' and reminding Mr. Toots of his immediate mission, by inquiring to what 
he was 
indebted for the honour of that visit. 


</p>
            <p>`Why the fact is,' replied Mr. Toots, `that it's the young woman I come from. 
Not Miss 
Dombey—Susan, you know.' 


</p>
            <p>The Captain nodded his head once, with a grave expression of face, indicative 
of his 
regarding that young woman with serious respect. 


</p>
            <p>`And I'll tell you how it happens,' said Mr. Toots. `You know, I go and call 
sometimes, 
on Miss Dombey. I don't go there on purpose, you know, but I happen to be in 
the 
neighbourhood very often; and when I find myself there, why—why I call.' 


</p>
            <p>`Nat'rally,' observed the Captain. 


</p>
            <p>`Yes,' said Mr. Toots. `I called this afternoon. Upon my word and honour, I 
don't think 
it's possible to form an idea of the angel Miss Dombey was this 
afternoon.' 


</p>
            <p>The Captain answered with a jerk of his head, implying that it might not be 
easy to some 
people, but was quite so to him. 


</p>
            <p>As I was coming out,' said Mr. Toots, `the young woman, in the most 
unexpected manner, 
took me into the pantry.' 


</p>
            <p>The Captain seemed, for the moment, to object to this proceeding: and leaning 
back in his 
chair, looked at Mr. Toots with a distrustful, if not threatening visage. 


</p>
            <p>`Where she brought out,' said Mr. Toots, `this newspaper. She told me that 
she had kept it 
from Miss Dombey all day, on account of something that was in it, about 
somebody that 
she and Dombey used to know; and then she read the passage to me. Very well. 
Then she 
said—wait a minute; what was it she said, though!' 


</p>
            <p>Mr. Toots, endeavouring to concentrate his mental powers on this question, 
unintentionally 
fixed the Captain's eye, and was so much discomposed by its stern expression, 
that his 
difficulty in resuming the thread of his subject was enhanced to a painful 
extent. 


</p>
            <p>`Oh!' said Mr. Toots after long consideration. `Oh, ah!Yes! She said that she 
hoped there 
was a bare possibility that it mightn't be true; and that as she couldn't 
very well come out 
herself, without surprising Miss Dombey, would I go down to Mr. Solomon Gills 
the 
Instrument-maker's in this street, who was the party's uncle, and ask whether 
he believed 
it was true, or had heard anything else in the City. She said, if he couldn't 
speak to me, 
no doubt Captain Cuttle could. By the bye!' said Mr. Toots, as the discovery 
flashed upon 
him, `you, you know!' 


</p>
            <p>The Captain glanced at the newspaper in Mr. Toots's hand, and breathed short 
and 
hurriedly. 


</p>
            <p>`Well,' pursued Mr. Toots, `the reason why I'm rather late is, because I went 
up as far as 
Finchley first, to get some uncommonly fine chickweed that grows there, for 
Miss 
Dombey's bird. But I came on here, directly afterwards. You've seen the 
paper, I 
suppose?' 


</p>
            <p>The Captain, who had become cautious of reading the news, lest he should find 
himself 
advertised at full length by Mrs. MacStinger, shook his head. 


</p>
            <p>`Shall I read the passage to you?' inquired Mr. Toots. 


</p>
            <p>The Captain making a sign in the affirmative, Mr. Toots read as follows, from 
the 
Shipping Intelligence: 


</p>
            <p>`”Southampton. The barque Defiance, Henry James, Commander, arrived in this 
port 
to-day, with a cargo of sugar, coffee, and rum, reports that being becalmed 
on the sixth 
day of her passage home from Jamaica, in”—in such and such a latitude, you 
know,' said 
Mr. Toots, after making a feeble dash at the figures, and tumbling over 
them. 


</p>
            <p>`Aye!' cried the Captain, striking his clenched hand on the table. `Heave 
ahead, my 
lad!' 


</p>
            <p>`—latitude,' repeated Mr. Toots, with a startled glance at the Captain, `and 
longitude 
so-and-so,—“the look-out observed, half an hour before sunset, some 
fragments of a wreck, 
drifting at about the distance of a mile. The weather being clear, and the 
barque making 
no way, a boat was hoisted out, with orders to inspect the same, when they 
were found to 
consist of sundry large spars, and a part of the main rigging of an English 
brig, of about 
five hundred tons burden, together with a portion of the stern on which the 
words and 
letters `Son and H—' were yet plainly legible. No vestige of any dead body 
was to be seen 
upon the floating fragments. Log of the Defiance states, that a breeze 
springing up in the 
night, the wreck was seen no more. There can be no doubt that all surmises as 
to the fate 
of the missing vessel, the Son and Heir, port of London, bound for Barbadoes, 
are now set 
at rest for ever; that she broke up in the last hurricane; and that every 
soul on board 
perished.”' 


</p>
            <p>Captain Cuttle, like all mankind, little knew how much hope had survived 
within him 
under discouragement, until he felt its death-shock. During the reading of 
the paragraph, 
and for a minute or two afterwards, he sat with his gaze fixed on the modest 
Mr. Toots, 
like a man entranced; then, suddenly rising, and putting on his glazed hat, 
which, in his 
visitor's honour, he had laid upon the table, the Captain turned his back, 
and bent his head 
down on the little chimneypiece. 


</p>
            <p>`Oh, upon my word and honour,' cried Mr. Toots, whose tender heart was moved 
by the 
Captain's unexpected distress, `this is a most wretched sort of affair this 
world is! 
Somebody's always dying, or going and doing something uncomfortable in it. 
I'm sure I 
never should have looked forward so much, to coming into my property, if I 
had known 
this. I never saw such a world. It's a great deal worse than Blimber's.' 


</p>
            <p>Captain Cuttle, without altering his position, signed to Mr. Toots not to 
mind him; and 
presently turned round, with his glazed hat thrust back upon his ears, and 
his hand 
composing and smoothing his brown face. 


</p>
            <p>`Wal'r, my dear lad,' said the Captain, `farewell! Wal'r my child, my boy, 
and man, I 
loved you! He warn't my flesh and blood,' said the Captain, looking at the 
fire—`I an't got 
none—but something of what a father feels when he loses a son, I feel in 
losing Wal'r. For 
why?' said the Captain. `Because it an't one loss, but a round dozen. Where's 
that there 
young school-boy with the rosy face and curly hair, that used to be as merry 
in this here 
parlour, come round every week, as a piece of music? Gone down with Wal'r. 
Where's 
that there fresh lad, that nothing couldn't tire nor put out, and that 
sparkled up and 
blushed so, when we joked him about Heart's Delight, that he was beautiful to 
look at? 
Gone down with Wal'r. Where's that there man's spirit, all afire, that 
wouldn't see the old 
man hove down for a minute, and cared nothing for itself? Gone down with 
Wal'r. It an't 
one Wal'r. There was a dozen Wal'rs that I know'd and loved, all holding 
round his neck 
when he went down, and they're a-holding round mine now!' 


</p>
            <p>Mr. Toots sat silent: folding and refolding the newspaper as small as 
possible upon his 
knee. 


</p>
            <p>`And Sol Gills,' said the Captain, gazing at the fire, `poor nevyless old 
Sol, where are 
<hi>you</hi> got to! you was left in charge of me; his last words was, “Take 
care of my 
uncle!” What came over <hi>you,</hi>Sol, when you went and gave the go-bye to 
Ned 
Cuttle; and what am I to put in my accounts that he's a looking down upon, 
respecting 
you! Sol Gills, Sol Gills!' said the Captain, shaking his head slowly, `catch 
sight of that 
there newspaper, away from home, with no one as know'd Wal'r by, to say a 
word; and 
broadside to you broach, and down you pitch, head foremost!' 


</p>
            <p>Drawing a heavy sigh, the Captain turned to Mr. Toots, and roused himself to 
a sustained 
consciousness of that gentleman's presence. 


</p>
            <p>`My lad,' said the Captain, `you must tell the young woman honestly that this 
here fatal 
news is too correct. They don't romance, you see, on such pints. It's entered 
on the ship's 
log, and that's the truest book as a man can write. To-morrow morning,' said 
the Captain, 
`I'll step out and make inquiries; but they'll lead to no good. They can't do 
it. If you'll 
give me a look-in in the forenoon, you shall know what I have heerd; but tell 
the young 
woman from Cap'en Cuttle, that it's over. Over!' And the Captain, hooking off 
his glazed 
hat, pulled his handkerchief out of the crown, wiped his grizzled head 
despairingly, and 
tossed the handkerchief in again, with the indifference of deep dejection. 


</p>
            <p>`Oh! I assure you,' said Mr. Toots, `really I am dreadfully sorry. Upon my 
word I am, 
though I wasn't acquainted with the party. Do you think Miss Dombey will be 
very much 
affected, Captain Gills—I mean Mr. Cuttle?' 


</p>
            <p>`Why, Lord love you,' returned the Captain, with something of compassion for 
Mr. 
Toots's innocence. `When she warn't no higher than that, they were as fond of 
one 
another as two young doves.' 


</p>
            <p>`Were they though!' said Mr. Toots, with a considerably lengthened face. 


</p>
            <p>`They were made for one another,' said the Captain, mournfully; `but what 
signifies that 
now!' 


</p>
            <p>`Upon my word and honour,' cried Mr. Toots, blurting out his words through a 
singular 
combination of awkward chuckles and emotion, `I'm even more sorry than I was 
before. 
You know, Captain Gills, I—I positively adore Miss Dombey;—I—I am 
perfectly sore with 
loving her;' the burst with which this confession forced itself out of the 
unhappy Mr. 
Toots, bespoke the vehemence of his feelings; `but what would be the good of 
my 
regarding her in this manner, if I wasn't truly sorry for her feeling pain, 
whatever was the 
cause of it. Mine an't a selfish affection, you know,' said Mr. Toots, in the 
confidence 
engendered by his having been a witness of the Captain's tenderness. `It's 
the sort of thing 
with me, Captain Gills, that if I could be run over—or—or trampled 
upon—or—or thrown off 
a very high place—or anything of that sort—for Miss Dombey's sake, it would 
be the most 
delightful thing that could happen to me.' 


</p>
            <p>All this, Mr. Toots said in a suppressed voice, to prevent its reaching the 
jealous ears of 
the Chicken, who objected to the softer emotions; which effort of restraint, 
coupled with 
the intensity of his feelings, made him red to the tips of his ears, and 
caused him to 
present such an affecting spectacle of disinterested love to the eyes of 
Captain Cuttle, that 
the good Captain patted him consolingly on the back, and bade him cheer 
up. 


</p>
            <p>`Thankee, Captain Gills,' said Mr. Toots, `it's kind of you, in the midst of 
your own 
troubles, to say so. I'm very much obliged to you. As I said before, I really 
want a friend, 
and should be glad to have your acquaintance. Although I am very well off,' 
said Mr. 
Toots, with energy, `you can't think what a miserable Beast I am. The hollow 
crowd, you 
know, when they see me with the Chicken, and characters of distinction like 
that, suppose 
me to be happy; but I'm wretched. I suffer for Miss Dombey, Captain Gills. I 
can't get 
through my meals; I have no pleasure in my tailor; I often cry when I'm 
alone. I assure 
you it'll be a satisfaction to me to come back to-morrow, or to come back 
fifty times.' 


</p>
            <p>Mr. Toots, with these words, shook the Captain's hand; and disguising such 
traces of his 
agitation as could be disguised on so short a notice, before the Chicken's 
penetrating 
glance, rejoined that eminent gentleman in the shop. The Chicken, who was apt 
to be 
jealous of his ascendancy, eyed Captain Cuttle with anything but favour as he 
took leave 
of Mr. Toots; but followed his patron without being otherwise demonstrative 
of his 
ill-will: leaving the Captain oppressed with sorrow; and Rob the Grinder 
elevated with joy, 
on account of having had the honour of staring for nearly half an hour at the 
conqueror of 
the Nobby Shropshire One. 


</p>
            <p>Long after Rob was fast asleep in his bed under the counter, the Captain sat 
looking at the 
fire; and long after there was no fire to look at the Captain sat gazing on 
the rusty bars, 
with unavailing thoughts of Walter and old Sol crowding through his mind. 
Retirement to 
the stormy chamber at the top of the house brought no rest with it; and the 
Captain rose 
up in the morning, sorrowful and unrefreshed. 


</p>
            <p>As soon as the City offices were open, the Captain issued forth to the 
counting-house of 
Dombey and Son. But there was no opening of the Midshipman's windows that 
morning. 
Rob the Grinder, by the Captain's orders, left the shutters closed, and the 
house was as a 
house of death. 


</p>
            <p>It chanced that Mr. Carker was entering the office, as Captain Cuttle arrived 
at the door. 
Receiving the Manager's benison gravely and silently, Captain Cuttle made 
bold to 
accompany him into his own room. 


</p>
            <p>`Well, Captain Cuttle,' said Mr. Carker, taking up his usual position before 
the fireplace, 
and keeping on his sat, `this is a bad business.' 


</p>
            <p>`You have received the news as was in print yesterday, Sir?' said the 
Captain. 


</p>
            <p>`Yes,' said Mr. Carker, `we have received it! It was accurately stated. The 
underwriters 
suffer a considerable loss. We are very sorry. No help! Such is life!' 


</p>
            <p>Mr. Carker pared his nails delicately with a penknife, and smiled at the 
Captain, who was 
standing by the door looking at him. 


</p>
            <p>`I excessively regret poor Gay,' said Carker, `and the crew. I understand 
there were some 
of our very best men among 'em. It always happens so. Many men with families 
too. A 
comfort to reflect that poor Gay had no family, Captain Cuttle!' 


</p>
            <p>The Captain stood rubbing his chin, and looking at the Manager. The Manager 
glanced at 
the unopened letters lying on his desk, and took up the newspaper. 


</p>
            <p>`Is there anything I can do for you, Captain Cuttle?' he asked, looking off 
it, with a 
smiling and expressive glance at the door. 


</p>
            <p>`I wish you could set my mind at rest, Sir, on something it's uneasy about,' 
returned the 
Captain. 


</p>
            <p>`Aye!' exclaimed the Manager, `what's that? Come, Captain Cuttle, I must 
trouble you to 
be quick, if you please. I am much engaged.' 


</p>
            <p>`Lookee here, Sir' said the Captain, advancing a step. `Afore my friend Wal'r 
went on this 
here disastrous voyage——' 


</p>
            <p>`Come, come, Captain Cuttle,' interposed the smiling Manager, `don't talk 
about 
disastrous voyages in that way. We have nothing to do with disastrous voyages 
here, my 
good fellow. You must have begun very early on your day's allowance, Captain, 
if you 
don't remember that there are hazards in all voyages whether by sea or land. 
You are not 
made uneasy by the supposition that young what's-his-name was lost in bad 
weather that 
was got up against him in these offices—are you? Fie, Captain! Sleep, and 
soda-water, are 
the best cures for such uneasiness as that.' 


</p>
            <p>`My lad,' returned the Captain, slowly—`you are a'most a lad to me, and so I 
don't ask 
your pardon for that slip of a word,—if you find any pleasure in this here 
sport, you an't 
the gentleman I took you for, and if you an't the gentleman I took you for, 
may be my 
mind has call to be uneasy. Now this is what it is, Mr. Carker.—Afore that 
poor lad went 
away, according to orders, he told me that he warn't a going away for his own 
good, or 
for promotion, he know'd. It was my belief that he was wrong, and I told him 
so, and I 
come here, your head governor being absent, to ask a question or two of you 
in a civil 
way, for my own satisfaction. Them questions you answered—free. Now it'll 
ease my mind 
to know, when all is over, as it is, and when what can't be cured must be 
endoored—for 
which, as a scholar, you'll overhaul the book it's in, and thereof make a 
note—to know 
once more, in a word, that I warn't mistaken; that I warn't back'ard in my 
duty when I 
didn't tell the old man what Wal'r told me; and that the wind was truly in 
his sail, when 
he highsted of it for Barbadoes Harbour. Mr. Carker,' said the Captain, in 
the goodness of 
his nature, `when  I was here last, we was very pleasant together. If I ain't 
been altogether 
so pleasant myself this morning, on account of this poor lad, and if I have 
chafed again 
any observation of yours that I might have fended off, my name is Ed'ard 
Cuttle, and I 
ask your pardon.' 


</p>
            <p>`Captain Cuttle,' returned the Manager, with all possible politeness, `I must 
ask you to do 
me a favour.' 


</p>
            <p>`And what is it, Sir?' inquired the Captain. 


</p>
            <p>`To have the goodness to walk off, if you please,' rejoined the Manager, 
stretching forth 
his arm, `and to carry your jargon somewhere else.' 


</p>
            <p>Every knob in the Captain's face turned white with astonishment and 
indignation; even the 
red rim on his forehead faded, like a rainbow among the gathering clouds. 


</p>
            <p>`I tell you what, Captain Cuttle,' said the Manager, shaking his forefinger 
at him, and 
showing him all his teeth, but still amiably smiling, `I was much too lenient 
with you 
when you came here before. You belong to an artful and audacious set of 
people. In my 
desire to save young what's-his-name from being kicked out this place, neck 
and crop, my 
good Captain, I tolerated you; but for once, and only once. Now, go, my 
friend!' 


</p>
            <p>The Captain was absolutely rooted to the ground, and speechless. 


</p>
            <p>`Go,' said the good-humoured Manager, gathering up his skirts, and standing 
astride upon 
the hearth-rug, `like a sensible fellow, and let us have no turning out, or 
any such violent 
measures. If Mr. Dombey were here, Captain, you might be obliged to leave in 
a more 
ignominious manner, possibly. I merely say, Go!' 


</p>
            <p>The Captain, laying his ponderous hand upon his chest, to assist himself in 
fetching a deep 
breath, looked at Mr. Carker from head to foot, and looked round the little 
room, as if he 
did not clearly understand where he was, or in what company. 


</p>
            <p>`You are deep, Captain Cuttle,' pursued Carker, with the easy and vivacious 
frankness of a 
man of the world who knew the world too well to be ruffled by any discovery 
of 
misdoing, when it did not immediately concern himself; `but you are not quite 
out of 
soundings, either—neither you nor your absent friend, Captain. What have you 
done with 
your absent friend, hey?' 


</p>
            <p>Again the Captain laid his hand upon his chest. After drawing another deep 
breath, he 
conjured himself to `stand by!' But in a whisper. 


</p>
            <p>`You hatch nice little plots, and hold nice little councils, and make nice 
little 
appointments, and receive nice little visitors, too, Captain, hey?' said 
Carker, bending his 
brows upon him, without showing his teeth any the less: `but it's a bold 
measure to come 
here afterwards. Not like your discretion! You conspirators, and hiders, and 
runners-away, 
should know better than that. Will you oblige me by going?' 


</p>
            <p>`My lad,' gasped the Captain, in a choked and trembling voice, and with a 
curious action 
going on in the ponderous fist; `there's a many words I could wish to say to 
you, but I 
don't rightly know where they're stowed just at present. My young friend, 
Wal'r, was 
drownded only last night, according to my reckoning, and it puts me out, you 
see. But you 
and me will come alongside o' one another again, my lad,' said the Captain, 
holding up 
his hook, `if we live.' 


</p>
            <p>`It will be anything but shrewd in you, my good fellow, if we do,' returned 
the Manager, 
with the same frankness; `for you may rely, I give you fair warning, upon my 
detecting 
and exposing you. I don't pretend to be a more moral man than my neighbours, 
my good 
Captain; but the confidence of this house, or of any member of this house, is 
not to be 
abused and undermined while I have eyes and ears. Good day!' said Mr. Carker, 
nodding 
his head. 


</p>
            <p>Captain Cuttle, looking at him steadily (Mr. Carker looked full as steadily 
at the Captain), 
went out of the office and left him standing astride before the fire, as calm 
and pleasant as 
if there were no more spots upon his soul than on his pure white linen, and 
his smooth 
sleek skin. 


</p>
            <p>The Captain glanced, in passing through the outer counting-house, at the desk 
where he 
knew poor Walter had been used to sit, now occupied by another young boy, 
with a face 
almost as fresh and hopeful as his on the day when they tapped the famous 
last bottle but 
one of the old Madeira, in the little back parlour. The association of ideas, 
thus awakened, 
did the Captain a great deal of good; it softened him in the very height of 
his anger, and 
brought the tears into his eyes. 


</p>
            <p>Arrived at the Wooden Midshipman's again, and sitting down in a corner of the 
dark 
shop, the Captain's indignation, strong as it was, could make no head against 
his grief. 
Passion seemed not only to do wrong and violence to the memory of the dead, 
but to be 
infected by death, and to droop and decline beside it. All the living knaves 
and liars in the 
world, were nothing to the honesty and truth of one dead friend. 


</p>
            <p>The only thing the honest Captain made out clearly, in this state of mind, 
besides the loss 
of Walter was, that with him almost the whole world of Captain Cuttle had 
been drowned. 
If he reproached himself sometimes, and keenly too, for having ever connived 
at Walter's 
innocent deceit, he thought at least as often of the Mr. Carker whom no sea 
could ever 
render up; and the Mr. Dombey, whom he now began to perceive was as far 
beyond 
human recall; and the `Heart's Delight,' with whom he must never forgather 
again; and 
the Lovely Peg, that teak-built and trim ballad, that had gone ashore upon a 
rock, and split 
into mere planks and beams of rhyme. The Captain sat in the dark shop, 
thinking of these 
things, to the entire exclusion of his own injury; and looking with as sad an 
eye upon the 
ground, as if in contemplation of their actual fragments as they floated past 
him. 


</p>
            <p>But the Captain was not unmindful, for all that, of such decent and 
respectful observances 
in memory of poor Walter, as he felt within his power. Rousing himself, and 
rousing Rob 
the Grinder (who in the unnatural twilight was fast asleep), the Captain 
sallied forth with 
his attendant at his heels, and the door-key in his pocket, and repairing to 
one of those 
convenient slop-selling establishments of which there is abundant choice at 
the eastern end 
of London, purchased on the spot two suits of mourning—one for Rob the 
Grinder, which 
was immensely too small, and one for himself, which was immensely too large. 
He also 
provided Rob with a species of hat, greatly to be admired for its symmetry 
and usefulness, 
as well as for a happy blending of the mariner with the coal-heaver; which is 
usually 
termed a sou'wester; and which was something of a novelty in connexion with 
the 
instrument business. In their several garments, which the vendor declared to 
be such a 
miracle in point of fit as nothing but a rare combination of fortuitous 
circumstances ever 
brought about, and the fashion of which was unparalleled within the memory of 
the oldest 
inhabitant, the Captain and Grinder immediately arrayed themselves: 
presenting a spectacle 
fraught with wonder to all who beheld it. 


</p>
            <p>In this altered form, the Captain received Mr. Toots. `I'm took aback, my 
lad, at present,' 
said the Captain, `and will only confirm that there ill news. Tell the young 
woman to 
break it gentle to the young lady, and for neither of 'em never to think of 
me no 
more—'special, mind you, that is—though I will think of them, when night 
comes on a 
hurricane and seas is mountains rowling, for which overhaul your Doctor 
Watts, brother, 
and when found make a note on.' 


</p>
            <p>The Captain reserved, until some fitter time, the consideration of Mr. 
Toots's offer of 
friendship, and thus dismissed him. Captain Cuttle's spirits were so low, in 
truth, that he 
half determined, that day, to take no further precautions against surprise 
from Mrs. 
MacStinger, but to abandon himself recklessly to chance, and be indifferent 
to what might 
happen. As evening came on, he fell into a better frame of mind, however; and 
spoke 
much of Walter to Rob the Grinder, whose attention and fidelity he likewise 
incidentally 
commended. Rob did not blush to hear the Captain earnest in his praises, but 
sat staring at 
him, and affecting to snivel with sympathy, and making a feint of being 
virtuous, and 
treasuring up every word he said (like a young spy as he was) with very 
promising 
deceit. 


</p>
            <p>When Rob had turned in, and was fast asleep, the Captain trimmed the candle, 
put on his 
spectacles—he had felt it appropriate to take to spectacles on entering into 
the Instrument 
Trade, though his eyes were like a hawk's—and opened the prayer-book at the 
Burial 
Service. And reading softly to himself, in the little back parlour, and 
stopping now and 
then to wipe his eyes, the Captain, in a true and simple spirit, committed 
Walter's body to 
the deep. 

</p>
         </div>
         <div xml:id="c33" type="chapter">
            <head>CHAPTER XXXIII</head>
            <head>Contrasts</head>
            <p>TURN we our eyes upon two homes; not lying side by side, but wide apart, 
though both within easy range and reach of the great city of London. 


</p>
            <p>The first is situated in the green and wooded country near Norwood. It is not 
a mansion; it is of no pretensions as to size; but it is beautifully 
arranged, and tastefully kept. The lawn, the soft, smooth slope, the 
flower-garden, the clumps of trees where graceful forms of ash and willow are 
not wanting, the conservatory, the rustic verandah with sweet-smelling 
creeping plants entwined about the pillars, the simple exterior of the house, 
the well-ordered offices, though all upon the diminutive scale proper to a 
mere cottage, bespeak an amount of elegant comfort within, that might serve 
for a palace. This indication is not without warrant; for within it is a 
house of refinement and luxury. Rich colours, excellently blended, meet the 
eye at every turn; in the furniture—its proportions admirably devised to 
suit the shapes and sizes of the small rooms; on the walls; upon the floors; 
tingeing and subduing the light that comes in through the odd glass doors and 
windows here and there. There are a few choice prints and pictures too; in 
quaint nooks and recesses there is no want of books; and there are games of 
skill and chance set forth on tables—fantastic chessmen, dice, backgammon, 
cards, and billiards. 


</p>
            <p>And yet amidst this opulence of comfort, there is something in the general 
air that is not well. Is it that the carpets and the cushions are too soft 
and noiseless, so that those who move or repose among them seem to act by 
stealth? Is it that the prints and pictures do not commemorate great thoughts 
or deeds, or render nature in the poetry of landscape, hall, or hut, but are 
of one voluptuous cast—mere shows of form and colour—and no more? Is it 
that the books have all their gold outside, and that the titles of the 
greater part qualify them to be companions of the prints and pictures? Is it 
that the completeness and the beauty of the place are here and there belied 
by an affectation of humility, in some unimportant and inexpensive regard, 
which is as false as the face of the too truly painted portrait hanging 
yonder, or its original at breakfast in his easy chair below it? Or is it 
that, with the daily breath of that original and master of all here, there 
issues forth some subtle portion of himself, which gives a vague expression 
of himself to everything about him? 


</p>
            <p>It is Mr. Carker the Manager who sits in the easy chair. A gaudy parrot in a 
burnished cage upon the table tears at the wires with her beak, and goes 
walking, upside down, in its dome-top, shaking her house and screeching; but 
Mr. Carker is indifferent to the bird, and looks with a musing smile at a 
picture on the opposite wall. 


</p>
            <p>`A most extraordinary accidental likeness, certainly,' says he. 


</p>
            <p>Perhaps it is a Juno; perhaps a Potiphar's Wife; perhaps some scornful 
Nymph—according as the Picture Dealers found the market, when they 
christened it. It is the figure of a woman, supremely handsome, who, turning 
away, but with her face addressed to the spectator, flashes her proud glance 
upon him. 


</p>
            <p>It is like Edith. 


</p>
            <p>With a passing gesture of his hand at the picture—what! a menace? No; yet 
something like it. A wave as of triumph? No; yet more like that. An insolent 
salute wafted from his lips? No; yet like that too—he resumes his breakfast, 
and calls to the chafing and imprisoned bird, who coming down into a pendant 
gilded hoop within the cage, like a great wedding-ring, swings in it, for his 
delight. 


</p>
            <p>The second home is on the other side of London, near to where the busy great 
north road of bygone days is silent and almost deserted, except by wayfarers 
who toil along on foot. It is a poor, small house, barely and sparely 
furnished, but very clean; and there is even an attempt to decorate it, shown 
in the homely flowers trained about the porch and in the narrow garden. The 
neighbourhood in which it stands has as little of the country to recommend 
it, as it has of the town. It is neither of the town nor country. The former, 
like the giant in his travelling boots, has made a stride and passed it, and 
has set his brick-and-mortar heel a long way in advance; but the intermediate 
space between the giant's feet, as yet, is only blighted country, and not 
town; and, here, among a few tall chimneys belching smoke all day and night, 
and among the brick-fields and the lanes where turf is cut, and where the 
fences tumble down, and where the dusty nettles grow, and where a scrap or 
two of hedge may yet be seen, and where the bird-catcher still comes 
occasionally, though he swears every time to come no more—this second home 
is to be found. 


</p>
            <p>She who inhabits it, is she who left the first in her devotion to an outcast 
brother. She withdrew from that home its redeeming spirit, and from its 
master's breast his solitary angel: but though his liking for her is gone, 
after this ungrateful slight as he considers it; and though he abandons her 
altogether in return, an old idea of her is not quite forgotten even by him. 
Let her flower-garden, in which he never sets his foot, but which is yet 
maintained, among all his costly alterations, as if she had quitted it but 
yesterday, bear witness! 


</p>
            <p>Harriet Carker has changed since then, and on her beauty there has fallen a 
heavier shade than Time of his unassisted self can cast, all-potent as he 
is—the shadow of anxiety and sorrow, and the daily struggle of a poor 
existence. But it is beauty still; and still a gentle, quiet, and retiring 
beauty that must be sought out, for it cannot vaunt itself; if it could, it 
would be what it is, no more. 


</p>
            <p>Yes. This slight, small, patient figure, neatly dressed in homely stuffs, and 
indicating nothing but the dull, household virtues, that have so little in 
common with the received idea of heroism and greatness, unless, indeed, any 
ray of them should shine through the lives of the great ones of the earth, 
when it becomes a constellation and is tracked in Heaven straightway—this 
slight, small, patient figure, leaning on the man still young but worn and 
grey, is she, his sister, who, of all the world, went over to him in his 
shame and put her hand in his, and with a sweet composure and determination, 
led him hopefully upon his barren way. 


</p>
            <p>`It is early, John,' she said. `Why do you go so early?' 


</p>
            <p>`Not many minutes earlier than usual, Harriet. If I have the time to spare, I 
should like, I think—it's a fancy—to walk once by the house where I took 
leave of him.' 


</p>
            <p>`I wish I had ever seen or known him, John.' 


</p>
            <p>`It is better as it is, my dear, remembering his fate.' 


</p>
            <p>`But I could not regret it more, though I had known him. Is not your sorrow 
mine? And if I had, perhaps you would feel that I was a better companion to 
you in speaking about him, than I may seem now.' 


</p>
            <p>`My dearest sister! Is there anything within the range of rejoicing or 
regret, in which I am not sure of your companionship?' 


</p>
            <p>`I hope you think not, John, for surely there is nothing!' 


</p>
            <p>`How could you be better to me, or nearer to me then, than you are in this, 
or anything?' said her brother. `I feel that you did know him, Harriet, and 
that you shared my feelings towards him.' 


</p>
            <p>She drew the hand which had been resting on his shoulder, round his neck, and 
answered, with some hesitation: 


</p>
            <p>`No, not quite.' 


</p>
            <p>`True, true!' he said; `you think I might have done him no harm if I had 
allowed myself to know him better?' 


</p>
            <p>`Think! I know it.' 


</p>
            <p>`Designedly, Heaven knows I would not,' he replied, shaking his head 
mournfully; `but his reputation was too precious to be perilled by such 
association. Whether you share that knowledge, or do not, my dear—' 


</p>
            <p>`I do not,' she said quietly. 


</p>
            <p>`It is still the truth, Harriet, and my mind is lighter when I think of him 
for that which made it so much heavier then.' He checked himself in his tone 
of melancholy, and smiled upon her as he said `Good-bye!' 


</p>
            <p>`Good-bye, dear John! In the evening, at the old time and place, I shall meet 
you as usual on your way home. Goodbye.' 


</p>
            <p>The cordial face she lifted up to his to kiss him, was his home, his life, 
his universe, and yet it was a portion of his punishment and grief; for in 
the cloud he saw upon it—though serene and calm as any radiant cloud at 
sunset—and in the constancy and devotion of her life, and in the sacrifice 
she had made of ease, enjoyment, and hope, he saw the bitter fruits of his 
old crime, for ever ripe and fresh. 


</p>
            <p>She stood at the door looking after him, with her hands loosely clasped in 
each other, as he made his way over the frowzy and uneven patch of ground 
which lay before their house, which had once (and not long ago) been a 
pleasant meadow, and was now a very waste, with a disorderly crop of 
beginnings of mean houses, rising out of the rubbish, as if they had been 
unskilfully sown there. Whenever he looked back—as once or twice he did—her 
cordial face shone like a light upon his heart; but when he plodded on his 
way, and saw her not, the tears were in her eyes as she stood watching 
him. 


</p>
            <p>Her pensive form was not long idle at the door. There was daily duty to 
discharge, and daily work to do—for such commonplace spirits that are not 
heroic, often work hard with their hands—and Harriet was soon busy with her 
household tasks. These discharged, and the poor house made quite neat and 
orderly, she counted her little stock of money, with an anxious face, and 
went out thoughtfully to buy some necessaries for their table, planning and 
contriving, as she went, how to save. So sordid are the lives of such low 
natures, who are not only not heroic to their valets and waiting-women, but 
have neither valets nor waiting-women to be heroic to withal! 


</p>
            <p>While she was absent, and there was no one in the house, there approached it 
by a different way from that the brother had taken, a gentleman, a very 
little past his prime of life perhaps, but of a healthy florid hue, an 
upright presence, and a bright clear aspect, that was gracious and 
good-humoured. His eyebrows were still black, and so was much of his hair; 
the sprinkling of grey observable among the latter, graced the former very 
much, and showed his broad frank brow and honest eyes to great advantage. 


</p>
            <p>After knocking once at the door, and obtaining no response, this gentleman 
sat down on a bench in the little porch to wait. A certain skilful action of 
his fingers as he hummed some bars, and beat time on the seat beside him, 
seemed to denote the musician; and the extraordinary satisfaction he derived 
from humming something very slow and long, which had no recognisable tune, 
seemed to denote that he was a scientific one. 


</p>
            <p>The gentleman was still twirling a theme, which seemed to go round and round 
and round, and in and in and in, and to involve itself like a corkscrew 
twirled upon a table, without getting any nearer to anything, when Harriet 
appeared returning. He rose up as she advanced, and stood with his head 
uncovered. 


</p>
            <p>`You are come again, Sir!' she said, faltering. 


</p>
            <p>`I take that liberty,' he answered. `May I ask for five minutes of your 
leisure?' 


</p>
            <p>After a moment's hesitation, she opened the door, and gave him admission to 
the little parlour. The gentleman sat down there, drew his chair to the table 
over against her, and said, in a voice that perfectly corresponded to his 
appearance, and with a simplicity that was very engaging: 


</p>
            <p>`Miss Harriet, you cannot be proud. You signified to me, when I called 
t'other morning, that you were. Pardon me if I say that I looked into your 
face while you spoke, and that it contradicted you. I look into it again,' he 
added, laying his hand gently on her arm, for an instant, `and it contradicts 
you more and more.' 


</p>
            <p>She was somewhat confused and agitated, and could make no ready answer. 


</p>
            <p>`It is the mirror of truth,' said her visitor, `and gentleness. Excuse my 
trusting to it, and returning.' 


</p>
            <p>His manner of saying these words, divested them entirely of the character of 
compliments. It was so plain, grave, unaffected, and sincere, that she bent 
her head, as if at once to thank him, and acknowledge his sincerity. 


</p>
            <p>`The disparity between our ages,' said the gentleman, `and the plainness of 
my purpose, empower me, I am glad to think, to speak my mind. That is my 
mind; and so you see me for the second time.' 


</p>
            <p>`There is a kind of pride, Sir,' She returned, after a moment's silence, `or 
what may be supposed to be pride, which is mere duty. I hope I cherish no 
other.' 


</p>
            <p>`For yourself,' he said. 


</p>
            <p>`For myself.' 


</p>
            <p>`But—pardon me—' suggested the gentleman. `For your brother John?' 


</p>
            <p>`Proud of his love, I am,' said Harriet, looking full upon her visitor, and 
changing her manner on the instant—not that it was less composed and quiet, 
but that there was a deep impassioned earnestness in it that made the very 
tremble in her voice a part of her firmness, `and proud of him. Sir, you who 
strangely know the story of his life, and repeated it to me when you were 
here last—' 


</p>
            <p>`Merely to make my way into your confidence,' interposed the gentleman. `For 
heaven's sake, don't suppose—' 


</p>
            <p>`I am sure,' she said, `you revived it, in my hearing, with a kind and good 
purpose. I am quite sure of it.' 


</p>
            <p>`I thank you,' returned her visitor, pressing her hand hastily. `I am much 
obliged to you. You do me justice, I assure you. You were going to say, that 
I, who know the story of John Carker's life—' 


</p>
            <p>`May think it pride in me,' she continued, `when I say that I am proud of 
him! I <hi>am.</hi> You know the time was, when I was not—when I could not 
be—but that is past. The humility of many years, the uncomplaining 
expiation, the true repentance, the terrible regret, the pain I know he has 
even in my affection, which he think has cost me dear, though Heaven knows I 
am happy, but for his sorrow!—oh, Sir, after what I have seen, let me 
conjure you, if you are in any place of power, and are ever wronged, never, 
for any wrong, inflict a punishment that cannot be recalled; while there is a 
<hi rend="sc">god</hi> above us to work changes in the hearts He made.' 


</p>
            <p>`Your brother is an altered man,' returned the gentleman, compassionately. `I 
assure you I don't doubt it.' 


</p>
            <p>`He was an altered man when he did wrong,' said Harriet. `He is an altered 
man again, and is his true self now, believe me, Sir.' 


</p>
            <p>`But we go on,' said her visitor, rubbing his forehead, in an absent manner, 
with  his hand, and then drumming thoughtfully on the table, `we go on in our 
clockwork routine, from day to day, and can't make out, or follow, these 
changes. They—they're a metaphysical sort of thing. We—we haven't leisure 
for it. We—we haven't courage. They're not taught at schools or colleges, 
and we don't know how to set about it. In short, we are so d——d 
business-like,' said the gentleman, walking to the window, and back, and 
sitting down again, in a state of extreme dissatisfaction and vexation. 


</p>
            <p>`I am sure,' said the gentleman, rubbing his forehead again; and drumming on 
the table as before, `I have good reason to believe that a jog-trot life, the 
same from day to day, would reconcile one to anything. One don't see 
anything, one don't hear anything, one don't know anything; that's the fact. 
We go on taking everything for granted, and so we go on, until whatever we 
do, good, bad, or indifferent, we do from habit. Habit is all I shall have to 
report, when I am called upon to plead to my conscience, on my death-bed. 
“Habit,” says I; “I was deaf, dumb, blind, and paralytic, to a million 
things, from habit.” “Very business-like indeed, Mr. What's-your-name,” says 
Conscience, “but it won't do here!”' 


</p>
            <p>The gentleman got up and walked to the window again and back: seriously 
uneasy, though giving his uneasiness this peculiar expression. 


</p>
            <p>`Miss Harriet,' he said, resuming his chair, `I wish you would let me serve 
you. Look at me; I ought to look honest, for I know I am so, at present. Do 
I?' 


</p>
            <p>`Yes,' she answered with a smile. 


</p>
            <p>`I believe every word you have said,' he returned. `I am full of 
self-reproach that I might have known this and seen this, and known you and 
seen you, any time these dozen years, and that I never have. I hardly know 
how I ever got here—creature that I am, not only of my own habit, but of 
other people's!But having done so, let me do something. I ask it in all 
honour and respect. You inspire me with both, in the highest degree. Let me 
do something.' 


</p>
            <p>`We are contented, Sir.' 


</p>
            <p>`No, no, not quite,' returned the gentleman. `I think not quite. There are 
some little comforts that might smooth your life, and his. And his!' he 
repeated, fancying that had made some impression on her. `I have been in the 
habit of thinking that there was nothing wanting to be done for him; that it 
was all settled and over; in short, of not thinking at all about it. I am 
different now. Let me do something for him. You too,' said the visitor, with 
careful delicacy, `have need to watch your health closely, for his sake, and 
I fear it fails.' 


</p>
            <p>`Whoever you may be, Sir,' answered Harriet, raising her eyes to his face, `I 
am deeply grateful to you. I feel certain that in all you say, you have no 
object in the world but kindness to us. But years have passed since we began 
this life; and to take from my brother any part of what has so endeared him 
to me, and so proved his better resolution—any fragment of the merit of his 
unassisted, obscure, and forgotten reparation—would be to diminish the 
comfort it will be to him and me, when that time comes to each of us, of 
which you spoke just now. I thank you better with these tears than any words. 
Believe it, pray.' 


</p>
            <p>The gentleman was moved, and put the hand she held out, to his lips, much as 
a tender father might kiss the hand of a dutiful child. But more 
reverently. 


</p>
            <p>`If the day should ever come,' said Harriet, `when he is restored, in part, 
to the position he lost——' 


</p>
            <p>`Restored!' cried the gentleman, quickly. `How can that be hoped for? In 
whose hands does the power of any restoration lie? It is no mistake of mine, 
surely, to suppose that his having gained the priceless blessing of his life, 
is one cause of the animosity shown to him by his brother.' 


</p>
            <p>`You touch upon a subject that is never breathed between us; not even between 
us,' said Harriet. 


</p>
            <p>`I beg your forgiveness,' said the visitor. `I should have known it. I 
entreat to you to forget that I have done so, inadvertently. And now, as I 
dare urge no more—as I am no sure that I have a right to do so—though 
Heaven knows, even that doubt may be habit,' said the gentleman, rubbing his 
head, as despondently as before, `let me; though a stranger, yet no stranger; 
ask two favours.' 


</p>
            <p>`What are they?' she inquired. 


</p>
            <p>`The first, that if you should see cause to change your resolution, you will 
suffer me to be as your right hand. My name shall then be at your service: it 
is useless now, and always insignificant.' 


</p>
            <p>`Our choice of friends,' she answered, smiling faintly, `is not so great, 
that I need any time for consideration. I can promise that.' 


</p>
            <p>`The second, that you will allow me sometimes, say every Monday morning, at 
nine o'clock—habit again—I must be business-like,' said the gentleman, with 
a whimsical inclination to quarrel with himself on that head, `in walking 
past, to see you at the door or window. I don't ask to come in, as your 
brother will be gone out at that hour. I don't ask to speak to you. I merely 
ask to see, for the satisfaction of my own mind, that you are well, and 
without intrusion to remind you, by the sight of me, that you have a 
friend—an elderly friend, grey-haired already, and fast growing greyer—whom 
you may ever command.' 


</p>
            <p>The cordial face looked up in his; confided in it; and promised. 


</p>
            <p>`I understand, as before,' said the gentleman, rising, `that you purpose not 
to mention my visit to John Carker, lest he should be at all distressed by my 
acquaintance with his history. I am glad of it, for it is out of the ordinary 
course of things, and—habit again!' said the gentleman, checking himself 
impatiently, `as if there were no better course than the ordinary course!' 


</p>
            <p>With that he turned to go, and walking, bareheaded, to the outside of the 
little porch, took leave of her with such a happy mixture of unconstrained 
respect and unaffected interest, as no breeding could have taught, no truth 
mistrusted, and nothing but a pure and single heart expressed. 


</p>
            <p>Many half-forgotten emotions were awakened in the sister's mind by this 
visit. It was so very long since any other visitor had crossed their 
threshold; it was so very long since any voice of sympathy had made sad music 
in her ears; that the stranger's figure remained present to her, hours 
afterwards, when she sat at the window, plying her needle; and his words 
seemed newly spoken, again and again. He had touched the spring that opened 
her whole life; and if she lost him for a short space, it was only among the 
many shapes of the one great recollection of which that life was made. 


</p>
            <p>Musing and working by turns; now constraining herself to be steady at her 
needle for a long time together, and now letting her work fall, unregarded, 
on her lap, and straying wheresoever her busier thoughts led, Harriet Carker 
found the hours glide by her, and the day steal on. The morning, which had 
been bright and clear, gradually became overcast; a sharp wind set in; the 
rain fell heavily; and a dark mist drooping over the distant town, hid it 
from the view. 


</p>
            <p>She often looked with compassion, at such a time, upon the stragglers who 
came wandering into London, by the great highway hard by, and who, footsore 
and weary, and gazing fearfully at the huge town before them, as if 
foreboding that their misery there would be but as a drop of water in the 
sea, or as a grain of sea-sand on the shore, went shrinking on, cowering 
before the angry weather, and looking as if the very elements rejected them. 
Day after day, such travellers crept past, but always, as she thought, in one 
direction—always towards the town. Swallowed up in one phase or other of its 
immensity, towards which they seemed impelled by a desperate fascination, 
they never returned. Food for the hospitals, the churchyards, the prisons, 
the river, fever, madness, vice, and death,—they passed on to the monster, 
roaring in the distance, and were lost. 


</p>
            <p>The chill wind was howling, and the rain was falling, and the day was 
darkening moodily, when Harriet, raising her eyes from the work on which she 
had long since been engaged with unremitting constancy, saw one of these 
travellers approaching. 


</p>
            <p>A woman. A solitary woman of some thirty years of age; tall; well formed; 
handsome; miserably dressed; the soil of many country roads in varied 
weather—dust, chalk, clay, gravel—clotted on her grey cloak by the 
streaming wet; no bonnet on her head, nothing to defend her rich black hair 
from the rain, but a torn handkerchief; with the fluttering ends of which, 
and with her hair, the wind blinded her so that she often stopped to push 
them back, and look upon the way she was going. 


</p>
            <p>She was in the act of doing so, when Harriet observed her. As her hands, 
parting on her sunburnt forehead, swept across her face, and threw aside the 
hindrances that encroached upon it, there was a reckless and regardless 
beauty in it: a dauntless and depraved indifference to more than weather: a 
carelessness of what was cast upon her bare head from Heaven or earth: that 
coupled with her misery and loneliness, touched the heart of her 
fellow-woman. She thought of all that was perverted and debased within her, 
no less than without: of modest graces of the mind, hardened and steeled, 
like these attractions of the person: of the many gifts of the Creator flung 
to the winds like the wild hair; of all the beautiful ruin upon which the 
storm was beating and the night was coming. 


</p>
            <p>Thinking of this, she did not turn away with a delicate indignation—too many 
of her own compassionate and tender sex too often do—but pitied her. 


</p>
            <p>Her fallen sister came on, looking far before her, trying with her eager eyes 
to pierce the mist in which the city was enshrouded, and glancing, now and 
then, from side to side, with the bewildered and uncertain aspect of a 
stranger. Though her tread was bold and courageous, she was fatigued, and 
after a moment of irresolution, sat down upon a heap of stones; seeking no 
shelter from the rain, but letting it rain on her as it would. 


</p>
            <p>She was now opposite the house; raising her head after resting it for a 
moment on both hands, her eyes met those of Harriet. 


</p>
            <p>In a moment, Harriet was at the door: and the other, rising from her seat at 
her beck, came slowly, and with no conciliatory look, towards her. 


</p>
            <p>`Why do you rest in the rain?' said Harriet, gently. 


</p>
            <p>`Because I have no other resting-place,' was the reply. 


</p>
            <p>`But there are many places of shelter near here. This,' referring to the 
little porch, `is better than where you were. You are very welcome to rest 
here.' 


</p>
            <p>The wanderer looked at her, in doubt and surprise, but without any expression 
of thankfulness; and sitting down, and taking off one of her worn shoes to 
beat out the fragments of stone and dust that were inside, showed that her 
foot was cut and bleeding. 


</p>
            <p>Harriet uttering an expression of pity, the traveller looked up with a 
contemptuous and incredulous smile. 


</p>
            <p>`Why, what's a torn foot to such as me?' she said. `And what's a torn foot in 
such as me, to such as you?' 


</p>
            <p>`Come in and wash it,' answered Harriet, mildly, `and let me give you 
something to bind it up.' 


</p>
            <p>The woman caught her arm, and drawing it before her own eyes, hid them 
against it, and wept. Not like a woman, but like a stern man surprised into 
that weakness; with a violent heaving of her breast, and struggle for 
recovery, that showed how unusual the emotion was with her. 


</p>
            <p>She submitted to be led into the house, and, evidently more in gratitude than 
in any care for herself, washed and bound the injured place. Harriet then put 
before her fragments of her own frugal dinner, and when she had eaten of 
them, though sparingly, besought her, before resuming her road (which she 
showed her anxiety to do), to dry her clothes before the fire. Again, more in 
gratitude than with any evidence of concern in her own behalf, she sat down 
in front of it, and unbinding the handkerchief about her head, and letting 
her thick wet hair fall down below her waist, sat drying it with the palms of 
her hands, and looking at the blaze. 


</p>
            <p>`I dare say you are thinking' she said, lifting her head suddenly, `that I 
used to be handsome, once. I believe I was—I know I was. Look here!' 


</p>
            <p>She held up her hair roughly with both hands; seizing it as if she would have 
torn it out; then, threw it down again, and flung it back as though it were a 
heap of serpents. 


</p>
            <p>`Are you a stranger in this place?' asked Harriet. 


</p>
            <p>`A stranger!' she returned, stopping between each short reply, and looking at 
the fire. `Yes. Ten or a dozen years a stranger. I have had no almanack where 
I have been. Ten or a dozen years. I don't know this part. It's much altered 
since I went away.' 


</p>
            <p>`Have you been far?' 


</p>
            <p>`Very far. Months upon months over the sea, and far away even then. I have 
been where convicts  go,' she added looking full upon her entertainer. `I 
have been one myself.' 


</p>
            <p>`Heaven help you and forgive you!' was the gentle answer. 


</p>
            <p>`Ah! Heaven help me and forgive me!' she returned, nodding her head at the 
fire. `If man would help some of us a little more, God would forgive us all 
the sooner perhaps.' 


</p>
            <p>But she was softened by the earnest manner, and the cordial face so full of 
mildness and so free from judgment, of her, and said, less hardily: 


</p>
            <p>`We may be about the same age, you and me. If I am older, it is not above a 
year or two. Oh think of that!' 


</p>
            <p>She opened her arms, as though the exhibition of her outward form would show 
the moral wretch she was; and letting them drop at her sides, hung down her 
head. 


</p>
            <p>`There is nothing we may not hope to repair; it is never too late to amend,' 
said Harriet. `You are penitent—' 


</p>
            <p>`No,' she answered. `I am not! I can't be. I am no such thing. Why should 
<hi>I</hi>be penitent, and all the world go free? They talk to me of my 
penitence. Who's penitent for the wrongs that have been done to me?' 


</p>
            <p>She rose up, bound her handkerchief about her head, and turned to move 
away. 


</p>
            <p>`Where are you going?' said Harriet. 


</p>
            <p>`Yonder,' she answered, pointing with her hand. `To London.' 


</p>
            <p>`Have you any home to go to?' 


</p>
            <p>`I think I have a mother. She's as much a mother, as her dwelling is a home,' 
she answered with a bitter laugh. 


</p>
            <p>`Take this,' cried Harriet, putting money in her hand. `Try to do well. It is 
very little, but for one day it may keep you from harm.' 


</p>
            <p>`Are you married?' said the other, faintly, as she took it. 


</p>
            <p>`No. I live here with my brother. We have not much to spare, or I would give 
you more.' 


</p>
            <p>`Will you let me kiss you?' 


</p>
            <p>Seeing no scorn or repugnance in her face, the object of her charity bent 
over her as she asked the question, and pressed her lips against her cheek. 
Once more she caught her arm, and covered her eyes with it; and then was 
gone. 


</p>
            <p>Gone into the deepening night, and howling wind, and pelting rain; urging her 
way on towards the mist-enshrouded city where the blurred lights gleamed; and 
with her black hair, and disordered head-gear, fluttering round her reckless 
face. 

</p>
         </div>
         <div xml:id="c34" type="chapter">
            <head>CHAPTER XXXIV</head>
            <head>Another Mother and Daughter</head>
            <p>IN an ugly and dark room, an old woman, ugly and dark too, sat listening to 
the wind and 
rain, and crouching over a meagre fire. More constant to the last-named 
occupation than 
the first, she never changed her attitude, unless, when any stray drops of 
rain fell hissing 
on the smouldering embers, to raise her head with an awakened attention to 
the whistling 
and pattering outside, and gradually to let it fall again lower and lower and 
lower as she 
sunk into a brooding state of thought, in which the noises of the night were 
as indistinctly 
regarded as is the monotonous rolling of a sea by one who sits in 
contemplation on its 
shore. 


</p>
            <p>There was no light in the room save that which the fire afforded. Glaring 
sullenly from 
time to time like the eye of a fierce beast half asleep, it revealed no 
objects that needed to 
be jealous of a better display. A heap of rags, a heap of bones, a wretched 
bed, two or 
three mutilated chairs or stools, the black walls and blacker ceiling, were 
all its winking 
brightness shone upon. As the old woman, with a gigantic and distorted image 
of herself 
thrown half upon the wall behind her, half upon the roof above, sat bending 
over the few 
loose bricks within which it was pent, on the damp hearth of the chimney—for 
there was 
no stove—she looked as if she were watching at some witch's altar for a 
favourable token; 
and but that the movement of her chattering jaws and trembling chin was too 
frequent and 
too fast for the slow flickering of the fire, it would have seemed an 
illusion wrought by 
the light, as it came and went, upon a face as motionless as the form to 
which it 
belonged. 


</p>
            <p>If Florence could have stood within the room and looked upon the original of 
the shadow 
thrown upon the wall and roof, as it cowered thus over the fire, a glance 
might have 
sufficed to recall the figure of Good Mrs. Brown; notwithstanding that her 
childish 
recollection of that terrible old woman was as grotesque and exaggerated a 
presentment of 
the truth, perhaps, as the shadow on the wall. But Florence was not there to 
look on; and 
Good Mrs. Brown remained unrecognised, and sat staring at her fire, 
unobserved. 


</p>
            <p>Attracted by a louder sputtering than usual, as the rain came hissing down 
the chimney in 
a little stream, the old woman raised her head, impatiently, to listen 
afresh. And this time 
she did not drop it again; for there was a hand upon the door, and a footstep 
in the 
room. 


</p>
            <p>`Who's that?' she said, looking over her shoulder. 


</p>
            <p>`One who brings you news,' was the answer, in a woman's voice. 


</p>
            <p>`News? Where from?' 


</p>
            <p>`From abroad.' 


</p>
            <p>`From beyond seas?' cried the old woman, starting up. 


</p>
            <p>`Aye, from beyond seas.' 


</p>
            <p>The old woman raked the fire together, hurriedly, and going close to her 
visitor who had 
entered, and shut the door, and who now stood in the middle of the room, put 
her hand 
upon the drenched cloak, and turned the unresisting figure, so as to have it 
in the full light 
of the fire. She did not find what she had expected, whatever that might be; 
for she let the 
cloak go again, and uttered a querulous cry of disappointment and misery. 


</p>
            <p>`What is the matter?' asked her visitor. 


</p>
            <p>`Oho! Oho!' cried old woman, turning her face upward, with a terrible 
howl. 


</p>
            <p>`What is the matter?' asked the visitor again. 


</p>
            <p>`It's not my gal!' cried the old woman, tossing up her arms, and clasping her 
hands above 
her head. `Where's my Alice? Where's my handsome daughter? They've been the 
death of 
her!' 


</p>
            <p>`They've not been the death of her yet, if your name's Marwood,' said the 
visitor. 


</p>
            <p>`Have you seen my gal, then?' cried the old woman. `Has she wrote to me?' 


</p>
            <p>`She said you couldn't read,' returned the other. 


</p>
            <p>`No more I can!' exclaimed the old woman, wringing her hands. 


</p>
            <p>`Have you no light here?' said the other, looking round the room. 


</p>
            <p>The old woman, mumbling and shaking her head, and muttering to herself about 
her 
handsome daughter, brought a candle from a cupboard in the corner, and 
thrusting it into 
the fire with a trembling hand, lighted it with some difficulty and set it on 
the table. Its 
dirty wick burnt dimly at first, being choked in its own grease; and when the 
bleared eyes 
and failing sight of the old woman could distinguish anything by its light, 
her visitor was 
sitting with her arms folded, her eyes turned downwards, and a handkerchief 
she had worn 
upon her head lying on the table by her side. 


</p>
            <p>`She sent to me by word of mouth then, my gal, Alice?' mumbled the old woman, 
after 
waiting for some moments. `What did she say?' 


</p>
            <p>`Look,' returned the visitor. 


</p>
            <p>The old woman repeated the word in a scared uncertain way; and, shading her 
eyes, 
looked at the speaker, round the room, and at the speaker once again. 


</p>
            <p>`Alice said look again, mother;' and the speaker fixed her eyes upon her. 


</p>
            <p>Again the old woman looked round the room, and at her visitor, and round the 
room once 
more. Hastily seizing the candle, and rising from her seat, she held it to 
the visitor's face, 
uttered a loud cry, set down the light, and fell upon her neck! 


</p>
            <p>`It's my gal! It's my Alice! It's my handsome daughter, living an come back!' 
screamed 
the old woman, rocking herself to and fro upon the breast that coldly 
suffered her 
embrace. `It's my gal! It's my Alice! It's my handsome daughter, living and 
come back!' 
she screamed again, dropping on the floor before her, clasping her knees, 
laying her head 
against them, and still rocking herself to and fro with every frantic 
demonstration of which 
her vitality was capable. 


</p>
            <p>`Yes, mother,' returned Alice, stooping forward for a moment and kissing her, 
but 
endeavouring, even in the act, to disengage herself from her embrace. `I am 
here, at last. 
Let go, mother; let go. Get up, and sit in your chair. What good does this 
do?' 


</p>
            <p>`She's come back harder than she went!' cried the mother, looking up in her 
face, and still 
holding to her knees. `She don't care for me! after all these years, and all 
the wretched 
life I've led!' 


</p>
            <p>`Why, mother!' said Alice, shaking her ragged skirts to detach the old woman 
from them: 
`there are two sides to that. There have been years for me as well as you, 
and there has 
been wretchedness for me as well as you. Get up,  get up!' 


</p>
            <p>Her mother rose, and cried, and wrung her hands, and stood at a little 
distance gazing on 
her. Then she took the candle again, and going round her, surveyed her from 
head to foot, 
making a low moaning all the time. Then she put the candle down, resumed her 
chair, and 
beating her hands together to a kind of weary tune, and rolling herself from 
side to side, 
continued moaning and wailing to herself. 


</p>
            <p>Alice got up, took off her wet cloak, and laid it aside. That done, she sat 
down as before, 
and with her arms folded, and her eyes gazing at the fire, remained silently 
listening with 
a contemptuous face to her old mother's inarticulate complainings. 


</p>
            <p>`Did you expect to see me return as youthful as I went away, mother?' she 
said at length, 
turning her eyes upon the old woman. `Did you think a foreign life, like 
mine, was good 
for good looks? One would believe so, to hear you!' 


</p>
            <p>`It an't that!' cried the mother. `<hi>She</hi> knows it!' 


</p>
            <p>`What is it then?' returned the daughter. `It had best be something that 
don't last, mother, 
or my way out is easier than my way in.' 


</p>
            <p>`Hear that!' exclaimed the mother. `After all these years she threatens to 
desert me in the 
moment of her coming back again!' 


</p>
            <p>`I tell you, mother, for the second time, there have been years for me as 
well as you,' said 
Alice. `Come back harder? Of course I have come back harder. What else did 
you 
expect?' 


</p>
            <p>`Harder to me! To her own dear mother!' cried the old woman. 


</p>
            <p>`I don't know who began to harden me, if my own dear mother didn't,' she 
returned, 
sitting with her folded arms, and knitted brows, and compressed lips as if 
she were bent 
on excluding, by force, every softer feeling from her breast. `Listen, 
mother, to a word or 
two. If we understand each other now, we shall not fall out any more, 
perhaps. I went 
away a girl, and have come back a woman. I went away undutiful enough, and 
have come 
back not better, you may swear. But have you been very dutiful to me?' 


</p>
            <p>`I!' cried old woman. `To my gal! A mother dutiful to her own child!' 


</p>
            <p>`It sounds unnatural, don't it?' returned the daughter, looking coldly on her 
with her stern, 
regardless, hardy, beautiful face; `but I have thought of it sometimes, in 
the course of 
<hi>my</hi> lone years, till I have got used to it. I have heard some talk 
about duty first 
and last; but it has always been of my duty to other people. I have wondered 
now and 
then—to pass away the time—whether no one ever owed any duty to me.' 


</p>
            <p>Her mother sat mowing, and mumbling, and shaking her head, but whether 
angrily or 
remorsefully, or in denial, or only in her physical infirmity, did not 
appear. 


</p>
            <p>`There was a child called Alice Marwood,' said the daughter, with a laugh, 
and looking 
down at herself in terrible derision of herself, `born, among poverty and 
neglect, and 
nursed in it. Nobody taught her, nobody stepped forward to help her, nobody 
cared for 
her.' 


</p>
            <p>`Nobody!' echoed the mother, pointing to herself, and striking her breast. 


</p>
            <p>`The only care she knew,' returned the daughter, `was to be beaten, and 
stinted, and 
abused sometimes; and she might have done better without that. She lived in 
homes like 
this, and in the streets, with a crowd of little wretches like herself; and 
yet she brought 
good looks out of this childhood. So much the worse for her. She had better 
have been 
hunted and worried to death for ugliness.' 


</p>
            <p>`Go on! go on!' exclaimed the mother. 


</p>
            <p>`I am going on,' returned the daughter. `There was a girl called Alice 
Marwood. She was 
handsome. She was taught too late, and taught all wrong. She was too well 
cared for, too 
well trained, too well helped on, too much looked after. You were very fond 
of her—you 
were better off then. What came to that girl comes to thousands every year. 
It was only 
ruin, and she was born to it.' 


</p>
            <p>`After all these years!' whined the old woman. `My gal begins with this.' 


</p>
            <p>`She'll soon have ended,' said the daughter. `There was a criminal called 
Alice 
Marwood—a girl still, but deserted and an outcast. And she was tried, and 
she was 
sentenced. And lord, how the gentlemen in the Court talked about it! and how 
grave the 
judge was on her duty, and on her having perverted the gifts of nature—as if 
he didn't 
know better than anybody there, that they had been made curses to her!—and 
how he 
preached about the strong arm of the Law—so very strong to save her, when 
she was an 
innocent and helpless little wretch; and how solemn and religious it all was. 
I have 
thought of that, many times since, to be sure!' 


</p>
            <p>She folded her arms tightly on her breast, and laughed in a tone that made 
the howl of the 
old woman musical. 


</p>
            <p>`So Alice Marwood was transported, mother,' she pursued, `and was sent to 
learn her 
duty, where there was twenty times less duty, and more wickedness, and wrong, 
and 
infamy, than here. And Alice Marwood is come back a woman. Such a woman as 
she 
ought to be, after all this. In good time, there will be more solemnity, and 
more fine talk, 
and more strong arm, most likely, and there will be an end of her; but the 
gentlemen 
needn't be afraid of being thrown out of work. There's crowds of little 
wretches, boy and 
girl, growing up in any of the streets they live in, that'll keep them to 
till they've made 
their fortunes.' 


</p>
            <p>The old woman leaned her elbows on the table, and resting her face upon her 
two hands, 
made a show of being in great distress—or really was, perhaps. 


</p>
            <p>`There! I have done, mother,' said the daughter, with a motion of her head, 
as if in 
dismissal of the subject. `I have said enough. Don't let you and I talk of 
being dutiful, 
whatever we do. Your childhood was like mine, I suppose. So much the worse 
for both of 
us. I don't want to blame you, or to defend myself; why should I? That's all 
over long 
ago. But I am a woman—not a girl, now—and you and I needn't make a show of 
our 
history, like the gentlemen in the Court. <hi>We</hi> know all about it well 
enough.' 


</p>
            <p>Lost and degraded as she was, there was a beauty in her, both of face and 
form, which, 
even in its worst expression, could not but be recognised as such by any one 
regarding her 
with the least attention. As she subsided into silence, and her face which 
had been harshly 
agitated, quieted down; while her dark eyes, fixed upon the fire, exchanged 
the reckless 
light that had animated them, for one that was softened by something like 
sorrow; there 
shone through all her wayworn misery and fatigue, a ray of the departed 
radiance of the 
fallen angel. 


</p>
            <p>Her mother, after watching her for some time without speaking, ventured to 
steal her 
withered hand a little nearer to her across the table; and finding that she 
permitted this, to 
touch her face and smooth her hair. With the feeling as it seemed, that the 
old woman was 
at least sincere in this show of interest, Alice made no movement to check 
her; so, 
advancing by degrees, she bound up her daughter's hair afresh, took off her 
wet shoes, if 
they deserved the name, spread something dry upon her shoulders, and hovered 
humbly 
about her, muttering to herself, as she recognised her old features and 
expression more and 
more. 


</p>
            <p>`You are very poor, mother, I see,' said Alice, looking round, when she had 
sat thus for 
some time. 


</p>
            <p>`Bitter poor, my deary,' replied the old woman. 


</p>
            <p>She admired her daughter, and was afraid of her. Perhaps her admiration, such 
as it was, 
had originated long ago, when she first found anything that was beautiful 
appearing in the 
midst of the squalid fight of her existence. Perhaps her fear was referable, 
in some sort, to 
the retrospect she had so lately heard. Be this as it might, she stood, 
submissively and 
deferentially, before her child, and inclined her head, as if in a pitiful 
entreaty to be spared 
any further reproach. 


</p>
            <p>`How have you lived?' 


</p>
            <p>`By begging, my deary.' 


</p>
            <p>`And pilfering, mother?' 


</p>
            <p>`Sometimes, Ally—in a very small way. I am old and timid. I have taken 
trifles from 
children now and then, my deary, but not often. I have tramped about the 
country, pet, and 
I know what I know. I have watched.' 


</p>
            <p>`Watched?' returned the daughter, looking at her. 


</p>
            <p>`I have hung about a family, my deary,' said the mother, even more humbly and 
submissively than before. 


</p>
            <p>`What family?' 


</p>
            <p>`Hush, darling, Don't be angry with me, I did it for the love of you. In 
memory of my 
poor gal beyond seas.' She put out her hand deprecatingly, and drawing it 
back again, laid 
it on her lips. 


</p>
            <p>`Years ago, my deary,' she pursued, glancing timidly at the attentive and 
stern face 
opposed to her. `I came across his little child, by chance.' 


</p>
            <p>`Whose child?' 


</p>
            <p>`Not his, Alice deary; don't look at me like that; not his. How could it be 
his? You know 
he has none.' 


</p>
            <p>`Whose then?' returned the daughter. `You said his.' 


</p>
            <p>`Hush, Ally; you frighten me, deary. Mr. Dombey's—only Mr. Dombey's. Since 
then, 
darling, I have seen them often. I have seen <hi>him.</hi>' 


</p>
            <p>In uttering his last word, the old woman shrunk and recoiled, as if with a 
sudden fear that 
her daughter would strike her. But though the daughter's face was fixed upon 
her, and 
expressed the most vehement passion, she remained still: except that she 
clenched her 
arms tighter and tighter within each other, on her bosom, as if to restrain 
them by that 
means from doing an injury to herself, or some one else, in the blind fury of 
the wrath 
that suddenly possessed her. 


</p>
            <p>`Little he thought who I was!' said the old woman, shaking her clenched 
hand. 


</p>
            <p>`And little he cared!' muttered her daughter, between her teeth. 


</p>
            <p>`But there we were,' said the old woman, `face to face. I spoke to him, and 
he spoke to 
me. I sat and watched him as he went away down a long grove of trees: and at 
every step 
he took, I cursed him soul and body.' 


</p>
            <p>`He will thrive in spite of that,' returned the daughter disdainfully. 


</p>
            <p>`Aye, he is thriving,' said the mother. 


</p>
            <p>She held her peace; for the face and form before her were unshaped by range. 
It seemed 
as if the bosom would burst with the emotions that strove within it. The 
effort that 
constrained and held it pent up, was no less formidable than the rage itself: 
no less 
bespeaking the violent and dangerous character of the woman who made it. But 
it 
succeeded, and she asked, after a silence: 


</p>
            <p>`Is he married?' 


</p>
            <p>`No, deary,' said the mother. 


</p>
            <p>`Going to be?' 


</p>
            <p>`Not that I know of, deary. But his master and friend is married. Oh, we may 
give him 
joy! We may give 'em all joy!' cried the old woman, hugging herself with her 
lean arms 
in her exultation. `Nothing but joy to us will come of that marriage. Mind 
me!' 


</p>
            <p>The daughter looked at her for an explanation. 


</p>
            <p>`But you are wet and tired: hungry and thirsty,' said the old woman, hobbling 
to the 
cupboard; `and there's little here, and little'—diving down into her pocket, 
and jingling a 
few half-pence on the table—`little here. Have you any money, Alice, 
deary?' 


</p>
            <p>The covetous, sharp, eager face with which she asked the question and looked 
on, as her 
daughter took out of her bosom the little gift she had so lately received, 
told almost as 
much of the history of this parent and child as the child herself had told in 
words. 


</p>
            <p>`Is that all?' said the mother. 


</p>
            <p>`I have no more. I should not have this, but for charity.' 


</p>
            <p>`But for charity, eh, deary?' said the old woman, bending greedily over the 
table to look at 
the money, which she appeared distrustful of her daughter's still retaining 
in her hand, and 
gazing on. `Humph! six and six is twelve, and six eighteen —so—we must take 
the most of 
it. I'll go buy something to eat and drink.' 


</p>
            <p>With greater alacrity than might have been expected in one of her 
appearance—for age and 
misery seemed to have made her as decrepit as ugly—she began to occupy her 
trembling 
hands in tying an old bonnet on her head, and folding a torn shawl about 
herself: still 
eyeing the money in her daughter's hand, with the same sharp desire. 


</p>
            <p>`What joy is to come to us of this marriage, mother?' asked the daughter. 
`You have not 
told me that.' 


</p>
            <p>`The joy,' she replied, attiring herself, with fumbling fingers, `of no love 
at all, and much 
pride and hate, my deary. The joy of confusion and strife among 'em, proud as 
they are, 
and of daughter-danger, Alice!' 


</p>
            <p>`What danger?' 


</p>
            <p>`<hi>I</hi> have seen what I have seen. <hi>I</hi> know what I know!' chuckled 
the mother. 
`Let some look to it. Let some be upon their guard. My gal may keep good 
company 
yet!' 


</p>
            <p>Then, seeing that in the wondering earnestness with which her daughter 
regarded her, her 
hand involuntarily closed upon the money, the old woman made more speed to 
secure it, 
and hurriedly added, `but I'll go buy something; I'll go buy something.' 


</p>
            <p>As she stood with her hand stretched out before her daughter, her daughter, 
glancing again 
at the money, put it to her lips before parting with it. 


</p>
            <p>`What, Ally! Do you kiss it?' chuckled the old woman. `That's like me—I 
often do, Oh, 
it's so good to us!' squeezing her own tarnished halfpence up to her bag of a 
throat, `so 
good to us in everything but not coming in heaps!' 


</p>
            <p>`I kiss it, mother,' said the daughter, `or I did then—I don't know that I 
ever did 
before—for the giver's sake.' 


</p>
            <p>`The giver, eh, deary?' retorted the old woman, whose dimmed eyes glistened 
as she took 
it. `Aye! I'll kiss it for the giver's sake, too, when the giver can make it 
go farther. But 
I'll go spend it, deary. I'll be back directly.' 


</p>
            <p>`You seem to say you know a great deal, mother,' said the daughter, following 
her to the 
door with her eyes. `You have grown very wise since we parted.' 


</p>
            <p>`Know!' croaked the old woman, coming back a step or two, `I know more than 
you 
think. I know more than <hi>he</hi> thinks, deary, as I'll tell you by and bye. 
I know all 
about him.' 


</p>
            <p>The daughter smiled incredulously. 


</p>
            <p>`I know of his brother, Alice,' said the old woman, stretching out her neck 
with a leer of 
malice absolutely frightful, `who might have been where you have been—for 
stealing 
money—and who lives with his sister, over yonder, by the north road out of 
London.' 


</p>
            <p>`Where?' 


</p>
            <p>`By the north road out of London, deary. You shall see the house if you like. 
It an't much 
to boast of, genteel as his  own is. No, no, no,' cried the old woman, 
shaking her head 
and laughing; for  her daughter had started up, `not now; it's  too  far off; 
it's by the 
milestone, where the stones are heaped;—to-morrow, deary, if it's fine, and 
you are in the 
humour. But I'll go spend—' 


</p>
            <p>`Stop!' and the daughter flung herself upon her, with her former passion 
raging like a fire. 
`The sister is a fair-faced Devil, with brown hair?' 


</p>
            <p>The old woman, amazed and terrified, nodded her head. 


</p>
            <p>`I see the shadow of him in her face! It's a red house standing by itself. 
Before the door 
there is a small green porch.' 


</p>
            <p>Again the old woman nodded. 


</p>
            <p>`In which I sat to-day! Give me back the money.' 


</p>
            <p>`Alice! Deary!' 


</p>
            <p>`Give me back the money, or you'll be hurt.' 


</p>
            <p>She forced it from the old woman's hand as she spoke, and utterly indifferent 
to her 
complainings and entreaties, threw on the garments she had taken of, and 
hurried out, with 
headlong speed. 


</p>
            <p>The mother followed, limping after her as she could, and expostulating with 
no more 
effect upon her than upon the wind and rain and darkness that encompassed 
them. 
Obdurate and fierce in her own purpose, and indifferent to all besides, the 
daughter defied 
the weather and the distance, as if she had known no travel or fatigue, and 
made for the 
house where she had been relieved. After some quarter of an hour's walking, 
the old 
woman, spent and out of breath, ventured to hold by her skirts; but she 
ventured no more, 
and they travelled on in silence through the wet and gloom. If the mother now 
and then 
uttered a word of complaint, she stifled it lest her daughter should break 
away from her 
and leave her behind; and the daughter was dumb. 


</p>
            <p>It was within an hour or so of midnight, when they left the regular streets 
behind them, 
and entered on the deeper gloom of that neutral ground where the house was 
situated. The 
town lay in the distance, lurid and lowering; the bleak wind howled over the 
open space; 
all around was black, wild, desolate. 


</p>
            <p>`This is a fit place for me!' said the daughter, stopping to look back. `I 
thought so, when I 
was here before, to-day.' 


</p>
            <p>`Alice, my deary,' cried the mother, pulling her gently by the skirt. 
`Alice!' 


</p>
            <p>`What now, mother?' 


</p>
            <p>`Don't give the money back, my darling; please don't. We can't afford it. We 
want 
supper, deary. Money is money, whoever gives it. Say what you will, but keep 
the 
money.' 


</p>
            <p>`See there!' was all the daughter's answer. `That is the house I mean. Is 
that it?' 


</p>
            <p>The old woman nodded in the affirmative; and a few more paces brought them to 
the 
threshold. There was the light of fire and candle in the room where Alice had 
sat to dry 
her clothes; and on her knocking at the door, John Carker appeared from that 
room. 


</p>
            <p>He was surprised to see such visitors at such an hour, and asked Alice what 
she 
wanted. 


</p>
            <p>`I want your sister,' she said.  `The woman who gave me money to-day.' 


</p>
            <p>At the sound of her raised voice, Harriet came out. 


</p>
            <p>`Oh!' said Alice. `You are here! Do you remember me?' 


</p>
            <p>`Yes,' she answered, wondering. 


</p>
            <p>The face that had humbled itself before her, looked on her now with such 
invincible 
hatred and defiance; and the hand that had gently touched her arm, was 
clenched with 
such a show of evil purpose, as if it would gladly strangle her; that she 
drew close to her 
brother for protection. 


</p>
            <p>`That I could speak with you, and not know you! That I could come near you, 
and not 
feel what blood was running in your veins, by the tingling of my own!' said 
Alice, with a 
menacing gesture. 


</p>
            <p>`What do you mean? What have I done?' 


</p>
            <p>`Done!' returned the other. `You have sat me by your fire; you have given me 
food and 
money; you have bestowed your compassion on me! You! whose name I spit 
upon!' 


</p>
            <p>The old woman, with a malevolence that made her ugliness quite awful, shook 
her 
withered hand at the brother and sister in confirmation of her daughter, but 
plucked her by 
the skirts again, nevertheless, imploring her to keep the money. 


</p>
            <p>`If I dropped a tear upon your hand, may it wither it up!If I spoke a gentle 
word in your 
hearing, may it deafen you!If I touched you with my lips, may the touch be 
poison to 
you!A curse upon this roof that gave me shelter! Sorrow and shame upon your 
head! Ruin 
upon all belonging to you!' 


</p>
            <p>As she said the words, she threw the money down upon the ground, and spurned 
it with 
her foot. 


</p>
            <p>`I tread it in the dust: I wouldn't take it if it paved my way to Heaven! I 
would the 
bleeding foot that brought me here to-day, had rotted off, before it led me 
to your 
house!' 


</p>
            <p>Harriet, pale and trembling, restrained her brother, and suffered her to go 
on 
uninterrupted. 


</p>
            <p>`It was well that I should be pitied and forgiven by you, or any one of your 
name, in the 
first hour of my return! It was well that you should act the kind good lady 
to me! I'll 
thank you when I die; I'll pray for you, and all your race, you may be 
sure!' 


</p>
            <p>With a fierce action of her hand, as if she sprinkled hatred on the ground, 
and with it 
devoted those who were standing there to destruction, she looked up once at 
the black sky, 
and strode out into the wild night. 


</p>
            <p>The mother, who had plucked at her skirts again and again in vain, and had 
eyed the 
money lying on the threshold with an absorbing greed that seemed to 
concentrate her 
faculties upon it, would have prowled about, until the house was dark, and 
then groped in 
the mire on the chance of repossessing herself of it. But the daughter drew 
her away, and 
they set forth, straight, on their return to their dwelling; the old woman 
whimpering and 
bemoaning their loss upon the road, are fretfully bewailing, as openly as she 
dared, the 
undutiful conduct of her handsome girl in depriving her of a supper, on the 
very first night 
of their reunion. 


</p>
            <p>Supperless to bed she went, saving for a few coarse fragments; and those she 
sat 
mumbling and munching over a scrap of fire, long after her undutiful daughter 
lay 
asleep. 


</p>
            <p>Were this miserable mother, and this miserable daughter, only the reduction 
to their lowest 
grade, of certain social vices sometimes prevailing higher up? In this round 
world of many 
circles within circles, do we make a weary journey from the high grade to the 
low, to find 
at last that they lie close together, that the two extremes touch, and that 
our journey's end 
is but our starting-place? Allowing for great difference of stuff and 
texture, was the 
pattern of this woof repeated among gentle blood at all? 


</p>
            <p>Say, Edith Dombey! And Cleopatra, best of mothers, let us have your 
testimony! 

</p>
         </div>
         <div xml:id="c35" type="chapter">
            <head>CHAPTER XXXV</head>
            <head>The Happy Pair</head>
            <p>THE dark blot on the street is gone. Mr. Dombey's mansion, if it be a gap 
among the other houses any longer, is only so because it is not to be vied 
with in its brightness, and haughtily casts them off. The saying is, that 
home is home, be it never so homely. If it hold good in the opposite 
contingency, and home is home be it never so stately, what an altar to the 
Household Gods is raised up here! 


</p>
            <p>Lights are sparkling in the windows this evening, and the ruddy glow of fires 
is warm and bright upon the hangings and soft carpets, and the dinner waits 
to be served, and the dinnertable is handsomely set forth, though only for 
four persons, and the sideboard is cumbrous with plate. It is the first time 
that the house has been arranged for occupation since its late changes, and 
the happy pair are looked for every minute. 


</p>
            <p>Only second to the wedding morning, in the interest and expectation it 
engenders among the household, is this evening of the coming home. Mrs. Perch 
is in the kitchen taking tea; and has made the tour of the establishment, and 
priced the silks and damasks by the yard, and exhausted every interjection in 
the dictionary and out of it expressive of admiration and wonder. The 
upholsterer's foreman, who has left his hat, with a pocket-handkerchief in 
it, both smelling strongly of varnish, under a chair in the hall, lurks about 
the house, gazing upwards at the cornices, and downward at the carpets, and 
occasionally, in a silent transport of enjoyment, taking a rule out of his 
pocket, and skirmishingly measuring expensive objects, with unutterable 
feelings. Cook is in high spirits, and says give <hi>her</hi> a place where 
there's plenty of company (as she'll bet you sixpence there will be now), for 
she is of a lively disposition, and she always was from a child, and she 
don't mind who knows it; which sentiment elicits from the breast of Mrs. 
Perch a responsive murmur of support and approbation. All the housemaid hopes 
is, happiness for 'em—but marriage is a lottery, and the more she thinks 
about it, the more she feels the independence and the safety of a single 
life. Mr. Towlinson is saturnine and grim, and says that's his opinion too, 
and give him War besides, and down with the French—for this young man has a 
general impression that every foreigner is a Frenchman and must be by the 
laws of nature. 


</p>
            <p>At each new sound of wheels, they all stop, whatever they are saying, and 
listen; and more than once there is a general starting up and a cry of `Here 
they are!' But here they are not yet; and Cook begins to mourn over the 
dinner, which has been put back twice, and the upholsterer's foreman still 
goes lurking about the rooms, undisturbed in his blissful reverie! 


</p>
            <p>Florence is ready to receive her father and her new mama. Whether the 
emotions that are throbbing in her breast originate in pleasure or in pain, 
she hardly knows. But the fluttering heart sends added colour to her cheeks, 
and brightness to her eyes; and they say down stairs, drawing their heads 
together—for they always speak softly when they speak of her—how beautiful 
Miss Florence looks to-night, and what a sweet young lady she has grown, poor 
dear! A pause succeeds; and then Cook, feeling, as president, that her 
sentiments are waited for, wonders whether—and there stops. The housemaid 
wonders too, and so does Mrs. Perch, who has the happy social faculty of 
always wondering when other people wonder, without being at all particular 
what she wonders at. Mr. Towlinson, who now descries an opportunity of 
bringing down the spirits of the ladies to his own level, says wait and see; 
he wishes some people were well out of this. Cook leads a sigh then, and a 
murmur of `Ah, it's a strange world, it is indeed!' and when it has gone 
round the table, adds persuasively, `but Miss Florence can't well be the 
worse for any change, Tom.' Mr. Towlinson's rejoinder, pregnant with 
frightful meaning, is `Oh, can't she though!' and sensible that a mere man 
can scarcely be more prophetic, or improve upon that, he holds his peace. 


</p>
            <p>Mrs. Skewton, prepared to greet her darling daughter and dear son-in-law with 
open arms, is appropriately attired for that purpose in a very youthful 
costume, with short sleeves. At present, however, her ripe charms are 
blooming in the shade of her own apartments, whence she has not emerged since 
she took possession of them a few hours ago, and where she is fast growing 
fretful, on account of the postponement of dinner. The maid who ought to be a 
skeleton, but is in truth a buxom damsel, is, on the other hand, in a most 
amiable state: considering her quarterly stipend much safer than heretofore, 
and foreseeing a great improvement in her board and lodging. 


</p>
            <p>Where are the happy pair, for whom this brave home is waiting? Do steam, 
tide, wind, and horses, all abate their speed, to linger on such happiness? 
Does the swarm of loves and graces hovering about them retard their progress 
by its numbers? Are there so many flowers in their happy path, that they can 
scarcely move along, without entanglement in thornless roses, and sweetest 
briar? 


</p>
            <p>They are here at last! The noise of wheels is heard, grows louder, and a 
carriage drives up to the door! A thundering knock from the obnoxious 
foreigner anticipates the rush of Mr. Towlinson and party to open it; and Mr. 
Dombey and his bride alight, and walk in arm in arm. 


</p>
            <p>`My sweetest Edith!' cries an agitated voice upon the stairs. `My dearest 
Dombey!' and the short sleeves wreath themselves about the happy couple in 
turn, and embrace them. 


</p>
            <p>Florence had come down to the hall too, but did not advance: reserving her 
timid welcome until these nearer and dearer transports should subside. But 
the eyes of Edith sought her out, upon the threshold; and dismissing her 
sensitive parent with a slight kiss on the cheek, she hurried on to Florence 
and embraced her. 


</p>
            <p>`How do you do, Florence?' said Mr. Dombey, putting out his hand. 


</p>
            <p>As Florence, trembling, raised it to her lips, she met his glance. The look 
was cold and distant enough, but it stirred her heart to think that she 
observed in it something more of interest than he had ever shown before. It 
even expressed a kind of faint surprise, and not a disagreeable surprise, at 
sight of her. She dared not raise her eyes to his any more; but she felt that 
he looked at her once again, and hot less favourably. Oh what a thrill of joy 
shot through her, awakened by even this intangible and baseless confirmation 
of her hope that she would learn to win him, through her new and beautiful 
mama! 


</p>
            <p>`You will not be long dressing, Mrs. Dombey, I presume?' said Mr. Dombey. 


</p>
            <p>`I shall be ready immediately.' 


</p>
            <p>`Let them send up dinner in a quarter of an hour.' 


</p>
            <p>With that Mr. Dombey stalked away to his own dressingroom, and Mrs. Dombey 
went upstairs to hers. Mrs. Skewton and Florence repaired to the 
drawing-room, where that excellent mother considered it incumbent on her to 
shed a few irrepressible tears, supposed to be forced from her by her 
daughter's felicity; and which she was still drying, very gingerly, with a 
laced corner of her pocket-handkerchief, when her son-in-law appeared. 


</p>
            <p>`And how, my dearest Dombey, did you find that delightfullest of cities, 
Paris?' she asked, subduing her emotion. 


</p>
            <p>`It was cold,' returned Mr. Dombey. 


</p>
            <p>`Gay as ever,' said Mrs. Skewton, `of course.' 


</p>
            <p>`Not particularly. I thought it dull,' said Mr. Dombey. 


</p>
            <p>`Fie, my dearest Dombey!' archly; `dull!' 


</p>
            <p>`It made that impression upon me, madam,' said Mr. Dombey, with grave 
politeness. `I believe Mrs. Dombey found it dull too. She mentioned once or 
twice that she thought it so.' 


</p>
            <p>`Why, you naughty girl!' cried Mrs. Skewton, rallying her dear child, who now 
entered, `what dreadfully heretical things have you been saying about 
Paris?' 


</p>
            <p>Edith raised her eyebrows with an air of weariness; and passing the 
folding-doors which were thrown open to display the suite of rooms in their 
new and handsome garniture, and barely glancing at them as she passed, sat 
down by Florence. 


</p>
            <p>`My dear Dombey,' said Mrs. Skewton, `how charmingly these people have 
carried out every idea that we hinted. They have made a perfect palace of the 
house, positively.' 


</p>
            <p>`It is handsome,' said Mr. Dombey, looking round. `I directed that no expense 
should be spared; and all that money could do, has been done, I believe.' 


</p>
            <p>`And what can it not do, dear Dombey?' observed Cleopatra. 


</p>
            <p>`It is powerful, madam,' said Mr. Dombey. 


</p>
            <p>He looked in his solemn way towards his wife, but not a word said she. 


</p>
            <p>`I hope, Mrs. Dombey,' addressing her after a moment's silence, with especial 
distinctness; `that these alterations meet with your approval?' 


</p>
            <p>`They are as handsome as they can be,' she returned, with haughty 
carelessness. `They should be so, of course. And I suppose they are.' 


</p>
            <p>An expression of scorn was habitual to the proud face, and seemed inseparable 
from it; but the contempt with which it received any appeal to admiration, 
respect, or consideration on the ground of his riches, no matter how slight 
or ordinary in itself, was a new and different expression, unequalled in 
intensity by any other of which it was capable. Whether Mr. Dombey, wrapped 
in his own greatness, was at all aware of this, or no, there had not been 
wanting opportunities already for his complete enlightenment; and at that 
moment it might have been effected by the one glance of the dark eye that 
lighted on him, after it had rapidly and scornfully surveyed the theme of his 
self-glorification. He might have read in that one glance that nothing that 
his wealth could do, though it were increased ten thousand fold, could win 
him for its own sake, one look of softened recognition from the defiant 
woman, linked to him, but arrayed with her whole soul against him. He might 
have read in that one glance that even for its sordid and mercenary influence 
upon herself, she spurned it, while she claimed its utmost power as her 
right, her bargain—as the base and worthless recompense for which she had 
become his wife. He might have read in it that, ever baring her own head for 
the lightning of her own contempt and pride to strike, the most innocent 
allusion to the power of his riches degraded her anew, sunk her deeper in her 
own respect, and made the blight and waste within her more complete. 


</p>
            <p>But dinner was announced, and Mr. Dombey led down Cleopatra; Edith and his 
daughter following. Sweeping past the gold and silver demonstration on the 
sideboard as if it were heaped-up dirt, and deigning to bestow no look upon 
the elegancies around her, she took her place at his board for the first 
time, and sat, like a statue, at the feast. 


</p>
            <p>Mr. Dombey, being a good deal in the statue way himself, was well enough 
pleased to see his handsome wife immovable and proud and cold. Her deportment 
being always elegant and graceful, this as a general behavior was agreeable 
and congenial to him. Presiding, therefore, with his accustomed dignity, and 
not at all reflecting on his wife by any warmth or hilarity of his own, he 
performed his share of the honours of the table with a cool satisfaction; and 
the installation dinner, though not regarded downstairs as a great success, 
or very promising beginning, passed off, above, in a sufficiently polite, 
genteel, and frosty manner. 


</p>
            <p>Soon after tea, Mrs. Skewton, who affected to be quite overcome and worn out 
by her emotions of happiness, arising in the contemplation of her dear child 
united to the man of her heart, but who, there is reason to suppose, found 
this family party somewhat dull, as she yawned for one hour continually 
behind her fan, retired to bed. Edith, also, silently withdrew and came back 
no more. Thus, it happened that Florence, who had been upstairs to have some 
conversation with Diogenes, returning to the drawing-room with her little 
work-basket, found no one there but her father, who was walking to and fro, 
in dreary magnificence. 


</p>
            <p>`I beg your pardon. Shall I go away, papa?' said Florence faintly, hesitating 
at the door. 


</p>
            <p>`No,' returned Mr. Dombey, looking round over his shoulder; `you can come and 
go here, Florence, as you please. This is not my private room.' 


</p>
            <p>Florence entered, and sat down at a distant little table with her work: 
finding herself for the first time in her life—for the very first time 
within her memory from her infancy to that hour—alone with her father, as 
his companion. She, his natural companion, his only child, who in her lonely 
life and grief had known the suffering of a breaking heart; who, in her 
rejected love, had never breathed his name to God at night, but with a 
tearful blessing, heavier on him than a curse; who had prayed to die young, 
so she might only die in his arms; who had, all through, repaid the agony of 
slight and coldness, and dislike, with patient unexacting love, excusing him, 
and pleading for him, like his better angel! 


</p>
            <p>She trembled, and her eyes were dim. His figure seemed to grow in height and 
bulk before her as he paced the room: now it was all blurred and indistinct; 
now clear again, and plain; and now she seemed to think that this had 
happened, just the same, a multitude of years ago. She yearned towards him, 
and yet shrunk from his approach. Unnatural emotion in a child, innocent of 
wrong! Unnatural the hand that had directed the sharp plough, which furrowed 
up her gentle nature for the sowing of its seeds! 


</p>
            <p>Bent upon not distressing or offending him by her distress, Florence 
controlled herself, and sat quietly at her work. After a few more turns 
across and across the room, he left off pacing it; and withdrawing into a 
shadowy corner at some distance, where there was an easy chair, covered his 
head with a handkerchief, and composed himself to sleep. 


</p>
            <p>It was enough for Florence to sit there watching him; turning her eyes 
towards his chair from time to time; watching him with her thoughts, when her 
face was intent upon her work; and sorrowfully glad to think that he 
<hi>could</hi> sleep, while she was there, and that he was not made restless by 
her strange and long-forbidden presence. 


</p>
            <p>What would have been her thoughts if she had known that he was steadily 
regarding her; that the veil upon his face, by accident or by design, was so 
adjusted that his sight was free, and that it never wandered from her face an 
instant! That when she looked towards him, in the obscure dark corner, her 
speaking eyes, more earnest and pathetic in their voiceless speech than all 
the orators of all the world, and impeaching him more nearly in their mute 
address, met his, and did not know it! That when she bent her head again over 
her work, he drew his breath more easily, but with the same attention looked 
upon her still—upon her white brow and her falling hair, and busy hands; and 
once attracted, seemed to have no power to turn his eyes away! 


</p>
            <p>And what were his thoughts meanwhile? With what emotions did he prolong the 
attentive gaze covertly directed on his unknown daughter? Was there reproach 
to him in the quiet figure and the mild eyes? Had he begun to feel her 
disregarded claims, and did they touch him home at last, and waken him to 
some sense of his cruel injustice? 


</p>
            <p>There are yielding moments in the lives of the sternest and harshest men, 
though such men often keep their secret well. The sight of her in her beauty, 
almost changed into a woman without his knowledge, may have struck out some 
such moments even in his life of pride. Some passing thought that he had had 
a happy home within his reach—had had a household spirit bending at his 
feet—had overlooked it in his stiffnecked sullen arrogance, and wandered 
away and lost himself, may have engendered them. Some simple eloquence 
distinctly heard, though only uttered in her eyes, unconscious that he read 
them, as `By the death-beds I have tended, by the childhood I have suffered, 
by our meeting in this dreary house at midnight, by the cry wrung from me in 
the anguish of my heart, oh, father, turn to me and seek a refuge in my love 
before it is too late!' may have arrested them. Meaner and lower thoughts, as 
that his dead boy was now superseded by new ties, and he could forgive the 
having been supplanted in his affection, may have occasioned them. The mere 
association of her as an ornament, with all the ornament and pomp about him, 
may have been sufficient. But as he looked, he softened to her, more and 
more. As he looked, she became blended with the child he had loved, and he 
could hardly separate the two. As he looked, he saw her for an instant by a 
clearer and a brighter light, not bending over that child's pillow as his 
rival—monstrous thought—but as the spirit of his home, and in the action 
tending himself no less, as he sat once more with his bowed-down head upon 
his hand at the foot of the little bed. He felt inclined to speak to her, and 
call her to him. The words `Florence, come here!' were rising to his 
lips—but slowly and with difficulty, they were so very strange—when they 
were checked and stifled by a footstep on the stair. 


</p>
            <p>It was his wife's. She had exchanged her dinner dress for a loose robe, and 
unbound her hair, which fell freely about her neck. But this was not the 
change in her that startled him. 


</p>
            <p>`Florence, dear,' she said, `I have been looking for you everywhere.' 


</p>
            <p>As she sat down by the side of Florence, she stooped and kissed her hand. He 
hardly knew his wife. She was so changed. It was not merely that her smile 
was new to him—though that he had never seen: but her manner, the tone of 
her voice, the light of her eyes, the interest, and confidence, and winning 
wish to please, expressed in all—this was not Edith. 


</p>
            <p>`Softly, dear Mama. Papa is asleep.' 


</p>
            <p>It was Edith now. She looked towards the corner where he was, and he knew 
that face and manner very well. 


</p>
            <p>`I scarcely thought you could be here, Florence.' 


</p>
            <p>Again, how altered and how softened, in an instant! 


</p>
            <p>`I left here early,' pursued Edith, `purposely to sit up stairs and talk with 
you. But, going to your room, I found my bird was flown, and I have been 
waiting there ever since, expecting its return.' 


</p>
            <p>If it had been a bird, indeed, she could not have taken it more tenderly and 
gently to her breast, than she did Florence. 


</p>
            <p>`Come, dear!' 


</p>
            <p>`Papa will not expect to find me, I suppose, when he wakes,' hesitated 
Florence. 


</p>
            <p>`Do you think he will, Florence?' said Edith, looking full upon her. 


</p>
            <p>Florence drooped her head, and rose, and put up her workbasket. Edith drew 
her hand through her arm, and they went out of the room like sisters. Her 
very step was different and new to him, Mr. Dombey thought, as his eyes 
followed her to the door. 


</p>
            <p>He sat in his shadowy corner so long, that the church clocks struck the hour 
three times before he moved that night. All that while his face was still 
intent upon the spot where Florence had been seated. The room grew darker, as 
the candles waned and went out; but a darkness gathered on his face, 
exceeding any that the night could cast, and rested there. 


</p>
            <p>Florence and Edith, seated before the fire in the remote room where little 
Paul had died, talked together for a long time. Diogenes, who was of the 
party, had at first objected to the admission of Edith, and, even in 
deference to his mistress's wish, had only permitted it under growling 
protest. But, emerging by little and little from the ante-room, whither he 
had retired in dudgeon, he soon appeared to comprehend, that with the most 
amiable intensions he had made one of those mistakes which will occasionally 
arise in the best-regulated dogs' minds; as a friendly apology for which he 
stuck himself up on end between the two, in a very hot place in front of the 
fire, and sat panting at it, with his tongue out, and a most imbecile 
expression of countenance, listening to the conversation. 


</p>
            <p>It turned, at first, on Florence's books and favourite pursuits, and on the 
manner in which she had beguiled the interval since the marriage. The last 
theme opened up to her a subject which lay very near her heart, and she said, 
with the tears starting to her eyes: 


</p>
            <p>`Oh, Mama! I have had a great sorrow since that day.' 


</p>
            <p>`You a great sorrow, Florence!' 


</p>
            <p>`Yes. Poor Walter is drowned.' 


</p>
            <p>Florence spread her hands before her face, and wept with all her heart. Many 
as were the secret tears which Walter's fate had cost her, they flowed yet, 
when she thought or spoke of him. 


</p>
            <p>`But tell me, dear,' said Edith, soothing her. `Who was Walter? What was he 
to you?' 


</p>
            <p>`He was my brother, Mama. After dear Paul died, we said we would be brother 
and sister. I had known him a long time—from a little child. He knew Paul, 
who liked him very much; Paul said, almost at the last, `Take care of Walter, 
dear papa!I was fond of him!' Walter had been brought in to see him, and was 
there then—in this room.' 


</p>
            <p>`And <hi>did</hi> he take care of Walter?' inquired Edith, sternly. 


</p>
            <p>`Papa? He appointed him to go abroad. He was drowned in shipwreck on his 
voyage,' said Florence, sobbing. 


</p>
            <p>`Does he know that he is dead?' asked Edith. 


</p>
            <p>`I cannot tell, Mama. I have no means of knowing. Dear Mama!' cried Florence, 
clinging to her as for help, and hiding her face upon her bosom, `I know that 
you have seen—' 


</p>
            <p>`Stay! Stop, Florence.' Edith turned so pale, and spoke so earnestly, that 
Florence did not need her restraining hand upon her lips. `Tell me all about 
Walter first; let me understand this history all through.' 


</p>
            <p>Florence related it, and everything belonging to it, even down to the 
friendship of Mr. Toots, of whom she could hardly speak in her distress 
without a tearful smile, although she was deeply grateful to him. When she 
had concluded her account, to the whole of which Edith, holding her hand, 
listened with close attention, and when a silence had succeeded, Edith 
said: 


</p>
            <p>`What is it that you know I have seen, Florence?' 


</p>
            <p>`That I am not,' said Florence, with the same mute appeal, and the same quick 
concealment of her face as before, `that I am not a favourite child, Mama. I 
never have been. I have never known how to be. I have missed the way, and had 
no one to show it to me. Oh, let me learn from you how to become dearer to 
Papa. Teach me! you, who can so well!' and clinging close to her, with some 
broken fervent words of gratitude and endearment, Florence, relived of her 
sad secret, wept long, but not as painfully as of yore, within the encircling 
arms of her new mother. 


</p>
            <p>Pale even to her lips, and with a face that strove for composure until its 
proud beauty was as fixed as death, Edith looked down upon the weeping girl, 
and once kissed her. Then gradually disengaging herself, and putting Florence 
away, she said, stately, and quiet as a marble image, and in a voice that 
deepened as she spoke, but had no other token of emotion in it: 


</p>
            <p>`Florence, you do not know me! Heaven forbid that you should learn from 
me!' 


</p>
            <p>`Not learn from you?' repeated Florence, in surprise. 


</p>
            <p>`That I should teach you how to love, or be loved, Heaven forbid!' said 
Edith. `If you could teach me, that were better; but it is too late. You are 
dear to me, Florence. I did not think that anything could ever be so dear to 
me, as you are in this little time.' 


</p>
            <p>She saw that Florence would have spoken here, so checked her with her hand, 
and went on. 


</p>
            <p>`I will be your true friend always. I will cherish you, as much, if not as 
well as any one in this world could. You may trust in me—I know it and I say 
it, dear,—with the whole confidence even of your pure heart. There are hosts 
of women whom he might have married, better and truer in all other respects 
than I am, Florence; but there is not one who could come here, his wife, 
whose heart could beat with greater truth to you than mine does.' 


</p>
            <p>`I know it, dear Mama!' cried Florence. `From that first most happy day I 
have known it.' 


</p>
            <p>`Most happy day!' Edith seemed to repeat the words involuntarily, and went 
on. `Though the merit is not mine, for I thought little of you until I saw 
you, let the undeserved reward be mine in your trust and love. And in 
this—in this, Florence; on the first night of my taking up my abode here; I 
am led on as it is best I should be, to say it for the first and last 
time.' 


</p>
            <p>Florence, without knowing why, felt almost afraid to hear her proceed, but 
kept her eyes riveted on the beautiful face so fixed upon her own. 


</p>
            <p>`Never seek to find in me,' said Edith, laying her hand upon her breast, 
`what is not here. Never if you can help it, Florence, fall off from me 
because it is <hi>not</hi> here. Little by little you will know me better, and 
the time will come when you will know me, as I know myself. Then, be as 
lenient to me as you can, and do not turn to bitterness the only sweet 
remembrance I shall have.' 


</p>
            <p>The tears that were visible in her eyes as she kept them fixed on Florence, 
showed that the composed face was but as a handsome mask; but she preserved 
it, and continued: 


</p>
            <p>`I <hi>have</hi> seen what you say, and know how true it is. But believe 
me—you will soon, if you cannot now—there is no one on this earth less 
qualified to set it right or help you, Florence, than I. Never ask me why, or 
speak to me about it or of my husband, more. There should be, so far, as 
division, and a silence between us two, like the grave itself.' 


</p>
            <p>She sat for some time silent; Florence scarcely venturing to breathe 
meanwhile, as dim and imperfect shadows of the truth, and all its daily 
consequences, chased each other through her terrified, yet incredulous 
imagination. Almost as soon as she had ceased to speak, Edith's face began to 
subside from its set composure to that quieter and more relenting aspect, 
which it usually wore when she and Florence were alone together. She shaded 
it, after this change, with her hands; and when she arose, and with an 
affectionate embrace bade Florence good night, went quickly, and without 
looking round. 


</p>
            <p>But when Florence was in bed, and the room was dark except for the glow of 
the fire, Edith returned, and saying that she could not sleep, and that her 
dressing-room was lonely, drew a chair upon the hearth, and watched the 
embers as they died away. Florence watched them too from her bed, until they, 
and the noble figure before them, crowned with its flowing hair, and in its 
thoughtful eyes reflecting back their light, became confused and indistinct, 
and finally were lost in slumber. 


</p>
            <p>In her sleep, however, Florence could not lose an undefined impression of 
what had so recently passed. It formed the subject of her dreams, and haunted 
her; now in one shape, now in another; but always oppressively; and with a 
sense of fear. She dreamed of seeking her father in wildernesses, of 
following his track up fearful heights, and down into deep mines and caverns; 
of being charged with something that would release him from extraordinary 
suffering—she knew not what, or why—yet never being able to attain the goal 
and set him free. Then she saw him dead, upon that very bed, and in that very 
room, and knew that he had never loved her to the last, and fell upon his 
cold breast, passionately weeping. Then a prospect opened, and a river 
flowed, and a plaintive voice she knew, cried, `It is running on, Floy! It 
has never stopped! You are moving with it!' And she saw him at a distance 
stretching out his arms towards her, while a figure such as Walter's used to 
be, stood near him, awfully serene and still. In every vision, Edith came and 
went, sometimes to her joy, sometimes to her sorrow, until they were along 
upon the brink of a dark grave, and Edith pointing down, she looked and 
saw—what!—another Edith lying at the bottom. 


</p>
            <p>In the terror of this dream, she cried out and awoke, she thought. A soft 
voice seemed to whisper in her ear, `Florence, dear Florence, it is nothing 
but a dream!' and stretching out her arms, she returned the caress of her new 
mama, who then went out at the door in the light of the grey morning. In a 
moment, Florence sat up wondering whether this had really taken place or not; 
but she was only certain that it was grey morning indeed, and that the 
blackened ashes of the fire were on the hearth, and that she was alone. 


</p>
            <p>So passed the night on which the happy pair came home. 

</p>
         </div>
         <div xml:id="c36" type="chapter">
            <head>CHAPTER XXXVI</head>
            <head>Housewarming</head>
            <p>MANY succeeding days passed in like manner; except that there were numerous 
visits 
received and paid, and that Mrs. Skewton held little levees in her own 
apartments, at 
which Major Bagstock was a frequent attendant, and that Florence encountered 
no second 
look from her father, although she saw him every day. Nor had she much 
communication 
in words with her new mama, who was imperious and proud to all the house but 
her—Florence could not but observe that—and who, although she always sent 
for her or 
went to her when she came home from visiting, and would always go into her 
room at 
night, before retiring to rest, however late the hour, and never lost an 
opportunity of being 
with her, was often her silent and thoughtful companion for a long time 
together. 


</p>
            <p>Florence, who had hoped for so much from this marriage, could not help 
sometimes 
comparing the bright house with the faded dreary place out of which it had 
arisen, and 
wondering when, in any shape, it would begin to be a home; for that it was no 
home then, 
for any one, though everything went on luxuriously and regularly, she had 
always a secret 
misgiving. Many an hour of sorrowful reflection by day and night, and many a 
tear of 
blighted hope, Florence bestowed upon the assurance her new mama had given 
her so 
strongly, that there was no one on the earth more powerless than herself to 
teach her how 
to win her father's heart. And soon Florence began to think—resolved to 
think would be 
the truer phrase—that as no one knew so well, how hopeless of being subdued 
or changed 
her father's coldness to her was, so she had given her this warning, and 
forbidden the 
subject in very compassion. Unselfish here, as in her every act and fancy, 
Florence 
preferred to bear the pain of this new wound, rather than encourage any faint 
foreshadowings of the truth as it concerned her father; tender of him, even 
in her 
wandering thoughts. As for his home, she hoped it would become a better one, 
when its 
state of novelty and transition should be over; and for herself, thought 
little and lamented 
less. 


</p>
            <p>If none of the new family were particularly at home in private, it was 
resolved that Mrs. 
Dombey at least should be at home in public, without delay. A series of 
entertainments in 
celebration of the late nuptials, and in cultivation of society, were 
arranged, chiefly by Mr. 
Dombey and Mrs. Skewton; and it was settled that the festive proceedings 
should 
commence by Mrs. Dombey's being at home upon a certain evening, and by Mr. 
and Mrs. 
Dombey's requesting the honour of the company of a great many incongruous 
people to 
dinner on the same day. 


</p>
            <p>Accordingly, Mr. Dombey produced a list of sundry eastern magnates who were 
to be 
bidden to this feast on his behalf; to which Mrs. Skewton, acting for her 
dearest child, 
who was haughtily careless on the subject, subjoined a western list, 
comprising Cousin 
Feenix, not yet returned to Baden-Baden, greatly to the detriment of his 
personal estate; 
and a variety of moths of various degrees and ages, who had, at various 
times, fluttered 
round the light of her fair daughter, or herself, without any lasting injury 
to their wings. 
Florence was enrolled as a member of the dinner-party, by Edith's 
command—elicited by a 
moment's doubt and hesitation on the part of Mrs. Skewton; and Florence, with 
a 
wondering heart, and with a quick instinctive sense of everything that grated 
on her father 
in the least, took her silent share in the proceedings of the day. 


</p>
            <p>The proceedings commenced by Mr. Dombey, in a cravat of extraordinary height 
and 
stiffness, walking restlessly about the drawing-room until the hour appointed 
for dinner; 
punctual to which, an East India Director, of immense wealth, in a waistcoat 
apparently 
constructed in serviceable deal by some plain carpenter, but really 
engendered in the 
tailor's art, and composed of the material called nankeen, arrived and was 
received by Mr. 
Dombey alone. The next stage of the proceedings was Mr. Dombey's sending his 
compliments to Mrs. Dombey, with a correct statement of the time; and the 
next, the East 
India Director's falling prostrate, in a conversational point of view, and as 
Mr. Dombey 
was not the man to pick him up, staring at the fire until rescue appeared in 
the person of 
Mrs. Skewton; whom the director, as a pleasant start in life for the evening, 
mistook for 
Mrs. Dombey, and greeted with enthusiasm. 


</p>
            <p>The next arrival was a Bank Director, reputed to be able to buy up 
anything—human 
Nature generally, if he should take it in his head to influence the money 
market in that 
direction—but who was a wonderfully modest-spoken man, almost boastfully so, 
and 
mentioned his `little place' at Kingston-uponThames, and its just being 
barely equal to 
giving Dombey a bed and a chop, if he would come and visit it. Ladies, he 
said, it was 
not for a man who lived in his quiet way to take upon himself to invite—but 
if Mrs. 
Skewton and her daughter, Mrs. Dombey, should ever find themselves in that 
direction, 
and would do him the honour to look at a little bit of a shrubbery they would 
find there, 
and a poor little flower-bed or so, and a humble apology for a pinery, and 
two or three 
little attempts of that sort without any pretension, they would distinguish 
him very much. 
Carrying out his character, this gentleman was very plainly dressed, in a 
wisp of cambric 
for a neckcloth, big shoes, a coat that was too loose for him, and a pair of 
trousers that 
were too spare; and mention being made of the Opera by Mrs. Skewton, he said 
he very 
seldom went there, for he couldn't afford it. It seemed greatly to delight 
and exhilarate 
him to say so: and he beamed on his audience afterwards, with his hands in 
his pockets, 
and excessive satisfaction twinkling in his eyes. 


</p>
            <p>Now Mrs. Dombey appeared, beautiful and proud, and as disdainful and defiant 
to them 
all as if the bridal wreath upon her head had been a garland of steel spikes 
put on to force 
concession from her which she would die sooner than yield. With her was 
Florence. When 
they entered together, the shadow of the night of the return again darkened 
Mr. Dombey's 
face. But unobserved: for Florence did not venture to raise her eyes to his, 
and Edith's 
indifference was too supreme to take the least heed of him. 


</p>
            <p>The arrivals quickly became numerous. More directors, chairmen of public 
companies, 
elderly ladies carrying burdens on their heads for full dress, Cousin Feenix, 
Major 
Bagstock, friends of Mrs. Skewton, with the same bright bloom on their 
complexion, and 
very precious necklaces on very withered necks. Among these, a young lady of 
sixty-five, 
remarkably coolly dressed as to her back and shoulders, who spoke with an 
engaging lisp, 
and whose eyelids wouldn't keep up well, without a great deal of trouble on 
her part, and 
whose manners had that indefinable charm which so frequently attaches to the 
giddiness of 
youth. As the greater part of Mr. Dombey's list were disposed to be taciturn, 
and the 
greater part of Mrs. Dombey's list were disposed to be talkative, and there 
was no 
sympathy between them, Mrs. Dombey's list, by magnetic agreement, entered 
into a bond 
of union against Mr. Dombey's list, who, wandering about the rooms in a 
desolate 
manner, or seeking refuge in corners, entangled themselves with company 
coming in, and 
became barricaded behind sofas, and had doors opened smartly from without 
against their 
heads, and under went every sort of discomfiture. 


</p>
            <p>When dinner was announced, Mr. Dombey took down an old lady like a crimson 
velvet 
pincushion stuffed with bank notes, who might have been the identical old 
lady of 
Threadneedle Street, she was so rich, and looked so unaccommodating; Cousin 
Feenix 
took down Mrs. Dombey; Major Bagstock took down Mrs. Skewton; the young thing 
with 
the shoulders was bestowed, as an extinguisher, upon the East India Director; 
and the 
remaining ladies were left on view in the drawing-room by remaining 
gentlemen, until a 
forlorn hope volunteered to conduct them downstairs, and those brave spirits 
with their 
captives blocked up the dining-room door, shutting out seven mild men in the 
stony-hearted hall. When all the rest were got in and were seated, one of 
these mild men 
still appeared, in smiling confusion, totally destitute and unprovided for, 
and escorted by 
the butler, made the complete circuit of the table twice before his chair 
could be found, 
which it finally was, on Mrs. Dombey's left hand; after which the mild man 
never held up 
his head again. 


</p>
            <p>Now, the spacious dining-room, with the company seated round the glittering 
table, busy 
with their glittering spoons, and knives and forks, and plates, might have 
been taken for a 
grown-up exposition of Tom Tiddler's ground, where children pick up gold and 
silver. Mr. 
Dombey, as Tiddler, looked his character to admiration; and the long plateau 
of precious 
metal frosted, separating him from Mrs. Dombey, whereon frosted Cupids 
offered 
scentless flowers to each of them, was allegorical to see. 


</p>
            <p>Cousin Feenix was in great force, and looked astonishingly young. But he was 
sometimes 
thoughtless in his good humour—his memory occasionally wandering like his 
legs—and on 
this occasion caused the company to shudder. It happened thus. The young lady 
with the 
back, who regarded Cousin Feenix with sentiments of tenderness, had entrapped 
the East 
India Director into leading her to the Chair next him; in return for which 
good office, she 
immediately abandoned the Director, who, being shaded on the other side by a 
gloomy 
black velvet hat surmounting a bony and speechless female with a fan, yielded 
to a 
depression of spirits and withdrew into himself. Cousin Feenix and the young 
lady were 
very lively and humorous, and the young lady laughed so much at something 
Cousin 
Feenix related to her, that Major Bagstock begged leave to inquire on behalf 
of Mrs. 
Skewton (they were sitting opposite, a little lower down), whether that might 
not be 
considered public property. 


</p>
            <p>`Why, upon my life,' said Cousin Feenix, `there's nothing in it; it really is 
not worth 
repeating; in point of fact, it's merely an anecdote of Jack Adams. I dare 
say my friend 
Dombey;' for the general attention was concentrated on Cousin Feenix; `may 
remember 
Jack Adams, Jack Adams, not Joe; that was his brother. Jack—little Jack—man 
with a cast 
in his eye, and slight impediment in his speech—man who sat for somebody's 
borough. 
We used to call him in my parliamentary time W. P. Adams, in consequence of 
his being 
Warming Pan for a young fellow who was in his minority. Perhaps my friend 
Dombey 
may have known the man?' 


</p>
            <p>Mr. Dombey, who was as likely to have known Guy Fawkes, replied in the 
negative. But 
one of the seven mild men unexpectedly leaped into distinction, by saying 
<hi>he</hi> had 
known him, and adding—`always wore Hessian boots!' 


</p>
            <p>`Exactly,' said Cousin Feenix, bending forward to see the mild man, and smile 
encouragement at his down the table. `That was Jack. Joe wore—' 


</p>
            <p>`Tops!' cried the mild man, rising in public estimation every instant. 


</p>
            <p>`<hi>Of</hi> course,' said Cousin Feenix, `you were intimate with 'em?' 


</p>
            <p>`I knew them both,' said the mild man. With whom Mr. Dombey immediately took 
wine. 


</p>
            <p>`Devilish good fellow, Jack!' said Cousin Feenix, again bending forward, and 
smiling. 


</p>
            <p>`Excellent,' returned the mild man, becoming bold on his success. `One of the 
best fellows 
I ever knew.' 


</p>
            <p>`No doubt you have heard the story?' said Cousin Feenix. 


</p>
            <p>`I shall know,' replied the bold mild man, `when I have heard your Ludship 
tell it.' With 
that, he leaned back in his chair and smiled at the ceiling, as knowing it by 
heart, and 
being already tickled. 


</p>
            <p>`In point of fact, it's nothing of a story in itself,' said Cousin Feenix, 
addressing the table 
with a smile, and a gay shake of his head, `and not worth a word of preface. 
But it's 
illustrative of the neatness of Jack's humour. The fact is, that Jack was 
invited down to a 
marriage—which I think took place in Barkshire?' 


</p>
            <p>`Shropshire,' said the bold mild man, finding himself appealed to. 


</p>
            <p>`Was it? Well! In point of fact it might have been in any shire,' said Cousin 
Feenix. `So 
my friend being invited down to this marriage in Anyshire,' with a pleasant 
sense of the 
readiness of this joke, `goes. Just as some of us, having had the honour of 
being invited to 
the marriage of my lovely and accomplished relative with my friend Dombey, 
didn't 
require to be asked twice, and were devilish glad to be present on so 
interesting an 
occasion.—Goes—Jack goes. Now, this marriage was, in point of fact, the 
marriage of an 
uncommonly fine girl with a man for whom she didn't care a button, but whom 
she 
accepted on account of his property, which was immense. When Jack returned to 
town, 
after the nuptials, a man he knew, meeting him in the lobby of the House of 
Commons, 
says,' “Well, Jack, how are the ill-matched couple?” “Illmatched,” says Jack. 
“Not at all. 
It's a perfectly fair and equal transaction. <hi>She</hi> is regularly bought, 
and you may 
take your oath <hi>he</hi> is as regularly sold!”' 


</p>
            <p>In his full enjoyment of this culminating point of his story, the shudder, 
which had gone 
all round the table like an electric spark, struck Cousin Feenix, and he 
stopped. Not a 
smile occasioned by the only general topic of conversation broached that day, 
appeared on 
any face. A profound silence ensued; and the wretched mild man, who had been 
as 
innocent of any real foreknowledge of the story as the child unborn, had the 
exquisite 
misery of reading in every eye that he was regarded as the prime mover of the 
mischief. 


</p>
            <p>Mr. Dombey's face was a changeful one, and being cast in its mould of state 
that day, 
showed litter other apprehension of the story, if any, than that which he 
expressed when 
he said solemnly, amidst the silence, that it was `Very good.' There was a 
rapid glance 
from Edith towards Florence, but otherwise she remained, externally, 
impassive and 
unconscious. 


</p>
            <p>Through the various stages of rich meats and wines, continual gold and 
silver, dainties of 
earth, air, fire, and water, heaped-up fruits, and that unnecessary article 
in Mr. Dombey's 
banquets—ice—the dinner slowly made its way: the later stages being 
achieved to the 
sonorous music of incessant double knocks, announcing the arrival of 
visitors, whose 
portion of the feast was limited to the smell thereof. When Mrs. Dombey rose, 
it was a 
sight to see her lord, with stiff throat and erect head, hold the door open 
for the 
withdrawal of the ladies; and to see how she swept past him with his daughter 
on her 
arm. 


</p>
            <p>Mr. Dombey was a grave sight, being the decanters, in a state of dignity; and 
the East 
India Director was a forlorn sight near the unoccupied end of the table, in a 
state of 
solitude; and the Major was a military sight, relating stories of the Duke of 
York to six of 
the seven mild men (the ambitious one was utterly quenched); and the Bank 
Director was 
a lowly sight, making a plan of his little attempt at a pinery, with 
dessertknives, for a 
group of admirers; and Cousin Feenix was a thoughtful sight, as he smoothed 
his long 
wristbands and stealthily adjusted his wig. But all these sights were of 
short duration, 
being speedily broken up by coffee, and the desertion of the room. 


</p>
            <p>There was a throng in the state-rooms upstairs, increasing every minute; but 
still Mr. 
Dombey's list of visitors appeared to have some native impossibility of 
amalgamation with 
Mrs. Dombey's list, and no one could have doubted which was which. The single 
exception to this rule perhaps was Mr. Carker, who now smiled among the 
company, and 
who, as he stood in the circle that was gathered about Mrs. Dombey—watchful 
of her, of 
them, his chief, Cleopatra and the Major, Florence, and everything 
around—appeared at 
ease with both divisions of guests, and not marked as exclusively belonging 
to either. 


</p>
            <p>Florence had a dread of him, which made his presence in the room a nightmare 
to her. 
She could not avoid the recollection of it, for her eyes were drawn towards 
him every now 
and then, by an attraction of dislike and distrust that she could not resist. 
Yet her thoughts 
were busy with other things; for as she sat apart—not unadmired or unsought, 
but in the 
gentleness of her quiet spirit—she felt how little part her father had in 
what was going on, 
and saw, with pain, how ill at ease he seemed to be, and how little regarded 
he was as he 
lingered about near the door, for those visitors whom he wished to 
distinguish with 
particular attention, and took them up to introduce them to his wife, who 
received them 
with proud coldness, but showed no interest or wish to please, and never, 
after the bare 
ceremony of reception, in consultation of his wishes, or in welcome of his 
friends, opened 
her lips. It was not the less perplexing or painful to Florence, that she who 
acted thus, 
treated her so kindly and with such loving consideration, that it almost 
seemed an 
ungrateful return on her part even to know of what was passing before her 
eyes. 


</p>
            <p>Happy Florence would have been, might she have ventured to bear her father 
company, by 
so much as a look: and happy Florence was, in little suspecting the main 
cause of his 
uneasiness. But afraid of seeming to know that he was placed at any 
disadvantage, lest he 
should be resentful of that knowledge; and divided between her impulse 
towards him, and 
her grateful affection for Edith; she scarcely dared to raise her eyes 
towards either. 
Anxious and unhappy for them both, the thought stole on her through the 
crowd, that it 
might have been better for them if this noise of tongues and tread of feet 
had never come 
there,—if the old dulness and decay had never been replaced by novelty and 
splendour,—if 
the neglected child had found no friend in Edith, but had lived her solitary 
life, unpitied 
and forgotten. 


</p>
            <p>Mrs. Chick had some such thoughts too, but they were not so quietly developed 
in her 
mind. This good matron had been outraged in the first instance by not 
receiving an 
invitation to dinner. That blow partially recovered, she had gone to a vast 
expense to make 
such a figure before Mrs. Dombey at home, as should dazzle the senses of that 
lady, and 
heap mortification, mountains high, on the head of Mrs. Skewton. 


</p>
            <p>`But I am made,' said Mrs. Chick to Mr. Chick, `of no more account than 
Florence! Who 
takes the smallest notice of me? No one!' 


</p>
            <p>`No one, my dear,' assented Mr. Chick, who was seated by the side of Mrs. 
Chick against 
the wall, and could console himself, even there, by softly whistling. 


</p>
            <p>`Does it at all appear as if I was wanted here?' exclaimed Mrs. Chick, with 
flashing 
eyes. 


</p>
            <p>`No, my dear, I don't think it does,' said Mr. Chick. 


</p>
            <p>`Paul's mad!' said Mrs. Chick. 


</p>
            <p>Mr. Chick whistled. 


</p>
            <p>`Unless you are a monster, which I sometimes think you are,' said Mrs. Chick 
with 
candour, `don't sit there humming tunes. How any one with the most distant 
feelings of a 
man, can see that mother-in-law of Paul's, dressed as she is, going on like 
that, with 
Major Bagstock, for whom, among other precious things, we are indebted to 
your Lucretia 
Tox—' 


</p>
            <p>`<hi>My</hi> Lucretia Tox, my dear!' said Mr. Chick, astounded. 


</p>
            <p>`Yes,' retorted Mrs. Chick, with great severity, `<hi>your</hi> Lucretia Tox—I 
say how 
anybody can see that mother-in-law of Paul's, and that haughty wife of 
Paul's, and these 
indecent old frights with their backs and shoulders, and in short this at 
home generally, 
and hum—,' on which word Mrs. Chick laid a scornful emphasis that made Mr. 
Chick 
start, `is, I thank Heaven, a mystery to me!' 


</p>
            <p>Mr. Chick screwed his mouth into a form irreconcilable with humming or 
whistling, and 
looked very contemplative. 


</p>
            <p>`But I hope I know what is due to myself,' said Mrs. Chick, swelling with 
indignation, 
`though Paul has forgotten what is due to me. I am not going to sit here, a 
member of this 
family, to be taken no notice of. I am not the dirt under Mrs. Dombey's feet, 
yet—not 
quite yet,' said Mrs. Chick, as if she expected to become so, about the day 
after 
to-morrow. `And I shall go. I will not say (whatever I may think) that this 
affair has been 
got up solely to degrade and insult me. I shall merely go. I shall not be 
missed!' 


</p>
            <p>Mrs. Chick rose erect with these words, and took the arm of Mr. Chick, who 
escorted her 
from the room, after half an hour's shady sojourn there. And it is due to her 
penetration to 
observe that she certainly was not missed at all. 


</p>
            <p>But she was not the only indignant guest; for Mr. Dombey's list (still 
constantly in 
difficulties) were, as a body, indignant with Mrs. Dombey's list for looking 
at them 
through eyeglasses, and audibly wondering who all those people were; while 
Mrs. 
Dombey's list complained of weariness, and the young thing with the 
shoulders, deprived 
of the attentions of that gay youth Cousin Feenix (who went away from the 
dinnertable), 
confidentially alleged to thirty or forty friends that she was bored to 
death. All the old 
ladies with the burdens on their heads, had greater or less cause of 
complaint against Mrs. 
Dombey; and the Directors and Chairmen coincided in thinking that if Dombey 
must 
marry, he had better have married somebody nearer his own age, not quite so 
handsome, 
and a little better off. The general opinion among this class of gentlemen 
was, that it was 
a weak thing in Dombey, and he'd live to repent it. Hardly anybody there, 
except the mild 
men, stayed, or went away, without considering himself or herself neglected 
and aggrieved 
by Mr. Dombey or Mrs. Dombey; and the speechless female in the black velvet 
hat was 
found to have been stricken mute, because the lady in the crimson velvet had 
been handed 
down before her. The nature even of the mild men got corrupted, either from 
their 
curdling it with too much lemonade, or from the general inoculation that 
prevailed; and 
they made sarcastic jokes to one another, and whispered disparagement on 
stairs and in 
bye-places. The general dissatisfaction and discomfort so diffused itself, 
that the assembled 
footmen in the hall were as well acquainted with it as the company above. 
Nay, the very 
linkmen outside got hold of it, and compared the party to a funeral out of 
mourning, with 
none of the company remembered in the will. 


</p>
            <p>At last, the guests were all gone, and the linkmen too; and the street, 
crowded so long 
with carriages, was clear; and the dying lights showed no one in the rooms, 
but Mr. 
Dombey and Mr. Carker, who were talking together apart, and Mrs. Dombey and 
her 
mother: the former seated on an ottoman; the latter reclining in the 
Cleopatra attitude, 
awaiting the arrival of her maid. Mr. Dombey having finished his 
communication to 
Carker, the latter advanced obsequiously to take leave. 


</p>
            <p>`I trust,' he said, `that the fatigues of this delightful evening will not 
inconvenience Mrs. 
Dombey to-morrow.' 


</p>
            <p>`Mrs. Dombey,' said Mr. Dombey, advancing, `has sufficiently spared herself 
fatigue, to 
relieve you from any anxiety of that kind. I regret to say, Mrs. Dombey, that 
I could have 
wished you had fatigued yourself a little more on this occasion.' 


</p>
            <p>She looked at him with a supercilious glance, that it seemed not worth her 
while to 
protract, and turned away her eyes without speaking. 


</p>
            <p>`I am sorry, Madam,' said Mr. Dombey, `that you should not have thought it 
your 
duty—' 


</p>
            <p>She looked at him again. 


</p>
            <p>`Your duty, Madam,' pursued Mr. Dombey, `to have received my friends with a 
little 
more deference. Some of those whom you have been pleased to slight to-night 
in a very 
marked manner, Mrs. Dombey, confer a distinction upon you, I must tell you, 
in any visit 
they pay you.' 


</p>
            <p>`Do you know that there is some one here?' she returned, now looking at him 
steadily. 


</p>
            <p>`No! Carker! I beg that you do not. I insist that you do not,' cried Mr. 
Dombey, stopping 
that noiseless gentleman in his withdrawal. `Mr. Carker, Madam, as you know, 
possesses 
my confidence. He is as well acquainted as myself with the subject on which I 
speak. I 
beg to tell you, for your information, Mrs. Dombey, that I consider these 
wealthy and 
important persons confer a distinction upon <hi>me</hi>:' and Mr. Dombey drew 
himself 
up, as having now rendered them of the highest possible importance. 


</p>
            <p>`I ask you,' she repeated, bending her disdainful, steady gaze upon him, `do 
you know 
that there is some one here, Sir?' 


</p>
            <p>`I must entreat,' said Mr. Carker, stepping forward, `I must beg, I must 
demand, to be 
released. Slight and unimportant as this difference is—' 


</p>
            <p>Mrs. Skewton, who had been intent upon her daughter's face, took him up 
here. 


</p>
            <p>`My sweetest Edith,' she said, `and my dearest Dombey; our excellent friend 
Mr. Carker, 
for so I am sure I ought to mention him—' 


</p>
            <p>Mr. Carker murmured, `Too much honour.' 


</p>
            <p>`—has used the very words that were in my mind, and that I have been dying, 
these ages, 
for an opportunity of introducing. Slight and unimportant! My sweetest Edith, 
and my 
dearest Dombey, do we not know that any difference between you two—No, 
Flowers; not 
now.' 


</p>
            <p>Flowers was the maid, who, finding gentlemen present, retreated with 
precipitation. 


</p>
            <p>`That any difference between you two,' resumed Mrs. Skewton, `with the Heart 
you 
possess in common, and the excessively charming bond of feeling that there is 
between 
you, <hi>must</hi> be slight and unimportant? What words could better define 
the fact? 
None. Therefore I am glad to take this slight occasion—this trifling 
occasion, that is so 
replete with Nature, and your individual characters, and all that—so truly 
calculated to 
bring the tears into a parent's eyes—to say that I attach no importance to 
them in the least, 
except as developing these minor elements of Soul; and that, unlike most 
mamas-inlaw 
(that odious phrase, dear Dombey!) as they have been represented to me to 
exist in this I 
fear too artificial world, I never shall attempt to interpose between you, at 
such a time, 
and never can much regret, after all, such little flashes of the torch of 
What's-his-name—not Cupid, but the other delightful creature.' 


</p>
            <p>There was a sharpness in the good mother's glance at both her children as she 
spoke, that 
may have been expressive of a direct and well-considered purpose hidden 
between these 
rambling words. That purpose, providently to detach herself in the beginning 
from all the 
clankings of their chain that were to come, and to shelter herself with the 
fiction of her 
innocent belief in their mutual affection, and their adaptation to each 
other. 


</p>
            <p>`I have pointed out to Mrs. Dombey,' said Mr. Dombey, in his most stately 
manner, `that 
in her conduct thus early in our married life, to which I object, and which, 
I request, may 
be corrected. Carker,' with a nod of dismissal, `good night to you!' 


</p>
            <p>Mr. Carker bowed to the imperious form of the Bride, whose sparkling eye was 
fixed 
upon her husband; and stopping at Cleopatra's couch on his way out, raised to 
his lips the 
hand she graciously extended to him, in lowly and admiring homage. 


</p>
            <p>If his handsome wife had reproached him, or even changed countenance, or 
broken the 
silence in which she remained, by one word, now that they were alone (for 
Cleopatra 
made off with all speed), Mr. Dombey would have been equal to some assertion 
of his 
case against her. But the intense, unutterable, withering scorn, with which, 
after looking 
upon him, she dropped her eyes, as if he were too worthless and indifferent 
to her to be 
challenged with a syllable—the ineffable disdain and haughtiness in which 
she sat before 
him—the cold inflexible resolve with which her every feature seemed to bear 
him down, 
and put him by—these, he had no resource against; and he left her, with her 
whole 
overbearing beauty concentrated on despising him. 


</p>
            <p>Was he coward enough to watch her, an hour afterwards, on the old well 
staircase, where 
he had once seen Florence in the moonlight, toiling up with Paul? Or was he 
in the dark 
by accident, when, looking up, he saw her coming, with a light, from the room 
where 
Florence lay, and marked again the face so changed, which <hi>he</hi> could not 
subdue? 


</p>
            <p>But it could never alter as his own did. It never, in its utmost pride and 
passion, knew the 
shadow that had fallen on his, in the dark corner, on the night of the 
return; and often 
since; and which deepened on it now as he looked up. 

</p>
         </div>
         <div xml:id="c37" type="chapter">
            <head>CHAPTER XXXVII</head>
            <head>More Warnings than One</head>
            <p>FLORENCE, Edith, and Mrs. Skewton were together next day, and the carriage 
was waiting at the door to take them out. For Cleopatra had her galley again 
now, and Withers, no longer the wan, stood upright in a pigeon-breasted 
jacket and military trousers, behind her wheel-less chair at dinner-time, and 
butted no more. The hair of Withers was radiant with pomatum, in these days 
of down, and he wore kid gloves and smelt of the water of Cologne. 


</p>
            <p>They were assembled in Cleopatra's room. The Serpent of old Nile (not to 
mention her disrespectfully) was reposing on her sofa, sipping her morning 
chocolate at three o'clock in the afternoon, and Flowers the Maid was 
fastening on her youthful cuffs and frills, and performing a kind of private 
coronation ceremony on her, with a peach-coloured velvet bonnet; the 
artificial roses in which nodded to uncommon advantage, as the palsy trifled 
with them, like a breeze. 


</p>
            <p>`I think I am a little nervous this morning, Flowers,' said Mrs. Skewton. `My 
hand quite shakes.' 


</p>
            <p>`You were the life of the party last night, Ma'am, you know,' returned 
Flowers, `and you suffer for it, to-day, you see.' 


</p>
            <p>Edith, who had beckoned Florence to the window, and was looking out, with her 
back turned on the toilet of her esteemed mother, suddenly withdrew from it, 
as if it had lightened. 


</p>
            <p>`My darling child,' cried Cleopatra, languidly, `<hi>you</hi> are not nervous? 
Don't tell me, my dear Edith, that you, so enviably self-possessed, are 
beginning to be a martyr too, like your unfortunately constituted mother! 
Withers, some one at the door.' 


</p>
            <p>`Card, Ma'am,' said Withers, taking it towards Mrs. Dombey. 


</p>
            <p>`I am going out,' she said without looking at it. 


</p>
            <p>`My dear love,' drawled Mrs. Skewton, `how very odd to send that message 
without seeing the name! Bring it here, Withers. Dear me, my love; Mr. 
Carker, too! That very sensible person!' 


</p>
            <p>`I am going out,' repeated Edith, in so imperious a tone that Withers, going 
to the door, imperiously informed the servant who was waiting, `Mrs. Dombey 
is going out. Get along with you,' and shut it on him. 


</p>
            <p>But the servant came back after a short absence, and whispered to Withers 
again, who once more, and not very willingly, presented himself before Mrs. 
Dombey. 


</p>
            <p>`If you please, Ma'am, Mr. Carker sends his respectful compliments, and begs 
you would spare him one minute, if you could—for business, Ma'am, if you 
please.' 


</p>
            <p>`Really, my love,' said Mrs. Skewton in her mildest manner; for her 
daughter's face was threatening; `if you would allow me to offer a word, I 
should recommend—' 


</p>
            <p>`Show him this way,' said Edith. As Withers disappeared to execute the 
command, she added, frowning on her mother, `As he comes at your 
recommendation, let him come to your room.' 


</p>
            <p>`May I—shall I go away?' asked Florence, hurriedly. 


</p>
            <p>Edith nodded yes, but on her way to the door Florence met the visitor coming 
in. With the same disagreeable mixture of familiarity and forbearance with 
which he had first addressed her, he addressed her now in his softest 
manner—hoped she was quite well—needed not to ask, with such looks to 
anticipate the answer—had scarcely had the honour to know her, last night, 
she was so greatly changed—and held the door open for her to pass out; with 
a secret sense of power in her shrinking from him, that all the deference and 
politeness of his manner could not quite conceal. 


</p>
            <p>He then bowed himself for a moment over Mrs. Skewton's condescending hand, 
and lastly bowed to Edith. Coldly returning his salute without looking at 
him, and neither seating herself nor inviting him to be seated, she waited 
for him to speak. 


</p>
            <p>Entrenched in her pride and power, and with all the obduracy of her spirit 
summoned about her, still her old conviction that she and her mother had been 
known by this man in their worst colours, from their first acquaintance; that 
every degradation she had suffered in her own eyes was plain to him as to 
herself; that he read her life as though it were a vile book, and fluttered 
the leaves before her in slight looks and tones of voice which no one else 
could detect; weakened and undermined her. Proudly as she opposed herself to 
him, with her commanding face exacting his humility, her disdainful lip 
repulsing him, her bosom angry at his intrusion, and the dark lashes of her 
eyes sullenly veiling their light, that no ray of it might shine upon 
him—and submissively as he stood before her, with an entreating injured 
manner, but with complete submission to her will—she knew, in her own soul, 
that the cases were reversed, and that the triumph and superiority were his, 
and that he knew it full well. 


</p>
            <p>`I have presumed,' said Mr. Carker, `to solicit an interview, and I have 
ventured to describe it as being one of business, because—' 


</p>
            <p>`Perhaps you are charged by Mr. Dombey with some message of reproof,' said 
Edith. `You possess Mr. Dombey's confidence in such an unusual degree, Sir, 
that you would scarcely surprise me if that were your business.' 


</p>
            <p>`I have no message to the lady who sheds a lustre upon his name,' said Mr. 
Carker. `But I entreat that lady, on my own behalf, to be just to a very 
humble claimant for justice at her hands—a mere dependant of Mr. 
Dombey's—which is a position of humility; and to reflect upon my perfect 
helplessness last night, and the impossibility of my avoiding the share that 
was forced upon me in a very painful occasion.' 


</p>
            <p>`My dearest Edith,' hinted Cleopatra in a low voice, as she held her 
eye-glass aside, `really very charming of Mr. What'shis-name. And full of 
heart!' 


</p>
            <p>`For I do,' said Mr. Carker, appealing to Mrs. Skewton with a look of 
grateful deference,—`I do venture to call it a painful occasion, though 
merely because it was so to me, who had the misfortune to be present. So 
light a difference, as between the principals—between those who love each 
other with disinterested devotion, and would make any sacrifice of self, in 
such a cause—is nothing. As Mrs. Skewton herself expressed, with so much 
truth and feeling last night, it is nothing.' 


</p>
            <p>Edith could not look at him, but she said after a few moments, 


</p>
            <p>`And your business, Sir—' 


</p>
            <p>`Edith, my pet,' said Mrs. Skewton, `all this time Mr. Carker is standing! My 
dear Mr. Carker, take a seat, I beg.' 


</p>
            <p>He offered no reply to the mother, but fixed his eyes on the proud daughter, 
as though he would only be bidden by her, and was resolved to be bidden by 
her. Edith, in spite of herself, sat down, and slightly motioned with her 
hand to him to be seated too. No action could be colder, haughtier, more 
insolent in its air of supremacy and disrespect, but she had struggled 
against even that concession ineffectually, and it was wrested from her. That 
was enough! Mr. Carker sat down. 


</p>
            <p>`May I be allowed, Madam,' said Carker, turning his white teeth on Mrs. 
Skewton like a light—`a lady of your excellent sense and quick feeling will 
give me credit, for good reason, I am sure—to address what I have to say, to 
Mrs. Dombey, and to leave her to impart it to you who are her best and 
dearest friend—next to Mr. Dombey?' 


</p>
            <p>Mrs. Skewton would have retired, but Edith stopped her. Edith would have 
stopped him too, and indignantly ordered him to speak openly or not at all, 
but that he said, in a low voice—`Miss Florence—the young lady who has just 
left the room—' 


</p>
            <p>Edith suffered him to proceed. She looked at him now. As he bent forward, to 
be nearer, with the utmost show of delicacy and respect, and with his teeth 
persuasively arrayed, in a selfdepreciating smile, she felt as if she could 
have struck him dead. 


</p>
            <p>`Miss Florence's position,' he began, `has been an unfortunate one. I have a 
difficulty in alluding to it to you, whose attachment to her father is 
naturally watchful and jealous of every word that applies to him.' Always 
distinct and soft in speech, no language could describe the extent of his 
distinctness and softness, when he said these words, or came to any others of 
a similar import. `But, as one who is devoted to Mr. Dombey in his different 
way, and whose life is passed in admiration of Mr. Dombey's character, may I 
say, without offence to your tenderness as a wife, that Miss Florence has 
unhappily been neglected—by her father? May I say by her father?' 


</p>
            <p>Edith replied, `I know it.' 


</p>
            <p>`You know it!' said Mr. Carker, with a great appearance of relief. `It 
removes a mountain from my breast. May I hope you know how the neglect 
originated; in what an amiable phase of Mr. Dombey's pride—character I 
mean?' 


</p>
            <p>`You may pass that by, Sir,' she returned, `and come the sooner to the end of 
what you have to say.' 


</p>
            <p>`Indeed, I am sensible, Madam,' replied Carker,—`trust me, I am deeply 
sensible, that Mr. Dombey can require no justification in anything to you. 
But, kindly judge of my breast by your own, and you will forgive my interest 
in him, if in its excess, it goes at all astray.' 


</p>
            <p>What a stab to her proud heart, to sit there, face to face with him, and have 
him tendering her false oath at the altar again and again for her acceptance, 
and pressing it upon her like the dregs of a sickening cup she could not own 
her loathing of, or turn away from! How shame, remorse, and passion raged 
within her, when, upright and majestic in her beauty before him, she knew 
that in her spirit she was down at his feet! 


</p>
            <p>`Miss Florence,' said Carker, `left to the care—if one may call it care—of 
servants and mercenary people, in every way her inferiors, necessarily wanted 
some guide and compass in her younger days, and, naturally, for want of them, 
has been indiscreet, and has in some degree forgotten her station. There was 
some folly about one Walter, a common lad, who is fortunately dead now: and 
some very undesirable association, I regret to say, with certain coasting 
sailors, of anything but good repute, and a runaway old bankrupt.' 


</p>
            <p>`I have heard the circumstances, Sir,' said Edith, flashing her disdainful 
glance upon him, `and I know that you pervert them. You may not know it, I 
hope so.' 


</p>
            <p>`Pardon me,' said Mr. Carker, `I believe that nobody knows them so well as I. 
Your generous and ardent nature, Madam—the same nature which is so nobly 
imperative in vindication of your beloved and honoured husband, and which has 
blessed him as even his merits deserve—I must respect, defer to, bow before. 
But, as regards the circumstances, which is indeed the business I presumed to 
solicit your attention to, I can have no doubt, since, in the execution of my 
trust as Mr. Dombey's confidential—I presume to say—friend, I have fully 
ascertained them. In my execution of that trust; in my deep concern, which 
you can so well understand, for everything relating to him, intensified, if 
you will (for I fear I labour under your displeasure), by the lower motive of 
desire to prove my diligence, and make myself the more acceptable; I have 
long pursued these circumstances by myself and trustworthy instruments, and 
have innumerable and most minute proofs.' 


</p>
            <p>She raised her eyes no higher than his mouth, but she saw the means of 
mischief vaunted in every tooth it contained. 


</p>
            <p>`Pardon me, Madam,' he continued, `if in my perplexity, I presume to take 
counsel with you, and to consult your pleasure. I think I have observed that 
you are greatly interested in Miss Florence?' 


</p>
            <p>What was there in her he had not observed, and did not know? Humbled and yet 
maddened by the thought, in every new presentment of it, however faint, she 
pressed her teeth upon her quivering lip to force composure on it, and 
distantly inclined her head in reply. 


</p>
            <p>`This interest, Madam—so touching an evidence of everything associated with 
Mr. Dombey being dear to you—induces me to pause before I make him 
acquainted with these circumstances, which, as yet, he does not know. It so 
far shakes me, if I may make the confession, in my allegiance, that on the 
intimation of the least desire to that effect from you, I would suppress 
them.' 


</p>
            <p>Edith raised her head quickly, and starting back, bent her dark glance upon 
him. He met it with his blandest and most deferential smile, and went on. 


</p>
            <p>`You say that as I describe them, they are perverted. I fear not—I fear not: 
but let us assume that they are. The uneasiness I have for some time felt on 
the subject, arises in this: that the mere circumstance of such association 
often repeated, on the part of Miss Florence, however innocently and 
confidingly, would be conclusive with Mr. Dombey, already predisposed against 
her, and would lead him to take some step (I know he has occasionally 
contemplated it) of separation and alienation of her from his home. Madam, 
bear with me, and remember my intercourse with Mr. Dombey, and my knowledge 
of him, and my reverence for him, almost from childhood, when I say that if 
he has a fault, it is a lofty stubbornness, rooted in that noble pride and 
sense of power which belong to him, and which we must all defer to; which is 
not assailable like the obstinacy of other characters; and which grows upon 
itself from day to day, and year to year.' 


</p>
            <p>She bent her glance upon him still; but, look as steadfast as she would, her 
haughty nostrils dilated, and her breath came somewhat deeper, and her lip 
would slightly curl, as he described that in his patron to which they must 
all bow down. He saw it; and though his expression did not change, she knew 
he saw it. 


</p>
            <p>`Even so slight an incident as last night's,' he said, `if I might refer to 
it once more, would serve to illustrate my meaning, better than a greater 
one. Dombey and Son know neither time, nor place, nor season, but bear them 
all down. But I rejoice in its occurrence, for it has opened the way for me 
to approach Mrs. Dombey with this subject to-day, even if it has entailed 
upon me the penalty of her temporary displeasure. Madam, in the midst of my 
uneasiness and apprehension on this subject, I was summoned by Mr. Dombey to 
Leamington. There I saw you. There I could not help knowing what relation you 
would shortly occupy towards him—to his enduring happiness and yours. There 
I resolved to await the time of your establishment at home here, and to do as 
I have now done. I have, at heart, no fear that I shall be wanting in my duty 
to Mr. Dombey, if I bury what I know in your breast; for where there is but 
one heart and mind between two persons—as in such a marriage—one almost 
represents the other. I can acquit my conscience therefore, almost equally, 
by confidence, on such a theme, in you or him. For the reasons I have 
mentioned I would select you. May I aspire to the distinction of believing 
that my confidence is accepted, and that I am relieved from my 
responsibility?' 


</p>
            <p>He long remembered the look she gave him—who could see it, and forget 
it?—and the struggle that ensued within her. At last she said: 


</p>
            <p>`I accept it, Sir. You will please to consider this matter at an end, and 
that it goes no farther.' 


</p>
            <p>He bowed low, and rose. She rose too, and he took leave with all humility. 
But Withers, meeting him on the stairs, stood amazed at the beauty of his 
teeth, and at his brilliant smile; and as he rode away upon his white-legged 
horse, the people took him for a dentist, such was the dazzling show he made. 
The people took <hi>her</hi>, when she rode out in her carriage presently, for 
a great lady, as happy as she was rich and fine. But they had not seen her, 
just before, in her own room with no one by; and they had not heard her 
utterance of the three words, `Oh Florence, Florence!' 


</p>
            <p>Mrs. Skewton, reposing on her sofa, and sipping her chocolate, had heard 
nothing but the low word business, for which she had a mortal aversion, 
insomuch that she had long banished it from her vocabulary, and had gone 
nigh, in a charming manner and with an immense amount of heart, to say 
nothing of soul, to ruin divers milliners and others in consequence. 
Therefore Mrs. Skewton asked no questions, and showed no curiosity. Indeed, 
the peach-velvet bonnet gave her sufficient occupation out of doors; for 
being perched on the back of her head, and the day being rather windy, it was 
frantic to escape from Mrs. Skewton's company, and would be coaxed into no 
sort of compromise. When the carriage was closed, and the wind shut out, the 
palsy played among the artificial roses again like an almshouse-full of 
superannuated zephyrs; and altogether Mrs. Skewton had enough to do, and got 
on but indifferently. 


</p>
            <p>She got on no better towards night; for when Mrs. Dombey, in her 
dressing-room, had been dressed and waiting for her half an hour, and Mr. 
Dombey, in the drawing-room, had paraded himself into a state of solemn 
fretfulness (they were all three going out to dinner), Flowers the Maid 
appeared with a pale face to Mrs. Dombey, saying: 


</p>
            <p>`If you please, Ma'am, I beg your pardon, but I can't do nothing with 
missis!' 


</p>
            <p>`What do you mean?' asked Edith. 


</p>
            <p>`Well, Ma'am,' replied the frightened maid, `I hardly know. She's making 
faces!' 


</p>
            <p>Edith hurried with her to her mother's room. Cleopatra was arrayed in full 
dress, with the diamonds, short sleeves, rouge, curls, teeth, and other 
juvenility all complete; but Paralysis was not to be deceived, had known her 
for the object of its errand, and had struck her at her glass, where she lay 
like a horrible doll that had tumbled down. 


</p>
            <p>They took her to pieces in very shame, and put the little of her that was 
real on a bed. Doctors were sent for, and soon came. Powerful remedies were 
resorted to; opinions given that she would rally from this shock, but would 
not survive another; and there she lay speechless, and staring at the ceiling 
for days; sometimes making inarticulate sounds in answer to such questions as 
did she know who were present, and the like: sometimes giving no reply either 
by sign or gesture, or in her unwinking eyes. 


</p>
            <p>At length she began to recover consciousness, and in some degree the power of 
motion, though not yet of speech. One day the use of her right hand returned; 
and showing it to her maid who was in attendance on her, and appearing very 
uneasy in her mind, she made signs for a pencil and some paper. This the maid 
immediately provided, thinking she was going to make a will, or write some 
last request; and Mrs. Dombey being from home, the maid awaited the result 
with solemn feelings. 


</p>
            <p>After much painful scrawling and erasing, and putting in of wrong characters, 
which seemed to tumble out of the pencil of their own accord, the old woman 
produced this document: 


</p>
            <p>`Rose-coloured curtains.' 


</p>
            <p>The maid being perfectly transfixed, and with tolerable reason, Cleopatra 
amended the manuscript by adding two words more, when it stood thus: 


</p>
            <p>`Rose-coloured curtains for doctors.' 


</p>
            <p>The maid now perceived remotely that she wished these articles to be provided 
for the better presentation of her complexion to the faculty; and as those in 
the house who knew her best, had no doubt of the correctness of this opinion, 
which she was soon able to establish for herself, the rose-coloured curtains 
were added to her bed, and she mended with increased rapidity from that hour. 
She was soon able to sit up, in curls and a laced cap and night-gown, and to 
have a little artificial bloom dropped into the hollow caverns of her 
cheeks. 


</p>
            <p>It was a tremendous sight to see this old woman in her finery leering and 
mincing at Death, and playing off her youthful tricks upon him as if he had 
been the Major; but an alteration in her mind that ensued on the paralytic 
stroke was fraught with as much matter for reflection, and was quite as 
ghastly. 


</p>
            <p>Whether the weakening of her intellect made her more cunning and false than 
before, or whether it confused her between what she had assumed to be and 
what she really had been, or whether it had awakened any glimmering of 
remorse, which could neither struggle into light nor get back into total 
darkness, or whether, in the jumble of her faculties, a combination of these 
effects had been shaken up, which is perhaps the more likely supposition, the 
result was this:—That she became hugely exacting in respect of Edith's 
affection and gratitude and attention to her; highly laudatory of herself as 
a most inestimable parent; and very jealous of having any rival in Edith's 
regard. Further, in place of remembering that compact made between them for 
an avoidance of the subject, she constantly alluded to her daughter's 
marriage as a proof of her being an incomparable mother; and all this, with 
the weakness and peevishness of such a state, always serving for a sarcastic 
commentary on her levity and youthfulness. 


</p>
            <p>`Where is Mrs. Dombey?' she would say to her maid. 


</p>
            <p>`Gone out, Ma'am.' 


</p>
            <p>`Gone out! Does she go out to shun her mama, Flowers?' 


</p>
            <p>`La bless you, no, Ma'am. Mrs. Dombey has only gone out for a ride with Miss 
Florence.' 


</p>
            <p>`Miss Florence. Who's Miss Florence? Don't tell me about Miss Florence. 
What's Miss Florence to her, compared to me?' 


</p>
            <p>The apposite display of the diamonds, or the peach-velvet bonnet (she sat in 
the bonnet to receive visitors, weeks before she could stir out of doors), or 
the dressing of her up in some gaud or other, usually stopped the tears that 
began to flow hereabouts; and she would remain in a complacent state until 
Edith came to see her; when, at a glance of the proud face, she would relapse 
again. 


</p>
            <p>`Well, I am sure, Edith!' she would cry, shaking her head. 


</p>
            <p>`What is the matter, mother?' 


</p>
            <p>`Matter! I really don't know what <hi>is</hi> the matter. The world is coming 
to such an artificial and ungrateful state, that I begin to think there's no 
Heart—or anything of that sort—left in it, positively. Withers is more a 
child to me than you are. He attends to me much more than my own daughter. I 
almost wish I didn't look so young—and all that kind of thing—and then 
perhaps I should be more considered.' 


</p>
            <p>`what would you have, mother?' 


</p>
            <p>`Oh, a great deal, Edith,' impatiently. 


</p>
            <p>`Is there anything you want that you have not? It is your own fault if there 
be.' 


</p>
            <p>`My own fault!' beginning to whimper. `The parent I have been to you, Edith: 
making you a companion from your cradle!And when you neglect me, and have no 
more natural affection for me than if I was a stranger—not a twentieth part 
of the affection that you have for Florence—but I am only your mother, and 
should corrupt <hi>her</hi> in a day!—you reproach me with its being my own 
fault.' 


</p>
            <p>`Mother, mother, I reproach you with nothing. Why will you always dwell on 
this?' 


</p>
            <p>`Isn't it natural that I should dwell on this, when I am all affection and 
sensitiveness, and am wounded in the cruelest way, whenever you look at 
me?' 


</p>
            <p>`I do not mean to wound you, mother. Have you no remembrance of what has been 
said between us? Let the Past rest.' 


</p>
            <p>`Yes, rest! And let gratitude to me rest; and let affection for me rest; and 
let <hi>me</hi> rest in my out-of-the-way room, with no society and no 
attention, while you find new relations to make much of, who have no earthly 
claim upon you! Good gracious, Edith, do you know what an elegant 
establishment you are at the head of?' 


</p>
            <p>`Yes, Hush!' 


</p>
            <p>`And that gentlemanly creature, Dombey? Do you know that you are married to 
him, Edith, and that you have a settlement, and a position, and a carriage, 
and I don't know what?' 


</p>
            <p>`Indeed, I know it, mother; well.' 


</p>
            <p>??? `As you would have had with that delightful good soul—what did they call 
him?—Granger—if he hadn't died. And who have you to thank for all this, 
Edith?' 


</p>
            <p>`You, mother; you.' 


</p>
            <p>`Then put your arms round my neck, and kiss me; and show me, Edith, that you 
know there never was a better mama than I have been to you. And don't let me 
become a perfect fright with teasing and wearing myself at your ingratitude, 
or when I'm out again in society no soul will know me, not even that hateful 
animal, the Major.' 


</p>
            <p>But, sometimes, when Edith went nearer to her, and bending down her stately 
head, put her cold cheek to hers, the mother would draw back as if she were 
afraid of her, and would fall into a fit of trembling, and cry out that there 
was a wandering in her wits. And sometimes she would entreat her, with 
humility, to sit down on the chair beside her bed, and would look at her (as 
she sat there brooding) with a face that even the rosecoloured curtains could 
not make otherwise than seared and wild. 


</p>
            <p>The rose-coloured curtains blushed, in course of time, on Cleopatra's bodily 
recovery, and on her dress—more juvenile than ever to repair the ravages of 
illness—and on the rouge, and on the teeth, and on the curls, and on the 
diamonds, and the short sleeves, and the whole wardrobe of the doll that had 
tumbled down before the mirror. They blushed, too, now and then, upon an 
indistinctness in her speech which she turned off with a girlish giggle, and 
on an occasional failing in her memory, that had no rule in it, but came and 
went fantastically, as if in mockery of her fantastic self. 


</p>
            <p>But they never blushed upon a change in the new manner of her thought and 
speech towards her daughter. And though that daughter often came within their 
influence, they never blushed upon her loveliness irradiated by a smile, or 
softened by the light of filial love, in its stern beauty. 

</p>
         </div>
         <div xml:id="c38" type="chapter">
            <head>CHAPTER XXXVIII</head>
            <head>Miss Tox improves an Old Acquaintance</head>
            <p>THE forlorn Miss Tox, abandoned by her friend Louisa Chick, and bereft of Mr. 
Dombey's countenance—for on delicate pair of wedding cards, united by a 
silver thread, 
graced the chimney-glass in Princess's Place, or the harpsichord, or any of 
those little 
posts of display which Lucretia reserved for holiday occupation—became 
depressed in her 
spirits, and suffered much from melancholy. For a time the Bird Waltz was 
unheard in 
Princess's Place, the plants were neglected, and dust collected on the 
miniature of Miss 
Tox's ancestor with the powdered head and pigtail. 


</p>
            <p>Miss Tox, however, was not of an age or of a disposition long to abandon 
herself to 
unavailing regrets. Only two notes of the harpsichord were dumb from disuse 
when the 
Bird Waltz again warbled and trilled in the crooked drawing-room: only one 
slip of 
geranium fell a victim to imperfect nursing, before she was gardening at her 
green baskets 
again, regularly every morning; the powdered-headed ancestor had not been 
under a cloud 
for more than six weeks, when Miss Tox breathed on his benignant visage, and 
polished 
him up with a piece of wash-leather. 


</p>
            <p>Still, Miss Tox was lonely, and at a loss. Her attachments, however 
ludicrously shown, 
were real and strong; and she was, as she expressed it, `deeply hurt by the 
unmerited 
contumely she had met with from Louisa.' But there was no such thing as anger 
in Miss 
Tox's composition. If she had ambled on through life, in her soft-spoken way, 
without any 
opinions, she had, at least, got so far without any harsh passions. The mere 
sight of Louisa 
Chick in the street one day, at a considerable distance, so overpowered her 
milky nature, 
that she was fain to seek immediate refuge in a pastrycook's, and there, in a 
musty little 
back room usually devoted to the consumption of soups, and pervaded by an 
ox-tail 
atmosphere, relieve her feelings by weeping plentifully. 


</p>
            <p>Against Mr. Dombey Miss Tox hardly felt that she had any reason of complaint. 
Her 
sense of that gentleman's magnificence was such, that once removed from him, 
she felt as 
if her distance always had been immeasurable, and as if he had greatly 
condescended in 
tolerating her at all. No wife could be too handsome or too stately for him, 
according to 
Miss Tox's sincere opinion. It was perfectly natural that in looking for one, 
he should look 
high. Miss Tox with tears laid down this proposition, and fully admitted it, 
twenty times a 
day. She never recalled the lofty manner in which Mr. Dombey had made her 
subservient 
to his convenience and caprices, and had graciously permitted her to be one 
of the nurses 
of his little son. She only thought, in her own words, `that she had passed a 
great many 
happy hours in that house, which she must ever remember with gratification, 
and that she 
could never cease to regard Mr. Dombey as one of the most impressive and 
dignified to 
men.' 


</p>
            <p>Cut off, however, from the implacable Louisa, and being shy of the Major 
(whom she 
viewed with some distrust now), Miss Tox found it very irksome to know 
nothing of what 
was going on in Mr. Dombey's establishment. And as she really had got into 
the habit of 
considering Dombey and Son as the pivot on which the world in general turned, 
she 
resolved, rather than be ignorant of intelligence which so strongly 
interested her, to 
cultivate her old acquaintance, Mrs. Richards, who she knew, since her last 
memorable 
appearance before Mr. Dombey, was in the habit of sometimes holding 
communication 
with his servants. Perhaps Miss Tox, in seeking out the Toodle family, had 
the tender 
motive hidden in her breast of having somebody to whom she could talk about 
Mr. 
Dombey, no matter how humble that somebody might be. 


</p>
            <p>At all events, towards the Toodle habitation Miss Tox directed her steps one 
evening, 
what time Mr. Toodle, cindery and swart, was refreshing himself with tea, in 
the bosom of 
his family. Mr. Toodle had only three stages of existence. He was either 
taking 
refreshment in the bosom just mentioned, or he was tearing through the 
country at from 
twenty-five to fifty miles an hour, or he was sleeping after his fatigues. He 
was always in 
a whirlwind or a calm, and a peaceable, contented, easy-going man Mr. Toodle 
was in 
either state, who seemed to have made over all his own inheritance of fuming 
and fretting 
to the engines with which he was connected, which panted, and gasped, and 
chafed, and 
wore themselves out, in a most unsparing manner, while Mr. Toodle led a mild 
and 
equable life. 


</p>
            <p>`Polly, my gal,' said Mr. Toodle, with a young Toodle on each knee, and two 
more 
making tea for him, and plenty more scattered about—Mr. Toodle was never out 
of 
children, but always kept a good supply on hand—`you an't seen our Biler 
lately, have 
you?' 


</p>
            <p>`No,' replied Polly, `but he's almost certain to look in tonight. It's his 
right evening, and 
he's very regular.' 


</p>
            <p>`I suppose,' said Mr. Toodle, relishing his meal infinitely, `as our Biler is 
a doin' now 
about as well as a boy <hi>can</hi> do, eh, Polly?' 


</p>
            <p>`Oh! he's a doing beautiful!' responded Polly. 


</p>
            <p>`He an't got to be at all secret-like—has he, Polly?' inquired Mr. 
Toodle. 


</p>
            <p>`No!' said Mrs. Toodle, plumply. 


</p>
            <p>`I'm glad he an't got to be at all secret-like, Polly,' observed Mr. Toodle 
in his slow and 
measured way, and shovelling in his bread and butter with a clasp knife, as 
if he were 
stoking himself, `because that don't look well; do it, Polly?' 


</p>
            <p>`Why, of course it don't, father. How can you ask!' 


</p>
            <p>`You see, my boys and gals,' said Mr. Toodle, looking round upon his family, 
`wotever 
you're up to in a honest way, it's my opinion as you can't do better than be 
open. If you 
find yourselves in cuttings or in tunnels, don't you play no secret games. 
Keep your 
whistles going, and let's know where you are.' 


</p>
            <p>The rising Toodles set up a shrill murmur, expressive of their resolution to 
profit by the 
paternal advice. 


</p>
            <p>`But what makes you say this along of Rob, father?' asked his wife, 
anxiously. 


</p>
            <p>`Polly, old 'ooman,' said Mr. Toodle, `I don't know as I said it partickler 
along o' Rob, 
I'm sure. I starts light with Rob only; I comes to a branch; I takes on what 
I finds there; 
and a whole train of ideas gets coupled on to him, afore I knows where I am, 
or where 
they comes from. What a Junction a man's thoughts is,' said Mr. Toodle, 
`to-be-sure!' 


</p>
            <p>This profound reflection Mr. Toodle washed down with a pint mug of tea, and 
proceeded 
to solidify with a great weight of bread and butter; charging his young 
daughters 
meanwhile, to keep plenty of hot water in the pot, as he was uncommon dry, 
and should 
take the indefinite quantity of `a sight of mugs,' before his thirst was 
appeased. 


</p>
            <p>In satisfying himself, however, Mr. Toodle was not regardless of the younger 
branches 
about him, who, although they had made their own evening repast, were on the 
look-out 
for irregular morsels, as possessing a relish. These he distributed now and 
then to the 
expectant circle, by holding out great wedges of bread and butter, to be 
bitten at by the 
family in lawful succession, and by serving out small doses of tea in like 
manner with a 
spoon; which snacks had such a relish in the mouths of these young Toodles, 
that, after 
partaking of the same, they performed private dances of ecstasy among 
themselves, and 
stood on one leg apiece, and hopped, and indulged in other saltatory tokens 
of gladness. 
These vents for their excitement found, they gradually closed about Mr. 
Toodle again, and 
eyed him hard as he got through more bread and butter and tea; affecting, 
however, to 
have no further expectations of their own in reference to those viands, but 
to be 
conversing on foreign subjects, and whispering confidently. 


</p>
            <p>Mr. Toodle, in the midst of this family group, and setting an awful example 
to his 
children in the way of appetite, was conveying the two young Toodles on his 
knees to 
Birmingham by special engine, and was contemplating the rest over a barrier 
of bread and 
butter, when Rob the Grinder, in his sou'wester hat and mourning slops, 
presented 
himself, and was received with a general rush of brothers and sisters. 


</p>
            <p>`Well, mother!' said Rob, dutifully kissing her; `how are you, mother?' 


</p>
            <p>`There's my boy!' cried Polly, giving him a hug and a pat on the back. 
`Secret! Bless you, 
father, not he!' 


</p>
            <p>This was intended for Mr. Toodle's private edification, but Rob the Grinder, 
whose 
withers were not unwrung, caught the words as they were spoken. 


</p>
            <p>`What! father's been a saying something more again me, has he?' cried the 
injured 
innocent. `Oh, what a hard thing it is that when a cove has once gone a 
little wrong, a 
cove's own father should be always a throwing it in his face behind his back! 
It's 
enough,' cried Rob, resorting to his coat-cuff in anguish of spirit, `to make 
a cove go and 
do something out of spite!' 


</p>
            <p>`My poor boy!' cried Polly, `father didn't mean anything.' 


</p>
            <p>`If father didn't mean anything,' blubbered the injured Grinder, `why did he 
go and say 
anything, mother? Nobody thinks half so bad of me as my own father does. What 
a 
unnatural thing! I wish somebody'd take and chop my head off. Father wouldn't 
mind 
doing it, I believe, and I'd much rather he did that than t'other.' 


</p>
            <p>At these desperate words all the young Toodles shrieked; a pathetic effect, 
which the 
Grinder improved by ironically adjuring them not to cry for him, for they 
ought to hate 
him, they ought, if they was good boys and girls; and this so touched the 
youngest Toodle 
but one, who was easily moved, that it touched him not only in his spirit but 
in his wind 
too; making him so purple that Mr. Toodle in consternation carried him out to 
the 
water-butt, and would have put him under the tap, but for his being recovered 
by the sight 
of that instrument. 


</p>
            <p>Matters having reached this point, Mr. Toodle explained, and the virtuous 
feelings of his 
son being thereby calmed, they shook hands, and harmony reigned again. 


</p>
            <p>`Will you do as I do, Biler, my boy?' inquired his father, returning to his 
tea with new 
strength. 


</p>
            <p>`No, thank'ee, father. Master and I had tea together.' 


</p>
            <p>`And how <hi>is</hi> master, Rob? said Polly. 


</p>
            <p>`Well, I don't know, mother; not much to boast on. There ain't no bis'ness 
done, you see. 
He don't know anything about it, the Cap'en don't. There was a man come into 
the shop 
this very day, and says, “I want a so-and-so,” he says—some hard name or 
another. “A 
which?” says the Cap'en. “A so-and-so,” says the man. “Brother,” says the 
Cap'en, “will 
you take a observation round the shop?” “Well,” says the man, “I've done it.” 
“Do you see 
wot you want?” says the Cap'en. “No, I don't,” says the man. “Do you know it 
wen you 
<hi>do</hi> see it?” says the Cap'en. “No, I don't,” says the man. “Why, then I 
tell you 
wot, my lad,” says the Cap'en, “you'd better go back and ask wot it's like, 
outside, for no 
more don't I!”' 


</p>
            <p>`That ain't the way to make money, though, is it?' said Polly. 


</p>
            <p>`Money, mother! He'll never make money. He has such ways as I never see. He 
ain't a 
bad master though, I'll say that for him. But that ain't much to me, for I 
don't think I 
shall stop with him long.' 


</p>
            <p>`Not stop in your place, Rob!' cried his mother; while Mr. Toodle opened his 
eyes. 


</p>
            <p>`Not in that place, p'raps,' returned the Grinder, with a wink. `I shouldn't 
wonder—friends 
at court you know—but never <hi>you</hi> mind, mother, just now; I'm all 
right, that's 
all.' 


</p>
            <p>The indisputable proof afforded in these hints, and in the Grinder's 
mysterious manner, of 
his not being subject to that failing which Mr. Toodle had, by implication, 
attributed to 
him, might have led to a renewal of his wrongs, and of the sensation in the 
family, but for 
the opportune arrival of another visitor, who, to Polly's great surprise, 
appeared at the 
door, smiling patronage and friendship on all there. 


</p>
            <p>`How do you do, Mrs. Richards?' said Miss Tox. `I have come to see you. May I 
come 
in?' 


</p>
            <p>The cheery face of Mrs. Richards shone with a hospitable reply, and Miss Tox, 
accepting 
the proffered chair, and gracefully recognising Mr. Toodle on her way to it, 
united her 
bonnet strings, and said that in the first place she must beg the dear 
children, one and all, 
to come and kiss her. 


</p>
            <p>The ill-starred youngest Toodle but one, who would appear, from the frequency 
of his 
domestic troubles, to have been born under an unlucky planet, was prevented 
from 
performing his part in this general salutation by having fixed the sou'wester 
hat (with 
which he had been previously trifling) deep on his head, hind side before, 
and being 
unable to get it off again; which accident presenting to his terrified 
imagination a dismal 
picture of his passing the rest of his days in darkness, and in hopeless 
seclusion from his 
friends and family, caused him to struggle with great violence, and to utter 
suffocating 
cries. Being released, his face was discovered to be very hot, and red, and 
damp; and Miss 
Tox took him on her lap, much exhausted. 


</p>
            <p>`You have almost forgotten me, Sir, I dare say,' said Miss Tox to Mr. 
Toodle. 


</p>
            <p>`No, Ma'am, no,' said Toodle. `But we've all on us got a little older since 
then.' 


</p>
            <p>`And how do you find yourself, Sir?' inquired Miss Tox, blandly. 


</p>
            <p>`Hearty, Ma'am, thank'ee,' replied Toodle. `How do <hi>you</hi> find 
<hi>your</hi>self, 
Ma'am? Do the rheumaticks keep off pretty well, Ma'am? We must all expect to 
grow 
into 'em, as we gets on.' 


</p>
            <p>`Thank you,' said Miss Tox. `I have not felt any inconvenience from that 
disorder 
yet.' 


</p>
            <p>`You're wery fortunate, Ma'am,' returned Mr. Toodle. `Many people at your 
time of life, 
Ma'am is martyrs to it. There was my mother—' But catching his wife's eye 
here, Mr. 
Toodle judiciously buried the rest in another mug of tea. 


</p>
            <p>`You never mean to say, Mrs. Richards,' cried Miss Tox, looking at Rob, `that 
that is 
your—' 


</p>
            <p>`Eldest, Ma'am,' said Polly. `Yes, indeed, it is. That's the little fellow, 
ma'am, that was 
the innocent cause of so much.' 


</p>
            <p>`This here, Ma'am,' said Toodle, `is him with the short legs—and they was,' 
said Mr. 
Toodle, with a touch of poetry in his tone, `unusual short for leathers—as 
Mr. Dombey 
made a Grinder on.' 


</p>
            <p>The recollection of almost overpowered Miss Tox. The subject of it had a 
peculiar interest 
for her directly. She asked him to shake hands, and congratulated his mother 
on his frank, 
ingenuous face. Rob, overhearing her, called up a look, to justify the 
eulogium, but it was 
hardly the right look. 


</p>
            <p>`And now, Mrs. Richards,' said Miss Tox,—`and you too, Sir,' addressing 
Toodle—`I'll tell 
you, plainly and truly, what I have come here for. You may be aware, Mrs. 
Richards—and, 
possibly, you may be aware too, Sir—that a little distance has interposed 
itself between me 
and some of my friends, and that where I used to visit a good deal, I do not 
visit 
now.' 


</p>
            <p>Polly, who, with a woman's tact, understood that at once, expressed as much 
in a little 
look. Mr. Toodle, who had not the faintest idea of what Miss Tox was talking 
about, 
expressed that also, in a stare. 


</p>
            <p>`Of course,' said Miss Tox, `how our little coolness has arisen is of no 
moment, and does 
not require to be discussed. It is sufficient for me to say, that I have the 
greatest possible 
respect for, and interest in, Mr. Dombey;' Miss Tox's voice faltered; `and 
everything that 
relates to him.' 


</p>
            <p>Mr. Toodle, enlightened, shook his head, and said he had heerd it said, and, 
for his own 
part, he did think, as Mr. Dombey was a difficult subject. 


</p>
            <p>`Pray don't say so, Sir, if you please,' returned Miss Tox. `Let me entreat 
you not to say 
so, Sir, either now, or at any future time. Such observations cannot but be 
very painful to 
me; and to a gentleman, whose mind is constituted as, I am quite sure yours 
is, can afford 
no permanent satisfaction.' 


</p>
            <p>Mr. Toodle, who had not entertained the least doubt of offering a remark that 
would 
received with acquiescence, was greatly confounded. 


</p>
            <p>`All that I wish to say, Mrs. Richards,' resumed Miss Tox,—`and I address 
myself to you 
too, Sir,—is this. That any intelligence of the proceedings of the family, 
of the welfare of 
the family, of the health of the family, that reaches you, will be always 
most acceptable to 
me. That I shall be always very glad to chat with Mrs. Richards about the 
family, and 
about old times. And as Mrs. Richards and I never had the least difference 
(though I could 
wish now that we had been better acquainted, but I have no one but myself to 
blame for 
that), I hope she will not object to our being very good friends now, and to 
my coming 
backwards and forwards here, when I like, without being a stranger. Now, I 
really hope, 
Mrs. Richards,' said Miss Tox, earnestly, `that you will take this, as I mean 
it, like a 
good-humoured creature, as you always were.' 


</p>
            <p>Polly was gratified, and showed it. Mr. Toodle didn't know whether he was 
gratified or 
not, and preserved a stolid calmness. 


</p>
            <p>`You see, Mrs. Richards,' said Miss Tox—`and I hope you see too, Sir—there 
are many 
little ways in which I can be slightly useful to you, if you will make no 
stranger of me; 
and in which I shall be delighted to be so. For instance, I can teach your 
children 
something. I shall bring a few little books, if you'll allow me, and some 
work, and of an 
evening now and then, they'll learn—dear me, they'll learn a great deal, I 
trust, and be a 
credit to their teacher.' 


</p>
            <p>Mr. Toodle, who had a great respect for learning, jerked his head approvingly 
at his wife, 
and moistened his hands with dawning satisfaction. 


</p>
            <p>`Then, not being a stranger, I shall be in nobody's way,' said Miss Tox, `and 
everything 
will go on just as if I were not here. Mrs. Richards will do her mending, or 
her ironing, or 
her nursing, whatever it is, without minding me: and you'll smoke your pipe, 
too, if 
you're so disposed, Sir, won't you?' 


</p>
            <p>`Thank'ee, Mum,' said Mr. Toodle. `Yes; I'll take my bit of backer.' 


</p>
            <p>`Very good of you to say so, Sir,' rejoined Miss Tox, `and I really do assure 
you now, 
unfeignedly, that it will be a great comfort to me, and that whatever good I 
may be 
fortunate enough to do the children, you will more than pay back to me, if 
you'll enter 
into this little bargain comfortably, and easily, and good-naturedly, without 
another word 
about it.' 


</p>
            <p>The bargain was ratified on the spot; and Miss Tox found herself so much at 
home 
already, that without delay she instituted a preliminary examination of the 
children all 
roundwhich Mr. Toodle much admired—and booked their ages, names, and 
acquirements, 
on a piece of paper. This ceremony, and a little attendant gossip prolonged 
the time until 
after their usual hour of going to bed, and detained Mrs. Tox at the Toodle 
fireside until it 
was too late for her to walk home alone. The gallant Grinder, however, being 
still there, 
politely offered to attend her to her own door; and as it was something to 
Miss Tox to be 
seen home by a youth whom Mr. Dombey had first inducted into those manly 
garments 
which are rarely mentioned by name, she very readily accepted the 
proposal. 


</p>
            <p>After shaking hands with Mr. Toodle and Polly, and kissing all the children, 
Miss Tox left 
the house, therefore, with unlimited popularity, and carrying away with her 
so light a heart 
that it might have given Mrs. Chick offence if that good lady could have 
weighed it. 


</p>
            <p>Rob the Grinder, in his modesty, would have walked behind, but Miss Tox 
desired him to 
keep beside her, for conversational purposes; and, as she afterwards 
expressed it to his 
mother, `drew him out' upon the road. 


</p>
            <p>He drew out so bright, and clear, and shining, that Miss Tox was charmed with 
him. The 
more Miss Tox drew him out, the finer he came—like wire. There never was 
better or 
more promising youth—a more affectionate, steady, prudent, sober, honest, 
meek, candid 
young man—than Rob drew out that night. 


</p>
            <p>`I am quite glad,' said Miss Tox, arrived at her own door, `to know you. I 
hope you'll 
consider me your friend, and that you'll come and see me as often as you 
like. Do you 
keep a money-box?' 


</p>
            <p>`Yes, Ma'am,' returned Rob; `I'm saving up against I've got enough to put in 
the Bank, 
ma'am.' 


</p>
            <p>`Very laudable indeed,' said Miss Tox. `I'm glad to hear it. Put this 
half-crown into it, if 
you please.' 


</p>
            <p>`Oh thank you, Ma'am,' replied Rob, `but really I couldn't think of depriving 
you.' 


</p>
            <p>`I commend your independent spirit,' said Miss Tox, `but it's no deprivation, 
I assure you. 
I shall be offended if you don't take it, as a mark of my good-will. Good 
night, 
Robin.' 


</p>
            <p>`Good night, Ma'am,' said Rob, `and thank you!' 


</p>
            <p>Who ran sniggering off to get change, and tossed it way with a pieman. But 
they never 
taught honour at the Grinders'School, where the system that prevailed was 
particularly 
strong in the engendering of hypocrisy. Insomuch, that many of the friends 
and masters of 
past Grinders said, if this were what came of education for the common 
people, let have 
none. 


</p>
            <p>Some more rational said, let us have a better one. But the governing powers 
of the 
Grinders' Company were always ready for <hi>them</hi>, by picking out a few 
boys who 
had turned out well, in spite of the system, and roundly asserting that they 
could have 
only turned out well because of it. Which settled the business of those 
objectors out of 
hand, and established the glory of the Grinders' Institution. 

</p>
         </div>
         <div xml:id="c39" type="chapter">
            <head>CHAPTER XXXIX</head>
            <head>Further Adventures of Captain Edward Cuttle, Mariner</head>
            <p>TIME, sure of foot and strong of will, had so pressed onward, that the year 
enjoined by 
the old Instrument-maker, as the term during which his friend should refrain 
from opening 
the sealed packet accompanying the letter he had left for him, was now nearly 
expired, 
and Captain Cuttle began to look at it, of an evening, with feelings of 
mystery and 
uneasiness. 


</p>
            <p>The Captain, in his honour, would as soon have thought of opening the parcel 
one hour 
before the expiration of the term, as he would have thought of opening 
himself, to study 
his own anatomy. He merely brought it out, at a certain stage of his first 
evening pipe, 
laid it on the table, and sat gazing at the outside of it, through the smoke, 
in silent gravity, 
for two or three hours at a spell. Sometimes, when he had contemplated it 
thus for a pretty 
long while, the Captain would hitch his chair, by degrees, farther and 
farther off, as if to 
get beyond the range of its fascination; but if this were his design, he 
never succeeded: for 
even when he was brought up by the parlour wall, the packet still attracted 
him; or if his 
eyes, in thoughtful wandering, roved to the ceiling or the fire, its image 
immediately 
followed, and posted itself conspicuously among the coals, or took up an 
advantageous 
position on the whitewash. 


</p>
            <p>In respect of Heart's Delight, the Captain's parental regard and admiration 
knew no 
change. But since his last interview with Mr. Carker, Captain Cuttle had come 
to entertain 
doubts whether his former intervention in behalf of that young lady and his 
dear boy 
Wal'r, had proved altogether so favourable as he could have wished, and as he 
at the time 
believed. The Captain was troubled with a serious misgiving that he had done 
more harm 
than good, in short; and in his remorse and modesty he made the best 
atonement he could 
think of, by putting himself out of the way doing any harm to any one, and, 
as it were, 
throwing himself overboard for a dangerous person. 


</p>
            <p>Self-buried, therefore, among the instruments, the Captain never went near 
Mr. Dombey's 
house, or reported himself in any way to Florence or Miss Nipper. He even 
severed 
himself from Mr. Perch, on the occasion of his next visit, by dryly informing 
that 
gentleman, that the thanked him for his company, but had cut himself adrift 
from all such 
acquaintance, as he didn't know what magazine he mightn't blow up, without 
meaning of 
it. In this self-imposed retirement, the Captain passed whole days and weeks 
without 
interchanging a word with any one but Rob the Grinder, whom he esteemed as a 
pattern 
of disinterested attachment and fidelity. In this retirement, the Captain, 
gazing at the 
packet of an evening, would sit smoking, and thinking of Florence and poor 
Walter, until 
they both seemed to his homely fancy to be dead, and to have passed away into 
eternal 
youth, the beautiful and innocent children of his first remembrance. 


</p>
            <p>The Captain did not, however, in his musings, neglect his own improvement, or 
the mental 
culture of Rob the Grinder. That young man was generally required to read out 
of some 
book to the Captain, for one hour, every evening; and as the Captain 
implicitly believed 
that all books were true, he accumulated, by this means, many remarkable 
facts. On 
Sunday nights, the Captain always read for himself, before going to bed, a 
certain Divine 
Sermon once delivered on a Mount; and although he was accustomed to quote the 
text, 
without book, after his own manner, he appeared to read it with as reverent 
an 
understanding of its heavenly spirit, as if he had got it all by heart in 
Greek, and had been 
able to write any number of fierce theological disquisitions on its every 
phrase. 


</p>
            <p>Rob the Grinder, whose reverence for the inspired writings, under the 
admirable system of 
the Grinders' School, had been developed by a perpetual bruising of his 
intellectual shins 
against all the proper names of all the tribes of Judah, and by the 
monotonous repetition 
of hard verses, especially by way of punishment, and by the parading of him 
at six years 
old in leather breeches, three times a Sunday, very high up, in a very hot 
church, with a 
great organ buzzing against his drowsy head, like an exceedingly busy 
bee—Rob the 
Grinder made a mighty show of being edified when the Captain ceased to read, 
and 
generally yawned and nodded while the reading was in progress. The latter 
fact being 
never so much as suspected by the good Captain. 


</p>
            <p>Captain Cuttle, also, as a man of business, took to keeping books. In these 
he entered 
observations on the weather, and on the currents of the waggons and other 
vehicles: which 
he observed, in that quarter, to set westward in the morning and during the 
greater part of 
the day, and eastward towards the evening. Two or three stragglers appearing 
in one week, 
who `spoke him'—so the captain entered it—on the subject of spectacles, and 
who, without 
positively purchasing, said they would look in again, the Captain decided 
that the business 
was improving, and made an entry in the day-book to that effect: the wind 
then blowing 
(which he first recorded) pretty fresh, west and by north; having changed in 
the night. 


</p>
            <p>One of the Captain's chief difficulties was Mr. Toots, who called frequently, 
and who 
without saying much seemed to have an idea that the little back parlour was 
an eligible 
room to chuckle in, as he would sit and avail himself of its accommodations 
in that regard 
by the half-hour together, without at all advancing in intimacy with the 
Captain. The 
Captain, rendered cautious by his late experience, was unable quite to 
satisfy his mind 
whether Mr. Toots was the mild subject he appeared to be, or was a profoundly 
artful and 
dissimulating hypocrite. His frequent reference to Miss Dombey was 
suspicious; but the 
Captain had a secret kindness for Mr. Toots's apparent reliance on him, and 
forbore to 
decide against him for the present; merely eyeing him, with a sagacity not to 
be described, 
whenever he approached the subject that was nearest to his heart. 


</p>
            <p>`Captain Gills,' blurted out Mr. Toots, one day all at once, as his manner 
was, `do you 
think you could think favourably of that proposition of mine, and give me the 
pleasure of 
your acquaintance?' 


</p>
            <p>`Why, I tell you what it is, my lad,' replied the Captain, who had at length 
concluded on a 
course of action; `I've been turning that there over.' 


</p>
            <p>`Captain Gills, it's very kind of you,' retorted Mr. Toots. `I'm much obliged 
to you. Upon 
my word and honour, Captain Gills, it would be a charity to give me the 
pleasure of your 
acquaintance. It really would.' 


</p>
            <p>`You see, brother,' argued the Captain slowly, `I don't know you.' 


</p>
            <p>`But you never <hi>can</hi> know me, Captain Gills,' replied Mr. Toots, 
steadfast to his 
point, `if you don't give me the pleasure of your acquaintance.' 


</p>
            <p>The Captain seemed struck by the originality and power of this remark, and 
looked at Mr. 
Toots as if he thought there was a great deal more in him than he had 
expected. 


</p>
            <p>`Well said, my lad,' observed the captain, nodding his head thoughtfully; 
`and true. Now 
look'ee here: You've made some observations to me, which gives me to 
understand as you 
admire a certain sweet creetur. Hey?' 


</p>
            <p>`Captain Gills,' said Mr. Toots, gesticulating violently with the hand in 
which he held his 
hat, `Admiration is not the word. Upon my honour, you have no conception what 
my 
feelings are. If I could be dyed black, and made Miss Dombey's slave, I 
should consider it 
a compliment. If, at the sacrifice of all my property, I could get 
transmigrated into Miss 
Dombey's dog—I—I really think I should never leave off wagging my tail. I 
should be so 
perfectly happy, Captain Gills!' 


</p>
            <p>Mr. Toots said it with watery eyes, and pressed his hat against his bosom 
with deep 
emotion. 


</p>
            <p>`My lad,' returned the Captain, moved to compassion, `if you're in 
arnest—' 


</p>
            <p>`Captain Gills,' cried Mr. Toots, `I'm in such a state of mind, and am so 
dreadfully in 
earnest, that if I could swear to it upon a hot piece of iron, or a live 
coal, or melted lead, 
or burning sealing-wax, or anything of that sort, I should be glad to hurt 
myself, as a 
relief to my feelings.' And Mr. Toots looked hurriedly about the room, as if 
for some 
sufficiently painful means of accomplishing his dread purpose. 


</p>
            <p>The Captain pushed his glazed hat back upon his head, stroked his face down 
with his 
heavy hand—making his nose more mottled in the process—and planting himself 
before 
Mr. Toots, and hooking him by the lapel of his coat, addressed him in these 
words, while 
Mr. Toots looked up into his face, with much attention and some wonder. 


</p>
            <p>`If you're in arnest, you see, my lad,' said the Captain, `you're a object of 
clemency, and 
clemency is the brightest jewel in the crown of a Briton's head, for which 
you'll overhaul 
the constitution as laid down in Rule Britannia, and, when found, <hi>that</hi>
is the charter 
as them garden angels was a singing of, so many times over. Stand by! This 
here proposal 
o' you'rn takes me a little aback. And why? Because I holds my own only, you 
understand, in these here waters, and haven't got no consort, and may be 
don't wish for 
none. Steady! You hailed me first, along of a certain young lady, as you was 
chartered by. 
Now if you and me is to keep one another's company at all, that there young 
creetur's 
name must never be named nor referred to. I don't know what harm mayn't have 
been 
done by naming of it too free, afore now, and thereby I brings up short. D'ye 
make me 
out pretty clear, brother?' 


</p>
            <p>`Well, you'll excuse me, Captain Gills,' replied Mr. Toots, `if I don't quite 
follow you 
sometimes. But upon my word I—it's a hard thing, Captain Gills, not to be 
able to mention 
Miss Dombey. I really have got such a dreadful load here!'—Mr. Toots 
pathetically 
touched his shirt-front with both hands—`that I feel night and day, exactly 
as if somebody 
was sitting upon me.' 


</p>
            <p>`Them,' said the Captain, `is the terms I offer. If they're hard upon you, 
brother, as 
mayhap they are, give 'em a wide berth, sheer off, and part company 
cheerily!' 


</p>
            <p>`Captain Gills,' returned Mr. Toots, `I hardly know how it is, but after what 
you told me 
when I came here, for the first time, I—I feel that I'd rather think about 
Miss Dombey in 
your society than talk about her in almost anybody else's. Therefore, Captain 
Gills, if 
you'll give me the pleasure of your acquaintance, I shall be very happy to 
accept it on 
your own conditions. I wish to be honourable, Captain Gills,' said Mr. Toots, 
holding back 
his extended hand for a moment, `and therefore I am obliged to say that I 
<hi>can not</hi>
help thinking about Miss Dombey. It's impossible for me to make a promise not 
to think 
about her.' 


</p>
            <p>`My lad,' said the Captain, whose opinion of Mr. Toots was much improved by 
this 
candid avowal, `a man's thoughts is like the winds, and nobody can't answer 
for 'em for 
certain, any length of time together. Is it a treaty as to words?' 


</p>
            <p>`As to words, Captain Gills,' returned Mr. Toots, `I think I can bind 
myself.' 


</p>
            <p>Mr. Toots gave Captain Cuttle his hand upon it, then and there; and the 
Captain with a 
pleasant and gracious show of condescension, bestowed his acquaintance upon 
him 
formally. Mr. Toots seemed much relieved and gladdened by the acquisition, 
and chuckled 
rapturously during the remainder of his visit. The Captain, for his part, was 
not ill pleased 
to occupy that position of patronage, and was exceedingly well satisfied by 
his own 
prudence and foresight. 


</p>
            <p>But rich as Captain Cuttle was in the latter quality, he received a surprise 
that same 
evening from a no less ingenuous and simple youth, than Rob the Grinder. That 
artless 
lad, drinking tea at the same table, and bending meekly over his cup and 
saucer, having 
taken sidelong observations of his master for some time, who was reading the 
newspaper 
with great difficulty, but much dignity, through his glasses, broke silence 
by saying— 


</p>
            <p>`Oh! I beg your pardon, Captain, but you mayn't be in want of any pigeons, 
may you, 
Sir?' 


</p>
            <p>`No, my lad,' replied the Captain. 


</p>
            <p>`Because I was wishing to dispose of mine, Captain,' said Rob. 


</p>
            <p>`Aye, aye?' cried the Captain, lifting up his bushy eyebrows a little. 


</p>
            <p>`Yes; I'm going, Captain, if you please,' said Rob. 


</p>
            <p>`Going? Where are you going?' asked the Captain, looking round at him over 
the 
glasses. 


</p>
            <p>`What? didn't you know that I was going to leave you, Captain?' asked Rob, 
with a 
sneaking smile. 


</p>
            <p>The Captain put down the paper, took off his spectacles, and brought his eyes 
to bear on 
the deserter. 


</p>
            <p>`Oh yes, Captain, I am going to give you warning. I thought you'd have known 
that 
beforehand, perhaps,' said Rob, rubbing his hands, and getting up. `If you 
could be so 
good as provide yourself soon, Captain, it would be a great convenience to 
me. You 
couldn't provide yourself by to-morrow morning, I am afraid, Captain: could 
you, do you 
think?' 


</p>
            <p>`And you're a going to desert your colours, are you, my lad?' said the 
Captain, after a 
long examination of his face. 


</p>
            <p>`Oh, it's very hard upon a cove, Captain,' cried the tender Rob, injured and 
indignant in a 
moment, `that he can't give lawful warning, without being frowned at in that 
way, and 
called a deserter. You haven't any right to call a poor cove names, Captain. 
It ain't 
because I'm a servant and you're a master, that you're to go and libel me. 
What wrong 
have I done? Come, Captain, let me know what my crime is, will you?' 


</p>
            <p>The stricken Grinder wept, and put his coat-cuff in his eye. 


</p>
            <p>`Come, Captain,' cried the injured youth, `give my crime a name! What have I 
been and 
done? Have I stolen any of the property? have I set the house a-fire? If I 
have, why don't 
you give me in charge, and try it? But to take away the character of a lad 
that's been a 
good servant to you, because he can't afford to stand in his own light for 
your good, what 
a injury it is, and what a bad return for faithful service! This is the way 
young coves is 
spiled and drove wrong. I wonder at you, Captain, I do.' 


</p>
            <p>All of which the Grinder howled forth in a lachrymose whine, and backing 
carefully 
towards the door. 


</p>
            <p>`And so you've got another berth, have you, my lad?' said the Captain, eyeing 
him 
intently. 


</p>
            <p>`Yes, Captain, since you put it in that shape, I <hi>have</hi> got another 
berth,' cried Rob, 
backing more and more; `a better berth than I've got here, and one where I 
don't so much 
as want your good word, Captain, which is fort'nate for me, after all the 
dirt you've 
throw'd at me, because I'm poor, and can't afford to stand in my own light 
for your good. 
Yes, I <hi>have</hi> got another berth; and if it wasn't for leaving you 
unprovided, Captain, 
I'd go to it now, sooner than I'd take them names from you, because I'm poor, 
and can't 
afford to stand in my own light for your good. Why do you reproach me for 
being poor, 
and not standing in my own light for your good, Captain? How can you so 
demean 
yourself?' 


</p>
            <p>`Look ye here, my boy,' replied the peaceful Captain. `Don't you pay out no 
more of 
them words.' 


</p>
            <p>`Well, then, don't you pay in no more of your words, Captain,' retorted the 
roused 
innocent, getting louder in his whine, and backing into the shop. `I'd sooner 
you took my 
blood than my character.' 


</p>
            <p>`Because,' pursued the Captain calmly, `you have heerd, may be, of such a 
thing as a 
rope's end.' 


</p>
            <p>`Oh, have I though, Captain?' cried the taunting Grinder. `No I haven't. I 
never heerd of 
any such a article!' 


</p>
            <p>`Well,' said the Captain, `it's my belief as you'll know more about it pretty 
soon, if you 
don't keep a bright look-out. I can read your signals, my lad. You may go.' 


</p>
            <p>`Oh! I may go at once, may I, Captain?' cried Rob, exulting in his success. 
`But mind! 
<hi>I</hi> never asked to go at once, Captain. You are not to take away my 
character again, 
because you send me off of your own accord. And you're not to stop any of my 
wages, 
Captain!' 


</p>
            <p>His employer settled the last point by producing the tin canister and telling 
the Grinder's 
money out in full upon the table. Rob, snivelling and sobbing, and grievously 
wounded in 
his feelings, took up the pieces one by one, with a sob and a snivel for 
each, and tied 
them up separately in knots in his pocket-handkerchief; then he ascended to 
the roof of the 
house and filled his hat and pockets with pigeons; then, came down to his bed 
under the 
counter and made up his bundle, snivelling and sobbing louder as if he were 
cut to the 
heart by old associations; then he whined, `Good night, Captain. I leave you 
without 
malice!' and then, going out upon the door-step, pulled the little 
Midshipman's nose as a 
parting indignity, and went away down the street grinning triumph. 


</p>
            <p>The Captain, left to himself, resumed his perusal of the news as if nothing 
unusual or 
unexpected had taken place, and went reading on with the greatest assiduity. 
But never a 
word did Captain Cuttle understand, though he read a vast number, for Rob the 
Grinder 
was scampering up one column and down another all through the newspaper. 


</p>
            <p>It is doubtful whether the worthy Captain had ever felt himself quite 
abandoned until now; 
but now, old Sol Gills, Walter, and Heart's Delight were lost to him indeed, 
and now Mr. 
Carker deceived and jeered him cruelly. They were all represented in the 
false Rob, to 
whom he had held forth many a time on the recollections that were warm within 
him; he 
had believed in the false Rob, and had been glad to believe in him; he had 
made a 
companion of him as the last of the old ship's company; he had taken the 
command of the 
little Midshipman with him at his right hand; he had meant to do his duty by 
him, and had 
felt almost as kindly towards the boy as if they had been shipwrecked and 
cast upon a 
desert place together. And now, that the false Rob had brought distrust, 
treachery, and 
meanness into the very parlour, which was a kind of sacred place, Captain 
Cuttle felt as if 
the parlour might have gone down next, and not surprised him much by its 
sinking, or 
given him any very great concern. 


</p>
            <p>Therefore Captain Cuttle read the newspaper with profound attention and no 
comprehension, and therefore Captain Cuttle said nothing whatever about Rob 
to himself, 
or admitted to himself that he was thinking about him, or would recognise in 
the most 
distant manner that Rob had anything to do with his feeling as lonely as 
Robinson 
Crusoe. 


</p>
            <p>In the same composed, business-like way, the Captain stepped over to 
Leadenhall Market 
in the dusk, and effected an arrangement with a private watchman on duty 
there, to come 
and put up and take down the shutters of the Wooden Midshipman every night 
and 
morning. He then called in at the eating-house to diminish by one half the 
daily rations 
theretofore supplied to the Midshipman, and at the publichouse to stop the 
traitor's beer. 
`My young man,' said the Captain, in explanation to the young lady at the 
bar, `my young 
man having bettered himself, Miss.' Lastly, the Captain resolved to take 
possession of the 
bed under the counter, and to turn in there o' nights instead of up stairs, 
as sole guardian 
of the property. 


</p>
            <p>From this, bed Captain Cuttle daily rose thenceforth, and clapped on his 
glazed hat at six 
o'clock in the morning, with the solitary air of Crusoe finishing his toilet 
with his 
goat-skin cap; and although his fears of a visitation from the savage tribe, 
MacStinger, 
were somewhat cooled, as similar apprehensions on the part of that lone 
mariner used to 
be by the lapse of a long interval without any symptoms of the cannibals, he 
still observed 
a regular routine of defensive operations, and never encountered a bonnet 
without previous 
survey from his castle of retreat. In the meantime (during which he received 
no call from 
Mr. Toots, who wrote to say he was out of town) his own voice began to have a 
strange 
sound in his ears; and he acquired such habits of profound meditation from 
much 
polishing and stowing away of the stock, and from much sitting behind the 
counter 
reading, or looking out of window, that the red rim made on his forehead by 
the hard 
glazed hat, sometimes ached again with excess of reflection. 


</p>
            <p>The year being now expired, Captain Cuttle deemed it expedient to open the 
packet; but as 
he had always designed doing this in the presence of Rob the Grinder, who had 
brought it 
to him, and as he had an idea that it would be regular and ship-shape to open 
it in the 
presence of somebody, he was sadly put to it for want of a witness. In this 
difficulty, he 
hailed one day with unusual delight the announcement in the Shipping 
Intelligence of the 
arrival of the Cautious Clara, Captain John Bunsby, from a coasting voyage; 
and to that 
philosopher immediately dispatched a letter by post, enjoining inviolable 
secrecy as to his 
place of residence, and requesting to be favoured with an early visit, in the 
evening 
season. 


</p>
            <p>Bunsby, who was one of those sages who act upon conviction, took some days to 
get the 
conviction thoroughly into his mind, that he had received a letter to this 
effect. But when 
he had grappled with the fact, and mastered it, he promptly sent his boy with 
the message, 
`He's a coming to-night.' Who being instructed to deliver those words and 
disappear, 
fulfilled his mission like a tarry spirit, charged with a mysterious 
warning. 


</p>
            <p>The Captain, well pleased to receive it, made preparation of pipes and rum 
and water, and 
awaited his visitor in the back parlour. At the hour of eight, a deep lowing, 
as of a 
nautical Bull, outside the shop-door, succeeded by the knocking of a stick on 
the panel, 
announced to the listening ear of Captain Cuttle, that Bunsby was alongside: 
whom he 
instantly admitted, shaggy and loose, and with his stolid mahogany visage, as 
usual, 
appearing to have no consciousness of anything before it, but to be 
attentively observing 
something that was taking place in quite another part of the world. 


</p>
            <p>`Bunsby,' said the Captain, grasping him by the hand, `what cheer, my lad, 
what 
cheer?' 


</p>
            <p>`Shipmet,' replied the voice within Bunsby, unaccompanied by any sign on the 
part of the 
Commander himself, `hearty, hearty.' 


</p>
            <p>`Bunsby!' said the Captain, rendering irrepressible homage to his genius, 
`here you are! a 
man as can give an opinion as is brighter than di'monds—and give me the lad 
with the 
tarry trousers as shines to me like di'monds bright, for which you'll 
overhaul the 
Stanfell's Budget, and when found make a note. Here you are, a man as gave an 
opinion 
in this here very place, that has come true, every letter on it,' which the 
Captain sincerely 
believed. 


</p>
            <p>`Aye, aye?' growled Bunsby. 


</p>
            <p>`Every letter,' said the Captain. 


</p>
            <p>`For why?' growled Bunsby, looking at his friend for the first time. `Which 
way? If so, 
why not? Therefore.' With these oracular words—they seemed almost to make 
the Captain 
giddy; they launched him upon such a sea of speculation and conjecture—the 
sage 
submitted to be helped off with his pilotcoat, and accompanied his friend 
into the back 
parlour, where his hand presently alighted on the rum-bottle, from which he 
brewed a stiff 
glass of grog; and presently afterwards on a pipe, which he filled, lighted, 
and began to 
smoke. 


</p>
            <p>Captain Cuttle, imitating his visitor in the matter of these particulars, 
though the rapt and 
imperturbable manner of the great Commander was far above his powers, sat in 
the 
opposite corner of the fireside, observing him respectfully, and as if he 
waited for some 
encouragement or expression of curiosity on Bunsby's part which should lead 
him to his 
own affairs. But as the mahogany philosopher gave no evidence of being 
sentient of 
anything but warmth and tobacco, except once, when taking his pipe from his 
lips to make 
room for his glass, he incidentally remarked with exceeding gruffness, that 
his name was 
Jack Bunsby—a declaration that presented but small opening for 
conversation—the Captain 
bespeaking his attention in a short complimentary exordium, narrated the 
whole history of 
Uncle Sol's departure, with the change it had produced in his own life and 
fortunes; and 
concluded by placing the packet on the table. 


</p>
            <p>After a long pause, Mr. Bunsby nodded his head. 


</p>
            <p>`Open?' said the Captain. 


</p>
            <p>Bunsby nodded again. 


</p>
            <p>The Captain accordingly broke the seal, and disclosed to view two folded 
papers, of which 
he severally read the endorsements, thus: `Last Will and Testament of Solomon 
Gills.' 
`Letter for Ned Cuttle.' 


</p>
            <p>Bunsby, with his eye on the coast of Greenland, seemed to listen for the 
contents. The 
Captain therefore hemmed to clear his throat, and read the letter aloud. 


</p>
            <p>`”My dear Ned Cuttle. When I left home for the West Indies”——' 


</p>
            <p>Here the Captain stopped, and looked hard at Bunsby, who looked fixedly at 
the coast of 
Greenland. 


</p>
            <p>—`”in forlorn search of intelligence of my dear boy, I knew that if you were 
acquainted 
with my design, you would thwart it, or accompany me; and therefore I kept it 
secret. If 
you ever read this letter, Ned, I am likely to be dead. You will easily 
forgive an old 
friend's folly then, and will feel for the restlessness and uncertainty in 
which he wandered 
away on such a wild voyage. So no more of that. I have little hope that my 
poor boy will 
ever read these words, or gladden your eyes with the sight of his frank face 
any more.” 
No, no; no more,' said Captain Cuttle, sorrowfully meditating; `no more. 
There he lays, all 
his days—' 


</p>
            <p>Mr. Bunsby, who had a musical ear, suddenly bellowed, `In the Bays of Biscay, 
O!' which 
so affected the good Captain, as an appropriate tribute to departed worth, 
that he shook 
him by the hand in acknowledgment, and was fain to wipe his eyes. 


</p>
            <p>`Well, well!' said the Captain with a sigh, as the Lament of Bunsby ceased to 
ring and 
vibrate in the skylight. `Affliction sore, long time he bore, and let us 
overhaul the 
wollume, and there find it.' 


</p>
            <p>`Physicians,' observed Bunsby, `was in vain.' 


</p>
            <p>`Aye, aye, to be sure,' said the Captain, `what's the good o' <hi>them</hi> in 
two or three 
hundred fathoms o' water!' Then returning to the letter, he read on:—`”But 
if he should be 
by, when it is opened;”' the Captain involuntarily looked round, and shook 
his head; `”or 
should know of it at any other time;”' the Captain shook his head again; `”my 
blessing on 
him! In case the accompanying paper is not legally written, it matters very 
little, for there 
is no one interested but you and he, and my plain wish is, that if he is 
living he should 
have what little there may be, and if (as I fear) otherwise, that you should 
have it, Ned. 
You will respect my wish, I know. God bless you for it, and for all your 
friendliness 
besides, to <hi rend="sc">solomon gills</hi>.” Bunsby!' said the Captain, appealing to 
him 
solemnly, `what do you make of this? There you sit, a man as has had his head 
broke 
from infancy up'ards, and has got a new opinion into it at every seam as has 
been opened. 
Now, what do you make o' this?' 


</p>
            <p>`If so be,' returned Bunsby, with unusual promptitude, `as he's dead, my 
opinion is he 
won't come back no more. If so be as he's alive, my opinion is he will. Do I 
say he will? 
No. Why not? Because the bearings of this obserwation lays in the application 
on it.' 


</p>
            <p>`Bunsby!' said Captain Cuttle, who would seem to have estimated the value of 
his 
distinguished friend's opinions in proportion to the immensity of the 
difficulty he 
experienced in making anything out of them; `Bunsby,' said the Captain, quite 
confounded 
by admiration, `you carry a weight of mind easy, as would swamp one of my 
tonnage 
soon. But in regard o' this here will, I don't mean to take no steps towards 
the 
property—Lord forbid!—except to keep it for a more rightful owner; and I 
hope yet as the 
rightful owner, Sol Gills, is living and 'll come back, strange as it is that 
he ain't 
forwarded no dispatches. Now, what is your opinion, Bunsby, as to stowing of 
these here 
papers away again, and marking outside as they was opened, such a day, in the 
presence 
of John Bunsby and Ed'ard Cuttle?' 


</p>
            <p>Bunsby, descrying no objection, on the coast of Greenland or elsewhere, to 
this proposal, 
it was carried into execution; and that great man, bringing his eye into the 
present for a 
moment, affixed his sign-manual to the cover, totally abstaining, with 
characteristic 
modesty, from the use of capital letters. Captain Cuttle, having attached his 
own 
left-handed signature, and locked up the packet in the iron safe, entreated 
his guest to mix 
another glass and smoke another pipe; and doing the like himself, fell a 
musing over the 
fire on the possible fortunes of the poor old Instrument-maker. 


</p>
            <p>And now a surprise occurred, so overwhelming and terrific that Captain 
Cuttle, 
unsupported by the presence of Bunsby, must have sunk beneath it, and been a 
lost man 
from that fatal hour. 


</p>
            <p>How the Captain, even in the satisfaction of admitting such a guest, could 
have only shut 
the door, and not locked it, of which negligence he was undoubtedly guilty, 
is one of 
those questions that must for ever remain mere points of speculation, or 
vague charges 
against destiny. But by that unlocked door, at this quiet moment, did the 
fell MacStinger 
dash into the parlour, bringing Alexander MacStinger in her parental arms, 
and confusion 
and vengeance (not to mention Juliana MacStinger, and the sweet child's 
brother, Charles 
MacStinger, popularly known about the scenes of his youthful sports, as 
Chowley) in her 
train. She came so swiftly and so silently, like a rushing air from the 
neighbourhood of the 
East India Docks, that Captain Cuttle found himself in the very act of 
sitting looking at 
her, before the calm face with which he had been meditating, changed to one 
of horror 
and dismay. 


</p>
            <p>But the moment Captain Cuttle understood the full extent of his misfortune, 
self-preservation dictated an attempt at flight. Darting at little door which 
opened from the 
parlour on the steep little range of cellar-steps, the Captain made a rush, 
head-foremost, at 
the latter, like a man indifferent to bruises and contusions, who only sought 
to hide 
himself in the bowels of the earth. In this gallant effort he would probably 
have 
succeeded, but for the affectionate dispositions of Juliana and Chowley, who 
pinning him 
by the legs—one of those dear children holding on to each—claimed him as 
their friend, 
with lamentable cries. In the meantime, Mrs. MacStinger, who never entered 
upon any 
action of importance without previously inverting Alexander MacStinger, to 
bring him 
within the range of a brisk battery of slaps, and then sitting him down to 
cool as the 
reader first beheld him, performed that solemn rite, as if on this occasion 
it were a 
sacrifice to the Furies; and having deposited the victim on the floor, made 
at the Captain 
with a strength of purpose that appeared to threaten scratches to the 
interposing 
Bunsby. 


</p>
            <p>The cries of the two elder MacStingers, and the wailing of young Alexander, 
who may be 
said to have passed a piebald childhood, forasmuch as he was black in the 
face during one 
half of that fairy period of existence, combined to make this visitation the 
more awful. But 
when silence reigned again, and the Captain, in a violent perspiration, stood 
meekly 
looking at Mrs. MacStinger, its terrors were at their height. 


</p>
            <p>`Oh, Cap'en Cuttle, Cap'en Cuttle!' said Mrs. MacStinger, making her chin 
rigid, and 
shaking it in unison with what, but for the weakness of her sex, might be 
described as her 
fist. `Oh, Cap'en Cuttle, Cap'en Cuttle, do you dare to look me in the face, 
and not be 
struck down in the herth!' 


</p>
            <p>The Captain, who looked anything but daring, feebly muttered `Stand by!' 


</p>
            <p>`Oh I was a weak of trusting Fool when I took you under <hi>my</hi> roof, 
Cap'en Cuttle, 
I was!' cried Mrs. MacStinger. `To think of the benefits I've showered on 
that man, and 
the way in which I brought my children up to love and honour him as if he was 
a father 
to 'em, when there an't a 'ousekeeper, no nor a lodger in our street, don't 
know that I lost 
money by that man, and by his guzzlings and his muzzlings'—Mrs. MacStinger 
used the 
last word for the joint sake of alliteration and aggravation, rather than for 
the expression 
of any idea—`and when they cried out one and all, shame upon him for putting 
upon an 
industrious woman, up early and late for the good of her young family, and 
keeping her 
poor place so clean that a individual might have ate his dinner, yes, and his 
tea too, if he 
was so disposed, off any one of the floors or stairs, in spite of all his 
guzzlings 
<hi>and</hi> his muzzlings, such was the care and pains bestowed upon him!' 


</p>
            <p>Mrs. MacStinger stopped to fetch her breath; and her face flushed with 
triumph in this 
second happy introduction of of Captain Cuttle's muzzlings. 


</p>
            <p>`And he runs awa-a-a-y!' cried Mrs. MacStinger, with a lengthening out of the 
last 
syllable that made the unfortunate Captain regard himself as the meanest of 
men; `and 
keeps away a twelvemonth! From a woman! Sitch is his conscience!He hasn't the 
courage 
to meet her hi-i-i-igh;' long syllable again; `but steals away, like a 
felion. Why, if that 
baby of mine,' said Mrs. MacStinger, with sudden rapidity, `was to offer to 
go and steal 
away, I'd do my duty as a mother by him, till he was covered with wales!' 


</p>
            <p>The young Alexander, interpreting this into a positive promise, to be shortly 
redeemed, 
tumbled over with fear and grief, and lay upon the floor, exhibiting the 
soles of his shoes 
and making such a deafening outcry, that Mrs. MacStinger found it necessary 
to take him 
up in her arms, where she quieted him, ever and anon, as he broke out again, 
by a shake 
that seemed enough to loosen his teeth. 


</p>
            <p>`A pretty sort of man is Cap'en Cuttle,' said Mrs. MacStinger, with a sharp 
stress on the 
first syllable of the Captain's name, `to take on for—and to lose sleep 
for—and to faint 
along of—and to think dead forsooth—and to go up and down the blessed town 
like a 
madwoman, asking questions after! Oh, a pretty sort of man! Ha ha ha ha! He's 
worth all 
that trouble and distress of mind, and much more. <hi>That's</hi> nothing, 
bless you! Ha ha 
ha ha! Cap'en Cuttle,' said Mrs. MacStinger, with severe reaction in her 
voice and 
manner, `I wish to know if you're a-coming home?' 


</p>
            <p>The frightened Captain looked into his hat, as if he saw nothing for it but 
to put it on, and 
give himself up. 


</p>
            <p>`Cap'en Cuttle,' repeated Mrs. MacStinger, in the same determined manner, `I 
wish to 
know if you're a-coming home, Sir?' 


</p>
            <p>The Captain seemed quite ready to go, but faintly suggested something to the 
effect of 
`not making so much noise about it.' 


</p>
            <p>`Aye, aye, aye,' said Bunsby, in a soothing tone. `Awast, my lass, awast!' 


</p>
            <p>`And who may <hi rend="sc">you</hi> be, if you please!' retorted Mrs. MacStinger, with 
chaste 
loftiness. `Did you ever lodge at Number Nine, Brig Place, Sir? My memory may 
be bad, 
but not with me, I think. There was a Mrs. Jollson lived at Number Nine 
before me, and 
perhaps you're mistaking me for her. That is my only ways of accounting for 
your 
familiarity, Sir.' 


</p>
            <p>`Come, come, my lass, awast, awast!' said Bunsby. 


</p>
            <p>Captain Cuttle could hardly believe it, even of this great man, though he saw 
it done with 
his waking eyes; but Bunsby, advancing boldly, put his shaggy blue arm round 
Mrs. 
MacStinger, and so softened her by his magic way of doing it, and by these 
few words—he 
said no more—that she melted into tears, after looking upon him for a few 
moments, and 
observed that a child might conquer her now, she was so low in her 
courage. 


</p>
            <p>Speechless and utterly amazed, the Captain saw him gradually persuade this 
inexorable 
woman into the shop, return for rum and water and a candle, take them to her, 
and pacify 
her without appearing to utter one word. Presently he looked in with his 
pilot-coat on, and 
said, `Cuttle, I'm a-going to act as convoy home;' and Captain Cuttle, more 
to his 
confusion than if he had been put in irons himself, for safe transport to 
Brig Place, saw 
the family pacifically filing off, with Mrs. MacStinger at their head. He had 
scarcely time 
to take down his canister, and stealthily convey some money into the hands of 
Juliana 
MacStinger, his former favourite, and Chowley, who had the claim upon him 
that he was 
naturally of a maritime build, before the Midshipman was abandoned by them 
all; and 
Bunsby whispering that he'd carry on smart, and hail Ned Cuttle again before 
he went 
aboard, shut the door upon himself, as the last member of the party. 


</p>
            <p>Some uneasy ideas that he must be walking in his sleep, or that he had been 
troubled with 
phantoms, and not a family of flesh and blood, beset the Captain at first, 
when he went 
back to the little parlour, and found himself alone. Illimitable faith in, 
and immeasurable 
admiration of, the Commander of the Cautious Clara, succeeded, and threw the 
Captain 
into a wondering trance. 


</p>
            <p>Still, as time wore on, and Bunsby failed to reappear, the Captain began to 
entertain 
uncomfortable doubts of another kind. Whether Bunsby had been artfully 
decoyed to Brig 
Place, and was there detained in safe custody as hostage for his friend; in 
which case it 
would become the Captain, as a man of honour, to release him, by the 
sacrifice of his own 
liberty. Whether he had been attacked and defeated by Mrs. MacStinger, and 
was ashamed 
to show himself after his discomfiture. Whether Mrs. MacStinger, thinking 
better of it, in 
the uncertainty of her temper, had turned back to board the Midshipman again, 
and 
Bunsby, pretending to conduct her by a short cut, was endeavouring to lose 
the family 
amid the wilds and savage places of the City. Above all, what it would behove 
him, 
Captain Cuttle, to do, in case of his hearing no more, either of the 
MacStingers or of 
Bunsby, which, in these wonderful and unforeseen conjunctions of events, 
might possibly 
happen. 


</p>
            <p>He debated all this until he was tired; and still no Bunsby. He made up his 
bed under the 
counter, all ready for turning in; and still no Bunsby. At length, when the 
Captain had 
given him up, for that night at least, and had begun to undress, the sound of 
approaching 
wheels was heard, and, stopping at the door, was succeeded by Bunsby's 
hail. 


</p>
            <p>The Captain trembled to think that Mrs. MacStinger was not to be got rid of, 
and had 
been brought back in a coach. 


</p>
            <p>But no. Bunsby was accompanied by nothing but a large box, which he hauled 
into the 
shop with his own hands, and as soon as he had hauled in, sat upon. Captain 
Cuttle knew 
it for the chest he had left at Mrs. MacStinger's house, and looking, candle 
in hand, at 
Bunsby more attentively, believed that he was three sheets in the wind, or, 
it plain words, 
drunk. It was difficult, however, to be sure of this; the Commander having no 
trace of 
expression in his face when sober. 


</p>
            <p>`Cuttle,' said the Commander, getting off the chest, and opening the lid, 
`are these here 
your traps?' 


</p>
            <p>Captain Cuttle looked in and identified his property. 


</p>
            <p>`Done pretty taut and trim, hey, shipmet?' said Bunsby. 


</p>
            <p>The grateful and bewildered Captain grasped him by the hand, and was 
launching into a 
reply expressive of his astonished feelings, when Bunsby disengaged himself 
by a jerk of 
his wrist, and seemed to make an effort to wink with his revolving eye, the 
only effect of 
which attempt, in his condition, was nearly to overbalance him. He then 
abruptly opened 
the door, and shot away to rejoin the Cautious Clara with all speed—supposed 
to be his 
invariable custom, whenever he considered he had made a point. 


</p>
            <p>As it was not his humour to be often sought, Captain Cuttle decided not to go 
or send to 
him next day, or until he should make his gracious pleasure known in such 
wise, or failing 
that, until some little time should have elapsed. The Captain, therefore, 
renewed his 
solitary life next morning, and thought profoundly, many mornings, noons, and 
nights, of 
old Sol Gills, and Bunsby's sentiments concerning him, and the hopes there 
were of his 
return. Much of such thinking strengthened Captain Cuttle's hopes; and he 
humoured them 
and himself by watching for the Instrument-maker at the door as he ventured 
to do now, 
in his strange liberty—and setting his chair in its place, and arranging the 
little parlour as it 
used to be, in case he should come home unexpectedly. He likewise, in his 
thoughtfulness, 
took down a certain little miniature of Walter as a schoolboy, from its 
accustomed nail, 
lest it should shock the old man on his return. The Captain had his 
presentiments, too, 
sometimes, that he would come on such a day; and one particular Sunday, even 
ordered a 
double allowance of dinner, he was so sanguine. But come, old Solomon did 
not; and still 
the neighbours noticed how the seafaring man in the glazed hat, stood at the 
shop-door of 
an evening, looking up and down the street. 

</p>
         </div>
         <div xml:id="c40" type="chapter">
            <head>CHAPTER XL</head>
            <head>Domestic Relations</head>
            <p>IT was not in the nature of things that a man of Mr. Dombey's mood, opposed 
to such a 
spirit as he had raised against himself, should be softened in the imperious 
asperity of his 
temper; or that the cold hard armour of pride in which he lived encased, 
should be made 
more flexible by constant collision with haughty scorn and defiance. It is 
the curse of such 
a nature—it is a main part of the heavy retribution on itself it bears 
within itself—that while 
deference and concession swell its evil qualities, and are the food it grows 
upon, resistance 
and a questioning of its exacting claims, foster it too, no less. The evil 
that is in it finds 
equally its means of growth and propagation in opposites. It draws support 
and life from 
sweets and bitters; bowed down before, or unacknowledged, it still enslaves 
the breast in 
which it has its throne; and, worshipped or rejected, is as hard a master as 
the Devil in 
dark fables. 


</p>
            <p>Towards his first wife, Mr. Dombey, in his cold and lofty arrogance, had 
borne himself 
like the removed Being he almost conceived himself to be. He had been `Mr. 
Dombey' 
with her when she first saw him, and he was `Mr. Dombey' when she died. He 
had 
asserted his greatness during their whole married life, and she had meekly 
recognised it. 
He had kept his distant seat of state on the top of his throne, and she her 
humble station 
on its lowest step; and much good it had done him, so to live in solitary 
bondage to his 
one idea! He had imagined that the proud character of his second wife would 
have been 
added to his own—would have merged into it, and exalted his greatness. He 
had pictured 
himself haughtier than ever, with Edith's haughtiness subservient to his. He 
had never 
entertained the possibility of its arraying itself against him. And now, when 
he found it 
rising in his path at every step and turn of his daily life, fixing its cold, 
defiant, and 
contemptuous face upon him, this pride of his, instead of withering, or 
hanging down its 
head beneath the shock, put forth new shoots, became more concentrated and 
intense, 
more gloomy, sullen, irksome, and unyielding, than it had ever been 
before. 


</p>
            <p>Who wears such armour, too, bears with him ever another heavy retribution. It 
is of proof 
against conciliation, love, and confidence! against all gentle sympathy from 
without, all 
trust, all tenderness, all soft emotion; but to deep stabs in the selflove, 
it is as vulnerable 
as the bare breast to steel; and such tormenting festers rankle there, as 
follow on no other 
wounds, no, though dealt with the mailed hand of Pride itself, on weaker 
pride, disarmed 
and thrown down. 


</p>
            <p>Such wounds were his. He felt them sharply, in the solitude of his old rooms; 
whither he 
now began often to retire again, and pass long solitary hours. It seemed his 
fate to be ever 
proud and powerful; ever humbled and powerless where he would be most strong. 
Who 
seemed fated to work out that doom? 


</p>
            <p>Who? Who was it who could win his wife as she had won his boy? Who was it who 
had 
shown him that new victory, as he sat in the dark corner? Who was it whose 
least word 
did what his utmost means could not? Who was it who, unaided by his love, 
regard or 
notice, thrived and grew beautiful when those so aided died? Who could it be, 
but the 
same child at whom he had often glanced uneasily in her motherless infancy, 
with a kind 
of dread, lest he might come to hate her; and of whom his foreboding was 
fulfilled, for he 
<hi rend="sc">did</hi> hate her in his heart? 


</p>
            <p>Yes, and he would have it hatred, and he made it hatred, though some sparkles 
of the light 
in which she had appeared before him on the memorable night of his return 
home with his 
Bride, occasionally hung about her still. He knew now that she was beautiful; 
he did not 
dispute that she was graceful and winning, and that in the bright dawn of her 
womanhood 
she had come upon him, a surprise. But he turned even this against her. In 
his sullen and 
unwholesome brooding, the unhappy man, with a dull perception of his 
alienation from all 
hearts, and a vague yearning for what he had all his life repelled, made a 
distorted picture 
of his rights and wrongs, and justified himself with it against her. The 
worthier she 
promised to be of him, the greater claim he was disposed to ante-date upon 
her duty and 
submission? When had she ever shown him duty and submission? Did she grace 
his 
life—or Edith's? Had her attractions been manifested first to him—or Edith? 
Why, he and 
she had never been, from her birth, like father and child! They had always 
been estranged. 
She had crossed him every way and everywhere. She was leagued against him 
now. Her 
very beauty softened natures that were obdurate to him, and insulted him with 
an 
unnatural triumph. 


</p>
            <p>It may have been that in all this there were mutterings of an awakened 
feeling in his 
breast, however selfishly aroused by his position of disadvantage, in 
comparison with what 
she might have made his life. But he silenced the distant thunder with the 
rolling of his 
sea of pride. He would bear nothing but his pride. And in his pride, a heap 
of 
inconsistency, and misery, and self-inflicted torment, he hated her. 


</p>
            <p>To the moody, stubborn, sullen demon, that possessed him, his wife opposed 
her different 
pride in its full force. They never could have led a happy life together; but 
nothing could 
have made it more unhappy, than the wilful and determined warfare of such 
elements. His 
pride was set upon maintaining his magnificent supremacy, and forcing 
recognition of it 
from her. She would have been racked to death, and turned but her haughty 
glance of 
calm inflexible disdain upon him, to the last. Such recognition from Edith! 
He little knew 
through what a storm and struggle she had been driven onward to the crowning 
honour of 
his hand. He little knew how much she thought she had conceded, when she 
suffered him 
to call her wife. 


</p>
            <p>Mr. Dombey was resolved to show her that he was supreme. There must be no 
will but 
his. Proud he desired that she should be, but she must be proud for, not 
against him. As 
he sat alone, hardening, he would often hear her go out and come home, 
treading the 
round of London life with no more heed of his liking or disliking, pleasure 
or displeasure, 
than if he had been her groom. Her cold supreme indifference—his own 
unquestioned 
attribute usurped—stung him more than any other kind of treatment could have 
done; and 
he determined to bend her to his magnificent and stately will. 


</p>
            <p>He had been long communing with these thoughts, when one night he sought her 
in her 
own apartment, after he had heard her return home late. She was alone, in her 
brilliant 
dress, and had but that moment come from her mother's room. Her face was 
melancholy 
and pensive, when he came upon her; but it marked him at the door; for, 
glancing at the 
mirror before it, he saw immediately, as in a picture-frame, the knitted 
brow, and darkened 
beauty that he knew so well. 


</p>
            <p>`Mrs. Dombey,' he said, entering, `I must beg leave to have a few words with 
you.' 


</p>
            <p>`To-morrow,' she replied. 


</p>
            <p>`There is no time like the present, Madam,' he returned. `You mistake your 
position. I am 
used to choose my own times; not to have them chosen for me. I think you 
scarcely 
understand who and what I am, Mrs. Dombey.' 


</p>
            <p>`I think,' she answered, `that I understand you very well.' 


</p>
            <p>She looked upon him as she said so, and folding her white arms, sparkling 
with gold and 
gems, upon her swelling breast, turned away her eyes. 


</p>
            <p>If she had been less handsome, and less stately in her cold composure, she 
might not have 
had the power of impressing him with the sense of disadvantage that 
penetrated through 
his utmost pride. But she had the power, and he felt it keenly. He glanced 
round the room: 
saw how the splendid means of personal adornment, and the luxuries of dress, 
were 
scattered here and there, and disregarded; not in mere caprice and 
carelessness (or so he 
thought), but in a steadfast haughty disregard of costly things: and felt it 
more and more. 
Chaplets of flowers, plumes of feathers, jewels, laces, silks and satins; 
look where he 
would, he saw riches, despised, poured out, and made of no account. The very 
diamonds—a marriage gift—that rose and fell impatiently upon her bosom, 
seemed to pant 
to break the chain that clasped them round her neck, and roll down on the 
floor where she 
might tread upon them. 


</p>
            <p>He felt his disadvantage, and he showed it. Solemn and strange among his 
wealth of 
colour and voluptuous glitter, strange and constrained towards its haughty 
mistress, whose 
repellent beauty it repeated, and presented all around him, as in so many 
fragments of a 
mirror, he was conscious of embarrassment and awkwardness. Nothing that 
ministered to 
her disdainful self-possession could fail to gall him. Galled and irritated 
with himself, he 
sat down, and went on in no improved humour: 


</p>
            <p>`Mrs. Dombey, it is very necessary that there should be some understanding 
arrived at 
between us. Your conduct does not please Me, madam.' 


</p>
            <p>She merely glanced at him again, and again averted her eyes; but she might 
have spoken 
for an hour, and expressed less. 


</p>
            <p>`I repeat, Mrs. Dombey, does not please me. I have already taken occasion to 
request that 
it may be corrected. I now insist upon it.' 


</p>
            <p>`You chose a fitting occasion for your first remonstrance, Sir, and you adopt 
a fitting 
manner, and a fitting word for your second. <hi>You</hi> insist! To 
<hi>me!</hi>' 


</p>
            <p>`Madam,' said Mr. Dombey, with his most offensive air of state, `I have made 
you my 
wife. You bear my name. You are associated with my position and my 
reputation. I will 
not say that the world in general may be disposed to think you honoured by 
that 
association; but I will say that I am accustomed to “insist,” to my 
connections and 
dependents.' 


</p>
            <p>`Which may you be pleased to consider me?' she asked. 


</p>
            <p>`Possibly I may think that my wife should partake—or does partake, and 
cannot help 
herself—of both characters, Mrs. Dombey.' 


</p>
            <p>She bent her eyes upon him steadily, and set her trembling lips. He saw her 
bosom throb, 
and saw her face flush and turn white. All this he could know, and did: but 
he could not 
know that one word was whispering in the deep recesses of her heart, to keep 
her quiet; 
and that the word was Florence. 


</p>
            <p>Blind idiot, rushing to a precipice! He thought she stood in awe of 
<hi>him!</hi>


            </p>
            <p>`You are too expensive, Madam,' said Mr. Dombey. `You are extravagant. You 
waste a 
great deal of money—or what would be a great deal in the pockets of most 
gentlemen—in 
cultivating a kind of society that is useless to me, and, indeed, that upon 
the whole is 
disagreeable to me. I have to insist upon a total change in all these 
respects. I know that 
in the novelty of possessing a tithe of such means as Fortune has placed at 
your disposal, 
ladies are apt to run into a sudden extreme. There has been more than enough 
of that 
extreme. I beg that Mrs. Granger's very different experiences may now come to 
the 
instruction of Mrs. Dombey.' 


</p>
            <p>Still the fixed look, the trembling lips, the throbbing breast, the face now 
crimson and 
now white; and still the deep whisper Florence, Florence, speaking to her in 
the beating of 
her heart. 


</p>
            <p>His insolence of self-importance dilated as he saw this alteration in her. 
Swollen no less 
by her past scorn of him, and his so recent feeling of disadvantage, than by 
her present 
submission (as he took it to be), it became too mighty for his breast, and 
burst all bounds. 
Why, who could long resist his lofty will and pleasure! He had resolved to 
conquer her, 
and look here! 


</p>
            <p>`You will further please, Madam,' said Mr. Dombey, in a tone of sovereign 
command, `to 
understand distinctly, that I am to be deferred to and obeyed. That I must 
have a positive 
show and confession of deference before the world, Madam. I am used to this. 
I require it 
as my right. In short I will have it. I consider it no unreasonable return 
for the worldly 
advancement that has befallen you; and I believe nobody will be surprised, 
either at its 
being required from you, or at your making it.—To Me—To Me!' he added, with 
emphasis. 


</p>
            <p>No word from her. No change in her. Her eyes upon him. 


</p>
            <p>`I have learnt from your mother, Mrs. Dombey,' said Mr. Dombey, with 
magisterial 
importance, `what no doubt you know, namely, that Brighton is recommended for 
her 
health. Mr. Carker has been so good——' 


</p>
            <p>She changed suddenly. Her face and bosom glowed as if the red light of an 
angry sunset 
had been flung upon them. Not unobservant of the change, and putting his own 
interpretation upon it, Mr. Dombey resumed: 


</p>
            <p>`Mr. Carker has been so good as to go down and secure a house there, for a 
time. On the 
return of the establishment to London, I shall take such steps for its better 
management as 
I consider necessary. One of these, will be the engagement at Brighton (if it 
is to be 
effected), of a very respectable reduced person there, a Mrs. Pipchin, 
formerly employed 
in a situation of trust in my family, to act as housekeeper. An establishment 
like this, 
presided over but nominally, Mrs. Dombey, requires a competent head.' 


</p>
            <p>She had changed her attitude before he arrived at these words, and now 
sat—still looking 
at him fixedly—turning a bracelet round and round upon her arm; not winding 
it about 
with a light, womanly touch, but pressing and dragging it over the smooth 
skin, until the 
white limb showed a bar of red. 


</p>
            <p>`I observed,' said Mr. Dombey—`and this concludes what I deem it necessary 
to say to 
you at present, Mrs. Dombey—I observed a moment ago, Madam, that my allusion 
to Mr. 
Carker was received in a peculiar manner. On the occasion of my happening to 
point out 
to you, before that confidential agent, the objection I had to your mode of 
receiving my 
visitors, you were pleased to object to his presence. You will have to get 
the better of that 
objection, Madam, and to accustom yourself to it very probably on many 
similar 
occasions; unless you adopt the remedy which is in your own hands, of giving 
me no 
cause of complaint. Mr. Carker,' said Mr. Dombey, who, after the emotion he 
had just 
seen, set great store by this means of reducing his proud wife, and who was 
perhaps 
sufficiently willing to exhibit his power to that gentleman in a new and 
triumphant aspect, 
`Mr. Carker being in my confidence, Mrs. Dombey, may very well be in yours to 
such an 
extent. I hope, Mrs. Dombey,' he continued, after a few moments, during 
which, in his 
increasing haughtiness, he had improved on his idea, `I may not find it 
necessary ever to 
intrust Mr. Carker with any message of objection or remonstrance to you; but 
as it would 
be derogatory to my position and reputation to be frequently holding trivial 
disputes with a 
lady upon whom I have conferred the highest distinction that it is in my 
power to bestow, 
I shall not scruple to avail myself of his services if I see occasion.' 


</p>
            <p>`And now,' he thought, rising in his moral magnificence, and rising a stiffer 
and more 
impenetrable man than ever, `she knows me and my resolution.' 


</p>
            <p>The hand that had so pressed the bracelet was laid heavily upon her breast, 
but she looked 
at him still, with an unaltered face, and said in a low voice: 


</p>
            <p>`Wait! For God's sake! I must speak to you.' 


</p>
            <p>Why did she not, and what was the inward struggle that rendered her incapable 
of doing 
so, for minutes, while, in the strong constraint she put upon her face, it 
was as fixed as 
any statue's—looking upon him with neither yielding nor unyielding, liking 
nor hatred, 
pride nor humility: nothing but a searching gaze? 


</p>
            <p>`Did I ever tempt you to seek my hand? Did I ever use any art to win you? Was 
I ever 
more conciliating to you when you pursued me, than I have been since our 
marriage? Was 
I ever other to you than I am?' 


</p>
            <p>`It is wholly unnecessary, Madam,' said Mr. Dombey, `to enter upon such 
discussions.' 


</p>
            <p>`Did you think I loved you? Did you know I did not? Did you ever care, Man! 
for my 
heart, or propose to yourself to win the worthless thing? Was there any poor 
pretence of 
any in our bargain? Upon your side, or on mine?' 


</p>
            <p>`These questions,' said Mr. Dombey, `are all wide of the purpose, Madam.' 


</p>
            <p>She moved between him and the door to prevent his going away, and drawing her 
majestic 
figure to its height, looked steadily upon him still. 


</p>
            <p>`You answer each of them. You answer me before I speak, I see. How can you 
help it; 
you who know the miserable truth as well as I? Now, tell me. If I loved you 
to devotion, 
could I do more than render up my whole will and being to you, as you have 
just 
demanded? If my heart were pure and all untried, and you its idol, could you 
ask more; 
could you have more?' 


</p>
            <p>`Possibly not, Madam,' he returned coolly. 


</p>
            <p>`You know how different I am. You see me looking on you now, and you can read 
the 
warmth of passion for you that is breathing in my face.' Not a curl of the 
proud lip, not a 
flash of the dark eye, nothing but the same intent and searching look, 
accompanied these 
words. `You know my general history. You have spoken of my mother. Do you 
think you 
can degrade, or bend or break, <hi>me</hi> to submission and obedience?' 


</p>
            <p>Mr. Dombey smiled, as he might have smiled at an inquiry whether he thought 
he could 
raise ten thousand pounds. 


</p>
            <p>`If there is anything unusual here,' she said, with a slight motion of her 
hand before her 
brow, which did not for a moment flinch from its immovable and otherwise 
expressionless 
gaze, `as I know there are unusual feelings here,' raising the hand she 
pressed upon her 
bosom, and heavily returning it, `consider that there is no common meaning in 
the appeal 
I am going to make you. Yes, for I am going;' she said it as in prompt reply 
to something 
in his face; `to appeal to you.' 


</p>
            <p>Mr. Dombey, with a slightly condescending bend of his chin that rustled and 
crackled his 
stiff cravat, sat down on a sofa that was near him, to hear the appeal. 


</p>
            <p>`If you can believe that I am of such a nature now,'—he fancied he saw tears 
glistening in 
her eyes, and he thought, complacently, that he had forced them from her, 
though none 
fell on her cheek, and she regarded him as steadily as ever,—`as would make 
what I now 
say almost incredible to myself, said to any man who had become my husband, 
but, above 
all, said to you, you may, perhaps, attach the greater weight to it. In the 
dark end to which 
we are tending, and may come, we shall not involve ourselves alone (that 
might not be 
much) but others.' 


</p>
            <p>Others! He knew at whom that word pointed, and frowned heavily. 


</p>
            <p>`I speak to you for the sake of others. Also your own sake; and for mine. 
Since our 
marriage, you have been arrogant to me; and I have repaid you in kind. You 
have shown 
to me and every one around us, every day and hour, that you think I am graced 
and 
distinguished by your alliance. I do not think so, and have shown that too. 
It seems you do 
not understand, or (so far as your power can go) intend that each of us shall 
take a 
separate course; and you expect from me instead, a homage you will never 
have.' 


</p>
            <p>Although her face was still the same, there was emphatic confirmation of this 
`Never' in 
the very breath she drew. 


</p>
            <p>`I feel no tenderness towards you; that you know. You would care nothing for 
it, if I did 
or could. I know as well that you feel none towards me. But we are linked 
together; and 
in the knot that ties us, as I have said, others are bound up. We must both 
die; we are 
both connected with the dead already, each by a little child. Let us 
forbear.' 


</p>
            <p>Mr. Dombey took a long respiration, as if he would have said, Oh! was 
<hi>this</hi>
all! 


</p>
            <p>`There is no wealth,' she went on, turning paler as she watched him, while 
her eyes grew 
yet more lustrous in their earnestness, `that could buy these words of me, 
and the meaning 
that belongs to them. Once cast away as idle breath, no wealth or power can 
bring them 
back. I mean them; I have weighed them; and I will be true to what I 
undertake. If you 
will promise to forbear on your part, I will promise to forbear on mine. We 
are a most 
unhappy pair, in whom, from different causes, every sentiment that blesses 
marriage, or 
justifies it, is rooted out; but in the course of time, some friendship, or 
some fitness for 
each other, may arise between us. I will try to hope so, if you will make the 
endeavour 
too; and I will look forward to a better and a happier use of age than I have 
made of 
youth or prime.' 


</p>
            <p>Throughout she had spoken in a low plain voice, that neither rose nor fell; 
ceasing, she 
dropped the hand with which she had enforced herself to be so passionless and 
distinct, 
but not the eyes with which she had so steadily observed him. 


</p>
            <p>`Madam,' said Mr. Dombey, with his utmost dignity, `I cannot entertain any 
proposal of 
this extraordinary nature.' 


</p>
            <p>She looked at him yet, without the least change. 


</p>
            <p>`I cannot,' said Mr. Dombey, rising as he spoke, `consent to temporise or 
treat with you, 
Mrs. Dombey, upon a subject as to which you are in possession of my opinions 
and 
expectations. I have stated my <hi>ultimatum</hi>, Madam, and have only to 
request your 
very serious attention to it.' 


</p>
            <p>To see the face change to its old expression, deepened in intensity! To see 
the eyes droop 
as from some mean and odious object! To see the lighting of the haughty brow! 
To see 
scorn, anger, indignation, and abhorrence starting into sight, and the pale 
blank earnestness 
vanish like a mist! He could not choose but look, although he looked to his 
dismay. 


</p>
            <p>`Go, Sir!' she said, pointing with an imperious hand towards the door. `Our 
first and last 
confidence is at an end. Nothing can make us stranger to each other than we 
are 
henceforth.' 


</p>
            <p>`I shall take my rightful course, Madam,' said Mr. Dombey, `undeterred, you 
may be sure, 
by any general declamation.' 


</p>
            <p>She turned her back upon him, and, without reply, sat down before her 
glass. 


</p>
            <p>`I place my reliance on your improved sense of duty, and more correct 
feeling, and better 
reflection, Madam,' said Mr. Dombey. 


</p>
            <p>She answered not one word. He saw no more expression of any heed of him, in 
the 
mirror, than if he had been an unseen spider on the wall, or beetle on the 
floor, or rather, 
than if he had been the one or other, seen and crushed when she last turned 
from him, and 
forgotten among the ignominious and dead vermin of the ground. 


</p>
            <p>He looked back, as he went out at the door, upon the welllighted and 
luxurious room, the 
beautiful and glittering objects everywhere displayed, the shape of Edith in 
its rich dress 
seated before her glass, and the face of Edith as the glass presented it to 
him; and betook 
himself to his old chamber of cogitation, carrying away with him a vivid 
picture in his 
mind of all these things, and a rambling and unaccountable speculation (such 
as 
sometimes comes into a man's head) how they would all look when he saw them 
next. 


</p>
            <p>For the rest, Mr. Dombey was very taciturn, and very dignified, and very 
confident of 
carrying out his purpose; and remained so. 


</p>
            <p>He did not design accompanying the family to Brighton; but he graciously 
informed 
Cleopatra at breakfast, on the morning of departure, which arrived a day or 
two 
afterwards, that he might be expected down, soon. There was no time to be 
lost in getting 
Cleopatra to any place recommended as being salutary; for, indeed, she seemed 
upon the 
wane, and turning of the earth, earthy. 


</p>
            <p>Without having undergone any decided second attack of her malady, the old 
woman 
seemed to have crawled backward in her recovery from the first. She was more 
lean and 
shrunken, more uncertain in her imbecility, and made stranger confusions in 
her mind and 
memory. Among other symptoms of this last affliction, she fell into the habit 
of 
confounding the names of her two sons-in-law, the living and the deceased; 
and in general 
called Mr. Dombey, either `Grangeby,' or `Domber,' or indifferently, both. 


</p>
            <p>But she was youthful, very youthful still; and in her youthfulness appeared 
at breakfast, 
before going away, in a new bonnet made express, and a travelling robe that 
was 
embroidered and braided like an old baby's. It was not easy to put her into a 
fly-away 
bonnet now, or to keep the bonnet in its place on the back of her poor 
nodding head, 
when it was got on. In this instance, it had not only the extraneous effect 
of being always 
on one side, but of being perpetually tapped on the crown by Flowers the 
maid, who 
attended in the background during breakfast to perform that duty. 


</p>
            <p>`Now, my dearest Grangeby,' said Mrs. Skewton, `you must posively prom,' she 
cut some 
of her words short, and cut out others altogether, `come down very soon.' 


</p>
            <p>`I said just now, Madam,' returned Mr. Dombey, loudly and laboriously, `that 
I am 
coming in a day or two.' 


</p>
            <p>`Bless you, Domber!' 


</p>
            <p>Here the Major, who was come to take leave of the ladies, and who was staring 
through 
his apoplectic eyes at Mrs. Skewton's face, with the disinterested composure 
of an 
immortal being, said: 


</p>
            <p>`Begad, Ma'am, you don't ask old Joe to come!' 


</p>
            <p>`Sterious wretch, who's he?' lisped Cleopatra. But a tap on the bonnet from 
Flowers 
seeming to jog her memory, she added, `Oh! You mean yourself, you naughty 
creature!' 


</p>
            <p>`Devilish queer, Sir,' whispered the Major to Mr. Dombey. `Bad case. Never 
<hi>did</hi>
wrap up enough;' the Major being buttoned to the chin. `Why who should J. B. 
mean by 
Joe, but old Joe Bagstock—Joseph—your slave—Joe, Ma'am? Here!Here's the 
man! Here 
are the Bagstock bellows, Ma'am!' cried the Major, striking himself a 
sounding blow on 
the chest. 


</p>
            <p>`My dearest Edith—Grangeby—it's most trordinry thing,' said Cleopatra, 
pettishly, `that 
Major—' 


</p>
            <p>`Bagstock! J. B.!' cried the Major, seeing that she faltered for his name. 


</p>
            <p>`Well, it don't matter,' said Cleopatra. `Edith, my love, you know I never 
could remember 
names—what was it? oh!—most trordinry thing that so many people want to 
come down to 
see me. I'm not going for long. I'm coming back. Surely they can wait, till I 
come 
back!' 


</p>
            <p>Cleopatra looked all round the table as she said it, and appeared very 
uneasy. 


</p>
            <p>`I won't have visitors—really don't want visitors,' she said; `little 
repose—and all that sort 
of thing—is what I quire. No odious brutes must proach me till I've shaken 
off this 
numbness;' and in a grisly resumption of her coquettish ways, she made a dab 
at the 
Major with her fan, but overset Mr. Dombey's breakfast cup instead, which was 
in quite a 
different direction. 


</p>
            <p>Then she called for Withers, and charged him to see particularly that word 
was left about 
some trivial alterations in her room, which must be all made before she came 
back, and 
which must be set about immediately, as there was no saying how soon she 
might come 
back; for she had a great many engagements, and all sorts of people to call 
upon. Withers 
received these directions with becoming deference, and gave his guarantee for 
their 
execution; but when he withdrew a pace or two behind her, it appeared as if 
he couldn't 
help looking strangely at the Major, who couldn't help looking strangely at 
Mr. Dombey, 
who couldn't help looking strangely at Cleopatra, who couldn't help nodding 
her bonnet 
over one eye, and rattling her knife and fork upon her plate in using them, 
as if she were 
playing castanets. 


</p>
            <p>Edith alone never lifted her eyes to any face at the table, and never seemed 
dismayed by 
anything her mother said or did. She listened to her disjointed talk, or at 
least, turned her 
head towards her when addressed; replied in a few low words when necessary; 
and 
sometimes stopped her when she was rambling, or brought her thoughts back 
with a 
monosyllable, to the point from which they had strayed. The mother, however 
unsteady in 
other things, was constant in this—that she was always observant of her. She 
would look at 
the beautiful face, in its marble stillness and severity, now with a kind of 
fearful 
admiration; now in a giggling foolish effort to move it to a smile; now with 
capricious 
tears and jealous shakings of her head, as imagining herself neglected by it; 
always with 
an attraction towards it, that never fluctuated like her other ideas, but had 
constant 
possession of her. From Edith she would sometimes look at Florence, and back 
again at 
Edith, in a manner that was wild enough; and sometimes she would try to look 
elsewhere, 
as if to escape from her daughter's face; but back to it she seemed forced to 
come, 
although it never sought hers unless sought, or troubled her with one single 
glance. 


</p>
            <p>The breakfast concluded, Mrs. Skewton, affecting to lean girlishly upon the 
Major's arm, 
but heavily supported on the other side by Flowers the maid, and propped up 
behind by 
Withers the page, was conducted to the carriage, which was to take her, 
Florence, and 
Edith to Brighton. 


</p>
            <p>`And is Joseph absolutely banished?' said the Major, thrusting in his purple 
face over the 
steps. `Damme, Ma'am, is Cleopatra so hard-hearted as to forbid her faithful 
Antony 
Bagstock to approach the presence?' 


</p>
            <p>`Go along!' said Cleopatra, `I can't bear you. You shall see me when I come 
back, if you 
are very good.' 


</p>
            <p>`Tell Joseph, he may live in hope, Ma'am,' said the Major; `or he'll die in 
despair.' 


</p>
            <p>Cleopatra shuddered, and leaned back. `Edith, my dear,' she said. `Tell 
him—' 


</p>
            <p>`What?' 


</p>
            <p>`Such dreadful words,' said Cleopatra. `He uses such dreadful words!' 


</p>
            <p>Edith signed to him to retire, gave the word to go on, and left the 
objectionable Major to 
Mr. Dombey. To whom he returned, whistling. 


</p>
            <p>`I'll tell you what, Sir,' said the Major, with his hands behind him, and his 
legs very wide 
asunder, `a fair friend of ours has removed to Queer Street.' 


</p>
            <p>`What do you mean, Major?' inquired Mr. Dombey. 


</p>
            <p>`I mean to say, Dombey,' returned the Major, `that you'll soon be an 
orphan-in-law.' 


</p>
            <p>Mr. Dombey appeared to relish this waggish description of himself so very 
little, that the 
Major wound up with the horse's cough, as an expression of gravity. 


</p>
            <p>`Damme, Sir,' said the Major, `there is no use in disguising a fact. Joe is 
blunt, Sir. That's 
his nature. If you take old Josh at all, you take him as you find him; and a 
de-vilish rusty, 
old rasper, of a close-toothed, J. B. file, you <hi>do</hi> find him. Dombey,' 
said the 
Major, `your wife's mother is on the move, Sir.' 


</p>
            <p>`I fear,' returned Mr. Dombey, with much philosophy, `that Mrs. Skewton is 
shaken.' 


</p>
            <p>`Shaken, Dombey!' said the Major. `Smashed!' 


</p>
            <p>`Change, however,' pursued Mr. Dombey, `and attention may do much yet.' 


</p>
            <p>`Don't believe it, Sir,' returned the Major. `Damme, Sir, she never wrapped 
up enough. If 
a man don't wrap up,' said the Major, taking in another button of his buff 
waistcoat, `he 
has nothing to fall back upon. But some people <hi>will</hi> die. They 
<hi>will</hi> do it. 
Damme, they <hi>will</hi>. They're obstinate. I tell you what, Dombey, it may 
not be 
ornamental; it may not be refined; it may be rough and tough; but a little of 
the genuine 
old English Bagstock stamina, Sir, would do all the good in the world to the 
human 
breed.' 


</p>
            <p>After imparting this precious piece of information, the Major, who was 
certainly true-blue, 
whatever other endowments he may have possessed or wanted, coming within the 
`genuine 
old English' classification, which has never been exactly ascertained, took 
his lobster-eyes 
and his apoplexy to the club, and choked there all day. 


</p>
            <p>Cleopatra, at one time fretful, at another self-complacent, sometimes awake, 
sometimes 
asleep, and at all times juvenile, reached Brighton the same night, fell to 
pieces as usual, 
and was put away in bed; where a gloomy fancy might have pictured a more 
potent 
skeleton than the maid, who should have been one, watching at the 
rose-coloured curtains, 
which were carried down to shed their bloom upon her. 


</p>
            <p>It was settled in high council of medical authority that she should take a 
carriage airing 
every day, and that it was important she should get out every day, and walk 
if she could. 
Edith was ready to attend her—always ready to attend her, with the same 
mechanical 
attention and immoveable beauty—and they drove out alone; for Edith had an 
uneasiness in 
the presence of Florence, now that her mother was worse, and told Florence, 
with a kiss, 
that she would rather they two went alone. 


</p>
            <p>Mrs. Skewton, on one particular day, was in the irresolute, exacting, jealous 
temper that 
had developed itself on her recovery from her first attack. After sitting 
silent in the 
carriage watching Edith for some time, she took her hand and kissed it 
passionately. The 
hand was neither given nor withdrawn, but simply yielded to her raising of 
it, and being 
released, dropped down again, almost as if it were insensible. At this she 
began to 
whimper and moan, and say what a mother she had been, and how she was 
forgotten! 
This she continued to do at capricious intervals, even when they had 
alighted: when she 
herself was halting along with the joint support of Withers and a stick, and 
Edith was 
walking by her side, and the carriage slowly following at a little 
distance. 


</p>
            <p>It was a bleak, lowering, windy day, and they were out upon the Downs with 
nothing but 
a bare sweep of land between them and the sky. The mother, with a querulous 
satisfaction 
in the monotony of her complaint, was still repeating it in a low voice from 
time to time, 
and the proud form of her daughter moved beside her slowly, when there came 
advancing 
over a dark ridge before them, two other figures, which in the distance, were 
so like an 
exaggerated imitation of their own, that Edith stopped. 


</p>
            <p>Almost as she stopped, the two figures stopped; and that one which to Edith's 
thinking 
was like a distorted shadow of her mother, spoke to the other, earnestly, and 
with a 
pointing hand towards them. That one seemed inclined to turn back, but the 
other, in 
which Edith recognised enough that was like herself to strike her with an 
unusual feeling, 
not quite free from fear, came on; and then they came on together. 


</p>
            <p>The greater part of this observation, she made while walking towards them, 
for her 
stoppage had been momentary. Nearer observation sowed her that they were 
poorly 
dressed, as wanderers about the country; that the younger woman carried 
knitted work or 
some such goods for sale; and that the old one toiled on empty-handed. 


</p>
            <p>And yet, however far removed she was in dress, in dignity, in beauty, Edith 
could not but 
compare the younger woman with herself, still. It may have been that she saw 
upon her 
face some traces which she knew were lingering in her own soul, if not yet 
written on that 
index; but, as the woman came on, returning her gaze, fixing her shining eyes 
upon her, 
undoubtedly presenting something of her own air and stature, and appearing to 
reciprocate 
her own thoughts, she felt a chill creep over her, as if the day were 
darkening, and the 
wind were colder. 


</p>
            <p>They had now come up. The old woman holding out her hand importunately, 
stopped to 
beg of Mrs. Skewton. The younger one stopped too, and she and Edith looked in 
one 
another's eyes. 


</p>
            <p>`What is it that you have to sell?' said Edith. 


</p>
            <p>`Only this,' returned the woman, holding out her wares, without looking at 
them. `I sold 
myself long ago.' 


</p>
            <p>`My lady, don't believe her,' croaked the old woman to Mrs. Skewton; `don't 
believe what 
she says. She loves to talk like that. She's my handsome and undutiful 
daughter. She gives 
me nothing but reproaches, my lady, for all I have done for her. Look at her 
now, my 
lady, how she turns upon her poor old mother with her looks.' 


</p>
            <p>As Mrs. Skewton drew her purse out with a trembling hand, and eagerly fumbled 
for some 
money, which the other old woman greedily watched for—their heads all but 
touching, in 
their hurry and decrepitude—Edith interposed: 


</p>
            <p>`I have seen you,' addressing the old woman, `before.' 


</p>
            <p>`Yes, my lady,' with a curtsey. `Down in Warwickshire. The morning among the 
trees. 
When you wouldn't give me nothing. But the gentleman, <hi>he</hi> give me 
something! 
Oh, bless him, bless him!' mumbled the old woman, holding up her skinny hand, 
and 
grinning frightfully at her daughter. 


</p>
            <p>`It's of no use attempting to stay me, Edith!' said Mrs. Skewton, angrily 
anticipating an 
objection from her. `You know nothing about it. I won't be dissuaded. I am 
sure this is an 
excellent woman, and a good mother.' 


</p>
            <p>`Yes, my lady, yes,' chattered the old woman, holding out her avaricious 
hand. `Thankee, 
my lady. Lord bless you, my lady. Sixpence more, my pretty lady, as a good 
mother 
yourself.' 


</p>
            <p>`And treated undutifully enough, too, my good old creature, sometimes, I 
assure you,' said 
Mrs. Skewton, whimpering. `There! Shake hands with me. You're a very good old 
creature—full of what's-his-name—and all that. You're all affection and et 
cetera, an't 
you?' 


</p>
            <p>`Oh, yes, my lady!' 


</p>
            <p>`Yes, I'm sure you are; and so's that gentlemanly creature Grangeby. I must 
really shake 
hands with you again. And now you can go, you know; and I hope,' addressing 
the 
daughter, `you'll show more gratitude, and natural what'sits-name, and all 
the rest of 
it—but I never <hi>did&gt;</hi> remember names—for there never was a better 
mother than the 
good old creature's been to you. Come, Edith!' 


</p>
            <p>As the ruin of Cleopatra tottered off whimpering, and wiping its eyes with a 
gingerly 
remembrance of rouge in their neighbourhood, the old woman hobbled another 
way, 
mumbling and counting her money. Not one word more, nor one other gesture, 
had been 
exchanged between Edith and the younger woman, but neither had removed her 
eyes from 
the other for a moment. They had remained confronted until now, when Edith, 
as 
awakening from a dream, passed slowly on. 


</p>
            <p>`You're a handsome woman,' muttered her shadow, looking after her; `but good 
looks 
won't save us. And you're a proud woman; but pride won't save us. We had need 
to know 
each other when we meet again!' 

</p>
         </div>
         <div xml:id="c41" type="chapter">
            <head>CHAPTER XLI</head>
            <head>New Voices in the Waves</head>
            <p>ALL is going on as it was wont. The waves are hoarse with repetition of their 
mystery; the dust lies piled upon the shore; the sea-birds soar and hover; 
the winds and clouds go forth upon their trackless flight; the white arms 
beckon, in the moonlight to the invisible country far away. 


</p>
            <p>With a tender melancholy pleasure, Florence finds herself again on the old 
ground so sadly trodden, yet so happily, and thinks of him in the quiet 
place, where he and she have many and many a time conversed together, with 
the water welling up about his couch. And now, as she sits pensive there, she 
hears in the wild low murmur of the sea, his little story told again, his 
very words repeated; and finds that all her life and hopes, and griefs, 
since—in the solitary house, and in the pageant it has changed to—have a 
portion in the burden of the marvellous song. 


</p>
            <p>And gentle Mr. Toots, who wanders at a distance, looking wistfully towards 
the figure that he dotes upon, and has followed there, but cannot in his 
delicacy disturb at such a time, likewise hears the requiem of little Dombey 
on the waters, rising and falling in the lulls of their eternal madrigal in 
praise of Florence. Yes! and he faintly understands, poor Mr. Toots, that 
they are saying something of a time when he was sensible of being brighter 
and not addle-brained; and the tears rising in his eyes when he fears that he 
is dull and stupid now, and good for little but to be laughed at, diminish 
his satisfaction in their soothing reminder that he is relieved from present 
responsibility to the Chicken, by the absence of that game head of poultry in 
the country, training (at Toots's cost) for his great mill with the Larkey 
Boy. 


</p>
            <p>But Mr. Toots takes courage, when they whisper a kind thought to him; and by 
slow degrees and with many indecisive stoppages on the way, approaches 
Florence. Stammering and blushing, Mr. Toots affects amazement when he comes 
near her, and says (having followed close on the carriage in which she 
travelled, every inch of the way from London, loving even to be choked by the 
dust of its wheels) that he never was so surprised in all his life. 


</p>
            <p>`And you've brought Diogenes, too, Miss Dombey!' says Mr. Toots, thrilled 
through and through by the touch of the small hand so pleasantly and frankly 
given him. 


</p>
            <p>No doubt Diogenes is there, and no doubt Mr. Toots has reason to observe him, 
for he comes straightway at Mr. Toots's legs, and tumbles over himself in the 
desperation with which he makes at him, like a very dog of Montargis. But he 
is checked by his sweet mistress. 


</p>
            <p>`Down, Di, down. Don't you remember who first made us friends, Di? For 
shame!' 


</p>
            <p>Oh! Well may Di lay his loving cheek against her hand, and run off, and run 
back, and run round her, barking, and run headlong at anybody coming by, to 
show his devotion. Mr. Toots would run headlong at anybody, too. A military 
gentleman goes past, and Mr. Toots would like nothing better than to run at 
him, full tilt. 


</p>
            <p>`Diogenes is quite in his native air, isn't he, Miss Dombey?' says Mr. 
Toots. 


</p>
            <p>Florence assents, with a grateful smile. 


</p>
            <p>`Miss Dombey,' says Mr. Toots, `beg your pardon, but if you would like to 
walk to Blimber's, I—I'm going there.' 


</p>
            <p>Florence puts her arm in that of Mr. Toots without a word, and they walk away 
together, with Diogenes going on before. Mr. Toots's legs shake under him; 
and though he is splendidly dressed, he feels misfits, and sees wrinkles, in 
the masterpieces of Burgess and Co., and wishes he had put on that brightest 
pair of boots. 


</p>
            <p>Doctor Blimber's house, outside, has as scholastic and studious an air as 
ever: and up there is the window where she used to look for the pale face, 
and where the pale face brightened when it saw her, and the wasted little 
hand waved kisses as she passed. The door is opened by the same weakeyed 
young man, whose imbecility of grin at sight of Mr. Toots is feebleness of 
character personified. They are shown into the Doctor's study, where blind 
Homer and Minerva give them audience as of yore, to the sober ticking of the 
great clock in the hall; and where the globes stand still in their accustomed 
places, as if the world were stationary too, and nothing in it ever perished 
in obedience to the universal law, that, while it keeps it on the roll, calls 
everything to earth. 


</p>
            <p>And here is Doctor Blimber, with his learned legs; and here is Mrs. Blimber, 
with her sky-blue cap; and here is Cornelia, with her sandy little row of 
curls, and her bright spectacles, still working like a sexton in the graves 
of languages. Here is the table upon which he sat forlorn and strange, the 
`new boy' of the school; and hither comes the distant cooing of the old boys, 
at their old lives in the old room on the old principle! 


</p>
            <p>`Toots,' says Doctor Blimber, `I am very glad to see you, Toots.' 


</p>
            <p>Mr. Toots chuckles in reply. 


</p>
            <p>`Also to see you, Toots, in such good company,' says Doctor Blimber. 


</p>
            <p>Mr. Toots, with a scarlet visage, explains that he has met Miss Dombey by 
accident, and that Miss Dombey wishing, like himself, to see the old place, 
they have come together. 


</p>
            <p>`You will like,' says Doctor Blimber, `to step among our young friends, Miss 
Dombey, no doubt. All fellow-students of yours, Toots, once. I think we have 
no new disciples in our little portico, my dear,' says Doctor Blimber to 
Cornelia, `since Mr. Toots left us.' 


</p>
            <p>`Except Bitherstone,' returns Cornelia. 


</p>
            <p>`Aye, truly,' says the Doctor. `Bitherstone is new to Mr. Toots.' 


</p>
            <p>New to Florence, too, almost; for, in the schoolroom, Bitherstone—no longer 
Master Bitherstone of Mrs. Pipchin's—shows in collars and a neckcloth, and 
wears a watch. But Bitherstone, born beneath some Bengal star of ill-omen, is 
extremely inky; and his Lexicon has got so dropsical from constant reference, 
that it won't shut, and yawns as if it really could not bear to be so 
bothered. So does Bitherstone its master, forced at Doctor Blimber's highest 
pressure; but in the yawn of Bitherstone there is malice and snarl, and he 
has been heard to say that he wishes he could catch `old Blimber' in India. 
He'd precious soon find himself carried up the country by a few of his 
(Bitherstone's) Coolies, and handed over to the Thugs; he can tell him 
that. 


</p>
            <p>Briggs is still grinding in the mill of knowledge; and Tozer, too; and 
Johnson, too; and all the rest; the older pupils being principally engaged in 
forgetting, with prodigious labour, everything they knew when they were 
younger. All are as polite and as pale as ever; and among them, Mr. Feeder, 
B.A., with his bony hand and bristly head, is still hard at it: with his 
Herodotus stop on just at present, and his other barrels on a shelf behind 
him. 


</p>
            <p>A mighty sensation is created, even among these grave young gentlemen, by a 
visit from the emancipated Toots; who is regarded with a kind of awe, as one 
who has passed the Rubicon, and is pledged never to come back, and concerning 
the cut of whose clothes, and fashion of whose jewellery, whispers go about, 
behind hands; the bilious Bitherstone, who is not of Mr. Toots's time, 
affecting to despise the latter to the smaller boys, and saying he knows 
better, and that he should like to see him coming that sort of thing in 
Bengal, where his mother has got an emerald belonging to him that was taken 
out of the footstool of a Rajah. Come now! 


</p>
            <p>Bewildering emotions are awakened also by the sight of Florence, with whom 
every young gentleman immediately falls in love, again: except, as aforesaid, 
the bilious Bitherstone, who declines to do so, out of contradiction. Black 
jealousies of Mr. Toots arise, and Briggs is of opinion that he an't so very 
old after all. But this disparaging insinuation is speedily made nought by 
Mr. Toots saying aloud to Mr. Feeder, B.A., `How are you, Feeder?' and asking 
him to come and dine with him to-day at the Bedford; in right of which feats 
he might set up as Old Parr, if he chose, unquestioned. 


</p>
            <p>There is much shaking of hands, and much bowing, and a great desire on the 
part of each young gentleman to take Toots down in Miss Dombey's good graces; 
and then, Mr. Toots having bestowed a chuckle on his old desk, Florence and 
he withdraw with Mrs. Blimber and Cornelia; and Doctor Blimber is heard to 
observe behind them as he comes out last, and shuts the door, `Gentlemen, we 
will now resume our studies.' For that and little else is what the Doctor 
hears the sea say, or has heard it saying all his life. 


</p>
            <p>Florence then steals away and goes upstairs to the old bedroom with Mrs. 
Blimber and Cornelia; Mr. Toots, who feels that neither he nor anybody else 
is wanted there, stands talking to the Doctor at the study-door, or rather 
hearing the Doctor talk to him, and wondering how he ever thought the study a 
great sanctuary, and the Doctor, with his round turned legs, like a clerical 
pianoforte, an awful man. Florence soon comes down and takes leave; Mr. Toots 
takes leave; and Diogenes, who has been worrying the weak-eyed young man 
pitilessly all the time, shoots out at the door, and barks a glad defiance 
down the cliff; while 'Melia, and another of the Doctor's female domestics, 
look out of an upper window, laughing `at that there Toots,' and saying of 
Miss Dombey, `But really though, now—ain't she like her brother, only 
prettier?' 


</p>
            <p>Mr. Toots, who saw when Florence came down that there were tears upon her 
face, is desperately anxious and uneasy, and at first fears that he did wrong 
in proposing the visit. But he is soon relieved by her saying she is very 
glad to have been there again, and by her talking quite cheerfully about it 
all, as they walked on by the sea. What with the voices there, and her sweet 
voice, when they come near Mr. Dombey's house, and Mr. Toots must leave her, 
he is so enslaved that he has not a scarp of free-will left; when she gives 
him her hand at parting, he cannot let it go. 


</p>
            <p>`Miss Dombey, I beg your pardon,' says Mr. Toots, in a sad fluster, `but if 
you would allow me to—to—' 


</p>
            <p>The smiling and unconscious look of Florence brings him to a dead stop. 


</p>
            <p>`If you would allow me to—if you would not consider it a liberty, Miss 
Dombey, if I was to—without any encouragement at all, if I was to hope, you 
know,' says Mr. Toots. 


</p>
            <p>Florence looks at him inquiringly. 


</p>
            <p>`Miss Dombey,' says Mr. Toots, who feels that he is in for it now, `I really 
am in that state of adoration of you that I don't know what to do with 
myself. I am the most deplorable wretch. If it wasn't at the corner of the 
Square at present, I should go down on my knees, and beg and entreat of you, 
without any encouragement at all, just to let me hope that I may—may think 
it possible that you—' 


</p>
            <p>`Oh, if you please, don't!' cries Florence, for the moment quite alarmed and 
distressed. `Oh, pray don't, Mr. Toots. Stop, if you please. Don't say any 
more. As a kindness and a favour to me, don't.' 


</p>
            <p>Mr. Toots is dreadfully abashed, and his mouth opens. 


</p>
            <p>`You have been so good to me,' say Florence, `I am so grateful to you, I have 
such reason to like you for being a kind friend to me, and I do like you so 
much:' and here the ingenuous face smiles upon him with the pleasantest look 
of honesty in the world; `that I am sure you are only going to say 
good-bye.!' 


</p>
            <p>`Certainly, Miss Dombey,' says Mr. Toots, `I—I—that's exactly what I mean. 
It's of no consequence.' 


</p>
            <p>`Good-bye!' cries Florence. 


</p>
            <p>`Good-bye, Miss Dombey!' stammers Mr. Toots. `I hope you won't think anything 
about it. It's—it's of no consequence, thank you. It's not of the least 
consequence in the world.' 


</p>
            <p>Poor Mr. Toots goes home to his Hotel in a state of desperation, locks 
himself into his bedroom, flings himself upon his bed, and lies there for a 
long time; as if it were of the greatest consequence, nevertheless. But Mr. 
Feeder, B.A., is coming to dinner, which happens well for Mr. Toots, or there 
is no knowing when he might get up again. Mr. Toots is obliged to get up to 
receive him, and to give him hospitable entertainment. 


</p>
            <p>And the generous influence of that social virtue, hospitality (to make no 
mention of wine and good cheer), opens Mr. Toots's heart, and warms him to 
conversation. He does not tell Mr. Feeder, B.A., what passed at the corner of 
the Square; but when Mr. Feeder asks him `When it is to come off?' Mr. Toots 
replies, `that there are certain subjects'—which brings Mr. Feeder down a 
peg or two immediately. Mr. Toots adds, that he don't know what right Blimber 
had to notice his being in Miss Dombey's company, and that if he thought he 
meant impudence by it, he'd have him out, Doctor or no Doctor; but he 
supposes it's only his ignorance. Mr. Feeder says he has no doubt of it. 


</p>
            <p>Mr. Feeder, however, as an intimate friend, is not excluded from the subject. 
Mr. Toots merely requires that it should be mentioned mysteriously, and with 
feeling. After a few glasses of wine, he gives Miss Dombey's health, 
observing, `Feeder, you have no idea of the sentiments with which I propose 
that toast.' Mr. Feeder replies, `Oh, yes, I have, my dear Toots; and greatly 
they redound to your honour, old boy.' Mr. Feeder is then agitated by 
friendship, and shakes hands; and says, if ever Toots wants a brother, he 
knows where to find him, either by post or parcel. Mr. Feeder likewise says, 
that if he may advise, he would recommend Mr. Toots to learn the guitar, or, 
at least the flute; for women like music, when you are paying your addresses 
to 'em, and he has found the advantage of it himself. 


</p>
            <p>This brings Mr. Feeder, B.A., to the confession that he has his eye upon 
Cornelia Blimber. He informs Mr. Toots that he don't object to spectacles, 
and that if the Doctor were to do the handsome thing and give up the 
business, why, there they are—provided for. He says it's his opinion that 
when a man has made a handsome sum by his business, he is bound to give it 
up; and that Cornelia would be an assistance in it which any man might be 
proud of. Mr. Toots replies by launching wildly out into Miss Dombey's 
praises, and by insinuations that sometimes he thinks he should like to blow 
his brains out. Mr. Feeder strongly urges that it would be a rash attempt, 
and shows him, as a reconcilement to existence, Cornelia's portrait, 
spectacles and all. 


</p>
            <p>Thus these quiet spirits pass the evening; and when it has yielded place to 
night, Mr. Toots walks home with Mr. Feeder, and parts with him at Doctor 
Blimber's door. But Mr. Feeder only goes up the steps, and when Mr. Toots is 
gone, comes down again, to stroll upon the beach alone, and think about his 
prospects. Mr. Feeder plainly hears the waves informing him, as he loiters 
along, that Doctor Blimber will give up the business; and he feels a soft 
romantic pleasure in looking at the outside of the house, and thinking that 
the Doctor will first paint it, and put it into thorough repair. 


</p>
            <p>Mr. Toots is likewise roaming up and down, outside the casket that contains 
his jewel; and in a deplorable condition of mind, and not unsuspected by the 
police, gazes at a window where he sees a light, and which he has no doubt is 
Florence's. But it is not, for that is Mrs. Skewton's room; and while 
Florence, sleeping in another chamber, dreams lovingly, in the midst of the 
old scenes, and their old associations live again, the figure which in grim 
reality is substituted for the patient boy's on the same theatre, once more 
to connect it—but how differently!—with decay and death, is stretched 
there, wakeful and complaining. Ugly and haggard it lies upon its bed of 
unrest; and by it, in the terror of her unimpassioned loveliness—for it 
<hi>has</hi> terror in the sufferer's failing eyes—sits Edith. What do the 
waves say, in the stillness of the night, to them? 


</p>
            <p>`Edith, what is that stone arm raised to strike me? Don't you see it?' 


</p>
            <p>`There is nothing, mother, but your fancy.' 


</p>
            <p>`But my fancy! Everything is my fancy. Look! Is it possible that you don't 
see it?' 


</p>
            <p>`Indeed, mother, there is nothing. Should I sit unmoved, if there were any 
such thing there?' 


</p>
            <p>`Unmoved?' looking wildly at her—`it's gone now—and why are you so unmoved? 
That is not my fancy, Edith. It turns me cold to see you sitting at my 
side.' 


</p>
            <p>`I am sorry, mother.' 


</p>
            <p>`Sorry! You seem always sorry. But it is not for me!' 


</p>
            <p>With that, she cries; and tossing her restless head from side to side upon 
her pillow, runs on about neglect, and the mother she has been, and the 
mother the good old creature was, whom they met, and the cold return the 
daughters of such mothers make. In the midst of her incoherence, she stops, 
looks at her daughter, cries out that her wits are going, and hides her face 
upon the bed. 


</p>
            <p>Edith, in compassion, bends over her and speaks to her. The sick old woman 
clutches her round the neck, and says, with a look of horror, 


</p>
            <p>`Edith! we are going home soon; going back. You mean that I shall go home 
again?' 


</p>
            <p>`Yes, mother, yes.' 


</p>
            <p>`And what he said—what's-his-name, I never could remember names—Major—that 
dreadful word, when we came away—it's not true? Edith!' with a shriek and a 
stare, `it's not <hi>that</hi> that is the matter with me.' 


</p>
            <p>Night after night, the lights burn in the window, and the figure lies upon 
the bed, and Edith sits beside it, and the restless waves are calling to them 
both the whole night long. Night after night, the waves are hoarse with 
repetition of their mystery; the dust lies piled upon the shore; the 
sea-birds soar and hover; the winds and clouds are on their trackless flight; 
the white arms beckon, in the moonlight, to the invisible country far 
away. 


</p>
            <p>And still the sick old woman looks into the corner, where the stone arm—part 
of a figure of some tomb, she says—is raised to strike her. At last it 
falls; and then a dumb old woman lies upon the bed, and she is crooked and 
shrunk up, and half of her is dead. 


</p>
            <p>Such is the figure, painted and patched for the sun to mock, that is drawn 
slowly through the crowd from day to day; looking, as it goes, for the good 
old creature who was such a mother, and making mouths as it peers among the 
crowd in vain. Such is the figure that is often wheeled down to the margin of 
the sea, and stationed there; but on which no wind can blow freshness, and 
for which the murmur of the ocean has no soothing word. She lies and listens 
to it by the hour; but its speech is dark and gloomy to her, and a dread is 
on her face, and when her eyes wander over the expanse, they see but a broad 
stretch of desolation between earth and heaven. 


</p>
            <p>Florence she seldom sees, and when she does, is angry with and mows at. Edith 
is beside her always, and keeps Florence away; and Florence, in her bed at 
night, trembles at the thought of death in such a shape, and often wakes and 
listens, thinking it has come. No one attends on her but Edith. It is better 
that few eyes should see her; and her daughter watches alone by the 
bedside. 


</p>
            <p>A shadow even on that shadowed face, a sharpening even of the sharpened 
features, and a thickening of the veil before the eyes into a pall that shuts 
out the dim world, is come. Her wandering hands upon the coverlet join feebly 
palm to palm, and move towards her daughter; and a voice not like hers, not 
like any voice that speaks our mortal language—says, `For I nursed you!' 


</p>
            <p>Edith, without a tear, kneels down to bring her voice closer to the sinking 
head, and answers: 


</p>
            <p>`Mother, can you hear me?' 


</p>
            <p>Staring wide, she tries to nod in answer. 


</p>
            <p>`Can you recollect the night before I married?' 


</p>
            <p>The head is motionless, but it expresses somehow that she does. 


</p>
            <p>`I told you then I forgave your part in it, and prayed God to forgive my own. 
I told you that the past was at an end between us. I say so now, again. Kiss 
me, mother.' 


</p>
            <p>Edith touches the white lips, and for a moment all is still. A moment 
afterwards, her mother, with her girlish laugh, and the skeleton of the 
Cleopatra manner, rises in her bed. 


</p>
            <p>Draw the rose-coloured curtains. There is something else upon its flight 
besides the wind and clouds. Draw the rosecoloured curtains close! 


</p>
            <p>Intelligence of the event is sent to Mr. Dombey in town, who waits upon 
Cousin Feenix (not yet able to make up his mind for Baden-Baden), who has 
just received it too. A goodnatured creature like Cousin Feenix is the very 
man for a marriage or a funeral, and his position in the family renders it 
right that he should be consulted. 


</p>
            <p>`Dombey,' said Cousin Feenix, `upon my soul, I am very much shocked to see 
you on such a melancholy occasion. My poor aunt! She was a devilish lively 
woman.' 


</p>
            <p>Mr. Dombey replies, `Very much so.' 


</p>
            <p>`And made up,' says Cousin Feenix, `really young, you know, considering. I am 
sure, on the day of your marriage, I thought she was good for another twenty 
years. In point of fact, I said so to a man at Brook's—little Billy 
Joper—you know him, no doubt—man with a glass in his eye?' 


</p>
            <p>Mr. Dombey bows a negative. `In reference to the obsequies,' he hints, 
`whether there is any suggestion——' 


</p>
            <p>`Well, upon my life,' says Cousin Feenix, stroking his chin, which he has 
just enough of hand below his wristbands to do; `I really don't know. There's 
a Mausoleum down at my place, in the park, but I'm afraid it's in bad repair, 
and, in point of fact, in a devil of a state. But for being a little out at 
elbows, I should have had it put to rights; but I believe the people come and 
make pic-nic parties there inside the iron railings.' 


</p>
            <p>Mr. Dombey is clear that this won't do. 


</p>
            <p>`There's an uncommon good church in the village,' says Cousin Feenix, 
thoughtfully; `pure specimen of the AngloNorman style, and admirably well 
sketched too by Lady Jane Finchbury—woman with tight stays—but they've 
spoilt it with whitewash, I understand, and it's a long journey.' 


</p>
            <p>`Perhaps Brighton itself,' Mr. Dombey suggests. 


</p>
            <p>`Upon my honour, Dombey, I don't think we could do better,' says Cousin 
Feenix. `It's on the spot, you see, and a very cheerful place.' 


</p>
            <p>`And when,' hints Mr. Dombey, `would it be convenient?' 


</p>
            <p>`I shall make a point,' says Cousin Feenix, `of pledging myself for any day 
you think best. I shall have great pleasure (melancholy pleasure, of course) 
in following my poor aunt to the confines of the —— in point of fact, to 
the grave,' says Cousin Feenix, failing in the other turn of speech. 


</p>
            <p>`Would Monday do for leaving town?' says Mr. Dombey. 


</p>
            <p>`Monday would suit me to perfection,' replies Cousin Feenix. Therefore Mr. 
Dombey arranges to take Cousin Feenix down on that day, and presently takes 
his leave, attended to the stairs by Cousin Feenix, who says, at parting, 
`I'm really excessively sorry, Dombey, that you should have so much trouble 
about it;' to which Mr. Dombey answers, `Not at all.' 


</p>
            <p>At the appointed time, Cousin Feenix and Mr. Dombey meet, and go down to 
Brighton, and representing, in their two selves, all the other mourners for 
the deceased lady's loss, attend her remains to their place of rest. Cousin 
Feenix, sitting in the mourning-coach, recognises innumerable acquaintances 
on the road, but takes no other notice of them, in decorum, than checking 
them off aloud, as they go by, for Mr. Dombey's information, as `Tom Johnson. 
Man with cork leg from White's. What, are <hi>you</hi> here, Tommy? Foley on a 
blood mare. The Smalder girls'—and so forth. At the ceremony Cousin Feenix 
is depressed, observing, that these are the occasions to make a man think, in 
point of fact, that he is getting shaky; and his eyes are really moistened, 
when it is over. But he soon recovers; and so do the rest of Mrs. Skewton's 
relatives and friends, of whom the Major continually tells the club that she 
never did wrap up enough; while the young lady with the back, who has so much 
trouble with her eyelids, says, with a little scream, that she must have been 
enormously old, and that she died of all kinds of horrors, and you mustn't 
mention it. 


</p>
            <p>So Edith's mother lies unmentioned of her dear friends, who are deaf to the 
waves that are hoarse with repetition of their mystery, and blind to the dust 
that is piled upon the shore, and to the white arms that are beckoning, in 
the moonlight, to the invisible country far away. But all goes on, as it was 
wont, upon the margin of the unknown sea; and edith standing there alone, and 
listening to its waves, has dank weed cast up at her feet, to strew her path 
in life withal. 

</p>
         </div>
         <div xml:id="c42" type="chapter">
            <head>CHAPTER XLII</head>
            <head>Confidential and Accidental</head>
            <p>ATTIRED on more in Captain Cuttle's sable and slops sou'wester hat, but 
dressed in a 
substantial suit of brown livery, which, while it affected to be a very sober 
and demure 
livery indeed, was really as self-satisfied and confident a one as tailor 
need desire to 
make, Rob the Grinder, thus transformed as to his outer man, and all 
regardless within of 
the Captain and the Midshipman, except when he devoted a few minutes of his 
leisure 
time to crowing over those inseparable worthies, and recalling, with much 
applauding 
music from that brazen instrument, his conscience, the triumphant manner in 
which he had 
disembarrassed himself of their company, now served his patron, Mr. Carker. 
Inmate of 
Mr. Carker's house, and serving about his person, Rob kept his round eyes on 
the white 
teeth with fear and trembling, and felt that he had need to open them wider 
than ever. 


</p>
            <p>He could not have quaked more, through his whole being, before the teeth, 
though he had 
come into the service of some powerful enchanter, and they had been his 
strongest spell. 
The boy had a sense of power and authority in this patron of his that 
engrossed his whole 
attention and exacted his most implicit submission and obedience. He hardly 
considered 
himself safe in thinking about him when he was absent, lest he should feel 
himself 
immediately taken by the throat again, as on the morning when he first became 
bound to 
him, and should see every one of the teeth finding him out, and taking him 
with every 
fancy of his mind. Face to face with him, Rob had no more doubt that Mr. 
Carker read his 
secret thoughts, or that he could read them by the least exertion of his will 
if he were so 
inclined, than he had that Mr. Carker saw him when he looked at him. The 
ascendancy 
was so complete, and held him in such enthralment, that, hardly daring to 
think at all, but 
with his mind filled with a constantly dilating impression of his patron's 
irresistible 
command over him, and power of doing anything with him, he would stand 
watching his 
pleasure, and trying to anticipate his orders, in a state of mental 
suspension, as to all other 
things. 


</p>
            <p>Rob had not informed himself perhaps—in his then state of mind it would have 
been an act 
of no common temerity to inquire—whether he yielded so completely to this 
influence in 
any part, because he had floating suspicions of his patron's being a master 
of certain 
treacherous arts in which he had himself been a poor scholar at the Grinders' 
School. But 
certainly Rob admired him, as well as feared him. Mr. Carker, perhaps, was 
better 
acquainted with the sources of his power, which lost nothing by his 
management of it. 


</p>
            <p>On the very night when he left the Captain's service, Rob, after disposing of 
his pigeons, 
and even making a bad bargain in his hurry, had gone straight down to Mr. 
Carker's 
house, and hotly presented himself before his new master with a glowing face 
that seemed 
to expect commendation. 


</p>
            <p>`What, scapegrace!' said Mr. Carker, glancing at his bundle. `Have you left 
your situation 
and come to me?' 


</p>
            <p>`Oh if you please, Sir,' faltered Rob, `you said, you know, when I come here 
last—' 


</p>
            <p>`<hi>I</hi> said,' returned Mr. Carker, `what did I say?' 


</p>
            <p>`If you please, Sir, you didn't say nothing at all, Sir,' returned Rob, 
warned by the manner 
of this inquiry, and very much disconcerted. 


</p>
            <p>His patron looked at him with a wide display of gums, and shaking his 
forefinger, 
observed: 


</p>
            <p>`You'll come to an evil end, my vagabond friend, I foresee. There's ruin in 
store for 
you.' 


</p>
            <p>`Oh if you please, don't, Sir!' cried Rob, with his legs trembling under him. 
`I'm sure, Sir, 
I only want to work for you, Sir, and to wait upon you, Sir, and to do 
faithful whatever 
I'm bid Sir.' 


</p>
            <p>`You had better do faithfully whatever you are bid,' returned his patron, `if 
you have 
anything to do with me.' 


</p>
            <p>`Yes, I know that, Sir,' pleaded the submissive Rob; `I'm sure of that, Sir. 
If you'll only 
be so good as try me, Sir! And if ever you find me out, Sir, doing anything 
against your 
wishes, I give you leave to kill me.' 


</p>
            <p>`You dog!' said Mr. Carker, leaning back in his chair, and smiling at him 
serenely. `That's 
nothing to what I'd do to you if you tried to deceive me.' 


</p>
            <p>`Yes, Sir,' replied the abject Grinder, `I'm sure you would be down upon me 
dreadful, Sir. 
I wouldn't attempt for to go and do it, Sir, not if I was bribed with golden 
guineas.' 


</p>
            <p>Thoroughly checked in his expectations of commendation, the crestfallen 
Grinder stood 
looking at his patron, and vainly endeavouring not to look at him, with the 
uneasiness 
which a cur will often manifest in a similar situation. 


</p>
            <p>`So you have left your old service, and come here to ask me to take you into 
mine, eh?' 
said Mr. Carker. 


</p>
            <p>`Yes, if you please, Sir,' returned Rob, who, in doing so, had acted on his 
patron's own 
instructions, but dared not justify himself by the least insinuation to that 
effect. 


</p>
            <p>`Well!' said Mr. Carker, `You know me, boy?' 


</p>
            <p>`Please, Sir, yes, Sir,' returned Rob, fumbling with his hat, and still fixed 
by Mr. Carker's 
eye, and fruitlessly endeavouring to unfix himself. 


</p>
            <p>Mr. Carker nodded. `Take care, then!' 


</p>
            <p>Rob expressed in a number of short bows his lively understanding of this 
caution, and was 
bowing himself back to the door, greatly relieved by the prospect of getting 
on the outside 
of it, when his patron stopped him. 


</p>
            <p>`Halloa!' he cried, calling him roughly back. `You have been—shut that 
door.' 


</p>
            <p>Rob obeyed as if his life had depended on his alacrity. 


</p>
            <p>`You have been used to eaves-dropping. Do you know what that means?' 


</p>
            <p>`Listening, Sir?' Rob hazarded, after some embarrassed reflection. 


</p>
            <p>His patron nodded. `And watching, and so forth.' 


</p>
            <p>`I wouldn't do such a thing here, Sir,' answered Rob; `upon my word and 
honour, I 
wouldn't, Sir, I wish I may die if I would, Sir, for anything that could be 
promised to me. 
I should consider it is as much as all the world was worth, to offer to do 
such a thing, 
unless I was ordered, Sir.' 


</p>
            <p>`You had better not. You have been used, too, to babbling and tattling,' said 
his patron 
with perfect coolness. `Beware of that here, or you're a lost rascal,' and he 
smiled again, 
and again cautioned him with his forefinger. 


</p>
            <p>The Grinder's breath came short and thick with consternation. He tried to 
protest the 
purity of his intentions, but could only stare at the smiling gentleman in a 
stupor of 
submission, with which the smiling gentleman seemed well enough satisfied, 
for he 
ordered him down stairs, after observing him for some moments in silence, and 
gave him 
to understand that he was retained in his employment. 


</p>
            <p>This was the manner of Rob the Grinder's engagement by Mr. Carker, and his 
awe-stricken devotion to that gentleman had strengthened and increased, if 
possible, with 
every minute of his service. 


</p>
            <p>It was a service of some months' duration, when early one morning, Rob opened 
the 
garden gate to Mr. Dombey, who was come to breakfast with his master, by 
appointment. 
At the same moment his master himself came, hurrying forth to receive the 
distinguished 
guest, and give him welcome with all his teeth. 


</p>
            <p>`I never thought,' said Carker, when he had assisted him to alight from his 
horse, `to see 
you here, I'm sure. This is an extraordinary day in my calendar. No occasion 
is very 
special to a man like you, who may do anything; but to a man like me, the 
case is widely 
different.' 


</p>
            <p>`You have a tasteful place here, Carker's said Mr. Dombey, condescending to 
stop upon 
the lawn, to look about him. 


</p>
            <p>`You can afford to say so,' returned Carker. `Thank you.' 


</p>
            <p>`Indeed,' said Mr. Dombey, in his lofty patronage, `any one might say so. As 
far as it 
goes, it is a very commodious and well-arranged place—quite elegant.' 


</p>
            <p>`As far as it goes, truly,' returned Carker, with an air of disparagement. 
`It wants that 
qualification. Well! we have said enough about it; and though you can afford 
to praise it, I 
thank you none the less. Will you walk in?' 


</p>
            <p>Mr. Dombey, entering the house, noticed, as he had reason to do, the complete 
arrangement of the rooms, and the numerous contrivances for comfort and 
effect that 
abounded there. Mr. Carker, in his ostentation of humility, received this 
notice with a 
deferential smile, and said he understood its delicate meaning, and 
appreciated it, but in 
truth the cottage was good enough for one in his position—better, perhaps, 
than such a 
man should occupy, poor as it was. 


</p>
            <p>`But perhaps to you, who are so far removed, it really does look better than 
it is,' he said, 
with his false mouth distended to its fullest stretch. `Just as monarchs 
imagine attractions 
in the lives of beggars.' 


</p>
            <p>He directed a sharp glance and a sharp smile at Mr. Dombey as he spoke, and a 
sharper 
glance, and a sharper smile yet, when Mr. Dombey, drawing himself up before 
the fire, in 
the attitude so often copied by his second in command, looked round at the 
pictures on the 
walls. Cursorily as his cold eye wandered over them, Carker's keen glance 
accompanied 
his, and kept pace with his, marking exactly where it went, and what it saw. 
As it rested 
on one picture in particular, Carker hardly seemed to breathe, his sidelong 
scrutiny was so 
catlike and vigilant, but the eye of his great chief passed from that, as 
from the others, and 
appeared no more impressed by it than by the rest. 


</p>
            <p>Carker looked at it—it was the picture that resembled Edith—as if it were a 
living thing; 
and with a wicked, silent laugh upon his face, that seemed in part addressed 
to it, though 
it was all derisive of the great man standing so unconscious beside him. 
Breakfast was 
soon set upon the table: and, inviting Mr. Dombey to a chair which had its 
back towards 
this picture, he took his own seat opposite to it as usual. 


</p>
            <p>Mr. Dombey was even graver than it was his custom to be, and quite silent. 
The parrot, 
swinging in the gilded hoop within her gaudy cage, attempted in vain to 
attract notice, for 
Carker was too observant of his visitor to heed her; and the visitor, 
abstracted in 
meditation, looked fixedly, not to say sullenly, over his stiff neckcloth, 
without raising his 
eyes from the table-cloth. As to Rob, who was in attendance, all his 
faculties and energies 
were so locked up in observation of his master, that he scarcely ventured to 
give shelter to 
the thought that the visitor was the great gentleman before whom he had been 
carried as a 
certificate of the family health, in his childhood, and to whom he had been 
indebted for 
his leather smalls. 


</p>
            <p>`Allow me,' said Carker suddenly, `to ask how Mrs. Dombey is?' 


</p>
            <p>He leaned forward obsequiously, as he made the inquiry, with his chin resting 
on his 
hand; and at the same time his eyes went up to the picture, as if he said to 
it, `Now, see, 
how I will lead him on!' 


</p>
            <p>Mr. Dombey reddened as he answered: 


</p>
            <p>`Mrs. Dombey is quite well. You remind me, Carker, of some conversation that 
I wish to 
have with you.' 


</p>
            <p>`Robin, you can leave us,' said his master, at whose mild tones Robin started 
and 
disappeared, with his eyes fixed on his patron to the last. `You don't 
remember that boy, 
of course?' he added, when the immeshed Grinder was gone. 


</p>
            <p>`No,' said Mr. Dombey, with magnificent indifference. 


</p>
            <p>`Not likely that a man like you would. Hardly possible,' murmured Carker. 
`But he is one 
of that family from whom you took a nurse. Perhaps you may remember having 
generously charged yourself with his education?' 


</p>
            <p>`Is it that boy?' said Mr. Dombey, with a frown. `He does little credit to 
his education, I 
believe.' 


</p>
            <p>`Why, he is a young rip, I am afraid,' returned Carker, with a shrug. `He 
bears that 
character. But the truth is, I took him into my service because, being able 
to get no other 
employment, he conceived (had been taught at home, I dare say) that he had 
some sort of 
claim upon you, and was constantly trying to dog your heels with his 
petition. And 
although my defined and recognised connexion with your affairs is merely of a 
business 
character, still I have that spontaneous interest in everything belonging to 
you, that—' 


</p>
            <p>He stopped again, as if to discover whether he had led Mr. Dombey far enough 
yet. And 
again, with his chin resting on his hand, he leered at the picture. 


</p>
            <p>`Carker,' said Mr. Dombey, `I am sensible that you do not limit your—' 


</p>
            <p>`Service,' suggested his smiling entertainer. 


</p>
            <p>`No; I prefer to say your regard,' observed Mr. Dombey; very sensible, as he 
said so, that 
he was paying him a handsome and flattering compliment, `to our mere business 
relations. 
Your consideration for my feelings, hopes and disappointments, in the little 
instance you 
have just now mentioned, is an example in point. I am obliged to you, 
Carker.' 


</p>
            <p>Mr. Carker bent his head slowly, and very softly rubbed his hands, as if he 
were afraid by 
any action to disturb the current of Mr. Dombey's confidence. 


</p>
            <p>`Your allusion to it is opportune,' said Mr. Dombey, after a little 
hesitation; `for it 
prepares the way to what I was beginning to say to you, and reminds me that 
that involves 
no absolutely new relations between us, although it may involve more personal 
confidence 
on my part than I have hitherto—' 


</p>
            <p>`Distinguished me with,' suggested Carker, bending his head again: `I will 
not say to you 
how honoured I am; for a man like you well knows how much honour he has in 
his power 
to bestow at pleasure.' 


</p>
            <p>`Mrs. Dombey and myself,' said Mr. Dombey, passing this compliment with 
august 
self-denial, `are not quite agreed upon some points. We do not appear to 
understand each 
other yet. Mrs. Dombey has something to learn.' 


</p>
            <p>`Mrs. Dombey is distinguished by many rare attractions; and has been 
accustomed, no 
doubt, to receive much adulation,' said the smooth, sleek watcher of his 
slightest look and 
tone. `But where there is affection, duty, and respect, any little mistakes 
engendered by 
such causes are soon set right.' 


</p>
            <p>Mr. Dombey's thoughts instinctively flew back to the face that had looked at 
him in his 
wife's dressing-room, when an imperious hand was stretched towards the door; 
and 
remembering the affection, duty, and respect, expressed in it, he felt the 
blood rush to his 
own face quite as plainly as the watchful eyes upon him saw it there. 


</p>
            <p>`Mrs. Dombey and myself,' he went on to say, `had some discussion, before 
Mrs. 
Skewton's death, upon the cause of my dissatisfaction; of which you will have 
formed a 
general understanding from having been a witness of what passed between Mrs. 
Dombey 
and myself on the evening when you were at our—at my house.' 


</p>
            <p>`When I so much regretted being present,' said the smiling Carker. `Proud as 
a man in my 
position necessarily must be of your familiar notice—though I give you no 
credit for it; 
you may do anything you please without losing caste-and honoured as I was by 
an early 
presentation to Mrs. Dombey, before she was made eminent by bearing your 
name, I 
almost regretted that night, I assure you, that I had been the object of such 
especial good 
fortune.' 


</p>
            <p>That any man could, under any possible circumstances, regret the being 
distinguished by 
his condescension and patronage, was a moral phenomenon which Mr. Dombey 
could not 
comprehend. He therefore responded, with a considerable accession of dignity. 
`Indeed! 
And why, Carker?' 


</p>
            <p>`I fear,' returned the confidential agent, `that Mrs. Dombey, never very much 
disposed to 
regard me with favourable interest—one in my position could not expect that, 
from a lady 
naturally proud, and whose pride becomes her so well—may not easily forgive 
my innocent 
part in that conversation. Your displeasure is no light matter, you must 
remember; and to 
be visited with it before a third party—' 


</p>
            <p>`Carker,' said Mr. Dombey, arrogantly; `I presume that <hi>I</hi> am the first 
consideration?' 


</p>
            <p>`Oh! Can there be a doubt about it?' replied the other, with the impatience 
of a man 
admitting a notorious and incontrovertible fact. 


</p>
            <p>`Mrs. Dombey becomes a secondary consideration, when we are both in question, 
I 
imagine,' said Mr. Dombey. `Is that so?' 


</p>
            <p>`Is it so?' returned Carker. `Do you know better than any one, that you have 
no need to 
ask?' 


</p>
            <p>`Then I hope, Carker,' said Mr. Dombey, `that your regret in the acquisition 
of Mrs. 
Dombey's displeasure, may be almost counterbalanced by your satisfaction in 
retaining 
<hi>my</hi> confidence and good opinion.' 


</p>
            <p>`I have the misfortune, I find,' returned Carker, `to have incurred that 
displeasure. Mrs. 
Dombey has expressed it to you?' 


</p>
            <p>`Mrs. Dombey has expressed various opinions,' said Mr. Dombey, with majestic 
coldness 
and indifference, `in which I do not participate, and which I am not inclined 
to discuss, or 
to recall. I made Mrs. Dombey acquainted, some time since, as I have already 
told you, 
with certain points of domestic deference and submission on which I felt it 
necessary to 
insist. I failed to convince Mrs. Dombey of the expediency of her immediately 
altering her 
conduct in those respects, with a view to her own peace and welfare, and my 
dignity; and 
I informed Mrs. Dombey that if I should find it necessary to object or 
remonstrate again, I 
should express my opinion to her through yourself, my confidential agent.' 


</p>
            <p>Blended with the look, that Carker bent upon him, was a devilish look at the 
picture over 
his head, that struck upon it like a flash of lightning. 


</p>
            <p>`Now, Carker,' said Mr. Dombey, `I do not hesitate to say to you that I 
<hi>will</hi> carry 
my point. I am not to be trifled with. Mrs. Dombey must understand that my 
will is law, 
and that I cannot allow of one exception to the whole rule of my life. You 
will have the 
goodness to undertake this charge, which, coming from me, is not unacceptable 
to you, I 
hope, whatever regret you may politely profess—for which I am obliged to you 
on behalf 
of Mrs. Dombey; and you will have the goodness, I am persuaded, to discharge 
it as 
exactly as any other commission.' 


</p>
            <p>`You know,' said Mr. Carker, `that you have only to command me.' 


</p>
            <p>`I know,' said Mr. Dombey, with a majestic indication of assent, `that I have 
only to 
command you. It is necessary that I should proceed in this. Mrs. Dombey is a 
lady 
undoubtedly highly qualified, in many respects, to—' 


</p>
            <p>`To do credit even to your choice,' suggested Carker, with a fawning show of 
teeth. 


</p>
            <p>`Yes; if you please to adopt that form of words,' said Mr. Dombey, in his 
tone of state; 
`and at present I do not conceive that Mrs. Dombey does that credit to it, to 
which it is 
entitled. There is a principle of opposition in Mrs. Dombey that must be 
eradicated; that 
must be overcome: Mrs. Dombey does not appear to understand,' said Mr. 
Dombey, 
forcibly, `that the idea of opposition to Me is monstrous and absurd.' 


</p>
            <p>`We, in the City, know you better,' replied Carker, with a smile from ear to 
ear. 


</p>
            <p>`You know me better,' said Mr. Dombey. `I hope so. Though, indeed, I am bound 
to do 
Mrs. Dombey the justice of saying, however inconsistent it may seem with her 
subsequent 
conduct (which remains unchanged), that on my expressing my disapprobation 
and 
determination to her, with some severity, on the occasion to which I have 
referred, my 
admonition appeared to produce a very powerful effect.' Mr. Dombey delivered 
himself of 
those words with most portentous stateliness. `I wish you to have the 
goodness, then, to 
inform Mrs. Dombey, Carker, from me, that I must recall our former 
conversation to her 
remembrance, in some surprise that it has not yet had its effect. That I must 
insist upon 
her regulating her conduct by the injunctions laid upon her in that 
conversation. That I am 
not satisfied with her conduct. That I am greatly dissatisfied with it. And 
that I shall be 
under the very disagreeable necessity of making you the bearer of yet more 
unwelcome 
and explicit communications, if she has not the good sense and the proper 
feeling to adapt 
herself to my wishes, as the first Mrs. Dombey did, and, I believe I may add, 
as any other 
lady in her place would.' 


</p>
            <p>`The first Mrs. Dombey lived very happily,' said Carker. 


</p>
            <p>`The first Mrs. Dombey had great good sense,' said Mr. Dombey, in a 
gentlemanly 
toleration of the dead, `and very correct feeling.' 


</p>
            <p>`Is Miss Dombey like her mother, do you think?' said Carker. 


</p>
            <p>Swiftly and darkly, Mr. Dombey's face changed. His confidential agent eyed it 
keenly. 


</p>
            <p>`I have approached a painful subject,' he said, in a soft regretful tone of 
voice, 
irreconcilable with his eager eye. `Pray forgive me. I forget these chains of 
association in 
the interest I have. Pray forgive me.' 


</p>
            <p>But for all he said, his eager eye scanned Mr. Dombey's downcast face none 
the less 
closely; and then it shot a strange triumphant look at the picture, as 
appealing to it to bear 
witness how he led him on again, and what was coming. 


</p>
            <p>`Carker,' said Mr. Dombey, looking here and there upon the table, and 
speaking in a 
somewhat altered and more hurried voice, and with a paler lip, `there is no 
occasion for 
apology. You mistake. The association is with the matter in hand, and not 
with any 
recollection, as you suppose. I do not approve of Mrs. Dombey's behaviour 
towards my 
daughter.' 


</p>
            <p>`Pardon me,' said Mr. Carker, `I don't quite understand.' 


</p>
            <p>`Understand then,' returned Mr. Dombey, `that you may make that—that you 
<hi>will</hi>
make that, if you please—matter of direct objection from me to Mrs. Dombey. 
You will 
please to tell her that her show of devotion for my daughter is disagreeable 
to me. It is 
likely to be noticed. It is likely to induce people to contrast Mrs. Dombey 
in her relation 
towards my daughter, with Mrs. Dombey in her relation towards myself. You 
will have 
the goodness to let Mrs. Dombey know, plainly, that I object to it; and that 
I expect her to 
defer, immediately, to my objection. Mrs. Dombey may be in earnest, or she 
may be 
pursuing a whim, or she may be opposing me; but I object to it in any case, 
and in every 
case. If Mrs. Dombey is in earnest, so much the less reluctant should she be 
to desist; for 
she will not serve my daughter by any such display. If my wife has any 
superfluous 
gentleness and duty over and above her proper submission to me, she may 
bestow them 
where she pleases, perhaps; but I will have submission first!—Carker,' said 
Mr. Dombey, 
checking the unusual emotion with which he had spoken, and falling into a 
tone more like 
that in which he was accustomed to assert his greatness, `you will have the 
goodness not 
to omit or slur this point, but to consider it a very important part of your 
instructions.' 


</p>
            <p>Mr. Carker bowed his head, and rising from the table, and standing 
thoughtfully before the 
fire, with his hand to his smooth chin, looked down at Mr. Dombey with the 
evil slyness 
of some monkish carving, half human and half brute; or like a leering face on 
an old 
water-spout. Mr. Dombey, recovering his composure by degrees, or cooling his 
emotion in 
his sense of having taken a high position, sat gradually stiffening again, 
and looking at the 
parrot as she swung to and fro, in her great wedding ring. 


</p>
            <p>`I beg your pardon,' said Carker, after a silence, suddenly resuming his 
chair, and drawing 
it opposite to Mr. Dombey's, `but let me understand. Mrs. Dombey is aware of 
the 
probability of your making me the organ of your displeasure?' 


</p>
            <p>`Yes,' replied Mr. Dombey. `I have said so.' 


</p>
            <p>`Yes,' rejoined Carker, quickly; `but why?' 


</p>
            <p>`Why!' Mr. Dombey repeated, not without hesitation. `Because I told her.' 


</p>
            <p>`Aye,' replied Carker. `But why did you tell her? You see,' he continued with 
a smile, and 
softly laying his velvet hand, as a cat might have laid its sheathed claws, 
on Mr. 
Dombey's arm; `if I perfectly understand what is in your mind, I am so much 
more likely 
to be useful, and to have the happiness of being effectually employed. I 
think I <hi>do</hi>
understand. I have not the honour of Mrs. Dombey's good opinion. In my 
position, I have 
no reason to expect it; but I take the fact to be, that I have not got 
it?' 


</p>
            <p>`Possibly not,' said Mr. Dombey. 


</p>
            <p>`Consequently,' pursued Carker, `your making these communications to Mrs. 
Dombey 
through me, is sure to be particularly unpalatable to that lady?' 


</p>
            <p>`It appears to me,' said Mr. Dombey, with haughty reserve, and yet with some 
embarrassment, `that Mrs. Dombey's views upon the subject form no part of it 
as it 
presents itself to you and me, Carker. But it may be so.' 


</p>
            <p>`And—pardon me—do I misconceive you,' said Carker, `when I think you descry 
in this, a 
likely means of humbling Mrs. Dombey's pride—I use the word as expressive of 
a quality 
which, kept within due bounds, adorns and graces a lady so distinguished for 
her beauty 
and accomplishments—and, not to say of punishing her, but of reducing her to 
the 
submission you so naturally and justly require?' 


</p>
            <p>`I am not accustomed, Carker, as you know,' said Mr. Dombey, `to give such 
close 
reasons for any course of conduct I think proper to adopt, but I will gainsay 
nothing of 
this. If you have any objection to found upon it, that is indeed another 
thing, and the mere 
statement that you have one will be sufficient. But I have not supposed, I 
confess, that any 
confidence I could intrust to you, would be likely to degrade you—' 


</p>
            <p>`Oh! <hi>I</hi> degraded!' exclaimed Carker. `In <hi>your</hi> service!' 


</p>
            <p>`—or to place you,' pursued Mr. Dombey, `in a false position.' 


</p>
            <p>`<hi>I</hi> in a false position!' exclaimed Carker. `I shall be 
proud—delighted—to execute 
your trust. I could have wished, I own, to have given the lady at whose feet 
I would lay 
my humble duty and devotion—for is she not your wife!—no new cause of 
dislike; but a 
wish from you is, of course, paramount to every other consideration on earth. 
Besides, 
when Mrs. Dombey is converted from these little errors of judgment, 
incidental, I would 
presume to say, to the novelty of her situation, I shall hope that she will 
perceive in the 
slight part I take, only a grain—my removed and different sphere gives room 
for little 
more—of the respect for you, and sacrifice of all considerations to you, of 
which it will be 
her pleasure and privilege to garner up a great store every day.' 


</p>
            <p>Mr. Dombey seemed, at the moment, again to see her with her hand stretched 
out towards 
the door, and again to hear through the mild speech of his confidential agent 
an echo of 
the words, `Nothing can make us stranger to each other than we are 
henceforth!' But he 
shook off the fancy, and did not shake in his resolution, and said, 
`Certainly, no 
doubt.' 


</p>
            <p>`There is nothing more,' quoth Carker, drawing his chair back to its old 
place—for they 
had taken little breakfast as yet—and pausing for an answer before he sat 
down. 


</p>
            <p>`Nothing,' said Mr. Dombey, `but this. You will be good enough to observe, 
Carker, that 
no message to Mrs. Dombey with which you are or may be charged, admits of 
reply. You 
will be good enough to bring me no reply. Mrs. Dombey is informed that it 
does not 
become me to temporise or treat upon any matter that is at issue between us, 
and that 
what I say is final.' 


</p>
            <p>Mr. Carker signified his understanding of these credentials, and they fell to 
breakfast with 
what appetite they might. The Grinder also, in due time, reappeared, keeping 
his eyes 
upon his master without a moment's respite, and passing the time in a reverie 
of 
worshipful terror. Breakfast concluded, Mr. Dombey's horse was ordered out 
again, and 
Mr. Carker mounting his own, they rode off for the City together. 


</p>
            <p>Mr. Carker was in capital spirits, and talked much. Mr. Dombey received his 
conversation 
with the sovereign air of a man who had a right to be talked to, and 
occasionally 
condescended to throw in a few words to carry on the conversation. So they 
rode on 
characteristically enough. But Mr. Dombey, in his dignity, rode with very 
long stirrups, 
and a very loose rein, and very rarely deigned to look down to see where his 
horse went. 
In consequence of which it happened that Mr. Dombey's horse, while going at a 
round 
trot, stumbled on some loose stones, threw him, rolled over him, and lashing 
out with his 
iron-shod feet, in his struggles to get up, kicked him. 


</p>
            <p>Mr. Carker, quick of eye, steady of hand, and a good horseman, was afoot, and 
had the 
struggling animal upon his legs and by the bridle, in a moment. Otherwise 
that morning's 
confidence would have been Mr. Dombey's last. Yet even with the flush and 
hurry of this 
action red upon him, he bent over his prostrate chief with every tooth 
disclosed, and 
muttered as he stooped down, `I have given good cause of offence to Mrs. 
Dombey 
<hi>now</hi>, if she knew it!' 


</p>
            <p>Mr. Dombey being insensible, and bleeding from the head and face, was carried 
by certain 
menders of the road, under Carker's direction, to the nearest public-house, 
which was not 
far off, and where he was soon attended by divers surgeons, who arrived in 
quick 
succession from all parts, and who seemed to come by some mysterious 
instinct, as 
vultures are said to gather about a camel who dies in the desert. After being 
at some pains 
to restore him to consciousness, these gentlemen examined into the nature of 
his injuries. 
One surgeon who lived hard by was strong for a compound fracture of the leg, 
which was 
the landlord's opinion also; but two surgeons who lived at a distance, and 
were only in 
that neighbourhood by accident, combated this opinion so disinterestedly, 
that it was 
decided at last that the patient, though severely cut and bruised, had broken 
no bones but a 
lesser rib or so, and might be carefully taken home before night. His 
injuries being dressed 
and bandaged, which was a long operation, and he at length left to repose, 
Mr. Carker 
mounted his horse again, and rode away to carry the intelligence home. 


</p>
            <p>Crafty and cruel as his face was at the best of times, though it was a 
sufficiently fair face 
as to form and regularity of feature, it was at its worst when he set forth 
on this errand; 
animated by the craft and cruelty of thoughts within him, suggestions of 
remote possibility 
rather than of design or plot, that made him ride as if he hunted men and 
women. 
Drawing rein at length, and slackening in his speed, as he came into the more 
public 
roads, he checked his white-legged horse into picking his way along as usual, 
and hid 
himself beneath his sleek, hushed, crouched manner, and his ivory smile, as 
he best 
could. 


</p>
            <p>He rode direct to Mr. Dombey's house, alighted at the door, and begged to see 
Mrs. 
Dombey on an affair of importance. The servant who showed him to Mr. Dombey's 
own 
room, soon returned to say that it was not Mrs. Dombey's hour for receiving 
visitors, and 
that he begged pardon for not having mentioned it before. 


</p>
            <p>Mr. Carker, who was quite prepared for a cold reception, wrote upon a card 
that he must 
take the liberty of pressing for an interview, and that he would not be so 
bold as to do so, 
<hi>for the second time</hi> (this he underlined), if he were not equally sure 
of the 
occasion being sufficient for his justification. After a trifling delay, Mrs. 
Dombey's maid 
appeared, and conducted him to a morning room upstairs, where Edith and 
Florence were 
together. 


</p>
            <p>He had never thought Edith half so beautiful before. Much as he admired the 
graces of her 
face and form, and freshly as they dwelt within his sensual remembrance, he 
had never 
thought her half so beautiful. 


</p>
            <p>Her glance fell haughtily upon him in the doorway; but he looked at 
Florence—though 
only in the act of bending his head, as he came in—with some irrepressible 
expression of 
the new power he held; and it was his triumph to see the glance droop and 
falter, and to 
see that Edith half rose up to receive him. 


</p>
            <p>He was very sorry, he was deeply grieved; he couldn't say with what 
unwillingness he 
came to prepare her for the intelligence of a very slight accident. He 
entreated Mrs. 
Dombey to compose herself. Upon his sacred word of honour, there was no cause 
of 
alarm. But Mr. Dombey—— 


</p>
            <p>Florence uttered a sudden cry. He did not look at her, but at Edith. Edith 
composed and 
reassured her. <hi>She</hi> uttered no cry of distress. No, no. 


</p>
            <p>Mr. Dombey had met with an accident in riding. His horse had slipped, and he 
had been 
thrown. 


</p>
            <p>Florence wildly exclaimed that he was badly hurt; that he was killed! 


</p>
            <p>No. Upon his honour, Mr. Dombey, though stunned at first, was soon recovered, 
and 
though certainly hurt was in no kind of danger. If this were not the truth, 
he, the 
distressed intruder, never could have had the courage to present himself 
before Mrs. 
Dombey. It was the truth indeed, he solemnly assured her. 


</p>
            <p>All this he said as if he were answering Edith, and not Florence, and with 
his eyes and his 
smile fastened on Edith. 


</p>
            <p>He then went on to tell her where Mr. Dombey was lying, and to request that a 
carriage 
might be placed at his disposal to bring him home. 


</p>
            <p>`Mama,' faltered Florence in tears, `if I might venture to go!' 


</p>
            <p>Mr. Carker, having his eyes on Edith when he heard these words, gave her a 
secret look 
and slightly shook his head. He saw how she battled with herself before she 
answered him 
with her handsome eyes, but he wrested the answer from her—he showed her 
that he 
would have it, or that he would speak and cut Florence to the heart—and she 
gave it to 
him. As he had looked at the picture in the morning, so he looked at her 
afterwards, when 
she turned her eyes away. 


</p>
            <p>`I am directed to request,' he said, `that the new housekeeper—Mrs. Pipchin, 
I think, is the 
name—' 


</p>
            <p>Nothing escaped him. He saw in an instant, that she was another slight of Mr. 
Dombey's 
on his wife. 


</p>
            <p>`—may be informed that Mr. Dombey wishes to have his bed prepared in his own 
apartments down stairs, as he prefers those rooms to any other. I shall 
return to Mr. 
Dombey almost immediately. That every possible attention has been paid to his 
comfort, 
and that he is the object of every possible solicitude, I need not assure 
you, Madam. Let 
me again say, there is no cause for the least alarm. Even you may be quite at 
ease, believe 
me.' 


</p>
            <p>He bowed himself out, with his extremest show of deference and conciliation; 
and having 
returned to Mr. Dombey's room, and there arranged for a carriage being sent 
after him to 
the City, mounted his horse again, and rode slowly thither. He was very 
thoughtful as he 
went along, and very thoughtful there, and very thoughtful in the carriage on 
his way back 
to the place where Mr. Dombey had been left. It was only when sitting by that 
gentleman's couch that he was quite himself again, and conscious of his 
teeth. 


</p>
            <p>About the time of twilight, Mr. Dombey, grievously afflicted with aches and 
pains, was 
helped into his carriage, and propped with cloaks and pillows on one side of 
it, while his 
confidential agent bore him company upon the other. As he was not to be 
shaken, they 
moved at little more than a foot pace; and hence it was quite dark when he 
was brought 
home. Mrs. Pipchin, bitter and grim, and not oblivious of the Peruvian mines, 
as the 
establishment in general had good reason to know, received him at the door, 
and freshened 
the domestics with several little sprinklings of wordy vinegar, while they 
assisted in 
conveying him to his room. Mr. Carker remained in attendance until he was 
safe in bed, 
and then, as he declined to receive any female visitor, but the excellent 
Ogress who 
presided over his household, waited on Mrs. Dombey once more, with his report 
on her 
lord's condition. 


</p>
            <p>He again found Edith alone with Florence, and he again addressed the whole of 
his 
soothing speech to Edith, as if she were a prey to the liveliest and most 
affectionate 
anxieties. So earnest he was in his respectful sympathy, that on taking 
leave, he 
ventured—with one more glance towards Florence at the moment—to take her 
hand, and 
bending over it, to touch it with his lips. 


</p>
            <p>Edith did not withdraw the hand, nor did she strike his fair face with it, 
despite the flush 
upon her cheek, the bright light in her eyes, and the dilation of her whole 
form. But when 
she was alone in her own room, she struck it on the marble chimney-shelf, so 
that, at one 
blow, it was bruised, and bled; and held it from her, near the shining fire, 
as if she could 
have thrust it in and burned it. 


</p>
            <p>Far into the night she sat alone, by the sinking blaze, in dark and 
threatening beauty, 
watching the murky shadows looming on the wall, as if her thoughts were 
tangible, and 
cast them there. Whatever shapes of outrage and affront, and black 
foreshadowings of 
things that might happen, flickered, indistinct and giant-like, before her, 
one resented 
figure marshalled them against her. And that figure was her husband. 

</p>
         </div>
         <div xml:id="c43" type="chapter">
            <head>CHAPTER XLIII</head>
            <head>The Watches of the Night</head>
            <p>FLORENCE, long since awakened from her dream, mournfully observed the 
estrangement between her father and Edith, and saw it widen more and more, 
and knew that there was greater bitterness between them every day. Each day's 
added knowledge deepened the shade upon her love and hope, roused up the old 
sorrow that had slumbered for a little time, and made it even heavier to bear 
than it had been before. 


</p>
            <p>It had been hard—how hard may none but Florence ever know!—to have the 
natural affection of a true and earnest nature turned to agony; and slight, 
or stern repulse, substituted for the tenderest protection and the dearest 
care. It had been hard to feel in her deep heart what she had felt, and never 
know the happiness of one touch of response. But it was much more hard to be 
compelled to doubt either her father or Edith, so affectionate and dear to 
her, and to think of her love for each of them, by turns, with fear, 
distrust, and wonder. 


</p>
            <p>Yet Florence now began to do so; and the doing of it was a task imposed upon 
her by the very purity of her soul, as one she could not fly from. She saw 
her father cold and obdurate to Edith, as to her; hard, inflexible, 
unyielding. Could it be, she asked herself with starting tears, that her own 
dear mother had been made unhappy by such treatment, and had pined away and 
died? Then she would think how proud and stately Edith was to every one but 
her, with what disdain she treated him, how distantly she kept apart from 
him, and what she had said on the night when she came home; and quickly it 
would come on Florence, almost as a crime, that she loved one who was set in 
opposition to her father, and that her father knowing of it, must think of 
her in his solitary room as the unnatural child who added this wrong to the 
old fault, so much wept for, of never having won his fatherly affection from 
her birth. The next kind word from Edith, the next kind glance, would shake 
these thoughts again, and make them seem like black ingratitude; for who but 
she had cheered the drooping heart of Florence, so lonely and so hurt, and 
been its best of comforters! Thus, with her gentle nature yearning to them 
both, feeling the misery of both, and whispering doubts of her own duty to 
both, Florence in her wider and expanded love, and by the side of Edith, 
endured more than when she had hoarded up her undivided secret in the 
mournful house, and her beautiful Mama had never dawned upon it. 


</p>
            <p>One exquisite unhappiness that would have far outweighed this, Florence was 
spared. She never had the least suspicion that Edith by her tenderness for 
her widened the separation from her father, or gave him new cause of dislike. 
If Florence had conceived the possibility of such an effect being wrought by 
such a cause, what grief she would have felt, what sacrifice she would have 
tried to make, poor loving girl, how fast and sure her quiet passage might 
have been beneath it to the presence of that higher Father who does not 
reject his children's love, or spurn their tried and broken hearts, Heaven 
knows!But it was otherwise, and that was well. 


</p>
            <p>No word was ever spoken between Florence and Edith now, on these subjects. 
Edith had said there ought to be between them, in that wise, a division and a 
silence like the grave itself: and Florence felt that she was right. 


</p>
            <p>In this state of affairs her father was brought home suffering and disabled: 
and gloomily retired to his own rooms, where he was tended by servants, not 
approached by Edith, and had no friend or companion but Mr. Carker, who 
withdrew near midnight. 


</p>
            <p>`And nice company <hi>he</hi> is, Miss Floy,' said Susan Nipper. `Oh, he's a 
precious piece of goods! If ever he wants a character don't let him come to 
me whatever he does, that's all I tell him.' 


</p>
            <p>`Dear Susan,' urged Florence, `don't!' 


</p>
            <p>`Oh, it's very well to say “don't” Miss Floy,' returned the Nipper, much 
exasperated; `but raly begging your pardon we're coming to such passes that 
it turns all the blood in a person's body into pins and needles, with their 
pints all ways. Don't mistake me, Miss Floy, I don't mean nothing again your 
ma-in-law who has always treated me as a lady should though she is rather 
high I must say not that I have any right to object to that particular, but 
when we come to Mrs. Pipchinses and having them put over us and keeping guard 
at your pa's door like crocodiles (only make us thankful that they lay no 
eggs!) we are a growing too outrageous!' 


</p>
            <p>`Papa thinks well of Mrs. Pipchin, Susan,' returned Florence, `and has a 
right to choose his housekeeper, you know. Pray don't!' 


</p>
            <p>`Well Miss Floy,' returned the Nipper, `when you say don't, I never do I hope 
but Mrs. Pipchin acts like early gooseberries upon me Miss, and nothing 
less.' 


</p>
            <p>Susan was unusually emphatic and destitute of punctuation in her discourse on 
this night, which was the night of Mr. Dombey's being brought home, because, 
having been sent down stairs by Florence to inquire after him, she had been 
obliged to deliver her message to her mortal enemy Mrs. Pipchin; who, without 
carrying it in to Mr. Dombey, had taken upon herself to return what Miss 
Nipper called a huffish answer, on her own responsibility. This, Susan Nipper 
construed into presumption on the part of that exemplary sufferer by the 
Peruvian mines, and a deed of disparagement upon her young lady, that was not 
to be forgiven; and so far her emphatic state was special. But she had been 
in a condition of greatly increased suspicion and distrust, ever since the 
marriage; for, like most persons of her quality of mind, who form a strong 
and sincere attachment to one in the different station which Florence 
occupied, Susan was very jealous, and her jealousy naturally attached to 
Edith, who divided her old empire, and came between them. Proud and glad as 
Susan Nipper truly was, that her young mistress should be advanced towards 
her proper place in the scene of her old neglect, and that she should have 
her father's handsome wife for her companion and protectress, she could not 
relinquish any part of her own dominion to the handsome wife, without a 
grudge and a vague feeling of ill-will, for which she did not fail to find a 
disinterested justification in her sharp perception of the pride and passion 
of the lady's character. From the background to which she had necessarily 
retired somewhat, since the marriage, Miss Nipper looked on, therefore, at 
domestic affairs in general, with a resolute conviction that no good would 
come of Mrs. Dombey: always being very careful to publish on all possible 
occasions, that she had nothing to say against her. 


</p>
            <p>`Susan,' said Florence, who was sitting thoughtfully at her table, `it is 
very late. I shall want nothing more to-night.' 


</p>
            <p>`Ah, Miss Floy!' returned the Nipper, `I'm sure I often wish for them old 
times when I sat up with you hours later than this and fell asleep through 
being tired out when you was as broad awake as spectacles, but you've 
ma's-in-law to come and sit with you now Miss Floy and I'm thankful for it 
I'm sure. I've not a word to say against 'em.' 


</p>
            <p>`I shall not forget who was my old companion when I had none, Susan,' 
returned Florence, gently, `never.' And looking up, she put her arm round the 
neck of her humble friend, drew her face down to hers, and bidding her good 
night, kissed it; which so mollified Miss Nipper, that she fell a sobbing. 


</p>
            <p>`Now my dear Miss Floy,' said Susan, `let me go down stairs again and see how 
your pa is, I know you're wretched about him, do let me go downstairs again 
and knock at his door my own self.' 


</p>
            <p>`No,' said Florence, `go to bed. We shall hear more in the morning. I will 
inquire myself in the morning. Mama has been down, I dare say;' Florence 
blushed, for she had no such hope; `or is there now, perhaps, Good night!' 


</p>
            <p>Susan was too much softened to express her private opinion on the probability 
of Mrs. Dombey's being in attendance on her husband; and silently withdrew. 
Florence left alone, soon hid her head upon her hands as she had often done 
in other days, and did not restrain the tears from coursing down her face. 
The misery of this domestic discord and unhappiness; the withered hope she 
cherished now, if hope it could be called, of ever being taken to her 
father's heart; her doubts and fears between the two; the yearning of her 
innocent breast to both; the heavy disappointment and regret of such an end 
as this, to what had been a vision of bright hope and promise to her; all 
crowded on her mind and made her tears flow fast. Her mother and her brother 
dead, her father unmoved towards her, Edith opposed to him and casting him 
away, but loving her, and loved by her, it seemed as if her affection could 
never prosper, rest where it would. That weak thought was soon hushed, but 
the thoughts in which it had arisen were too true and strong to be dismissed 
with it; and they made the night desolate. 


</p>
            <p>Among such reflections there rose up, as there had risen up all day, the 
image of her father, wounded and in pain, alone in his own room, untended by 
those who should be nearest to him, and passing the tardy hours in lonely 
suffering. A frightened thought which made her start and clasp her hands 
—though it was not a new one in her mind—that the might die, and never see 
her or pronounce her name, thrilled her whole frame. In her agitation she 
thought, and trembled while she thought, of once more stealing down stairs, 
and venturing to his door. 


</p>
            <p>She listened at her own. The house was quiet, and all the lights were out. It 
was a long, long time, she thought, since she used to make her nightly 
pilgrimages to his door! It was a long, long time, she tried to think, since 
she had entered his room at midnight, and he had led her back to the 
stair-foot! 


</p>
            <p>With the same child's heart within her, as of old: even with the child's 
sweet timid eyes and clustering hair: Florence, as strange to her father in 
her early maiden bloom, as in her nursery time, crept down the staircase 
listening as she went, and drew near to his room. No one was stirring in the 
house. The door was party open to admit air; and all was so still within, 
that she could hear the burning of the fire, and count the ticking of the 
clock that stood upon the chimney-piece. 


</p>
            <p>She looked in. In that room, the housekeeper wrapped in a blanket was fast 
asleep in an easy chair before the fire. The doors between it and the next 
were partly closed, and a screen was drawn before them; but there was a light 
there, and it shone upon the cornice of his bed. All was so very still that 
she could hear from his breathing that he was asleep. This gave her courage 
to pass round the screen, and look into his chamber. 


</p>
            <p>It was as great a start to come upon his sleeping face as if she had not 
expected to see it. Florence stood arrested on the spot, and if he had 
awakened then, must have remained there. 


</p>
            <p>There was a cut upon his forehead, and they had been wetting his hair, which 
lay bedabbled and entangled on the pillow. One of his arms, resting outside 
the bed, was bandaged up, and he was very white. But it was not this, that 
after the first quick glance, and first assurance of his sleeping quietly, 
held Florence rooted to the ground. It was something very different from 
this, and more than this, that made him look so solemn in her eyes. 


</p>
            <p>She had never seen his face in all her life, but there had been upon it—or 
she fancied so—some disturbing consciousness of her. She had never seen his 
face in all her life, but hope had sunk within her, and her timid glance had 
drooped before its stern, unloving, and repelling harshness. As she looked 
upon it now, she saw it, for the first time, free from the cloud that had 
darkened her childhood. Calm, tranquil night was reigning in its stead. Her 
might have gone to sleep, for anything she saw there, blessing her. 


</p>
            <p>Awake, unkind father! Awake, now, sullen man! The time is flitting by; the 
hour is coming with an angry tread. Awake! 


</p>
            <p>There was no change upon his face; and as she watched it, awfully, its 
motionless repose recalled the faces that were gone. So they looked, so would 
he; so she, his weeping child, who should say when! so all the world of love 
and hatred and indifference around them! When that time should come, it would 
not be the heavier to him, for this that she was going to do; and it might 
fall something lighter upon her. 


</p>
            <p>She stole close to the bed, and drawing in her breath bent down, and softly 
kissed him on the face, and laid her own for one brief moment by its side, 
and put the arm, with which she dared not touch him, round about him on the 
pillow. 


</p>
            <p>Awake, doomed man, while she is near. The time is flitting by; the hour is 
coming with an angry tread; its food is in the house. Awake! 


</p>
            <p>In her mind, she prayed to God to bless her father, and to soften him towards 
her, if it might be so; and if not, to forgive him if he was wrong, and 
pardon her the prayer which almost seemed impiety. And doing so, and looking 
back at him with blinded eyes, and stealing timidly away, passed out of his 
room, and crossed the other, and was gone. 


</p>
            <p>He may sleep on now. He may sleep on while he may. But let him look for that 
slight figure when he wakes, and find it near him when the hour is come! 


</p>
            <p>Sad and grieving was the heart of Florence, as she crept upstairs. The quiet 
house had grown more dismal since she came down. The sleep she had been 
looking on, in the dead on night, had the solemnity to her of death and life 
in one. The secrecy and silence of her own proceeding made the night secret, 
silent, and oppressive. She felt unwilling, almost unable, to go on to her 
own chamber; and turning into the drawing-rooms, where the clouded moon was 
shining through the blinds, looked out into the empty streets. 


</p>
            <p>The wind was blowing drearily. The lamps looked pale, and shook as if they 
were cold. There was a distant glimmer of something that was not quite 
darkness, rather than of light, in the sky; and foreboding night was 
shivering and restless, as the dying are who make a troubled end. Florence 
remembered how, as a watcher, by a sick-bed, she had noted this bleak time, 
and felt its influence, as if in some hidden natural antipathy to it; and now 
it was very, very gloomy. 


</p>
            <p>Her Mama had not come to her room that night, which was one cause of her 
having sat late out of her bed. In her general uneasiness, no less than in 
her ardent longing to have somebody to speak to, and to break the spell of 
gloom and silence, Florence directed her steps towards the chamber where she 
slept. 


</p>
            <p>The door was not fastened within, and yielded smoothly to her hesitating 
hand. She was surprised to find a bright light burning; still more surprised, 
on looking in, to see that her Mama, but partially undressed, was sitting 
near the ashes of the fire, which had crumbled and dropped away. Her eyes 
were intently bent upon the air; and in their light, and in her face, and in 
her form, and in the grasp with which she held the elbows of her chair as if 
about to start up, Florence saw such fierce emotion that it terrified her. 


</p>
            <p>`Mama!' she cried, `what is the matter?' 


</p>
            <p>Edith started; looking at her with such a strange dread in her face, that 
Florence was more frightened than before. 


</p>
            <p>`Mama!' said Florence, hurriedly advancing. `Dear Mama!what is the 
matter?' 


</p>
            <p>`I have not been well,' said Edith, shaking, and still looking at her in the 
same strange way. `I have had bad dreams, my love.' 


</p>
            <p>`And not yet been to bed, Mama?' 


</p>
            <p>`No,' she returned. `Half-waking dreams.' 


</p>
            <p>Her features gradually softened; and suffering Florence to come closer to 
her, within her embrace, she said in a tender manner, `But what does my bird 
do here? What does my bird do here?' 


</p>
            <p>`I have been uneasy, Mama, in not seeing you to-night, and in not knowing how 
Papa was; and I——' 


</p>
            <p>Florence stopped there, and said no more. 


</p>
            <p>`Is it late?' asked Edith, fondly putting back the curls that mingled with 
her own dark hair, and strayed upon her face. 


</p>
            <p>`Very late. Near day.' 


</p>
            <p>`Near day!' she repeated in surprise. 


</p>
            <p>`Dear Mama, what have you done to your hand?' said Florence. 


</p>
            <p>Edith drew it suddenly away, and, for a moment, looked at her with the same 
strange dread (there was a sort of wild avoidance in it) as before; but she 
presently said, `Nothing, nothing. A blow.' And then she said, `My Florence!' 
and then her bosom heaved, and she was weeping passionately. 


</p>
            <p>`Mama!' said Florence. `Oh Mama, what can I do, what should I do, to make us 
happier? Is there anything?' 


</p>
            <p>`Nothing,' she replied. 


</p>
            <p>`Are you sure of that? Can it never be? If I speak now of what is in my 
thoughts, in spite of what we have agreed,' said Florence, `you will not 
blame me, will you?' 


</p>
            <p>`It is useless,' she replied, `useless. I have told you, dear, that I have 
had bad dreams. Nothing can change them, or prevent their coming back.' 


</p>
            <p>`I do not understand,' said Florence, gazing on her agitated face, which 
seemed to darken as she looked. 


</p>
            <p>`I have dreamed,' said Edith in a low voice, `of a pride that is all 
powerless for good, all powerful for evil; of a pride that has been galled 
and goaded, through many shameful years, and has never recoiled except upon 
itself; a pride that has debased its owner with the consciousness of deep 
humiliation, and never helped its owner boldly to resent it or avoid it, or 
to say, “This shall not be!” a pride that, rightly guided, might have led 
perhaps to better things, but which, misdirected and perverted, like all else 
belonging to the same possessor, has been self-contempt, mere hardihood, and 
ruin.' 


</p>
            <p>She neither looked nor spoke to Florence now, but went on as if she were 
alone. 


</p>
            <p>`I have dreamed,' she said, `of such indifference and callousness, arising 
from this self-contempt; this wretched, inefficient, miserable pride; that it 
has gone on with listless steps even to the altar, yielding to the old, 
familiar, beckoning finger,—oh mother, oh mother!—while it spurned it; and 
willing to be hateful to itself for once and for all, rather than to be stung 
daily in some new form. Mean, poor thing!' 


</p>
            <p>And now with gathering and darkening emotion, she looked as she had looked 
when Florence entered. 


</p>
            <p>`And I have dreamed,' she said, `that in a first late effort to achieve a 
purpose, it has been trodden on, and trodden down by a base foot, but turns 
and looks upon him. I have dreamed that it is wounded, hunted, set upon by 
dogs, but that it stands at bay, and will not yield; no, that it cannot if it 
would; but that it is urged on to hate him, rise against him, and defy 
him!' 


</p>
            <p>Her clenched hand tightened on the trembling arm she had in hers, and as she 
looked down on the alarmed and wondering face, her own subsided. `Oh 
Florence!' she said, `I think I have been nearly mad to-night!' and humbled 
her proud head upon her neck, and wept again. 


</p>
            <p>`Don't leave me! be near me! I have no hope but in you!' These words she said 
a score of times. 


</p>
            <p>Soon she grew calmer, and was full of pity for the tears of Florence, and for 
her waking at such untimely hours. And the day now drawing, Edith folded her 
in her arms and laid her down upon her bed, and, not lying down herself, sat 
by her, and bade her try to sleep. 


</p>
            <p>`For you are weary, dearest, and unhappy, and should rest.' 


</p>
            <p>`I am indeed unhappy, dear Mama, to-night,' said Florence. `But you are weary 
and unhappy, too.' 


</p>
            <p>`Not when you lie asleep so near me, sweet.' 


</p>
            <p>They kissed each other, and Florence, worn out, gradually fell into a gentle 
slumber; but as her eyes closed on the face beside her, it was so sad to 
think upon the face down stairs, that her hand drew closer to Edith for some 
comfort; yet, even in the act, it faltered, lest it should he deserting him. 
So, in her sleep, she tried to reconcile the two together, and to show them 
that she loved them both, but could not do it, and her waking grief was part 
of her dreams. 


</p>
            <p>Edith, sitting by, looked down at the dark eyelashes lying wet on the flushed 
cheeks, and looked with gentleness and pity, for she knew the truth. But no 
sleep hung upon her own eyes. As the day came on she still sat watching and 
waking, with the placid hand in hers, and sometimes whispered, as she looked 
at the hushed face, `Be near me, Florence, I have no hope but in you!' 

</p>
         </div>
         <div xml:id="c44" type="chapter">
            <head>CHAPTER XLIV</head>
            <head>A Separation</head>
            <p>WITH the day, though not so early as the sun, uprose Miss Susan Nipper. There 
was a heaviness in this young maiden's exceedingly sharp black eyes, that 
abated somewhat of their sparkling, and suggested—which was not their usual 
character—the possibility of their being sometimes shut. There was likewise 
a swollen look about them, as if they had been crying over-night. But the 
Nipper, so far from being cast down, was singularly brisk and bold, and all 
her energies appeared to be braced up for some great feat. This was 
noticeable even in her dress, which was much more tight and trim than usual; 
and in occasional twitches of her head as she went about the house, which 
were mightily expressive of determination. 


</p>
            <p>In a word, she had formed a determination, and an aspiring one: it being 
nothing less than this—to penetrate to Mr. Dombey's presence, and have 
speech of that gentleman alone. `I have often said I would,' she remarked, in 
a threatening manner, to herself, that morning, with many twitches of her 
head, `and now I <hi>will</hi>!' 


</p>
            <p>Spurring herself on to the accomplishment of this desperate design, with a 
sharpness that was peculiar to herself, Susan Nipper haunted the hall and 
staircase during the whole forenoon, without finding a favourable opportunity 
for the assault. Not at all baffled by this discomfiture, which indeed had a 
stimulating effect, and put her on her mettle, she diminished nothing of her 
vigilance; and at last discovered, towards evening, that her sworn foe Mrs. 
Pipchin, under pretence of having sat up all night, was dozing in her own 
room, and that Mr. Dombey was lying on his sofa, unattended. 


</p>
            <p>With a twitch—not of her head merely, this time, but of her whole self—the 
Nipper went on tiptoe to Mr. Dombey's door, and knocked. `Come in!' said Mr. 
Dombey. Susan encouraged herself with a final twitch, and went in. 


</p>
            <p>Mr. Dombey, who was eyeing the fire, gave an amazed look at his visitor, and 
raised himself a little on his arm. The Nipper dropped a curtsey. 


</p>
            <p>`What do you want?' said Mr. Dombey. 


</p>
            <p>`If you please, Sir, I wish to speak to you.' said Susan. 


</p>
            <p>Mr. Dombey moved his lips as if he were repeating the words, but he seemed so 
lost in astonishment at the presumption of the young woman as to be incapable 
of giving them utterance. 


</p>
            <p>`I have been in your service, Sir,' said Susan Nipper, with her usual 
rapidity, `now twelve year a waiting on Miss Floy my own young lady who 
couldn't speak plain when I first come here and I was old in this house when 
Mrs. Richards was new, I may not be Meethosalem, but I am not a child in 
arms.' 


</p>
            <p>Mr. Dombey, raised upon his arm and looking at her, offered no comment on 
this preparatory statement of facts. 


</p>
            <p>`There never was a dearer or a blesseder young lady than is my young lady, 
Sir,' said Susan, `and I ought to know a great deal better than some for I 
have seen her in her grief and I have seen her in her joy (there's not been 
much of it) and I have seen her with her brother and I have seen her in her 
loneliness and some have never seen her, and I say to some and all—I do!' 
and here the black-eyed shook her head, and slightly stamped her foot; `that 
she's blessedest and dearest angel is Miss Floy that ever drew the breath of 
life, the more that I was torn to pieces Sir the more I'd say it though I may 
not be a Fox's Martyr.' 


</p>
            <p>Mr. Dombey turned yet paler than his fall had made him, with indignation and 
astonishment; and kept his eyes upon the speaker as if he accused them, and 
his ears too, of playing him false. 


</p>
            <p>`No one could be anything but true and faithful to Miss Floy, Sir,' pursued 
Susan, `and I take no merit for my service of twelve year, for I love 
her—yes, I say to some and all I do!'—and here the black-eyed shook her 
head again, and slightly stamped her foot again, and checked a sob; `but true 
and faithful service gives me right to speak I hope, and speak I must and 
will now, right or wrong.' 


</p>
            <p>`What do you mean, woman?' said Mr. Dombey, glaring at her. `How do you 
dare?' 


</p>
            <p>`What I mean, Sir, is to speak respectful and without offence, but out, and 
how I dare I know not but I do!' said Susan. `Oh! you don't know my young 
lady Sir you don't indeed, you'd never know so little of her, if you did.' 


</p>
            <p>Mr. Dombey, in a fury, put his hand out for the bell-rope; but there was no 
bell-rope on that side of the fire, and he could not rise and cross to the 
other without assistance. The quick eye of the Nipper detected his 
helplessness immediately, and now, as she afterwards observed, she felt she 
had got him. 


</p>
            <p>`Miss Floy,' said Susan Nipper, `is the most devoted and most patient and 
most dutiful and beautiful of daughters, there an't no gentleman, no Sir, 
though as great and rich as all the greatest and richest of England put 
together, but might be proud of her and would and ought. If he knew her value 
right, he'd rather lose his greatness and his fortune piece by piece and beg 
his way in rags from door to door, I say to some and all, he would!' cried 
Susan Nipper, bursting into tears, `than bring the sorrow on her tender heart 
that I have seen it suffer in this house!' 


</p>
            <p>`Woman,' cried Mr. Dombey, `leave the room.' 


</p>
            <p>`Begging your pardon, not even if I am to leave the situation, Sir,' replied 
the steadfast Nipper, `in which I have been so many years and seen so 
much—although I hope you'd never have the heart to send me from Miss Floy 
for such a cause—will I go now till I have said the rest, I may not be a 
Indian widow Sir and I am not and I would not so become but if I once made up 
my mind to burn myself alive, I'd do it! And I've made my mind up to go 
on.' 


</p>
            <p>Which was rendered no less clear by the expression of Susan Nipper's 
countenance, than by her words. 


</p>
            <p>`There an't a person in your service, Sir,' pursued the blackeyed, `that has 
always stood more in awe of you than me and you may think how true it is when 
I make so bold as say that I have hundreds and hundreds of times thought of 
speaking to you and never been able to make my mind up to it till last night, 
but last night decided of me.' 


</p>
            <p>Mr. Dombey, in a paroxysm of rage, made another grasp at the bell-rope that 
was not there, and, in its absence, pulled his hair rather than nothing. 


</p>
            <p>`I have seen,' said Susan Nipper, `Miss Floy strive and strive when nothing 
but a child so sweet and patient that the best of women might have copied 
from her, I've seen her sitting nights together half the night through to 
help her delicate brother with his learning, I've seen her helping him and 
watching him at other times—some well know when—I've seen her, with no 
encouragement and no help, grow up to be a lady, thank God! that is the grace 
and pride of every company she goes in, and I've always seen her cruelly 
neglected and keenly feeling of it—I say to some and all, I have!—and never 
said one word, but ordering one's self lowly and reverently towards one's 
betters, is not to be a worshipper of graven images, and I will and must 
speak!' 


</p>
            <p>`Is there anybody there?' cried Mr. Dombey, calling out. `Where are the men? 
where are the women? Is there no one there?' 


</p>
            <p>`I left my dear young lady out of bed late last night,' said Susan, nothing 
checked, `and I knew why, for you was ill Sir and she didn't know how ill and 
that was enough to make her wretched as I saw it did. I may not be a Peacock; 
but I have my eyes—and I sat up a little in my own room thinking she might 
be lonesome and might want me, and I saw her steal down stairs and come to 
this door as if it was a guilty thing to look at her own Pa, and then steal 
back again and go into them lonely drawing-rooms, a crying so, that I could 
hardly bear to hear it. I <hi>can not</hi> bear to hear it,' said Susan Nipper, 
wiping her black eyes, and fixing them undauntingly on Mr. Dombey's 
infuriated face. `It's not the first time I have heard it, not by many and 
many a time you don't know your own daughter, Sir, you don't know what you're 
doing, Sir, I say to some and all,' cried Susan Nipper, in a final burst, 
`that it's a sinful shame!' 


</p>
            <p>`Why, hoity toity!' cried the voice of Mrs. Pipchin, as the black bombazeen 
garments of that fair Peruvian Miner swept into the room. `What's this, 
indeed?' 


</p>
            <p>Susan favoured Mrs. Pipchin with a look she had invented expressly for her 
when they first became acquainted, and resigned the reply to Mr. Dombey. 


</p>
            <p>`What's this?' repeated Mr. Dombey, almost foaming. `What's this, Madam? You 
who are at the head of this household, and bound to keep it in order, have 
reason to inquire. Do you know this woman?' 


</p>
            <p>`I know very little good of her, Sir,' croaked Mrs. Pipchin. `How dare you 
come here, you hussy? Go along with you!' 


</p>
            <p>But the inflexible Nipper, merely honouring Mrs. Pipchin with another look, 
remained. 


</p>
            <p>`Do you call it managing this establishment, Madam,' said Mr. Dombey, `to 
leave a person like this at liberty to come and talk to <hi>me</hi>! A 
gentleman—in his own house—in his own room—assailed with the impertinences 
of women-servants!' 


</p>
            <p>`Well, Sir,' returned Mrs. Pipchin, with vengeance in her hard grey eye, `I 
exceedingly deplore it; nothing can be more irregular; nothing can be more 
out of all bounds and reason; but I regret to say, Sir, that this young woman 
is quite beyond control. She has been spoiled by Miss Dombey, and is amenable 
to nobody. You know you're not,' said Mrs. Pipchin, sharply, and shaking her 
head at Susan Nipper. `For shame, you hussy! Go along with you!' 


</p>
            <p>`If you find people in my service who are not to be controlled, Mrs. 
Pipchin,' said Mr. Dombey, turning back towards the fire, `you know what to 
do with them, I presume. You know what you are here for? Take her away!' 


</p>
            <p>`Sir, I know what to do,' retorted Mrs. Pipchin, `and of course shall do it. 
Susan Nipper,' snapping her up particularly short, `a month's warning from 
this hour.' 


</p>
            <p>`Oh indeed!' cried Susan, loftily. 


</p>
            <p>`Yes,' returned Mrs. Pipchin, `and don't smile at me, you minx, or I'll know 
the reason why! Go along with you this minute!' 


</p>
            <p>`I intend to go this minute, you may rely upon it,' said the voluble Nipper. 
`I have been in this house waiting on my young lady a dozen year and I won't 
stop in it one hour under notice from a person owning to the name of Pipchin, 
trust me, Mrs. P.' 


</p>
            <p>`A good riddance of bad rubbish!' said that wrathful old lady. `Get along 
with you, or I'll have you carried out!' 


</p>
            <p>`My comfort is,' said Susan, looking back at Mr. Dombey, `that I have told a 
piece of truth this day which ought to have been told long before and can't 
be told too often or too plain and that no amount of Pipchinses—I hope the 
number of 'em mayn't be great' (here Mrs. Pipchin uttered a very sharp `Go 
along with you!' and Miss Nipper repeated the look) `can unsay what I have 
said, though they gave a whole year full of warnings beginning at ten o'clock 
in the forenoon and never leaving off till twelve at night and died of the 
exhaustion which would be a Jubilee!' 


</p>
            <p>With these words, Miss Nipper preceded her foe out of the room; and walking 
upstairs to her own apartments in great state, to the choking exasperation of 
the ireful Pipchin, sat down among her boxes and began to cry. 


</p>
            <p>From this soft mood she was soon aroused, with a very wholesome and 
refreshing effect, by the voice of Mrs. Pipchin outside the door. 


</p>
            <p>`Does that bold-faced slut,' said the fell Pipchin, `intend to take her 
warning, or does she not?' 


</p>
            <p>Miss Nipper replied from within that the person described did not inhabit 
that part of the house, but that her name was Pipchin, and she was to be 
found in the housekeeper's room. 


</p>
            <p>`You saucy baggage!' retorted Mrs. Pipchin, rattling at the handle of the 
door. `Go along with you this minute. Pack up your things directly! How dare 
you talk in this way to a gentlewoman who has seen better days?' 


</p>
            <p>To which Miss Nipper rejoined from her castle, that she pitied the better 
days that had seen Mrs. Pipchin; and that for her part she considered the 
worst days in the year to be about that lady's mark, except that they were 
much too good for her. 


</p>
            <p>`But you needn't trouble yourself to make a noise at my door,' said Susan 
Nipper, `nor to contaminate the key-hole with your eye, I'm packing up and 
going you may take your affidavit.' 


</p>
            <p>The Dowager expressed her lively satisfaction at this intelligence, and with 
some general opinions upon young hussies as a race, and especially upon their 
demerits after being spoiled by Miss Dombey, withdrew to prepare the Nipper's 
wages. Susan then bestirred herself to get her trunks in order, that she 
might take an immediate and dignified departure; sobbing heartily all the 
time, as she thought of Florence. 


</p>
            <p>The object of her regret was not long in coming to her, for the news soon 
spread over the house that Susan Nipper had had a disturbance with Mrs. 
Pipchin, and that they had both appealed to Mr. Dombey, and that there had 
been an unprecedented piece of work in Mr. Dombey's room, and that Susan was 
going. The latter part of this confused rumour, Florence found to be so 
correct, that Susan had locked the last trunk and was sitting upon it with 
her bonnet on, when she came into her room. 


</p>
            <p>`Susan!' cried Florence. `Going to leave me! You!' 


</p>
            <p>`Oh for goodness gracious sake, Miss Floy,' said Susan, sobbing, `don't speak 
a word to me or I shall demean myself before them Pi-i-ipchinses, and I 
wouldn't have 'em see me cry Miss Floy for worlds!' 


</p>
            <p>`Susan!' said Florence. `My dear girl, my old friend! What shall I do without 
you! Can you bear to go away so?' 


</p>
            <p>`No-n-o-o, my darling dear Miss Floy, I can't indeed,' sobbed Susan. `But it 
can't be helped, I've done my duty Miss, I have indeed. It's no fault of 
mine. I am quite resi-igned. I couldn't stay my month or I could never leave 
you then my darling and I must at last as well as at first, don't speak to me 
Miss Floy, for though I'm pretty firm I'm not a marble doorpost, my own 
dear.' 


</p>
            <p>`What is it? Why is it?' said Florence. `Won't you tell me?' For Susan was 
shaking her head. 


</p>
            <p>`No-n-no, my darling,' returned Susan. `Don't ask me, for I mustn't, and 
whatever you do don't put in a word for me to stop, for it couldn't be and 
you'd only wrong yourself, and so God bless you my own precious and forgive 
me any harm I have done, or any temper I have showed in all these many 
years!' 


</p>
            <p>With which entreaty, very heartily delivered, Susan hugged her mistress in 
her arms. 


</p>
            <p>`My darling there's a many that may come to serve you and be glad to serve 
you and who'll serve you well and true,' said Susan, `but there can't be one 
who'll serve you so affectionate as me or love you half as dearly, that's my 
comfort. Go-oodbye, sweet Miss Floy!' 


</p>
            <p>`Where will you go, Susan?' asked her weeping mistress. 


</p>
            <p>`I've got a brother down in the country Miss—a farmer in Essex,' said the 
heart-broken Nipper, `that keeps ever so many co-o-ows and pigs and I shall 
go down there by the coach and sto-op with him, and don't mind me, for I've 
got money in the Savings' Banks my dear, and needn't take another service 
just yet, which I couldn't, couldn't, couldn't do, my heart's own mistress!' 
Susan finished with a burst of sorrow, which was opportunely broken by the 
voice of Mrs. Pipchin talking down stairs; on hearing which, she dried her 
red and swollen eyes, and made a melancholy feint of calling jauntily to Mr. 
Towlinson to fetch a cab and carry down her boxes. 


</p>
            <p>Florence, pale and hurried and distressed, but withheld from useless 
interference even here, by her dread of causing any new division between her 
father and his wife (whose stern, indignant face had been a warning to her a 
few moments since), and by her apprehension of being in some way 
unconsciously connected already with the dismissal of her old servant and 
friend, followed, weeping, down stairs to Edith's dressingroom, whither Susan 
betook herself to make her parting curtsey. 


</p>
            <p>`Now, here's the cab, and here's the boxes, get along with you, do!' said 
Mrs. Pipchin, presenting herself at the same moment. `I beg your pardon, 
ma'am, but Mr. Dombey's orders are imperative.' 


</p>
            <p>Edith, sitting under the hands of her maid—she was going out to 
dinner—preserved her haughty face, and took not the least notice. 


</p>
            <p>`There's your money,' said Mrs. Pipchin, who in pursuance of her system, and 
in recollection of the mines, was accustomed to rout the servants about, as 
she had routed her young Brighton boarders; to the everlasting acidulation of 
Master Bitherstone, `and the sooner this house sees your back the better.' 


</p>
            <p>Susan had no spirits even for the look that belonged to Mrs. Pipchin by 
right; so she dropped her curtsey to Mrs. Dombey (who inclined her head 
without one word, and whose eye avoided every one but Florence), and gave one 
last parting hug to her young mistress, and received her parting embrace in 
return. Poor Susan's face at this crisis, in the intensity of her feelings 
and the determined suffocation of her sobs, lest one should become audible 
and be a triumph to Mrs. Pipchin, presented a series of the most 
extraordinary physiognomical phenomena ever witnessed. 


</p>
            <p>`I beg your pardon, Miss, I'm sure,' said Towlinson, outside the door with 
the boxes, addressing Florence, `but Mr. Toots is in the drawing-room, and 
sends his compliments, and begs to know how Diogenes and Master is.' 


</p>
            <p>Quick as thought, Florence glided out and hastened down stairs, where Mr. 
Toots, in the most splendid vestments, was breathing very hard with doubt and 
agitation on the subject of her coming. 


</p>
            <p>`Oh, how de do, Miss Dombey,' said Mr. Toots, `God bless my soul!' 


</p>
            <p>This last ejaculation was occasioned by Mr. Toots's deep concern at the 
distress he saw in Florence's face; which caused him to stop short in a fit 
of chuckles, and become an image of despair. 


</p>
            <p>`Dear Mr. Toots,' said Florence, `you are so friendly to me, and so honest, 
that I am sure I may ask a favour of you.' 


</p>
            <p>`Miss Dombey,' returned Mr. Toots, `if you'll only name one, you'll—you'll 
give me an appetite. To which,' said Mr. Toots, with some sentiment, `I have 
long been a stranger.' 


</p>
            <p>`Susan, who is an old friend of mine, the oldest friend I have,' said 
Florence, `is about to leave here suddenly, and quite alone, poor girl. She 
is going home, a little way into the country. Might I ask you to take care of 
her until she is in the coach?' 


</p>
            <p>`Miss Dombey,' returned Mr. Toots, `you really do me an honour and a 
kindness. This proof of your confidence, after the manner in which I was 
Beast enough to conduct myself at Brighton—' 


</p>
            <p>`Yes,' said Florence, hurriedly—`no—don't think of that. Then would you 
have the kindness to—to go? and to be ready to meet her when she comes out? 
Thank you a thousand times!You ease my mind so much. She doesn't seem so 
desolate. You cannot think how grateful I feel to you, or what a good friend 
I am sure you are!' And Florence in her earnestness thanked him again and 
again; and Mr. Toots, in <hi>his</hi> earnestness, hurried away—but backwards, 
that he might lose no glimpse of her. 


</p>
            <p>Florence had not the courage to go out, when she saw poor Susan in the hall, 
with Mrs. Pipchin driving her forth, and Diogenes jumping about her, and 
terrifying Mrs. Pipchin to the last degree by making snaps at her bombazeen 
skirts, and howling with anguish at the sound of her voice—for the good 
duenna was the dearest and most cherished aversion of his breast. But she saw 
Susan shake hands with the servants all round, and turn once to look at her 
old home; and she saw Diogenes bound out after the cab, and want to follow 
it, and testify an impossibility of conviction that he had no longer any 
property in the fare; and the door was shut, and the hurry over, and her 
tears flowed fast for the loss of an old friend, whom no one could replace. 
No one. No one. 


</p>
            <p>Mr. Toots, like the leal and trusty soul he was, stopped the cabriolet in a 
twinkling, and told Susan Nipper of his commission, at which she cried more 
than before. 


</p>
            <p>`Upon my soul and body!' said Mr. Toots, taking his seat beside her, `I feel 
for you. Upon my word and honour I think you can hardly know your own 
feelings better than I imagine them. I can conceive nothing more dreadful 
than to have to leave Miss Dombey.' 


</p>
            <p>Susan abandoned herself to her grief now, and it really was touching to see 
her. 


</p>
            <p>`I say,' said Mr. Toots, `now, don't! at least I mean now do, you know!' 


</p>
            <p>`Do what, Mr. Toots?' cried Susan. 


</p>
            <p>`Why, come home to my place, and have some dinner before you start,' said Mr. 
Toots. `My cook's a most respectable woman—one of the most motherly people I 
ever saw—and she'll be delighted to make you comfortable. Her son,' said Mr. 
Toots, as an additional recommendation, `was educated in the Blue-coat 
School, and blown up in a powder-mill.' 


</p>
            <p>Susan accepting this kind offer, Mr. Toots conducted her to his dwelling, 
where they were received by the Matron in question who fully justified his 
character of her, and by the Chicken, who at first supposed, on seeing a lady 
in the vehicle, that Mr. Dombey had been doubled up, agreeably to his old 
recommendation, and Miss Dombey abducted. This gentleman awakened in Miss 
Nipper some considerable astonishment; for, having been defeated by the 
Larkey Boy, his visage was in a state of such great dilapidation, as to be 
hardly presentable in society with comfort to the beholders. The Chicken 
himself attributed this punishment to his having had the misfortune to get 
into Chancery early in the proceedings, when he was severely fibbed by the 
Larkey one, and heavily grassed. But it appeared from the published records 
of that great contest that the Larkey Boy had had it all his own way from the 
beginning, and that the Chicken had been tapped, and bunged, and had received 
pepper, and had been made groggy, and had come up piping, and had endured a 
complication of similar strange inconveniences, until he had been gone into 
and finished. 


</p>
            <p>After a good repast, and much hospitality, Susan set out for the coach-office 
in another cabriolet, with Mr. Toots inside, as before, and the Chicken on 
the box, who, whatever distinction he conferred on the little party by the 
moral weight and heroism of his character, was scarcely ornamental to it, 
physically speaking, on account of his plasters; which were numerous. But the 
Chicken had registered a vow, in secret, that he would never leave Mr. Toots 
(who was secretly pining to get rid of him), for any less consideration than 
the good-will and fixtures of a public-house; and being ambitious to go into 
that line, and drink himself to death as soon as possible, he felt it his cue 
to make his company unacceptable. 


</p>
            <p>The night-coach by which Susan was to go, was on the point of departure. Mr. 
Toots having put per inside, lingered by the window, irresolutely, until the 
driver was about to mount; when, standing on the step, and putting in a face 
that by the light of the lamp was anxious and confused, he said abruptly: 


</p>
            <p>`I say, Susan! Miss Dombey, you know—' 


</p>
            <p>`Yes, Sir.' 


</p>
            <p>`Do you think she could—you know—eh?' 


</p>
            <p>`I beg your pardon, Mr. Toots,' said Susan, `but I don't hear you.' 


</p>
            <p>`Do you think she could be brought, you know—not exactly at once, but in 
time—in a long time—to—to love me, you know? There!' said poor Mr. 
Toots. 


</p>
            <p>`Oh dear no!' returned Susan, shaking her head. `I should say, never. 
Ne—ver!' 


</p>
            <p>`Thank'ee!' said Mr. Toots. `It's of no consequence. Good night. It's of no 
consequence, thank'ee!' 

</p>
         </div>
         <div xml:id="c45" type="chapter">
            <head>CHAPTER XLV</head>
            <head>The Trusty Agent</head>
            <p>EDITH went out alone that day, and returned home early. It was but a few 
minutes after 
ten o'clock, when her carriage rolled along the street in which she lived. 


</p>
            <p>There was the same enforced composure on her face, that there had been when 
she was 
dressing; and the wreath upon her head encircled the same cold and steady 
brow. But it 
would have been better to have seen its leaves and flowers reft into 
fragments by her 
passionate hand, or rendered shapeless by the fitful searches of a throbbing 
and bewildered 
brain for any resting-place, than adorning such tranquillity. So obdurate, so 
unapproachable, so unrelenting, one would have thought that nothing could 
soften such a 
woman's nature, and that everything in life had hardened it. 


</p>
            <p>Arrived at her own door, she was alighting, when some one coming quietly from 
the hall, 
and standing bareheaded, offered her his arm. The servant being thrust aside, 
she had no 
choice but to touch it; and she then knew whose arm it was. 


</p>
            <p>`How is your patient, Sir?' she said, with a curled lip. 


</p>
            <p>`He is better,' returned Carker. `He is doing very well. I have left him for 
the night.' 


</p>
            <p>She bent her head, and was passing up the staircase, when he followed and 
said, speaking 
at the bottom: 


</p>
            <p>`Madam! May I beg the favour of a minute's audience?' 


</p>
            <p>She stopped and turned her eyes back. `It is an unreasonable time, Sir, and I 
am fatigued. 
Is your business urgent?' 


</p>
            <p>`It is very urgent,' returned Carker. `As I am so fortunate as to have met 
you, let me press 
my petition.' 


</p>
            <p>She looked down for a moment at his glistening mouth; and he looked up at 
her, standing 
above him in her stately dress, and thought, again, how beautiful she was. 


</p>
            <p>`Where is Miss Dombey?' she asked the servant, aloud. 


</p>
            <p>`In the morning room, Ma'am.' 


</p>
            <p>`Show the way there!' Turning her eyes again on the attentive gentleman at 
the bottom of 
the stairs, and informing him with a slight motion of her head, that he was 
at liberty to 
follow, she passed on. 


</p>
            <p>`I beg your pardon! Madam! Mrs. Dombey!' cried the soft and nimble Carker at 
her side 
in a moment. `May I be permitted to entreat that Miss Dombey is not 
present?' 


</p>
            <p>She confronted him, with a quick look, but with the same self-possession and 
steadiness. 


</p>
            <p>`I would spare Miss Dombey,' said Carker, in a low voice, `the knowledge of 
what I have 
to say. At least, Madam, I would leave it to you to decide whether she shall 
know of it or 
not. I owe that to you. It is my bounden duty to you. After our former 
interview, it would 
be monstrous in me if I did otherwise.' 


</p>
            <p>She slowly withdrew her eyes from his face, and turning to the servant, said, 
`Some other 
room.' He led the way to a drawing-room, which he speedily lighted up and 
then left 
them. While he remained, not a word was spoken. Edith enthroned herself upon 
a couch 
by the fire; and Mr. Carker, with his hat in his hand and his eyes bent upon 
the carpet, 
stood before her, at some little distance. 


</p>
            <p>`Before I hear you, Sir,' said Edith, when the door was closed, `I wish you 
to hear 
me.' 


</p>
            <p>`To be addressed by Mrs. Dombey,' he returned, `even in accents of unmerited 
reproach, 
is an honour I so greatly esteem, that although I were not her servant in all 
things, I 
should defer to such a wish, most readily.' 


</p>
            <p>`If you are charged by the man whom you have just now left, Sir;' Mr. Carker 
raised his 
eyes, as if he were going to counterfeit surprise, but she met them, and 
stopped him, if 
such were his intention; `with any message to me, do not attempt to deliver 
it, for I will 
not receive it. I need scarcely ask you if you are come on such an errand. I 
have expected 
you some time.' 


</p>
            <p>`It is my misfortune,' he replied, `to be here, wholly against my will, for 
such a purpose. 
Allow me to say that I am here for two purposes. That is one.' 


</p>
            <p>`That one, Sir,' she returned, `is ended. Or, if you return to it——' 


</p>
            <p>`Can Mrs. Dombey believe,' said Carker, coming nearer, `that I would return 
to it in the 
face of her prohibition? Is it possible that Mrs. Dombey, having no regard to 
my 
unfortunate position, is so determined to consider me inseparable from my 
instructor as to 
do me great and wilful injustice?' 


</p>
            <p>`Sir,' returned Edith, bending her dark gaze full upon him, and speaking with 
a rising 
passion that inflated her proud nostril and her swelling neck, and stirred 
the delicate white 
down upon a robe she wore, thrown loosely over shoulders that could bear its 
snowy 
neighbourhood. `Why do you present yourself to me, as you have done, and 
speak to me 
of love and duty to my husband, and pretend to think that I am happily 
married, and that I 
honour him? How dare you venture so to affront me, when you know—<hi>I</hi> do 
not 
know better, Sir: I have seen it in your every glance, and heard it in your 
every word—that 
in place of affection between us there is aversion and contempt, and that I 
despise him 
hardly less than I despise myself for being his! Injustice! If I had done 
justice to the 
torment you have made me feel, and to my sense of the insult you have put 
upon me, I 
should have slain you!' 


</p>
            <p>She had asked him why he did this. Had she not been blinded by her pride and 
wrath, and 
self-humiliation,—which she was, fiercely as she bent her gaze upon 
him,—she would have 
been the answer in his face. To bring her to this declaration. 


</p>
            <p>She saw it not, and cared not whether it was there or no. She saw only the 
indignities and 
struggles she had undergone, and had to undergo, and was writhing under them. 
As she sat 
looking fixedly at them, rather than at him, she plucked the feathers from a 
pinion of 
some rare and beautiful bird, which hung from her wrist by a golden thread, 
to serve her 
as a fan, and rained them on the ground. 


</p>
            <p>He did not shrink beneath her gaze, but stood, until such outward signs of 
her anger as 
had escaped her control subsided, with the air of a man who had his 
sufficient reply in 
reserve and would presently deliver it. And he then spoke, looking straight 
into her 
kindling eyes. 


</p>
            <p>`Madam,' he said, `I know, and knew before to-day, that I have found no 
favour with you; 
and I knew why. Yes. I knew why. You have spoken so openly to me; I am so 
relieved by 
the possession of your confidence——' 


</p>
            <p>`Confidence!' she repeated, with disdain. 


</p>
            <p>He passed it over. 


</p>
            <p>`—that I will make no pretence of concealment. I <hi>did</hi> see from the 
first, that there 
was no affection on your part for Mr. Dombey—how could it possibly exist 
between such 
different subjects? And I <hi>have</hi> seen, since, that stronger feelings 
than indifference 
have been engendered in your breast—how could that possibly be otherwise, 
either, 
circumstanced as you have been? But was it for me to presume to avow this 
knowledge to 
you in so many words?' 


</p>
            <p>`Was it for you, Sir,' she replied, `to feign that other belief, and 
audaciously to thrust it 
one me day by day?' 


</p>
            <p>`Madam, it was,' he eagerly retorted. `If I had done less, if I had done 
anything but that, I 
should not be speaking to you thus; and I foresaw—who could better foresee, 
for who has 
had greater experience of Mr. Dombey than myself?—that unless your character 
should 
prove to be as yielding and obedient as that of his first submissive lady, 
which I did not 
believe——' 


</p>
            <p>A haughty smile gave him reason to observe that he might repeat this. 


</p>
            <p>`I say, which I did not believe,—the time was likely to come, when such an 
understanding 
as we have now arrived at, would be serviceable.' 


</p>
            <p>`Serviceable to whom, Sir?' she demanded scornfully. 


</p>
            <p>`To you. I will not add to myself, as warning me to refrain even from that 
limited 
commendation of Mr. Dombey, in which I can honestly indulge, in order that I 
may not 
have the misfortune of saying anything distasteful to one whose aversion and 
contempt,' 
with great expression, `are so keen.' 


</p>
            <p>`Is it honest in you, Sir,' said Edith, `to confess to your “limited 
commendation,” and to 
speak in that tone of disparagement, even of him: being his chief counsellor 
and 
flatterer!' 


</p>
            <p>`Counsellor,—yes,' said Carker. Flatterer,—no. A little reservation I fear 
I must confess to. 
But our interest and convenience commonly oblige many of us to make 
professions that 
we cannot feel. We have partnerships of interest and convenience, friendships 
of interest 
and convenience, dealings of interest and convenience, marriages of interest 
and 
convenience, every day.' 


</p>
            <p>She bit her blood-red lip; but without wavering in the dark, stern watch she 
kept upon 
him. 


</p>
            <p>`Madam,' said Mr. Carker, sitting down in a chair that was near her, with an 
air of the 
most profound and most considerate respect, `why should I hesitate now, being 
altogether 
devoted to your service, to speak plainly? It was natural that a lady, 
endowed as you are, 
should think it feasible to change her husband's character in some respects, 
and mould 
him to a better form.' 


</p>
            <p>`It was not natural to <hi>me</hi>, Sir,' she rejoined. `I had never any 
expectation or 
intention of that kind.' 


</p>
            <p>The proud undaunted face showed him it was resolute to wear no mask he 
offered, but 
was set upon a reckless disclosure of itself, indifferent to any aspect in 
which it might 
present itself to such as he. 


</p>
            <p>`At least it was natural,' he resumed, `that you should deem it quite 
possible to live with 
Mr. Dombey as his wife, at once without submitting to him, and without coming 
into such 
violent collision with him. But, Madam, you did not know Mr. Dombey (as you 
have 
since ascertained), when you thought that. You did not know how exacting and 
how proud 
he is, or how he is, if I may say so, the slave of his own greatness, and 
goes yoked to his 
own triumphal car like a beast of burden, with no idea on earth but that it 
is behind him 
and is to be drawn on, over everything and through everything.' 


</p>
            <p>His teeth gleamed through his malicious relish of this conceit, as he went on 
talking: 


</p>
            <p>`Mr. Dombey is really capable of no more true consideration for you, Madam, 
than for 
me. The comparison is an extreme one; I intend it to be so; but quite just. 
Mr. Dombey, in 
the plenitude of his power, asked me—I had it from his own lips yesterday 
morning—to be 
his go between to you, because he knows I am not agreeable to you, and 
because he 
intends that I shall be a punishment for your contumacy; and besides that, 
because he 
really does consider, that I, his paid servant, am an ambassador whom it is 
derogatory to 
the dignity—not of the lady to whom I have the happiness of speaking; she 
has no 
existence in his mind—but of his wife, a part of himself, to receive. You 
may imagine how 
regardless of me, how obtuse to the possibility of my having any individual 
sentiment or 
opinion he is, when he tells me, openly, that I am so employed. You know how 
perfectly 
indifferent to your feelings he is, when he threatens you with such a 
messenger. As you, 
of course, have not forgotten that he did.' 


</p>
            <p>She watched him still attentively. But he watched her too; and he saw that 
this indication 
of a knowledge on his part, of something that had passed between herself and 
her 
husband, rankled and smarted in her haughty breast, like a poisoned arrow. 


</p>
            <p>`I do not recall all this to widen the breach between yourself and Mr. 
Dombey, 
Madam—Heaven forbid! what would it profit me?—but as an example of the 
hopelessness 
of impressing Mr. Dombey with a sense that anybody is to be considered when 
he is in 
question. We who are about him, have, in our various positions, done our 
part, I dare say, 
to confirm him in his way of thinking; but if we had not done so, others 
would—or they 
would not have been about him; and it has always been from the beginning, the 
very 
staple of his life. Mr. Dombey has had to deal, in short, with none but 
submissive and 
dependent persons, who have bowed the knee, and bent the neck, before him. He 
has 
never known what it is to have angry pride and strong resentment opposed to 
him.' 


</p>
            <p>`But he will know it now!' she seemed to say; though her lips did not part, 
not her eyes 
falter. He saw the soft down tremble once again, and he saw her lay the 
plumage of the 
beautiful bird against her bosom for a moment; and he unfolded one more ring 
of the coil 
into which he had gathered himself. 


</p>
            <p>`Mr. Dombey, though a most honourable gentleman,' he said, `is so prone to 
pervert even 
facts to his own view, when he is at all opposed, in consequence of the warp 
in his mind, 
that he—can I give a better instance than this!—he sincerely believes (you 
will excuse the 
folly of what I am about to say; it not being mine) that his severe 
expression of opinion to 
his present wife, on a certain special occasion she may remember, before the 
lamented 
death of Mrs. Skewton, produced a withering effect, and for the moment quite 
subdued 
her!' 


</p>
            <p>Edith laughed. How harshly and unmusically need not be described. It is 
enough that he 
was glad to hear her. 


</p>
            <p>`Madam,' he resumed, `I have done with this. Your own opinions are so strong, 
and, I am 
persuaded, so unalterable,' he repeated those words slowly and with great 
emphasis, `that I 
am almost afraid to incur your displeasure anew, when I say that in spite of 
these defects 
and my full knowledge of them, I have become habituated to Mr. Dombey, and 
esteem 
him. But when I say so, it is not, believe me, for the mere sake of vaunting 
a feeling that 
is so utterly at variance with your own, and for which you can have 
sympathy'—oh how 
distinct and plain and emphasized this was!—`but to give you an assurance of 
the zeal with 
which, in this unhappy matter, I am yours, and the indignation with which I 
regard the 
part I am required to fill!' 


</p>
            <p>She sat as if were afraid to take her eyes from his face. 


</p>
            <p>And now to unwind the last ring of the coil! 


</p>
            <p>`It is growing late,' said Carker, after a pause, `and you are, as you said, 
fatigued. But the 
second object of this interview, I must not forget. I must recommend you, I 
must entreat 
you in the most earnest manner, for sufficient reasons that I have, to be 
cautious in your 
demonstrations of regard for Miss Dombey.' 


</p>
            <p>`Cautious! What do you mean?' 


</p>
            <p>`To be careful how you exhibit too much affection for that young lady.' 


</p>
            <p>`Too much affection, Sir!' said Edith, knitting her broad brow and rising. 
`Who judges my 
affection, or measures it out? You?' 


</p>
            <p>`It is not I who do so.' He was, or feigned to be, perplexed. 


</p>
            <p>`Who then?' 


</p>
            <p>`Can you not guess who then?' 


</p>
            <p>`I do not choose to guess,' she answered. 


</p>
            <p>`Madam,' he said after a little hesitation; meantime they had been, and still 
were, 
regarding each other as before; `I am in a difficulty here. You have told me 
you will 
receive no message, and you have forbidden me to return to that subject; but 
the two 
subjects are so closely entwined, I find, that unless you will accept this 
vague caution 
from one who has now the honour to possess your confidence, though the way to 
it has 
been through your displeasure, I must violate the injunction you have laid 
upon me.' 


</p>
            <p>`You know that you are free to do so, Sir,' said Edith. `Do it.' 


</p>
            <p>So pale, so trembling so impassioned! He had not miscalculated the effect 
then! 


</p>
            <p>`His instructions were,' he said, in a low voice, `that I should inform you 
that your 
demeanour towards Miss Dombey is not agreeable to him. That it suggests 
comparisons to 
him which are not favourable to himself. That he desires it may be wholly 
changed; and 
that if you are in earnest, he is confident it will be; for your continued 
show of affection 
will not benefit its object.' 


</p>
            <p>`That is a threat,' she said. 


</p>
            <p>`That is a threat,' he answered, in his voiceless manner of assent: adding 
aloud, `but not 
directed against <hi>you</hi>.' 


</p>
            <p>Proud, erect, and dignified, as she stood confronting him; and looking 
through him as she 
did, with her full bright flashing eye; and smiling, as she was, with scorn 
and bitterness; 
she sunk as if the ground has dropped beneath her, and in an instant would 
have fallen on 
the floor, but that he caught her in his arms. As instantaneously she threw 
him off, the 
moment that he touched her, and, drawing back, confronted him again, 
immoveable, with 
her hand stretched out. 


</p>
            <p>`Please to leave me. Say no more to-night.' 


</p>
            <p>`I feel the urgency of this,' said Mr. Carker, `because it is impossible to 
say what 
unforeseen consequences might arise, or how soon, from your being 
unacquainted with his 
state of mind. I understand Miss Dombey is concerned, now, at the dismissal 
of her old 
servant, which is likely to have been a minor consequence in itself. You 
don't blame me 
for requesting that Miss Dombey might not be present. May I hope so?' 


</p>
            <p>`I do not. Please to leave me, Sir.' 


</p>
            <p>`I knew that your regard for the young lady, which is very sincere and 
strong, I am well 
persuaded, would render it a great unhappiness to you, ever to be a prey to 
the reflection 
that you had injured her position and ruined her future hopes,' said Carker 
hurriedly, but 
eagerly. 


</p>
            <p>`No more to-night. Leave me, if you please.' 


</p>
            <p>`I shall be here constantly in my attendance upon him, and in the transaction 
of business 
matters. You will allow me to see you again and to consult what should be 
done, and 
learn your wishes?' 


</p>
            <p>She motioned him towards the door. 


</p>
            <p>`I cannot even decide whether to tell him I have spoken to you yet; or to 
lead him to 
suppose that I have deferred doing so, for want of opportunity, or for any 
other reason. It 
will be necessary that you should enable me to consult with you very 
soon.' 


</p>
            <p>`At any time but now,' she answered. 


</p>
            <p>`You will understand, when I wish to see you, that Miss Dombey is not to be 
present; and 
that I seek an interview as one who has the happiness to possess your 
confidence, and 
who comes to render you every assistance in his power, and, perhaps, on many 
occasions, 
to ward off evil from her?' 


</p>
            <p>Looking at him still with the same apparent dread of releasing him for a 
moment from the 
influence of her steady gaze, whatever that might be, she answered, `Yes!' 
and once more 
bade him go. 


</p>
            <p>He bowed, as if in compliance; but turning back, when he had nearly reached 
the door, 
said: 


</p>
            <p>`I am forgiven, and have explained my fault. May I—for Miss Dombey's sake 
and for my 
own—take your hand before I go?' 


</p>
            <p>She gave him the gloved hand she had maimed last night. He took it in one of 
his, and 
kissed it, and withdrew. And when he had closed the door, he waved the hand 
with which 
he had taken hers, and thrust it in his breast. 

</p>
         </div>
         <div xml:id="c46" type="chapter">
            <head>CHAPTER XLVI</head>
            <head>Recognizant and Reflective</head>
            <p>AMONG sundry minor alterations in Mr. Carker's life and habits that began to 
take place 
at this time, none was more remarkable than the extraordinary diligence with 
which he 
applied himself to business, and the closeness with which he investigated 
every detail that 
the affairs of the House laid open to him. Always active and penetrating in 
such matters, 
his lynx-eyed vigilance now increased twenty-fold. Not only did his weary 
watch keep 
pace with every present point that every day presented to him in some new 
form, but in 
the midst of these engrossing occupations he found leisure—that is, he made 
it—to review 
the past transactions of the Firm, and his share in them, during a long 
series of years. 
Frequently when the clerks were all gone, the offices dark and empty, and all 
similar 
places of business shut up, Mr. Carker, with the whole anatomy of the iron 
room laid bare 
before him, would explore the mysteries of books and papers, with the patient 
progress of 
a man who was dissecting the minutest nerves and fibres of his subject. 
Perch, the 
messenger, who usually remained on these occasions, to entertain himself with 
the perusal 
of the Price Current by the light of one candle, or to doze over the fire in 
the outer office, 
at the imminent risk every moment of diving head foremost into the coal-box, 
could not 
withhold the tribute of his admiration from this zealous conduct, although it 
much 
contracted his domestic enjoyments; and again, and again, expatiated to Mrs. 
Perch (now 
nursing twins) on the industry and acuteness of their managing gentleman in 
the City. 


</p>
            <p>The same increased and sharp attention that Mr. Carker bestowed on the 
business of the 
House, he applied to his own personal affairs. Though not a partner in the 
concern—a 
distinction hitherto reserved solely to inheritors of the great name of 
Dombey—he was in 
the receipt of some per centage on its dealings; and, participating in all 
its facilities for the 
employment of money to advantage, was considered, by the minnows among the 
tritons of 
the East, a rich man. It began to be said, among these shrewd observers, that 
Jem Carker, 
of Dombey's, was looking about him to see what he was worth; and that he was 
calling in 
his money at a good time, like the long-headed fellow he was; and bets were 
even offered 
on the Stock Exchange that Jem was going to marry a rich widow. 


</p>
            <p>Yet these cares did not in the least interfere with Mr. Carker's watching of 
his chief, or 
with his cleanness, neatness, sleekness, or any cat-like quality he 
possessed. It was not so 
much that there was a change in him, in reference to any of his habits, as 
that the whole 
man was intensified. Everything that had been observable in him before, was 
observable 
now, but with a greater amount of concentration. He did each single thing, as 
if he did 
nothing else—a pretty certain indication in a man of that range of ability 
and purpose, that 
he is doing something which sharpens and keeps alive his keenest powers. 


</p>
            <p>The only decided alteration in him was, that as he rode to and fro along the 
streets, he 
would fall into deep fits of musing, like that in which he had come away from 
Mr. 
Dombey's house, on the morning of that gentleman's disaster. At such times, 
he would 
keep clear of the obstacles in his way, mechanically; and would appear to see 
and hear 
nothing until arrival at his destination, or some sudden chance or effort 
roused him. 


</p>
            <p>Walking his white-legged horse thus, to the counting-house of Dombey and Son 
one day, 
he was as unconscious of the observation of two pairs of women's eyes, as of 
the 
fascinated orbs of Rob the Grinder, who, in waiting a street's length from 
the appointed 
place, as a demonstration of punctuality, vainly touched and retouched his 
hat to attract 
attention, and trotted along on foot, by his master's side, prepared to hold 
his stirrup when 
he should alight. 


</p>
            <p>`See where he goes!' cried one of these two women, an old creature, who 
stretched out 
her shrivelled arm to point him out to her companion, a young woman, who 
stood close 
beside her, withdrawn like herself into a gateway. 


</p>
            <p>Mrs. Brown's daughter looked out, at this bidding on the part of Mrs. Brown; 
and there 
were wrath and vengeance in her face. 


</p>
            <p>`I never thought to look at him again,' she said, in a low voice; `but it's 
well I should, 
perhaps. I see. I see!' 


</p>
            <p>`Not changed!' said the old woman, with a look of eager malice. 


</p>
            <p>`<hi>He</hi> changed!' returned the other. `What for? What has <hi>he</hi>
suffered? There 
is change enough for twenty in me. Isn't that enough?' 


</p>
            <p>`See where he goes!' muttered the old woman, watching her daughter with her 
red eyes; 
`so easy and so trim, a-horseback, while we are in the mud—' 


</p>
            <p>`And of it,' said her daughter impatiently. `We are mud, underneath his 
horse's feet. What 
should we be?' 


</p>
            <p>In the intentness with which she looked after him again, she made a hasty 
gesture with her 
hand when the old woman began to reply, as if her view could be obstructed by 
mere 
sound. Her mother watching her, and not him, remained silent; until her 
kindling glance 
subsided, and she drew a long breath, as if in the relief of his being 
gone. 


</p>
            <p>`Deary!' said the old woman then. `Alice! Handsome gal!Ally!' She gently 
shook her 
sleeve to arouse her attention. `Will you let him go like that, when you can 
wring money 
from him? Why, it's a wickedness, my daughter.' 


</p>
            <p>`Haven't I told you, that, I will not have money from him?' she returned. 
`And don't you 
yet believe me? Did I take his sister's money? Would I touch a penny, if I 
knew it, that 
had gone through his white hands—unless it was, indeed, that I could poison 
it, and send it 
back to him? Peace, mother, and come away.' 


</p>
            <p>`And him so rich?' murmured the old woman. `And us so poor!' 


</p>
            <p>`Poor in not being able to pay him any of the harm we owe him,' returned her 
daughter. 
`Let him give me that sort of riches, and I'll take them from him, and use 
them. Come 
away. It's no good looking at his horse. Come away, mother!' 


</p>
            <p>But the old woman, for whom the spectacle of Rob the Grinder returning down 
the street, 
leading the riderless horse, appeared to have some extraneous interest that 
it did not 
possess in itself, surveyed that young man with the utmost earnestness; and 
seeming to 
have whatever doubts she entertained, resolved as he drew nearer, glanced at 
her daughter 
with brightened eyes and with her finger on her lip, and emerging from the 
gateway at the 
moment of his passing, touched him on the shoulder. 


</p>
            <p>`Why, where's my sprightly Rob been, all this time!' she said, as he turned 
round. 


</p>
            <p>The sprightly Rob, whose sprightliness was very much diminished by the 
salutation, 
looked exceedingly dismayed, and said, with the water rising in his eyes: 


</p>
            <p>`Oh! why can't you leave a poor cove alone, Misses Brown, when he's getting 
an honest 
livelihood and conducting himself respectable? What do you come and deprive a 
cove of 
his character for, by talking to him in the streets, when he's taking his 
master's horse to a 
honest stable—a horse you'd go and sell for cats' and dogs' meat if you had 
<hi>your</hi>
way! Why, I thought,' said the Grinder, producing his concluding remark as if 
it were the 
climax of all his injuries, `that you was dead long ago!' 


</p>
            <p>`This is the way,' cried the old woman, appealing to her daughter, `that he 
talks to me, 
who knew him weeks and months together, my deary, and have stood his friend 
many and 
many a time among the pigeon-fancying tramps and birdcatchers.' 


</p>
            <p>`Let the birds be, will you, Misses Brown?' retorted Rob, in a tone of the 
acutest anguish. 
`I think a cove had better have to do with lions than them little creeturs, 
for they're 
always flying back in your face when you least except it. Well, how d'ye do 
and what do 
you want?' These polite inquiries the Grinder uttered, as it were under 
protest, and with 
great exasperation and vindictiveness. 


</p>
            <p>`Hark how he speaks to an old friend, my deary!' said Mrs. Brown, again 
appealing to her 
daughter. `But there's some of his old friends no so patient as me. If I was 
to tell some 
that he knows, and has sported and cheated with, where to find him—' 


</p>
            <p>`Will you hold your tongue, Misses Brown?' interrupted the miserable Grinder, 
glancing 
quickly round, as though he excepted to see his master's teeth shining at his 
elbow. `What 
do you take a pleasure in ruining a cove for? At your time of life too! when 
you ought to 
be thinking of a variety of things!' 


</p>
            <p>`What a gallant hours!' said the old woman, patting the animal's neck. 


</p>
            <p>`Let him alone, will you, Misses Brown?' cried Rob, pushing away her hand. 
`You're 
enough to drive a penitent cove mad!' 


</p>
            <p>`Why, what hurt do I do him, child?' returned the old woman. 


</p>
            <p>`Hurt?' said Rob. `He's got a master that would find it out if he was touched 
with a 
straw.' And he blew upon the place where the old woman's hand had rested for 
a 
moment, and smoothed it gently with his finger, as if he seriously believed 
what he 
said. 


</p>
            <p>The old woman looking back to mumble and mouth at her daughter, who followed, 
kept 
close to Rob's heels as he walked on with the bridle in his hand; and pursued 
the 
conversation. 


</p>
            <p>`A good place, Rob, eh?' said she. `You're luck, my child.' 


</p>
            <p>`Oh don't talk about luck, Misses Brown,' returned the wretched Grinder, 
facing round 
and stopping. `If you'd never come, or if you'd go away, then indeed a cove 
might be 
considered tolerably lucky. Can't you go along, Misses Brown, and not foller 
me!' 
blubbered Rob, with sudden defiance. `If the young woman's a friend of yours, 
why don't 
she take you away, instead of letting you make yourself so disgraceful!' 


</p>
            <p>`What!' croaked the old woman, putting her face close to his, with a 
malevolent grin upon 
it that puckered up the loose skin down in her very throat. `Do you deny your 
old 
chum!Have you lurked to my house fifty times, and slept sound in a corner 
when you had 
no other bed but the paving-stones, and do you talk to <hi>me</hi> like this! 
Have I bought 
and sold with you, and helped you in my way of business, schoolboy, sneak, 
and what 
not, and do you tell <hi>me</hi> to go along! Could I raise a crowd of old 
company about 
you to-morrow morning, that would follow you to ruin like copies of your own 
shadow, 
and do you turn on <hi>me</hi> with your bold looks! I'll go. Come, Alice.' 


</p>
            <p>`Stop, Misses Brown!' cried the distracted Grinder. `What are you doing of? 
Don't put 
yourself in a passion! Don't let her go, if you please. I haven't meant any 
offence. I said 
“how d'ye do,” at first, didn't I? But you wouldn't answer. How <hi>do</hi> you 
do? 
Besides,' said Rob piteously, `look here!How can a cove stand talking in the 
street with 
his master's prad a wanting to be took to be rubbed down, and his master up 
to every 
individgle thing that happens!' 


</p>
            <p>The old woman made a show of being partially appeased, but shook her head, 
and 
mouthed and muttered still. 


</p>
            <p>`Come along to the stables, and have a glass of something that's good for 
you, Misses 
Brown, can't you?' said Rob, `instead of going on, like that, which is no 
good to you, nor 
anybody else. Come along with her, will you be so kind?' said Rob. `I'm 
delighted to see 
her, if it wasn't for the horse!' 


</p>
            <p>With this apology, Rob turned away, a rueful picture of despair, and walked 
his charge 
down a bye street. The old woman, mouthing at her daughter, followed close 
upon him. 
The daughter followed. 


</p>
            <p>Turning into a silent little square of court-yard that had a great church 
tower rising above 
it, and a packer's warehouse, and a bottle-maker's warehouse, for its place 
of business, 
Rob the Grinder delivered the white-legged horse to the hostler of a quaint 
stable at the 
corner; and inviting Mrs. Brown and her daughter to seat themselves upon a 
stone bench 
at the gate of that establishment, soon reappeared from a neighbouring 
public-house with a 
pewter measure and a glass. 


</p>
            <p>`Here's master—Mr. Carker, child!' said the old woman, slowly, as her 
sentiment before 
drinking. `Lord bless him!' 


</p>
            <p>`Why, I didn't tell you who he was?' observed Rob, with staring eyes. 


</p>
            <p>`We know him by slight,' said Mrs. Brown, whose working mouth and nodding 
head 
stopped for the moment, in the fixedness of her attention. `We saw him pass 
this morning, 
afore he got off his horse; when you were ready to take it.' 


</p>
            <p>`Aye, aye,' returned Rob, appearing to wish that his readiness had carried 
him to any other 
place.—`What's the matter with her? Won't she drink?' 


</p>
            <p>This inquiry had reference to Alice, who, folded in her cloak, sat a little 
apart profoundly 
inattentive to his offer of the replenished glass. 


</p>
            <p>The old woman shook her head. `Don't mind her,' she said; `she's a strange 
creetur, if 
you know'd her, Rob. But Mr. Carker—' 


</p>
            <p>`Hush!' said Rob, glancing cautiously up at the packer's, and at the 
bottle-maker's, as if, 
from any one of the tiers of warehouses, Mr. Carker might be looking down. 
`Softly.' 


</p>
            <p>`Why, he ain't here!' cried Mrs. Brown. 


</p>
            <p>`I don't know that,' muttered Rob, whose glance even wandered to the church 
tower, as if 
he might be there, with a supernatural power of hearing. 


</p>
            <p>`Good master?' inquired Mrs. Brown. 


</p>
            <p>Rod nodded; and added, in a low voice, `precious sharp.' 


</p>
            <p>`Lives out of town, don't he, lovey?' said the old woman. 


</p>
            <p>`When he's at home,' returned Rob; `but we don't live at home just now.' 


</p>
            <p>`Where then?' asked the old woman. 


</p>
            <p>`Lodgings; up near Mr. Dombey's' returned Rob. 


</p>
            <p>The younger woman fixed her eyes so searchingly upon him, and so suddenly, 
that Rob 
was quite confounded, and offered the glass again, but with no more effect 
upon her than 
before. 


</p>
            <p>`Mr. Dombey—you and I used to talk about him, sometimes, you know,' said Rob 
to Mrs. 
Brown. `You used to get me to talk about him.' 


</p>
            <p>The old woman nodded. 


</p>
            <p>`Well, Mr. Dombey, he's had a fall from his horse,' said Rob, unwillingly; 
`and my 
master has to be up there, more than usual, either with him, or Mrs. Dombey, 
or some of 
'em; and so we've come to town.' 


</p>
            <p>`Are they good friends, lovey?' asked the old woman. 


</p>
            <p>`Who?' retorted Rob. 


</p>
            <p>`He and she?' 


</p>
            <p>`What, Mr. and Mrs. Dombey?' said Rob. `How should <hi>I</hi> know!' 


</p>
            <p>`Not them—Master and Mrs. Dombey, chick,' replied the old woman, 
coaxingly. 


</p>
            <p>`I don't know,' said Rob, looking round him again. `I suppose so. How curious 
you are, 
Misses Brown! Least said, soonest mended.' 


</p>
            <p>`Why there's no harm in it!' exclaimed the old woman, with a laugh, and a 
clap of her 
hands. `Sprightly Rob has grown tame since he has been well off! There's no 
harm in 
it.' 


</p>
            <p>`No, there's no harm in it, I know,' returned Rob, with the same distrustful 
glance at the 
packer's and the bottle-maker's, and the church; `but blabbing, if it's only 
about the 
number of buttons on my master's coat, won't do. I tell you it won't do with 
him. A cove 
had better drown himself. He says so. I shouldn't have so much as told you 
what his name 
was, if you hadn't known it. Talk about somebody else.' 


</p>
            <p>As Rob took another cautious survey of the yard, the old woman made a secret 
motion to 
her daughter. It was momentary, but the daughter, with a slight look of 
intelligence, 
withdrew her eyes from the boy's face, and sat folded in her cloak as 
before. 


</p>
            <p>`Rob, lovey!' said the old woman, beckoning him to the other end of the 
bench. `You 
were always a pet and favourite of mine. Now, weren't you? Don't you know you 
were?' 


</p>
            <p>`Yes, Misses Brown,' replied the Grinder, with a very bad grace. 


</p>
            <p>`And you could leave me!' said the old woman, flinging her arms about his 
neck. `You 
could go away, and grow almost out of knowledge, and never come to tell your 
poor old 
friend how fortunate you were, proud lad! Oho, Oho!' 


</p>
            <p>`Oh here's a dreadful go for a cove that's got a master wide awake in the 
neighbourhood!' 
exclaimed the wretched Grinder. `To be howled over like this here!' 


</p>
            <p>`Won't you come and see me, Robby?' cried Mrs. Brown. `Oho, won't you ever 
come and 
see me?' 


</p>
            <p>`Yes, I tell you! Yes, I will!' returned the Grinder. 


</p>
            <p>`That's my own Rob! That's my lovey!' said Mrs. Brown, drying the tears upon 
her 
shrivelled face, and giving him a tender squeeze. `At the old place, Rob?' 


</p>
            <p>`Yes,' replied the Grinder. 


</p>
            <p>`Soon, Robby dear?' cried Mrs. Brown; `and often?' 


</p>
            <p>`Yes. Yes. Yes,' replied Rob. `I will indeed, upon my soul and body.' 


</p>
            <p>`And then,' said Mrs. Brown, with her arms uplifted towards the sky, and her 
head thrown 
back and shaking, `if he's true to his word, I'll never come a-near him, 
though I know 
where he is, and never breathe a syllable about him! Never!' 


</p>
            <p>This ejaculation seemed a drop of comfort to the miserable Grinder, who shook 
Mrs. 
Brown by the hand upon it, and implored her with tears in his eyes to leave a 
cove and 
not destroy his prospects. Mrs. Brown, with another fond embrace, assented; 
but in the act 
of following her daughter, turned back, with her finger stealthily raised, 
and asked in a 
hoarse whisper for some money. 


</p>
            <p>`A shilling, dear!' she said, with her eager avaricious face, `or sixpence!' 
For old 
acquaintance sake. I'm so poor. And my handsome gal'—looking over her 
shoulder—`she's 
my gal, Rob—half starves me.' 


</p>
            <p>But as the reluctant Grinder put it in her hand, her daughter, coming quietly 
back, caught 
the hand in hers, and twisted out the coin. 


</p>
            <p>`What,' she said, `mother! always money! money from the first, and to the 
last. Do you 
mind so little what I said but now? Here. Take it!' 


</p>
            <p>The old woman uttered a moan as the money was restored, but without in any 
other way 
opposing its restoration, hobbled at her daughter's side out of the yard, and 
along the bye 
street upon which it opened. The astonished and dismayed Rob staring after 
them, saw 
that they stopped, and fell to earnest conversation very soon; and more than 
once observed 
a darkly threatening action of the younger woman's hand (obviously having 
reference to 
some one of whom they spoke), and a crooning feeble imitation of it on the 
part of Mrs. 
Brown, that made him earnestly hope he might not be the subject of their 
discourse. 


</p>
            <p>With the present consolation that they were gone, and with the prospective 
comfort that 
Mrs. Brown could not live for ever, and was not likely to live long to 
trouble him, the 
Grinder, not otherwise regretting his misdeeds than as they were attended 
with such 
disagreeable incidental consequences, composed his ruffled features to a more 
serene 
expression by thinking of the admirable manner in which he had disposed of 
Captain 
Cuttle (a reflection that seldom failed to put him in a flow of spirits), and 
went to the 
Dombey Counting House to receive his master's orders. 


</p>
            <p>There his master, so subtle and vigilant of eye, that Rob quaked before him, 
more than 
half expecting to be taxed with Mrs. Brown, gave him the usual morning's box 
of papers 
for Mr. Dombey, and a note for Mrs. Dombey: merely nodding his head as an 
enjoinder to 
be careful, and to use dispatch—a mysterious admonition, fraught in the 
Grinder's 
imagination with dismal warnings and threats; and more powerful with him than 
any 
words. 


</p>
            <p>Alone again, in his own room, Mr. Carker applied himself to work, and worked 
all day. 
He saw many visitors; overlooked a number of documents; went in and out, to 
and from, 
sundry places of mercantile resort; and indulged in no more abstraction until 
the day's 
business was done. But, when the usual clearance of papers from his table was 
made at 
last, he fell into his thoughtful mood once more. 


</p>
            <p>He was standing in his accustomed place and attitude, with his eyes intently 
fixed upon 
the ground, when his brother entered to bring back some letters that had been 
taken out in 
the course of the day. He put them quietly on the table, and was going 
immediately, when 
Mr. Carker the Manager, whose eyes had rested on him, on his entrance, as if 
they has all 
this time had him for the subject of their contemplation, instead of the 
office-floor, 
said: 


</p>
            <p>`Well, John Carker, and what brings <hi>you</hi> here?' 


</p>
            <p>His brother pointed to the letters, and was again withdrawing. 


</p>
            <p>`I wonder,' said the Manager, `that you can come and go, without inquiring 
how our 
master is.' 


</p>
            <p>`We had word this morning in the counting-house, that Mr. Dombey was doing 
well,' 
replied his brother. 


</p>
            <p>`You are such a meek fellow,' said the Manager, with a smile,—`but you have 
grown so, 
in the course of years—that if any harm came to him, you'd be miserable, I 
dare swear 
now.' 


</p>
            <p>`I should be truly sorry, James,' returned the other. 


</p>
            <p>`He would be sorry!' said the Manager, pointing at him, as if there were some 
other 
person present to whom he was appealing. `He would be truly sorry! This 
brother of 
mine!This junior of the place, this slighted piece of lumber, pushed aside 
with his face to 
the wall, like a rotten picture, and left so, for Heaven knows how many 
years: <hi>he</hi>'s 
all gratitude and respect, and devotion too, he would have me believe!' 


</p>
            <p>`I would have you believe nothing, James,' returned the other. `Be as just to 
me as you 
would to any other man below you. You ask a question, and I answer it.' 


</p>
            <p>`And have you nothing, Spaniel,' said the Manager, with unusual irascibility, 
`to complain 
of in him? No proud treatment to resent, no insolence, no foolery of state, 
no exaction of 
any sort! What the devil! are you man or mouse?' 


</p>
            <p>`It would be strange if any two persons could be together for so many years, 
especially as 
superior and inferior, without each having something to complain of in the 
other—as he 
thought, at all events,' replied John Carker. `But apart from my history 
here——' 


</p>
            <p>`His history here!' exclaimed the Manager. `Why, there it is. The very fact 
that makes him 
an extreme case, puts him out of the whole chapter! Well?' 


</p>
            <p>`Apart from that, which, as you hint, gives me a reason to be thankful that I 
alone 
(happily for all the rest) possess, surely there is no one in the House who 
would not say 
and feel at least as much. You do not think that anybody here would be 
indifferent to a 
mischance or misfortune happening to the head of the House, or anything than 
truly sorry 
for it?' 


</p>
            <p>`You have good reason to be bound to him too!' said the Manager, 
contemptuously. `Why, 
don't you believe that you are kept here, as a cheap example, and a famous 
instance of the 
clemency of Dombey and Son, redounding to the credit of the illustrious 
House?' 


</p>
            <p>`No,' replied his brother, mildly, `I have long believed that I am kept here 
for more kind 
and disinterested reasons.' 


</p>
            <p>`But you were going,' said the Manager, with the snarl of a tiger-cat, `to 
recite some 
Christian precept, I observed.' 


</p>
            <p>`Nay, James,' returned the other, `though the tie of brotherhood between us 
has been long 
broken and thrown away——' 


</p>
            <p>`Who broke it, good Sir?' said the Manager. 


</p>
            <p>`I, by my misconduct. I do not charge it upon you.' 


</p>
            <p>The Manager replied, with that mute action of his bristling mouth, `Oh, you 
don't charge 
it upon me!' and bade him go on. 


</p>
            <p>`I say, though there is not that tie between us, do not, I entreat, assail me 
with 
unnecessary taunts, or misinterpret what I say, or would say. I was only 
going to suggest 
to you that it would be a mistake to suppose that it is only you, who have 
been selected 
here, above all others, for advancement, confidence and distinction 
(selected, in the 
beginning, I know, for your great ability and trustfulness), and who 
communicate more 
freely with Mr. Dombey than any one, and stand, it may be said, on equal 
terms with him, 
and have been favoured and enriched by him—that it would be a mistake to 
suppose that it 
is only you who are tender of his welfare and reputation. There is no one in 
the House, 
from yourself down to the lowest, I sincerely believe, who does not 
participate in that 
feeling.' 


</p>
            <p>`You lie!' said the Manager, red with sudden anger. `You're a hypocrite, John 
Carker, and 
you lie.' 


</p>
            <p>`James!' cried the other, flushing in his turn. `What do you mean by these 
insulting 
words? Why do you so basely use them to me, unprovoked?' 


</p>
            <p>`I tell you,' said the Manager, `that your hypocrisy and meekness—that all 
the hypocrisy 
and meekness of this place—is not worth <hi>that</hi> to me,' snapping his 
thumb and 
finger, `and that I see through it as if it were air! There is not a man 
employed here, 
standing between myself and the lowest in place (of whom you are very 
considerate, and 
with reason, for he is not far off), who wouldn't be glad at heart to see his 
master 
humbled: who does not hate him, secretly: who does not wish him evil rather 
than good: 
and who would not turn upon him, if he had the power and boldness. The nearer 
to his 
favour, the nearer to his insolence; the closer to him, the farther from him. 
That's the 
creed here!' 


</p>
            <p>`I don't know,' said his brother, whose roused feelings had soon yielded to 
surprise, `who 
may have abused your ear with such representations; or why have chosen to try 
me, rather 
than another. But that you have been trying me, and tampering with me, I am 
now sure. 
You have a different manner and a different aspect from any that I ever saw 
in you. I will 
only say to you, once more, you are deceived.' 


</p>
            <p>`I know I am,' said the Manager. `I have told you so.' 


</p>
            <p>`Not by me,' returned his brother. `By your informant, if you have one. If 
not, by your 
own thoughts and suspicious.' 


</p>
            <p>`I have no suspicions,' said the Manager. `Mine are certainties. You 
pusillanimous, abject, 
cringing dogs! All making the same show, all canting the same story, all 
whining the same 
professions, all harbouring the same transparent secret.' 


</p>
            <p>His brother withdrew, without saying more, and shut the door as he concluded. 
Mr. Carker 
the Manager drew a chair close before the fire, and fell to beating the coals 
softly with the 
poker. 


</p>
            <p>`The faint-hearted, fawning knaves,' he muttered, with his two shining rows 
of teeth laid 
bare. `There's not one among them, who wouldn't feign to be so shocked and 
outraged—!Bah! There's not one among them, but if he had at once the power, 
and the wit 
and daring to use it, would scatter Dombey's pride and lay it low, as 
ruthlessly as I rake 
out these ashes.' 


</p>
            <p>As he broke them up and stewed them in the grate, he looked on with a 
thoughtful smile 
at what he was doing. `Without the same queen beckoner too!' he added 
presently; `and 
there is pride there, not to be forgotten—witness our own acquaintance!' 
With that he fell 
into a deeper reverie, and sat pondering over the blackening grate, until he 
rose up like a 
man who had been absorbed in a book, and looking round him took his hat and 
gloves, 
went to where his horse was waiting, mounted, and rode away through the 
lighted streets, 
for it was evening. 


</p>
            <p>He rode near Mr. Dombey's house; and falling into a walk as he approached it, 
looked up 
at the windows. The window where he had once seen Florence sitting with her 
dog, 
attracted his attention first, though there was no light in it; but he smiled 
as he carried his 
eyes up the tall front of the house, and seemed to leave that object 
superciliously 
behind. 


</p>
            <p>`Time was,' he said, `when it was well to watch even your rising little star, 
and know in 
what quarter there were clouds, to shadow you if needful. But a planet has 
arisen, and you 
are lost in its light.' 


</p>
            <p>He turned the White-legged horse round the street corner, and sought one 
shining window 
from among those at the back of the house. Associated with it was a certain 
stately 
presence, a gloved hand, the remembrance how the feathers of a beautiful 
bird's wing had 
been showered down upon the floor, and how the light white down upon a robe 
had 
stirred and rustled, as in the rising of a distant storm. These were the 
things he carried 
with him as he turned away again, and rode through the darkening and deserted 
Parks at a 
quick rate. 


</p>
            <p>In fatal truth, these were associated with a woman, a proud woman, who hated 
him, but 
who by slow and sure degrees had been led on by his craft, and her pride and 
resentment, 
to endure his company, and little by little to receive him as one who had the 
privilege to 
talk to her of her own defiant disregard of her own husband, and her 
abandonment of high 
consideration for herself. They were associated with a woman who hated him 
deeply, and 
who knew him, and who mistrusted him because she knew him, and because he 
knew her; 
but who fed her fierce resentment by suffering him to draw nearer and yet 
nearer to her 
every day, in spite of the hate she cherished for him. In spite of it! For 
that very reason; 
since in its depths, too far down for her threatening eye to pierce, though 
she could see 
into them dimly, lay the dark retaliation, whose faintest shadow seen once 
and shuddered 
at, and never seen again, would have been sufficient stain upon her soul. 


</p>
            <p>Did the phantom of such a woman flit about him on his ride; true to the 
reality, and 
obvious to him? 


</p>
            <p>Yes. He was her in his mind, exactly as she was. She bore him company with 
her pride, 
resentment, hatred, all as plain to him as her beauty; with nothing plainer 
to him than her 
hatred of him. He saw her sometimes haughty and repellent at his side, and 
sometimes 
down among his horse's feet, fallen and in the dust. But he always saw her as 
she was, 
without disguise, and watched her on the dangerous way that she was going. 


</p>
            <p>And when his ride was over, and he was newly dressed, and came into the light 
of her 
bright room with his bent head, soft voice, and soothing smile, he saw her 
yet as plainly. 
He even suspected the mystery of the gloved hand, and held it all the longer 
in his own 
for that suspicion. Upon the dangerous way that she was going, he was still; 
and not a 
footprint did she mark upon it, but he set his own there, straight. 

</p>
         </div>
         <div xml:id="c47" type="chapter">
            <head>CHAPTER XLVII</head>
            <head>The Thunderbolt</head>
            <p>THE barrier between Mr. Dombey and his wife was not weakened by time. 
Ill-assorted 
couple, unhappy in themselves and in each other, bound together by no tie but 
the 
manacle that joined their fettered hands, and straining that so harshly, in 
their shrinking 
asunder, that it wore and chafed to the bone, Time, consoler of affliction 
and softener of 
anger, could do nothing to help them. Their pride, however different in kind 
and object, 
was equal in degree; and, in their flinty opposition, struck out fire between 
them which 
might smoulder or might blaze, as circumstances were, but burned up 
everything within 
their mutual reach, and made their marriage way a road of ashes. 


</p>
            <p>Let us be just to him: In the monstrous delusion of his life, swelling with 
every grain of 
sand that shifted in its glass, he urged her on, he little thought to what, 
or considered how; 
but still his feeling towards her, such as it was, remained as at first. She 
had the grand 
demerit of unaccountably putting herself in opposition to the recognition of 
his vast 
importance, and to the acknowledgment of her complete submission to it, and 
so far it was 
necessary to correct and reduce her; but otherwise he still considered her, 
in his cold way, 
a lady capable of doing honour, if she would, to his choice and name, and of 
reflecting 
credit on his proprietorship. 


</p>
            <p>Now, she, with all her might of passionate and proud resentment, bent her 
dark glance 
from day to day, and hour to hour—from that night in her own chamber, when 
she had sat 
gazing at the shadows on the wall, to the deeper night fast coming—upon one 
figure 
directing a crowd of humiliations and exasperations against her; and that 
figure, still her 
husband's. 


</p>
            <p>Was Mr. Dombey's master-vice, that ruled him so inexorably, an unnatural 
characteristic? 
It might be worth while, sometimes, to inquire what Nature is, and how men 
work to 
change her, and whether, in the enforced distortions so produced, it is not 
natural to be 
unnatural. Coop any son or daughter of our mighty mother within narrow range, 
and bind 
the prisoner to one idea, and foster it by servile worship of it on the part 
of the few timid 
or designing people standing round, and what is Nature to the willing captive 
who has 
never risen up upon the wings of a free mind—drooping and useless soon—to 
see her in her 
comprehensive truth! 


</p>
            <p>Alas! are there so few things in the world, about us, most unnatural, and yet 
most natural 
in being so? Hear the magistrate or judge admonish the unnatural outcasts of 
society; 
unnatural in brutal habits, unnatural in want of decency, unnatural in losing 
and 
confounding all distinctions between good and evil; unnatural in ignorance, 
in vice, in 
recklessness, in contumacy, in mind, in looks, in everything. But follow the 
good 
clergyman or doctor, who, with his life imperilled at every breath he draws, 
goes down 
into their dens, lying within the echoes of our carriage wheels and daily 
tread upon the 
pavement stones. Look round upon the world of odious sights—millions of 
immortal 
creatures have no other world on earth—at the lightest mention of which 
humanity revolts, 
and dainty delicacy living in the next street, stops her ears, and lisps `I 
don't believe it!' 
Breathe the polluted air, foul with every impurity that is poisonous to 
health and life; and 
have every sense, conferred upon our race for its delight and happiness, 
offended, sickened 
and disgusted, and made a channel by which misery and death alone can enter. 
Vainly 
attempt to think of any simple plant, or flower, or wholesome weed, that, set 
in this foetid 
bed, could have its natural growth, or put its little leaves off to the sun 
as <hi rend="sc">god</hi>
designed it. And then, calling up some ghastly child, with stunted form and 
wicked face, 
hold forth on its unnatural sinfulness, and lament its being, so early, far 
away from 
Heaven—but think a little of its having been conceived, and born and bred, 
in Hell! 


</p>
            <p>Those who study the physical sciences, and bring them to bear upon the health 
of Man, 
tell us that if the noxious particles that rise from vitiated air were 
palpable to the sight, we 
should see them lowering in a dense black cloud above such haunts, and 
rolling slowly on 
to corrupt the better portions of a town. But if the moral pestilence that 
rises with them 
and in the eternal laws of outraged Nature, is inseparable from them, could 
be made 
discernible too, how terrible the revelation!Then should we see depravity, 
impiety, 
drunkenness, theft, murder, and a long train of nameless sins against the 
natural affections 
and repulsions of mankind, overhanging the devoted spots, and creeping on, to 
blight the 
innocent and spread contagion among the pure. Then should we see how the same 
poisoned fountains that flow into our hospitals and lazarhouses, inundate the 
jails, and 
make the convict-ships swim deep, and roll across the seas, and over-run vast 
continents 
with crime. Then should we stand appalled to know, that where we generate 
disease to 
strike our children down and entail itself on unborn generations, there also 
we breed, by 
the same certain process, infancy that knows no innocence, youth without 
modesty or 
shame, maturity that is mature in nothing but in suffering and guilt, blasted 
old age that is 
a scandal on the form we bear. Unnatural humanity! When we shall gather 
grapes from 
thorns, and figs from thistles; when fields of grain shall spring up from the 
offal in the 
bye-ways of our wicked cities, and roses bloom in the fact churchyards that 
they cherish; 
then we may look for natural humanity and find it growing from such seed. 


</p>
            <p>Oh for a good spirit who would take the house-tops off, with a more potent 
and benignant 
hand than the lame demon in the tale, and show a Christian people what dark 
shapes issue 
from amidst their homes, to swell the retinue of the Destroying Angel as he 
moves forth 
among them! For only one night's view of the pale phantoms rising from the 
scenes of 
our toolong neglect; and from the thick and sullen air where Vice and Fever 
propagate 
together, raining the tremendous social retributions which are ever pouring 
down, and ever 
coming thicker! Bright and blest the morning that should rise on such a 
night: for men, 
delayed to no more by stumbling-blocks of their own making, which are but 
specks of 
dust upon the path between them and eternity, would then apply themselves, 
like creatures 
of one common origin, owing one duty to the Father of one family, and tending 
to one 
common end, to make the world a better place! 


</p>
            <p>Not the less bright and blest would that day be for rousing some who never 
have looked 
out upon the world of human life around them, to a knowledge of their own 
relation to it, 
and for making them acquainted with a perversion of nature in their own 
contracted 
sympathies and estimates; as great, and yet as natural in its development 
when once 
begun, as the lowest degradation known. 


</p>
            <p>But no such day had ever dawned on Mr. Dombey, or his wife; and the course of 
each 
was taken. 


</p>
            <p>Through six months that ensued upon his accident, they held the same 
relations one 
towards the other. A marble rock could not have stood more obdurately in his 
way than 
she; and no chilled spring, lying uncheered by any ray of light in the depths 
of a deep 
cave, could be more sullen or more cold than he. 


</p>
            <p>The hope that had fluttered within her when the promise of her new home 
dawned, was 
quite gone from the heart of Florence now. That home was nearly two years 
old; and even 
the patient trust that was in her, could not survive the daily blight of such 
experience. If 
she had any lingering fancy in the nature of hope left, that Edith and her 
father might be 
happier together, in some distant time, she had none, now, that her father 
would ever love 
her. The little interval in which she had imagined that she saw some small 
relenting in 
him, was forgotten in the long remembrance of his coldness since and before, 
or only 
remembered as a sorrowful delusion. 


</p>
            <p>Florence loved him still, but, by degrees, had come to love him rather as 
some dear one 
who had been, or who might have been, than as the hard reality before her 
eyes. 
Something of the softened sadness with which she loved the memory of little 
Paul, or of 
her mother, seemed to enter now into her thoughts of him, and to make them, 
as it were, a 
dear remembrance. Whether it was that he was dead to her, and that partly for 
this reason, 
partly for his share in those old objects of her affection, and partly for 
the long association 
of him with hopes that were withered and tendernesses he had frozen, she 
could not have 
told; but the father whom she loved began to be a vague and dreamy idea to 
her: hardly 
more substantially connected with her real life, than the image she would 
sometimes 
conjure up, of her dear brother yet alive, and growing to be a man, who would 
protect and 
cherish her. 


</p>
            <p>The change, if it may be called one, had stolen on her like the change from 
childhood to 
womanhood, and had come with it. Florence was almost seventeen, when, in her 
lonely 
musings, she was conscious of these thoughts. 


</p>
            <p>She was often alone now, for the old association between her and her mama was 
greatly 
changed. At the time of her father's accident, and when he was lying in his 
room 
downstairs, Florence had first observed that Edith avoided her. Wounded and 
shocked, and 
yet unable to reconcile this with her affection when they did meet, she 
sought her in her 
own room at night, once more. 


</p>
            <p>`Mama,' said Florence, stealing softly to her side, `have I offended you?' 


</p>
            <p>Edith answered `No.' 


</p>
            <p>`I must have done something,' said Florence. `Tell me what it is. You have 
changed your 
manner to me, dear Mama. I cannot say how instantly I feel the least change; 
for I love 
you with my whole heart.' 


</p>
            <p>`As I do you,' said Edith. `Ah, Florence, believe me never more than now!' 


</p>
            <p>`Why do you go away from me so often, and keep away?' asked Florence. `And 
why do 
you sometimes look so strangely on me, dear Mama? You do so, do you not?' 


</p>
            <p>Edith signified assent with her dark eyes. 


</p>
            <p>`Why?' returned Florence imploringly. `Tell me why, that I may know how to 
please you 
better; and tell me this shall not be so any more.' 


</p>
            <p>`My Florence,' answered Edith, taking the hand that embraced her neck, and 
looking into 
the eyes that looked into hers so lovingly, as Florence knelt upon the ground 
before her; 
`why it is, I cannot tell you. It is neither for me to say, nor you to hear; 
but that it is, and 
that it must be, I know. Should I do it if I did not?' 


</p>
            <p>`Are <hi>we</hi> to be estranged, Mama? asked Florence, gazing at her like one 
frightened. 


</p>
            <p>Edith's silent lips formed `Yes.' 


</p>
            <p>Florence looked at her with increasing fear and wonder, until she could see 
her no more 
through the blinding tears that ran down her face. 


</p>
            <p>`Florence! my life!' said Edith, hurriedly, `listen to me. I cannot bear to 
see this grief. Be 
calmer. You see that I am composed, and is it nothing to me?' 


</p>
            <p>She resumed her steady voice and manner as she said the latter words, and 
added 
presently: 


</p>
            <p>`Not wholly estranged. Partially: and only that, in appearance, Florence, for 
in my own 
breast I am still the same to you, and ever will be. But what I do is not 
done for 
myself.' 


</p>
            <p>`Is it for me, Mama?' asked Florence. 


</p>
            <p>`It is enough,' said Edith, after a pause, `to know what it is; why, matters 
little. Dear 
Florence, it is better—it is necessary—it must be—that our association 
should be less 
frequent. The confidence there has been between us must be broken off.' 


</p>
            <p>`When?' cried Florence. `Oh, Mama, when?' 


</p>
            <p>`Now,' said Edith. 


</p>
            <p>`For all time to come?' asked Florence. 


</p>
            <p>`I do not say that,' answered Edith. `I do not know that. Nor will I say that 
companionship 
between us is, at the best, an ill-assorted and unholy union, of which I 
might have known 
no good could come. My way here has been through paths that you will never 
tread, and 
my way henceforth may lie—God knows—I do not see it—' 


</p>
            <p>Her voice died away into silence; and she sat, looking at Florence, and 
almost shrinking 
from her, with the same strange dread and wild avoidance that Florence had 
noticed once 
before. The same dark pride and rage succeeded, sweeping over her form and 
features like 
an angry chord across the strings of a wild harp. But no softness or humility 
ensued on 
that. She did not lay her head down now, and weep, and say that she had no 
hope but in 
Florence. She held it up as if she were a beautiful Medusa, looking on him, 
face to face, 
to strike him dead. Yes, and she would have done it, if she had had the 
charm. 


</p>
            <p>`Mama,' said Florence, anxiously, `there is a change in you, in more than 
what you say to 
me, which alarms me. Let me stay with you a little.' 


</p>
            <p>`No,' said Edith, `no, dearest. I am best left alone now, and I do best to 
keep apart from 
you, of all else. Ask me no questions, but believe that what I am when I seem 
fickle or 
capricious to you, I am not of my own will, or for myself. Believe, though we 
are stranger 
to each other than we have been, that I am unchanged to you within. Forgive 
me for 
having ever darkened your dark home—I am a shadow on it, I know well—and 
let us never 
speak of this again.' 


</p>
            <p>`Mama,' sobbed Florence, `we are not to part?' 


</p>
            <p>`We do this that we may not part,' said Edith. `Ask no more. Go, Florence! My 
love and 
my remorse go with you!' 


</p>
            <p>She embraced her, and dismissed her; and as Florence passed out of her room, 
Edith 
looked on the retiring figure, as if her good angel went out in that form, 
and left her to the 
haughty and indignant passions that now claimed her for their own, and set 
their seal upon 
her brow. 


</p>
            <p>From that hour, Florence and she were, as they had been, no more. For days 
together, they 
would seldom meet, except at table, and when Mr. Dombey was present. Then 
Edith, 
imperious, inflexible, and silent, never looked at her. Whenever Mr. Carker 
was of the 
party, as he often was, during the progress of Mr. Dombey's recovery, and 
afterwards, 
Edith held herself more removed from her, and was more distant towards her, 
than at 
other times. Yet she and Florence never encountered, when there was no one 
by, but she 
would embrace her as affectionately as of old, though not with the same 
relenting of her 
proud aspect; and often, when she had been out late, she would steal up to 
Florence's 
room, as she had been used to do, in the dark, and whisper `Good Night,' on 
her pillow. 
When unconscious, in her slumber, of such visits, Florence would sometimes 
awake, as 
from a dream of those words, softly spoken, and would seem to feel the touch 
of lips 
upon her face. But less and less often as the months went on. 


</p>
            <p>And now the void Florence's own heart began again, indeed, to make a solitude 
around 
her. As the image of the father whom she loved had insensibly become a mere 
abstraction, 
so Edith, following the fate of all the rest about whom her affections had 
entwined 
themselves, was fleeting, fading, growing paler in the distance, every day. 
Little by little, 
she receded from Florence, like the retiring ghost of what she had been; 
little by little, the 
chasm between them widened and seemed deeper; little by little, all the power 
of 
earnestness and tenderness she had shown, was frozen up in the bold, angry 
hardihood 
with which she stood, upon the brink of a deep precipice unseen by Florence, 
daring to 
look down. 


</p>
            <p>There was but one consideration to set against the heavy loss of Edith, and 
though it was 
slight comfort to her burdened heart, she tried to think it some relief. No 
longer divided 
between her affection and duty to the two, Florence could love both and do no 
injustice to 
either. As shadows of her fond imagination, she could give them equal place 
in her own 
bosom, and wrong them with no doubts. 


</p>
            <p>So she tried to do. At times, and often too, wondering speculations on the 
cause of this 
change in Edith would obtrude themselves upon her mind and frighten her; but 
in the calm 
of its abandonment once more to silent grief and loneliness, it was not a 
curious mind. 
Florence had only to remember that her star of promise was clouded in the 
general gloom 
that hung upon the house, and to weep and be resigned. 


</p>
            <p>Thus living, in a dream wherein the overflowing love of her young heart 
expended itself 
on airy forms, and in a real world where she had experienced little but the 
rolling back of 
that strong tide upon itself, Florence grew to be seventeen. Timid and 
retiring as her 
solitary life had made her, it had not embittered her sweet temper, or her 
earnest nature. A 
child in innocent simplicity; a woman in her modest self-reliance, and her 
deep intensity 
of feeling; both child and woman seemed at once expressed in her fair face 
and fragile 
delicacy of shape, and gracefully to mingle there;—as if the spring should 
be unwilling to 
depart when summer came, and sought to blend the earlier beauties of the 
flowers with 
their bloom. But in her thrilling voice, in her calm eyes, sometimes in a 
strange ethereal 
light that seemed to rest upon her head, and always in a certain pensive air 
upon her 
beauty, there was an expression, such as had been seen in the dead boy; and 
the council in 
the Servants'Hall whispered so among themselves, and shook their heads, and 
ate and 
drank the more, in a closer bond of goodfellowship. 


</p>
            <p>This observant body had plenty to say of Mr. and Mrs. Dombey, and of Mr. 
Carker, who 
appeared to be a mediator between them, and who came and went as if he were 
trying to 
make peace, but never could. They all deplored the uncomfortable state of 
affairs, and all 
agreed that Mrs. Pipchin (whose unpopularity was not to be surpassed) had 
some hand in 
it; but, upon the whole, it was agreeable to have so good a subject for a 
rallying point, and 
they made a great deal of it, and enjoyed themselves very much. 


</p>
            <p>The general visitors who came to the house, and those among whom Mr. and Mrs. 
Dombey visited, thought it a pretty equal match, as to haughtiness, at all 
events, and 
thought nothing more about it. The young lady with the back did not appear 
for some time 
after Mrs. Skewton's death; observing to some particular friends, with her 
usual engaging 
little scream, that she couldn't separate the family from a notion of 
tombstones, and 
horrors of that sort; but when she did come, she saw nothing wrong, except 
Mr. Dombey's 
wearing a bunch of gold seals to his watch, which shocked her very much, as 
an exploded 
superstition. This youthful fascinator considered a daughterin-law 
objectionable in 
principle; otherwise, she had nothing to say against Florence, but that she 
sadly wanted 
`style'—which might mean back, perhaps. Many, who only came to the house on 
state 
occasions, hardly knew who Florence was, and said, going home, `Indeed, was 
<hi>that</hi>
Miss Dombey, in the corner? Very pretty, but a little delicate and thoughtful 
in 
appearance!' 


</p>
            <p>None the less so, certainly, for her life of the last six months, Florence 
took her seat at the 
dinner-table, on the day before the second anniversary of her father's 
marriage to Edith 
(Mrs. Skewton had been lying stricken with paralysis when the first came 
round), with an 
uneasiness, amounting to dread. She had no other warrant for it, than the 
occasion, the 
expression of her father's face, in the hasty glance she caught of it, and 
the presence of 
Mr. Carker, which, always unpleasant to her, was more so on this day, than 
she had ever 
felt it before. 


</p>
            <p>Edith was richly dressed, for she and Mr. Dombey were engaged in the evening 
to some 
large assembly, and the dinnerhour that day was late. She did not appear 
until they were 
seated at table, when Mr. Carker rose and led her to her chair. Beautiful and 
lustrous as 
she was, there was that in her face and air which seemed to separate her 
hopelessly from 
Florence, and from every one, for ever more. And yet, for an instant, 
Florence saw a beam 
of kindness in her eyes, when they were turned on her, that made the distance 
to which 
she had withdrawn herself, a greater cause of sorrow and regret than ever. 


</p>
            <p>There was very little said at dinner. Florence heard her father speak to Mr. 
Carker 
sometimes on business matters, and heard him softly reply, but she paid 
little attention to 
what they said, and only wished the dinner at an end. When the dessert was 
placed upon 
the table, and they were left alone, with no servant in attendance, Mr. 
Dombey, who had 
been several times clearing his throat in a manner that augured no good, 
said: 


</p>
            <p>`Mrs. Dombey, you know, I suppose, that I have instructed the housekeeper 
that there will 
be some company to dinner here to-morrow.' 


</p>
            <p>`I do not dine at home,' she answered. 


</p>
            <p>`Not a large party,' pursued Mr. Dombey, with an indifferent assumption of 
not having 
heard her; `merely some twelve or fourteen. My sister, Major Bagstock, and 
some others 
whom you know but slightly.' 


</p>
            <p>`I do not dine at home,' she repeated. 


</p>
            <p>`However doubtful reason I may have, Mrs. Dombey,' said Mr. Dombey, still 
going 
majestically on, as if she had not spoken, `to hold the occasion in very 
pleasant 
remembrance just now, there are appearances in these things which must be 
maintained 
before the world. If you have no respect for yourself, Mrs. Dombey—' 


</p>
            <p>`I have none,' she said. 


</p>
            <p>`Madam,' cried Mr. Dombey, striking his hand upon the table, `hear me if you 
please. I 
say, if you have no respect for yourself—' 


</p>
            <p>`And <hi>I</hi> say I have none,' she answered. 


</p>
            <p>He looked at her; but the face she showed him in return would not have 
changed, if death 
itself had looked. 


</p>
            <p>`Carker,' said Mr. Dombey, turning more quietly to that gentleman, `as you 
have been my 
medium of communication with Mrs. Dombey on former occasions, and as I choose 
to 
preserve the decencies of life, so far as I am individually concerned, I will 
trouble you to 
have the goodness to inform Mrs. Dombey that if she has no respect for 
herself, I have 
some respect for <hi>my</hi>self, and therefore insist on my arrangements for 
to-morrow.' 


</p>
            <p>`Tell your sovereign master, Sir,' said Edith, `that I will take leave to 
speak to him on this 
subject by-and-bye, and that I will speak to him alone.' 


</p>
            <p>`Mr. Carker, Madam,' said her husband, `being in possession of the reason 
which obliges 
me to refuse you that privilege, shall be absolved from the delivery of any 
such message.' 
He saw her eyes move, while he spoke, and followed them with his own. 


</p>
            <p>`Your daughter is present, Sir,' said Edith. 


</p>
            <p>`My daughter will remain present,' said Mr. Dombey. 


</p>
            <p>Florence, who had risen, sat down again, hiding her face in her hands, and 
trembling. 


</p>
            <p>`My daughter, Madam'—began Mr. Dombey. 


</p>
            <p>But Edith stopped him, in a voice which, although not raised in the least, 
was so clear, 
emphatic, and distinct, that it might have been heard in a whirlwind. 


</p>
            <p>`I tell you I will speak to you alone,' she said. `If you are not mad, heed 
what I say.' 


</p>
            <p>`I have authority to speak to you, Madam,' returned her husband, `when and 
where I 
please; and it is my pleasure to speak here and now.' 


</p>
            <p>She rose up as if to leave the room; but sat down again, and looking at him 
with all 
outward composure, said, in the same voice: 


</p>
            <p>`You shall!' 


</p>
            <p>`I must tell you first, that there is a threatening appearance in your 
manner, Madam,' said 
Mr. Dombey, `which does not become you.' 


</p>
            <p>She laughed. The shaken diamonds in her hair started and trembled. There are 
fables of 
precious stones that would turn pale, their wearer being in danger. Had these 
been such, 
their imprisoned rays of light would have have taken flight that moment, and 
they would 
have been as dull as lead. 


</p>
            <p>Carker listened, with his eyes cast down. 


</p>
            <p>`As to my daughter, Madam,' said Mr. Dombey, resuming the thread of his 
discourse, `it 
is by no means inconsistent with her duty to me, that she should know what 
conduct to 
avoid. At present you are a very strong example to her of this kind, and I 
hope she may 
profit by it.' 


</p>
            <p>`I would not stop you now,' returned his wife, immoveable in eye, and voice, 
and attitude; 
`I would not rise and go away, and save you the utterance of one word, if the 
room were 
burning.' 


</p>
            <p>Mr. Dombey moved his head, as if in a sarcastic acknowledgment of the 
attention, and 
resumed. But not with so much self-possession as before; for Edith's 
indifference to him 
and his censure, chafed and galled him like a stiffening wound. 


</p>
            <p>`Mrs. Dombey,' said he, `it may not be inconsistent with my daughter's 
improvement to 
know how very much to be lamented, and how necessary to be corrected, a 
stubborn 
disposition is, especially when it is indulged in—unthankfully indulged in, 
I will add—after 
the gratification of ambition and interest. Both of which, I believe, had 
some share in 
inducing you to occupy your present station at this board.' 


</p>
            <p>`No! I would not rise, and go away, and save you the utterance of one word,' 
she 
repeated, exactly as before, `if the room were burning.' 


</p>
            <p>`It may be natural enough, Mrs. Dombey,' he pursued, `that you should be 
uneasy in the 
presence of any auditors of these disagreeable truths; though why'—he could 
not hide his 
real feelings here, or keep his eyes from glancing gloomily at Florence—`why 
any one can 
give them greater force and point than myself, whom they so nearly concern, I 
do not 
pretend to understand. It may be natural enough that you should object to 
hear, in 
anybody's presence, that there is a rebellious principle within you which you 
cannot curb 
too soon; which you must curb, Mrs. Dombey; and which, I regret to say, I 
remember to 
have seen manifested—with some doubt and displeasure, on more than one 
occasion before 
our marriage-towards your deceased mother. But you have the remedy in your 
own hands. 
I by no means forgot, when I began, that my daughter was present, Mrs. 
Dombey. I beg 
<hi>you</hi> will not forget, to-morrow, that there are several persons 
present; and that, 
with some regard to appearances, you will receive your company in a becoming 
manner.' 


</p>
            <p>`So it is not enough,' said Edith, `that you know what has passed between 
yourself and 
me; it is not enough that you can look here,' pointing at Carker, who still 
listened, with 
his eyes cast down, `and be reminded of the affronts you have put upon me; it 
is not 
enough that you can look here,' pointing to Florence with a hand that 
slightly trembled for 
the first and only time, `and think of what you have done, and of the 
ingenious agony, 
daily, hourly, constant, you have made me feel in doing it; it is not enough 
that this day, 
of all others in the year, is memorable to me for a struggle (well-deserved, 
but not 
conceivable by such as you) in which I wish I had died! You add to all this, 
do you, the 
last crowning meanness of making <hi>her</hi> a witness of the depth to which I 
have 
fallen; when you know that you have made me sacrifice to her peace, the only 
gentle 
feeling and interest of my life, when you know that for her sake, I would now 
if 
could—but I <hi>can not</hi>, my soul recoils from you too much—submit myself 
wholly to 
your will and be the meekest vassal that you have!' 


</p>
            <p>This was not the way to minister to Mr. Dombey's greatness. The old feeling 
was roused 
by what she said, into a stronger and fiercer existence than it had ever had. 
Again, his 
neglected child, at this rough passage of his life, put forth by even this 
rebellious woman, 
as powerful where he was powerless, and everything where he was nothing! 


</p>
            <p>He turned on Florence, as if it were she who had spoken, and bade her leave 
the room. 
Florence with her covered face obeyed, trembling and weeping as she went. 


</p>
            <p>`I understand, Madam,' said Mr. Dombey, with an angry flush of triumph, `the 
spirit of 
opposition that turned your affections in that channel, but they have been 
met, Mrs. 
Dombey; they have been met, and turned back!' 


</p>
            <p>`The worse for you!' she answered, with her voice and manner still unchanged. 
`Aye!' for 
he turned sharply when she said so, `what is the worse for me, is twenty 
million times the 
worse for you. Heed that, if you heed nothing else.' 


</p>
            <p>The arch of diamonds spanning her dark hair, flashed and glittered like a 
starry bridge. 
There was no warning in them, or they would have turned as dull and dim as 
tarnished 
honour. Carker still sat and listened, with his eyes cast down. 


</p>
            <p>`Mrs. Dombey,' said Mr. Dombey, resuming as much as he could of his arrogant 
composure, `you will not conciliate me, or turn me from any purpose, by this 
course of 
conduct.' 


</p>
            <p>`It is the only true although it is a faint expression of what is within me,' 
she replied. `But 
if I thought it would conciliate you, I would repress it, if it were 
repressible by any human 
effort. I will do nothing that you ask.' 


</p>
            <p>`I am not accustomed to ask, Mrs. Dombey,' he observed; `I direct.' 


</p>
            <p>`I will hold no place in your house to-morrow, or on any recurrence of 
to-morrow. I will 
be exhibited to no one, as the refractory slave you purchased, such a time. 
If I kept my 
marriage-day, I would keep it as a day of shame. Self-respect!appearances 
before the 
world! what are these to me? You have done all you can to make them nothing 
to me, and 
they <hi>are</hi> nothing.' 


</p>
            <p>`Carker,' said Mr. Dombey, speaking with knitted brows, and after a moment's 
consideration, `Mrs. Dombey is so forgetful of herself and me in all this, 
and places me in 
a position so unsuited to my character, that I must bring this state of 
matters to a 
close.' 


</p>
            <p>`Release me, then,' said Edith, immoveable in voice, in look, and bearing, as 
she had been 
throughout, `from the chain by which I am bound. Let me go.' 


</p>
            <p>`Madam?' exclaimed Mr. Dombey. 


</p>
            <p>`Loose me. Set me free!' 


</p>
            <p>`Madam?' he repeated. `Mrs. Dombey?' 


</p>
            <p>`Tell him,' said Edith, addressing her proud face to Carker, `that I wish for 
a separation 
between us. That there had better be one. That I recommend it to him. Tell 
him it may 
take place on his own terms—his wealth is nothing to me—but that it cannot 
be too 
soon.' 


</p>
            <p>`Good Heaven, Mrs. Dombey!' said her husband, with supreme amazement, `do you 
imagine it possible that I could ever listen to such a proposition? Do you 
know who I am, 
Madam? Do you know what I represent? Did you ever hear of Dombey and Son? 
People 
to say that Mr. Dombey—Mr. Dombey!—was separated from his wife! Common 
people to 
talk of Mr. Dombey and his domestic affairs! Do you seriously think, Mrs. 
Dombey, that I 
would permit my name to be handed about in such connexion? Pooh, pooh, Madam! 
Fie 
for shame! You're absurd.' Mr. Dombey absolutely laughed. 


</p>
            <p>But not as she did. She had better have been dead than laugh as she did, in 
reply, with her 
intent look fixed upon him. He had better have been dead, than sitting there, 
in his 
magnificence, to hear her. 


</p>
            <p>`No, Mrs. Dombey,' he resumed. `No, Madam. There is no possibility of 
separation 
between you and me, and therefore I the more advise you to be awakened to a 
sense of 
duty. And, Carker, as I was about to say to you—' 


</p>
            <p>Mr. Carker, who had sat and listened all this time, now raised his eyes, in 
which there was 
a bright unusual light. 


</p>
            <p>`—As I was about to say to you,'resumed Mr. Dombey, `I must beg you, now 
that matters 
have come to this, to inform Mrs. Dombey, that it is not the rule of my life 
to allow 
myself to be thwarted by anybody—anybody, Carker—or to suffer anybody to be 
paraded 
as a stronger motive for obedience in those who owe obedience to me than I am 
myself. 
The mention that has been made of my daughter, and the use that is made of my 
daughter, 
in opposition to me, are unnatural. Whether my daughter is in actual concert 
with Mrs. 
Dombey, I do not know, and do not care; but after what Mrs. Dombey has said 
to-day, 
and my daughter has heard to-day, I beg you to make known to Mrs. Dombey, 
that if she 
continues to make this house the scene of contention it has become, I shall 
consider my 
daughter responsible in some degree, on that lady's own avowal, and shall 
visit her with 
my severe displeasure. Mrs. Dombey has asked “whether it is not enough,” that 
she had 
done this and that. You will please to answer no, it is not enough.' 


</p>
            <p>`A moment!' cried Carker, interposing, `permit me! painful as my position is, 
at the best, 
and unusually painful in seeming to entertain a different opinion from you,' 
addressing 
Mr. Dombey, `I must ask, had you not better reconsider the question of a 
separation? I 
know how incompatible it appears with your high public position, and I know 
how 
determined you are when you give Mrs. Dombey to understand'—the light in his 
eyes fell 
upon her as he separated his words each from each, with the distinctness of 
so many 
bells—`that nothing but death can ever part you. Nothing else. But when you 
consider that 
Mrs. Dombey, by living in this house, and making it as you have said, a scene 
of 
contention, not only has her part in that contention, but compromises Miss 
Dombey every 
day (for I know how determined you are), will you not relieve her from a 
continual 
irritation of spirit, and a continual sense of being unjust to another, 
almost intolerable? 
Does this not seem like—I do not say it is—sacrificing Mrs. Dombey to the 
preservation of 
your pre-eminent and unassailable position?' 


</p>
            <p>Again the light in his eyes fell upon her, as she stood looking at her 
husband: now with an 
extraordinary and awful smile upon her face. 


</p>
            <p>`Carker,' returned Mr. Dombey, with a supercilious frown, and in a tone that 
was intended 
to be final, `you mistake your position in offering advice to me on such a 
point, and you 
mistake me (I am surprised to find) in the character of your advice. I have 
no more to 
say.' 


</p>
            <p>`Perhaps,' said Carker, with an unusual and indefinable taunt in his air, 
`<hi>you</hi>
mistook my position, when you honoured me with the negotiations in which I 
have been 
engaged here'—with a motion of his hand towards Mrs. Dombey. 


</p>
            <p>`Not at all, Sir, not at all,' returned the other haughtily. `You were 
employed—' 


</p>
            <p>`Being an inferior person, for the humiliation of Mrs. Dombey. I forgot. Oh, 
yes, it was 
expressly understood!' said Carker. `I beg your pardon!' 


</p>
            <p>As he bent his head to Mr. Dombey, with an air of deference that accorded ill 
with his 
words, though they were humbly spoken, he moved it round towards her, and 
kept his 
watching eyes that way. 


</p>
            <p>She had better have turned hideous and dropped dead, than have stood up with 
such a 
smile upon her face, in such a fallen spirit's majesty of scorn and beauty. 
She lifted her 
hand to the tiara of bright jewels radiant on her head, and, plucking it off 
with a force that 
dragged and strained her rich black hair with heedless cruelty, and brought 
it tumbling 
wildly on her shoulders, cast the gems upon the ground. From each arm, she 
unclasped a 
diamond bracelet, flung it down, and trod upon the glittering heap. Without a 
word, 
without a shadow on the fire of her bright eye, without abatement of her 
awful smile, she 
looked on Mr. Dombey to the last, in moving to the door; and left him. 


</p>
            <p>Florence had heard enough before quitting the room, to know that Edith loved 
her yet; that 
she had suffered for her sake; and that she had kept her sacrifices quiet, 
lest they should 
trouble her peace. She did not want to speak to her of this—she could not, 
remembering to 
whom she was opposed—but she wished, in one silent and affectionate embrace, 
to assure 
her that she felt it all, and thanked her. 


</p>
            <p>Her father went out alone, that evening, and Florence issuing from her own 
chamber soon 
afterwards, went about the house in search of Edith, but unavailingly. She 
was in her own 
rooms, where Florence had long ceased to go, and did not dare to venture now, 
lest she 
should unconsciously engender new trouble. Still Florence hoping to meet her 
before 
going to bed, changed from room to room, and wandered through the house so 
splendid 
and so dreary, without remaining anywhere. 


</p>
            <p>She was crossing a gallery of communication that opened at some little 
distance on the 
staircase, and was only lighted on great occasions, when she saw, through the 
opening, 
which was an arch, the figure of a man coming down some few stairs opposite. 
Instinctively apprehensive of her father, whom she supposed it was, she 
stopped, in the 
dark, gazing through the arch into the light. But it was Mr. Carker coming 
down alone, 
and looking over the railing into the hall. No bell was rung to announce his 
departure, and 
no servant was in attendance. He went down quietly, opened the door for 
himself, glided 
out, and shut it softly after him. 


</p>
            <p>Her invincible repugnance to this man, and perhaps the stealthy act of 
watching any one, 
which, even under such innocent circumstances, is in a manner guilty and 
oppressive, 
made Florence shake from head to foot. Her blood seemed to run cold. As soon 
as she 
could—for at first she felt an insurmountable dread of moving—she went 
quickly to her 
own room and locked her door; but even then, shut in with her dog beside her, 
felt a chill 
sensation of horror, as if there were danger brooding somewhere near her. 


</p>
            <p>It invaded her dreams and disturbed the whole night. Rising in the morning, 
unrefreshed, 
and with a heavy recollection of the domestic unhappiness of the preceding 
day, she 
sought Edith again in all the rooms, and did so, from time to time, all the 
morning. But 
she remained in her own chamber, and Florence saw nothing of her. Learning, 
however, 
that the projected dinner at home was put off, Florence thought it likely 
that she would go 
out in the evening to fulfil the engagement she had spoken of; and resolved 
to try and 
meet her, then, upon the staircase. 


</p>
            <p>When the evening had set in, she heard, from the room in which she sat on 
purpose, a 
footstep on the stairs that she thought to be Edith's. Hurrying out, and up 
towards her 
room, Florence met her immediately, coming down alone. 


</p>
            <p>What was Florence's affright and wonder when, at sight of her, with her 
tearful face, and 
outstretched arms, Edith recoiled and shrieked! 


</p>
            <p>`Don't come near me!' she cried. `Keep away! Let me go by!' 


</p>
            <p>`Mama!' said Florence. 


</p>
            <p>`Don't call me by that name! Don't speak to me! Don't look at me! Florence!' 
shrinking 
back, as Florence moved a step towards her, `don't touch me!' 


</p>
            <p>As Florence stood transfixed before the haggard face and staring eyes, she 
noted, as in a 
dream, that Edith spread her hands over them, and shuddering through all her 
form, and 
crouching down against the wall, crawled by her like some lower animal, 
sprang up, and 
fled away. 


</p>
            <p>Florence dropped upon the stairs in a swoon; and was found there by Mrs. 
Pipchin, she 
supposed. She knew nothing more, until she found herself lying on her own 
bed, with 
Mrs. Pipchin and some servants standing round her. 


</p>
            <p>`Where is Mama?' was her first question. 


</p>
            <p>`Gone out to dinner,' said Mrs. Pipchin. 


</p>
            <p>`And Papa?' 


</p>
            <p>`Mr. Dombey is in his own room, Miss Dombey,' said Mrs. Pipchin, `and the 
best thing 
you can do, is to take off your things and go to bed this minute.' This was 
the sagacious 
woman's remedy for all complaints, particularly lowness of spirits, and 
inability to sleep; 
for which offences, many young victims in the days of the Brighton Castle had 
been 
committed to bed at ten o'clock in the morning. 


</p>
            <p>Without promising obedience, but on the plea of desiring to be very quiet, 
Florence 
disengaged herself, as soon as she could, from the ministration of Mrs. 
Pipchin and her 
attendants. Left alone, she thought of what had happened on the staircase, at 
first in doubt 
of its reality; then with tears; then with an indescribable and terrible 
alarm, like that she 
had felt the night before. 


</p>
            <p>She determined not to go bed until Edith returned, and if she could not speak 
to her, at 
least to be sure that she was safe at home. What indistinct and shadowy dread 
moved 
Florence to this resolution, she did not know, and did not dare to think. She 
only knew 
that until Edith came back, there was no repose for her aching head or 
throbbing heart. 


</p>
            <p>The evening deepened into night: midnight came; no Edith. 


</p>
            <p>Florence could not read, or rest a moment. She paced her own room, opened the 
door and 
paced the staircase-gallery outside, looked out of window on the night, 
listened to the 
wind blowing and the rain falling, sat down and watched the faces in the 
fire, got up and 
watched the moon flying like a storm-driven ship through the sea of 
clouds. 


</p>
            <p>All the house was gone to bed, except two servants who were waiting the 
return of their 
mistress, downstairs. 


</p>
            <p>One o'clock. The carriages that rumbled in the distance, turned away, or 
stopped short, or 
went past; the silence gradually deepened, and was more and more rarely 
broken, save by 
a rush of wind or sweep of rain. Two o'clock. No Edith! 


</p>
            <p>Florence, more agitated, paced her room, and paced the gallery outside; and 
looked out at 
the night, blurred and wavy with the raindrops on the glass, and the tears in 
her own eyes; 
and looked up at the hurry in the sky, so different from the repose below, 
and yet so 
tranquil and solitary. Three o'clock!There was a terror in every ash that 
dropped out of the 
fire. No Edith yet. 


</p>
            <p>More and More agitated, Florence paced her room, and paced the gallery, and 
looked out 
at the moon with a new fancy of her likeness to a pale fugitive hurrying away 
and hiding 
her guilty face. Four struck! Five! No Edith yet. 


</p>
            <p>But now there some cautious stir in the house; and Florence found that Mrs. 
Pipchin had 
been awakened by one of those who sat up, had risen and had gone down to her 
father's 
door. Stealing lower down the stairs, and observing what passed, she saw her 
father come 
out in his morning gown, and start when he was told his wife had not come 
home. He 
dispatched a messenger to the stables to inquire whether the coachman was 
there; and 
while the man was gone, dressed himself very hurriedly. 


</p>
            <p>The man came back, in great haste, bringing the coachman with him, who said 
he had 
been at home and in bed since ten o'clock. He had driven his mistress to her 
old house in 
Brook Street, where she had been met by Mr. Carker— 


</p>
            <p>Florence stood upon the very spot where she had seen him coming down. Again 
she 
shivered with the nameless terror of that sight, and had hardly steadiness 
enough to hear 
and understand what followed. 


</p>
            <p>—Who had told him, the man went on to say, that his mistress would not want 
the carriage 
to go home in; and had dismissed him. 


</p>
            <p>She saw her father turn white in the face, and heard him ask in a quick, 
trembling voice 
for Mrs. Dombey's maid. The whole house was roused; for she was there, in a 
moment, 
very pale too, and speaking incoherently. 


</p>
            <p>She said she had dressed her mistress early—full two hours before she went 
out—and had 
been told, as she often was, that she would not be wanted at night. She had 
just come 
from her mistress's rooms, but— 


</p>
            <p>`But what! what was it?' Florence heard her father demand like a madman. 


</p>
            <p>`But the inner dressing-room was locked, and the key gone.' 


</p>
            <p>Her father seized a candle that was flaming on the ground —some one had put 
it down 
there, and forgotten it—and came running up stairs with such fury, that 
Florence, in her 
fear, had hardly time to fly before him. She heard him striking in the door 
as she ran on, 
with her hands widely spread, and her hair streaming, and her face like a 
distracted 
person's, back to her own room. 


</p>
            <p>When the door yielded, and he rushed in, what did he see there? No one knew. 
But 
thrown down in a costly mass upon the ground, was every ornament she had had, 
since 
she had been his wife: every dress she had worn; and everything she had 
possessed. This 
was the room in which he had seen, in yonder mirror, the proud face discard 
him. This 
was the room in which he had wondered, idly, how these things would look when 
he 
should see them next! 


</p>
            <p>Heaping them back into the drawers, and locking them up in a rage of haste, 
he saw some 
papers on the table. The deed of settlement he had executed on their 
marriage, and a 
letter. He read that she was gone. He read that he was dishonoured. He read 
that she had 
fled, upon her shameful wedding-day, with the man whom he had chosen for her 
humiliation; and he tore out of the room, and out of the house, with a 
frantic idea of 
finding her yet, at the place to which she had been taken, and beating all 
trace of beauty 
out of the triumphant face with his bare hand. 


</p>
            <p>Florence, not knowing what she did, put on a shawl and bonnet, in a dream of 
running 
through the streets until she found Edith, and then clasping her in her arms, 
to save and 
bring her back. But when she hurried out upon the staircase, and saw the 
frightened 
servants going up and down with lights, and whispering together, and falling 
away from 
her father as he passed down, she awoke to a sense of her own powerlessness; 
and hiding 
in one of the great rooms that had been made gorgeous for <hi>this</hi>, felt 
as if her heart 
would burst with grief. 


</p>
            <p>Compassion for her father was the first distinct emotion that made head 
against the flood 
of sorrow which overwhelmed her. Her constant nature turned to him in his 
distress, as 
fervently and faithfully, as if, in his prosperity, he had been the 
embodiment of that idea 
which had gradually become so faint and dim. Although she did not know, 
otherwise than 
through the suggestions of a shapeless fear, the full extent of his calamity, 
he stood before 
her wronged and deserted; and again her yearning love impelled her to his 
side. 


</p>
            <p>He was not long away: for Florence was yet weeping in the great room and 
nourishing 
these thoughts, when she heard him come back. He ordered the servants to set 
about their 
ordinary occupations, and went into his own apartment, where he trod so 
heavily that she 
could hear him walking up and down from end to end. 


</p>
            <p>Yielding at once to the impulse of her affection, timid at all other times, 
but bold in its 
truth to him in his adversity, and undaunted by past repulse, Florence, 
dressed as she was, 
hurried downstairs. As she set her light foot in the hall, he came out of his 
room. She 
hastened towards him unchecked, with her arms stretched out, and crying `Oh 
dear, dear 
Papa!' as if she would have clasped him round the neck. 


</p>
            <p>And so she would have done. But in his frenzy, he lifted up his cruel arm, 
and struck her, 
crosswise, with that heaviness, that she tottered on the marble floor; and as 
he dealt the 
blow, he told her what Edith was, and bade her follow her, since they had 
always been in 
league. 


</p>
            <p>She did not sink down at his feet; she did not shut out the sight of him with 
her trembling 
hands; she did not weep; she did not utter one word of reproach. But she 
looked at him, 
and a cry of desolation issued from her heart. For as she looked, she saw him 
murdering 
that fond idea to which she had held in spite of him. She saw his cruelty, 
neglect, and 
hatred dominant above it, and stamping it down. She saw she had no father 
upon earth, 
and ran out, orphaned, from his house. 


</p>
            <p>Ran out of his house. A moment, and her hand was on the lock, the cry was on 
her lips, 
his face was there, made paler by the yellow candles hastily put down and 
guttering away, 
and by the daylight coming in above the door. Another moment, and the close 
darkness of 
the shut-up house (forgotten to be opened, though it was long since day) 
yielded to the 
unexpected glare and freedom of the morning; and Florence, with her head bent 
down to 
hide her agony of tears, was in the streets. 

</p>
         </div>
         <div xml:id="c48" type="chapter">
            <head>CHAPTER XLVIII</head>
            <head>The Flight of Florence</head>
            <p>IN the wildness of her sorrow, shame, and terror, the forlorn girl hurried 
through the 
sunshine of a bright morning, as if it were the darkness of a winter night. 
Wringing her 
hands and weeping bitterly, insensible to everything but the deep wound in 
her breast, 
stunned by the loss of all she loved, left like the sole survivor on a lonely 
shore from the 
wreck of a great vessel, she fled without a thought, without a hope, without 
a purpose, but 
to fly somewhere—anywhere. 


</p>
            <p>The cheerful vista of the long street, burnished by the morning light, the 
sight of the blue 
sky and airy clouds, the vigorous freshness of the day, so flushed and rosy 
in its conquest 
of the night, awakened no responsive feelings in her so hurt bosom. 
Somewhere, 
anywhere, to hide her head! somewhere, anywhere, for refuge, never more to 
look upon 
the place from which she fled! 


</p>
            <p>But there were people going to and fro; there were opening shops, and 
servants at the 
doors of houses; there was the rising clash and roar of the day's struggle. 
Florence saw 
surprise and curiosity in the faces flitting past her; saw long shadows 
coming back upon 
the pavement; and heard voices that were strange to her asking her where she 
went, and 
what the matter was; and though these frightened her the more at first, and 
made her hurry 
on the faster, they did her the good service of recalling her in some degree 
to herself, and 
reminding her of the necessity of greater composure. 


</p>
            <p>Where to go? Still somewhere, anywhere! still going on; but where! She 
thought of the 
only other time she had been lost in the wild wilderness of London—though 
not lost as 
now—and went that way. To the home of Walter's uncle. 


</p>
            <p>Checking her sobs, and drying her swollen eyes, and endeavouring to calm the 
agitation of 
her manner, so as to avoid attracting notice, Florence, resolving to keep to 
the more quiet 
streets as long as she could, was going on more quietly herself, when a 
familiar little 
shadow darted past upon the sunny pavement, stopped short, wheeled about, 
came close to 
her, made off again, bounded round and round her, and Diogenes, panting for 
breath, and 
yet making the street ring with his glad bark, was at her feet. 


</p>
            <p>`Oh, Di! oh, dear, true, faithful Di, how did you come here? How could I ever 
leave you, 
Di, who would never leave me?' 


</p>
            <p>Florence bent down on the pavement, and laid his rough, old, loving, foolish 
head against 
her breast, and they got up together, and went on together; Di more off the 
ground than on 
it, endeavouring to kiss his mistress flying, tumbling over and getting up 
again without the 
least concern, dashing at big dogs in a jocose defiance of his species, 
terrifying with 
touches of his nose young housemaids who were cleaning doorsteps, and 
continually 
stopping, in the midst of a thousand extravagances, to look back at Florence, 
and bark 
until all the dogs within hearing answered, and all the dogs who could come 
out, came out 
to stare at him. 


</p>
            <p>With this last adherent, Florence hurried away in the advancing morning, and 
the 
strengthening sunshine, to the City. The roar soon grew more loud, the 
passengers more 
numerous, the shops more busy, until she was carried onward in a stream of 
life setting 
that way, and flowing, indifferently, past marts and mansions, prisons, 
churches, 
market-places, wealth, poverty, good, and evil, like the broad river side by 
side with it, 
awakened from its dreams of rushes, willows, and green moss, and rolling on, 
turbid and 
troubled, among the works and cares of men, to the deep sea. 


</p>
            <p>At length the quarters of the little Midshipman arose in view. Nearer yet, 
and the little 
Midshipman himself was seen upon his post, intent as ever on his 
observations. Nearer 
yet, and the door stood open, inviting her to enter. Florence, who had again 
quickened her 
pace, as she approached the end of her journey, ran across the road (closely 
followed by 
Diogenes, whom the bustle had somewhat confused), ran in, and sank upon the 
threshold 
of the well-remembered little parlour. 


</p>
            <p>The Captain, in his glazed hat, was standing over the fire, making his 
morning's cocoa, 
with that elegant trifle, his watch, upon the chimney-piece, for easy 
reference during the 
progress of the cookery. Hearing a footstep and the rustle of a dress, the 
Captain turned 
with a palpitating remembrance of the dreadful Mrs. MacStinger, at the 
instant when 
Florence made a motion with her hand towards him, reeled, and fell upon the 
floor. 


</p>
            <p>The Captain, pale as Florence, pale in the very knobs upon his face, raised 
her like a 
baby, and laid her on the same old sofa upon which she had slumbered long 
ago. 


</p>
            <p>`It's Heart's Delight!' said the Captain, looking intently in her face. `It's 
the sweet creetur 
grow'd a woman!' 


</p>
            <p>Captain Cuttle was so respectful of her, and had such a reverence for her, in 
this new 
character, that he would not have held her in his arms, while she was 
unconscious, for a 
thousand pounds. 


</p>
            <p>`My Heart's Delight!' said the Captain, withdrawing to a little distance, 
with the greatest 
alarm and sympathy depicted on his countenance. `If you can hail Ned Cuttle 
with a 
finger, do it!' 


</p>
            <p>But Florence did not stir. 


</p>
            <p>`My Heart's Delight!' said the trembling Captain. `For the sake of Wal'r 
drownded in the 
briny deep, turn to, and histe up something or another, if able.' 


</p>
            <p>Finding her insensible to this impressive adjuration also, Captain Cuttle 
snatched from his 
breakfast-table a basin of cold water, and sprinkled some upon her face. 
Yielding to the 
urgency of the case, the Captain then, using his immense hand with 
extraordinary 
gentleness, relieved her of her bonnet, moistened her lips and forehead, put 
back her hair, 
covered her feet with his own coat which he pulled off for the purpose, 
patted her 
hand—so small in his, that he was struck with wonder when he touched it—and 
seeing that 
her eyelids quivered, and that her lips began to move, continued these 
restorative 
applications with a better heart. 


</p>
            <p>`Cheerily,' said the Captain. `Cheerily! Stand by, my pretty one, stand by! 
There! You're 
better now. Steady's the word, and steady it is. Keep her so! Drink a little 
drop o' this 
here,' said the Captain. `There you are! What cheer now, my pretty, what 
cheer now?' 


</p>
            <p>At this stage of her recovery, Captain Cuttle, with an imperfect association 
of a Watch 
with a Physician's treatment of a patient, took his own down from the 
mantel-shelf, and 
holding it out on his hook, and taking Florence's hand in his, looked 
steadily from one to 
the other, as expecting the dial to do something. 


</p>
            <p>`What cheer, my pretty?' said the Captain. `What cheer now? You've done her 
some 
good, my lad, I believe,' said the Captain, under his breath, and throwing an 
approving 
glance upon his watch. `Put you back half-an-hour every morning, and about 
another 
quarter towards the afternoon, and you're a watch as can be ekalled by few 
and excelled 
by none. What cheer, my lady lass?' 


</p>
            <p>`Captain Cuttle! Is it you?' exclaimed Florence, raising herself a little. 


</p>
            <p>`Yes, yes, my lady lass,' said the Captain, hastily deciding in his own mind 
upon the 
superior elegance of that form of address, as the most courtly he could think 
of. 


</p>
            <p>`Is Walter's uncle here?' asked Florence. 


</p>
            <p>`Here, pretty?' returned the Captain. `He an't been here this many a long 
day. He an't 
been heerd on, since he sheered off arter poor Wal'r. But,' said the Captain, 
as a 
quotation, `Though lost to sight, to memory dear, and England, Home, and 
Beauty!' 


</p>
            <p>`Do you live here?' asked Florence. 


</p>
            <p>`Yes, my lady lass,' returned the Captain. 


</p>
            <p>`Oh, Captain Cuttle!' cried Florence, putting her hands together, and 
speaking wildly. 
`Save me! keep me here! Let no one know where I am! I'll tell you what has 
happened 
by-and-by, when I can. I have no one in the world to go to. Do not send me 
away!' 


</p>
            <p>`Send <hi>you</hi> away, my lady lass!' exclaimed the Captain. `<hi>You</hi>, my 
Heart's 
Delight! Stay a bit! We'll put up this here deadlight, and take a double turn 
on the 
key!' 


</p>
            <p>With these words, the Captain, using his one hand and his hook with the 
greatest 
dexterity, got out the shutter of the door, put it up, made it all fast, and 
locked the door 
itself. 


</p>
            <p>When he came back to the side of Florence, she took his hand, and kissed it. 
The 
helplessness of the action, the appeal it made to him, the confidence it 
expressed, the 
unspeakable sorrow in her face, the pain of mind she had too plainly 
suffered, and was 
suffering then, his knowledge of her past history, her present lonely, worn, 
and 
unprotected appearance, all so rushed upon the good Captain together, that he 
fairly 
overflowed with compassion and gentleness. 


</p>
            <p>`My lady lass,' said the Captain, polishing the bridge of his nose with his 
arm until it 
shone like burnished copper, `don't you say a word to Ed'ard Cuttle, until 
such times as 
you finds yourself a riding smooth and easy; which won't be to-day, nor yet 
to-morrow. 
And as to giving of you up, or reporting where you are, yes verily, and by 
God's help, so 
I won't, Church catechism, make a note on!' 


</p>
            <p>This the Captain said, reference and all, in one breath, and with much 
solemnity; taking 
off his hat at `yes verily,' and putting it on again, when he had quite 
concluded. 


</p>
            <p>Florence could do but one thing more to thank him, and to show him how she 
trusted in 
him; and she did it. Clinging to this rough creature as the last asylum of 
her bleeding 
heart, she laid her head upon his honest shoulder, and clasped him round his 
neck, and 
would have kneeled down to bless him, but that he divined her purpose, and 
held her up 
like a true man. 


</p>
            <p>`Steady!' said the Captain. `Steady! You're too weak to stand, you see, my 
pretty, and 
must lie down here again. There, there!' To see the Captain lift her on the 
sofa, and cover 
her with his coat, would have been worth a hundred state sights. `And now,' 
said the 
Captain, `you must take some breakfast, lady lass, and the dog shall have 
some too. And 
arter that you shall go aloft to old Sol Gills's room, and fall asleep there, 
like a angel.' 


</p>
            <p>Captain Cuttle patted Diogenes when he made allusion to him, and Diogenes met 
that 
overture graciously, half-way. During the administration of the restoratives 
he had clearly 
been in two minds whether to fly at the Captain or to offer him his 
friendship; and he had 
expressed that conflict of feeling by alternate waggings of his tail, and 
displays of his 
teeth, with now and then a growl or so. But by this time his doubts were all 
removed. It 
was plain that he considered the Captain one of the most amiable of men, and 
a man 
whom it was an honour to a dog to know. 


</p>
            <p>In evidence of these convictions, Diogenes attended on the Captain while he 
made some 
tea and toast, and showed a lively interest in his housekeeping. But it was 
in vain for the 
kind Captain to make such preparations for Florence, who sorely tried to do 
some honour 
to them, but could touch nothing, and could only weep and weep again. 


</p>
            <p>`Well, well!' said the compassionate Captain, `arter turning in, my Heart's 
Delight, you'll 
get more way upon you. Now, I'll serve out your allowance, my lad.' To 
Diogenes. `And 
you shall keep guard on your mistress aloft.' 


</p>
            <p>Diogenes, however, although he had been eyeing his intended breakfast with a 
watering 
mouth and glistening eyes, instead of falling to, ravenously, when it was put 
before him, 
pricked up his ears, darted to the shop-door, and barked there furiously: 
burrowing with 
his head at the bottom, as if he were bent on mining his way out. 


</p>
            <p>`Can there be anybody there!' asked Florence, in alarm. 


</p>
            <p>`No, my lady lass,' returned the Captain. `Who'd stay there, without making 
any noise! 
Keep up a good heart, pretty. It's only people going by.' 


</p>
            <p>But for all that, Diogenes barked and barked, and burrowed and burrowed, with 
pertinacious fury; and whenever he stopped to listen, appeared to receive 
some new 
conviction into his mind, for he set to, barking and burrowing again, a dozen 
times. Even 
when he was persuaded to return to his breakfast, he came jogging back to it, 
with a very 
doubtful air; and was off again, in another paroxysm, before touching a 
morsel. 


</p>
            <p>`If there should be some one listening and watching,' whispered Florence. 
`Some one who 
saw me come—who followed me, perhaps.' 


</p>
            <p>`It an't the young woman, lady lass, is it?' said the Captain, taken with a 
bright idea. 


</p>
            <p>`Susan?' said Florence, shaking her head. `Ah no! Susan has been gone from me 
a long 
time.' 


</p>
            <p>`Not deserted, I hope?' said the Captain. `Don't say that that there young 
woman's run, 
my pretty!' 


</p>
            <p>`Oh, no, no!' cried Florence. `She is one of the truest hearts in the 
world!' 


</p>
            <p>The Captain was greatly relieved by this reply, and expressed his 
satisfaction by taking off 
his hard glazed hat, and dabbing his head all over with his handkerchief, 
rolled up like a 
ball, observing several times, with infinite complacency, and with a beaming 
countenance, 
that he know'd it. 


</p>
            <p>`So you're quiet now, are you, brother?' said the Captain to Diogenes. `There 
warn't 
nobody there, my lady lass, bless you!' 


</p>
            <p>Diogenes was not so sure of that. The door still had an attraction for him at 
intervals; and 
he went snuffing about it, and growling to himself, unable to forget the 
subject. This 
incident, coupled with the Captain's observation of Florence's fatigue and 
faintness, 
decided him to prepare Sol Gills's chamber as a place of retirement for her 
immediately. 
He therefore hastily betook himself to the top of the house, and made the 
best 
arrangement of it that his imagination and his means suggested. 


</p>
            <p>It was very clean already; and the Captain being an orderly man, and 
accustomed to make 
things ship-shape, converted the bed into a couch, by covering it all over 
with a clean 
white drapery. By a similar contrivance, the Captain converted the little 
dressing-table into 
a species of alter, on which he set forth two silver teaspoons, a flower-pot, 
a telescope, his 
celebrated watch, a pocket-comb, and a song-book, as a small collection of 
rarities, that 
made a choice appearance. Having darkened the window, and straightened the 
pieces of 
carpet on the floor, the Captain surveyed these preparations with great 
delight, and 
descended to the little parlour again, to bring Florence to her bower. 


</p>
            <p>Nothing would induce the Captain to believe that it was possible for Florence 
to walk 
upstairs. If he could have got the idea into his head, he would have 
considered it an 
outrageous breach of hospitality to allow her to do so. Florence was too weak 
to dispute 
the point, and the Captain carried her up out of hand, laid her down, and 
covered her with 
a great watch-coat. 


</p>
            <p>`My lady lass!' said the Captain, `you're as safe here as if you was at the 
top of St. Paul's 
Cathedral, with the ladder cast off. Sleep is what you want, afore all other 
things, and may 
you be able to show yourself smart with that there balsam for the still small 
woice of a 
wownded mind! When there's anything you want, my Heart's Delight, as this 
here humble 
house or town can offer, pass the word to Ed'ard Cuttle, as'll stand off and 
on outside that 
door, and that there man will wibrate with joy.' The Captain concluded by 
kissing the 
hand that Florence stretched out to him, with the chivalry of any old 
knight-errant, and 
walking on tip-toe out of the room. 


</p>
            <p>Descending to the little parlour, Captain Cuttle, after holding a hasty 
council with himself, 
decided to open the shopdoor for a few minutes, and satisfy himself that now, 
at all 
events, there was no one loitering about it. Accordingly he set it open, and 
stood upon the 
threshold, keeping a bright look-out, and sweeping the whole street with his 
spectacles. 


</p>
            <p>`How de do, Captain Gills?' said a voice beside him. The Captain, looking 
down, found 
that he had been boarded by Mr. Toots while sweeping the horizon. 


</p>
            <p>`How are you, my lad?' replied the Captain. 


</p>
            <p>`Well, I'm pretty well, thank'ee, Captain Gills,' said Mr. Toots. `You know 
I'm never 
quite what I could wish to be, now. I don't expect that I ever shall be any 
more.' 


</p>
            <p>Mr. Toots never approached any nearer than this to the great theme of his 
life, when in 
conversation with Captain Cuttle, on account of the agreement between 
them. 


</p>
            <p>`Captain Gills,' said Mr. Toots, `if I could have the pleasure of a word with 
you, it's—it's 
rather particular.' 


</p>
            <p>`Why, you see, my lad,' replied the Captain, leading the way into the 
parlour, `I an't what 
you may call exactly free this morning; and therefore if you can clap on a 
bit, I should 
take it kindly.' 


</p>
            <p>`Certainly, Captain Gills,' replied Mr. Toots, who seldom had any notion of 
the Captain's 
meaning. `To clap on, is exactly what I could wish to do. Naturally.' 


</p>
            <p>`If so be, my lad,' returned the Captain, `do it!' 


</p>
            <p>The Captain was so impressed by the possession of his tremendous secret—by 
the fact of 
Miss Dombey being at that moment under his roof, while the innocent and 
unconscious 
Toots sat opposite to him—that a perspiration broke out on his forehead, and 
he found it 
impossible while slowly drying the same, glazed hat in hand, to keep his eyes 
off Mr. 
Toots's face. Mr. Toots, who himself appeared to have some secret reasons for 
being in a 
nervous state, was so unspeakably disconcerted by the Captain's stare, that 
after looking at 
him vacantly for some time in silence, and shifting uneasily on his chair, he 
said: 


</p>
            <p>`I beg your pardon, Captain Gills, but you don't happen to see anything 
particular in me, 
do you?' 


</p>
            <p>`No, my lad,' returned the Captain. `No.' 


</p>
            <p>`Because you know,' said Mr. Toots with a chuckle, `I <hi rend="sc">know</hi> I'm wasting 
away. 
You needn't at all mind alluding to that. I—I should like it. Burgess and 
Co. have altered 
my measure, I'm in that state of thinness. It's a gratification to me. I—I'm 
glad of it. I—I'd 
a great deal rather go into a decline, if I could. I'm a mere brute you know, 
grazing upon 
the surface of the earth, Captain Gills.' 


</p>
            <p>The more Mr. Toots went on in this way, the more the Captain was weighed down 
by his 
secret, and stared at him. What with this cause of uneasiness, and his desire 
to get rid of 
Mr. Toots, the Captain was in such a scared and strange condition, indeed, 
that if he had 
been in conversation with a ghost, he could hardly have evinced greater 
discomposure. 


</p>
            <p>`But I was going to say, Captain Gills,' said Mr. Toots. `Happening to be 
this way early 
this morning—to tell you the truth, I was coming to breakfast with you. As 
to sleep, you 
know, I never sleep now. I might be a Watchman, except that I don't get any 
pay, and 
he's got nothing on his mind.' 


</p>
            <p>`Carry on, my lad!' said the Captain, in an admonitory voice. 


</p>
            <p>`Certainly, Captain Gills,' said Mr. Toots. `Perfectly true!Happening to be 
this way early 
this morning (an hour or so ago), and finding the door shut—' 


</p>
            <p>`What! were <hi>you</hi> waiting there, brother?' demanded the Captain. 


</p>
            <p>`Not at all, Captain Gills,' returned Mr. Toots. `I didn't stop a moment. I 
thought you 
were out. But the person said—by the bye you <hi>don't</hi> keep a dog, 
<hi>do</hi> you, 
Captain Gills?' 


</p>
            <p>The Captain shook his head. 


</p>
            <p>`To be sure,' said Mr. Toots, `that's exactly what I said. I knew you didn't. 
There 
<hi>is</hi> a dog, Captain Gills, connected with—but excuse me. That's 
forbidden 
ground.' 


</p>
            <p>The Captain stared at Mr. Toots until he seemed to swell to twice his natural 
size; and 
again the perspiration broke out on the Captain's forehead, when he thought 
of Diogenes 
taking it into his head to come down and make a third in the parlour. 


</p>
            <p>`The person said,' continued Mr. Toots, `that he had heard a dog barking in 
the shop: 
which I knew couldn't be, and I told him so. But he was as positive as if he 
had seen the 
dog.' 


</p>
            <p>`What person, my lad?' inquired the Captain. 


</p>
            <p>`Why, you see there it is, Captain Gills,' said Mr. Toots, with a perceptible 
increase in the 
nervousness of his manner. `It's not for me to say what may have taken place, 
or what 
may not have taken place. Indeed, I don't know. I get mixed up with all sorts 
of things 
that I don't quite understand, and I think there's something rather weak in 
my—in my 
head, in short.' 


</p>
            <p>The Captain nodded his own, as a mark of assent. 


</p>
            <p>`But the person said, as we were walking away,' continued Mr. Toots, `that 
you knew 
what, under existing circumstances, <hi>might</hi> occur—he said “Might,” very 
strongly—and that if you were requested to prepare yourself, you would, no 
doubt, come 
prepared.' 


</p>
            <p>`Person, my lad!' the Captain repeated. 


</p>
            <p>`I don't know what person, I'm sure, Captain Gills,' replied Mr. Toots, `I 
haven't the least 
idea. But coming to the door, I found him waiting there; and he said was I 
coming back 
again, and I said yes; and he said did I know you, and I said yes, I had the 
pleasure of 
your acquaintance—you had given me the pleasure of your acquaintance, after 
some 
persuasion; and he said, if that was the case, would I say to you what I 
<hi>have</hi> said, 
about existing circumstances and coming prepared, and as soon as ever I saw 
you, would I 
ask you to step round the corner, if it was only for one minute, on most 
important 
business, to Mr. Brogley's the Broker's. Now, I tell you what, Captain 
Gills—whatever it 
is, I am convinced it's very important; and if you like to step round, now, 
I'll wait here 
till you come back.' 


</p>
            <p>The Captain, divided between his fear of compromising Florence in some way by 
not 
going, and his horror of leaving Mr. Toots in possession of the house with a 
chance of 
finding out the secret, was a spectacle of mental disturbance that even Mr. 
Toots could not 
be blind to. But that young gentleman, considering his nautical friend as 
merely in a state 
of preparation for the interview he was going to have, was quite satisfied, 
and did not 
review his own discreet conduct without chuckles. 


</p>
            <p>At length the Captain decided, as the lesser of two evils, to run round to 
Brogley's the 
Broker's: previously locking the door that communicated with the upper part 
of the house, 
and putting the key in his pocket. `If so be,' said the Captain to Mr. Toots, 
with not a 
little shame and hesitation, `as you'll excuse my doing of it, brother.' 


</p>
            <p>`Captain Gills,' returned Mr. Toots, `whatever you do, is satisfactory to 
me.' 


</p>
            <p>The Captain thanked him heartily, and promising to come back in less that 
five minutes, 
went out in quest of the person who had intrusted Mr. Toots with this 
mysterious message. 
Poor Mr. Toots, left to himself, lay down upon the sofa, little thinking who 
had reclined 
there last, and gazing up at the skylight and resigning himself to visions of 
Miss Dombey, 
lost all heed of time and place. 


</p>
            <p>It was as well that he did so; for although the Captain was not gone long, he 
was gone 
much longer than he had proposed. When he came back, he was very pale indeed, 
and 
greatly agitated, and even looked as if he had been shedding tears. He seemed 
to have lost 
the faculty of speech, until he had been to the cupboard and taken a dram of 
rum from the 
case-bottle, when he fetched a deep breath, and sat down in a chair with his 
hand before 
his face. 


</p>
            <p>`Captain Gills,' said Toots, kindly, `I hope and trust there's nothing 
wrong?' 


</p>
            <p>`Thank'ee, my lad, not a bit,' said the Captain. `Quite contrary.' 


</p>
            <p>`You have the appearance of being overcome, Captain Gills,' observed Mr. 
Toots. 


</p>
            <p>`Why, my lad, I <hi>am</hi> took aback,' the Captain admitted. `I am.' 


</p>
            <p>`Is there anything I can do, Captain Gills?' inquired Mr. Toots. `If there 
is, make use of 
me.' 


</p>
            <p>The Captain removed his hand from his face, looked at him with a remarkable 
expression 
of pity and tenderness, and took him by the hand and shook it hard. 


</p>
            <p>`No, thank'ee,' said the Captain. `Nothing. Only I'll take it as a favour if 
you'll part 
company for the present. I believe, brother,' wringing his hand again, `that, 
after Wal'r, 
and on a different model, you're as good a lad as ever stepped.' 


</p>
            <p>`Upon my word and honour, Captain Gills,' returned Mr. Toots, giving the 
Captain's hand 
a preliminary slap before shaking it again, `it's delightful to me to possess 
your good 
opinion. Thank'ee.' 


</p>
            <p>`And bear hand and cheer up,' said the Captain, patting him on the back. 
`What! There's 
more than one sweet creetur in the world!' 


</p>
            <p>`Not to me, Captain Gills,' replied Mr. Toots gravely. `Not to me, I assure 
you. The state 
of my feelings towards Miss Dombey is of that unspeakable description, that 
my heart is a 
desert island, and she lives in it alone. I'm getting more used up every day, 
and I'm proud 
to be so. If you could see my legs when I take my boots off, you'd form some 
idea of 
what unrequited affection is. I have been prescribed bark, but I don't take 
it, for I don't 
wish to have any tone whatever given to my constitution. I'd rather not. 
This, however, is 
forbidden ground. Captain Gills, good-bye!' 


</p>
            <p>Captain Cuttle cordially reciprocating the warmth of Mr. Toots's farewell, 
locked the door 
behind him, and shaking his head with the same remarkable expression of pity 
and 
tenderness as he had regarded him with before, went up to see if Florence 
wanted him. 


</p>
            <p>There was an entire change in the Captain's face as he went upstairs. He 
wiped his eyes 
with his handkerchief, and he polished the bridge of his nose with his sleeve 
as he had 
done already that morning, but his face was absolutely changed. Now, he might 
have been 
thought supremely happy; now, he might have been thought sad; but the kind of 
gravity 
that sat upon his features was quite new to them, and was as great an 
improvement to 
them as if they had undergone some sublimating process. 


</p>
            <p>He knocked softly, with his hook, at Florence's door, twice or thrice; but, 
receiving no 
answer, ventured first to peep in, and then to enter: emboldened to take the 
latter step, 
perhaps, by the familiar recognition of Diogenes, who, stretched upon the 
ground by the 
side of her couch, wagged his tail, and winked his eyes at the Captain, 
without being at 
the trouble of getting up. 


</p>
            <p>She was sleeping heavily, and moaning in her sleep; and Captain Cuttle, with 
a perfect 
awe of her youth and beauty, and her sorrow, raised her head, and adjusted 
the coat that 
covered her, where it had fallen off, and darkened the window a little more 
that she might 
sleep on, and crept out again, and took his post of watch upon the stairs. 
All this, with a 
touch and tread as light as Florence's own. 


</p>
            <p>Long may it remain in this mixed world a point not easy of decision, which is 
the more 
beautiful evidence of the Almighty's goodness—the delicate fingers that are 
formed for 
sensitiveness and sympathy of touch, and made to minister to pain and grief, 
or the rough 
hard Captain Cuttle hand, that the heart teaches, guides, and softens in a 
moment! 


</p>
            <p>Florence slept upon her couch, forgetful of her homelessness and orphanage, 
and Captain 
Cuttle watched upon the stairs. A louder sob or moan than usual, brought him 
sometimes 
to her door; but by degrees she slept more peacefully, and the Captain's 
watch was 
undisturbed. 

</p>
         </div>
         <div xml:id="c49" type="chapter">
            <head>CHAPTER XLIX</head>
            <head>The Midshipman makes a Discovery</head>
            <p>IT was long before Florence awoke. The day was in its prime, the day was in 
its wane, and still, uneasy in mind and body, she slept on; unconscious of 
her strange bed, of the noise and turmoil in the street, and of the light 
that shone outside the shaded window. Perfect unconsciousness of what had 
happened in the home that existed no more, even the deep slumber of 
exhaustion could not produce. Some undefined and mournful recollection of it, 
dozing uneasily but never sleeping, pervaded all her rest. A dull sorrow, 
like a half-lulled sense of pain, was always present to her; and her pale 
cheek was oftener wet with tears than the honest Captain, softly putting in 
his head from time to time at the half-closed door, could have desired to see 
it. 


</p>
            <p>The sun was getting low in the west, and glancing out of a red mist, pierced 
with its rays opposite loop-holes and pieces of fret-work in the spires of 
city churches, as if with golden arrows that struck through and through 
them—and far away athwart the river and its flat blanks, it was gleaming 
like a path of fire—and out at sea it was irradiating sails of ships—and, 
looked towards, from quiet churchyards, upon hill-tops in the country, it was 
steeping distant prospects in a flush and glow that seemed to mingle earth 
and sky together in one glorious suffusion—when Florence, opening her heavy 
eyes, lay at first, looking without interest or recognition at the unfamiliar 
walls around her, and listening in the same regardless manner to the noises 
in the street. But presently she started up upon her couch, gazed round with 
a surprised and vacant look, and recollected all. 


</p>
            <p>`My pretty,' said the Captain, knocking at the door, `what cheer?' 


</p>
            <p>`Dear friend,' cried Florence, hurrying to him, `is it you?' 


</p>
            <p>The Captain felt so much pride in the name, and was so pleased by the gleam 
of pleasure in her face, when she saw him, that he kissed his hook, by way of 
reply, in speechless gratification. 


</p>
            <p>`What cheer, bright di'mond?' said the Captain. 


</p>
            <p>`I have surely slept very long,' returned Florence. `When did I come here? 
Yesterday?' 


</p>
            <p>`This here blessed day, my lady lass,' replied the Captain. 


</p>
            <p>`Has there been no night? Is it still day?' asked Florence. 


</p>
            <p>`Getting on for evening now, my pretty,' said the Captain, drawing back the 
curtain of the window. `See!' 


</p>
            <p>Florence, with her hand upon the Captain's arm, so sorrowful and timid, and 
the Captain with his rough face and burly figure, so quietly protective of 
her, stood in the rosy light of the bright evening sky, without saying a 
word. However strange the form of speech into which he might have fashioned 
the feeling, if he had had to give it utterance, the Captain felt, as 
sensibly as the most eloquent of men could have done, that there was 
something in the tranquil time and in its softened beauty that would make the 
wounded heart of Florence overflow; and that it was better that such tears 
should have their way. So not a word spake Captain Cuttle. But when he felt 
his arm clasped closer, and when he felt the lonely head come nearer to it, 
and lay itself against his homely coarse blue sleeve, he pressed it gently 
with his rugged hand, and understood it, and was understood. 


</p>
            <p>`Better now, my pretty!' said the Captain. `Cheerily, cheerily; I'll go down 
below, and get some dinner ready. Will you come down of your own self, 
arterwards, pretty, or shall Ed'ard Cuttle come and fetch you?' 


</p>
            <p>As Florence assured him that she was quite able to walk down stairs, the 
Captain, though evidently doubtful of his own hospitality in permitting it, 
left her to do so, and immediately set about roasting a fowl at the fire in 
the little parlour. To achieve his cookery with the greater skill, he pulled 
off his coat, tucked up his wristbands, and put on his glazed hat, without 
which assistant he never applied himself to any nice or difficult 
undertaking. 


</p>
            <p>After cooling her aching head and burning face in the fresh water which the 
Captain's care had provided for her while she slept, Florence went to the 
little mirror to bind up her disordered hair. Then she knew—in a moment, for 
she shunned it instantly—that on her breast there was the darkening mark of 
any angry hand. 


</p>
            <p>Her tears burst forth afresh at the sight; she was ashamed and afraid of it; 
but it moved her to no anger against him. Homeless and fatherless, she 
forgave him everything; hardly thought that she had need to forgive him, or 
that she did; but she fled from the idea of him as she had fled from the 
reality, and he was utterly gone and lost. There was no such Being in the 
world. 


</p>
            <p>What to do, or where to live, Florence—poor, inexperienced girl!—could not 
yet consider. She had indistinct dreams of finding, a long way off, some 
little sisters to instruct, who would be gentle with her, and to whom, under 
some feigned name, she might attach herself, and who would grow up in their 
happy home, and marry, and be good to their old governess, and perhaps 
intrust her, in time, with the education of their own daughters. And she 
thought how strange and sorrowful it would be, thus to become a grey-haired 
woman, carrying her secret to the grave, when Florence Dombey was forgotten. 
But it was all dim and clouded to her now. She only knew that she had no 
Father upon earth, and she said so, many times, with her suppliant head 
hidden from all, but her Father who was in Heaven. 


</p>
            <p>Her little stock of money amounted to but a few guineas. With a part of this, 
it would be necessary to buy some clothes, for she had none but those she 
wore. She was too desolate to think how soon her money would be gone—too 
much a child in worldly matters to be greatly troubled on that score yet, 
even if her other trouble had been less. She tried to calm her thoughts and 
stay her tears; to quiet the hurry in her throbbing head, and bring herself 
to believe that what had happened were but the events of a few hours ago, 
instead of weeks or months, as they appeared; and went down to her kind 
protector. 


</p>
            <p>The Captain had spread the cloth with great care, and was making some 
egg-sauce in a little saucepan: basting the fowl from time to time during the 
process with a strong interest, as it turned and browned on a string before 
the fire. Having propped Florence up with cushions on the sofa, which was 
already wheeled into a warm corner for her greater comfort, the Captain 
pursued his cooking with extraordinary skill, making hot gravy in a second 
little saucepan, boiling a handful of potatoes in a third, never forgetting 
the egg-sauce in the first, and making an impartial round of basting and 
stirring with the most useful of spoons every minute. Besides these cares, 
the Captain had to keep his eye on a diminutive fryingpan, in which some 
sausages were hissing and bubbling in a most musical manner; and there was 
never such a radiant cook as the Captain looked, in the height and heat of 
these functions: it being impossible to say whether his face or his glazed 
hat shone the brighter. 


</p>
            <p>The dinner being at length quite ready, Captain Cuttle dished and served it 
up, with no less dexterity than he had cooked it. He then dressed for dinner, 
by taking off his glazed hat and putting on his coat. That done, he wheeled 
the table close against Florence on the sofa, said grace, unscrewed his hook, 
screwed his fork into its place, and did the honours of the table. 


</p>
            <p>`My lady lass,' said the Captain, `cheer up, and try to eat a deal. Stand by, 
my deary! Liver wing it is. Sarse it is. Sassage it is. And potato!' all 
which the Captain ranged symmetrically on a plate, and pouring hot gravy on 
the whole with the useful spoon, set before his cherished guest. 


</p>
            <p>`The whole row o' dead lights is up, for'ard, lady lass,' observed the 
Captain, encouragingly, `and everything is made snug. Try and pick a bit, my 
pretty. If Wal'r was here—' 


</p>
            <p>`Ah! If I had him for my brother now!' cried Florence. 


</p>
            <p>`Don't! don't take on, my pretty!' said the Captain, `awast to obleege me! He 
<hi>was</hi> your nat'ral born friend like, warn't he, Pet?' 


</p>
            <p>Florence had no words to answer with. She only said, `Oh, dear, dear Paul! 
oh, Walter!' 


</p>
            <p>`The wery planks she walked on,' murmured the Captain, looking at her 
drooping face, `was as high esteemed by Wal'r, as the water brooks is by the 
hart which never rejices! I see him now, the wery day as he was rated on them 
Dombey books, a speaking of her with his face a glistening with 
doo—leastways with his modest sentiments—like a new blowed rose, at dinner. 
Well, well! If our poor Wal'r was here, my lady lass—or if he could be—for 
he's drownded, an't he?' 


</p>
            <p>Florence shook her head. 


</p>
            <p>`Yes, yes; drownded,' said the Captain, soothingly; `as I was saying, if he 
could be here he'd beg and pray of you, my precious, to pick a leetle bit, 
with a look-out for your own sweet health. Whereby, hold your own, my lady 
lass, as if it was for Wal'r's sake, and lay your pretty head to the 
wind.' 


</p>
            <p>Florence essayed to eat a morsel, for the Captain's pleasure. The Captain, 
meanwhile, who seemed to have quite forgotten his own dinner, laid down his 
knife and fork, and drew his chair to the sofa. 


</p>
            <p>`Wal'r was a trim lad, warn't he, precious?' said the Captain, after sitting 
for some time silently rubbing his chin, with his eyes fixed upon her, `and a 
brave lad, and a good lad?' 


</p>
            <p>Florence tearfully assented. 


</p>
            <p>`And he's drownded, Beauty, an't he?' said the Captain, in a soothing 
voice. 


</p>
            <p>Florence could not but assent again. 


</p>
            <p>`He was older than you, my lady lass,' pursued the Captain, `but you was like 
two children together, at first; warn't you?' 


</p>
            <p>Florence answered `Yes.' 


</p>
            <p>`And Wal'r's drownded,' said the Captain. `An't he?' 


</p>
            <p>The repetition of this inquiry was a curious source of consolation, but it 
seemed to be one to Captain Cuttle, for he came back to it again and again. 
Florence, fain to push from her her untasted dinner, and to lie back on her 
sofa, gave him her hand, feeling that she had disappointed him, though truly 
wishing to have pleased him after all his trouble, but he held it in his own 
(which shook as he held it), and appearing to have quite forgotten all about 
the dinner and her want of appetite, went on growling at intervals, in a 
ruminating tone of sympathy, `Poor Wal'r. Aye, aye! Drownded. An't he?' And 
always waited for her answer, in which the great point of these singular 
reflections appeared to consist. 


</p>
            <p>The fowl and sausages were cold, and the gravy and the egg-sauce stagnant, 
before the Captain remembered that they were on the board, and fell to with 
the assistance of Diogenes, whose united efforts quickly dispatched the 
banquet. The Captain's delight and wonder at the quiet housewifery of 
Florence in assisting to clear the table, arrange the parlour, and sweep up 
the hearth—only to be equalled by the fervency of his protest when she began 
to assist him—were gradually raised to that degree, that at last he could 
not choose but do nothing himself, and stand looking at her as if she were 
some Fairy, daintily performing these offices for him; the red rim on his 
forehead glowing again, in his unspeakable admiration. 


</p>
            <p>But when Florence, taking down his pipe from the mantelshelf gave it into his 
hand, and entreated him to smoke it, the good Captain was so bewildered by 
her attention that he held it as if he had never held a pipe in all his life. 
Likewise, when Florence, looking into the little cupboard, took out the 
casebottle and mixed a perfect glass of grog for him, unasked, and set it at 
his elbow, his ruddy nose turned pale, he felt himself so graced and 
honoured. When he had filled his pipe in an absolute reverie of satisfaction, 
Florence lighted it for him—the Captain having no power to object, or to 
prevent her—and resuming her place on the old sofa, looked at him with a 
smile so loving and so grateful, a smile that showed him so plainly how her 
forlorn heart turned to him, as her face did, through grief, that the smoke 
of the pipe got into the Captain's throat and made him cough, and got into 
the Captain's eyes, and made them blink and water. 


</p>
            <p>The manner in which the Captain tried to make believe that the cause of these 
effects lay hidden in the pipe itself, and the way in which he looked into 
the bowl for it, and not finding it there, pretended to blow it out of the 
stem, was wonderfully pleasant. The pipe soon getting into better condition, 
he fell into that state of repose becoming a good smoker; but sat with his 
eyes fixed on Florence, and, with a beaming placidity not to be described, 
and stopping every now and then to discharge a little cloud from his lips, 
slowly puffed it forth, as if it were a scroll coming out of his mouth, 
bearing the legend `Poor Wal'r, aye, aye. Drownded, an't he?' after which he 
would resume his smoking with infinite gentleness. 


</p>
            <p>Unlike as they were externally—and there could scarcely be a more decided 
contrast than between Florence in her delicate youth and beauty, and Captain 
Cuttle with his knobby face, his great broad weather-beaten person, and his 
gruff voice—in simple innocence of the world's ways and the world's 
perplexities and dangers, they were nearly on a level. No child could have 
surpassed Captain Cuttle in inexperience of everything but wind and weather; 
in simplicity, credulity, and generous trustfulness. Faith, hope, and 
charity, shared his whole nature among them. An odd sort of romance, 
perfectly unimaginative, yet perfectly unreal, and subject to no 
considerations of worldly prudence or practicability, was the only partner 
they had in his character. As the Captain sat, and smoked, and looked at 
Florence, God knows what impossible pictures, in which she was the principal 
figure, presented themselves to his mind. Equally vague and uncertain, though 
not so sanguine, were her own thoughts of the life before her; and even as 
her tears made prismatic colours in the light she gazed at so, through her 
new and heavy grief, she already saw a rainbow faintly shining in the far-off 
sky. A wandering princess and a good monster in a story-book might have sat 
by the fireside, and talked as Captain Cuttle and poor Florence thought—and 
not have looked very much unlike them. 


</p>
            <p>The Captain was not troubled with the faintest idea of any difficulty in 
retaining Florence, or of any responsibility thereby incurred. Having put up 
the shutters and locked the door, he was quite satisfied on this head. If she 
had been a Ward in Chancery, it would have made no difference at all to 
Captain Cuttle. He was the last man in the world to be troubled by any such 
considerations. 


</p>
            <p>So the Captain smoked his pipe very comfortably, and Florence and he 
meditated after their own manner. When the pipe was out, they had some tea; 
and then Florence entreated him to take her to some neighbouring shop, where 
she could buy the few necessaries she immediately wanted. It being quite 
dark, the Captain consented; peeping carefully out first, as he had been wont 
to do in his time of hiding from Mrs. MacStinger; and arming himself with his 
large stick, in case of an appeal to arms being rendered necessary by any 
unforeseen circumstance. 


</p>
            <p>The pride Captain Cuttle had, in giving his arm to Florence, and escorting 
her some two or three hundred yards, keeping a bright look-out all the time, 
and attracting the attention of every one who passed them, by his great 
vigilance and numerous precautions, was extreme. Arrived at the shop, the 
Captain felt it a point of delicacy to retire during the making of the 
purchases, as they were to consist of wearing apparel; but he previously 
deposited his tin canister on the counter, and informing the young lady of 
the establishment that it contained fourteen pound two, requested her, in 
case that amount of property should not be sufficient to defray the expenses 
of his niece's little outfit—at the word `niece,' he bestowed a most 
significant look on Florence, accompanied with pantomime, expressive of 
sagacity and mystery—to have the goodness to `sing out,' and he would make 
up the difference from his pocket. Casually consulting his big watch, as a 
deep means of dazzling the establishment, and impressing it with a sense of 
property, the Captain then kissed his hook to his niece, and retired outside 
the window, where it was a choice sight to see his great face looking in from 
time to time, among the silks and ribbons, with an obvious misgiving that 
Florence had been spirited away by a back door. 


</p>
            <p>`Dear Captain Cuttle,' said Florence, when she came out with a parcel, the 
size of which greatly disappointed the Captain, who had expected to see a 
porter following with a bale of goods, `I don't want this money, indeed. I 
have not spent any of it. I have money of my own.' 


</p>
            <p>`My lady lass,' returned the baffled Captain, looking straight down the 
street before them, `take care on it for me, will you be so good, till such 
time as I ask ye for it?' 


</p>
            <p>`May I put it back in its usual place,' said Florence, `and keep it 
there?' 


</p>
            <p>The Captain was not at all gratified by this proposal, but he answered, `Aye, 
aye, put it anywheres, my lady lass, so long as you know where to find it 
again. It an't o' no use to <hi>me</hi>,' said the Captain. `I wonder I haven't 
chucked it away afore now.' 


</p>
            <p>The Captain was quite disheartened for the moment, but he revived at the 
first touch of Florence's arm, and they returned with the same precautions as 
they had come; the Captain opening the door of the little Midshipman's berth, 
and diving in, with a suddenness which his great practice only could have 
taught him. During Florence's slumber in the morning, he had engaged the 
daughter of an elderly lady, who usually sat under a blue umbrella in 
Leadenhall Market, selling poultry, to come and put her room in order, and 
render her any little services she required; and this damsel now appearing, 
Florence found everything about her as convenient and orderly, if not as 
handsome, as in the terrible dream she had once called Home. 


</p>
            <p>When they were alone again, the Captain insisted on her eating a slice of dry 
toast, and drinking a glass of spiced negus (which he made to perfection); 
and, encouraging her with every kind word and inconsequential quotation he 
could possibly think of, led her upstairs to her bedroom. But he too had 
something on his mind, and was not easy in his manner. 


</p>
            <p>`Good night, dear heart,' said Captain Cuttle to her at her chamber-door. 


</p>
            <p>Florence raised his lips to his face, and kissed him. 


</p>
            <p>At any other time the Captain would have been overbalanced by such a token of 
her affection and gratitude; but now, although he was very sensible of it, he 
looked in her face with even more uneasiness than he had testified before, 
and seemed unwilling to leave her. 


</p>
            <p>`Poor Wal'r!' said the Captain. 


</p>
            <p>`Poor, poor Walter!' sighed Florence. 


</p>
            <p>`Drownded, an't he?' said the Captain. 


</p>
            <p>Florence shook her head, and sighed. 


</p>
            <p>`Good night, my lady lass!' said Captain Cuttle, putting out his hand. 


</p>
            <p>`God bless you, dear, kind friend!' 


</p>
            <p>But the Captain lingered still. 


</p>
            <p>`Is anything the matter, dear Captain Cuttle?' said Florence, easily alarmed 
in her then state of mind. `Have you anything to tell me?' 


</p>
            <p>`To tell you, lady lass!' replied the Captain, meeting her eyes in confusion. 
`No, no; what should I have to tell you, pretty! You don't expect as I've got 
anything good to tell you, sure?' 


</p>
            <p>`No!' said Florence, shaking her head. 


</p>
            <p>The Captain looked at her wistfully, and repeated `No,'—still lingering, and 
still showing embarrassment. 


</p>
            <p>`Poor Wal'r!' said the Captain. `My Wal'r, as I used to call you! Old Sol 
Gills's nevy! Welcome to all as knowed you, as the flowers in May! Where are 
you got to, brave boy? Drownded, an't he?' 


</p>
            <p>Concluding his apostrophe with this abrupt appeal to Florence, the Captain 
bade her good night, and descended the stairs, while Florence remained at the 
top, holding the candle out to light him down. He was lost in the obscurity, 
and, judging from the sound of his receding footsteps, was in the act of 
turning into the little parlour, when his head and shoulders unexpectedly 
emerged again, as from the deep, apparently for no other purpose than to 
repeat, `Drownded, an't he, pretty?' For when he had said that in a tone of 
tender condolence, he disappeared. 


</p>
            <p>Florence was very sorry that she should unwittingly, though naturally, have 
awakened these associations in the mind of her protector, by taking refuge 
there; and sitting down before the little table where the Captain had 
arranged the telescope and song-book, and those other rarities, thought of 
Walter, and of all that was connected with him in the past, until she could 
have almost wished to lie down on her bed and fade away. But in her lonely 
yearning to the dead whom she had loved, no thought of home—no possibility 
of going back—no presentation of it as yet existing, or as sheltering her 
father—once entered her thoughts. She had seen the murder done. In the last 
lingering natural aspect in which she had cherished him through so much, he 
had been torn out of her heart, defaced, and slain. The thought of it was so 
appalling to her, that she covered her eyes, and shrunk trembling from the 
least remembrance of the deed, or of the cruel hand that did it. If her fond 
heart could have held his image after that, it must have broken; but it could 
not; and the void was filled with a wild dread that fled from all confronting 
with its shattered fragments—with such a dread as could have risen out of 
nothing but the depths of such a love, so wronged. 


</p>
            <p>She dared not look into the glass; for the sight of the darkening mark upon 
her bosom made her afraid of herself, as if she bore about her something 
wicked. She covered it up, with a hasty, faltering hand, and in the dark; and 
laid her weary head down, weeping. 


</p>
            <p>The Captain did not go to bed for a long time. He walked to and fro in the 
shop and in the little parlour, for a full hour, and, appearing to have 
composed himself by that exercise, sat down with a grave and thoughtful face, 
and read out of a Prayer-book the forms of prayer appointed to be used at 
sea. These were not easily disposed of; the good Captain being a mighty slow, 
gruff reader, and frequently stopping at a hard word to give himself such 
encouragement as `Now, my lad!With a will!' or, `Steady, Ed'ard Cuttle, 
steady!' which had a great effect in helping him out of any difficulty. 
Moreover, his spectacles greatly interfered with his powers of vision. But 
notwithstanding these drawbacks, the Captain, being heartily in earnest, read 
the service to the very last line, and with genuine feeling too; and 
approving of it very much when he had done, turned in under the counter (but 
not before he had been upstairs, and listened at Florence's door), with a 
serene breast, and a most benevolent visage. 


</p>
            <p>The Captain turned out several times in the course of the night, to assure 
himself that his charge was resting quietly; and once, at daybreak, found 
that she was awake: for she called to know if it were he, on hearing 
footsteps near her door. 


</p>
            <p>`Yes, my lady lass,' replied the Captain, in a growling whisper. `Are you all 
right, di'mond?' 


</p>
            <p>Florence thanked him, and said `Yes.' 


</p>
            <p>The Captain could not lose so favourable an opportunity of applying his mouth 
to the keyhole, and calling through it, like a hoarse breeze, `Poor Wal'r! 
Drownded, an't he?' After which he withdrew, and turning in again, slept till 
seven o'clock. 


</p>
            <p>Nor was he free from his uneasy and embarrassed manner all that day; though 
Florence, being busy with her needle in the little parlour, was more calm and 
tranquil than she had been on the day preceding. Almost always when she 
raised her eyes from her work, she observed the Captain looking at her, and 
thoughtfully stroking his chin; and he so often hitched his arm-chair close 
to her, as if he were going to say something very confidential, and hitched 
it away again, as not being able to make up his mind how to begin, that in 
the course of the day he cruised completely round the parlour in that frail 
bark, and more than once went ashore against the wainscot or the closet door, 
in a very distressed condition. 


</p>
            <p>It was not until the twilight that Captain Cuttle, fairly dropping anchor, at 
last, by the side of Florence, began to talk at all connectedly. But when the 
light of the fire was shining on the walls and ceiling of the little room, 
and on the teaboard and the cups and saucers that were ranged upon the table, 
and on her calm face turned towards the flame, and reflecting it in the tears 
that filled her eyes, the Captain broke a long silence thus: 


</p>
            <p>`You never was at sea, my own?' 


</p>
            <p>`No,' replied Florence. 


</p>
            <p>`Aye,' said the Captain, reverentially; `it's a almighty element. There's 
wonders in the deep, my pretty. Think on it when the winds is roaring and the 
waves is rowling. Think on it when the stormy nights is so pitch dark,' said 
the Captain, solemnly holding up his hook, `as you can't see your hand afore 
you, excepting when the wiwid lightning reweals the same; and when you drive, 
drive, drive through the storm and dark, as if you was a driving, head on, to 
the world without end, evermore, amen, and when found making a note of. 
Them's the times, my beauty, when a man may say to his messmate (previously a 
overhauling of the wollume), “A stiff nor'wester's blowing, Bill; hark don't 
you hear it roar now! Lord help 'em, how I pitys all unhappy folks ashore 
now!”' Which quotation, as particularly applicable to the terrors of the 
ocean, the Captain delivered in a most impressive manner, concluding with a 
sonorous `Stand by!' 


</p>
            <p>`Were <hi>you</hi> ever in a dreadful storm?' asked Florence. 


</p>
            <p>`Why aye, my lady lass, I've seen my share of bad weather,' said the Captain, 
tremulously wiping his head, `and I've had my share of knocking about; 
but—but it an't myself as I was a meaning to speak. Our dear boy,' drawing 
closer to her, `Wal'r, darling, as was drownded.' 


</p>
            <p>The Captain spoke in such a trembling voice, and looked at Florence with a 
face so pale and agitated, that she clung to his hand in affright. 


</p>
            <p>`Your face is changed,' cried Florence. `You are altered in a moment. What is 
it? Dear Captain Cuttle, it turns me cold to see you!' 


</p>
            <p>`What! Lady lass,' returned the Captain, supporting her with his hand, `don't 
be took aback. No, no! All's well, all's well, my dear. As I was a 
saying—Wal'r—he's—he's drownded. An't he?' 


</p>
            <p>Florence looked at him intently; her colour came and went; and she laid her 
hand upon her breast. 


</p>
            <p>`There's perils and dangers on the deep, my beauty,' said the Captain; `and 
over many a brave ship, and many and many a bould heart, the secret waters 
has closed up, and never told no tales. But there's escapes upon the deep, 
too, and sometimes one man out of a score,—ah! maybe out of a hundred, 
pretty,—has been saved by the mercy of God, and come home after being given 
over for dead, and told of all hands lost. I—I know a story, Heart's 
Delight,' stammered the Captain, `o'this natur, as was told to me once; and 
being on this here tack, and you and me sitting alone by the fire, maybe 
you'd like to hear me tell it. Would you, deary?' 


</p>
            <p>Florence, trembling with an agitation which she could not control or 
understand, involuntarily followed his glance, which went behind her into the 
shop, where a lamp was burning. The instant that she turned her head, the 
Captain sprung out of his chair, and interposed his hand. 


</p>
            <p>`There's nothing there, my beauty,' said the Captain. `Don't look there.' 


</p>
            <p>`Why not?' asked Florence. 


</p>
            <p>The Captain murmured something about its being dull that way, and about the 
fire being cheerful. He drew the door ajar, which had been standing open 
until now, and resumed his seat. Florence followed him with her eyes, and 
looked intently in his face. 


</p>
            <p>`The story was about a ship, my lady lass,' began the Captain, `as sailed out 
of the Port of London, with a fair wind and in fair weather, bound for—don't 
be took aback, my lady lass, she was only out'ard bound, pretty, only out'ard 
bound!' 


</p>
            <p>The expression on Florence's face alarmed the Captain, who was himself very 
hot and flurried, and showed scarcely less agitation than she did. 


</p>
            <p>`Shall I go on, Beauty?' said the Captain. 


</p>
            <p>`Yes, yes, pray!' cried Florence. 


</p>
            <p>The Captain made a gulp as if to get down something that was sticking in his 
throat, and nervously proceeded: 


</p>
            <p>`That there unfort'nate ship met with such foul weather, out at sea, as don't 
blow once in twenty year, my darling. There was hurricanes ashore as tore up 
forests and blowed down towns, and there was gales at sea in them latitudes, 
as not the stoutest wessel ever launched could live in. Day arter day that 
there unfort'nate ship behaved noble, I'm told, and did her duty brave, my 
pretty, but at one blow a'most her bulwarks was stove in, her masts and 
rudder carried away, her best men swept overboard, and she left to the mercy 
of the storm as had no mercy but blowed harder and harder yet, while the 
waves dashed over her, and beat her in, and every time they come a thundering 
at her, broke her like a shell. Every black spot in every mountain of water 
that rolled away was a bit o' the ship's life or a living man, and so she 
went to pieces, Beauty, and no grass will never grow upon the graves of them 
as manned that ship.' 


</p>
            <p>`They were not all lost!' cried Florence. `Some were saved!—Was one?' 


</p>
            <p>`Aboard o' that there unfort'nate wessel,' said the Captain, rising from his 
chair, and clenching his hand with prodigious energy and exultation, `was a 
lad, a gallant lad—as I've heerd tell—that had loved, when he was a boy, to 
read and talk about brave actions in shipwrecks—I've heerd him! I've heerd 
him!—and he remembered of 'em in his hour of need; for when the stoutest 
hearts and oldest hands was hove down, he was firm and cheery. It warn't the 
want of objects to like and love ashore that gave him courage, it was his 
nat'ral mind. I've seen it in his face, when he was no more than a 
child—aye, many a time!—and when I thought it nothing but his good looks, 
bless him!' 


</p>
            <p>`And was he saved!' cried Florence. `Was he saved!' 


</p>
            <p>`That brave lad,' said the Captain,—`look at me, pretty!Don't look 
round—' 


</p>
            <p>Florence had hardly power to repeat, `Why not?' 


</p>
            <p>`Because there's nothing there, my deary,' said the Captain. `Don't be took 
aback, pretty creetur! Don't, for the sake of Wal'r, as was dear to all on 
us! That there lad,' said the Captain, `arter working with the best, and 
standing by the faint-hearted, and never making no complaint nor sign of 
fear, and keeping up a spirit in all hands that made 'em honour him as if 
he'd been a admiral—that lad, along with the secondmate and one seaman, was 
left, of all the beatin' hearts that went aboard that ship, the only living 
creeturs—lashed to a fragment of the wreck, and driftin' on the stormy 
sea.' 


</p>
            <p>`Were they saved?' cried Florence. 


</p>
            <p>`Days and nights they drifted on them endless waters,' said the Captain, 
`until at last—No! Don't look that way, pretty!—a sail bore down upon 'em, 
and they was, by the Lord's mercy, took aboard: two living and one dead.' 


</p>
            <p>`Which of them was dead?' cried Florence. 


</p>
            <p>`Not the lad I speak on,' said the Captain. 


</p>
            <p>`Thank God! oh thank God!' 


</p>
            <p>`Amen!' returned the Captain hurriedly. `Don't be took aback! A minute more, 
my lady lass! with a good heart!—aboard that ship, they went a long voyage, 
right away across the chart (for there warn't no touching nowhere), and on 
that voyage the seaman as was picked up with dim died. But he was spared, 
and——' 


</p>
            <p>The Captain, without knowing what he did, had cut a slice of bread from the 
loaf, and put it on his hook (which was his usual toasting-fork), on which he 
now held it to the fire; looking behind Florence with great emotion in his 
face, and suffering the bread to blaze and burn like fuel. 


</p>
            <p>`Was spared,' repeated Florence, `and——?' 


</p>
            <p>`And come home in that ship,' said the Captain, still looking in the same 
direction, `and—don't be frightened, pretty—and landed; and one morning 
come cautiously to his own door to take a obserwation, knowing that his 
friends would think him drownded, when he sheered off at the unexpected——' 


</p>
            <p>`At the unexpected barking of a dog?' cried Florence quickly. 


</p>
            <p>`Yes,' roared the Captain. `Steady, darling! courage!Don't look round yet. 
See there! upon the wall!' 


</p>
            <p>There was the shadow of a man upon the wall close to her. She started up, 
looked round, and with a piercing cry, saw Walter Gay behind her! 


</p>
            <p>She had no thought of him but as a brother, a brother rescued from the grave; 
a shipwrecked brother saved and at her side; and rushed into his arms. In all 
the world, he seemed to be her hope, her comfort, refuge, natural protector. 
`Take care of Walter, I was fond of Walter!' The dear remembrance of the 
plaintive voice that said so, rushed upon her soul, like music in the night. 
`Oh welcome home, dear Walter! Welcome to this stricken breast!' She felt the 
words, although she could not utter them, and held him in her pure 
embrace. 


</p>
            <p>Captain Cuttle, in a fit of delirium, attempted to wipe his head with the 
blackened toast upon his hook: and finding it an uncongenial substance for 
the purpose, put it into the crown of his glazed hat, put the glazed hat on 
with some difficulty, essayed to sing a verse of Lovely Peg, broke down at 
the first word, and retired into the shop, whence he presently came back, 
express, with a face all flushed and besmeared, and the starch completely 
taken out of his shirt-collar, to say these words: 


</p>
            <p>`Wal'r, my lad, here is a little bit of property as I should wish to make 
over, jintly!' 


</p>
            <p>The Captain hastily produced the big watch, the teaspoons, the sugar-tongs, 
and the canister, and laying them on the table, swept them with his great 
hand into Walter's hat; but in handing that singular strong box to Walter, he 
was so overcome again, that he was fain to make another retreat into the 
shop, and absent himself for a longer space of time than on his first 
retirement. 


</p>
            <p>But Walter sought him out, and brought him back; and then the Captain's great 
apprehension was, that Florence would suffer from this new shock. He felt it 
so earnestly, that he turned quite rational, and positively interdicted any 
further allusion to Walter's adventures for some days to come. Captain Cuttle 
then became sufficiently composed to relieve himself of the toast in his hat, 
and to take his place at the teaboard; but finding Walter's grasp upon his 
shoulder, on one side, and Florence whispering her tearful congratulations on 
the other, the Captain suddenly bolted again, and was missing for a good ten 
minutes. 


</p>
            <p>But never in all his life had the Captain's face so shone and glistened, as 
when, at last, he sat stationary at the tea-board, looking from Florence to 
Walter, and from Walter to Florence. Nor was this effect produced or at all 
heightened by the immense quantity of polishing he had administered to his 
face with his coat-sleeve during the last half-hour. It was solely the effect 
of his internal emotions. There was a glory and delight within the Captain 
that spread itself over his whole visage, and made a perfect illumination 
there. 


</p>
            <p>The Pride with which the Captain looked upon the bronzed cheek and the 
courageous eyes of his recovered boy; with which he saw the generous fervour 
of his youth, and all its frank and hopeful qualities, shining once more, in 
the fresh, wholesome manner, and the ardent face, would have kindled 
something of this light in his countenance. The admiration and sympathy with 
which he turned his eyes on Florence, whose beauty, grace, and innocence 
could have won no truer or more zealous champion than himself, would have had 
an equal influence upon him. But the fulness of the glow he shed around him 
could only have been engendered in his contemplation of the two together, and 
in all the fancies springing out of that association, that came sparkling and 
beaming into his head, and danced about it. 


</p>
            <p>How they talked of poor old Uncle Sol, and dwelt on every little circumstance 
relating to his disappearance; how their joy was moderated by the old man's 
absence and by the misfortunes of Florence; how they released Diogenes, whom 
the Captain had decoyed upstairs some time before, lest he should bark again; 
the Captain, though he was in one continual flutter, and made many more short 
plunges into the shop, fully comprehended. But he no more dreamed that Walter 
looked on Florence, as it were, from a new and far-off place; that while his 
eyes often sought the lovely face, they seldom met its open glance of 
sisterly affection, but withdrew themselves when hers were raised towards 
him; than be believed that it was Walter's ghost who sat beside him. He saw 
them there together in their youth and beauty, and he knew the story of their 
younger days, and he had no inch of room beneath his great blue waistcoat for 
anything save admiration of such a pair, and gratitude for their being 
reunited. 


</p>
            <p>They sat thus, until it grew late. The Captain would have been content to sit 
so for a week. But Walter rose, to take leave for the night. 


</p>
            <p>`Going, Walter!' said Florence. `Where?' 


</p>
            <p>`He slings his hammock for the present, lady lass,' said Captain Cuttle, 
`round at Brogley's. Within hail, Heart's Delight.' 


</p>
            <p>`I am the cause of your going away, Walter,' said Florence. `There is a 
houseless sister in your place.' 


</p>
            <p>`Dear Miss Dombey,' replied Walter, hesitating—`if it is not too bold to 
call you so!—' 


</p>
            <p>`—Walter!' she exclaimed, surprised. 


</p>
            <p>`If anything could make me happier in being allowed to see and speak to you, 
would it not be the discovery that I had any means on earth of doing you a 
moment's service! Where would I not go, what would I not do for your 
sake?' 


</p>
            <p>She smiled, and called him brother. 


</p>
            <p>`You are so changed,' said Walter— 


</p>
            <p>`I changed!' she interrupted. 


</p>
            <p>`To me,' said Walter, softly, as if he were thinking aloud, `changed to me. I 
left you such a child, and find you—oh!something so different—' 


</p>
            <p>`But your sister, Walter. You have not forgotten what we promised to each 
other, when we parted?' 


</p>
            <p>`Forgotten!' But he said no more. 


</p>
            <p>`And if you had—if suffering and danger had driven it from your 
thoughts—which it has not—you would remember it now, Walter, when you find 
me poor and abandoned, with no home but this, and no friends but the two who 
hear me speak!' 


</p>
            <p>`I would! Heaven knows I would!' said Walter. 


</p>
            <p>`Oh, Walter,' exclaimed Florence, through her sobs and tears. `Dear brother! 
Show me some way through the world—some humble path that I may take alone, 
and labour in, and sometimes think of you as one who will protect and care 
for me as for a sister! Oh, help me, Walter, for I need help so much!' 


</p>
            <p>`Miss Dombey! Florence! I would die to help you. But your friends are proud 
and rich. Your father——' 


</p>
            <p>`No, no! Walter!' She shrieked, and put her hands up to her head, in an 
attitude of terror that transfixed him where he stood. `Don't say that 
word!' 


</p>
            <p>He never, from that hour, forgot the voice and look with which she stopped 
him at the name. He felt that if he were to live a hundred years, he never 
could forget it. 


</p>
            <p>Somewhere—anywhere—but never home! All past, all gone, all lost, and broken 
up! The whole history of her untold slight and suffering was in the cry and 
look; and he felt he never could forget it, and he never did. 


</p>
            <p>She laid her gentle face upon the Captain's shoulder, and related how and why 
she had fled. If every sorrowing tear she shed in doing so, had been a curse 
upon the head of him she never named or blamed, it would have been better for 
him, Walter thought, with awe, than to be renounced out of such a strength 
and might of love. 


</p>
            <p>`There, precious!' said the Captain, when she ceased; and deep attention the 
Captain had paid to her while she spoke; listening, with his glazed hat all 
awry and his mouth wide open. `Awast, awast, my eyes! Wal'r, dear lad, sheer 
off for to-night, and leave the pretty one to me!' 


</p>
            <p>Walter took her hand in both of his, and put it to his lips, and kissed it. 
He knew now that she was, indeed, a homeless wandering fugitive; but, richer 
to him so, than in all the wealth and pride of her right station, she seemed 
farther off than even on the height that had made him giddy in his boyish 
dreams. 


</p>
            <p>Captain Cuttle, perplexed by no such meditations, guarded Florence to her 
room, and watched at intervals upon the charmed ground outside her door—for 
such it truly was to him—until he felt sufficiently easy in his mind about 
her, to turn in under the counter. On abandoning his watch for that purpose, 
he could not help calling once, rapturously, through the keyhole, `Drownded. 
An't he, pretty?'—or, when he got down stairs, making another trial at that 
verse of Lovely Peg. But it stuck in his throat somehow, and he could make 
nothing of it; so he went to bed, and dreamed that old Sol Gills was married 
to Mrs. MacStinger, and kept prisoner by that lady in a secret chamber on a 
short allowance of victuals. 

</p>
         </div>
         <div xml:id="c50" type="chapter">
            <head>CHAPTER L</head>
            <head>Mr. Toots's Complaint</head>
            <p>THERE was an empty room above-stairs at the Wooden Midshipman's, which, in 
days of 
yore, had been Walter's bedroom. Walter, rousing up the Captain betimes in 
the morning, 
proposed that they should carry thither such furniture out of the little 
parlour as would 
grace it best, so that Florence might take possession of it when she rose. As 
nothing could 
be more agreeable to Captain Cuttle than making himself very red and short of 
breath in 
such a cause, he turned to (as he himself said) with a will; and, in a couple 
of hours, this 
garret was transformed into a species of land-cabin, adorned with all the 
choicest 
moveables out of the parlour, inclusive even of the Tartar frigate, which the 
Captain hung 
up over the chimneypiece with such extreme delight, that he could do nothing 
for 
half-an-hour afterwards but walk backward from it, lost in admiration. 


</p>
            <p>The Captain could be induced by no persuasion of Walter's to wind up the big 
watch, or 
to take back the canister, or to touch the sugar-tongs and teaspoons. `No, 
no, my lad,' was 
the Captain's invariable reply to any solicitation of the kind, `I've made 
that there little 
property over, jintly.' These words he repeated with great unction and 
gravity, evidently 
believing that they had the virtue of an Act of Parliament, and that unless 
he committed 
himself by some new admission of ownership, no flaw could be found in such a 
form of 
conveyance. 


</p>
            <p>It was an advantage of the new arrangement, that besides the greater 
seclusion it afforded 
Florence, it admitted of the Midshipman being restored to his usual post of 
observation, 
and also of the shop shutters being taken down. The latter ceremony, however 
little 
importance the unconscious Captain attached to it, was not wholly 
superfluous; for, on the 
previous day, so much excitement had been occasioned in the neighbourhood, by 
the 
shutters remaining unopened, that the Instrument-maker's house had been 
honoured with 
an unusual share of public observation, and had been intently stared at from 
the opposite 
side of the way, by groups of hungry gazers, at any time between sunrise and 
sunset. The 
idlers and vagabonds had been particularly interested in the Captain's fate; 
constantly 
grovelling in the mud to apply their eyes to the cellar-grating, under the 
shop-window, and 
delighting their imaginations with the fancy that they could see a piece of 
his coat as he 
hung in a corner; though this settlement of him was stoutly disputed by an 
opposite 
faction, who were of opinion that he lay murdered with a hammer, on the 
stairs. It was not 
without exciting some discontent, therefore, that the subject of these 
rumours was seen 
early in the morning standing at his shop-door as hale and hearty as if 
nothing had 
happened; and the beadle of that quarter, a man of an ambitious character, 
who had 
expected to have the distinction of being present at the breaking open of the 
door, and of 
giving evidence in full uniform before the corner, went so far as to say to 
an opposite 
neighbour, that the chap in the glazed hat had better not try it on 
there—without more 
particularly mentioning what—and further, that he, the Beadle, would keep 
his eye upon 
him. 


</p>
            <p>`Captain Cuttle,' said Walter, musing, when they stood resting from their 
labours at the 
shop-door, looking down the old familiar street; it being still early in the 
morning; 
`nothing at all of Uncle Sol, in all that time!' 


</p>
            <p>`Nothing at all, my lad,' replied the Captain, shaking his head. 


</p>
            <p>`Gone in search of me, dear, kind old man,' said Walter: `yet never write to 
you! But why 
not? He says, in effect, in this packet that you gave me,' taking the paper 
from his pocket, 
which had been opened in the presence of the enlightened Bunsby, `that if you 
never hear 
from him before opening it, you may believe him dead. Heaven forbid! But you 
would 
have heard <hi>of</hi> him, even if he <hi>were</hi> dead! Some one would have 
written, 
surely, by his desire, if he could not; and have said, “on such a day, there 
died in my 
house,” or “under my care,” or so forth, “Mr. Solomon Gills of London, who 
left this last 
remembrance and this last request to you.”' 


</p>
            <p>The Captain, who had never climbed to such a clear height of probability 
before, was 
greatly impressed by the wide prospect it opened, and answered, with a 
thoughtful shake 
of his head, `Well said, my lad; wery well said.' 


</p>
            <p>`I have been thinking of this, or, at least,' said Walter, colouring, `I have 
been thinking of 
one thing and another, all through a sleepless night, and I cannot believe, 
Captain Cuttle, 
but that my Uncle Sol (Lord bless him!) is alive, and will return. I don't so 
much wonder 
at his going away, because, leaving out of consideration that spice of the 
marvellous 
which was always in his character, and his great affection for me, before 
which every 
other consideration of his life became nothing, as no one ought to know so 
well as I who 
had the best of fathers in him,'—Walter's voice was indistinct and husky 
here, and he 
looked away, along the street,—`leaving that out of consideration, I say, I 
have often read 
and heard of people who, having some near and dear relative, who was supposed 
to be 
shipwrecked at sea, have gone down to live on that part of the sea-shore 
where any tidings 
of the missing ship might be expected to arrive, though only an hour or two 
sooner than 
elsewhere, or have even gone upon her track to the place whither she was 
bound, as if 
their going would create intelligence. I think I should do such a thing 
myself, as soon as 
another, or sooner than many, perhaps. But why my uncle shouldn't write to 
you, when he 
so clearly intended to do so, or how he should die abroad, and you not know 
it through 
some other hand, I cannot make out.' 


</p>
            <p>Captain Cuttle observed, with a shake of his head, that Jack Bunsby himself 
hadn't made 
it out, and that he was a man as could give a pretty taut opinion too. 


</p>
            <p>`If my uncle had been a heedless young man, likely to be entrapped by jovial 
company to 
some drinking-place, where he was to be got rid of for the sake of what money 
he might 
have about him,' said Walter; `or if he had been a reckless sailor, going 
ashore with two 
or three months' pay in his pocket, I could understand his disappearing, and 
leaving no 
trace behind. But, being what he was—and is, I hope—I can't believe it.' 


</p>
            <p>`Wal'r, my lad,' inquired the Captain wistfully eyeing him as he pondered and 
pondered, 
`What do you make of it, then?' 


</p>
            <p>`Captain Cuttle,' returned Walter, `I don't know what to make of it. I 
suppose he never 
<hi>has</hi> written! There is no doubt about that?' 


</p>
            <p>`If so be as Sol Gills wrote, my lad,' replied the Captain, argumentatively, 
`where's his 
dispatch?' 


</p>
            <p>`Say that he intrusted it to some private hand,' suggested Walter, `and that 
it has been 
forgotten, or carelessly thrown aside, or lost. Even that is more probable to 
me, than the 
other event. In short, I not only cannot bear to contemplate that other 
event, Captain 
Cuttle, but I can't, and won't.' 


</p>
            <p>`Hope, you see, Wal'r,' said the Captain, sagely, `Hope. It's that as 
animates you. Hope is 
a buoy, for which you overhaul your Little Warbler, sentimental diwision, but 
Lord, my 
lad, like any other buoy, it only floats; it can't be steered nowhere. Along 
with the 
figure-head of Hope,' said the Captain, `there's a anchor; but what's the 
good of my 
having a anchor, if I can't find no bottom to let it go in?' 


</p>
            <p>Captain Cuttle said this rather in his character of a sagacious citizen and 
householder, 
bound to impart a morsel from his stores of wisdom, to an inexperienced 
youth, than in 
his own proper person. Indeed, his face was quite luminous as he spoke, with 
new hope, 
caught from Walter; and he appropriately concluded by slapping him on the 
back; and 
saying, with enthusiasm, `Hooroar, my lad! Indiwidually, I'm o' your 
opinion.' 


</p>
            <p>Walter, with his cheerful laugh, returned the salutation, and said: 


</p>
            <p>`Only one word more about my uncle at present, Captain Cuttle. I suppose it 
is impossible 
that he can have written in the ordinary course—by mail packet, or ship 
letter, you 
understand—' 


</p>
            <p>`Aye, aye, my lad,' said the Captain approvingly. 


</p>
            <p>`—And that you have missed the letter any how?' 


</p>
            <p>`Why, Wal'r,' said the Captain, turning his eyes upon him with a faint 
approach to a 
severe expression, `an't I been on the look out for any tidings of that man 
o' science, old 
Sol Gills, your uncle, day and night, ever since I lost him?' An't my heart 
been heavy and 
watchful always, along of him and you? Sleeping and waking, an't I been upon 
my post, 
and wouldn't I scorn to quit it while this here Midshipman held together!' 


</p>
            <p>`Yes, Captain Cuttle,' replied Walter, grasping his hand, `I know you would, 
and I know 
how faithful and earnest all you say and feel is. I am sure of it. You don't 
doubt that I am 
as sure of it as I am that my foot is again upon this door-step or that I 
again have hold of 
this true hand. Do you?' 


</p>
            <p>`No, no, Wal'r,' returned the Captain, with his beaming face. 


</p>
            <p>`I'll hazard no more conjectures,' said Walter, fervently shaking the hard 
hand of the 
Captain, who shook his with no less good-will. `All I will add is, Heaven 
forbid that I 
should touch my uncle's possessions, Captain Cuttle! Everything that he left 
here, shall 
remain in the care of the truest of stewards and kindest of men—and if his 
name is not 
Cuttle, he has no name! Now, best of friends, about—Miss Dombey.' 


</p>
            <p>There was a change in Walter's manner, as he came to these two words; and 
when he 
uttered them, all his confidence and cheerfulness appeared to have deserted 
him. 


</p>
            <p>`I thought, before Miss Dombey stopped me when I spoke of her father last 
night,' said 
Walter, `—you remember how?' 


</p>
            <p>The Captain well remembered, and shook his head. 


</p>
            <p>`I thought,' said Walter, `before that, that we had but one hard duty to 
perform, and that it 
was, to prevail upon her to communicate with her friends, and to return 
home.' 


</p>
            <p>The Captain muttered a feeble `Awast!' or a `Stand by!' or something or 
other, equally 
pertinent to the occasion; but it was rendered so extremely feeble by the 
total discomfiture 
with which he received this announcement, that what it was, is mere matter of 
conjecture. 


</p>
            <p>`But,' said Walter, `that is over. I think so no longer. I would sooner be 
put back again 
upon that piece of wreck, on which I have so often floated, since my 
preservation, in my 
dreams, and there left to drift, and drive, and die!' 


</p>
            <p>`Hooroar, my lad!' exclaimed the Captain, in a burst of uncontrollable 
satisfaction. 
`Hooroar! hooroar! hooroar!' 


</p>
            <p>`To think that she, so young, so good, and beautiful,' said Walter, `so 
delicately brought 
up, and born to such a different fortune, should strive with the rough world! 
But we have 
seen the gulf that cuts off all behind her, though no one but herself can 
know how deep it 
is; and there is no return.' 


</p>
            <p>Captain Cuttle, without quite understanding this, greatly approved of it, and 
observed in a 
tone of strong corroboration, that the wind was quite abaft. 


</p>
            <p>`She ought not to be alone here; ought she, Captain Cuttle?' said Walter, 
anxiously. 


</p>
            <p>`Well, my lad,' replied the Captain, after a little sagacious consideration. 
`I don't know. 
You being here to keep her company, you see, and you two being jintly——' 


</p>
            <p>`Dear Captain Cuttle!' remonstrated Walter. `I being here! Miss Dombey, in 
her guileless 
innocent heart, regards me as her adopted brother; but what would the guile 
and guilt of 
<hi>my</hi> heart be, if I pretended to believe that I had any right to 
approach her, 
familiarly, in that character—if I pretended to forget that I am bound, in 
honour, not to do 
it?' 


</p>
            <p>`Wal'r, my lad,' hinted the Captain, with some revival of his discomfiture, 
`an't there no 
other character as——' 


</p>
            <p>`Oh!' returned Walter, `would you have me die in her esteem—in such esteem 
as hers—and 
put a veil between myself and her angel's face for ever, by taking advantage 
of her being 
here for refuge, so trusting and so unprotected, to endeavour to exalt myself 
into her 
lover? What do I say? There is no one in the world who would be more opposed 
to me if 
I could do so, than you.' 


</p>
            <p>`Wal'r, my lad,' said the Captain, drooping more and more, `prowiding as 
there is any just 
cause or impediment why two persons should not be jined together in the house 
of 
bondage, for which you'll overhaul the place and make a note, I hope I should 
declare it 
as promised and wowed in the banns. So there an't no other character; an't 
there, my 
lad?' 


</p>
            <p>Walter briskly waved his hand in the negative. 


</p>
            <p>`Well, my lad,' growled the Captain slowly, `I won't deny but what I find 
myself wery 
much down by the head, along o'this here, or but what I've gone clean about. 
But as to 
Lady-lass, Wal'r, mind you, wot's respect and duty to her is respect and duty 
in my 
articles, howsumiver disapinting; and therefore I follows in your wake, my 
lad, and feel as 
you are, no doubt, acting up to yourself. And there an't <hi>no</hi> other 
character, an't 
there?' said the Captain, musing over the ruins of his fallen castle with a 
very despondent 
face. 


</p>
            <p>`Now, Captain Cuttle,' said Walter, starting a fresh point with a gayer air, 
to cheer the 
Captain up—but nothing could do that; he was too much concerned—`I think we 
should 
exert ourselves to find some one who would be a proper attendant for Miss 
Dombey while 
she remains here, and who may be trusted. None of her relations may. It's 
clear Miss 
Dombey feels that they are all subservient to her father. What has become of 
Susan?' 


</p>
            <p>`The young woman?' returned the Captain. `It's my belief as she was sent away 
again the 
will of Heart's Delight. I made a signal for her when Lady-lass first come, 
and she rated 
of her wery high, and said she had been gone a long time.' 


</p>
            <p>`Then,' said Walter, `do you ask Miss Dombey where she's gone, and we'll try 
to find 
her. The morning's getting on, and Miss Dombey will soon be rising. You are 
her best 
friend. Wait for her up stairs, and leave me to take care of all down 
here.' 


</p>
            <p>The Captain, very crest-fallen indeed, echoed the sigh with which Walter said 
this, and 
complied. Florence was delighted with her new room, anxious to see Walter, 
and 
overjoyed at the prospect of greeting her old friend Susan. But Florence 
could not say 
where Susan was gone, except that it was in Essex, and no one could say, she 
remembered, unless it were Mr. Toots. 


</p>
            <p>With this information the melancholy Captain returned to Walter, and gave him 
to 
understand that Mr. Toots was the young gentleman whom he had encountered on 
the 
door-step, and that he was a friend of his, and that he was a young gentleman 
of property, 
and that he hopelessly adored Miss Dombey. The Captain also related how the 
intelligence 
of Walter's supposed fate had first made him acquainted with Mr. Toots, and 
how there 
was solemn treaty and compact between them, that Mr. Toots should be mute 
upon the 
subject of his love. 


</p>
            <p>The question then was, whether Florence could trust Mr. Toots; and Florence 
saying, with 
a smile, `Oh, yes, with her whole heart!' it became important to find out 
where Mr. Toots 
lived. This Florence didn't know, and the Captain had forgotten; and the 
Captain was 
telling Walter, in the little parlour, that Mr. Toots was sure to be there 
soon, when in 
came Mr. Toots himself. 


</p>
            <p>`Captain Gills,' said Mr. Toots, rushing into the parlour without any 
ceremony, `I'm in a 
state of mind bordering on distraction!' 


</p>
            <p>Mr. Toots had discharged those words, as from a mortar, before he observed 
Walter, 
whom he recognised with what may be described as a chuckle of misery. 


</p>
            <p>`You'll excuse me, Sir,' said Mr. Toots, holding his forehead, `but I'm at 
present in that 
state that my brain is going, if not gone, and anything approaching to 
politeness in an 
individual so situated would be a hollow mockery. Captain Gills, I beg to 
request the 
favour of a private interview.' 


</p>
            <p>`Why, Brother,' returned the Captain, taking him by the hand, `you are the 
man as we was 
on the look-out for.' 


</p>
            <p>`Oh, Captain Gills,' said Mr. Toots, `what a look-out that must be, of which 
<hi>I</hi> am 
the object! I haven't dared to shave, I'm in that rash state. I haven't had 
my clothes 
brushed. My hair is mattered together. I told the Chicken that if he offered 
to clean my 
boots, I'd stretch him a corpse before me!' 


</p>
            <p>All these indications of a disordered mind were verified in Mr. Toots's 
appearance, which 
was wild and savage. 


</p>
            <p>`See here, Brother,' said the Captain. `This here's old Sol Gills's nevy 
Wal'r. Him as was 
supposed to have perished at sea.' 


</p>
            <p>Mr. Toots took his hand from his forehead, and stared at Walter. 


</p>
            <p>`Good gracious me!' stammered Mr. Toots. `What a complication of misery! 
How-de-do? 
I—I—I'm afraid you must have got very wet. Captain Gills, will you allow me 
a word in 
the shop?' 


</p>
            <p>He took the Captain by the coat, and going out with him whispered: 


</p>
            <p>`That then, Captain Gills, is the party you spoke of, when you said that he 
and Miss 
Dombey were made for one another?' 


</p>
            <p>`Why, aye, my lad,' replied the disconsolate Captain; `I was of that mind 
once.' 


</p>
            <p>`And at this time!' exclaimed Mr. Toots, with his hand to his forehead again. 
`Of all 
others!—a hated rival! At least, he an't a hated rival,' said Mr. Toots, 
stopping short, on 
second thoughts, and taking away his hand; `what should I hate him for? No. 
If my 
affection has been truly disinterested, Captain Gills, let me prove it 
now!' 


</p>
            <p>Mr. Toots shot back abruptly into the parlour, and said, wringing Walter by 
the hand: 


</p>
            <p>`How-de-do? I hope you didn't take any cold. I—I shall be very glad if 
you'll give me the 
pleasure of your acquaintance. I wish you many happy returns of the day. Upon 
my word 
and honour,' said Mr. Toots, warming as he became better acquainted with 
Walter's face 
and figure, `I'm very glad to see you!' 


</p>
            <p>`Thank you, heartily,' said Walter. `I couldn't desire a more genuine and 
genial 
welcome.' 


</p>
            <p>`Couldn't you, though?' said Mr. Toots, still shaking his hand. `It's very 
kind of you. I'm 
much obliged to you. How-de-do? I hope you left everybody quite well over 
the—that is, 
upon the—I mean wherever you came from last, you know.' 


</p>
            <p>All these good wishes, and better intentions, Walter responded to 
manfully. 


</p>
            <p>`Captain Gills,' said Mr. Toots, `I should wish to be strictly honourable; 
but I trust I may 
be allowed now, to allude to a certain subject that——' 


</p>
            <p>`Aye, aye, my lad,' returned the Captain. `Freely, freely.' 


</p>
            <p>`Then, Captain Gills,' said Mr. Toots, `and Lieutenant Walters, are you aware 
that the 
most dreadful circumstances have been happening at Mr. Dombey's house, and 
that Miss 
Dombey herself has left her father, who, in my opinion,' said Mr. Toots, with 
great 
excitement, `it a Brute, that it would be a flattery to call a—a marble 
monument, or a bird 
of prey,—and that she is not to be found, and has gone no one knows 
where?' 


</p>
            <p>`May I ask how you heard this?' inquired Walter. 


</p>
            <p>`Lieutenant Walters,' said Mr. Toots, who had arrived at that appellation by 
a process 
peculiar to himself; probably by jumbling up his Christian name with the 
seafaring 
profession, and supposing some relationship between him and the Captain, 
which would 
extend, as a matter of course, to their titles; `Lieutenant Walters, I can 
have on objection 
to make a straightforward reply. The fact is, that feeling extremely 
interested in everything 
that relates to Miss Dombey—not for any selfish reason, Lieutenant Walters, 
for I am well 
aware that the most agreeable thing I could do for all parties would be to 
put an end to 
my existence, which can only be regarded as an inconvenience—I have been in 
the habit of 
bestowing a trifle now and then upon a footman; a most respectable young man, 
of the 
name of Towlinson, who has lived in the family some time; and Towlinson 
informed me, 
yesterday evening, that this was the state of things. Since which, Captain 
Gills—and 
Lieutenant Walters—I have been perfectly frantic, and have been lying down 
on the sofa 
all night, the Ruin you behold.' 


</p>
            <p>`Mr. Toots,' said Walter, `I am happy to be able to relieve your mind. Pray 
calm yourself. 
Miss Dombey is safe and well.' 


</p>
            <p>`Sir!' cried Mr. Toots, starting from his chair and shaking hands with him 
anew, `the 
relief is so excessive, and unspeakable, that if you were to tell me now that 
Miss Dombey 
was married even, I could smile. Yes, Captain Gills,' said Mr. Toots, 
appealing to him, 
`upon my soul and body, I really think, whatever I might do to myself 
immediately 
afterwards, that I could smile, I am so relieved.' 


</p>
            <p>`It will be a greater relief and delight still, to such a generous mind as 
yours,' said Walter, 
not at all slow in returning his greeting, `to find that you can render 
service to Miss 
Dombey. Captain Cuttle, will you have the kindness to take Mr. Toots up 
stairs?' 


</p>
            <p>The Captain beckoned to Mr. Toots, who followed him with a bewildered 
countenance, 
and, ascending to the top of the house, was introduced, without a word of 
preparation 
from his conductor, into Florence's new retreat. 


</p>
            <p>Poor Mr. Toots's amazement and pleasure at sight of her were such, that they 
could find a 
vent in nothing but extravagance. He ran up to her, seized her hand, kissed 
it, dropped it, 
seized it again, fell upon one knee, shed tears, chuckled, and was quite 
regardless of his 
danger of being pinned by Diogenes, who, inspired by the belief that there 
was something 
hostile to his mistress in these demonstrations, worked round and round him, 
as if only 
undecided at what particular point to go in for the assault, but quite 
resolved to do him a 
fearful mischief. 


</p>
            <p>`Oh Di, you bad, forgetful dog! Dear Mr. Toots, I am so rejoiced to see 
you!' 


</p>
            <p>`Thankee,' said Mr. Toots, `I am pretty well, I'm much obliged to you, Miss 
Dombey. I 
hope all the family are the same.' 


</p>
            <p>Mr. Toots said this without the least notion of what he was talking about, 
and sat down on 
a chair, staring at Florence with the liveliest contention of delight and 
despair going on in 
his face that any face could exhibit. 


</p>
            <p>`Captain Gills and Lieutenant Walters have mentioned, Miss Dombey,' gasped 
Mr. Toots, 
`that I can do you some service. If I could by any means wash out the 
remembrance of 
that day at Brighton, when I conducted myself—much more like a Parricide 
than a person 
of independent property,' said Mr. Toots, with severe self-accusation, `I 
should sink into 
the silent tomb with a gleam of joy.' 


</p>
            <p>`Pray, Mr. Toots,' said Florence, `do not wish me to forget anything in our 
acquaintance. I 
never can, believe me. You have been far too kind and good to me always.' 


</p>
            <p>`Miss Dombey,' returned Mr. Toots, `your consideration for my feelings is a 
part of your 
angelic character. Thank you a thousand times. It's of no consequence at 
all.' 


</p>
            <p>`What we thought of asking you,' said Florence, `is, whether you remember 
where Susan, 
whom you were so kind as to accompany to the coach-office when she left me, 
is to be 
found.' 


</p>
            <p>`Why I do not certainly, Miss Dombey,' said Mr. Toots, after a little 
consideration, 
`remember the exact name of the place that was on the coach; and I do 
recollect that she 
said she was not going to stop there, but was going farther on. But, Miss 
Dombey, if your 
object is to find her, and to have her here, myself and the Chicken will 
produce her with 
every dispatch that devotion on my part, and great intelligence on the 
Chicken's, can 
insure.' 


</p>
            <p>Mr. Toots was so manifestly delighted and revived by the prospect of being 
useful, and 
the disinterested sincerity of his devotion was so unquestionable, that it 
would have been 
cruel to refuse him. Florence, with an instinctive delicacy, forbore to urge 
the least 
obstacle, though she did not forbear to over-power him with thanks; and Mr. 
Toots 
proudly took the commission upon himself for immediate execution. 


</p>
            <p>`Miss Dombey,' said Mr. Toots, touching her proffered hand, with a pang of 
hopeless love 
visibly shooting through him, and flashing out in his face, `Good-bye! Allow 
me to take 
the liberty of saying, that your misfortunes make me perfectly wretched, and 
that you may 
trust me, next to Captain Gills himself. I am quite aware, Miss Dombey, of my 
own 
deficiencies—they're not of the least consequence, thank you—but I am 
entirely to be relied 
upon, I do assure you, Miss Dombey.' 


</p>
            <p>With that Mr. Toots came out of the room, again accompanied by the Captain, 
who, 
standing at a little distance, holding his hat under his arm and arranging 
his scattered locks 
with his hook, had been a not uninterested witness of what passed. And when 
the door 
closed behind them, the light of Mr. Toots's life was darkly clouded 
again. 


</p>
            <p>`Captain Gills,' said that gentleman, stopping near the bottom of the stairs, 
and turning 
round, `to tell you the truth, I am not in a frame of mind at the present 
moment, in which 
I could see Lieutenant Walters with that entirely friendly feeling towards 
him that I should 
wish to harbour in my breast. We cannot always command our feelings, Captain 
Gills, and 
I should take it as a particular favour if you'd let me out at the private 
door.' 


</p>
            <p>`Brother,' returned the Captain, `you shall shape your own course. Wotever 
course you 
take, is plain and seamanlike, I'm wery sure.' 


</p>
            <p>`Captain Gills,' said Mr. Toots, `you're extremely kind. Your good opinion is 
a 
consolation to me. There is one thing,' said Mr. Toots, standing in the 
passage, behind the 
half-opened door, `that I hope you'll bear in mind, Captain Gills, and that I 
should wish 
Lieutenant Walters to be made acquainted with. I have quite come into my 
property now, 
you know, and—and I don't know what to do with it. If I could be at all 
useful in a 
pecuniary point of view, I should glide into the silent tomb with ease and 
smoothness.' 


</p>
            <p>Mr. Toots said no more, but slipped out quietly and shut the door upon 
himself, to cut the 
Captain off from any reply. 


</p>
            <p>Florence thought of this good creature, long after he had left her, with 
mingled emotions 
of pain and pleasure. He was so honest and warm-hearted, that to see him 
again and be 
assured of his truth to her in her distress, was a joy and comfort beyond all 
price; but for 
that very reason, it was so affecting to think that she caused him a moment's 
unhappiness, 
or ruffled, by a breath, the harmless current of his life, that her eyes 
filled with tears, and 
her bosom overflowed with pity. Captain Cuttle, in his different way, thought 
much of Mr. 
Toots too; and so did Walter; and when the evening came, and they were all 
sitting 
together in Florence's new room, Walter praised him in a most impassioned 
manner, and 
told Florence what he had said on leaving the house, with every graceful 
setting-off in the 
way of comment and appreciation that his own honesty and sympathy could 
surround it 
with. 


</p>
            <p>Mr. Toots did not return upon the next day, or the next, or for several days; 
and in the 
meanwhile Florence, without any new alarm, live like a quiet bird in a cage, 
at the top of 
the old Instrument-maker's house. But Florence drooped and hung her head more 
and 
more plainly, as the days went on; and the expression that had been seen in 
the face of the 
dead child, was often turned to the sky from her high window, as if it sought 
his angel 
out, on the bright shore of which he had spoken: lying on his little bed. 


</p>
            <p>Florence had been weak and delicate of late, and the agitation she had 
undergone was not 
without its influences on her health. But it was no bodily illness that 
affected her now. 
She was distressed in mind; and the cause of her distress was Walter. 


</p>
            <p>Interested in her, anxious for her, proud and glad to serve her, and showing 
all this with 
the enthusiasm and ardour of his character, Florence saw that he avoided her. 
All the long 
day through, he seldom approached her room. If she asked for him, he came, 
again for the 
moment as earnest and as bright as she remembered him when she was a lost 
child in the 
staring streets; but he soon became constrained—her quick affection was too 
watchful not 
to know it—and uneasy, and soon left her. Unsought, he never came, all day, 
between the 
morning and the night. When the evening closed in, he was always there, and 
that was her 
happiest time, for then she half believed that the old Walter of her 
childhood was not 
changed. But, even then, some trivial word, look, or circumstance would show 
her that 
there was an indefinable division between them which could not be passed. 


</p>
            <p>And she could not but see that these revealings of a great alteration in 
Walter manifested 
themselves in despite of his utmost efforts to hide them. In his 
consideration for her, she 
thought, and in the earnestness of his desire to spare her any wound from his 
kind hand, 
he resorted to innumerable little artifices and disguises. So much the more 
did Florence 
feel the greatness of the alteration in him; so much the oftener did she weep 
at this 
estrangement of her brother. 


</p>
            <p>The good Captain—her untiring, tender, ever zealous friend—saw it, too, 
Florence thought, 
and it pained him. He was less cheerful and hopeful than he had been at 
first, and would 
steal looks at her and Walter, by turns, when they were all three together of 
an evening, 
with quite a sad face. 


</p>
            <p>Florence resolved, at last, to speak to Walter. She believed she knew now 
what the cause 
of his estrangement was, and she thought it would be a relief to her full 
heart, and would 
set him more at ease, if she told him she had found it out, and quite 
submitted to it, and 
did not reproach him. 


</p>
            <p>It was on a certain Sunday afternoon, that Florence took this resolution. The 
faithful 
Captain, in an amazing shirt-collar, was sitting by her, reading with his 
spectacles on, and 
she asked him where Walter was. 


</p>
            <p>`I think he's down below, my lady lass,' returned the Captain. 


</p>
            <p>`I should like to speak to him,' said Florence, rising hurriedly as if to go 
down stairs. 


</p>
            <p>`I'll rouse him up here, Beauty,' said the Captain, `in a trice.' 


</p>
            <p>Thereupon the Captain, with much alacrity, shouldered his book—for he made 
it a point of 
duty to read none but very large books on a Sunday, as having a more staid 
appearance: 
and had bargained, years ago, for a prodigious volume at a book-stall, five 
lines of which 
utterly confounded him at any time, insomuch that he had not yet ascertained 
of what 
subject it treated—and withdrew. Walter soon appeared. 


</p>
            <p>`Captain Cuttle tells me, Miss Dombey,' he eagerly began on coming in—but 
stopped 
when he saw her face. 


</p>
            <p>`You are not so well to-day. You look distressed. You have been weeping.' 


</p>
            <p>He spoke so kindly, and with such a fervent tremor in his voice, that the 
tears gushed into 
her eyes at the sound of his words. 


</p>
            <p>`Walter,' said Florence, gently, `I am not quite well, and I have been 
weeping. I want to 
speak to you.' 


</p>
            <p>He sat down opposite to her, looking at her beautiful and innocent face: and 
his own 
turned pale, and his lips trembled. 


</p>
            <p>`You said, upon the night when I knew that you were saved—and oh! dear 
Walter, what I 
felt that night, and what I hoped!'— 


</p>
            <p>He put his trembling hand upon the table between them, and sat looking at 
her. 


</p>
            <p>—`that I was changed. I was surprised to hear you say so, but I understand, 
now, that I am. 
Don't be angry with me, Walter. I was too much overjoyed to think of it, 
then.' 


</p>
            <p>She seemed a child to him again. It was the ingenuous, confiding, loving 
child he saw and 
heard. Not the dear woman, at whose feet he would have laid the riches of the 
earth. 


</p>
            <p>`You remember the last time I saw you, Walter, before you went away?' 


</p>
            <p>He put his hand into his breast, and took out a little purse. 


</p>
            <p>`I have always worn it round my neck! If I had gone down in the deep, it 
would have 
been with me at the bottom of the sea.' 


</p>
            <p>`And you will wear it still, Walter, for my old sake?' 


</p>
            <p>`Until I die!' 


</p>
            <p>She laid her hand on his, as fearlessly and simply, as if not a day had 
intervened since she 
gave him the little token of remembrance. 


</p>
            <p>`I am glad of that. I shall be always glad to think so, Walter. Do you 
recollect that a 
thought of this change seemed to come into our minds at the same time that 
evening, 
when we were talking together?' 


</p>
            <p>`No!' he answered, in a wondering tone. 


</p>
            <p>`Yes, Walter. I had been the means of injuring your hopes and prospects even 
then. I 
feared to think so, then, but I know it now. If you were able, then, in your 
generosity, to 
hide from me that you knew it too, you cannot do so now, although you try as 
generously 
as before. You <hi>do</hi>. I thank you for it, Walter, deeply, truly; but you 
cannot 
succeed. You have suffered too much in your own hardships, and in those of 
your dearest 
relation, quite to overlook the innocent cause of all the peril and 
affliction that has 
befallen you. You cannot quite forget me in that character, and we can be 
brother and 
sister no longer. But, dear Walter, do not think that I complain of you in 
this. I might 
have known it—ought to have known it—but forgot it in my joy. All I hope is 
that you may 
think of me less irksomely when this feeling is no more a secret one; and all 
I ask is, 
Walter, in the name of the poor child who was your sister once, that you will 
not struggle 
with yourself, and pain yourself, for my sake, now that I know all!' 


</p>
            <p>Walter had looked upon her while she said this, with a face so full of wonder 
and 
amazement, that it had room for nothing else. Now he caught up the hand that 
touched 
his, so entreatingly, and held it between his own. 


</p>
            <p>`Oh, Miss Dombey,' he said, `is it possible that while I have been suffering 
so much, in 
striving with my sense of what is due to you, and must be rendered to you, I 
have made 
you suffer what your words disclose to me? Never, never, before Heaven, have 
I thought 
of you but as the single, bright, pure, blessed recollection of my boyhood 
and my youth. 
Never have I from the first, and never shall I to the last, regard your part 
in my life, but 
as something sacred, never to be lightly thought of, never to be esteemed 
enough, never, 
until death, to be forgotten. Again to see you look, and hear you speak, as 
you did on that 
night when we parted, is happiness to me that there are no words to utter; 
and to be loved 
and trusted as your brother, is the next great gift I could receive and 
prize!' 


</p>
            <p>`Walter,' said Florence, looking at him earnestly, but with a changing face, 
`what is that 
which is due to me, and must be rendered to me, at the sacrifice of all 
this?' 


</p>
            <p>`Respect,' said Walter, in a low tone. `Reverence.' 


</p>
            <p>The colour dawned in her face, and she timidly and thoughtfully withdrew her 
hand; still 
looking at him with unabated earnestness. 


</p>
            <p>`I have not a brother's right,' said Walter. `I have not a brother's claim. I 
left a child. I 
find a woman.' 


</p>
            <p>The colour overspread her face. She made a gesture as if of entreaty that he 
would say no 
more, and her face dropped upon her hands. 


</p>
            <p>They were both silent for a time; she weeping. 


</p>
            <p>`I owe it to a heart so trusting, pure, and good,' said Walter, `even to tear 
myself from it, 
though I rend my own. How dare I say it is my sister's!' 


</p>
            <p>She was weeping still. 


</p>
            <p>`If you had been happy; surrounded as you should be by loving and admiring 
friends, and 
by all that makes the station you were born to enviable,' said Walter; `and 
if you had 
called me brother, then, in your affectionate remembrance of the past, I 
could have 
answered to the name from my distant place, with no inward assurance that I 
wronged 
your spotless truth by doing so. But here—and now!'— 


</p>
            <p>`Oh thank you, thank you, Walter! Forgive my having wronged you so much. I 
had no 
one to advise me. I am quite alone.' 


</p>
            <p>`Florence!' said Walter, passionately. `I am hurried on to say, what I 
thought, but a few 
moments ago, nothing could have forced from my lips. If I had been 
prosperous; if I had 
any means or hope of being one day able to restore you to a station near your 
own; I 
would have told you that there was one name you might bestow upon me—a right 
above 
all others, to protect and cherish you—that I was worthy of in nothing but 
the love and 
honour that I bore you, and in my whole heart being yours. I would have told 
you that it 
was the only claim that you could give me to defend and guard you, which I 
dare accept 
and dare assert; but that if I had that right, I would regard it as a trust 
so precious and so 
priceless, that the undivided truth and fervour of my life would poorly 
acknowledge its 
worth.' 


</p>
            <p>The head was still bent down, the tears still falling, and the bosom swelling 
with its 
sobs. 


</p>
            <p>`Dear Florence! Dearest Florence! whom I called so in my thoughts before I 
could 
consider how presumptuous and wild it was. One last time let me call you by 
your own 
dear name, and touch this gentle hand in token of your sisterly forgetfulness 
of what I 
have said.' 


</p>
            <p>She raised her head, and spoke to him with such a solemn sweetness in her 
eyes; with 
such a calm, bright, placid smile shining on him through her tears; with such 
a low, soft 
tremble in her frame and voice; that the innermost chords of his heart were 
touched, and 
his sight was dim as he listened. 


</p>
            <p>`No, Walter, I cannot forget it. I would not forget it, for the world. Are 
you—are you very 
poor?' 


</p>
            <p>`I am but a wanderer,' said Walter, `making voyages to live across the sea. 
That is my 
calling now.' 


</p>
            <p>`Are you soon going away again, Walter?' 


</p>
            <p>`Very soon.' 


</p>
            <p>She sat looking at him for a moment; then timidly put her trembling hand in 
his. 


</p>
            <p>`If you will take me for your wife, Walter, I will love you dearly. If you 
will let me go 
with you, Walter, I will go to the world's end without fear. I can give up 
nothing for 
you—I have nothing to resign, and no one to forsake; but all my love and 
life shall be 
devoted to you, and with my last breath I will breathe your name to God if I 
have sense 
and memory left.' 


</p>
            <p>He caught her to his heart, and laid her cheek against his own, and now, no 
more 
repulsed, no more forlorn, she wept indeed, upon the breast of her dear 
lover. 


</p>
            <p>Blessed Sunday Bells, ringing so tranquilly in their entranced and happy 
ears! Blessed 
Sunday peace and quiet, harmonising with the calmness in their souls, and 
making holy air 
around them! Blessed twilight stealing on, and shading her so soothingly and 
gravely, as 
she falls asleep, like a hushed child, upon the bosom she has clung to! 


</p>
            <p>Oh load of love and trustfulness that lies so lightly there!Aye, look down on 
the closed 
eyes, Walter, with a proudly tender gaze; for in all the wide wide world they 
seek but thee 
now—only thee! 


</p>
            <p>The Captain remained in the little parlour until it was quite dark. He took 
the chair on 
which Walter had been sitting, and looked up at the skylight, until the day, 
by little and 
little, faded away, and the stars peeped down. He lighted a candle, lighted a 
pipe, smoked 
it out, and wondered what on earth was going on up stairs, and why they 
didn't call him 
to tea. 


</p>
            <p>Florence came to his side while he was in the height of his wonderment. 


</p>
            <p>`Aye! lady lass!' cried the Captain. `Why, you and Wal'r have had a long 
spell o' talk, 
my beauty.' 


</p>
            <p>Florence put her little hand round one of the great buttons of his coat, and 
said, looking 
down into his face: 


</p>
            <p>`Dear Captain, I want to tell you something, if you please.' 


</p>
            <p>The Captain raised his head pretty smartly, to hear what it was. Catching by 
this means a 
more distinct view of Florence, he pushed back his chair, and himself with it 
as far as 
they could go. 


</p>
            <p>`What! Heart's Delight!' cried the Captain, suddenly elated. `Is it that?' 


</p>
            <p>`Yes!' said Florence, eagerly. 


</p>
            <p>`Wal'r! Husband! <hi rend="sc">that</hi>?' roared the Captain, tossing up his glazed hat 
into the 
skylight. 


</p>
            <p>`Yes!' cried Florence, laughing and crying together. 


</p>
            <p>The Captain immediately hugged her; and then, picking up the glazed hat and 
putting it 
on, drew her arm through his, and conducted her up stairs again; where he 
felt that the 
great joke of his life was now to be made. 


</p>
            <p>`What, Wal'r my lad!' said the Captain, looking in at the door, with his face 
like an 
amiable warming-pan. `So there ain't <hi rend="sc">no</hi> other character, ain't 
there?' 


</p>
            <p>He had like to have suffocated himself with this pleasantry, which he 
repeated at least 
forty times during tea; polishing his radiant face with the sleeve of his 
coat, and dabbing 
his head all over with his pocket-handkerchief, in the intervals. But he was 
not without a 
graver source of enjoyment to fall back upon, when so disposed, for he was 
repeatedly 
heard to say in an under tone, as he looked with ineffable delight at Walter 
and 
Florence: 


</p>
            <p>`Ed'ard Cuttle, my lad, you never shaped a better course in your life, than 
when you made 
that there little property over, jintly!' 

</p>
         </div>
         <div xml:id="c51" type="chapter">
            <head>CHAPTER LI</head>
            <head>Mr. Dombey and the World</head>
            <p>WHAT is the proud man doing, while the days go by? Does he ever think of his 
daughter, or wonder where she is gone? Does he suppose she has come home, and 
is leading her old life in the weary house? No one can answer for him. He has 
never utter her name, since. His household dread him too much to approach a 
subject on which he is resolutely dumb; and the only person who dares 
question him, he silences immediately. 


</p>
            <p>`My dear Paul!' murmurs his sister, sidling into the room, on the day of 
Florence's departure, `your wife! that upstart woman! Is it possible that 
what I hear confusedly, is true, and that this is her return for your 
unparalleled devotion to her; extending, I am sure, even to the sacrifice of 
your own relations, to her caprices and haughtiness? My poor brother!' 


</p>
            <p>With this speech, feelingly reminiscent of her not having been asked to 
dinner on the day of the first party, Mrs. Chick makes great use of her 
pocket-handkerchief, and falls on Mr. Dombey's neck. But Mr. Dombey frigidly 
lifts her off, and hands her to a chair. 


</p>
            <p>`I thank you, Louisa,' he says, `for this mark of your affection; but desire 
that our conversation may refer to any other subject. When I bewail my fate, 
Louisa, or express myself as being in want of consolation, you can offer it, 
if you will have the goodness.' 


</p>
            <p>`My dear Paul,' rejoins his sister, with her handkerchief to her face, and 
shaking her head, `I know your great spirit, and will say no more upon a 
theme so painful and revolting;' on the heads of which two adjectives, Mrs. 
Chick visits scathing indignation; `but pray let me ask you—though I dread 
to hear something that will shock and distress me—that unfortunate child 
Florence—' 


</p>
            <p>`Louisa!' says her brother, sternly, `silence. Not another word of this!' 


</p>
            <p>Mrs. Chick can only shake her head, and use her handkerchief, and moan over 
degenerate Dombeys, who are no Dombeys. But whether Florence has been 
inculpated in the flight of Edith, or has followed her, or has done too much, 
or too little, or anything, or nothing, she has not the least idea. 


</p>
            <p>He goes on, without deviation, keeping his thoughts and feelings close within 
his own breast, and imparting them to no one. He makes no search for his 
daughter. He may think that she is with his sister, or that she is under his 
own roof. He may think of her constantly, or he may never think about her. It 
is all one for any sign he makes. 


</p>
            <p>But this is sure; he does <hi>not</hi> think that he has lost her. He has no 
suspicion of the truth. He has lived too long shut up in his towering 
supremacy, seeing her, a patient gentle creature, in the path below it, to 
have any fear of that. Shaken as he is by his disgrace, he is not yet humbled 
to the level earth. The root is broad and deep, and in the course of years 
its fibres have spread out and gathered nourishment from everything around 
it. The tree is struck, but not down. 


</p>
            <p>Though he hide the world within him from the world without—which he believes 
has but one purpose for the time, and that, to watch him eagerly wherever he 
goes—he cannot hide those rebel traces of it, which escape in hollow eyes 
and cheeks, a haggard forehead, and a moody, brooding air. Impenetrable as 
before, he is still an altered man: and, proud as ever, he is humbled, or 
those marks would not be there. 


</p>
            <p>The world. What the world thinks of him, how it looks at him, what it sees in 
him, and what it says—this is the haunting demon of his mind. It is 
everywhere where he is; and, worse than that, it is everywhere where he is 
not. It comes out with him among his servants, and yet he leaves it 
whispering behind; he sees it pointing after him in the street; it is waiting 
for him in his counting-house; it leers over the shoulders of rich men among 
the merchants; it goes beckoning and babbling among the crowd; it always 
anticipates him, in every place; and is always busiest, he knows, when he has 
gone away. When he is shut up in his room at night, it is in his house, 
outside it, audible in footsteps on the pavement, visible in print upon the 
table, steaming to and fro on railroads and in ships: restless and busy 
everywhere, with nothing else but him. 


</p>
            <p>It is not a phantom of his imagination. It is as active in other people's 
minds as in his. Witness Cousin Feenix, who comes from Baden-Baden, purposely 
to talk to him. Witness Major Bagstock, who accompanies Cousin Feenix on that 
friendly mission. 


</p>
            <p>Mr. Dombey receives them with his usual dignity, and stands erect, in his old 
attitude, before the fire. He feels that the world is looking at him out of 
their eyes. That it is in the stare of the pictures. That Mr. Pitt, upon the 
bookcase, represents it. That there are eyes in its own map, hanging on the 
wall. 


</p>
            <p>`An unusually cold spring,' says Mr. Dombey—to deceive the world. 


</p>
            <p>`Damme, Sir,' says the Major, in the warmth of friendship, `Joseph Bagstock 
is a bad hand at a counterfeit. If you want to hold your friends off, Dombey, 
and to give them the cold shoulder, J.B. is not the man for your purpose. Joe 
is rough and tough, Sir; blunt, Sir, blunt, is Joe. His Royal Highness the 
late Duke of York did me the honour to say, deservedly or undeservedly—never 
mind that—“If there is a man in the service on whom I can depend for coming 
to the point, that man is Joe—Joe Bagstock.”' 


</p>
            <p>Mr. Dombey intimates his acquiescence. 


</p>
            <p>`Now, Dombey,' says the Major, `I am a man of the world. Our friend 
Feenix—if I may presume to—' 


</p>
            <p>`Honoured, I am sure,' says Cousin Feenix. 


</p>
            <p>`—is,' proceeds the Major, with a wag of his head, `also a man of the world, 
Dombey, <hi>you</hi> are a man of the world. Now, when three men of the world 
meet together, and are friends—as I believe'—again appealing to Cousin 
Feenix. 


</p>
            <p>`I am sure,' says Cousin Feenix, `most friendly.' 


</p>
            <p>`—and are friends,'resumes the Major, `Old Joe's opinion is (J. may be 
wrong), that the opinion of the world on any particular subject, is very 
easily got at.' 


</p>
            <p>`Undoubtedly,' says Cousin Feenix. `In point of fact, it's quite a 
self-evident sort of thing. I am extremely anxious, Major, that my friend 
Dombey should hear me express my very great astonishment and regret, that my 
lovely and accomplished relative, who was possessed of every qualification to 
make a man happy, should have so far forgotten what was due to—in point of 
fact, to the world—as to commit herself in such a very extraordinary manner. 
I have been in a devilish state of depression ever since; and said indeed to 
Long Saxby last night—man of six foot ten, with whom my friend Dombey is 
probably acquainted—that it had upset me in a confounded way, and made me 
bilious. It induces a man to reflect, this kind of fatal catastrophe,' says 
Cousin Feenix, `that events do occur in quite a providential manner; for if 
my Aunt had been living at the time, I think the effect upon a devilish 
lively woman like herself, would have been prostration, and that she would 
have fallen, in point of fact, a victim.' 


</p>
            <p>`Now, Dombey!—'says the Major, resuming his discourse with great energy. 


</p>
            <p>`I beg your pardon,' interposes Cousin Feenix. `Allow me another word. My 
friend Dombey will permit me to say, that if any circumstance could have 
added to the most infernal state of pain in which I find myself on this 
occasion, it would be the natural amazement of the world at my lovely and 
accomplished relative (as I must still beg leave to call her) being supposed 
to have so committed herself with a person—man with white teeth, in point of 
fact—of very inferior station to her husband. But while I must, rather 
peremptorily, request my friend Dombey not to criminate my lovely and 
accomplished relative until her criminality is perfectly established, I beg 
to assure my friend Dombey that the family I represent, and which is now 
almost extinct (devilish sad reflection for a man), will interpose no 
obstacle in his way, and will be happy to assent to any honourable course of 
proceeding, with a view to the future, that he may point out. I trust my 
friend Dombey will give me credit for the intentions by which I am animated 
in this very melancholy affair, and—a—in point of fact, I am not aware that 
I need trouble my friend Dombey with any further observations.' 


</p>
            <p>Mr. Dombey bows, without raising his eyes, and is silent. 


</p>
            <p>`Now, Dombey,' says the Major `our friend Feenix having, with an amount of 
eloquence that Old Joe B. Has never heard surpassed—no, by the Lord, Sir! 
never!'—says the Major, very blue, indeed, and grasping his cane in the 
middle—`stated the case as regards the lady, I shall presume upon our 
friendship, Dombey, to offer a word on another aspect of it. Sir,' says the 
Major, with the horse's cough, `the world in these things has opinions, which 
must be satisfied.' 


</p>
            <p>`I know it,' rejoins Mr. Dombey. 


</p>
            <p>`Of course you know it, Dombey,' says the Major. `Damme, Sir, I know you know 
it. A man of your calibre is not likely to be ignorant of it.' 


</p>
            <p>`I hope not,' replies Mr. Dombey. 


</p>
            <p>`Dombey!' says the Major, `you will guess the rest. I speak out—prematurely, 
perhaps—because the Bagstock breed have always spoken out. Little, Sir, have 
they ever got by doing it; but it's in the Bagstock blood. A shot is to be 
taken at this man. You have J.B. at your elbow. He claims the name of friend. 
God bless you!' 


</p>
            <p>`Major,' returns Mr. Dombey, `I am obliged. I shall put myself in your hands 
when the time comes. The time not being come, I have forborne to speak to 
you.' 


</p>
            <p>`Where is the fellow, Dombey?' inquires the Major, after gasping and looking 
at him, for a minute. 


</p>
            <p>`I don't know.' 


</p>
            <p>`Any intelligence of him?' asks the Major. 


</p>
            <p>`Yes.' 


</p>
            <p>`Dombey, I am rejoiced to hear it,' says the Major. `I congratulate you.' 


</p>
            <p>`You will excuse—even you, Major,' replies Mr. Dombey, `my entering into any 
further detail at present. The intelligence is of a singular kind, and 
singularly obtained. It may turn out to be valueless; it may turn out to be 
true; I cannot say at present. My explanation must stop here.' 


</p>
            <p>Although this is but a dry reply to the Major's purple enthusiasm, the Major 
receives it graciously, and is delighted to think that the world has such a 
fair prospect of soon receiving its due. Cousin Feenix is then presented with 
his meed of acknowledgment by the husband of his lovely and accomplished 
relative, and Cousin Feenix and Major Bagstock retire, leaving that husband 
to the world again, and to ponder at leisure on their representation of its 
state of mind concerning his affairs, and on its just and reasonable 
expectations. 


</p>
            <p>But who sits in the housekeeper's room, shedding tears, and talking to Mrs. 
Pipchin in a low tone, with uplifted hands? It is a lady with her face 
concealed in a very close black bonnet, which appears not to belong to her. 
It is Miss Tox, who has borrowed this disguise from her servant, and comes 
from Princess's Place, thus secretly, to revive her old acquaintance with 
Mrs. Pipchin, in order to get certain information of the state of Mr. 
Dombey. 


</p>
            <p>`How does he bear it, my dear creature?' asks Miss Tox. 


</p>
            <p>`Well,' says Mrs. Pipchin, in her snappish way, `he's pretty much as 
usual.' 


</p>
            <p>`Externally,' suggests Miss Tox. `But what he feels within!' 


</p>
            <p>Mrs. Pipchin's hard grey eye looks doubtful as she answers, in three distinct 
jerks, `Ah! Perhaps. I suppose so.' 


</p>
            <p>`To tell you my mind, Lucretia,' says Mrs. Pipchin; she still calls Miss Tox 
Lucretia, on account of having made her first experiments in the 
child-quelling line of business on that lady, when an unfortunate and weazen 
little girl of tender years; `to tell you my mind, Lucretia, I think it's a 
good riddance. I don't want any of your brazen faces here, myself!' 


</p>
            <p>`Brazen indeed! Well may you say brazen, Mrs. Pipchin!' returns Miss Tox. `To 
leave him! Such a noble figure of a man!' And here Miss Tox is overcome. 


</p>
            <p>`I don't know about noble, I'm sure,' observes Mrs. Pipchin, irascibly 
rubbing her nose. `But I know this—that when people meet with trails, they 
must bear 'em. Hoity, toity!I have had enough to bear myself, in my time! 
What a fuss there is! She's gone and well got rid of. Nobody wants her back, 
I should think!' 


</p>
            <p>This hint of the Peruvian Mines, causes Miss Tox to rise to go away; when 
Mrs. Pipchin rings the bell for Towlinson to show her out. Mr. Towlinson, not 
having seen Miss Tox for ages, grins, and hopes she's well; observing that he 
didn't know her at first, in that bonnet. 


</p>
            <p>`Pretty well, Towlinson, I thank you,' says Miss Tox. `I beg you'll have the 
goodness, when you happen to see me here, not to mention it. My visits are 
merely to Mrs. Pipchin.' 


</p>
            <p>`Very good, Miss,' says Towlinson. 


</p>
            <p>`Shocking circumstances occur, Towlinson,' says Miss Tox. 


</p>
            <p>`Very much so indeed, Miss,' rejoins Towlinson. 


</p>
            <p>`I hope, Towlinson,' says Miss Tox, who, in her instruction of the Toodle 
family, has acquired an admonitorial tone, and a habit of improving passing 
occasions, `that what has happened here, will be a warning to you, 
Towlinson.' 


</p>
            <p>`Thank you, Miss, I'm sure,' says Towlinson. 


</p>
            <p>He appears to be falling into a consideration of the manner in which this 
warning ought to operate in his particular case, when the vinegary Mrs. 
Pipchin, suddenly stirring him up with a `What are you doing? Why don't you 
show the lady to the door?' he ushers Miss Tox forth. As she passes Mr. 
Dombey's room, she shrinks into the inmost depths of the black bonnet, and 
walks on tip-toe; and there is not another atom in the world which haunts him 
so, that feels such sorrow and solicitude about him, as Miss Tox takes out 
under the black bonnet into the street, and tries to carry home shadowed from 
the newly-lighted lamps. 


</p>
            <p>But Miss Tox is not a part of Mr. Dombey's world. She comes back every 
evening at dusk; adding clogs and an umbrella to the bonnet on wet nights; 
and bears the grins of Towlinson, and the huffs and rebuffs of Mrs. Pipchin, 
and all to ask how he does, and how he bears his misfortune: but she has 
nothing to do with Mr. Dombey's world. Exacting and harassing as ever, it 
goes on without her; and she, a by no means bright or particular star, moves 
in her little orbit in the corner of another system, and knows it quite well, 
and comes, and cries, and goes away, and is satisfied. Verily Miss Tox is 
easier of satisfaction than the world that troubles Mr. Dombey so much! 


</p>
            <p>At the Counting House, the clerks discuss the great disaster in all its 
lights and shades, but chiefly wonder who will get Mr. Carker's place. They 
are generally of opinion that it will be shorn of some of its emoluments, and 
made uncomfortable by newly-devised checks and restriction; and those who are 
beyond all hope of it, are quite sure they would rather not have it, and 
don't at all envy the person for whom it may prove to be reserved. Nothing 
like the prevailing sensation has existed in the Counting House since Mr. 
Dombey's little son died; but all such excitements there take a social, not 
to say a jovial turn, and lead to the cultivation of good fellowship. A 
reconciliation is established on this propitious occasion between the 
acknowledged wit of the Counting House and an aspiring rival, with whom he 
has been at deadly feud for months; and a little dinner being proposed, in 
commemoration of their happily restored amity, takes place at a neighbouring 
tavern; the wit in the chair; the rival acting as Vice-President. The 
orations following the removal of the cloth are opened by the Chair, who 
says, Gentlemen, he can't disguise from himself that this is not a time for 
private dissensions. Recent occurrences to which he need not more 
particularly allude, but which have not been altogether without notice in 
some Sunday Papers, and in a daily paper which he need not name (here every 
other member of the company names it in an audible murmur), have caused him 
to reflect; and he feels that for him and Robinson to have any personal 
differences at such a moment, would be for ever to deny that good feeling in 
the general cause, for which he has reason to think and hope that the 
gentlemen in Dombey's House have always been distinguished. Robinson replies 
to this like a man and a brother; and one gentleman who has been in the 
office three years, under continual notice to quit on account of lapses in 
his arithmetic, appears in a perfectly new light, suddenly bursting out with 
a thrilling speech, in which he says, May their respected chief never again 
know the desolation which has fallen on his hearth! and says a great variety 
of things, beginning with `May he never again,' which are received with 
thunders of applause. In short, a most delightful evening is passed, only 
interrupted by a difference between two juniors, who, quarrelling about the 
probable amount of Mr. Carker's late receipts per annum, defy each other with 
decanters, and are taken out greatly excited. Soda water is in general 
request at the office next day, and most of the party deem the bill an 
imposition. 


</p>
            <p>As to Perch, the messenger, he is in a fair way of being ruined for life. He 
finds himself again constantly in bars of public-houses, being treated and 
lying dreadfully. It appears that he met everybody concerned in the late 
transaction, everywhere, and said to them, `Sir,' or `Madam,' as the case was 
`why do you look so pale?' at which each shuddered from head to foot, and 
said, `Oh, Perch!' and ran away. Either the consciousness of these 
enormities, or the reaction consequent on liquor, reduces Mr. Perch to an 
extreme state of low spirits at that hour of the evening when he usually 
seeks consolation in the society of Mrs. Perch at Balls Pond; and Mrs. Perch 
frets a good deal, for she fears his confidence in woman is shaken now, and 
that he half expects on coming home at night to find her gone off with some 
Viscount. 


</p>
            <p>Mr. Dombey's servants are becoming, at the same time, quite dissipated, and 
unfit for other service. They have hot suppers every night, and `talk it 
over' with smoking drinks upon the board. Mr. Towlinson is always maudlin 
after halfpast ten, and frequently begs to know whether he didn't say that no 
good would ever come of living in a corner house? They whisper about Miss 
Florence, and wonder where she is; but agree that if Mr. Dombey don't know, 
Mrs. Dombey does. This brings them to the latter, of whom Cook says, She had 
a stately way though, hadn't she? But she was too high! They all agree that 
she was too high, and Mr. Towlinson's old flame, the housemaid (who is very 
virtuous), entreats that you will never talk to her any more about people who 
hold their heads up, as if the ground wasn't good enough for 'em. 


</p>
            <p>Everything that is said and done about it, except by Mr. Dombey, is done in 
chorus. Mr. Dombey and the world are alone together. 

</p>
         </div>
         <div xml:id="c52" type="chapter">
            <head>CHAPTER LII</head>
            <head>Secret Intelligence</head>
            <p>GOOD Mrs. Brown and her daughter Alice kept silent company together, in their 
own dwelling. It was early in the evening, and late in the spring. But a few 
days had elapsed since Mr. Dombey had told major Bagstock of his singular 
intelligence, singularly obtained, which might turn out to be valueless, and 
might turn out to be true; and the world was not satisfied yet. 


</p>
            <p>The mother and daughter sat for a long time without inter-changing a word: 
almost without motion. The old woman's face was shrewdly anxious and 
expectant; that of her daughter was expectant too, but in a less sharp 
degree, and sometimes it darkened, as if with gathering disappointment and 
incredulity. The old woman, without heeding these changes in its expression, 
though her eyes were often turned towards it, sat mumbling and munching, and 
listening confidently. 


</p>
            <p>Their abode, though poor and miserable, was not so utterly wretched as in the 
days when only Good Mrs. Brown inhabited it. Some few attempts at cleanliness 
and order were manifest, though made in a reckless, gipsy way, that might 
have connected them, at a glance, with the younger woman. The shades of 
evening thickened and deepened as the two kept silence, until the blackened 
walls were nearly lost in the prevailing gloom. 


</p>
            <p>Then Alice broke the silence which had lasted so long, and said: 


</p>
            <p>`You may give him up, mother. He'll not come here.' 


</p>
            <p>`Death give him up!' returned the old woman, impatiently. `He <hi>will</hi>
come here.' 


</p>
            <p>`We shall see,' said Alice. 


</p>
            <p>`We shall see <hi>him</hi>,' returned her mother. 


</p>
            <p>`And doomsday,' said the daughter. 


</p>
            <p>`You think I'm in my second childhood, I know!' croaked the old woman. 
`That's the respect and duty that I get from my own gal, but I'm wiser than 
you take me for. He'll come. T'other day when I touched his coat in the 
street, he looked round as if I was a toad. But Lord, to see him when I said 
their names, and asked him if he'd like to find out where they was!' 


</p>
            <p>`Was it so angry?' asked her daughter, roused to interest in a moment. 


</p>
            <p>`Angry? ask if it was bloody. That's more like the word. Angry? Ha, ha! To 
call that only angry!' said the old woman, hobbling to the cupboard, and 
lighting a candle, which displayed the workings of her mouth to ugly 
advantage, as she brought it to the table. `I might as well call your face 
only angry, when you think or talk about 'em.' 


</p>
            <p>It was something different from that, truly, as she sat as still as a 
crouched tigress, with her kindling eyes. 


</p>
            <p>`Hark!' said the old woman, triumphantly. `I hear a step coming. It's not the 
tread of any one that lives about here, or comes this way often. We don't 
walk like that. We should grow proud on such neighbours! Do you hear him?' 


</p>
            <p>`I believe you are right, mother,' replied Alice, in a low voice. `Peace! 
open the door.' 


</p>
            <p>As she drew herself within her shawl, and gathered it about her, the old 
woman complied; and peering out, and beckoning, gave admission to Mr. Dombey, 
who stopped when he had set his foot within the door, and looked 
distrustfully around. 


</p>
            <p>`It's a poor place for a great gentleman like your worship,' said the old 
woman, curtseying and chattering. `I told you so, but there's no harm in 
it.' 


</p>
            <p>`Who is that?' asked Mr. Dombey, looking at her companion. 


</p>
            <p>`That's my handsome daughter,' said the old woman. 


</p>
            <p>`Your worship won't mind her. She knows all about it.' 


</p>
            <p>A shadow fell upon his face not less expressive than if he had groaned aloud, 
`Who does not know all about it!' but he looked at her steadily, and she, 
without any acknowledgment of his presence, looked at him. The shadow on his 
face was darker when he turned his glance away from her; and even then it 
wandered back again, furtively, as if he were haunted by her bold eyes, and 
some remembrance they inspired. 


</p>
            <p>`Woman,' said Mr. Dombey to the old witch who was chuckling and leering close 
at his elbow, and who, when he turned to address her, pointed stealthily at 
her daughter, and rubbed her hands, and pointed again, `Woman! I believe that 
I am weak and forgetful of my station in coming here, but you know why I 
come, and what you offered when you stopped me in the street the other day. 
What is it that you have to tell me concerning what I want to know; and how 
does it happen that I can find voluntary intelligence in a hovel like this,' 
with a disdainful glance about him, `when I have exerted my power and means 
to obtain it in vain? I do not think,' he said, after a moment's pause, 
during which he had observed her, sternly, `that you are so audacious as to 
mean to trifle with me, or endeavour to impose upon me. But if you have that 
purpose, you had better stop on the threshold of your scheme. My humour is 
not a trifling one, and my acknowledgment will be severe.' 


</p>
            <p>`Oh a proud, hard gentleman!' chuckled the old woman, shaking her head, and 
rubbing her shrivelled hands, `oh hard, hard, hard! But you worship shall see 
with your own eyes and hear with your own ears; not with ours—and if your 
worship's put upon their track, you won't mind paying something for it, will 
you, honourable deary?' 


</p>
            <p>`Money,' returned Mr. Dombey, apparently relieved, and reassured by this 
inquiry, `will bring about unlikely things, I know. It may turn even means as 
unexpected and unpromising as these, to account. Yes. For and reliable 
information I receive, I will pay. But I must have the information first, and 
judge for myself of its value.' 


</p>
            <p>`Do you know nothing more powerful than money?' asked the younger woman, 
without rising, or altering her attitude. 


</p>
            <p>`Not here, I should imagine,' said Mr. Dombey. 


</p>
            <p>`You should know of something that is more powerful elsewhere, as I judge, ' 
she returned. `Do you know nothing of a woman's anger?' 


</p>
            <p>`You have a saucy tongue, Jade,' said Mr. Dombey. 


</p>
            <p>`Not usually,' she answered, without any show of emotion: `I speak to you 
now, that you may understand us better, and rely more on us. A woman's anger 
is pretty much the same here, as in your fine house. <hi>I</hi> am angry. I 
have been so, many years. I have as good cause for my anger as you have for 
yours, and its object is the same man.' 


</p>
            <p>He started, in spite of himself, and looked at her with astonishment. 


</p>
            <p>`Yes,' she said, with a kind of laugh. `Wide as the distance may seem between 
us, it is so. How it is so, is no matter; that is my story, and I keep my 
story to myself. I would bring you and him together, because I have a rage 
against him. My mother there, is avaricious and poor; and she would sell any 
tidings she could glean, or anything, or anybody, for money. It is fair 
enough, perhaps, that you should pay her some, if she can help you to what 
you want to know. But that is not my motive. I have told you what mine is, 
and it would be as strong and all-sufficient with me if you haggled and 
bargained with her for a sixpence. I have done. My saucy tongue says no more, 
if you wait here till sunrise to-morrow.' 


</p>
            <p>The old woman, who had shown great uneasiness during this speech, which had a 
tendency to depreciate her expected gains, pulled Mr. Dombey softly by the 
sleeve, and whispered to him not to mind her. He glanced at them both, by 
turns, with a haggard look, and said, in a deeper voice than was usual with 
him: 


</p>
            <p>`Go on—what do you know?' 


</p>
            <p>`Oh, not so fast, your worship! we must wait for some one,' answered the old 
woman. `It's to be got from some one else—wormed out—screwed and twisted 
from him.' 


</p>
            <p>`What do you mean?' said Mr. Dombey. 


</p>
            <p>`Patience,' she croaked, laying her hand, like a claw, upon his arm. 
`Patience. I'll get at it. I know I can! If he was to hold it back from me,' 
said Good Mrs. Brown, crooking her ten fingers, `I'd tear it out of him!' 


</p>
            <p>Mr. Dombey followed her with his eyes as she hobbled to the door, and looked 
out again: and then his glance sought her daughter; but she remained 
impassive, silent, and regardless of him. 


</p>
            <p>`Do you tell me, woman,' he said, when the bent figure of Mrs. Brown came 
back, shaking its head and chattering to itself, `that there is another 
person expected here?' 


</p>
            <p>`Yes!'said the old woman, looking up into his face, and nodding. 


</p>
            <p>`From whom you are to exact the intelligence that is to be useful to me?' 


</p>
            <p>`Yes,' said the old woman, nodding again. 


</p>
            <p>`A stranger?' 


</p>
            <p>`Chut!' said the old woman, with a shrill laugh. `What signifies! Well, well; 
no. No stranger to your worship. But he won't see you. He'd be afraid of you, 
and wouldn't talk. You'll stand behind that door, and judge him for yourself. 
We don't ask to be believed on trust. What! Your worship doubts the room 
behind the door? Oh the suspicion of you rich gentlefolks! Look at it, 
then.' 


</p>
            <p>Her sharp eye had detected an involuntary expression of this feeling on his 
part, which was not unreasonable under the circumstances. In satisfaction of 
it she now took the candle to the door she spoke of. Mr. Dombey looked in; 
assured himself that it was an empty, crazy room; and signed to her to put 
the light back in its place. 


</p>
            <p>`How long,' he asked, `before this person comes?' 


</p>
            <p>`Not long,' she answered. `Would your worship sit down for a few odd 
minutes?' 


</p>
            <p>He made no answer; but began pacing the room with an irresolute air, as if he 
were undecided whether to remain or depart, and as if he had some quarrel 
with himself for being there at all. But soon his tread grew slower and 
heavier, and his face more sternly thoughtful: as the object with which he 
had come, fixed itself in his mind, and dilated there again. 


</p>
            <p>While he thus walked up and down with his eyes on the ground, Mrs. Brown, in 
the chair from which she had risen to receive him, sat listening anew. The 
monotony of his step, or the uncertainty of age, made her so slow of hearing, 
that a footfall without had sounded in her daughter's ears for some moments, 
and she had looked up hastily to warn her mother of its approach, before the 
old woman was roused by it. But then she started from her seat, and 
whispering `Here he is!' hurried her visitor to his place of observation, and 
put a bottle and glass upon the table, with such alacrity as to be ready to 
fling her arms round the neck of Rob the Grinder on his appearance at the 
door. 


</p>
            <p>`And here's my bonny boy,' cried Mrs. Brown, `at last!—oho, oho! You're like 
my own son, Robby!' 


</p>
            <p>`Oh! Misses Brown!' remonstrated the Grinder. `Don't!Can't you be fond of a 
cove without squeedging and throttling of him? Take care of the birdcage in 
my hand, will you?' 


</p>
            <p>`Thinks of a birdcage, afore me!' cried the old woman, apostrophizing the 
ceiling. `Me that feels more than a mother for him!' 


</p>
            <p>`Well, I'm sure I'm very much obliged to you, Misses Brown,' said the 
unfortunate youth, greatly aggravated; `but you're so jealous of a cove. I'm 
very fond of you myself, and all that, of course; but I don't smother you, do 
I, Misses Brown?' 


</p>
            <p>He looked and spoke as if he would have been far from objecting to do so, 
however, on a favourable occasion. 


</p>
            <p>`And to talk about birdcages, too!' whimpered the Grinder. `As if that was a 
crime! Why, look'ee here! Do you know who this belongs to?' 


</p>
            <p>`To Master, dear?' said the old woman with a grin. 


</p>
            <p>`Ah!' replied the Grinder, lifting a large cage tied up in a wrapper, on the 
table, and untying it with his teeth and hands. `It's our parrot, this 
is.' 


</p>
            <p>`Mr. Carker's parrot, Rob?' 


</p>
            <p>`Will you hold your tongue, Misses Brown?' returned the goaded Grinder. `What 
do you go naming names for? I'm blest,' said Rob, pulling his hair with both 
hands in the exasperation of his feelings, `if she an't enough to make a cove 
run wild!' 


</p>
            <p>`What! Do you snub me, thankless boy!' cried the old woman, with ready 
vehemence. 


</p>
            <p>`Good gracious, Misses Brown, no!' returned the Grinder, with tears in his 
eyes. `Was there ever such a——! Don't I dote upon you, Misses Brown?' 


</p>
            <p>`Do you, sweet Rob? Do you truly, chickabiddy?' With that, Mrs. Brown held 
him in her fond embrace once more; and did not release him until he had made 
several violent and ineffectual struggles with his legs, and his hair was 
standing on end all over his head. 


</p>
            <p>`Oh!' returned the Grinder, `what a thing it is to be perfectly pitched into 
with affection like this here. I wish she was——How have you been, Misses 
Brown?' 


</p>
            <p>`Ah! Not here since this night week!' said the old woman, contemplating him 
with a look of reproach. 


</p>
            <p>`Good gracious, Misses Brown,' returned the Grinder, `I said to-night's a 
week, that I'd come to-night, didn't I? And here I am. How you do go on! I 
wish you'd be a little rational, Misses Brown. I'm hoarse with saying things 
in my defence, and my very face is shiny with being hugged.' He rubbed it 
hard with his sleeve, as if to remove the tender polish in question. 


</p>
            <p>`Drink a little drop to comfort you, my Robin,' said the old woman, filling 
the glass from the bottle and giving it to him. 


</p>
            <p>`Thank'ee, Misses Brown,' returned the Grinder. `Here's your health. And long 
may you—et ceterer.' Which to judge from the expression of his face, did not 
include any very choice blessing. `And here's <hi>her</hi> health,' said the 
Grinder, glancing at Alice, who sat with her eyes fixed, as it seemed to him, 
on the wall behind him, but in reality on Mr. Dombey's face at the door, `and 
wishing her the same and many of 'em!' 


</p>
            <p>He drained the glass to these two sentiments, and set it down. 


</p>
            <p>`Well, I say, Misses Brown!' he proceeded. `To go on a little rational now. 
You're a judge of birds, and up to their ways, as I know to my cost.' 


</p>
            <p>`Cost!' repeated Mrs. Brown. 


</p>
            <p>`Satisfaction, I mean,' returned the Grinder. `How you do take up a cove, 
Misses Brown! You've put it all out of my head again.' 


</p>
            <p>`Judge of birds, Robby,' suggested the old woman. 


</p>
            <p>`Ah!' said the Grinder. `Well, I've got to take care of this parrot—certain 
things being sold, and a certain establishment broke up—and as I don't want 
no notice took at present, I wish you'd attend to her for a week or so, and 
give her board and lodging, will you? If I <hi>must</hi> come backwards and 
forwards,' mused the Grinder with a dejected face, `I may as well have 
something to come for.' 


</p>
            <p>`Something to come for?' screamed the old woman. 


</p>
            <p>`Besides you, I mean, Misses Brown,' returned the craven Rob. `Not that I 
want any inducement but yourself, Misses Brown, I'm sure. Don't begin again, 
for goodness' sake.' 


</p>
            <p>`He don't care for me! He don't care for me, as I care for him!' cried Mrs. 
Brown, lifting up her skinny hands. `But I'll take care of his bird.' 


</p>
            <p>`Take good care of it too, you know, Mrs. Brown,' said Rob, shaking his head. 
`If you was so much as to stroke its feathers once the wrong way, I believe 
it would be found out.' 


</p>
            <p>`Ah, so sharp as that, Rob?' said Mrs. Brown, quickly. 


</p>
            <p>`Sharp, Misses Brown!' repeated Rob. `But this is not to be talked about.' 


</p>
            <p>Checking himself abruptly, and not without a fearful glance across the room, 
rob filled the glass again, and having slowly emptied it, shook his head, and 
began to draw his fingers across and across the wires of the parrot's cage by 
way of a diversion from the dangerous theme that had just been broached. 


</p>
            <p>The old woman eyed him slily, and hitching her chair nearer his, and looking 
in at the parrot, who came down from the gilded dome at her call, said: 


</p>
            <p>`Out of place now, Robby?' 


</p>
            <p>`Never <hi>you</hi> mind, Misses Brown,' returned the Grinder, shortly. 


</p>
            <p>`Board wages, perhaps, Rob?' said Mrs. Brown. 


</p>
            <p>`Pretty Polly!' said the Grinder. 


</p>
            <p>The old woman darted a glance at him that might have warned him to consider 
his ears in danger, but it was his turn to look in at the parrot now, and 
however expressive his imagination may have made her angry scowl, it was 
unseen by his bodily eyes. 


</p>
            <p>`I wonder Master didn't take you with him, Rob,' said the old woman, in a 
wheedling voice, but with increased malignity of aspect. 


</p>
            <p>Rob was so absorbed in contemplation of the parrot, and in trolling his 
forefinger on the wires, that he made no answer. 


</p>
            <p>The old woman had her clutch within a hair's breadth of his shock of hair as 
it stooped over the table; but she restrained her fingers, and said, in a 
voice that choked with its efforts to be coaxing: 


</p>
            <p>`Robby, my child.' 


</p>
            <p>`Well, Misses Brown,' returned the Grinder. 


</p>
            <p>`I say I wonder Master didn't take you with him, dear.' 


</p>
            <p>`Never <hi>you</hi>, Misses Brown,' returned the Grinder. 


</p>
            <p>Mrs. Brown instantly directed the clutch of her right hand at his hair, and 
the clutch of her left hand at his throat, and held on to the object of her 
fond affection with such extraordinary fury, that his face began to blacken 
in a moment. 


</p>
            <p>`Misses Brown!' exclaimed the Grinder, `let go, will you? What are you doing 
of? Help, young woman! Misses Brow—Brow—!' 


</p>
            <p>The young woman, however, equally unmoved by his direct appeal to her, and by 
his inarticulate utterance, remained quite neutral, until, after struggling 
with his assailant into a corner, Rob disengaged himself, and stood there 
panting and fenced in by his own elbows, while the old woman, panting too, 
and stamping with rage and eagerness, appeared to be collecting her energies 
for another swoop upon him. At this crisis Alice interposed her voice, but 
not in the Grinder's favour, by saying, 


</p>
            <p>`Well done, mother. Tear him to pieces!' 


</p>
            <p>`What, young woman!' blubbered Rob; `are you against me too? What have I been 
and done? What am I to be tore to pieces for, I should like to know? Why do 
you take and choke a cove who has never done you any harm, neither of you? 
Call yourselves females, too!' said the frightened and afflicted Grinder, 
with his coat-cuff at his eye. `I'm surprised at you! Where's your feminine 
tenderness?' 


</p>
            <p>`You thankless dog!' gasped Mrs. Brown. `You impudent insulting dog!' 


</p>
            <p>`What have I been and done to go and give you offence, Misses Brown?' 
retorted the fearful Rob. `You was very much attached to me a minute ago.' 


</p>
            <p>`To cut me off with his short answers and his sulky words,' said the old 
woman. `Me! Because I happen to be curious to have a little bit of gossip 
about Master and the lady, to dare to play at fast and loose with me! But 
I'll talk to you no more, my lad. Now go!' 


</p>
            <p>`I'm sure, Misses Brown,' returned the abject Grinder, `I never insiniwated 
that I wished to go. Don't talk like that, Misses Brown, if you please.' 


</p>
            <p>`I won't talk at all,' said Mrs. Brown, with an action of her crooked fingers 
that made him shrink into half his natural compass in the corner. `Not 
another word with him shall pass my lips. He's an ungrateful hound. I cast 
him off. Now let him go! And I'll slip those after him that shall talk too 
much; that won't be shook away; that'll hang to him like leeches, and slink 
arter him like foxes. What! He knows 'em. He knows his old games and his old 
ways. If he's forgotten 'em, they'll soon remind him. Now let him go, and see 
how he'll do Master's business, and keep Master's secrets, with such company 
always following him up and down. Ha, ha, ha!He'll find 'em a different sort 
from you and me, Ally; close as he is with you and me. Now let him go, now 
let him go!' 


</p>
            <p>The old woman, to the unspeakable dismay of the Grinder, walked her twisted 
figure round and round, in a ring of some four feet in diameter, constantly 
repeating these words, and shaking her fist above her head, and working her 
mouth about. 


</p>
            <p>`Misses Brown,' pleaded Rob, coming a little out of his corner, `I'm sure you 
wouldn't injure a cove, on second thoughts, and in cold blood, would you?' 


</p>
            <p>`Don't talk to me,' said Mrs. Brown, still wrathfully pursuing her circle. 
`Now let him go, now let him go!' 


</p>
            <p>`Misses Brown,' urged the tormented Grinder, `I didn't mean to—Oh, what a 
thing it is for a cove to get into such a line as this!—I was only careful 
of talking, Misses Brown, because I always am, on account of his being up to 
everything; but I might have known it wouldn't have gone any further. I'm 
sure I'm quite agreeable,' with a wretched face, `for any little bit of 
gossip, Misses Brown. Don't go on like this, if you please. Oh, couldn't you 
have the goodness to put in a word for a miserable cove, here?' said the 
Grinder, appealing in desperation to the daughter. 


</p>
            <p>`Come, mother, you hear what he says,' she interposed, in her stern voice, 
and with an impatient action of her head; `try him once more, and if you fall 
out with him again, ruin him, if you like, and have done with him.' 


</p>
            <p>Mrs. Brown, moved as it seemed by this very tender exhortation, presently 
began to howl; and softening by degrees, took the apologetic Grinder to her 
arms, who embraced her with a face of unutterable woe, and like a victim as 
he was, resumed his former seat, close by the side of his venerable friend, 
whom he suffered, not without much constrained sweetness of countenance, 
combating very expressive physiognomical revelations of an opposite 
character, to draw his arm through hers, and keep it there. 


</p>
            <p>`And how's Master, deary dear?' said Mrs. Brown, when, sitting in this 
amicable posture, they had pledged each other. 


</p>
            <p>`Hush! If you'd be so good, Misses Brown, as to speak a little lower,' Rob 
implored. `Why, he's pretty well, thank'ee, I suppose.' 


</p>
            <p>`You're not out of place, Robby?' said Mrs. Brown in a wheedling tone. 


</p>
            <p>`Why, I'm not exactly out of place, nor in,' faltered Rob. `I—I'm still in 
pay, Misses Brown.' 


</p>
            <p>`And nothing to do, Rob?' 


</p>
            <p>`Nothing particular to do just now, Misses Brown, but to—keep my eyes open,' 
said the Grinder, rolling them in a forlorn way. 


</p>
            <p>`Masters abroad, Rob?' 


</p>
            <p>`Oh, for goodness' sake, Misses Brown, couldn't you gossip with a cove about 
anything else?' cried the Grinder, in a burst of despair. 


</p>
            <p>The impetuous Mrs. Brown rising directly, the tortured Grinder detained her, 
stammering `Ye-es, Misses Brown, I believe he's abroad. What's she staring 
at?' he added, in allusion to the daughter, whose eyes were fixed upon the 
face that now again looked out behind him. 


</p>
            <p>`Don't mind her, lad,' said the old woman, holding him closer to prevent his 
turning round. `It's her way—her way. Tell me, Rob. Did you ever see the 
lady, deary?' 


</p>
            <p>`Oh, Misses Brown, what lady?' cried the Grinder in a tone of piteous 
supplication. 


</p>
            <p>`What lady?' she retorted. `The lady; Mrs. Dombey.' 


</p>
            <p>`Yes, I believe I see her once,' replied Rob. 


</p>
            <p>`The night she went away, Robby, eh?' said the old woman in his ear, and 
taking note of every change in his face. `Aha!I know it was that night.' 


</p>
            <p>`Well, if you know it was that night, you know, Misses Brown,' replied Rob, 
`it's no use putting pinchers into a cove to make him say so.' 


</p>
            <p>`Where did they go that night, Rob? Straight away? How did they go? Where did 
you see her? Did she laugh? Did she cry? Tell me all about it,' cried the old 
hag, holding him closer yet, patting the hand that was drawn through his arm 
against her other hand, and searching every line in his face with her bleared 
eyes. `Come! Begin! I want to be told all about it. What, Rob, boy! You and 
me can keep a secret together, eh? We've done so before now. Where did they 
go first, Rob?' 


</p>
            <p>The wretched Grinder made a gasp, and a pause. 


</p>
            <p>`Are you dumb?' said the old woman, angrily. 


</p>
            <p>`Lord, Misses Brown, no! You expect a cove to be a flash of lightning. I wish 
I <hi>was</hi> the electric fluency,' muttered the bewildered Grinder. `I'd 
have a shock at somebody, that would settle their business.' 


</p>
            <p>`What do you say?' asked the old woman, with a grin. 


</p>
            <p>`I'm wishing my love to you, Misses Brown,' returned the false Rob, seeking 
consolation in the glass. `Where did they go to first, was it? Him and her, 
do you mean?' 


</p>
            <p>`Ah!' said the old woman, eagerly. `Them two.' 


</p>
            <p>`Why, they didn't go nowhere—not together, I mean,' answered Rob. 


</p>
            <p>The old woman looked at him, as though she had a strong impulse upon her to 
make another clutch at his head and throat, but was restrained by a certain 
dogged mystery in his face. 


</p>
            <p>`That was the art of it,' said the reluctant Grinder; `that's the way nobody 
saw 'em go, or has been able to say how they did go. They went different 
ways, I tell you, Misses Brown.' 


</p>
            <p>`Ay, ay, ay! To meet at an appointed place,' chuckled the old woman, after a 
moment's silent and keen scrutiny of his face. 


</p>
            <p>`Why, if they weren't a going to meet somewhere, I suppose they might as well 
have stayed at home, mightn't they, Misses Brown?' returned the unwilling 
Grinder. 


</p>
            <p>`Well, Rob? Well?' said the old woman, drawing his arm yet tighter through 
her own, as if, in her eagerness, she were afraid of his slipping away. 


</p>
            <p>`What, haven't we talked enough yet, Misses Brown?' returned the Grinder, 
who, between his sense of injury, his sense of liquor, and his sense of being 
on the rack, had become so lachrymose, that at almost every answer he scooped 
his coat-cuff into one or other of his eyes, and uttered an unavailing whine 
of remonstrance. `Did she laugh that night, was it? Didn't you ask if she 
laughed, Misses Brown?' 


</p>
            <p>`Or cried?' added the old woman, nodding assent. 


</p>
            <p>`Neither,' said the Grinder. `She kept as steady when she and me—oh, I see 
you <hi>will</hi> have it out of me, Misses Brown!But take your solemn oath 
now, that you'll never tell anybody.' 


</p>
            <p>This Mrs. Brown very readily did: being naturally Jesuitical; and having no 
other intention in the matter than that her concealed visitor should hear for 
himself. 


</p>
            <p>`She kept as steady, then, when she and me went down to Southampton,' said 
the Grinder, `as a image. In the morning she was just the same, Misses Brown. 
And when she went away in the packet before daylight, by herself—me 
pretending to be her servant, and seeing her safe aboard—she was just the 
same. <hi>Now</hi>, are you contented, Misses Brown?' 


</p>
            <p>`No, Rob. Not yet,' answered Mrs. Brown, decisively. 


</p>
            <p>`Oh, here's a woman for you!' cried the unfortunate Rob, in an outburst of 
feeble lamentation over his own helplessness. `What did you wish to know 
next, Misses Brown?' 


</p>
            <p>`What became of Master? Where did he go?' she inquired, still holding him 
tight, and looking close into his face, with her sharp eyes. 


</p>
            <p>`Upon my soul, I don't know, Misses Brown,' answered Rob. `Upon my soul I 
don't know what he did, nor where he went, nor anything about him. I only 
know what he said to me as a caution to hold my tongue, when we parted; and I 
tell you this, Misses Brown, as a friend, that sooner than ever repeat a word 
of what we're saying now, you had better take and shoot yourself, or shut 
yourself up in this house, and set it a-fire, for there's nothing he wouldn't 
do, to be revenged upon you. You don't know him half as well as I do, Misses 
Brown. You're never safe from him, I tell you.' 


</p>
            <p>`Haven't I taken an oath,' retorted the old woman, `and won't I keep it?' 


</p>
            <p>`Well, I'm sure I hope you will, Misses Brown.' returned Rob, somewhat 
doubtfully, and not without a latent threatening in his manner. `For your own 
sake quite as much as mine.' 


</p>
            <p>He looked at her as he gave her this friendly caution, and emphasized it with 
a nodding of his head; but finding it uncomfortable to encounter the yellow 
face with its grotesque action, and the ferret eyes with their keen old 
wintry gaze, so close to his own, he looked down uneasily and sat shuffling 
in his chair, as if he were trying to bring himself to a sullen declaration 
that he would answer no more questions. The old woman, still holding him as 
before, took this opportunity of raising the forefinger of her right hand, in 
the air, as a stealthy signal to the concealed observer to give particular 
attention to what was about to follow. 


</p>
            <p>`Rob,' she said, in her most coaxing tone. 


</p>
            <p>`Good gracious, Misses Brown, what's the matter now?' returned the 
exasperated Grinder. 


</p>
            <p>`Rob! where did the lady and Master appoint to meet?' 


</p>
            <p>Rob shuffled more and more, and looked up and looked down, and bit his thumb, 
and dried it on his waistcoat, and finally said, eyeing his tormentor askant, 
`How should <hi>I</hi> know, Misses Brown?' 


</p>
            <p>The old woman held up her finger again, as before, and replying, `Come, lad! 
It's no use leading me to that, and there leaving me. I want to know'—waited 
for his answer. 


</p>
            <p>Rob, after a discomfited pause, suddenly broke out with, `How can I pronounce 
the names of foreign places, Mrs. Brown? What an unreasonable woman you 
are!' 


</p>
            <p>`But you have heard it said, Robby,' she retorted firmly, `and you know what 
it sounded like. Come!' 


</p>
            <p>`I never heard it said, Misses Brown,' returned the Grinder. 


</p>
            <p>`Then,' retorted the old woman quickly, `you have seen it written, and you 
can spell it.' 


</p>
            <p>Rob, with a petulant exclamation between laughing and crying—for he was 
penetrated with some admiration of Mrs. Brown's cunning, even through this 
persecution—after some reluctant fumbling in his waistcoat pocket, produced 
from it a little piece of chalk. The old woman's eyes sparkled when she saw 
it between his thumb and finger, and hastily clearing a space on the deal 
table, that he might write the word there, she once more made her signal with 
a shaking hand. 


</p>
            <p>`Now I tell you beforehand what it is, Misses Brown,' said Rob, `it's no use 
asking me anything else. I won't answer anything else; I can't. How long it 
was to be before they met, or whose plan it was that they was to go away 
alone, I don't know no more than you do. I don't know any more about it. If I 
was to tell you how I found out this word, you'd believe that. Shall I tell 
you, Misses Brown?' 


</p>
            <p>`Yes, Rob.' 


</p>
            <p>`Well then, Misses Brown. The way—now you won't ask any more, you know?' 
said rob, turning his eyes, which were now fast getting drowsy and stupid, 
upon her. 


</p>
            <p>`Not another word,' said Mrs. Brown. 


</p>
            <p>`Well then, the way was this. When a certain person left the lady with me, he 
put a piece of paper with a direction written on it in the lady's hand, 
saying it was in case she should forget. She wasn't afraid of forgetting, for 
she tore it up as soon as his back was turned, and when I put up the carriage 
steps, I shook out one of the pieces—she sprinkled the rest out of the 
window, I suppose, for there was none there afterwards, though I looked for 
'em. There was only one word on it, and that was this, if you must and will 
know. But remember!You're upon your oath, Misses Brown!' 


</p>
            <p>Mrs. Brown knew that, she said. Rob, having nothing more to say, began to 
chalk, slowly and laboriously, on the table. 


</p>
            <p>`”D,”' the old woman read aloud, when he had formed the letter. 


</p>
            <p>`Will you hold your tongue, Misses Brown?' he exclaimed, covering it with his 
hand, and turning impatiently upon her. `I won't have it read out. Be quiet, 
will you!' 


</p>
            <p>`Then write large, Rob,' she returned, repeating her secret signal; `for my 
eyes are not good, even at print.' 


</p>
            <p>Muttering to himself, and returning to his work with an ill will, Rob went on 
with the word. As he bent his head down, the person for whose information he 
so unconsciously laboured, moved from the door behind him to within a short 
stride of his shoulder, and looked eagerly towards the creeping track of his 
hand upon the table. At the same time, Alice, from her opposite chair, 
watched it narrowly as it shaped the letters, and repeated each one on her 
lips as he made it, without articulating it aloud. At the end of every letter 
her eyes and Mr. Dombey's met, as if each of them sought to be confirmed by 
the other; and thus they both spelt D.I.J.O.N. 


</p>
            <p>`There!' said the Grinder, moistening the palm of his hand hastily, to 
obliterate the word; and not content with smearing it out, rubbing and 
planing all trace of it away with his coat-sleeve, until the very colour of 
the chalk was gone from the table. `Now, I hope you're contented, Misses 
Brown!' 


</p>
            <p>The old woman, in token of her being so, released his arm and patted his 
back; and the Grinder, overcome with mortification, cross-examination, and 
liquor, folded his arms on the table, laid his head upon them, and fell 
asleep. 


</p>
            <p>Not until he had been heavily asleep some time, and was snoring roundly, did 
the old woman turn towards the door, where Mr. Dombey stood concealed, and 
beckon him to come through the room, and pass out. Even then, she hovered 
over Rob, ready to blind him with her hands, or strike his head down, if he 
should raise it while the secret step was crossing to the door. But though 
her glance took sharp cognizance of the sleeper, it was sharp too for the 
waking man; and when he touched her hand with his, and in spite of all his 
caution, made a chinking, golden sound, it was as bright and greedy as a 
raven's. 


</p>
            <p>The daughter's dark gaze followed him to the door, and noted well how pale he 
was, and how his hurried tread indicated that the least delay was an 
insupportable restraint upon him, and how he was burning to be active and 
away. As he closed the door behind him, she looked round at her mother. The 
old woman trotted to her; opened her hand to show what was within; and, 
tightly closing it again in her jealousy and avarice, whispered: 


</p>
            <p>`What will he do, Ally?' 


</p>
            <p>`Mischief,' said the daughter. 


</p>
            <p>`Murder?' asked the old woman. 


</p>
            <p>`He's a madman, in his wounded pride, and may do that, for anything we can 
say, or he either.' 


</p>
            <p>Her glance was brighter than her mother's, and the fire that shone in it was 
fiercer; but her face was colourless, even to her lips. 


</p>
            <p>They said no more, but sat apart; the mother communing with her money; the 
daughter with her thoughts; the glance of each, shining in the gloom of the 
feebly lighted room. Rob slept and snored. The disregarded parrot only was in 
action. It twisted and pulled at the wires of its cage, with its crooked 
beak, and crawled up to the dome, and along its roof like a fly, and down 
again head foremost, and shook, and bit, and rattled at every slender bar, as 
if it knew its master's danger, and was wild to force a passage out, and fly 
away to warn him of it. 

</p>
         </div>
         <div xml:id="c53" type="chapter">
            <head>CHAPTER LIII</head>
            <head>More Intelligence</head>
            <p>THERE were two of the traitor's own blood—his renounced brother and 
sister—on whom the weight of his guilt rested almost more heavily, at this 
time, than on the man whom he had so deeply injured. Prying and tormenting as 
the world was, it did Mr. Dombey the service of nerving him to pursuit and 
revenge. It roused his passion, stung his pride, twisted the one idea of his 
life into a new shape, and made some gratification of his wrath, the object 
into which his whole intellectual existence resolved itself. All the 
stubbornness and implacability of his nature, all its hard impenetrable 
quality, all its gloom and moroseness, all its exaggerated sense of personal 
importance, all its jealous disposition to resent the least flaw in the ample 
recognition of his importance by others, set this way like many streams 
united into one, and bore him on upon their tide. The most impetuously 
passionate and violently impulsive of mankind would have been a milder enemy 
to encounter than the sullen Mr. Dombey wrought to this. A wild beast would 
have been easier turned or soothed than the grave gentleman without a wrinkle 
in his starched cravat. 


</p>
            <p>But the very intensity of his purpose became almost a substitute for action 
in it. While he was yet uninformed of the traitor's retreat, it served to 
divert his mind from his own calamity, and to entertain it with another 
prospect. The brother and sister of his false favourite had no such relief; 
everything in their history, past and present, gave his delinquency a more 
afflicting meaning to them. 


</p>
            <p>The sister may have sometimes sadly thought that if she had remained with 
him, the companion and friend she had been once, he might have escaped the 
crime into which he had fallen. If she ever thought so, it was still without 
regret for what she had done, without the least doubt of her duty, without 
any pricing and enhancing of her self-devotion. But when this possibility 
presented itself to the erring and repentant brother, as it sometimes did, it 
smote upon his heart with such a keen, reproachful touch as he could hardly 
bear. No idea of retort upon his cruel brother came into his mind. New 
accusation of himself, fresh inward lamentings over his own unworthiness, and 
the ruin in which it was at once his consolation and his self-reproach that 
he did not stand alone, were the sole kind of reflections to which the 
discovery gave rise in him. 


</p>
            <p>It was on the very same day whose evening set upon the last chapter, and when 
Mr. Dombey's world was busiest with the elopement of his wife, that the 
window of the room in which the brother and sister sat at their early 
breakfast, was darkened by the unexpected shadow of a man coming to the 
little porch: which man was Perch the Messenger. 


</p>
            <p>`I've stepped over from Balls Pond at a early hour,' said Mr. Perch, 
confidentially looking in at the room door, and stopping on the mat to wipe 
his shoes all round, which had no mud upon them, `agreeable to my 
instructions last night. They was, to be sure and bring a note to you, Mr. 
Carker, before you went out in the morning. I should have been here a good 
hour and a half ago,' said Mr. Perch, meekly, `but for the state of health 
Mrs. P., who I thought I should have lost in the night, I do assure you, five 
distinct times.' 


</p>
            <p>`Is your wife so ill?' asked Harriet. 


</p>
            <p>`Why, you see,' said Mr. Perch, first turning round to shut the door 
carefully, `she takes what has happened in our House so much to heart, Miss. 
Her nerves is so very delicate, you see, and soon unstrung. Not but what the 
strongest nerves had good need to be shook, I'm sure. You feel it very much 
yourself, no doubts.' 


</p>
            <p>Harriet repressed a sigh, and glanced at her brother. 


</p>
            <p>`I'm sure I feel it myself, in my humble way,' Mr. Perch went on to say, with 
a shake of his head, `in a manner I couldn't have believed if I hadn't been 
called upon to undergo. It has almost the effect of drink upon me. I 
literally feels every morning as if I had been taking more than was good for 
me over-night.' 


</p>
            <p>Mr. Perch's appearance corroborated this recital of his symptoms. There was 
an air of feverish lassitude about it, that seemed referable to drams; and, 
which, in fact, might no doubt have been traced to those numerous discoveries 
of himself in the bars of public-houses, being treated and questioned, which 
he was in the daily habit of making. 


</p>
            <p>`Therefore I can judge,' said Mr. Perch, shaking his head again, and speaking 
in a silvery murmur, `of the feelings of such as is at all peculiarly 
sitiwated in this most painful rewelation.' 


</p>
            <p>Here Mr. Perch waited to be confided in; and receiving no confidence, coughed 
behind his hand. This leading to nothing, he coughed behind his hat; and that 
leading to nothing, he put his hat on the ground and sought in his breast 
pocket for the letter. 


</p>
            <p>`If I rightly recollect, there was no answer,' said Mr. Perch, with an 
affable smile; `but perhaps you'll be so good as cast your eye over it, 
Sir.' 


</p>
            <p>John Carker broke the seal, which was Mr. Dombey's, and possessing himself of 
the contents, which were very brief, replied, `No. No answer is expected.' 


</p>
            <p>`Then I shall wish you good morning, Miss,' said Perch, taking a step toward 
the door, `and hoping, I'm sure, that you'll not permit yourself to be more 
reduced in mind than you can help, by the late painful rewelation. The 
Papers,' said Mr. Perch, taking two steps back again, and comprehensively 
addressing both the brother and sister in a whisper of increased mystery, `is 
more eager for news of it than you'd suppose possible. One of the Sunday 
ones, in a blue cloak and a white hat, that had previously offered for to 
bribe me—need I say with what success?—was dodging about our court last 
night as late as twenty minutes after eight o'clock. I see him myself, with 
his eye at the counting-house keyhole, which being patent is impervious. 
Another one,' said Mr. Perch, `with milintary frogs, is in the parlour of the 
King's Arms all the blessed day. I happened, last week, to let a little 
obserwation fall there, and next morning, which was Sunday, I see it worked 
up in print, in a most surprising manner.' 


</p>
            <p>Mr. Perch resorted to his breast pocket, as if to produce the paragraph, but 
receiving no encouragement, pulled out his beaver gloves, picked up his hat, 
and took his leave; and before it was high noon, Mr. Perch had related to 
several select audiences at the King's Arms and elsewhere, how Miss Carker, 
bursting into tears, had caught him by both hands, and said, `Oh! dear dear 
Perch, the sight of you is all the comfort I have 'left!' and how Mr. John 
Carker and said, in an awful voice, `Perch, I disown him. Never let me hear 
him mentioned as a brother more!' 


</p>
            <p>`Dear John,' said Harriet, when they were left alone, and had remained silent 
for some few moments. `There are bad tidings in that letter.' 


</p>
            <p>`Yes. But nothing unexpected,' he replied. `I saw the writer yesterday.' 


</p>
            <p>`The writer?' 


</p>
            <p>`Mr. Dombey. He passed twice through the counting-house while I was there. I 
had been able to avoid him before, but of course could not hope to do that 
long. I know how natural it was that he should regard my presence as 
something offensive; I felt it must be so, myself.' 


</p>
            <p>`He did not say so?' 


</p>
            <p>`No; he said nothing: but I saw that his glance rested on me for a moment, 
and I was prepared for what would happen—for what <hi>has</hi> happened. I am 
dismissed!' 


</p>
            <p>She looked as little shocked and as hopeful as she could, but it was 
distressing news, for many reasons. 


</p>
            <p>`”I need not tell you,”' said John Carker, reading the letter, `”why your 
name would henceforth have an unnatural sound, in however remote a connexion 
with mine, or why the daily sight of any one who bears it, would be 
unendurable to me. I have to notify the cessation of all engagements between 
us, from this date, and to request that no renewal of any communication with 
me, or my establishment, be ever attempted by you.”—Enclosed is an 
equivalent in money to a generously long notice, and this is my discharge. 
Heaven knows, Harriet, it is a lenient and considerate one, when we remember 
all!' 


</p>
            <p>`If it be lenient and considerate to punish you at all, John, for the misdeed 
of another,' she replied gently, `yes'. 


</p>
            <p>`We have been an ill-omened race to him,' said John Carker. `He has reason to 
shrink from the sound of our name, and to think that there is something 
cursed and wicked in our blood. I should almost think it too, Harriet, but 
for you.' 


</p>
            <p>`Brother, don't speak like this. If you have any special reason, as you say 
you have, and think you have—though I say, No!—to love me, spare me the 
hearing of such wild mad words!' 


</p>
            <p>He covered his face with both his hands; but soon permitted her, coming near 
him, to take one in her own. 


</p>
            <p>`After so many years, this parting is a melancholy thing, I know,' said his 
sister, `and the cause of it is dreadful to us both. We have to live, too, 
and must look about us for the means. Well, well! We can do so, undismayed. 
It is our pride, not our trouble, to strive, John, and to strive 
together!' 


</p>
            <p>A smile played on her lips, as she kissed his cheek, and entreated him to be 
of good cheer. 


</p>
            <p>`Oh, dearest sister! Tied, of your own noble will, to a ruined man! whose 
reputation is blighted; who has no friend himself, and has driven every 
friend of yours away!' 


</p>
            <p>`John!' she laid her hand hastily upon his lips, `for my sake!In remembrance 
of our long companionship!' He was silent. `Now let me tell you, dear,' 
quietly sitting by his side, `I have, as you have, expected this; and when I 
have been thinking of it, and fearing that it would happen, and preparing 
myself for it, as well as I could, I have resolved to tell you, if it should 
be so, that I have kept a secret from you, and that we <hi>have</hi> a 
friend.' 


</p>
            <p>`What's our friend's name, Harriet?' he answered with a sorrowful smile. 


</p>
            <p>`Indeed, I don't know, but he once made a very earnest protestation to me of 
his friendship and his wish to serve us: and to this day I believe him.' 


</p>
            <p>`Harriet!' exclaimed her wondering brother, `where does this friend live?' 


</p>
            <p>`Neither do I know that,' she returned. `But he knows us both, and our 
history—all our little history, John. That is the reason why, at his own 
suggestion, I have kept the secret of his coming here, from you, lest his 
acquaintance with it should distress you.' 


</p>
            <p>`Here! Has he been here, Harriet?' 


</p>
            <p>`Here, in this room. Once.' 


</p>
            <p>`What kind of man?' 


</p>
            <p>`Not young. “Grey-headed,” as he said, “and fast growing greyer.” But 
generous, and frank, and good, I am sure.' 


</p>
            <p>`And only seen once, Harriet?' 


</p>
            <p>`In this room only once,' said his sister, with the slightest and most 
transient glow upon her cheek; `but when here, he entreated me to suffer him 
to see me once a week as he passed by, in token of our being well, and 
continuing to need nothing at his hands. For I told him, when he proffered us 
any service he could render—which was the object of his visit—that we 
needed nothing.' 


</p>
            <p>`And once a week——' 


</p>
            <p>`Once every week since then, and always on the same day, and at the same 
hour, he has gone past; always on foot; always going in the same 
direction—towards London; and never pausing longer than to bow to me, and 
wave his hand cheerfully, as a kind guardian might. He made that promise when 
he proposed these curious interviews, and has kept it so faithfully and 
pleasantly, that if I ever felt any trifling uneasiness about them in the 
beginning (which I don't think I did, John; his manner was so plain and true) 
it very soon vanished, and left me quite glad when the day was coming. Last 
Monday—the first since this terrible event—he did not go by; and I have 
wondered whether his absence can have been in any way connected with what has 
happened.' 


</p>
            <p>`How?' inquired her brother. 


</p>
            <p>`I don't know how. I have only speculated on the coincidence; I have not 
tried to account for it. I feel sure he will return. When he does, dear John, 
let me tell him that I have at last spoken to you, and let me bring you 
together. He will certainly help us to a new livelihood. His entreaty was 
that he might do something to smooth my life and yours; and I gave him my 
promise that if we ever wanted a friend, I would remember him. Then his name 
was to be no secret.' 


</p>
            <p>`Harriet,' said her brother, who had listened with close attention, `describe 
his gentleman to me. I surely ought to know one who knows me so well.' 


</p>
            <p>His sister painted, as vividly as she could, the features, stature, and dress 
of her visitor; but John Carker, either from having no knowledge of the 
original, or from some fault in her description, or from some abstraction of 
his thoughts as he walked to and fro, pondering, could not recognise the 
portrait she presented to him. 


</p>
            <p>However, it was agreed between them that he should see the original when he 
next appeared. This concluded, the sister applied herself, with a less 
anxious breast, to her domestic occupations; and the grey-haired man, late 
Junior of Dombey's, devoted the first day of his unwonted liberty to working 
in the garden. 


</p>
            <p>It was quite late at night, and the brother was reading aloud while the 
sister plied her needle, when they were interrupted by a knocking at the 
door. In the atmosphere of vague anxiety and dread that lowered about them in 
connexion with their fugitive brother, this sound, unusual there, became 
almost alarming. The brother going to the door, the sister sat and listened 
timidly. Some one spoke to him, and he replied and seemed surprised; and 
after a few words, the two approached together. 


</p>
            <p>`Harriet,' said her brother, lighting in their late visitor, and speaking in 
a low voice, `Mr. Morfin—the gentleman so long in Dombey's House with 
James.' 


</p>
            <p>His sister started back, as if a ghost had entered. In the doorway stood the 
unknown friend, with the dark hair sprinkled with grey, the ruddy face, the 
broad clear brow, and hazel eyes, whose secret she had kept so long! 


</p>
            <p>`John!' she said, half-breathless. `It is the gentleman I told you of, 
to-day!' 


</p>
            <p>`The gentleman, Miss Harriet,' said the visitor, coming in—for he had 
stopped a moment in the doorway—`is greatly relieved to hear you say that: 
he has been devising ways and means, all the way here, of explaining himself, 
and has been satisfied with none. Mr. John, I am not quite a stranger here. 
You were stricken with astonishment when you saw me at your door just now. I 
observe you are more astonished at present. Well! That's reasonable enough 
under existing circumstances. If we were not such creatures of habit as we 
are, we shouldn't have reason to be astonished half so often.' 


</p>
            <p>By this time, he had greeted Harriet with that agreeable mingling of 
cordiality and respect which she recollected so well, and had sat down near 
her, pulled off his gloves, and thrown them into his hat upon the table. 


</p>
            <p>`There's nothing astonishing,' he said, `in my having conceived a desire to 
see your sister, Mr. John, or in my having gratified it in my own way. As to 
the regularity of my visits since (which she may have mentioned to you), 
there is nothing extraordinary in that. They soon grew into a habit; and we 
are creatures of habit—creatures of habit!' 


</p>
            <p>Putting his hands into his pockets, and leaning back in his chair, he looked 
at the brother and sister as if it were interesting to him to see them 
together; and went on to say, with a king of irritable thoughtfulness: `It's 
this same habit that confirms some of us, who are capable of better things, 
in Lucifer's own pride and stubbornness—that confirms and deepens others of 
us in villany—more of us in indifference—that hardens us from day to day, 
according to the temper of our clay, like images, and leaves us as 
susceptible as images to new impressions and convictions. You shall judge of 
its influence on me, John. For more years than I need name, I had my small, 
and exactly defined share, in the management of Dombey's House, and saw your 
brother (who has proved himself a scoundrel! Your sister will forgive my 
being obliged to mention it) extending and extending his influence, until the 
business and its owner were his football; and saw you toiling at your obscure 
desk every day; and was quite content to be as little troubled as I might be, 
out of my own strip of duty, and to let everything about me go on, day by 
day, unquestioned, like a great machine—that was its habit and mine—and to 
take it all for granted, and consider it all right. My Wednesday nights came 
regularly round, our quartette parties came regularly off, my violoncello was 
in good tune, and there was nothing wrong in my world—or if anything not 
much—or little or much, it was no affair of mine.' 


</p>
            <p>`I can answer for your being more respected and beloved during all that time 
than anybody in the House, Sir,' said John Carker. 


</p>
            <p>`Pooh! Good-natured and easy enough, I dare say,' returned the other, `a 
habit I had. It suited the Manager; it suited the man he managed: it suited 
me best of all. I did what was allotted to me to do, made no court to either 
of them, and was glad to occupy a station in which none was required. So I 
should have gone on till now, but that my room had a thin wall. You can tell 
your sister that it was divided from the Manager's room by a wainscot 
partition.' 


</p>
            <p>`They were adjoining rooms; had been one, perhaps, originally; and were 
separated, as Mr. Morfin says,' said her brother, looking back to him for the 
resumption of his explanation. 


</p>
            <p>`I have whistled, hummed tunes, gone accurately through the whole of 
Beethoven's Sonata in B, to let him know that I was within hearing,' said Mr. 
Morfin; `but he never heeded me. It happened seldom enough that I was within 
hearing of anything of a private nature, certainly. But when I was, and 
couldn't otherwise avoid knowing something of it, I walked out. I walked out 
once, John, during a conversation between two brothers, to which, in the 
beginning, young Walter Gay was a party. But I overheard some of it before I 
left the room. You remember it sufficiently, perhaps, to tell your sister 
what its nature was?' 


</p>
            <p>`It referred, Harriet,' said her brother in a low voice, `to the past, and to 
our relative positions in the House.' 


</p>
            <p>`Its matter was not new to me, but was presented in a new aspect. It shook me 
in my habit—the habit of nine-tenths of the world—of believing that all was 
right about me, because I was used to it,' said their visitor; `and induced 
me to recall the history of the two brothers, and to ponder on it. I think it 
was almost the first time in my life when I fell into this train of 
reflection—how will many things that are familiar, and quite matters of 
course to us now, look when we come to see them from that new and distant 
point of view which we must all take up, one day or other? I was something 
less goodnatured, as the phrase goes, after that morning, less easy and 
complacent altogether.' 


</p>
            <p>He sat for a minute or so, drumming with one hand on the table; and resumed 
in a hurry, as if he were anxious to get rid of his confession. 


</p>
            <p>`Before I knew what to do, or whether I could do anything, there was a second 
conversation between the same two brothers, in which their sister was 
mentioned. I had no scruples of conscience in suffering all the waifs and 
strays of that conversation to float to me as freely as they would. I 
considered them mine by right. After that, I came here to see the sister for 
myself. The first time I stopped at the garden gate, I made a pretext of 
inquiring into the character of a poor neighbour; but I wandered out of that 
tract, and I think Miss Harriet mistrusted me. The second time I asked leave 
to come in; came in; and said what I wished to say. Your sister showed me 
reasons which I dared not dispute, for receiving no assistance from me then; 
but I established a means of communication between us, which remained 
unbroken until within these few days, when I was prevented, by important 
matters that have lately devolved upon me, from maintaining them.' 


</p>
            <p>`How little I have suspected this,' said John Carker, `when I have seen you 
every day, Sir! If Harriet could have guessed your name—' 


</p>
            <p>`Why, to tell you the truth, John,' interposed the visitor, `I kept it to 
myself for two reasons. I don't know that the first might have been binding 
alone; but one has no business to take credit for good intentions, and I made 
up my mind, at all events, not to disclose myself until I should be able to 
do you some real service or other. My second reason was, that I always hoped 
there might be some lingering possibility of your brother's relenting towards 
you both; and in that case, I felt that where there was the chance of a man 
of his suspicious, watchful character, discovering that you had been secretly 
befriended by me, there was the chance of a new and fatal cause of division. 
I resolved, to be sure, at the risk of turning his displeasure against 
myself—which would have been no matter—to watch my opportunity of serving 
you with the head of the House; but the distractions of death, courtship, 
marriage, and domestic unhappiness, have left us no head but your brother for 
this long, long time. And it would have been better for us,' said the 
visitor, dropping his voice, `to have been a lifeless trunk.' 


</p>
            <p>He seemed conscious that these latter words had escaped him against his will, 
and stretching out a hand to the brother, and a hand to the sister, 
continued: 


</p>
            <p>`All I could desire to say, and more, I have now said. All I mean goes beyond 
words, as I hope you understand and believe. The time has come, John—though 
most unfortunately and unhappily come—when I may help you without 
interfering with that redeeming struggle, which has lasted through so many 
years; since you were discharged from it to-day by no act of your own. It is 
late; I need say no more to-night. You will guard the treasure you have here, 
without advice or reminder from me.' 


</p>
            <p>With these words he rose to go. 


</p>
            <p>`But go you first, John,' he said good-humouredly, `with a light, without 
saying what you want to say, whatever that may be;' John Carker's heart was 
full, and he would have relieved it in speech, if he could; `and let me have 
a word with your sister. We have talked alone before, and in this room too; 
though it looks more natural with you here.' 


</p>
            <p>Following him out with his eyes, he turned kindly to Harriet, and said in a 
lower voice, and with an altered and graver manner: 


</p>
            <p>`You wish to ask me something of the man whose sister it is your misfortune 
to be.' 


</p>
            <p>`I dread to ask,' said Harriet. 


</p>
            <p>`You have looked so earnestly at me more than once,' rejoined the visitor, 
`that I think I can divine your question. Has he taken money? Is it that?' 


</p>
            <p>`Yes.' 


</p>
            <p>`He has not.' 


</p>
            <p>`I thank Heaven!' said Harriet. `For the sake of John.' 


</p>
            <p>`That he has abused his trust in many ways,' said Mr. Morfin; `that he has 
oftener dealt and speculated to advantage for himself, than for the House he 
represented; that he has led the House on, to prodigious ventures, often 
resulting in enormous losses; that he has always pampered the vanity and 
ambition of his employer, when it was his duty to have held them in check, 
and shown, as it was in his power to do, to what they tended here or other; 
will not, perhaps, surprise you now. Undertakings have been entered on, to 
swell the reputation of the house for vast resources, and to exhibit it in 
magnificent contrast to other merchants' houses, of which it requires a 
steady head to contemplate the possibly—a few disastrous changes of affairs 
might render them the probably—ruinous consequences. In the midst of the 
many transactions of the House, in most parts of the world: a great labyrinth 
of which only he has held the clue: he has had the opportunity, and he seems 
to have used it, of keeping the various results afloat, when ascertained, and 
substituting estimates and generalities for facts. But latterly—you follow 
me, Miss Harriet?' 


</p>
            <p>`Perfectly, perfectly,' she answered, with her frightened face fixed on his. 
`Pray tell me all the worst at once.' 


</p>
            <p>`Latterly, he appears to have devoted the greatest pains to making these 
results so plain and clear, that reference to the private books enables one 
to grasp them, numerous and varying as they are, with extraordinary ease. As 
if he had resolved to show his employer at one broad view what has been 
brought upon him by ministration to his ruling passion!That it has been his 
constant practice to minister to that passion basely, and to flatter it 
corruptly, is indubitable. In that, his criminality, as it is connected with 
the affairs of the House, chiefly consists.' 


</p>
            <p>`One other word before you leave me, dear Sir,' said Harriet. `There is no 
danger in all this?' 


</p>
            <p>`How danger?' he returned, with a little hesitation. 


</p>
            <p>`To the credit of the House?' 


</p>
            <p>`I cannot help answering you plainly, and trusting you completely,' said Mr. 
Morfin, after a moment's survey of her face. 


</p>
            <p>`You may. Indeed you may!' 


</p>
            <p>`I am sure I may. Danger to the House's credit? No; none. There may be 
difficulty, greater or less difficulty, but no danger, unless—unless, 
indeed—the head of the House, unable to bring his mind to the reduction of 
its enterprises, and positively refusing to believe that it is, or can be, in 
any position but the position in which he has always represented it to 
himself, should urge it beyond its strength. Then it would totter.' 


</p>
            <p>`But there is no apprehension of that?' said Harriet. 


</p>
            <p>`There shall be no half-confidence,' he replied, shaking her hand, `between 
us. Mr. Dombey is unapproachable by any one, and his state of mind is 
haughty, rash, unreasonable, and ungovernable, now. But he is disturbed and 
agitated now beyond all common bounds, and it may pass. You now know all, 
both worst and best. No more to-night, and good night!' 


</p>
            <p>With that he kissed her hand, and, passing out to the door where her brother 
stood awaiting his coming, put him cheerfully aside when he essayed to speak; 
told him that, as they would see each other soon and often, he might speak at 
another time, if he would, but there was no leisure for it then; and went 
away at a round pace, in order that no word of gratitude might follow him. 


</p>
            <p>The brother and sister sat conversing by the fireside, until it was almost 
day; made sleepless by this glimpse of the new world that opened before them, 
and feeling like two people shipwrecked long ago, upon a solitary coast, to 
whom a ship had come at last, when they were old in resignation, and had lost 
all thought of any other home. But another and different kind of disquietude 
kept them waking too. The darkness out of which this light had broken on them 
gathered around; and the shadow of their guilty brother was in the house 
where his foot had never trod. 


</p>
            <p>Nor was it to be driven out, nor did it fade before the sun. Next morning it 
was there; at noon; at night. Darkest and most distinct at night, as is now 
to be told. 


</p>
            <p>John Carker had gone out, in pursuance of a letter of appointment from their 
friend, and Harriet was left in the house alone. She had been alone some 
houses. A dull, grave evening, and a deepening twilight, were not favourable 
to the removal of the oppression on her spirits. The idea of this brother, 
long unseen and unknown, flitted about her in frightful shapes. He was dead, 
dying, calling to her, staring at her, frowning on her. The pictures in her 
mind were so obtrusive and exact that, as the twilight deepened, she dreaded 
to raise her head and look at the dark corners of the room, lest his wraith, 
the offspring of her excited imagination, should be waiting there, to startle 
her. Once she had such a fancy of his being in the next room, hiding—though 
she knew quite well what a distempered fancy it was, and had no belief in 
it—that she forced herself to go there, for her own conviction. But in vain. 
The room resumed its shadowy terrors, the moment she left it; and she had no 
more power to divest herself of these vague impressions of dread, than if 
they had been stone giants, rooted in the solid earth. 


</p>
            <p>It was almost dark, and she was sitting near the window, with her head upon 
her hand, looking down, when, sensible of a sudden increase in the gloom of 
the apartment, she raised her eyes, and uttered an involuntary cry. Close to 
the glass, a pale scared face gazed in; vacantly, for an instant, as 
searching for an object; then the eyes rested on herself, and lighted up. 


</p>
            <p>`Let me in! Let me in! I want to speak to you!' and the hand rattled on the 
glass. 


</p>
            <p>She recognised immediately the woman with the long dark hair, to whom she had 
given warmth, food, and shelter, one wet night. Naturally afraid of her, 
remembering her violent behaviour, Harriet, retreating a little from the 
window, stood undecided and alarmed. 


</p>
            <p>`Let me in! Let me speak to you! I am thankful—quiet—humble—anything you 
like. But let me speak to you.' 


</p>
            <p>The vehement manner of the entreaty, the earnest expression of the face, the 
trembling of the two hands that were raised imploringly, a certain dread and 
terror in the voice akin to her own condition at the moment, prevailed with 
Harriet. She hastened to the door and opened it. 


</p>
            <p>`May I come in, or shall I speak here?' said the woman, catching at her 
hand. 


</p>
            <p>`What is it that you want? What is it that you have to say?' 


</p>
            <p>`Not much, but let me say it out, or I shall never say it. I am tempted now 
to go away. There seem to be hands dragging me from the door. Let me come in, 
if you can trust me for this once!' 


</p>
            <p>Her energy again prevailed, and they passed into the firelight of the little 
kitchen, where she had before sat, and ate, and dried her clothes. 


</p>
            <p>`Sit there,' said Alice, kneeling down beside her, `and look at me. You 
remember me?' 


</p>
            <p>`I do.' 


</p>
            <p>`You remember what I told you I had been, and where I came from, ragged and 
lame, with the fierce wind and weather beating on my head?' 


</p>
            <p>`Yes.' 


</p>
            <p>`You know how I came back that night, and threw your money in the dirt, and 
cursed you and your race. Now, see me here, upon my knees. Am I less earnest 
now, than I was then?' 


</p>
            <p>`If what you ask,' said Harriet, gently, `is forgiveness—' 


</p>
            <p>`But it's not!' returned the other, with a proud, fierce look. `What I ask is 
to be believed. Now you shall judge if I am worthy of belief, both as I was, 
and as I am.' 


</p>
            <p>Still upon her knees, and with her eyes upon the fire, and the fire shining 
on her ruined beauty and her wild black hair, one long trees of which she 
pulled over her shoulder, and wound about her hand, and thoughtfully bit and 
tore while speaking, she went on: 


</p>
            <p>`When I was young and pretty, and this,' plucking contemptuously at the hair 
she held, `was only handled delicately, and couldn't be admired enough, my 
mother, who had not been very mindful of me as a child, found out my merits, 
and was fond of me, and proud of me. She was covetous and poor, and thought 
to make a sort of property of me. No great lady ever thought that of a 
daughter yet, I'm sure, or acted as if she did—it's never done, we all 
know—and that shows that the only instances of mothers bringing up their 
daughters wrong, and evil coming of it, are among such miserable folks as 
us.' 


</p>
            <p>Looking at the fire, as if she were forgetful, for the moment, of having any 
auditor, she continued in a dreamy way as she wound the long tress of hair 
tight round and round her hand. 


</p>
            <p>`What came of that, I needn't say. Wretched marriages don't come of such 
things, in our degree; only wretchedness and ruin. Wretchedness and ruin came 
on me—came on me.' 


</p>
            <p>Raising her eyes swiftly from their moody gaze upon the fire, to Harriet's 
face, she said: 


</p>
            <p>`I am wasting time, and there is none to spare; yet if I hadn't thought of 
all, I shouldn't be here now. Wretchedness and ruin came on me, I say. I was 
made a short-lived toy, and flung aside more cruelly and carelessly than even 
such things are. By whose hand do you think?' 


</p>
            <p>`Why do you ask me?' said Harriet. 


</p>
            <p>`Why do you tremble?' rejoined Alice, with an eager look. `His usage made a 
Devil of me. I sunk in wretchedness and ruin, lower and lower yet. I was 
concerned in a robbery—in every part of it but the gains—and was found out, 
and sent to be tried, without a friend, without a penny. Though I was but a 
girl, I would have gone to Death, sooner than ask him for a word, if a word 
of his could have saved me. I would! To any death that could have been 
invented. But my mother, covetous always, sent to him in my name, told the 
true story of my case, and humbly prayed and petitioned for a small last 
gift—for not so many pounds as I have fingers on this hand. Who was it, do 
you think, who snapped his fingers at me in my misery, lying, as he believed, 
at his feet, and left me without even this poor sign of remembrance; well 
satisfied that I should be sent abroad, beyond the reach of further trouble 
to him, and should die, and rot there? Who was this, do you think?' 


</p>
            <p>`Why do you ask me?' repeated Harriet. 


</p>
            <p>`Why do you tremble?' said Alice, laying her hand upon her arm, and looking 
in her face, `but that the answer is on your lips! It was your brother 
James.' 


</p>
            <p>Harriet trembled more and more, but did not avert her eyes from the eager 
look that rested on them. 


</p>
            <p>`When I knew you were his sister—which was on that night—I came back, weary 
and lame, to spurn your gift. I felt that night as if I could have travelled, 
weary and lame, over the whole world, to stab him, if I could have found him 
in a lonely place with no one near. Do you believe that I was earnest in all 
that?' 


</p>
            <p>`I do! Good Heaven, why are you come again?' 


</p>
            <p>`Since then,' said Alice, with the same grasp of her arm, and the same look 
in her face, `I have seen him! I have followed him with my eyes, in the broad 
day. If any spark of my resentment slumbered in my bosom, it sprung into a 
blaze when my eyes rested on him. You know he has wronged a proud man, and 
made him his deadly enemy. What if I had given information of him to that 
man?' 


</p>
            <p>`Information!' repeated Harriet. 


</p>
            <p>`What if I had found out one who knew your brother's secret; who knew the 
manner of his flight; who knew where he and the companion of his flight were 
gone? What if I had made him utter all his knowledge, word by word, before 
his enemy, concealed to hear it? What if I had sat by at the time, looking 
into this enemy's face, and seeing it change till it was scarcely human? What 
if I had seen him rush away, mad, in pursuit? What if I knew, now, that he 
was on his road, more fiend than man, and must, in so many hours, come up 
with him?' 


</p>
            <p>`Remove your hand!' said Harriet, recoiling. `Go away!Your touch is dreadful 
to me!' 


</p>
            <p>`I have done this,' pursued the other, with her eager look, regardless of the 
interruption. `Do I speak and look as if I really had? Do you believe what I 
am saying?' 


</p>
            <p>`I fear I must. Let my arm go!' 


</p>
            <p>`Not yet. A moment more. You can think what my revengeful purpose must have 
been, to last so long, and urge me to do this?' 


</p>
            <p>`Dreadful!' said Harriet. 


</p>
            <p>`Then when you see me now,' said Alice hoarsely, `here again, kneeling 
quietly on the ground, with my touch upon your arm, with my eyes upon your 
face, you may believe that there is no common earnestness in what I say, and 
that no common struggle has been battling in my breast. I am ashamed to speak 
the words, but I relent. I despise myself; I have fought with myself all day, 
and all last night; but I relent towards him without reason, and wish to 
repair what I have done, if it is possible. I wouldn't have them come 
together while his pursuer is so blind and headlong. If you had seen him as 
he went out last night, you would know the danger better.' 


</p>
            <p>`How shall it be prevented?' What can I do?' cried Harriet. 


</p>
            <p>`All night long,' pursued the other, hurriedly, `I had dreams of him—and yet 
I didn't sleep—in his blood. All day, I have had him near me.' 


</p>
            <p>`What can I do?' cried Harriet, shuddering at these words. 


</p>
            <p>`If there is any one who'll write, or send, or go to him, let them lose no 
time. He is at Dijon. Do you know the name, and where it is?' 


</p>
            <p>`Yes.' 


</p>
            <p>`Warn him that the man he has made his enemy is in a frenzy, and that he 
doesn't know him if he makes light of his approach. Tell him that he is on 
the road—I know he is!—and hurrying on. Urge him to get away while there is 
time—if there <hi>is</hi> time—and not to meet him yet. A month or so will 
make years of difference. Let them not encounter, through me. Anywhere but 
there! Any time but now! Let his foe follow him, and find him for himself, 
but not through me!There is enough upon my head without.' 


</p>
            <p>The fire ceased to be reflected in her jet black hair, uplifted face, and 
eager eyes; her hand was gone from Harriet's arm; and the place where she had 
been was empty. 

</p>
         </div>
         <div xml:id="c54" type="chapter">
            <head>CHAPTER LIV</head>
            <head>The Fugitives</head>
            <p>THE time, an hour short of midnight; the place, a French apartment, 
comprising some half-dozen rooms;—a dull cold hall or corridor, a 
dining-room a drawing-room, a bed-chamber, and an inner drawing-room, or 
boudoir, smaller and more retired than the rest. All these shut in by one 
large pair of doors on the main staircase, but each room provided with two or 
three pairs of doors of its own, establishing several means of communication 
with the remaining portion of the apartment, or with certain small passages 
within the wall, leading, as is not unusual in such houses, to some back 
stairs with an obscure outlet below. The whole situated on the first floor of 
so large an Hotel, that it did not absorb one entire row of windows upon one 
side of the square court-yard in the centre, upon which the whole four sides 
of the mansion looked. 


</p>
            <p>An air of splendour, sufficiently faded to be melancholy, and sufficiently 
dazzling to clog and embarrass the details of life with a show of state, 
reigned in these rooms. The walls and ceilings were gilded and painted; the 
floors were waxed and polished; crimson drapery hung in festoons from window, 
door, and mirror; candelabra, gnarled and intertwisted, like the branches of 
trees, or horns of animals, stuck out from the panels of the wall. But in the 
day-time, when the lattice-blinds (now closely shut) were opened, and the 
light let in, traces were discernible among this finery, of wear and tear and 
dust, of sun and damp and smoke, and lengthened intervals of want of use and 
habitation, when such shows and toys of life seem sensitive like life, and 
waste as men shut up in prison do. Even night, and clusters of burning 
candles, could not wholly efface them, though the general glitter threw them 
in the shade. 


</p>
            <p>The glitter of bright tapers, and their reflection in looking-glasses, scraps 
of gilding and gay colours, were confined, on this night, to one room—that 
smaller room within the rest, just now enumerated. Seen from the hall, where 
a lamp was feebly burning, through the dark perspective of open doors, it 
looked as shining and precious as a gem. In the heart of its radiance sat a 
beautiful woman—Edith. 


</p>
            <p>She was alone. The same defiant, scornful woman still. The cheek a little 
worn, the eye a little larger in appearance, and more lustrous, but the 
haughty bearing just the same. No shame upon her brow; no late repentance 
bending her disdainful neck. Imperious and stately yet, and yet regardless of 
herself and of all else, she sat with her dark eyes cast down, waiting for 
some one. 


</p>
            <p>No book, no work, no occupation of any kind but her own thought, beguiled the 
tardy time. Some purpose, strong enough to fill up any pause, possessed her. 
With her lips pressed together, and quivering if for a moment she released 
them from her control; with her nostril inflated; her hands clasped in one 
another; and her purpose swelling in her breast; she sat, and waited. 


</p>
            <p>At the sound of a key in the outer door, and a footstep in the hall, she 
started up, and cried `Who's that?' The answer was in French, and two men 
came in with jingling trays, to make preparation for supper. 


</p>
            <p>`Who had bade them to do so?' she asked. 


</p>
            <p>`Monsieur had commanded it, when it was his pleasure to take the apartment. 
Monsieur had said, when he stayed there for an hour, <hi>en route</hi>, and 
left the letter for Madame—Madame had received it surely?' 


</p>
            <p>`Yes.' 


</p>
            <p>`A thousand pardons! The sudden apprehension that it might have been 
forgotten had struck him;' a bald man, with a large beard from a neighbouring 
<hi>restaurant</hi>: `with despair!Monsieur had said that supper was to be 
ready at that hour: also that he had forewarned Madame of the commands he had 
given, in his letter. Monsieur had done the Golden Head the honour to request 
that the supper should be choice and delicate. Monsieur would find that his 
confidence in the Golden Head was not misplaced.' 


</p>
            <p>Edith said no more, but looked on thoughtfully while they prepared the table 
for two persons, and set the wine upon it. She arose before they had 
finished, and taking a lamp, passed into the bed-chamber and into the 
drawing-room, where she hurriedly but narrowly examined all the doors; 
particularly one in the former room that opened on the passage in the wall. 
From this she took the key, and put it on the outer side. She then came 
back. 


</p>
            <p>The men—the second of whom was a dark, bilious subject, in a jacket, close 
shaved, and with a black head of hair close cropped—had completed their 
preparation of the table, and were standing looking at it. He who had spoken 
before, inquired whether Madame thought it would be long before Monsieur 
arrived? 


</p>
            <p>`She couldn't say. It was all one.' 


</p>
            <p>`Pardon! There was the supper! It should be eaten on the instant. Monsieur 
(who spoke French like an Angel—or a Frenchman—it was all the same) had 
spoken with great emphasis of his punctuality. But the English nation had so 
grand a genius for punctuality. Ah! what noise! Great Heaven, here was 
Monsieur. Behold him!' 


</p>
            <p>In effect, Monsieur, admitted by the other of the two, came, with his 
gleaming teeth, through the dark rooms, like a mouth; and arriving in that 
sanctuary of light and colour, a figure at full length, embraced Madame, and 
addressed her in the French tongue as his charming wife. 


</p>
            <p>`My God! Madame is going to faint. Madame is overcome with joy!' The bald man 
with the beard observed it, and cried out. 


</p>
            <p>Madame had only shrunk and shivered. Before the words were spoken, she was 
standing with her hand upon the velvet back of a great chair; her figure 
drawn up to its full height, and her face immoveable. 


</p>
            <p>`François has flown over to the Golden Head for supper. He flies on these 
occasions like an angel or a bird. The baggage of Monsieur is in his room. 
All is arranged. The supper will be here this moment.' These facts the bald 
man notified with bows and smiles, and presently the supper came. 


</p>
            <p>The hot dishes were on a chafing-dish; the cold already set forth, with the 
change of service on a sideboard. Monsieur was satisfied with this 
arrangement. The supper table being small, it pleased him very well. Let them 
set the chafing-dish upon the floor, and go. He would remove the dishes with 
his own hands. 


</p>
            <p>`Pardon!' said the bald man, politely. `It was impossible!' 


</p>
            <p>Monsieur was of another opinion. He required no further attendance that 
night. 


</p>
            <p>`But Madame——'the bald man hinted. 


</p>
            <p>`Madame,' replied Monsieur, `had her own maid. It was enough.' 


</p>
            <p>`A million pardons! No! Madame had no maid!' 


</p>
            <p>`I came here alone,' said Edith. `It was my choice to do so. I am well used 
to travelling; I want no attendance. They need send nobody to me.' 


</p>
            <p>Monsieur accordingly, persevering in his first proposed impossibility, 
proceeded to follow the two attendants to the outer door, and secure it after 
them for the night. The bald man turning round to bow, as he went out, 
observed that Madame still stood with her hand upon the velvet back of the 
great chair, and that her face was quite regardless of him, though she was 
looking straight before her. 


</p>
            <p>As the sound of Carker's fastening the door resounded through the 
intermediate rooms, and seemed to come hushed and stifled into that last 
distant one, the sound of the Cathedral clock striking twelve mingled with 
it, in Edith's ears. She heard him pause, as if he heard it too and listened; 
and then came back towards her, laying a long train of footsteps through the 
silence, and shutting all the doors behind him as he came along. Her hand, 
for a moment, left the velvet chair to bring a knife within her reach upon 
the table; then she stood as she had stood before. 


</p>
            <p>`How strange to come here by yourself, my love!' he said as he entered. 


</p>
            <p>`What?' she returned. 


</p>
            <p>Her tone was so harsh; the quick turn of her head so fierce; her attitude so 
repellent; and her frown so black; that he stood, with the lamp in his hand, 
looking at her, as if she had struck him motionless. 


</p>
            <p>`I say,' he at length repeated, putting down the lamp, and smiling his most 
courtly smile, `how strange to come here alone! It was unnecessary caution 
surely, and might have defeated itself. You were to have engaged an attendant 
at Havre or Rouen, and have had abundance of time for the purpose, though you 
had been the most capricious and difficult (as you are the most beautiful, my 
love) of women.' 


</p>
            <p>Her eyes gleamed strangely on him, but she stood with her hand resting on the 
chair, and said not a word. 


</p>
            <p>`I have never,' resumed Carker, `seen you look so handsome, as you do 
to-night. Even the picture I have carried in my mind during this cruel 
probation, and which I have contemplated night and day, is exceeded by the 
reality.' 


</p>
            <p>Not a word. Not a look. Her eyes completely hidden by their drooping lashes, 
but her head held up. 


</p>
            <p>`Hard, unrelenting terms they were!'said Carker, with a smile, `but they are 
all fulfilled and passed, and make the present more delicious and more safe. 
Sicily shall be the place of our retreat. In the idlest and easiest part of 
the world, my soul, we'll both seek compensation for old slavery.' 


</p>
            <p>He was coming gaily towards her, when, in an instant, she caught the knife up 
from the table, and started one pace back. 


</p>
            <p>`Stand still' she said, `or I shall murder you!' 


</p>
            <p>The sudden change in her, the towering fury and intense abhorrence sparkling 
in her eyes and lighting up her brow, made him stop as if a fire had stopped 
him. 


</p>
            <p>`Stand still!' she said, `come no nearer me, upon your life!' 


</p>
            <p>They both stood looking at each other. Rage and astonishment were in his 
face, but he controlled them and said lightly, 


</p>
            <p>`Come, come! Tush, we are alone, and out of everybody's sight and hearing. Do 
you think to frighten me with these tricks of virtue?' 


</p>
            <p>`Do you think to frighten <hi>me</hi>,' she answered fiercely, `from any 
purpose that I have, and any course I am resolved upon, by reminding me of 
the solitude of this place, and there being no help near? Me, who am here 
alone, designedly? If I feared you, should I not have avoided you? If I 
feared you, should I be here, in the dead of night, telling you to your face 
what I am going to tell?' 


</p>
            <p>`And what is that,' he said, `you handsome shrew? Handsomer so, than any 
other woman in her best humour?' 


</p>
            <p>`I tell you nothing,' she returned, `until you go back to that chair—except 
this, once again—Don't come near me! Not a step nearer. I tell you, if you 
do, as heaven sees us, I shall murder you!' 


</p>
            <p>`Do you mistake me for your husband?' he retorted, with a grin. 


</p>
            <p>Disdaining to reply, she stretched her arm out, pointing to the chair. He bit 
his lip, frowned, laughed, and sat down in it, with a baffled, irresolute, 
impatient air, he was unable to conceal; and biting his nail nervously, and 
looking at her sideways, with bitter discomfiture, even while he feigned to 
be amused by her caprice. 


</p>
            <p>She put the knife down upon the table, and touching her bosom with her hand, 
said: 


</p>
            <p>`I have something lying here that is no love trinket; and sooner than endure 
your touch once more, I would use it on you—and you know it, while I 
speak—with less reluctance than I would on any other creeping thing that 
lives.' 


</p>
            <p>He affected to laugh jestingly, and entreated her to act her play out 
quickly, for the supper was growing cold. But the secret look with which he 
regarded her, was more sullen and lowering, and he struck his foot once upon 
the floor with a muttered oath. 


</p>
            <p>`How many times,' said Edith, bending her darkest glance upon him, `has your 
bold knavery assailed me with outrage and insult? How many times in your 
smooth manner, and mocking words and looks, have I been twitted with my 
courtship and my marriage? How many times have you laid bare my wound of love 
for that sweet, injured girl, and lacerated it? How often have you fanned the 
fire on which, for two years, I have writhed; and tempted me to take a 
desperate revenge, when it has most tortured me? 


</p>
            <p>`I have no doubt, Ma'am,' he replied, `that you have kept a good account, and 
that it's pretty accurate. Come, Edith. To your husband, poor wretch, this 
was well enough—' 


</p>
            <p>`Why, if,' she said, surveying him with a haughty contempt and disgust, that 
he shrunk under, let him brave it as he would, `if all my other reasons for 
despising him could have been blown away like feathers, his having you for 
his counsellor and favourite, would have almost been enough to hold their 
place.' 


</p>
            <p>`Is that a reason why you have run away with me?' he asked her, 
tauntingly. 


</p>
            <p>`Yes, and why we are face to face for the last time. Wretch!We meet to-night, 
and part to-night. For not one moment after I have ceased to speak, will I 
stay here!' 


</p>
            <p>He turned upon her with his ugliest look, and griped the table with his hand; 
but neither rose, nor otherwise answered or threatened her. 


</p>
            <p>`I am a woman,' she said, confronting him steadfastly, `who from her very 
childhood has been shamed and steeled. I have been offered and rejected, put 
up and appraised, until my very soul has sickened. I have not had an 
accomplishment or grace that might have been a resource to me, but it has 
been paraded and vended to enhance my value, as if the common crier had 
called it through the streets. My poor, proud friends, have looked on and 
approved; and every tie between us has been deadened in my breast. There is 
not one of them for whom I care, as I could care for a pet dog. I stand alone 
in the world, remembering well what a hollow world it has been to me, and 
what a hollow part of it I have been myself. You know this, and you know that 
my fame with it is worthless to me.' 


</p>
            <p>`Yes; I imagined that,' he said. 


</p>
            <p>`And calculated on it,' she rejoined, `and so pursued me. Grown too 
indifferent for any opposition but indifference, to the daily working of the 
hands that had moulded me to this; and knowing that my marriage would at 
least prevent their hawking of me up and down; I suffered myself to be sold 
as infamously as any woman with a halter round her neck is sold in any 
market-place. You know that.' 


</p>
            <p>`Yes,' he said, showing all his teeth. `I know that.' 


</p>
            <p>`And calculated on it,' she rejoined once more, `and so pursued me. From my 
marriage day, I found myself exposed to such new shame—to such solicitation 
and pursuit (expressed as clearly as if it had been written in the coarsest 
words, and thrust into my hand at every turn) from one mean villain, that I 
felt as if I had never known humiliation till that time. This shame my 
husband fixed upon me; hemmed me round with, himself; steeped me in, with his 
own hands, and of his own act, repeated hundreds of times. And thus—forced 
by the two from every point of rest I had—forced by the two to yield up the 
last retreat of love and gentleness within me, or to be a new misfortune on 
its innocent object—driven from each to each, and beset by one when I 
escaped the other—my anger rose almost to distraction against both. I do not 
know against which it rose higher—the master or the man!' 


</p>
            <p>He watched her closely, as she stood before him in the very triumph of her 
indignant beauty. She was resolute, he saw; undauntable; with no more fear of 
him than of a worm. 


</p>
            <p>`What should I say of honour or of chastity to you!' she went on. `What 
meaning would it have to you; what meaning would it have from me! But if I 
tell you that the lightest touch of your hand makes my blood cold with 
antipathy; that from the hour when I first saw and hated you, to now, when my 
instinctive repugnance is enhanced by every minute's knowledge of you I have 
since had, you have been a loathsome creature to me which has not its like on 
earth; how then?' 


</p>
            <p>He answered with a faint laugh, `Aye! How then, my queen?' 


</p>
            <p>`On that night, when, emboldened by the scene you had assisted at, you dared 
come to my room and speak to me,' she said, `what passed?' 


</p>
            <p>He shrugged his shoulders, and laughed again. 


</p>
            <p>`What passed?' she said. 


</p>
            <p>`Your memory is so distinct,' he returned, `that I have no doubt you can 
recall it.' 


</p>
            <p>`I can,' she said. `Hear it! Proposing then, this flight—not this flight, 
but the flight you thought it—you told me that in the having given you that 
meeting, and leaving you to be discovered there, if you so thought fit; and 
in the having suffered you to be alone with me many times before,—and having 
made the opportunities, you said,—and in the having openly avowed to you 
that I had no feeling for my husband but aversion, and no care for myself—I 
was lost; I had given you the power to traduce my name; and I lived, in 
virtuous reputation, at the pleasure of your breath.' 


</p>
            <p>`All stratagems in love—' he interrupted, smiling. `The old adage—' 


</p>
            <p>`On that night,' said Edith, `and then the struggle that I long had had with 
something that was not respect for my good fame—that was I know not 
what—perhaps the clinging to that last retreat—was ended. On the night, and 
then, I turned from every thing but passion and resentment. I struck a blow 
that laid your lofty master in the dust, and set you there, before me, 
looking at me now, and knowing what I mean.' 


</p>
            <p>He sprung up from his chair with a great oath. She put her hand into her 
bosom, and not a finger trembled, not a hair upon her head was stirred. He 
stood still: she too: the table and chair between them. 


</p>
            <p>`When I forget that this man put his lips to mine that night, and held me in 
his arms as he has done again to-night,' said Edith, pointing at him; `when I 
forget the taint of his kiss upon my cheek—the cheek that Florence would 
have laid her guiltless face against—when I forget my meeting with her, 
while that taint was hot upon me, and in what a flood the knowledge rushed 
upon me when I saw her, that in releasing her from the persecution I had 
caused by my love, I brought a shame and degradation on her name through 
mine, and in all time to come should be the solitary figure representing in 
her mind her first avoidance of a guilty creature—then, Husband, from whom I 
stand divorced henceforth, I will forget these last two years, and undo what 
I have done, and undeceive you!' 


</p>
            <p>Her flashing eyes, uplifted for a moment, lighted again on Carker, and she 
held some letters out in her left hand. 


</p>
            <p>`See these!' she said, contemptuously. `You have addressed these to me in the 
false name you go by; one here, some elsewhere on my road. The seals are 
unbroken. Take them back!' 


</p>
            <p>She crunched them in her hand, and tossed them to his feet. And as she looked 
upon him now, a smile was on her face. 


</p>
            <p>`We meet and part to-night,' she said. `You have fallen on Sicilian days and 
sensual rest, too soon. You might have cajoled, and fawned, and played your 
traitor's part, a little longer, and grown richer. You purchase your 
voluptuous retirement dear!' 


</p>
            <p>`Edith!' he retorted, menacing her with his hand. `Sit down!Have done with 
this! What devil possesses you?' 


</p>
            <p>`Their name is Legion,' she replied, uprearing her proud form as if she would 
have crushed him; `you and your master have raised them in a fruitful house, 
and they shall tear you both. False to him, false to his innocent child, 
false every way and everywhere, go forth and boast of me, and gnash your 
teeth for once to know that you are lying!' 


</p>
            <p>He stood before her muttering and menacing, and scowling round as if for 
something that would help him to conquer her; but with the same indomitable 
spirit she opposed him, without faltering. 


</p>
            <p>`In every vaunt you make,' she said, `I have my triumph. I single out in you 
the meanest man I know, the parasite and tool of the proud tyrant, that his 
wound may go the deeper and may rankle more. Boast, and revenge me on him! 
You know how you came here to-night; you know how you stand cowering there; 
you see yourself in colours quite as despicable, if not as odious, as those 
in which I see you. Boast then, and revenge me on yourself.' 


</p>
            <p>The foam was on his lips; the wet stood on his forehead. If she would have 
faltered once for only one half-moment, he would have pinioned her; but she 
was as firm as rock, and her searching eyes never left him. 


</p>
            <p>`We don't part so,' he said. `Do you think I am drivelling, to let you go in 
you mad temper?' 


</p>
            <p>`Do you think,' she answered, `that I am to be stayed?' 


</p>
            <p>`I'll try, my dear,' he said with a ferocious gesture of his head. 


</p>
            <p>`God's mercy on you, if you try by coming near me! she replied. 


</p>
            <p>`And what,' he said, `if there are none of these same boasts and vaunts on my 
part? What if I were to turn too? Come!' and his teeth fairly shone again. 
`We must make a treaty of this, or <hi>I</hi> may take some unexpected course. 
Sit down, sit down!' 


</p>
            <p>`Too late!' she cried, with eyes that seemed to sparkle fire. `I have thrown 
my fame and good name to the winds! I have resolved to bear the shame that 
will attach to me—resolved to know that it attaches falsely—that you know 
it too—and that he does not, never can, and never shall. I'll die, and make 
no sign. For this I am here alone with you, at the dead of night. For this I 
have met you here, in a false name, as your wife. For this, I have been seen 
here by those men, and left here. Nothing can save you now.' 


</p>
            <p>He would have sold his soul to root her, in her beauty, to the floor, and 
make her arms drop at her sides, and have her at his mercy. But he could not 
look at her, and not be afraid of her. He saw a strength within her that was 
resistless. He saw that she was desperate, and that her unquenchable hatred 
of him would stop at nothing. His eyes followed the hand that was put with 
such rugged uncongenial purpose into her white bosom, and he thought that if 
it struck at him, and failed, it would strike there, just as soon. 


</p>
            <p>He did not venture, therefore, to advance towards her: but the door by which 
he had entered was behind him, and he stepped back to lock it. 


</p>
            <p>`Lastly, take my warning! Look to yourself!' she said, and smiled again. `You 
have been betrayed, as all betrayers are. It has been made known that you are 
in this place, or were to be, or have been. If I live, I saw my husband in a 
carriage in the street to-night!' 


</p>
            <p>`Strumpet, it's false!' cried Carker. 


</p>
            <p>At the moment, the bell rang loudly in the hall. He turned white, as she held 
her hand up like an enchantress, at whose invocation the sound had come. 


</p>
            <p>`Hark! do you hear it?' 


</p>
            <p>He set his back against the door; for he saw a change in her, and fancied she 
was coming on to pass him. But, in a moment, she was gone through the 
opposite doors communicating with the bed-chamber, and they shut upon her. 


</p>
            <p>Once turned, once changed in her inflexible unyielding look, he felt that he 
could cope with her. He thought a sudden terror, occasioned by this 
night-alarm, had subdued her; not the less readily, for her overwrought 
condition. Throwing open the doors, he followed, almost instantly. 


</p>
            <p>But the room was dark; and as she made no answer to his call, he was fain to 
go back for the lamp. He held it up, and looked round everywhere, expecting 
to see her crouching in some corner; but the room was empty. So, into the 
drawing-room and dining-room he went, in succession, with the uncertain steps 
of a man in a strange place; looking fearfully about, and prying behind 
screens and couches; but she was not there. No, nor in the hall, which was so 
bare that he could see that, at a glance. 


</p>
            <p>All this time, the ringing at the bell was constantly renewed; and those 
without were beating at the door. He put his lamp down at a distance, and 
going near it, listened. There were several voices talking together: at least 
two of them in English; and though the door was thick, and there was great 
confusion, he knew one of these too well to doubt whose voice it was. 


</p>
            <p>He took up his lamp again, and came back quickly through all the rooms, 
stopping as he quitted each, and looking round for her, with the light raised 
above his head. He was standing thus in the bed-chamber, when the door, 
leading to the little passage in the wall, caught his eye. He went to it, and 
found it fastened on the other side; but she had dropped a veil in going 
through, and shut it in the door. 


</p>
            <p>All this time the people on the stairs were ringing at the bell, and knocking 
with their hands and feet. 


</p>
            <p>He was not a coward: but these sounds; what had gone before; the strangeness 
of the place, which had confused him, even in his return from the hall; the 
frustration of his schemes (for, strange to say, he would have been much 
bolder, if they had succeeded); the unseasonable time; the recollection of 
having no one near to whom he could appeal for any friendly office; above 
all, the sudden sense, which made even his heart beat like lead, that the man 
whose confidence he had outraged, and whom he had so treacherously deceived, 
was there to recognise and challenge him with his mask plucked off his face; 
struck a panic through him. He tried the door in which the veil was shut, but 
couldn't force it. He opened one of the windows, and looked down through the 
lattice of the blind, into the court-yard; but it was a high leap, and the 
stones were pitiless. 


</p>
            <p>The ringing and knocking still continuing—his panic too—he went back to the 
door in the bed-chamber, and with some new efforts, each more stubborn than 
the last, wrenched it open. Seeing the little staircase not far off, and 
feeling the night-air coming up, he stole back for his hat and coat, made the 
door as secure after him as he could, crept down lamp in hand, extinguished 
it on seeing the street, and having put it in a corner, went out where the 
stars were shining. 

</p>
         </div>
         <div xml:id="c55" type="chapter">
            <head>CHAPTER LV</head>
            <head>Rob the Grinder loses his Place</head>
            <p>THE porter at the iron gate which shut the court-yard from the street, had 
left the little wicket of his house open, and was gone away; no doubt to 
mingle in the distant noise at the door of the great staircase. Lifting the 
latch softly, Carker crept out, and shutting the jangling gate after him with 
as little noise as possible, hurried off. 


</p>
            <p>In the fever of his mortification and unavailing rage, the panic that had 
seized upon him mastered him completely. It rose to such a height that he 
would have blindly encountered almost any risk, rather than meet the man of 
whom, two hours ago, he had been utterly regardless. His fierce arrival, 
which he had never expected; the sound of his voice; their having been so 
near a meeting, face to face, he would have braved out this, after the first 
momentary shock of alarm, and would have put as bold a front upon his guilt 
as any villain. But the springing of his mine upon himself, seemed to have 
rent and shivered all his hardihood and self-reliance. Spurned like any 
reptile; entrapped and mocked; turned upon, and trodden down by the proud 
woman whose mind he had slowly poisoned, as he thought, until she had sunk 
into the mere creature of his pleasure; undeceived in his deceit, and with 
his fox's hide stripped off, he sneaked away, abashed, degraded, and 
afraid. 


</p>
            <p>Some other terror came upon him quite removed from this of being pursued, 
suddenly, like an electric shock, as he was creeping through the streets. 
Some visionary terror, unintelligible and inexplicable, associated with a 
trembling of the ground,—a rush and sweep of something through the air, like 
Death upon the wing. He shrunk, as if to let the thing go by. It was not 
gone, it never had been there, yet what a startling horror it had left 
behind. 


</p>
            <p>He raised his wicked face, so full of trouble, to the night sky, where the 
stars, so full of peace, were shining on him as they had been when he first 
stole out into the air; and stopped to think what he should do. The dread of 
being hunted in a strange remote place, where the laws might not protect 
him—the novelty of the feeling that it <hi>was</hi> strange and remote, 
originating in his being left alone so suddenly amid the ruins of his 
plans—his greater dread of seeking refuge now, in Italy or in Sicily, where 
men might be hired to assassinate him, he thought, at any dark street 
corner—the waywardness of guilt and fear—perhaps some sympathy of action 
with the turning back of all his schemes—impelled him to turn back too, and 
go to England. 


</p>
            <p>`I am safer there, in any case. If I should not decide,' he thought, `to give 
this fool a meeting, I am less likely to be traced there, than abroad here, 
now. And if I should (this cursed fit being over), at least I shall not be 
alone, without a soul to speak to, or advise with, or stand by me. I shall 
not be run in upon and worried like a rat.' 


</p>
            <p>He muttered Edith's name, and clenched his hand. As he crept along, in the 
shadow of the massive buildings, he set his teeth, and muttered dreadful 
imprecations on her head, and looked from side to side, as if in search of 
her. Thus, he stole on to the gate of an inn-yard. The people were a-bed; but 
his ringing at the bell soon produced a man with a lantern, in company with 
whom he was presently in a dim coach-house, bargaining for the hire of an old 
phaeton, to Paris. 


</p>
            <p>The bargain was a short one; and the horses were soon sent for. Leaving word 
that the carriage was to follow him when they came, he stole away again, 
beyond the town, past the old ramparts, out on the open road, which seemed to 
glide away along the dark plain, like a stream. 


</p>
            <p>Whither did it flow? What was the end of it? As he paused, with some such 
suggestion within him, looking over the gloomy flat where the slender trees 
marked out the way, again that flight of Death came rushing up, again went 
on, impetuous and resistless, again was nothing but a horror in his mind, 
dark as the scene and undefined as its remotest verge. 


</p>
            <p>There was no wind; there was no passing shadow on the deep shade of the 
night; there was no noise. The city lay behind him, lighted here and there, 
and starry worlds were hidden by the masonry of spire and roof that hardly 
made out any shapes against the sky. Dark and lonely distance lay around him 
everywhere, and the clocks were faintly striking two. 


</p>
            <p>He went forward for what appeared a long time, and a long way; often stopping 
to listen. At last the ringing of horses' bells greeted his anxious ears. Now 
softer, and now louder, now inaudible, now ringing very slowly over bad 
ground, now brisk and merry, it came on; until with a loud shouting and 
lashing, a shadowy postillion muffled to the eyes, checked his four 
struggling horses at his side. 


</p>
            <p>`Who goes there! Monsieur?' 


</p>
            <p>`Yes.' 


</p>
            <p>`Monsieur has walked a long way in the dark midnight.' 


</p>
            <p>`No matter. Every one to his taste. Were there any other horses ordered at 
the Post-house?' 


</p>
            <p>`A thousand devils!—and pardons! other horses? at this hour? No.' 


</p>
            <p>`Listen, my friend. I am much hurried. Let us see how fast we can travel! The 
faster, the more money there will be to drink. Off we go then! Quick!' 


</p>
            <p>`Halloa! whoop! Halloa! Hi!' Away, at a gallop, over the black landscape, 
scattering the dust and dirt like spray! 


</p>
            <p>The clatter and commotion echoed to the hurry and discordance of the 
fugitive's ideas. Nothing clear without, and nothing clear within. Objects 
flitting past, merging into one another, dimly descried, confusedly lost 
sight of, gone!Beyond the changing scraps of fence and cottage immediately 
upon the road, a lowering waste. Beyond the shifting images that rose up in 
his mind and vanished as they showed themselves, a black expanse of dread and 
rage and baffled villany. Occasionally, a sigh of mountain air came from the 
distant Jura, fading along the plain. Sometimes that rush which was so 
furious and horrible, again came sweeping through his fancy, passed away, and 
left a chill upon his blood. 


</p>
            <p>The lamps, gleaming on the medley of horses' heads, jumbled with the shadowy 
driver, and the fluttering of his cloak, made a thousand indistinct shapes, 
answering to his thoughts. Shadows of familiar people, stooping at their 
desks and books, in their remembered attitudes; strange apparitions of the 
man whom he was flying from, or of Edith; repetitions in the ringing bells 
and rolling wheels, of words that had been spoken; confusions of time and 
place, making last night a month ago, a month ago last night—home now 
distant beyond hope, now instantly accessible; commotion, discord, hurry, 
darkness, and confusion in his mind, and all around him.—Hallo! Hi! away at 
a gallop over the black landscape; dust and dirt flying like spray, the 
smoking horses snorting and plunging as if each of them were ridden by a 
demon, away in a frantic triumph on the dark road—whither? 


</p>
            <p>Again the nameless shock comes speeding up, and as it passes, the bells ring 
in his ears `whither?' The wheels roar in his ears `whither?' All the noise 
and rattle shapes itself into that cry. The lights and shadows dance upon the 
horses' heads like imps. No stopping now: no slackening! On, on! Away with 
him upon the dark road wildly! 


</p>
            <p>He could not think to any purpose. He could not separate one subject of 
reflection from another, sufficiently to dwell upon it, by itself, for a 
minute at a time. The crash of his project for the gaining of a voluptuous 
compensation for past restraint; the overthrow of his treachery to one who 
had been true and generous to him, but whose least proud word and look he had 
treasured up, at interest, for years—for false and subtle men will always 
secretly despise and dislike the object upon which they fawn, and always 
resent the payment and receipt of homage that they know to be worthless; 
these were the themes uppermost in his mind. A lurking rage against the woman 
who had so entrapped him and avenged herself was always there; crude and 
misshapen schemes of retaliation upon her, floated in his brain; but nothing 
was distinct. A hurry and contradiction pervaded all his thoughts. Even while 
he was so busy with this fevered, ineffectual thinking, his one constant idea 
was, that he would postpone reflection until some indefinite time. 


</p>
            <p>Then, the old days before the second marriage rose up in his remembrance. He 
thought how jealous he had been of the boy, how jealous he had been of the 
girl, how artfully he had kept intruders at a distance, and drawn a circle 
round his dupe that none but himself should cross; and then he thought, had 
he done all this to be flying now, like a scared thief, from only the poor 
dupe? 


</p>
            <p>He could have laid hands upon himself for his cowardice, but it was the very 
shadow of his defeat, and could not be separated from it. To have his 
confidence in his own knavery so shattered at a blow—to be within his own 
knowledge such a miserable tool—was like being paralysed. With an impotent 
ferocity he raged at Edith, and hated Mr. Dombey and hated himself, but still 
he fled, and could do nothing else. 


</p>
            <p>Again and again he listened for the sound of wheels behind. Again and again 
his fancy heard it, coming on louder and louder. At last he was so persuaded 
of this, that he cried out, `Stop!' preferring even the loss of ground to 
such uncertainty. 


</p>
            <p>The word soon brought carriage, horses, driver, all in a heap together, 
across the road. 


</p>
            <p>`The devil!' cried the driver, looking over his shoulder, `what's the 
matter?' 


</p>
            <p>`Hark! What's that?' 


</p>
            <p>`What?' 


</p>
            <p>`That noise?' 


</p>
            <p>`Ah Heaven, be quiet, cursed brigand!' to a horse who shook his bells. `What 
noise?' 


</p>
            <p>`Behind. Is it not another carriage at a gallop? There!what's that?' 


</p>
            <p>`Miscreant with a pig's head, stand still!' to another horse, who bit 
another, who frightened the other two, who plunged and backed. `There is 
nothing coming.' 


</p>
            <p>`Nothing.' 


</p>
            <p>`No, nothing but the day yonder.' 


</p>
            <p>`You are right, I think. I hear nothing now, indeed. Go on!' 


</p>
            <p>The entangled equipage, half hidden in the reeking cloud from the horses, 
goes on slowly at first, for the driver, checked unnecessarily in his 
progress, sulkily takes out a pocket-knife, and puts a new lash to his whip. 
Then `Hallo, whoop! Hallo, hi!' Away once more, savagely. 


</p>
            <p>And now the stars faded, and the day glimmered, and standing in the carriage, 
looking back, he could discern the track by which he had come, and see that 
there was no traveller within view, on all the heavy expanse. And soon it was 
broad day, and the sun began to shine on cornfields and vineyards; and 
solitary labourers, risen from little temporary huts by heaps of stones upon 
the road, were, here and there, at work repairing the highway, or eating 
bread. By and by, there were peasants going to their daily labour, or to 
market, or lounging at the doors of poor cottages, gazing idly at him as he 
passed. An then there was a postyard, ankle-deep in mud, with steaming 
dunghills and vast outhouses half ruined; and looking on this dainty 
prospect, an immense, old shadeless, glaring, stone chateau, with half its 
windows blinded, and green damp crawling lazily over it, from the balustraded 
terrace to the taper tips of the extinguishers upon the turrets. 


</p>
            <p>Gathered up moodily in a corner of the carriage, and only intent on going 
fast—except when he stood up, for a mile together, and looked back; which he 
would do whenever there was a piece of open country—he went on, still 
postponing thought indefinitely, and still always tormented with thinking to 
no purpose. 


</p>
            <p>Shame, disappointment, and discomfiture gnawed at his heart; a constant 
apprehension of being overtaken, or met—for he was groundlessly afraid even 
of travellers, who came towards him by the way he was going—oppressed him 
heavily. The same intolerable awe and dread that had come upon his in the 
night, returned unweakened in the day. The monotonous ringing of the bells 
and tramping of the horses; the monotony of his anxiety, and useless rage; 
the monotonous wheel of fear, regret, and passion, he kept turning round and 
round; made the journey like a vision, in which nothing was quite real but 
his own torment. 


</p>
            <p>It was a vision of long roads; that stretched away to an horizon, always 
receding and never gained; of ill-paved towns, up hill and down, where faces 
came to dark doors and ill-glazed windows, and where rows of mud-bespattered 
cows and oxen were tied up for sale in the long narrow streets, butting and 
lowing, and receiving blows on their blunt heads from bludgeons that might 
have beaten them in; of bridges, crosses, churches, postyards, new horses 
being put in against their wills, and the horses of the last stage reeking, 
panting, and laying their drooping heads together dolefully at stable doors; 
of little cemeteries with black crosses settled sideways in the graves, and 
withered wreaths upon them dropping away; again of long, long roads, dragging 
themselves out, up hill and down, to the treacherous horizon. 


</p>
            <p>Of morning, noon, and sunset; night, and the rising of an early moon. Of long 
roads temporarily left behind, and a rough pavement reached; of battering and 
clattering over it, and looking up, among house-roofs, at a great 
church-tower; of getting out and eating hastily, and drinking draughts of 
wine that had no cheering influence; of coming forth afoot, among a host of 
beggars—blind men with quivering eyelids, led by old women holding candles 
to their faces; idiot girls; the lame, the epileptic, and the palsied—of 
passing through the clamour, and looking from his seat at the upturned 
countenances and outstretched hands, with a hurried dread of recognising some 
pursuer pressing forward—of galloping away again, upon the long, long road, 
gathered up, dull and stunned, in his corner, or rising to see where the moon 
shone faintly on a patch of the same endless road miles away, or looking back 
to see who followed. 


</p>
            <p>Of never sleeping, but sometimes dozing with unclosed eyes, and springing up 
with a start, and a reply aloud to an imaginary voice. Of cursing himself for 
being there, for having fled, for having let her go, for not having 
confronted and defied him. Of having a deadly quarrel with the whole world, 
but chiefly with himself. Of blighting everything with his black mood as he 
was carried on and away. 


</p>
            <p>It was a fevered vision of things past and present all confounded together; 
of his life and journey blended into one. Of being madly hurried somewhere, 
whither he must go. Of old scenes starting up among the novelties through 
which he travelled. Of musing and brooding over what was past and distant, 
and seeming to take no notice of the actual objects he encountered, but with 
a wearisome exhausting consciousness of being bewildered by them, and having 
their images all crowded in his hot brain after they were gone. 


</p>
            <p>A vision of change upon change, and still the same monotony of bells and 
wheels, and horses' feet, and no rest. Of town and country, postyards, 
horses, drivers, hill and valley, light and darkness, road and pavement, 
height and hollow, wet weather and dry, and still the same monotony of bells 
and wheels, and horses' feet, and no rest. A vision of tending on at last, 
towards the distant capital, by busier roads, and sweeping round, by old 
cathedrals, and dashing through small towns and villages, less thinly 
scattered on the road than formerly, and sitting shrouded in his corner, with 
his cloak up to his face, as people passing by looked at him. 


</p>
            <p>Of rolling on and on, always postponing thought, and always racked with 
thinking; of being unable to reckon up the hours he had been upon the road, 
or to comprehend the points of time and place in his journey. Of being 
parched and giddy, and half mad. Of pressing on, in spite of all, as if he 
could not stop, and coming into Paris, where the turbid river held its swift 
course undisturbed, between two brawling streams of life and motion. 


</p>
            <p>A troubled vision, then, of bridges, quays, interminable streets; of 
wine-shops, water-carriers, great crowds of people, soldiers, coaches, 
military drums, arcades. Of the monotony of bells and wheels and horses' feet 
being at length lost in the universal din and uproar. Of the gradual 
subsidence of that noise as he passed out in another carriage by a different 
barrier from that by which he had entered. Of the restoration, as he 
travelled on towards the sea-coast, of the monotony of bells and wheels, and 
horses' feet, and no rest. 


</p>
            <p>Of sunset once again, and nightfall. Of long roads again, and dead of night, 
and feeble lights in windows by the road-side; and still the old monotony of 
bells and wheels, and horses'feet, and no rest. Of dawn, and daybreak, and 
the rising of the sun. Of toiling slowly up a hill, and feeling on its top 
the fresh sea-breeze; and seeing the morning light upon the edges of the 
distant waves. Of coming down into a harbour when the tide was at its full, 
and seeing fishing-boats float on, and glad women and children waiting for 
them. Of nets and seamen's clothes spread out to dry upon the shore; of busy 
sailors, and their voices high among ships' masts and rigging; of the 
buoyancy and brightness of the water, and the universal sparkling. 


</p>
            <p>Of receding from the coast, and looking back upon it from the deck when it 
was a haze upon the water, with here and there a little opening of bright 
land where the Sun struck. Of the swell, and flash, and murmur of the calm 
sea. Of another grey line on the ocean, on the vessel's track, fast growing 
clearer and higher. Of cliffs and buildings, and a windmill, and a church, 
becoming more and more visible upon it. Of steaming on at last into smooth 
water, and mooring to a pier whence groups of people looked down, greeting 
friends on board. Of disembarking, passing among them quickly, shunning every 
one; and of being at last again in England. 


</p>
            <p>He had thought, in his dream, of going down into a remote country-place he 
knew, and lying quiet there, while he secretly informed himself of what 
transpired, and determined how to act. Still in the same stunned condition, 
he remembered a certain station on the railway, where he would have to branch 
off to his place of destination, and where there was a quiet Inn. Here, he 
indistinctly resolved to tarry and rest. 


</p>
            <p>With this purpose he slunk into a railway carriage as quickly as he could, 
and lying there wrapped in his cloak as if he were asleep, was soon borne far 
away from the sea, and deep into the inland green. Arrived at his destination 
he looked out, and surveyed it carefully. He was not mistaken in his 
impression of the place. It was a retired spot, on the borders of a little 
wood. Only one house, newly-built or altered for the purpose, stood there, 
surrounded by its neat garden; the small town that was nearest, was some 
miles away. Here he alighted then; and going straight into the tavern, 
unobserved by any one, secured two rooms upstairs communicating with each 
other, sufficiently retired. 


</p>
            <p>His object was to rest, and recover the command of himself, and the balance 
of his mind. Imbecile discomfiture and rage—so that, as he walked about his 
room, he ground his teeth—had complete possession of him. His thoughts, not 
to be stopped or directed, still wandered where they would, and dragged him 
after them. He was stupefied, and he was wearied to death. 


</p>
            <p>But, as if there were a curse upon him that he should never rest again, his 
drowsy senses would not lose their consciousness. He had no more influence 
with them in this regard, than if they had been another man's. It was not 
that they forced him to take note of present sounds and objects, but that 
they would not be diverted from the whole hurried vision of his journey. It 
was constantly before him all at once. She stood there, with her dark 
disdainful eyes again upon him; and he was riding on nevertheless, through 
town and country, light and darkness, wet weather and dry, over road and 
pavement, hill and valley, height and hollow, jaded and scared by the 
monotony of bells and wheels, and horses' feet, and no rest. 


</p>
            <p>`What day is this?' he asked of the waiter, who was making preparations for 
his dinner. 


</p>
            <p>`Day, Sir?' 


</p>
            <p>`Is it Wednesday?' 


</p>
            <p>`Wednesday, Sir? No, Sir. Thursday, Sir.' 


</p>
            <p>`I forgot. How goes the time? My watch is unwound.' 


</p>
            <p>`Wants a few minutes of five o'clock, Sir. Been travelling a long time, Sir, 
perhaps?' 


</p>
            <p>`Yes.' 


</p>
            <p>`By rail, Sir?' 


</p>
            <p>`Yes.' 


</p>
            <p>`Very confusing, Sir. Not much in the habit of travelling by rail myself, 
Sir, but gentlemen frequently say so.' 


</p>
            <p>`Do many gentlemen come here?' 


</p>
            <p>`Pretty well, Sir, in general. Nobody here at present. Rather slack just now, 
Sir. Everything <hi>is</hi> slack, Sir.' 


</p>
            <p>He made no answer; but had risen into a sitting posture on the sofa where he 
had been lying, and leaned forward with an arm on each knee, staring at the 
ground. He could not master his own attention for a minute together. It 
rushed away where it would, but it never, for an instant, lost itself in 
sleep. 


</p>
            <p>He drank a quantity of wine after dinner, in vain. No such artificial means 
would bring sleep to his eyes. His thoughts, more incoherent, dragged him 
more unmercifully after them—as if a wretch, condemned to such expiation, 
were drawn at the heels of wild horses. No oblivion, and no rest. 


</p>
            <p>How long he sat, drinking and brooding, and being dragged in imagination 
hither and thither, no one could have told less correctly than he. But he 
knew that he had been sitting a long time by candle-light, when he started up 
and listened, in a sudden terror. 


</p>
            <p>For now, indeed, it was no fancy. The ground shook, the house rattled, the 
fierce impetuous rush was in the air! He felt it come up, and go darting by; 
and even when he had hurried to the window, and saw what it was, he stood, 
shrinking from it, as if it were not safe to look. 


</p>
            <p>A curse upon the fiery devil, thundering along so smoothly, tracked through 
the distant valley by a glare of light and lurid smoke, and gone! He felt as 
if he had been plucked out of its path, and saved from being torn asunder. It 
made him shrink and shudder even now, when its faintest hum was hushed, and 
when the lines of iron road he could trace in the moonlight, running to a 
point, were as empty and as silent as a desert. 


</p>
            <p>Unable to rest, and irresistibly attracted—or he thought so—to this road, 
he went out and lounged on the brink of it, marking the way the train had 
gone, by the yet smoking cinders that were lying in its track. After a lounge 
of some half hour in the direction by which it had disappeared, he turned and 
walked the other way—still keeping to the brink of the road—past the inn 
garden, and a long way down; looking curiously at the bridges, signals, 
lamps, and wondering when another Devil would come by. 


</p>
            <p>A trembling of the ground, and quick vibration in his ears; a distant shriek; 
a dull light advancing, quickly changed to two red eyes, and a fierce fire, 
dropping glowing coals; an irresistible bearing on of a great roaring and 
dilating mass; a high wind, and a rattle—another come and gone, and he 
holding to a gate, as if to save himself! 


</p>
            <p>He waited for another, and for another. He walked back to his former point, 
and back again to that, and still, through the wearisome vision of his 
journey, looked for these approaching monsters. He loitered about the 
station, waiting until one should stay to call there; and when one did, and 
was detached for water, he stood parallel with it, watching its heavy wheels 
and brazen front, and thinking what a cruel power and might it had. Ugh! To 
see the great wheels slowly turning, and to think of being run down and 
crushed! 


</p>
            <p>Disordered with wine and want of rest—that want which nothing, although he 
was so weary, would appease—these ideas and objects assumed a diseased 
importance in his thoughts. When he went back to his room, which was not 
until near midnight, they still haunted him, and he sat listening for the 
coming of another. 


</p>
            <p>So in his bed, whither he repaired with no hope of sleep. He still lay 
listening; and when he felt the trembling and vibration, got up and went to 
the window, to watch (as he could from its position) the dull light changing 
to the two red eyes, and the fierce fire dropping glowing coals, and the rush 
of the giant as it fled past, and the track of glare and smoke along the 
valley. Then he would glance in the direction by which he intended to depart 
at sunrise, as there was no rest for him there; and would lie down again, to 
be troubled by the vision of his journey, and the old monotony of bells and 
wheels and horses' feet, until another came. This lasted all night. So far 
from resuming the mastery of himself, he seemed, if possible, to lose it more 
and more, as the night crept on. When the dawn appeared, he was still 
tormented with thinking, still postponing thought until he should be in a 
better state; the past, present, and future, all floated confusedly before 
him, and he had lost all power of looking steadily at any one of them. 


</p>
            <p>`At what time,' he asked the man who had waited on him over-night, now 
entering with a candle, `do I leave here, did you say?' 


</p>
            <p>`About a quarter after four, Sir. Express comes through at four, Sir.—It 
don't stop.' 


</p>
            <p>He passed his hand across his throbbing head, and looked at his watch. Nearly 
half-past three. 


</p>
            <p>`Nobody going with you, Sir, probably,' observed the man. `Two gentlemen 
here, Sir, but they're waiting for the train to London.' 


</p>
            <p>`I thought you said there was nobody here,' said Carker, turning upon him 
with the ghost of his old smile, when he was angry or suspicious. 


</p>
            <p>`Not then, Sir. Two gentlemen came in the night by the short train that stops 
here, Sir. Warm water, Sir?' 


</p>
            <p>`No; and take away the candle. There's day enough for me.' 


</p>
            <p>Having thrown himself upon the bed, half-dressed, he was at the window as the 
man left the room. The cold light of morning had succeeded to night, and 
there was already, in the sky, the red suffusion of the coming sun. He bathed 
his head and face with water—there was no cooling influence in it for 
him—hurriedly put on his clothes, paid what he owed, and went out. 


</p>
            <p>The air struck chill and comfortless, as it breathed upon him. There was a 
heavy dew; and, hot as he was, it made him shiver. After a glance at the 
place where he had walked last night, and at the signal-lights burning feebly 
in the morning, and bereft of their significance, he turned to where the sun 
was rising, and beheld it, in its glory, as it broke upon the scene. 


</p>
            <p>So awful, so transcendent in its beauty, so divinely solemn. As he cast his 
faded eyes upon it, where it rose, tranquil and serene, unmoved by all the 
wrong and wickedness on which its beams had shone since the beginning of the 
world, who shall say that some weak sense of virtue upon Earth, and its 
reward in Heaven, did not manifest itself, even to him? If ever he remembered 
sister or brother with a touch of tenderness and remorse, who shall say it 
was not then? 


</p>
            <p>He needed some such touch then. Death was on him. He was marked off from the 
living world, and going down into his grave. 


</p>
            <p>He paid the money for his journey to the country-place he had thought of; and 
was walking to and fro, alone, looking along the lines of iron, across the 
valley in one direction, and towards a dark bridge near at hand in the other; 
when, turning in his walk, where it was bounded by one end of the wooden 
stage on which he paced up and down, he saw the man from whom he had fled, 
emerging from the door by which he himself had entered there. And their eyes 
met. 


</p>
            <p>In the quick unsteadiness of the surprise, he staggered, and slipped on to 
the road below him. But recovering his feet immediately, he stepped back a 
pace or two upon that road, to interpose some wider space between them, and 
looked at his pursuer, breathing short and quick. 


</p>
            <p>He heard a shout—another—saw the face change from its vindictive passion to 
a faint sickness and terror—felt the earth tremble—knew in a moment that 
the rush was come—uttered a shriek—looked round—saw the red eyes, bleared 
and dim, in the daylight, close upon him—was beaten down, caught up, and 
whirled away upon a jagged mill, that spun him round and round, and struck 
him limb from limb, and licked his stream of life up with its fiery heat, and 
cast his mutilated fragments in the air. 


</p>
            <p>When the traveller, who had been recognised, recovered from a swoon, he saw 
them bringing from a distance something covered, that lay heavy and still, 
upon a board, between four men, and saw that others drove some dogs away that 
sniffed upon the road, and soaked his blood up, with a train of ashes. 

</p>
         </div>
         <div xml:id="c56" type="chapter">
            <head>CHAPTER LVI</head>
            <head>Several People delighted, and the Game Chicken disgusted</head>
            <p>THE Midshipman was all alive. Mr. Toots and Susan had arrived at last. Susan 
has run up 
stairs like a young woman bereft of her senses, and Mr. Toots and the Chicken 
had gone 
into the parlour. 


</p>
            <p>`Oh my own pretty darling sweet Miss Floy!' cried the Nipper, running into 
Florence's 
room, `to think that it should come to this and I should find you here my own 
dear dove 
with nobody to wait upon you and no home to call your own but never never 
will I go 
away again Miss Floy for though I may not gather moss I'm not a rolling stone 
nor is my 
heart a stone or else it wouldn't bust as it is busting now oh dear oh 
dear!' 


</p>
            <p>Pouring out these words, without the faintest indication of a stop, of any 
sort, Miss 
Nipper, on her knees beside her mistress, hugged her close. 


</p>
            <p>`Oh love!' cried Susan, `I know all that's past I know it all my tender pet 
and I'm a 
choking give me air!' 


</p>
            <p>`Susan, dear good Susan!' said Florence. 


</p>
            <p>`Oh bless her! I that was her little maid when she was a little child! and is 
she really, 
really truly going to be married?' exclaimed Susan, in a burst of pain and 
pleasure, pride 
and grief, and Heaven knows how many other conflicting feelings. 


</p>
            <p>`Who told you so?' said Florence. 


</p>
            <p>`Oh gracious me! that innocentest creetur Toots,' returned Susan 
hysterically. `I knew he 
must be right my dear because he took on so. He's the devotedest and 
innocentest 
infant!And is my darling,' pursued Susan, with another close embrace and 
burst of tears, 
`really really going to be married!' 


</p>
            <p>The mixture of compassion, pleasure, tenderness, protection, and regret with 
which the 
Nipper constantly recurred to this subject, and at every such recurrence, 
raised her head to 
look in the young face and kiss it, and then laid her head again upon her 
mistress's 
shoulder, caressing her and sobbing, was as womanly and good a thing, in its 
way, as ever 
was seen in the world. 


</p>
            <p>`There, there!' said the soothing voice of Florence presently. `Now you're 
quite yourself, 
dear Susan!' 


</p>
            <p>Miss Nipper, sitting down upon the floor, at her mistress's feet, laughing 
and sobbing, 
holding her pocket-handkerchief to her eyes with one hand, and patting 
Diogenes with the 
other as he licked her face, confessed to being more composed, and laughed 
and cried a 
little more in proof of it. 


</p>
            <p>`I—I—I never did see such a creetur as that Toots,' said Susan, `in all my 
born days 
never!' 


</p>
            <p>`So kind,' suggested Florence. 


</p>
            <p>`And so comic!' Susan sobbed. `The way he's been going on inside with me with 
that 
disrespectable Chicken on the box!' 


</p>
            <p>`About what, Susan?' inquired Florence timidly. 


</p>
            <p>`Oh about Lieutenant Walters, and Captain Gills, and you my dear Miss Floy, 
and the 
silent tomb,' said Susan. 


</p>
            <p>`The silent tomb!' repeated Florence. 


</p>
            <p>`He says,' here Susan burst into a violent hysterical laugh, `that he'll go 
down into it now 
immediately and quite comfortable, but bless your heart my dear Miss Floy he 
won't, he's 
a great deal too happy in seeing other people happy for that, he may not be a 
Solomon,' 
pursued the Nipper, with her usual volubility, `nor do I say he is but this I 
do say a less 
selfish human creature human nature never knew!' 


</p>
            <p>Miss Nipper being still hysterical, laughed immoderately after making this 
energetic 
declaration, and then informed Florence that he was waiting below to see her; 
which 
would be a rich repayment for the trouble he had had in his late 
expedition. 


</p>
            <p>Florence entreated Susan to beg of Mr. Toots as a favour that she might have 
the pleasure 
of thanking him for his kindness; and Susan, in a few moments, produced that 
young 
gentleman, still very much dishevelled in appearance, and stammering 
exceedingly. 


</p>
            <p>`Miss Dombey,' said Mr. Toots. `To be again permitted to—to—gaze—at least, 
not to gaze, 
but—I don't exactly know what I was going to say, but it's of no 
consequence.' 


</p>
            <p>`I have to thank you so often,' returned Florence, giving him both her hands, 
with all her 
innocent gratitude beaming in her face, `that I have no words left, and don't 
know how to 
do it.' 


</p>
            <p>`Miss Dombey,' said Mr. Toots, in an awful voice, `if it was possible that 
you could, 
consistently with your angelic nature, Curse me, you would—if I may be 
allowed to say 
so—floor me infinitely less, than by these undeserved expressions of 
kindness. Their effect 
upon me—is—but,' said Mr. Toots, abruptly, `this is a digression, and's of 
no consequence 
at all.' 


</p>
            <p>As there seemed to be no means of replying to this, but by thanking him 
again, Florence 
thanked him again. 


</p>
            <p>`I could wish,' said Mr. Toots, `to take this opportunity, Miss Dombey, if I 
might, of 
entering into a word of explanation. I should have had the pleasure of—of 
returning with 
Susan at an earlier period; but, in the first place, we didn't know the name 
of the relation 
to whose house she had gone, and, in the second, as she had left that 
relation's and gone 
to another at a distance, I think that scarcely anything short of the 
sagacity of the Chicken, 
would have found her out in the time.' 


</p>
            <p>Florence was sure of it. 


</p>
            <p>`This, however,' said Mr. Toots, `is not the point. The company of Susan has 
been, I 
assure you, Miss Dombey, a consolation and satisfaction to me, in my state of 
mind, more 
easily conceived than described. The journey has been its own reward. That, 
however, 
still, is not the point. Miss Dombey, I have before observed that I know I am 
not what is 
considered a quick person. I am perfectly aware of that. I don't think 
anybody could be 
better acquainted with his own—if it was not too strong an expression, I 
should say with 
the thickness of his own head—than myself. But, Miss Dombey, I do, 
notwithstanding, 
perceive the state of—of things—with Lieutenant Walters. Whatever agony 
that state of 
things may have caused me (which is of no consequence at all), I am bound to 
say, that 
Lieutenant Walters is a person who appears to be worthy of the blessing that 
has fallen on 
his—on his brow. May he wear it long, and appreciate it, as a very 
different, and very 
unworthy individual, that it is of no consequence to name, would have done! 
That, 
however, still, is not the point. Miss Dombey, Captain Gills is a friend of 
mine; and 
during the interval that is now elapsing, I believe it would afford Captain 
Gills pleasure to 
see me occasionally coming backwards and forwards here. It would afford me 
pleasure so 
to come. But I cannot forget that I once committed myself, fatally, at the 
corner of the 
Square at Brighton; and if my presence will be, in the least degree, 
unpleasant to you, I 
only ask you to name it to me now, and assure you that I shall perfectly 
understand you. I 
shall not consider it at all unkind, and shall only be too delighted and 
happy to be 
honoured with your confidence.' 


</p>
            <p>`Mr. Toots,' returned Florence, `if you, who are so old and true a friend of 
mine, were to 
stay away from this house now, you would make me very unhappy. It can never, 
never, 
give me any feeling but pleasure to see you.' 


</p>
            <p>`Miss Dombey,' said Mr. Toots, taking out his pocket-handkerchief, `if I shed 
a tear, it is 
a tear of joy. It is of no consequence, and I am very much obliged to you. I 
may be 
allowed to remark, after what you have so kindly said, that it is not my 
intention to 
neglect my person any longer.' 


</p>
            <p>Florence received this intimation with the prettiest expression of perplexity 
possible. 


</p>
            <p>`I mean,' said Mr. Toots, `that I shall consider it my duty as a 
fellow-creature generally, 
until I am claimed by the silent tomb, to make the best of myself, and to—to 
have my 
boots as brightly polished, as—as circumstances will admit of. This is the 
last time, Miss 
Dombey, of my intruding any observation of a private and personal nature. I 
thank you 
very much indeed. If I am not, in a general way, as sensible as my friends 
could wish me 
to be, or as I could wish myself, I really am, upon my word and honour, 
particularly 
sensible of what is considerate and kind. I feel,' said Mr. Toots, in an 
impassioned tone, 
`as if I could express my feelings, at the present moment, in a most 
remarkable manner, 
if—if—I could only get a start.' 


</p>
            <p>Appearing not to get it, after waiting a minute or two to see if it would 
come, Mr. Toots, 
took a hasty leave, and went below to seek the Captain, whom he found in the 
shop. 


</p>
            <p>`Captain Gills,' said Mr. Toots, `what is now to take place between us, takes 
place under 
the sacred seal of confidence. It is the sequel, Captain Gills, of what has 
taken place 
between myself and Miss Dombey, up stairs.' 


</p>
            <p>`Alow and aloft, eh, my lad?' murmured the Captain. 


</p>
            <p>`Exactly so, Captain Gills,' said Mr. Toots, whose fervour of acquiescence 
was greatly 
heightened by his entire ignorance of the Captain's meaning. `Miss Dombey, I 
believe, 
Captain Gills, is to be shortly united to Lieutenant Walters?' 


</p>
            <p>`Why, aye, my lad. We're all shipments here,—Wal'r and sweetheart will be 
jined together 
in the house of bondage, as soon as the askings is over,' whispered Captain 
Cuttle, in his 
ear. 


</p>
            <p>`The askings, Captain Gills!' repeated Mr. Toots. 


</p>
            <p>`In the church, down yonder,' said the Captain, pointing his thumb over his 
shoulder. 


</p>
            <p>`Oh! Yes!' returned Mr. Toots. 


</p>
            <p>`And then,' said the Captain, in his hoarse whisper, and tapping Mr. Toots on 
the chest 
with the back of his hand, and falling from him with a look of infinite 
admiration, `what 
follers? That there pretty creetur, as delicately brought up as a foreign 
bird, goes away 
upon the roaring main with Wal'r on a woyage to China!' 


</p>
            <p>`Lord, Captain Gills!' said Mr. Toots. 


</p>
            <p>`Aye!' nodded the Captain. `The ship as took him up, when he was wrecked in 
the 
hurricane that had drove her clean out of her course, was a China trader, and 
Wal'r made 
the woyage, and got into favour, aboard and ashore—being as smart and good a 
lad as ever 
stepped—and so, the supercargo dying at Canton, he got made (having acted as 
clerk 
afore), and now he's supercargo aboard another ship, same owners. And so, you 
see,' 
repeated the Captain, thoughtfully, `the pretty creetur goes away upon the 
roaring main 
with Wal'r, on a woyage to China.' 


</p>
            <p>Mr. Toots and Captain Cuttle heaved a sigh in concert. 


</p>
            <p>`What then?' said the Captain. `She loves him true. He loves her true. Them 
as should 
have loved and tended of her, treated of her like the beasts as perish. When 
she, cast out 
of home, come here to me, and dropped upon them planks, her wownded heart was 
broke. 
I know it. I, Ed'ard Cuttle, see it. There's nowt but true, kind, steady 
love, as can ever 
piece it up again. If so be I didn't know that, and didn't know as Wal'r was 
her true love, 
brother, and she his, I'd have these here blue arms and legs chopped off, 
afore I'd let her 
go. But I <hi>do</hi> know it, and what then? Why, then, I say, Heaven go with 
'em both, 
and so it will! Amen!' 


</p>
            <p>`Captain Gills,' said Mr. Toots, `let me have the pleasure of shaking hands. 
You've a way 
of saying things, that gives me an agreeable warmth, all up my back. <hi>I</hi>
say Amen. 
You are aware, Captain Gills, that I, too, have adored Miss Dombey.' 


</p>
            <p>`Cheer up!' said the Captain, laying his hand on Mr. Toots's shoulder. `Stand 
by, 
boy!' 


</p>
            <p>`It is my intention, Captain Gills,' returned the spirited Mr. Toots, 
`<hi>to</hi> cheer up. 
Also to stand by, as much as possible. When the silent tomb shall yawn, 
Captain Gills, I 
shall be ready for burial; not before. But not being certain, just at 
present, of my power 
over myself, what I wish to say to you, and what I shall take it as a 
particular favour if 
you will mention to Lieutenant Walters, is as follows.' 


</p>
            <p>`Is as follers,' echoed the Captain. `Steady!' 


</p>
            <p>`Miss Dombey being so inexpressibly kind,' continued Mr. Toots with watery 
eyes, `as to 
say that my presence is the reverse of disagreeable to her, and you and 
everybody here 
being no less forbearing and tolerant towards one who—who certainly,' said 
Mr. Toots, 
with momentary dejection, `<hi>would</hi> appear to have been born by mistake, 
I shall 
come backwards and forwards of an evening, during the short time we can all 
be together. 
But what I ask is this. If, at any moment, I find that I cannot endure the 
contemplation of 
Lieutenant Walters's bliss, and should rush out, I hope, Captain Gills, that 
you and he will 
both consider it as my misfortune and not my fault, or the want of inward 
conflict. That 
you'll feel convinced I bear no malice to any living creature—least of all 
to Lieutenant 
Walters himself—and that you'll casually remark that I have gone out for a 
walk, or 
probably to see what o'clock it is by the Royal Exchange. Captain Gills, if 
your could 
enter into this arrangement, and could answer for Lieutenant Walters, it 
would be a relief 
to my feelings that I should think cheap at the sacrifice of a considerable 
portion of my 
property.' 


</p>
            <p>`My lad,' returned the Captain, `say no more. There ain't a colour you can 
run up, as 
won't be made out, and answered to, by Wal'r and self.' 


</p>
            <p>`Captain Gills,' said Mr. Toots, `my mind is greatly relieved. I wish to 
preserve the good 
opinion of all here. I—I—mean well, upon my honour, however badly I may 
show it. You 
know,' said Mr. Toots, `it's exactly as if Burgess and Co. wished to oblige a 
customer 
with a most extraordinary pair of trousers, and <hi>could not</hi> cut out what 
they had in 
their minds.' 


</p>
            <p>With this apposite illustration, of which he seemed a little proud, Mr. Toots 
gave captain 
Cuttle his blessing and departed. 


</p>
            <p>The honest Captain, with his Heart's Delight in the house, and Susan tending 
her, was a 
beaming and a happy man. As the days flew by, he grew more beaming and more 
happy, 
every day. After some conferences with Susan (for whose wisdom the Captain 
had a 
profound respect, and whose valiant precipitation of herself on Mrs. 
MacStinger he could 
never forget), he proposed to Florence that the daughter of the elderly lady 
who usually 
sat under the blue umbrella in Leadenhall Market, should, for prudential 
reasons and 
considerations of privacy, be superseded in the temporary discharge of the 
household 
duties, by some one who was not unknown to them, and in whom they could 
safely 
confide. Susan, being present, then named, in furtherance of a suggestion she 
had 
previously offered to the Captain, Mrs. Richards. Florence brightened at the 
name. And 
Susan, setting off that very afternoon to the Toodle domicile, to sound Mrs. 
Richards, 
returned in triumph the same evening, accompanied by the identical 
rosy-cheeked 
apple-faced Polly, whose demonstrations, when brought into Florence's 
presence, were 
hardly less affectionate than those of Susan Nipper herself. 


</p>
            <p>This piece of generalship accomplished; from which the Captain derived 
uncommon 
satisfaction, as he did, indeed, from everything else that was done, whatever 
it happened 
to be; Florence had next to prepare Susan for their approaching separation. 
This was a 
much more difficult task, as Miss Nipper was of a resolute disposition, and 
had fully made 
up her mind that she had come back never to be parted from her old mistress 
any 
more. 


</p>
            <p>`As to wages dear Miss Floy,' she said, `you wouldn't hint and wrong me so as 
think of 
naming them, for I've put money by and wouldn't sell my love and duty at a 
time like 
this even if the Savings' Banks and me were total strangers or the Banks were 
broke to 
pieces, but you've never been without me darling from the time your poor dear 
ma was 
took away, and though I'm nothing to be boasted of you're used to me and oh 
my own 
dear mistress through so many years don't think of going anywhere without me, 
for it 
mustn't and can't be!' 


</p>
            <p>`Dear Susan, I am going on a long, long voyage.' 


</p>
            <p>`Well Miss Floy, and what of that? the more you'll want me. Lengths of 
voyages ain't an 
object in my eyes, thank God!' said the impetuous Susan Nipper. 


</p>
            <p>`But, Susan, I am going with Walter, and I would go with Walter 
anywhere—everywhere! 
Walter is poor, and I am very poor, and I must learn, now, both to help 
myself, and help 
him.' 


</p>
            <p>`Dear Miss Floy!' cried Susan, bursting out afresh, and shaking her head 
violently, `it's 
nothing new to you to help yourself and others too and be the patientest and 
truest of 
noble hearts, but let me talk to Mr. Walter Gay and settle it with him, for 
suffer you to go 
away across the world alone I cannot, and I won't.' 


</p>
            <p>`Alone, Susan?' returned Florence. `Alone? and Walter taking me with him!' 
Ah, what a 
bright, amazed, enraptured smile was on her face!—He should have seen it. `I 
am sure you 
will not speak to Walter if I ask you not,' she added tenderly; `and pray 
don't, dear.' 


</p>
            <p>Susan sobbed `Why not, Miss Floy?' 


</p>
            <p>`Because,' said Florence, `I am going to be his wife, to give him up my whole 
heart, and 
to live with him and die with him. He might think, if you said to him what 
you have said 
to me, that I am afraid of what is before me, or that you have some cause to 
be afraid for 
me. Why, Susan, dear, I love him!' 


</p>
            <p>Miss Nipper was so much affected by the quiet fervour of these words, and 
simple, 
heartfelt, all-pervading earnestness expressed in them, and making the 
speaker's face more 
beautiful and pure than ever, that she could only cling to her again, crying 
Was her little 
mistress really, really going to be married, and pitying, caressing, and 
protecting her, as 
she had done before. 


</p>
            <p>But the Nipper, though susceptible of womanly weaknesses, was almost as 
capable of 
putting constraint upon herself as of attacking the redoubtable MacStinger. 
From that time, 
she never returned to the subject, but was always cheerful, active, bustling, 
and hopeful. 
She did, indeed, inform Mr. Toots privately, that she was only `keeping up' 
for the time, 
and that when it was all over, and Miss Dombey was gone, she might be 
expected to 
become a spectacle distressful; and Mr. Toots did also express that it was 
his case too, and 
that they would mingle their tears together; but she never otherwise indulged 
her private 
feelings in the presence of Florence or within the precincts of the 
Midshipman. 


</p>
            <p>Limited and plain as Florence's wardrobe was—what a contrast to that 
prepared for the last 
marriage in which she had taken part!—there was a good deal to do in getting 
it ready, and 
Susan Nipper worked away at her side, all day, with the concentrated zeal of 
fifty 
sempstresses. The wonderful contributions Captain Cuttle would have made to 
this branch 
of the outfit, if he had been permitted—as pink parasols, tinted silk 
stockings, blue shoes, 
and other articles no less necessary on shipboard—would occupy some space in 
the recital. 
He was induced, however, by various fraudulent representations, to limit his 
contributions 
to a workbox and dressing-case, of each of which he purchased the very 
largest specimen 
that could be got for money. For ten days or a fortnight afterwards, he 
generally sat, 
during the greater part of the day, gazing at these boxes; divided between 
extreme 
admiration of them, and dejected misgivings that they were not gorgeous 
enough, and 
frequently diving out into the street to purchase some wild article that he 
deemed 
necessary to their completeness. But his master-stroke was, the bearing of 
them both off, 
suddenly, one morning, and getting the two words <hi rend="sc">florence gay</hi> engraved 
upon a brass heart inlaid over the lid of each. After this, he smoked four 
pipes 
successively in the little parlour by himself, and was discovered chuckling, 
at the 
expiration of as many hours. 


</p>
            <p>Walter was busy and away all day, but came there every morning early to see 
Florence, 
and always passed the evening with her. Florence never left her high rooms 
but to steal 
downstairs to wait for him when it was his time to come, or, sheltered by his 
proud, 
encircling arm, to bear him company to the door again, and sometimes peep 
into the 
street. In the twilight they were always together. Oh blessed time! Oh 
wandering heart at 
rest! Oh deep, exhaustless, mighty well of love, in which so much was 
sunk! 


</p>
            <p>The cruel mark was on her bosom yet. It rose against her father with the 
breath she drew, 
it lay between her and her lover when he pressed her to his heart. But she 
forgot it. In the 
beating of that heart for her, and in the beating of her own for him, all 
harsher music was 
unheard, all stern unloving hearts forgotten. Fragile and delicate she was, 
but with a might 
of love within her that could, and did, create a world to fly to, and to rest 
in, out of his 
one image. 


</p>
            <p>How often did the great house, and the old days, come before her in the 
twilight time, 
when she was sheltered by the arm, so proud, so fond, and, creeping closer to 
him, shrunk 
within it at the recollection! How often, from remembering the night when she 
went down 
to that room and met the never-to-be-forgotten look, did she raise her eyes 
to those that 
watched her with such loving earnestness, and weep with happiness in such a 
refuge! The 
more she clung to it, the more the dear dead child was in her thoughts: but 
as if the last 
time she had seen her father, had been when he was sleeping and she kissed 
his face, she 
always left him so, and never, in her fancy, passed that hour. 


</p>
            <p>`Walter, dear,' said Florence, one evening, when it was almost dark. `Do you 
Know what 
I have been thinking to-day?' 


</p>
            <p>`Thinking how the time is flying on, and how soon we shall be upon the sea, 
sweet 
Florence?' 


</p>
            <p>`I don't mean that, Walter, though I think of that too. I have been thinking 
what a charge 
I am to you.' 


</p>
            <p>`A precious, sacred charge, dear heart! Why <hi>I</hi>think that sometimes.' 


</p>
            <p>`You are laughing, Walter. I know that's much more in your thoughts than 
mine. But I 
mean a cost.' 


</p>
            <p>`A cost, my own?' 


</p>
            <p>`In money, dear. All these preparations that Susan and I are so busy with—I 
have been 
able to purchase very little for myself. You were poor before. But how much 
poorer I 
shall make you, Walter!' 


</p>
            <p>`And how much richer, Florence!' 


</p>
            <p>Florence laughed, and shook her head. 


</p>
            <p>`Besides,' said Walter, `long ago—before I went to sea—I had a little purse 
presented to 
me, dearest, which had money in it.' 


</p>
            <p>`Ah!' returned Florence, laughing sorrowfully, `very little!Very little, 
Walter! But, you 
must not think,' and here she laid her light hand on his shoulder, and looked 
into his face, 
`that I regret to be this burden on you. No, dear love, I am glad of it. I am 
happy in it. I 
wouldn't have it otherwise for all the world!' 


</p>
            <p>`Nor I, indeed, dear Florence.' 


</p>
            <p>`Aye! but, Walter, you can never feel it as I do. I am so proud of you! It 
makes my heart 
swell with such delight to know that those who speak of you must say you 
married a poor 
disowned girl, who had taken shelter here; who had no other home, no other 
friends; who 
had nothing—nothing! Oh, Walter, if I could have brought you millions, I 
never could have 
been so happy for your sake, as I am!' 


</p>
            <p>`And you, dear Florence? are you nothing?' he returned. 


</p>
            <p>`No, nothing, Walter. Nothing but your wife.' The light hand stole about his 
neck, and the 
voice came nearer—nearer. `I am nothing any more, that is not you. I have no 
earthly hope 
any more, that is not you. I have nothing dear to me any more, that is not 
you.' 


</p>
            <p>Oh! well might Mr. Toots leave the little company that evening, and twice go 
out to 
correct his watch by the Royal Exchange, and once to keep an appointment with 
a banker 
which he suddenly remembered, and once to take a little turn to Aldgate Pump 
and 
back! 


</p>
            <p>But before he went upon these expeditions, or indeed before he came, and 
before lights 
were brought, Walter said: 


</p>
            <p>`Florence, love, the lading of our ship is nearly finished, and probably on 
the very day of 
our marriage she will drop down the river. Shall we go away that morning, and 
stay in 
Kent until we go on board at Gravesend within a week?' 


</p>
            <p>`If you please, Walter. I shall be happy anywhere. But—— 


</p>
            <p>`Yes, my life?' 


</p>
            <p>`You know,' said Florence, `that we shall have no marriage party, and that 
nobody will 
distinguish us by our dress from other people. As we leave the same day, will 
you—will 
you take me somewhere that morning, Walter—early—before we go to 
church?' 


</p>
            <p>Walter seemed to understand her, as so true a lover so truly loved should, 
and confirmed 
his ready promise with a kiss—with more than one perhaps, or two or three, 
or five or six; 
and in the grave, peaceful evening, Florence was very happy. 


</p>
            <p>Then into the quiet room came Susan Nipper and the candles: shortly 
afterwards, the tea, 
the Captain, and the excursive Mr. Toots, who, as above mentioned, was 
frequently on the 
move afterwards, and passed but a restless evening. This, however, was not 
his habit: for 
he generally got on very well, by dint of playing at cribbage with the 
Captain under the 
advice and guidance of Miss Nipper, and distracting his mind with the 
calculations 
incidental to the game; which he found to be a very effectual means of 
utterly 
confounding himself. 


</p>
            <p>The Captain's visage on these occasions presented one of the finest examples 
of 
combination and succession of expression ever observed. His instinctive 
delicacy and his 
chivalrous feeling towards Florence, taught him that it was not a time for 
any boisterous 
jollity, or violent display of satisfaction. Certain floating reminiscences 
of Lovely Peg, on 
the other hand, were constantly struggling for a vent, and urging the Captain 
to commit 
himself by some irreparable demonstration. Anon, his admiration of Florence 
and 
Walter—well-matched, truly, and full of grace and interest in their youth, 
and love, and 
good looks, as they sat apart—would take such complete possession of him, 
that he would 
lay down his cards, and beam upon them, dabbing his head all over with his 
pocket-handkerchief; until warned, perhaps, by the sudden rushing forth of 
Mr. Toots, that 
he had unconsciously been very instrumental, indeed, in making that gentleman 
miserable. 
This reflection would make the Captain profoundly melancholy, until the 
return of Mr. 
Toots; when he would fall to his cards again, with many side winks and nods, 
and polite 
waves of his hook at Miss Nipper, importing that he wasn't going to do so any 
more. The 
state that ensued on this, was, perhaps, his best; for then, endeavouring to 
discharge all 
expression from his face, he would sit, staring round the room, with all 
these expressions 
conveyed into it at once, and each wrestling with the other. Delighted 
admiration of 
Florence and Walter always overthrew the rest, and remained victorious and 
undisguised, 
unless Mr. Toots made another rush into the air, and then the Captain would 
sit, like a 
remorseful culprit, until he came back again, occasionally calling upon 
himself, in a low 
reproachful voice, to `Stand by!' or growling some remonstrance to `Ed'ard 
Cuttle, my 
lad,'on the want of caution observable in his behaviour. 


</p>
            <p>One of Mr. Toots's hardest trials, however, was of his own seeking. On the 
approach of 
the Sunday which was to witness the last of those askings in church of which 
the Captain 
had spoken, Mr. Toots thus stated his feelings to Susan Nipper. 


</p>
            <p>`Susan,' said Mr. Toots, `I am drawn towards the building. The words which 
cut me off 
from Miss Dombey for ever, will strike upon my ears like a knell you know, 
but upon my 
word and honour, I feel that I must hear them. Therefore,' said Mr. Toots, 
`will you 
accompany me to-morrow, to the sacred edifice?' 


</p>
            <p>Miss Nipper expressed her readiness to do so, if that would be any 
satisfaction to Mr. 
Toots, but besought him to abandon his idea of going. 


</p>
            <p>`Susan,' returned Mr. Toots, with much solemnity, `before my whiskers began 
to be 
observed by anybody but myself, I adored Miss Dombey. While yet a victim to 
the 
thraldom of Blimber, I adored Miss Dombey. When I could no longer be kept out 
of my 
property, in a legal point of view, and—and accordingly came into it—I 
adored Miss 
Dombey. The banns which consign her to Lieutenant Walters, and me to—to 
Gloom, you 
know,' said Mr. Toots, after hesitating for a strong expression, `may be 
dreadful, 
<hi>will</hi> be dreadful; but I feel that I should wish to hear them spoken. I 
feel that I 
should wish to know that the ground was certainly cut from under me, and that 
I hadn't a 
hope to cherish, or a—or a leg, in short, to—to go upon.' 


</p>
            <p>Susan Nipper could only commiserate Mr. Toots's unfortunate condition, and 
agree, under 
these circumstances, to accompany him; which she did next morning. 


</p>
            <p>The church Walter had chosen for the purpose, was a mouldy old church in a 
yard, 
hemmed in by a labyrinth of back streets and courts, with a little 
burying-ground round it, 
and itself buried in a kind of vault, formed by the neighbouring houses, and 
paved with 
echoing stones. It was a great dim, shabby pile, with high old oaken pews, 
among which 
about a score of people lost themselves every Sunday; while the clergyman's 
voice 
drowsily resounded through the emptiness, and the organ rumbled and rolled as 
if the 
church had got the colic, for want of a congregation to keep the wind and 
damp out. But 
so far was this city church from languishing for the company of other 
churches, that spires 
were clustered round it, as the masts of shipping cluster on the river. It 
would have been 
hard to count them from its steeple-top, they were so many. In almost every 
yard and 
blind-place near, there was a church. The confusion of bells when Susan and 
Mr. Toots 
betook themselves towards it on the Sunday morning, was deafening. There were 
twenty 
churches close together, clamouring for people to come in. 


</p>
            <p>The two stray sheep in question were penned by a beadle in a commodious pew, 
and, 
being early, sat for some time counting the congregation, listening to the 
disappointed bell 
high up in the tower, or looking at a shabby little old man in the porch 
behind the screen, 
who was ringing the same, like the Bull in Cock Robin, with his foot in a 
stirrup. Mr. 
Toots, after a lengthened survey of the large books on the reading-desk, 
whispered Miss 
Nipper that he wondered where the banns were kept, but that young lady merely 
shook her 
head and forward; repelling for the time all approaches of a temporal 
nature. 


</p>
            <p>Mr. Toots, however, appearing unable to keep his thoughts from the banns, was 
evidently 
looking out for them during the whole preliminary portion of the service. As 
the time for 
reading them approached, the poor young gentleman manifested great anxiety 
and 
trepidation, which was not diminished by the unexpected apparition of the 
Captain in the 
front row of the gallery. When the clerk handed up a list to the clergyman, 
Mr. Toots, 
being then seated, held on by the seat of the pew; but when the names of 
Walter Gay and 
Florence Dombey were read aloud as being in the third and last stage of that 
association, 
he was so entirely conquered by his feelings as to rush from the church 
without his hat, 
followed by the beadle and pew-opener, and two gentlemen of the medical 
profession, 
who happened to be present; of whom the first-named presently returned for 
that article, 
informing Miss Nipper in a whisper that she was not to make herself uneasy 
about the 
gentleman, as the gentleman said his indisposition was of no consequence. 


</p>
            <p>Miss Nipper, feeling that the eyes of that integral portion of Europe which 
lost itself 
weekly among the high-backed pews, were upon her, would have been 
sufficiently 
embarrassed by this incident, though it had terminated here; the more so, as 
the Captain in 
the front row of the gallery, was in a state of unmitigated consciousness 
which could 
hardly fail to express to the congregation that he had some mysterious 
connexion with it. 
But the extreme restlessness of Mr. Toots painfully increased and protracted 
the delicacy 
of her situation. That young gentleman, incapable, in his state of mind, of 
remaining alone 
in the churchyard, a prey to solitary meditation, and also desirous, no 
doubt, of testifying 
his respect for the offices he had in some measure interrupted, suddenly 
returned—not 
coming back to the pew, but stationing himself on a free seat in the aisle, 
between two 
elderly females who were in the habit of receiving their portion of a weekly 
dole of bread 
then set forth on a shelf in the porch. In this conjunction Mr. Toots 
remained, greatly 
disturbing the congregation, who felt it impossible to avoid looking at him, 
until his 
feelings overcame him again, when he departed silently and suddenly. Not 
venturing to 
trust himself in the church any more, and yet wishing to have some social 
participation in 
what was going on there, Mr. Toots was after this, seen from time to time, 
looking in, 
with a lorn aspect, at one or other of the windows; and as there were several 
windows 
accessible to him from without, and as his restlessness was very great, it 
not only became 
difficult to conceive at which window he would appear next, but likewise 
became 
necessary, as it were, for the whole congregation to speculate upon the 
chances of the 
different windows, during the comparative leisure afforded them by the 
sermon. Mr. 
Toots's movements in the churchyard were so eccentric, that he seemed 
generally to defeat 
all calculation, and to appear, like the conjuror's figure, where he was 
least expected; and 
the effect of these mysterious presentations was much increased by its being 
difficult to 
him to see in, and easy to everybody else to see out: which occasioned his 
remaining, 
every time, longer than might have been expected, with his face close to the 
glass, until he 
all at once became aware that all eyes were upon him, and vanished. 


</p>
            <p>These proceedings on the part of Mr. Toots, and the strong individual 
consciousness of 
them that was exhibited by the Captain, rendered Miss Nipper's position so 
responsible a 
one, that she was mightily relieved by the conclusion of the service; and was 
hardly so 
affable to Mr. Toots as usual, when he informed her and the Captain, on the 
way back, 
that now he was sure he had no hope, you know, he felt more comfortable—at 
least not 
exactly more comfortable, but more comfortably and completely miserable. 


</p>
            <p>Swiftly now, indeed, the time flew by until it was the evening before the day 
appointed 
for the marriage. They were all assembled in the upper room at the 
Midshipman's, and 
had no fear of interruption; for there were no lodgers in the house now, and 
the 
Midshipman had it all to himself. They were grave and quiet in the prospect 
of to-morrow, 
but moderately cheerful too. Florence, with Walter close beside her, was 
finishing a little 
piece of work intended as a parting gift to the Captain. The Captain was 
playing cribbage 
with Mr. Toots. Mr. Toots was taking counsel as to his hand, of Susan Nipper. 
Miss 
Nipper was giving it, with all due secrecy and circumspection. Diogenes was 
listening, and 
occasionally breaking out into a gruff half-smothered fragment of a bark, of 
which he 
afterwards seemed half-ashamed, as if he doubted having any reason for it. 


</p>
            <p>`Steady, steady!' said the Captain to Diogenes, `what's amiss with you? You 
don't seem 
easy in your mind to-night, my boy!' 


</p>
            <p>Diogenes wagged his tail, but pricked up his ears immediately afterwards, and 
gave 
utterance to another fragment of a bark; for which he apologised to the 
Captain, by again 
wagging his tail. 


</p>
            <p>`It's my opinion, Di,' said the Captain, looking thoughtfully at his cards, 
and stroking his 
chin with his hook, `as you have your doubts of Mrs. Richards; but if you're 
the animal I 
take you to be, you'll think better o' that; for her looks is her commission. 
Now, Brother:' 
to Mr. Toots: `if so be as you're ready, heave ahead.' 


</p>
            <p>The Captain spoke with all composure and attention to the game, but suddenly 
his cards 
dropped out of his hand, his mouth and eyes opened wide, his legs drew 
themselves up 
and stuck out in front of his chair, and he sat staring at the door with 
blank amazement. 
Looking round upon the company, and seeing that none of them observed him or 
the 
cause of his astonishment, the Captain recovered himself with a great gasp, 
struck the 
table a tremendous blow, cried in a stentorian roar, `Sol Gills ahoy!' and 
tumbled into the 
arms of a weather-beaten pea-coat that had come with Polly into the room. 


</p>
            <p>In another moment, Walter was in the arms of the weather-beaten pea-coat. In 
another 
moment, Florence was in the arms of the weather-beaten pea-coat. In another 
moment, 
Captain Cuttle had embraced Mrs. Richards and Miss Nipper, and was violently 
shaking 
hands with Mr. Toots, exclaiming, as he waved his hook above his head, 
`Hooroar, my 
lad, hooroar!' To which Mr. Toots, wholly at a loss to account for these 
proceedings, 
replied with great politeness, `Certainly, Captain Gills, whatever you think 
proper!' 


</p>
            <p>The weather-beaten pea-coat, and a no less weather-beaten cap and comforter 
belonging to 
it, turned from the Captain and from Florence back to Walter, and sounds came 
from the 
weather-beaten pea-coat, cap, and comforter, as of an old man sobbing 
underneath them; 
while the shaggy sleeves clasped Walter tight. During this pause, there was 
an universal 
silence, and the Captain polished his nose with great diligence. But when the 
pea-coat, 
cap, and comforter lifted themselves up again, Florence gently moved towards 
them; and 
she and Walter taking them off, disclosed the old Instrument-maker, a little 
thinner and 
more careworn than of old, in his old Welsh wig and his old coffee-coloured 
coat and 
basket buttons, with his old infallible chronometer ticking away in his 
pocket. 


</p>
            <p>`Chock full o' science,' said the radiant Captain, `as ever he was! Sol 
Gills, Sol Gills, 
what have you been up to, for this many a long day, my ould boy?' 


</p>
            <p>`I'm half blind, Ned,' said the old man, `and almost deaf and dumb with 
joy.' 


</p>
            <p>`His wery woice,' said the Captain, looking round with an exultation to which 
even his 
face could hardly render justice—`his wery woice as chock full o' science as 
ever it was! 
Sol Gills, lay to, my lad, upon your own wines and fig-trees, like a taut 
ould patriark as 
you are, and overhaul them there adwentures o' yourn, in your own formilior 
woice. 'Tis 
<hi>the</hi> woice, said the Captain, impressively, and announcing a quotation 
with his 
hook, `of the sluggard, I heerd him complain, you have woke me too soon, I 
must slumber 
again. Scatter his ene-mies, and make 'em fall!' 


</p>
            <p>The Captain sat down with the air of a man who had happily expressed the 
feeling of 
everybody present, and immediately rose again to present Mr. Toots, who was 
much 
disconcerted by the arrival of anybody, appearing to prefer a claim to the 
name of 
Gills. 


</p>
            <p>`Although,' stammered Mr. Toots, `I had not the pleasure of your 
acquaintance, Sir, before 
you were—you were—' 


</p>
            <p>`Lost to sight, to memory dear,' suggested the Captain, in a low voice. 


</p>
            <p>`Exactly so, Captain Gills!' assented Mr. Toots. `Although I had not the 
pleasure of your 
acquaintance, Mr.—Mr. Sols,' said Toots, hitting on that name in the 
inspiration of a bright 
idea, `before that happened, I have the greatest pleasure, I assure you, 
in—you know, in 
knowing you. I hope,' said Mr. Toots, `that you're as well as can be 
expected.' 


</p>
            <p>With these courteous words, Mr. Toots sat down blushing and chuckling. 


</p>
            <p>The old Instrument-maker, seated in a corner between Walter and Florence, and 
nodding 
at Polly, who was looking on, all smiles and delight, answered the Captain 
thus: 


</p>
            <p>`Ned Cuttle, my dear boy, although I have heard something of the changes of 
events here, 
from my pleasant friend there—what a pleasant face she has to be sure, to 
welcome a 
wanderer home!' said the old man, breaking off, and rubbing his hands in his 
old dreamy 
way. 


</p>
            <p>`Hear him!' cried the Captain gravely. `'Tis woman as seduces all mankind. 
For which,' 
aside to Mr. Toots, `you'll overhaul your Adam and Eve, brother.' 


</p>
            <p>`I shall make a point of doing so, Captain Gills,' said Mr. Toots. 


</p>
            <p>`Although I have heard something of the changes of events, from her,' resumed 
the 
Instrument-maker, taking his old spectacles from his pocket, and putting them 
on his 
forehead in his old manner, `they are so great and unexpected, and I am so 
overpowered 
by the sight of my dear boy, and by the,'—glancing at the downcast eyes of 
Florence, and 
not attempting to finish the sentence—`that I—I can't say much to-night. 
But my dear Ned 
Cuttle, why didn't you write?' 


</p>
            <p>The astonishment depicted in the Captain's features positively frightened Mr. 
Toots, whose 
eyes were quite fixed by it, so that he could not withdraw them from his 
face. 


</p>
            <p>`Write!' echoed the Captain. `Write, Sol Gills?' 


</p>
            <p>`Aye,' said the old man, `either to Barbados, or Jamaica, or Demerara. That 
was what I 
asked.' 


</p>
            <p>`What you asked, Sol Gills?' repeated the Captain. 


</p>
            <p>`Aye,' said the old man. `Don't you know, Ned? Sure you have not forgotten? 
Every time 
I wrote to you.' 


</p>
            <p>The Captain took off his glazed hat, hung it on his hook, and smoothing his 
hair from 
behind with his hand, sat gazing at the group around him: a perfect image of 
wondering 
resignation. 


</p>
            <p>`You don't appear to understand me, Ned!' observed old Sol. 


</p>
            <p>`Sol Gills,' returned the Captain, after staring at him and the rest for a 
long time, without 
speaking, `I'm gone about and adrift. Pay out a word or two respecting them 
adwenturs, 
will you! Can't I bring up, nohows? Nohows?' said the Captain, ruminating, 
and staring 
all round. 


</p>
            <p>`You know, Ned,' said Sol Gills, `why I left here. Did you open my packet, 
Ned?' 


</p>
            <p>`Why, aye, aye,' said the Captain. `To be sure, I opened the packet.' 


</p>
            <p>`And read it?' said the old man. 


</p>
            <p>`And read it,' answered the Captain, eyeing him attentively, and proceeding 
to quote it 
from memory. `“My dear Ned Cuttle, when I left home for the West Indies in 
forlorn 
search of intelligence of my dear—” There he sits! There's Wal'r!' said the 
Captain, as if 
he were relieved by getting hold of anything that was real and 
indisputable. 


</p>
            <p>`Well, Ned. Now attend a moment!' said the old man. `When I wrote first—that 
was from 
Barbados—I said that though you would receive that letter long before the 
year was out, I 
should be glad if you would open the packet, as it explained the reason of my 
going away. 
Very good, Ned. When I wrote the second, third, and perhaps the fourth 
times—that was 
from Jamaica—I said I was in just the same state, couldn't rest, and 
couldn't come away 
from that part of the world, without knowing that my boy was lost or saved. 
When I wrote 
next—that, I think, was from Demerara, wasn't it?' 


</p>
            <p>`That he thinks was from Demerara, warn't it!' said the Captain, looking 
hopelessly 
round. 


</p>
            <p>`—I said,' proceeded old Sol, `that still there was no certain information 
got yet. That I 
found many captains and others, in that part of the world, who had known me 
for years, 
and who assisted me with a passage here and there, and for whom I was able, 
now and 
then, to do a little in return, in my own craft. That every one was sorry for 
me, and 
seemed to take a sort of interest in my wanderings; and that I began to think 
it would be 
my fate to cruise about in search of tidings of my boy until I died.' 


</p>
            <p>`Began to think as how he was a scientific flying Dutchman!' said the 
Captain, as before, 
and with great seriousness. 


</p>
            <p>`But when the news come one day, Ned,—that was to Barbados, after I got back 
there,—that a China trader home'ard bound had been spoke, that had my boy 
aboard, then, 
Ned, I took passage in the next ship and came home; arrived at home to-night 
to find it 
true, thank God!' said the old man, devoutly. 


</p>
            <p>The Captain, after bowing his head with great reverence, stared all round the 
circle, 
beginning with Mr. Toots, and ending with the Instrument-maker; then gravely 
said: 


</p>
            <p>`Sol Gills! The observation as I'm a-going to make is calc'lated to blow 
every stitch of 
sail as you can carry, clean out of the bolt-ropes, and bring you on your 
beam ends with a 
lurch. Not one of them letters was ever delivered to Ed'ard Cuttle. Not one 
o' them 
letters,' repeated the Captain, to make his declaration the more solemn and 
impressive, 
`was ever delivered unto Ed'ard Cuttle, Mariner, of England, as lives at home 
at ease, and 
doth improve each shining hour!' 


</p>
            <p>`And posted by my own hand! And directed by my own hand, Number nine Brig 
Place!' 
exclaimed old Sol. 


</p>
            <p>The colour all went out of the Captain's face, and all came back again in a 
glow. 


</p>
            <p>`What do you mean, Sol Gills, my friend, by Number nine Brig Place?' inquired 
the 
Captain. 


</p>
            <p>`Mean? Your lodgings, Ned,' returned the old man. `Mrs. What's-her-name! I 
shall forget 
my own name next, but I am behind the present time—I always was, you 
recollect —and 
very much confused. Mrs.——' 


</p>
            <p>`Sol Gills!' said the Captain, as if he were putting the most improbable case 
in the world, 
`it ain't the name of MacStinger as you're a trying to remember?' 


</p>
            <p>`Of course it is!' exclaimed the Instrument-maker. `To be sure Ned. Mrs. 
MacStinger!' 


</p>
            <p>Captain Cuttle, whose eyes were now as wide open as they could be, and the 
knobs upon 
whose face were perfectly luminous, gave a long shrill whistle of a most 
melancholy 
sound, and stood gazing at everybody in a state of speechlessness. 


</p>
            <p>`Overhaul that there again, Sol Gills, will you be so kind?' he said at 
last. 


</p>
            <p>`All these letters,' returned Uncle Sol, beating time with the forefinger of 
his right hand 
upon the palm of his left, with a steadiness and distinctness that might have 
done honour, 
even to the infallible chronometer in his pocket, `I posted with my own hand, 
and directed 
with my own hand, to Captain Cuttle, at Mrs. MacStinger's, Number nine Brig 
Place.' 


</p>
            <p>The Captain took his glazed hat off his hook, looked into it, put it on, and 
sat down. 


</p>
            <p>`Why, friends all,' said the Captain, staring round in the last state of 
discomfiture, `I cut 
and run from there!' 


</p>
            <p>`And no one knew where you were gone, Captain Cuttle?' cried Walter 
hastily. 


</p>
            <p>`Bless your heart, Wal'r,' said the Captain, shaking his head, `she'd never 
have allowed o' 
my coming to take charge o' this here property. Nothing could be done but cut 
and run. 
Lord love you, Wal'r!' said the Captain, `you've only seen her in a calm! But 
see her 
when her angry passions rise—and make a note on!' 


</p>
            <p>`<hi>I</hi>'d give it her!' remarked the Nipper, softly. 


</p>
            <p>`Would you, do you think, my dear?' returned the Captain with feeble 
admiration. `Well, 
my dear, it does you credit. But there ain't no wild animal I would sooner 
face myself. I 
only got my chest away by means of a friend as nobody's a match for. It was 
no good 
sending any letter there. <hi>She</hi> wouldn't take in any letter, bless you,' 
said the 
Captain, `under them circumstances! Why, you could hardly make it worth a 
man's while 
to be the postman!' 


</p>
            <p>`Then it's pretty clear, Captain Cuttle, that all of us, and you and Uncle 
Sol especially,' 
said Walter, `may thank Mrs. MacStinger for no small anxiety.' 


</p>
            <p>The general obligation in this wise to the determined relict of the late Mr. 
MacStinger, 
was so apparent, that the Captain did not contest the point; but being in 
some measure 
ashamed of his position, though nobody dwelt upon the subject, and Walter 
especially 
avoided it, remembering the last conversation he and the Captain had held 
together 
respecting it, he remained under a cloud for nearly five minutes—an 
extra-ordinary period 
for him—when that sun, his face, broke out once more, shining on all 
beholders with 
extraordinary brilliancy; and he fell into a fit of shaking hands with 
everybody over and 
over again. 


</p>
            <p>At an early hour, but not before Uncle Sol and Walter had questioned each 
other at some 
length about their voyages and dangers, they all, except Walter, vacated 
Florence's room, 
and went down to the parlour. Here they were soon afterwards joined by 
Walter, who told 
them Florence was a little sorrowful and heavy-hearted, and had gone to bed. 
Though they 
could not have disturbed her with their voices down there, they all spoke in 
a whisper 
after this: and each, in his different way, felt very lovingly and gently 
towards Walter's 
fair young bride: and a long explanation there was of everything relating to 
her, for the 
satisfaction of Uncle Sol; and very sensible Mr. Toots was of the delicacy 
with which 
Walter made his name and services important, and his presence necessary to 
their little 
council. 


</p>
            <p>`Mr. Toots,' said Walter, on parting with him at the house door, `we shall 
see each other 
to-morrow morning?' 


</p>
            <p>`Lieutenant Walters,' returned Mr. Toots, grasping his hand fervently, `I 
shall certainly be 
present.' 


</p>
            <p>`This is the last night we shall meet for a long time—the last night we may 
ever meet,' 
said Walter. `Such a noble heart as yours, must feel, I think, when another 
heart is bound 
to it. I hope you know that I am very grateful to you?' 


</p>
            <p>`Walters,' replied Mr. Toots, quite touched, `I should be glad to feel that 
you had reason 
to be so.' ' 


</p>
            <p>`Florence,' said Walter, `on this last night of her bearing her own name, has 
made me 
promise—it was only just now, when you left us together—that I would tell 
you—with her 
dear love—' 


</p>
            <p>Mr. Toots laid his hand upon the doorpost, and his eyes upon his hand. 


</p>
            <p>`—with her dear love,' said Walter, `that she can never have a friend whom 
she will value 
above you. That the recollection of your true consideration for her always, 
can never be 
forgotten by her. That she remembers you in her prayers to-night, and hopes 
that you will 
think of her when she is far away. Shall I say anything for you?' 


</p>
            <p>`Say, Walter,' replied Mr. Toots indistinctly, `that I shall think of her 
every day, but never 
without feeling happy to know that she is married to the man she loves, and 
who loves 
her. Say, if you please, that I am sure her husband deserves her—even 
her!—and that I am 
glad of her choice.' 


</p>
            <p>Mr. Toots got more distinct as he came to these last words, and raising his 
eyes from the 
doorpost, said them stoutly. He then shook Walter's hand again with a fervour 
that Walter 
was not slow to return, and started homeward. 


</p>
            <p>Mr. Toots was accompanied by the Chicken, whom he had of late brought with 
him every 
evening, and left in the shop, with an idea that unforeseen circumstances 
might arise from 
without, in which the prowess of that distinguished character would be of 
service to the 
Midshipman. The Chicken did not appear to be in a particularly good humour on 
this 
occasion. Either the gas-lamps were treacherous, or he cocked his eye in a 
hideous 
manner, and likewise distorted his nose, when Mr. Toots, crossing the road, 
looked back 
over his shoulder at the room where Florence slept. On the road home, he was 
more 
demonstrative of aggressive intentions against the other foot-passengers, 
than comported 
with a professor of the peaceful art of self-defence. Arrived at home, 
instead of leaving 
Mr. Toots in his apartments when he had escorted him thither, he remained 
before him 
weighing his white hat in both hands by the brim, and twitching his head and 
nose (both 
of which had been many times broken, and but indifferently repaired), with an 
air of 
decided disrespect. 


</p>
            <p>His patron being much engaged with his own thoughts, did not observe this for 
some time, 
nor indeed until the Chicken, determined not to be overlooked, had made 
divers clicking 
sounds with his tongue and teeth, to attract attention. 


</p>
            <p>`Now, Master,' said the Chicken, doggedly, when he, at length, caught Mr. 
Toot's eye, `I 
want to know whether this here gammon is to finish it, or whether you're a 
going in to 
win?' 


</p>
            <p>`Chicken,' returned Mr. Toots, `explain yourself.' 


</p>
            <p>`Why then, here's all about it, Master,' said the Chicken. `I ain't a cove to 
chuck a word 
away. Here's wot it is. Are any on 'em to be doubled up?' 


</p>
            <p>When the Chicken put this question he dropped his hat, made a dodge and a 
feint with his 
left hand, hit a supposed enemy a violent blow with his right, shook his head 
smartly, and 
recovered himself. 


</p>
            <p>`Come, Master,' said the Chicken. `Is it to be gammon or pluck? Which?' 


</p>
            <p>`Chicken,' returned Mr. Toots, `your expressions are coarse, and your meaning 
is 
obscure.' 


</p>
            <p>`Why, then, I tell you what, Master,' said the Chicken. `This is where it is. 
It's mean.' 


</p>
            <p>`What is mean, Chicken?' asked Mr. Toots. 


</p>
            <p>`<hi>It</hi> is,' said the Chicken, with a frightful corrugation of his broken 
nose. `There! 
Now, Master! Wot! When you could go and blow on this here match to the stiff 
'un;' by 
which depreciatory appellation it has been since supposed that the Game One 
intended to 
signify Mr. Dombey; `and when you could knock the winner and all the kit of 
'em dead 
out o' wind and time, are you going to give in? To <hi>give in</hi>?' said the 
Chicken, 
with contemptuous emphasis. `Wy, it's mean!' 


</p>
            <p>`Chicken,' said Mr. Toots, severely, `you're a perfect Vulture! Your 
sentiments are 
atrocious.' 


</p>
            <p>`My sentiments is Game and Fancy, Master,' returned the Chicken. `That's wot 
my 
sentiments is. I can't abear a meanness. I'm afore the public, I'm to be 
heerd on at the bar 
of the Little Helephant, and no Gov'ner o' mine mustn't go and do what's 
mean. Wy, it's 
mean,' said the Chicken, with increased expression. `That's where it is. It's 
mean.' 


</p>
            <p>`Chicken,' said Mr. Toots, `You disgust me.' 


</p>
            <p>`Master,' returned the Chicken, putting on his hat, `there's a pair on us, 
then. Come! 
Here's a offer! You've spoke to me more than once't or twice't about the 
public line. 
Never mind! Give me a fi'typunnote to-morrow, and let me go.' 


</p>
            <p>`Chicken,' returned Mr. Toots, `after the odious sentiments you have 
expressed, I shall be 
glad to part on such terms.' 


</p>
            <p>`Done then,' said the Chicken. `It's a bargain. This here conduct of yourn 
won't suit 
<hi>my</hi> book, Master. Wy, it's mean,' said the Chicken; who seemed equally 
unable to 
get beyond that point, and to stop short of it. `That's where it is; it's 
mean!' 


</p>
            <p>So Mr. Toots and the Chicken agreed to part on this incompatibility of moral 
perception; 
and Mr. Toots lying down to sleep, dreamed happily of Florence, who had 
thought of him 
as her friend upon the last night of her maiden life, and who had sent him 
her dear love. 

</p>
         </div>
         <div xml:id="c57" type="chapter">
            <head>CHAPTER LVII</head>
            <head>Another Wedding</head>
            <p>MR. SOWNDS the beadle, and Mrs. Miff the pew-opener, are early at their posts 
in the fine church where Mr. Dombey was married. A yellow-faced old gentleman 
from India, is going to take unto himself a young wife this morning, and six 
carriages full of company are expected, and Mrs. Miff has been informed that 
the yellow-faced old gentleman could pave the road to church with diamonds 
and hardly miss them. The nuptial benediction is to be a superior one, 
proceeding from a very reverend, a dean, and the lady is to be given away, as 
an extraordinary present, by somebody who comes express from the Horse 
Guards. 


</p>
            <p>Mrs. Miff is more intolerant of common people this morning, than she 
generally is; and she has always strong opinions on that subject, for it is 
associated with free sittings. Mrs. Miff is not a student of political 
economy (she thinks the science is connected with dissenters; `Baptists or 
Wesleyans, or some o'them,' she says), but she can never understand what 
business your common folks have to be married. `Drat 'em,' says Mrs. Miff, 
`you read the same things over 'em, and instead of sovereigns get 
sixpences!' 


</p>
            <p>Mr. Sownds the beadle is more liberal than Mrs. Miff—but then he is nor a 
pew-opener. `It must be done, ma'am,' he says. `We must marry 'em. We must 
have our national schools to walk at the head of, and we must have our 
standing armies. We must marry'em, ma'am,' says Mr. Sownds, `and keep the 
country going.' 


</p>
            <p>Mr. Sownds is sitting on the steps and Mrs. Miff is dusting in the church, 
when a young couple, plainly dressed, come in. The mortified bonnet of Mrs. 
Miff is sharply turned towards them, for she espies in this early visit 
indications of a runaway match. But they don't want to be married—`Only,' 
says the gentleman, `to walk round the church.' And as he slips a genteel 
compliment into the palm of Mrs. Miff, her vinegary face relaxes, and her 
mortified bonnet and her spare dry figure dip and crackle. 


</p>
            <p>Mrs. Miff resumes her dusting and plumps up her cushions—for the 
yellow-faced old gentleman is reported to have tender knees—but keeps her 
glazed, pew-opening eye on the young couple who are walking round the church. 
`Ahem,' coughs Mrs. Miff, whose cough is drier than the hay in any hassock in 
her charge, `you'll come to us one of these mornings, my dears, unless I'm 
much mistaken!' 


</p>
            <p>They are looking at a tablet on the wall, erected to the memory of some one 
dead. They are a long way off from Mrs. Miff, but Mrs. Miff can see with half 
an eye how she is leaning on his arm, and how his head is bent down over her. 
`Well, well,' says Mrs. Miff, `you might do worse. For you're a tidy 
pair!' 


</p>
            <p>There is nothing personal in Mrs. Miff's remark. She merely speaks of 
stock-in-trade. She is hardly more curious in couples than in coffins. She is 
such a spare, straight, dry old lady—such a pew of a woman—that you should 
find as many individual sympathies in a ship. Mr. Sownds, now, who is fleshy, 
and has scarlet in his coat, is of a different temperament. He says, as they 
stand upon the steps watching the young couple away, that she has a pretty 
figure, hasn't she, and as well as he could se (for she held her head down 
coming out), an uncommon pretty face. `Altogether, Mrs. Miff,' says Mr. 
Sownds with a relish, `she is what you may call a rose-bud.' 


</p>
            <p>Mrs. Miff assents with a spare nod of her mortified bonnet; but approves of 
this so little, that she inwardly resolves she wouldn't be the wife of Mr. 
Sownds for any money he could give her, Beadle as he is. 


</p>
            <p>And what are the young couple saying as they leave the church, and go out at 
the gate? 


</p>
            <p>`Dear Walter, thank you! I can go away, now, happy.' 


</p>
            <p>`And when we come back, Florence, we will come and see his grave again.' 


</p>
            <p>Florence lifts her eyes, so bright with tears, to his kind face; and clasps 
her disengaged hand on that other modest little hand which clasps his arm. 


</p>
            <p>`It is very early, Walter, and the streets are almost empty yet. Let us 
walk.' 


</p>
            <p>`But you will be so tired, my love.' 


</p>
            <p>`Oh no! I was very tired the first time that we ever walked together, but I 
shall not be so to-day.' 


</p>
            <p>And thus—not much changed—she, as innocent and earnest-hearted—he, as 
frank, as hopeful, and more proud of her—Florence and Walter, on their 
bridal morning, walk through the streets together. 


</p>
            <p>Not even in that childish walk of long ago, were they so far removed from all 
the world about them as to-day. The childish feet of long ago, did not tread 
such enchanted ground as theirs do now. The confidence and love of children 
may be given many times, and will spring up in many places; but the woman's 
heart of Florence, with its undivided treasure, can be yielded only once, and 
under slight or change, can only droop and die. 


</p>
            <p>They take the streets that are the quietest, and do not go near that in which 
her old home stands. It is a fair, warm summer morning, and the sun shines on 
them, as they walk towards the darkening mist that overspreads the City. 
Riches are uncovering in shops; jewels, gold, and silver flash in the 
goldsmith's sunny windows; and great houses cast a stately shade upon them as 
they pass. But through the light, and through the shade, they go on lovingly 
together, lost to everything around; thinking of no other riches, and no 
prouder home, than they have now in one another. 


</p>
            <p>Gradually they come into the darker, narrower streets, where the sun, now 
yellow, and now red, is seen through the mist, only at street corners, and in 
small open spaces where there is a tree, or one of the innumerable churches, 
or a paved way and a flight of steps, or a curious little patch of garden, or 
a burying-ground, where the few tombs and tombstones are almost black. 
Lovingly and trustfully, through all the narrow yards and alleys and the 
shady streets, Florence goes, clinging to his arm, to be his wife. 


</p>
            <p>Her heart beats quicker now, for Walter tells her that their church is very 
near. They pass a few great stacks of ware-houses, with waggons at the doors, 
and busy carmen stopping up the way—but Florence does not see or hear 
them—and then the air is quiet, and the day is darkened, and she is 
trembling in a church which has a strange smell like a cellar. 


</p>
            <p>The Shabby little old man, ringer of the disappointed bell, is standing in 
the porch, and has put his hat in the font—for he is quite at home there, 
being sexton. He ushers them into an old brown, panelled, dusty vestry, like 
a corner-cupboard with the shelves taken out; where the wormy registers 
diffuse a smell like faded snuff, which has set the tearful Nipper 
sneezing. 


</p>
            <p>Youthful, and how beautiful, the young bride looks, in this old dusty place, 
with no kindred object near her but her husband. There is a dusty old clerk, 
who keeps a sort of evaporated news shop underneath an archway opposite, 
behind a perfect fortification of posts. There is a dusty old pew-opener who 
only keeps herself, and finds that quite enough to do. There is a dusty old 
beadle (these are Mr. Toots's beadle and pew-opener of last Sunday), who has 
something to do with a Worshipful Company who have got a Hall in the Next 
yard, with a stained-glass window in it that no mortal ever saw. There are 
dusty wooden ledges and cornices poked in and out over the altar, and over 
the screen and round the gallery, and over the inscription about what the 
Master and Wardens of the Worshipful Company did in one thousand six hundred 
and ninety-four. There are dusty old sounding-boards over the pulpit and 
reading-desk, looking like lids to be let down on the officiating ministers, 
in case of their giving offence. There is every possible provision for the 
accommodation of dust, except in the churchyard, where the facilities in that 
respect are very limited. 


</p>
            <p>The Captain, Uncle Sol, and Mr. Toots are come; the clergyman is putting on 
his surplice in the vestry, while the clerk walks round him, blowing the dust 
off it; and the bride and bridegroom stand before the altar. There is no 
brides-maid, unless Susan Nipper is one; and no better father than Captain 
Cuttle. A man with a wooden leg, chewing a faint apple and carrying a blue 
bag in his hand, looks in to see what is going on; but finding it nothing 
entertaining, stumps off again, and pegs his way among the echoes out of 
doors. 


</p>
            <p>No gracious ray of light is seen to fall on Florence, kneeling at the altar 
with her timid head bowed down. The Morning luminary is built out, and don't 
shine there. There is a meagre tree outside, where the sparrows are chirping 
a little; and there is a blackbird in an eyelet-hole of sun in a dyer's 
garret, over against the window, who whistles loudly whilst the service is 
performing; and there is the man with the wooden leg stumping away. The amens 
of the dusty clerk appear, like MacBeth's, to stick in his throat a little; 
but Captain Cuttle helps him out, and does it with so much goodwill that he 
interpolates three entirely new responses of that word, never introduced into 
the service before. 


</p>
            <p>They are married, and have signed their names in one of the old sneezy 
registers, and the clergyman's surplice is restored to the dust, and the 
clergyman is gone home. In a dark corner of the dark church, Florence has 
turned to Susan Nipper, and is weeping in her arms. Mr. Toots's eyes are red. 
The Captain lubricates his nose. Uncle Sol has pulled down his spectacles 
from his forehead, and walked out to the door. 


</p>
            <p>`God bless you, Susan; dearest Susan! If you ever can bear witness to the 
love I have for Walter, and the reason that I have to love him, do it for his 
sake. Good-bye! Good-bye!' 


</p>
            <p>They have thought it better not to go back to the Midshipman, but to part so; 
a coach is waiting for them, near at hand. 


</p>
            <p>Miss Nipper cannot speak; she only sobs and chokes, and hugs her mistress. 
Mr. Toots advances, urges her to cheer up, and takes charge of her. Florence 
gives him her hand—gives him, in the fulness of her heart, her lips—kisses 
Uncle Sol, and Captain Cuttle, and is borne away by her young husband. 


</p>
            <p>But Susan cannot bear that Florence should go away with a mournful 
recollection of her. She had meant to be so different, that she reproaches 
herself bitterly. Intent on making one last effort to redeem her character, 
she breaks from Mr. Toots and runs away to find the coach, and show a parting 
smile. The Captain, divining her object, sets off after her; for he feels it 
his duty also to dismiss them with a cheer, if possible. Uncle Sol and Mr. 
Toots are left behind together, outside the church, to wait for them. 


</p>
            <p>The coach is gone, but the street is steep, and narrow, and blocked up, and 
Susan can see it at a stand-still in the distance, she is sure. Captain 
Cuttle follows her as she flies down the hill, and waves his glazed hat as a 
general signal, which may attract the right coach and which may not. 


</p>
            <p>Susan outstrips the Captain, and comes up with it. She looks in at the 
window, sees Walter, with the gentle face beside him, and claps her hands and 
screams: 


</p>
            <p>`Miss Floy, my darling! look at me! We are all so happy now, dear! One more 
good-bye, my precious, one more!' 


</p>
            <p>How Susan does it, she don't know, but she reaches to the window, kisses her, 
and has her arms about her neck, in a moment. 


</p>
            <p>`We are all so—so happy now, my dear Miss Floy!' says Susan, with a 
suspicious catching in her breath. `You, you won't be angry with me now. Now 
<hi>will</hi> you?'  `Angry, Susan!' 


</p>
            <p>`No, no; I am sure you won't. I say you won't, my pet, my dearest!' exclaims 
Susan; `and here's the Captain too—your friend the Captain, you know—to say 
good-bye once more!' 


</p>
            <p>`Hooroar, my Heart's Delight!' vociferates the Captain, with a countenance of 
strong emotion. `Hooroar, Wal'r my lad. Hooroar! Hooroar!' 


</p>
            <p>What with the young husband at one window, and the young wife at the other; 
the Captain hanging on at this door, and Susan Nipper holding fast by that; 
the coach obliged to go on whether it will or no, and all the other carts and 
coaches turbulent because it hesitates; there never was so much confusion on 
four wheels. But Susan Nipper gallantly maintains her point. She keeps a 
smiling face upon her mistress, smiling through her tears, until the last. 
Even when she is left behind, the Captain continues to appear and disappear 
at the door, crying `Hooroar, my lad! Hooroar, my Heart's Delight!' with his 
shirt-collar in a violent state of agitation, until it is hopeless to attempt 
to keep up with the coach any longer. Finally, when the coach is gone, Susan 
Nipper, being rejoined by the Captain, falls into a state of insensibility, 
and is taken into a baker's shop to recover. 


</p>
            <p>Uncle Sol and Mr. Toots wait patiently in the churchyard, sitting on the 
coping-stone of the railings, until Captain Cuttle and Susan come back. 
Neither being at all desirous to speak, or to be spoken to, they are 
excellent company, and quite satisfied. When they all arrive again at the 
little Midshipman, and sit down to breakfast, nobody can touch a morsel. 
Captain Cuttle makes a feint of being voracious about toast, but gives it up 
as a swindle. Mr. Toots says, after breakfast, he will come back in the 
evening; and goes wandering about the town all day, with a vague sensation 
upon him as if he hadn't been to bed for a fortnight. 


</p>
            <p>There is a strange charm in the house, and in the room, in which they have 
been used to be together, and out of which so much is gone. It aggravates, 
and yet it soothes, the sorrow of the separation. Mr. Toots tells Susan 
Nipper when he comes at night, that he hasn't been so wretched all day long, 
and yet he likes it. He confides in Susan Nipper, being alone with her, and 
tells her what his feelings were when she gave him that candid opinion as to 
the probability of Miss Dombey's ever loving him. In the vein of confidence 
engendered by these common recollections, and their tears, Mr. Toots proposes 
that they shall go out together, and buy something for supper. Miss Nipper 
assenting, they buy a good many little things; and, with the aid of Mrs. 
Richards, set the supper out quite showily before the Captain and old Sol 
came home. 


</p>
            <p>The Captain and old Sol have been on board the ship, and have established Di 
there, and have seen the chests put aboard. They have much to tell about the 
popularity of Walter, and the comforts he will have about him, and the quiet 
way in which it seems he has been working early and late, to make his cabin 
what the Captain calls `a picter,' to surprise his little wife. `A admiral's 
cabin, mind you,' says the Captain, `ain't more trim.' 


</p>
            <p>But one of the Captain's chief delights is, that he knows the big watch, and 
the sugar-tongs, and tea-spoons, are on board: and again and again he murmurs 
to himself, `Ed'ard Cuttle, my lad, you never shaped a better course in your 
life than when you made that there little property over jintly. <hi>You</hi>
see how the land bore, Ed'ard,' says the Captain, `and it does you credit, my 
lad.' 


</p>
            <p>The old Instrument-maker is more distraught and misty than he used to be, and 
takes the marriage and the parting very much to heart. But he is greatly 
comforted by having his old ally, Ned Cuttle, at his side; and he sits down 
to supper with a grateful and contented face. 


</p>
            <p>`My boy has been preserved and thrives,' says old Sol Gills, rubbing his 
hands. `What right have I to be otherwise than thankful and happy!' 


</p>
            <p>The Captain, who has not yet taken his seat at the table, but who has been 
fidgeting about for some time, and now stands hesitating in his place, looks 
doubtfully at Mr. Gills, and says: 


</p>
            <p>`Sol! There's the last bottle of the old Madeira down below. Would you wish 
to have it up to-night, my boy, and drink to Wal'r and his wife?' 


</p>
            <p>The Instrument-maker, looking wistfully at the Captain, puts his hand into 
the breast-pocket of his coffee-coloured coat, brings forth his pocket-book, 
and takes a letter out. 


</p>
            <p>`To Mr. Dombey,' says the old man. `From Walter. To be sent in three weeks' 
time. I'll read it.' 


</p>
            <p>`”Sir. I am married to your daughter. She is gone with me upon a distant 
voyage. To be devoted to her is to have no claim on her or you, but God knows 
that I am. 


</p>
            <p>`”Why, loving her beyond all earthly things, I have yet, without remorse, 
united her to the uncertainties and dangers of my life, I will not say to 
you. You know why, and you are her father. 


</p>
            <p>`”Do not reproach her. She has never reproached you. 


</p>
            <p>`”I do not think or hope that you will ever forgive me. There is nothing I 
expect less. But if an hour should come when it will comfort you to believe 
that Florence has some one ever near her, the great charge of whose life is 
to cancel her remembrance of past sorrow, I solemnly assure you, you may, in 
that hour, rest in that belief.”' 


</p>
            <p>Solomon puts back the letter carefully in his pocket-book, and puts back his 
pocket-book in his coat. 


</p>
            <p>`We won't drink the last bottle of the old Madeira yet, Ned,' says the old 
man thoughtfully. `Not yet.' 


</p>
            <p>`Not yet,' assents the Captain. `No. Not yet.' 


</p>
            <p>Susan and Mr. Toots are of the same opinion. After a silence they all sit 
down to supper, and drink to the young husband and wife in something else; 
and the last bottle of the old Madeira still remains among its dust and 
cobwebs, undisturbed. 


</p>
            <p>A few days have elapsed, and a stately ship is out at sea, spreading its 
white wings to the favouring wind. 


</p>
            <p>Upon the deck, image to the roughest man on board of something that is 
graceful, beautiful, and harmless—something that it is good and pleasant to 
have there, and that should make the voyage prosperous—is Florence. It is 
night, and she and Walter sit alone, watching the solemn path of light upon 
the sea between them and the moon. 


</p>
            <p>At length she cannot see it plainly, for the tears that fill her eyes; and 
then she lays her head down on his breast, and puts her arms around his neck, 
saying, `Oh Walter, dearest love, I am so happy!' 


</p>
            <p>Her husband holds her to his heart, and they are very quiet, and the stately 
ship goes on serenely. 


</p>
            <p>`As I hear the sea,' says Florence, `and sit watching it, it brings so many 
days into my mind. It makes me think so much——' 


</p>
            <p>`Of Paul, my love. I know it does.' 


</p>
            <p>Of Paul and Walter. And the voices in the waves are always whispering to 
Florence, in their ceaseless murmuring, of love—of love, eternal and 
illimitable, not bounded by the confines of this world, or by the end of 
time, but ranging still, beyond the sea, beyond the sky, to the invisible 
country far away! 

</p>
         </div>
         <div xml:id="c58" type="chapter">
            <head>CHAPTER LVIII</head>
            <head>After a Lapse</head>
            <p>THE sea had ebbed and flowed, through a whole year. Through a whole year, the 
winds 
and clouds had come and gone; the ceaseless work of Time had been performed, 
in storm 
and sunshine. Through a whole year, the tides of human chance and change had 
set in 
their allotted courses. Through a whole year, the famous House of Dombey and 
Son had 
fought a fight for life, against cross accidents, doubtful rumours, 
unsuccessful ventures, 
unpropitious times, and most of all, against the infatuation of its head, who 
would not 
contract its enterprises by a hair's breadth, and would not listen to a word 
of warning that 
the ship he strained so hard against the storm, was weak, and could not bear 
it. 


</p>
            <p>The year was out, and the great House was down. 


</p>
            <p>One summer afternoon; a year, wanting some odd days, after the marriage in 
the City 
church; there was a buzz and whisper upon 'Change of a great failure. A 
certain cold 
proud man, well known there, was not there, nor was he represented there. 
Next day it 
was noised abroad that Dombey and Son had stopped, and next night there was a 
List of 
Bankrupts published, headed by that name. 


</p>
            <p>The world was very busy now, in sooth, and had a deal to say. It was an 
innocently 
credulous and a much ill-used world. It was a world in which there was no 
other sort of 
bankruptcy whatever. There were no conspicuous people in it, trading far and 
wide on 
rotten banks of religion, patriotism, virtue, honour. There was no amount 
worth 
mentioning of mere paper in circulation, on which anybody lived pretty 
handsomely, 
promising to pay great sums of goodness with no effects. There was no 
shortcomings 
anywhere, in anything but money. The world was very angry indeed; and the 
people 
especially, who, in a worse world, might have been supposed to be bankrupt 
traders 
themselves in shows and pretences, were observed to be mightily indignant. 


</p>
            <p>Here was a new inducement to dissipation, presented to that sport of 
circumstances, Mr. 
Perch the Messenger! It was apparently the fate of Mr. Perch to be always 
waking up, and 
finding himself famous. He had but yesterday, as one might say, subsided into 
private life 
from the celebrity of the elopement and the events that followed it; and now 
he was made 
a more important man than ever, by the bankruptcy. Gliding from his bracket 
in the outer 
office where he now sat, watching the strange faces of accountants and 
others, who 
quickly superseded nearly all the old clerks, Mr. Perch had but to show 
himself in the 
court outside, or, at farthest, in the bar of the King's Arms, to be asked a 
multitude of 
questions, almost certain to include that interesting question, what would he 
take to drink? 
Then would Mr. Perch descant upon the hours of acute uneasiness he and Mrs. 
Perch had 
suffered out at Balls Pond, when they first suspected `things was going 
wrong.' Then 
would Mr. Perch relate to gaping listeners, in a low voice, as if the corpse 
of the deceased 
House were lying unburied in the next room, how Mrs. Perch had first come to 
surmise 
that things <hi>was</hi> going wrong by hearing him (Perch) moaning in his 
sleep, `twelve 
and ninepence in the pound, twelve and ninepence in the pound!' Which act of 
somnambulism he supposed to have originated in the impression made upon him 
by the 
change in Mr. Dombey's face. Then would he inform them how he had once said, 
`Might 
I make so bold as ask, Sir, are you unhappy in your mind?' and how Mr. Dombey 
had 
replied, `My faithful Perch—but no, it cannot be!' and with that had struck 
his hand upon 
his forehead, and said, `Leave me, Perch!' Then, in short, would Mr. Perch, a 
victim to his 
position, tell all manner of lies; affecting himself to tears by those that 
were of a moving 
nature, and really believing that the inventions of yesterday had, on 
repetition, a sort of 
truth about them to-day. 


</p>
            <p>Mr. Perch always closed these conferences by meekly remarking, That, of 
course, 
whatever his suspicions might have been (as if he had ever had any!) it 
wasn't for 
<hi>him</hi> to betray his trust, was it? Which sentiment (there never being 
any creditors 
present) was received as doing as doing great honour to his feelings. Thus, 
he generally 
brought away a soothed conscience and left an agreeable impression behind 
him, when he 
returned to his bracket: again to sit watching the strange faces of the 
accountants and 
others, making so free with the great mysteries, the Books; or now and then 
to go on 
tiptoe into Mr. Dombey's empty room, and stir the fire; or to take an airing 
at the door, 
and have a little more doleful chat with any straggler whom he knew; or to 
propitiate, 
with various small attentions, the head accountant: from whom Mr. Perch had 
expectations 
of a messengership in a Fire Office, when the affairs of the House should be 
wound 
up. 


</p>
            <p>To Major Bagstock, the bankruptcy was quite a calamity. The Major was not a 
sympathetic character—his attention being wholly concentrated on J.B.—nor 
was he a man 
subject to lively emotions, except in the physical regards of gasping and 
choking. But he 
had so paraded his friend Dombey at the club; had so flourished him at the 
heads of the 
members in general, and so put them down by continual assertion of his 
riches; that the 
club, being but human, was delighted to retort upon the Major, by asking him, 
with a 
show of great concern, whether this tremendous smash had been at all 
expected, and how 
his friend Dombey bore it. To such questions, the Major, waxing very purple, 
would reply 
that it was a bad world, Sir, altogether; that Joey knew a thing or two, but 
had been done, 
Sir, done like an infant; that if you had foretold this, Sir, to J. Bagstock, 
when he went 
abroad with Dombey and was chasing that vagabond up and down France, J. 
Bagstock 
would have pooh-pooh'd you—would have pooh-pooh'd you, Sir, by the Lord! 
That Joe 
had been deceived, Sir, taken in, hoodwinked, blindfolded, but was broad 
awake again and 
staring; insomuch, Sir, that if Joe's father were to rise up from the grave 
to-morrow, he 
wouldn't trust the old blade with a penny piece, but would tell him that his 
son Josh was 
too old a soldier to be done again, Sir. That he was a suspicious, crabbed, 
cranky, 
used-up, J.B. infidel, Sir; and that if it were consistent with the dignity 
of a rough and 
tough old Major, of the old school, who had had the honour of being 
personally known to, 
and commended by, their late Royal Highnesses the Dukes of Kent and York, to 
retire to 
a tub and live in it, by Gad! Sir, he'd have a tub in Pall Mall to-morrow, to 
show his 
contempt for mankind! 


</p>
            <p>Of all this, and many variations of the same tune, the Major would deliver 
himself with so 
many apoplectic symptoms, such rollings of his head, and such violent growls 
of ill usage 
and resentment, that the younger members of the club surmised he had invested 
money in 
his friend Dombey's House, and lost it; though the older soldiers and deeper 
dogs, who 
knew Joe better, wouldn't hear of such a thing. The unfortunate Native, 
expressing no 
opinion, suffered dreadfully; not merely in his moral feelings, which were 
regularly 
fusilladed by the Major every nour in the day, and riddled through and 
through, but in his 
sensitiveness to bodily knocks and bumps, which was kept continually on the 
stretch. For 
six entire weeks after the bankruptcy, this miserable foreigner lived in a 
rainy season of 
boot-jacks and brushes. 


</p>
            <p>Mrs. Chick had three ideas upon the subject of the terrible reverse. The 
first was that she 
could not understand it. The second, that her brother had not made an effort. 
The third, 
that if she had been invited to dinner on the day of that first party, it 
never would have 
happened; and that she had said so, at the time. 


</p>
            <p>Nobody's opinion stayed the misfortune, lightened it, or made it heavier. It 
was 
understood that the affairs of the House were to be wound up as they best 
could be; that 
Mr. Dombey freely resigned everything he had, and asked for no favour from 
any one. 
That any resumption of the business was out of the question, as he would 
listen to no 
friendly negotiation having that compromise in view; that he had relinquished 
every post 
of trust or distinction he had held, as a man respected among merchants; that 
he was 
dying, according to some; that he was going melancholy mad, according to 
others; that he 
was a broken man, according to all. 


</p>
            <p>The clerks dispersed after holding a little dinner of condolence among 
themselves, which 
was enlivened by comic singing, and went off admirably. Some took places 
abroad, and 
some engaged in other Houses at home; some looked up relations in the 
country, for 
whom they suddenly remembered they had a particular affection; and some 
advertised for 
employment in the newspapers. Mr. Perch alone remained of all the late 
establishment, 
sitting on his bracket looking at the accountants, or starting off it, to 
propitiate the head 
accountant, who was to get him into the Fire Office. The Counting House soon 
got to be 
dirty and neglected. The principal slipper and dogs' collar seller, at the 
corner of the court, 
would have doubted the propriety of throwing up his forefinger to the brim of 
his hat, any 
more, if Mr. Dombey had appeared there now; and the ticket porter, with his 
hands under 
his white apron, moralised good sound morality about ambition, which (he 
observed) was 
not, in his opinion, made to rhyme to perdition, for nothing. 


</p>
            <p>Mr. Morfin, the hazel-eyed bachelor, with the hair and whiskers sprinkled 
with grey, was 
perhaps the only person within the atmosphere of the House—its head, of 
course, 
excepted—who was heartily and deeply affected by the disaster that had 
befallen it. He had 
treated Mr. Dombey with due respect and deference through many years, but he 
had never 
disguised his natural character, or meanly truckled to him, or pampered his 
master passion 
for the advancement of his own purposes. He had, therefore, no 
self-disrespect to avenge; 
no long-tightened springs to release with a quick recoil. He worked early and 
late to 
unravel whatever was complicated or difficult in the records of the 
transactions of the 
House; was always in attendance to explain whatever required explanation; sat 
in his old 
room sometimes very late at night, studying points by his mastery of which he 
could spare 
Mr. Dombey the pain of being personally referred to; and then would go home 
to 
Islington, and calm his mind by producing the most dismal and forlorn sounds 
out of his 
violoncello before going to bed. 


</p>
            <p>He was solacing himself with this melodious grumbler one evening, and, having 
been 
much dispirited by the proceedings of the day, was scraping consolation out 
of its deepest 
notes, when his landlady (who was fortunately deaf, and had no other 
consciousness of 
these performances than a sensation of something rumbling in her bones) 
announced a 
lady. 


</p>
            <p>`In mourning,' she said. 


</p>
            <p>The violoncello stopped immediately; and the performer, laying it on the sofa 
with great 
tenderness and care, made a sign that the lady was to come in. He followed 
directly, and 
met Harriet Carker on the stair. 


</p>
            <p>`Alone!' he said, `and John here this morning! Is there anything the matter, 
my dear? But 
no,' he added, `your face tells quite another story.' 


</p>
            <p>`I am afraid it is a selfish revelation that you see there, then,' she 
answered. 


</p>
            <p>`It is a very pleasant one,' said he; `and, if selfish, a novelty too, worth 
seeing in you. But 
I don't believe that.' 


</p>
            <p>He had placed a chair for her by this time, and sat down opposite; the 
violoncello lying 
snugly on the sofa between them. 


</p>
            <p>`You will not be surprised at my coming alone, or at John's not having told 
you I was 
coming,' said Harriet; `and you <hi>will</hi> believe that, when I tell you why 
I have come. 
May I do so now?' 


</p>
            <p>`You can do nothing better.' 


</p>
            <p>`You were not busy?' 


</p>
            <p>He pointed to the violoncello lying on the sofa, and said, `I have been, all 
day. Here's my 
witness. I have been confiding all my cares to it. I wish I had none but my 
own to 
tell.' 


</p>
            <p>`Is the House at an end?' said Harriet, earnestly. 


</p>
            <p>`Completely at an end.' 


</p>
            <p>`Will it never be resumed?' 


</p>
            <p>`Never.' 


</p>
            <p>The bright expression of her face was not overshadowed as her lips silently 
repeated the 
word. He seemed to observe this with some little involuntary surprise: and 
said again: 


</p>
            <p>`Never. You remember what I told you. It has been, all along, impossible to 
convince him; 
impossible to reason with him; sometimes, impossible even to approach him. 
The worst 
has happened; and the House has fallen, never to built up any more.' 


</p>
            <p>`And Mr. Dombey, is he personally ruined?' 


</p>
            <p>`Ruined.'  `Will he have no private fortune left? Nothing?' 


</p>
            <p>A certain eagerness in her voice, and something that was almost joyful in her 
look, 
seemed to surprise him more and more; to disappoint him too, and jar 
discordantly against 
his own emotions. He drummed with the fingers of one hand on the table, 
looking 
wistfully at her, and shaking his head, said, after a pause: 


</p>
            <p>`The extent of Mr. Dombey's resources is not accurately within my knowledge; 
but though 
they are doubtless very large, his obligations are enormous. He is a 
gentleman of high 
honour and integrity. Any man in his position could, and many a man in his 
position 
would, have saved himself, by making terms which would have very slighty, 
almost 
insensibly, increased the losses of those who had had dealings with him, and 
left him a 
remnant to live upon. But he is resolved on payment to the last farthing of 
his means. His 
own words are, that they will clear, or nearly clear, the House, and that no 
one can lose 
much. Ah, Miss Harriet, it would do us no harm to remember oftener than we 
do, that 
vices are sometimes only virtues carried to excess! His pride shows well in 
this.' 


</p>
            <p>She heard him with little or no change in her expression, and with a divided 
attention that 
showed her to be busy with something in her own mind. When he was silent, she 
asked 
him hurriedly: 


</p>
            <p>`Have you seen him lately?' 


</p>
            <p>`No one sees him. When this crisis of his affairs renders it necessary for 
him to come out 
of his house, he comes out for the occasion, and again goes home, and shuts 
himself up, 
and will see no one. He has written me a letter, acknowledging our past 
connexion in 
higher terms than it deserved, and parting from me. I am delicate of 
obtruding myself 
upon him now, never having had much intercourse with him in better times; but 
I have 
tried to do so. I have written, gone there, entreated. Quite in vain.' 


</p>
            <p>He watched her, as in the hope that she would testify some greater concern 
than she had 
yet shown; and spoke gravely and feelingly, as if to impress her the more; 
but there was 
no change in her. 


</p>
            <p>`Well, well, Miss Harriet,' he said, with a disappointed air, `this is not to 
the purpose. You 
have not come here to hear this. Some other and pleasanter theme is in your 
mind. Let it 
be in mine, too, and we shall talk upon more equal terms. Come!' 


</p>
            <p>`No, it is the same theme,' returned Harriet, with frank and quick surprise. 
`Is it not likely 
that it should be? Is it not natural that John and I should have been 
thinking and speaking 
very much of late of these great changes? Mr. Dombey, whom he served so many 
years—you know upon what terms—reduced, as you describe; and we quite 
rich!' 


</p>
            <p>Good, true face, as that face of hers was, and pleasant as it had been to 
him, Mr. Morfin, 
the hazel-eyed bachelor, since the first time he had ever looked upon it, it 
pleased him less 
at that moment, lighted with a ray of exultation, than it had ever pleased 
him before. 


</p>
            <p>`I need not remind you,' said Harriet, casting down her eyes upon her black 
dress, 
`through what means our circumstances changed. You have not forgotten that 
our brother 
James, upon that dreadful day, left no will, no relations but ourselves.' 


</p>
            <p>The face was pleasanter to him now, though it was pale and melancholy, than 
it had been 
a moment since. He seemed to breathe more cheerily. 


</p>
            <p>`You know,' she said, `our history, the history of both my brothers, in 
connexion with the 
unfortunate, unhappy gentleman, of whom you have spoken so truly. You know 
how few 
our wants are—John's and mine—and what little use we have for money, after 
the life we 
have led together for so many years; and now that he is earning an income 
that is ample 
for us, through your kindness. You are not unprepared to hear what favour I 
have come to 
ask of you?' 


</p>
            <p>`I hardly know. I was, a minute ago. Now, I think, I am not.' 


</p>
            <p>`Of my dead brother I say nothing. If the dead know what we do—but you 
understand me. 
Of my living brother I could say much: but what need I say more, than that 
this act of 
duty, in which I have come to ask your indispensable assistance, is his own, 
and that he 
cannot rest until it is performed!' 


</p>
            <p>She raised her eyes again; and the light of exultation in her face begin to 
appear beautiful, 
in the observant eyes that watched her. 


</p>
            <p>`Dear sir,' she went on to say, `It must be done very quietly and secretly. 
Your experience 
and knowledge will point out a way of doing it. Mr. Dombey may, perhaps, be 
led to 
believe that it is something saved, unexpectedly, from the wreck of his 
fortunes; or that it 
is a voluntary tribute to his honourable and upright character, from some of 
those with 
whom he has had great dealings; or that it is some old lost debt repaid. 
There must be 
many ways of doing it. I know you will choose the best. The favour I have 
come to ask 
is, that you will do it for us in your own kind, generous, considerate 
manner. That you 
will never speak of it to John, whose chief happiness in this act of 
restitution is to do it 
secretly, unknown, and unapproved of: that only a very small part of the 
inheritance may 
be reserved to us, until Mr. Dombey shall have possessed the interest of the 
rest for the 
remainder of his life; that you will keep our secret, faithfully—but that I 
am sure you will; 
and that, from this time, it may seldom be whispered, even between you and 
me, but may 
live in any thoughts only as a new reason for thankfulness to Heaven, and joy 
and pride in 
my brother.' 


</p>
            <p>Such a look of exultation there may be on Angels' faces, when the one 
repentant sinner 
enters Heaven, among ninety-nine just men. It was not dimmed or tarnished by 
the joyful 
tears that filled her eyes, but was the brighter for them. 


</p>
            <p>`My dear Harriet,' said Mr. Morfin, after a silence, `I was not prepared for 
this. Do I 
understand you that you wish to make your own part in the inheritance 
available for your 
good purpose, as well as John's?' 


</p>
            <p>`Oh, yes,' she returned. `When we have shared everything together for so long 
a time, and 
have had no care, hope, or purpose apart, could I bear to be excluded from my 
share in 
this? May I not urge a claim to be my brother's partner and companion to the 
last?' 


</p>
            <p>`Heaven forbid that I should dispute it!' he replied. 


</p>
            <p>`We may rely on your friendly help?' she said. `I knew we might!' 


</p>
            <p>`I should be a worse man than,—than I hope I am, or would willingly believe 
myself, if I 
could not give you that assurance from my heart and soul. You may, 
implicitly. Upon my 
honour, I will keep your secret. And if it should be found that Mr. Dombey is 
so reduced 
as I fear he will be, acting on a determination that there seem to be no 
means of 
influencing, I will assist you to accomplish the design, on which you and 
John are jointly 
resolved.' 


</p>
            <p>She gave him her hand, and thanked him with a cordial, happy face. 


</p>
            <p>`Harriet,' he said, detaining it in his. `To speak to you of the worth of any 
sacrifice that 
you can make now—above all, of any sacrifice of mere money—would be idle 
and 
presumptuous. To put before you any appeal to reconsider your purpose or to 
set narrow 
limits to it, would be, I feel, not less so. I have no right to mar the great 
end of a great 
history, by any obtrusion of my own weak self. I have every right to bend my 
head before 
what you confide to me, satisfied that it comes from a higher and better 
source of 
inspiration than my poor worldly knowledge. I will say only this: I am your 
faithful 
steward; and I would rather be so, and your chosen friend, than I would be 
anybody in the 
world, except yourself.' 


</p>
            <p>She thanked him again, cordially, and wished him good night. 


</p>
            <p>`Are you going home?' he said. `Let me go with you.' 


</p>
            <p>`Not to-night. I am not going home now; I have a visit to make alone. Will 
you come 
to-morrow?' 


</p>
            <p>`Well, well,' said he, `I'll come to-morrow. In the meantime, I'll think of 
this, and how 
we can best proceed. And perhaps <hi>you'll</hi> think of it, dear Harriet, 
and—and—think 
of me a little in connexion with it.' 


</p>
            <p>He handed her down to a coach she had in waiting at the door; and if his 
landlady had not 
been deaf, she would have heard him muttering as he went back upstairs, when 
the coach 
had driven off, that we were creatures of habit, and it was a sorrowful habit 
to be an old 
bachelor. 


</p>
            <p>The violoncello lying on the sofa between the two chairs, he took it up, 
without putting 
away the vacant chair, and sat droning on it, and slowly shaking his head at 
the vacant 
chair, for a long, long time. The expression he communicated to the 
instrument at first, 
though monstrously pathetic and bland, was nothing to the expression he 
communicated to 
this own face, and bestowed upon the empty chair: which was so sincere, that 
he was 
obliged to have recourse to Captain Cuttle's remedy more than once, and to 
rub his face 
with his sleeve. By degrees, however, the violoncello, in unison with his own 
frame of 
mind, glided melodiously into the Harmonious Blacksmith, which he played over 
and over 
again, until his ruddy and serene face gleamed like true metal on the anvil 
of a veritable 
blacksmith. In fine, the violoncello and the empty chair were the companions 
of his 
bachelorhood until nearly midnight; and when he took his supper, the 
violoncello set up 
on end in the sofa corner, big with the latent harmony of a whole foundry 
full of 
harmonious blacksmiths, seemed to ogle the empty chair out of its crooked 
eyes, with 
unutterable intelligence. 


</p>
            <p>When Harriet left the house, the driver of her hired coach, taking a course 
that was 
evidently no new one to him, went in and out by bye-ways, through that part 
of the 
suburbs, until he arrived at some open ground, where there were a few quiet 
little old 
houses standing among gardens. At the garden-gate of one of these he stopped, 
and 
Harriet alighted. 


</p>
            <p>Her gentle ringing at the bell was responded to by a dolorous-looking woman, 
of light 
complexion, with raised eyebrows, and head drooping on one side, who 
curtseyed at sight 
of her, and conducted her across the garden to the house. 


</p>
            <p>`How is your patient, nurse, to-night?' said Harriet. 


</p>
            <p>`In a poor way, Miss, I am afraid. Oh how she do remind me, sometimes, of my 
uncle's 
Betsey Jane!' returned the woman of the light complexion, in a sort of 
doleful rapture. 


</p>
            <p>`In what respect?' asked Harriet. 


</p>
            <p>`Miss, in all respects,' replied the other, `except that she's grown up, and 
Betsey Jane, 
when at death's door, was but a child.' 


</p>
            <p>`But you have told me she recovered,' observed Harriet mildly; `so there is 
the more 
reason for hope, Mrs. Wickam.' 


</p>
            <p>`Ah, Miss, hope is an excellent thing for such as has the spirits to bear 
it!' said Mrs. 
Wickam, shaking her head. `My own spirits is not equal to it, but I don't owe 
it any 
grudge. I envys them that is so blest!' 


</p>
            <p>`You should try to be more cheerful,' remarked Harriet. 


</p>
            <p>`Thank you, Miss, I'm sure,' said Mrs. Wickam grimly. `If I was so inclined, 
the 
loneliness of this situation—you'll excuse my speaking so free—would put it 
out of my 
power in four and twenty hours; but I an't at all. I'd rather not. The little 
spirits that I ever 
had, I was bereaved of at Brighton some few years ago, and I think I feel 
myself the 
better for it.' 


</p>
            <p>In truth, this was the very Mrs. Wickam who had super-seded Mrs. Richards as 
the nurse 
of little Paul, and who considered herself to have gained the loss in 
question, under the 
roof of the amiable Pipchin. The excellent and thoughtful old system, 
hallowed by long 
prescription, which has usually picked out from the rest of mankind the most 
dreary and 
uncomfortable people that could possibly be laid hold of, to act as 
instructors of youth, 
finger-posts to the virtues, matrons, monitors, attendants on sick beds, and 
the like, had 
established Mrs. Wickam in very good business as a nurse, and had led to her 
serious 
qualities being particularly commended by an admiring and numerous 
connexion. 


</p>
            <p>Mrs. Wickam, with her eyebrows elevated, and her head on one side, lighted 
the way up 
stairs to a clean, neat chamber, opening on another chamber dimly lighted, 
where there 
was a bed. In the first room, an old woman sat mechanically staring out at 
the open 
window, on the darkness. In the second, stretched upon the bed, lay the 
shadow of a 
figure that had spurned the wind and rain, one wintry night; hardly to be 
recognised now, 
but by the long black hair that showed so very black against the colourless 
face, and all 
the white things about it. 


</p>
            <p>Oh, the strong eyes, and the weak frame! The eyes that turned so eagerly and 
brightly to 
the door when Harriet came in; the feeble head that could not raise itself, 
and moved so 
slowly round upon its pillow! 


</p>
            <p>`Alice!' said the visitor's mild voice, `am I late to-night?' 


</p>
            <p>`You always seem late, but are always early.' 


</p>
            <p>Harriet had sat down by the bedside now, and put her hand upon the thin hand 
lying 
there. 


</p>
            <p>`You are better?' 


</p>
            <p>Mrs. Wickam, standing at the foot of the bed, like a disconsolate spectre, 
most decidedly 
and forcibly shook her head to negative this position. 


</p>
            <p>`It matters very little!' said Alice, with a faint smile. `Better or worse 
to-day, is but a 
day's difference—perhaps not so much.' 


</p>
            <p>Mrs. Wickam, as a serious character, expressed her approval with a groan; and 
having 
made some cold dabs at the bottom of the bedclothes, as feeling for the 
patient's feet and 
expecting to find them stony, went clinking among the medicine bottles on the 
table, as 
who should say, `while we <hi>are</hi> here, let us repeat the mixture as 
before.' 


</p>
            <p>`No,' said Alice, whispering to her visitor, `evil courses, and remorse, 
travel, want, and 
weather, storm within, and storm without, have worn my life away. It will not 
last much 
longer.' 


</p>
            <p>She drew the hand up as she spike, and laid her face against it. 


</p>
            <p>`I lie here, sometimes, thinking I should like to live until I had had a 
little time to show 
you how grateful I could be! It is a weakness, and soon passes. Better for 
you as it is. 
Better for me!' 


</p>
            <p>How different her hold upon the hand, from what it had been when she took it 
by the 
fireside on the bleak winter evening! Scorn, rage, defiance, recklessness, 
look here! This is 
the end. 


</p>
            <p>Mrs. Wickam having clinked sufficiently among the bottles, now produced the 
mixture. 
Mrs. Wickam looked hard at her patient in the act of drinking, screwed her 
mouth up 
tight, her eyebrows also, and shook her head, expressing that tortures 
shouldn't make her 
say it was a hopeless case. Mrs. Wickam then sprinkled a little cooling-stuff 
about the 
room, with the air of a female grave-digger, who was strewing ashes on ashes, 
dust on 
dust—for she was a serious character—and withdrew to partake of certain 
funeral baked 
meats downstairs. 


</p>
            <p>`How long is it,' asked Alice, `Since I went to you and told you what I had 
done, and 
when you were advised it was too late for any one to follow?' 


</p>
            <p>`It is a year and more,' said Harriet. 


</p>
            <p>`A year and more,' said Alice, thoughtfully intent upon her face. `Months 
upon months 
since you brought me here!' 


</p>
            <p>Harriet answered `Yes.' 


</p>
            <p>`Brought me here, by force of gentleness and kindness. Me!' said Alice, 
shrinking with 
her face behind the hand, `and made me human by woman's looks and words, and 
angel's 
deeds!' 


</p>
            <p>Harriet bending over her, composed and soothed her. By and bye, Alice lying 
as before, 
with the hand against her face, asked to have her mother called. 


</p>
            <p>Harriet called to her more than once, but the old woman was so absorbed 
looking out at 
the open window on the darkness, that she did not hear. It was not until 
Harriet went to 
her and touched her, that she rose up, and came. 


</p>
            <p>`Mother,' said Alice, taking the hand again, and fixing her lustrous eyes 
lovingly upon her 
visitor, while she merely addressed a motion of her finger to the old woman, 
`tell her what 
you know.' 


</p>
            <p>`To-night, my deary?' 


</p>
            <p>`Aye, mother,' answered Alice, faintly and solemnly, `to-night!' 


</p>
            <p>The old woman, whose wits appeared disordered by alarm, remorse, or grief, 
came 
creeping along the side of the bed, opposite to that on which Harriet sat; 
and kneeling 
down, so as to bring her withered face upon a level with the coverlet, and 
stretching out 
her hand, so as to touch her daughter's arm, began: 


</p>
            <p>`My handsome gal—' 


</p>
            <p>Heaven, what a cry was that, with which she stopped there, gazing at the poor 
form lying 
on the bed!' 


</p>
            <p>`Changed, long ago, mother! Withered, long ago,' said Alice, without looking 
at her. 
`Don't grieve for that now.' 


</p>
            <p>`—My daughter,' faltered the old woman, `my gal who'll soon get better, and 
shame 'em 
all with her good looks.' 


</p>
            <p>Alice smiled mournfully at Harriet, and fondled her hand a little closer, but 
said 
nothing. 


</p>
            <p>`Who'll soon get better, I say,' repeated the old woman, menacing the vacant 
air with her 
shrivelled fist, `and who'll shame 'em all with her good looks—she will. I 
say she will!she 
shall!'—as if she were in passionate contention with some unseen opponent at 
the bedside, 
who contradicted her—`my daughter has been turned away from, and cast out, 
but she 
could boast relationship to proud folks too, if she chose. Ah! To proud 
folks! There's 
relationship without your clergy and your wedding rings—they may make it, 
but they can't 
break it—and my daughter's well related. Show me Mrs. Dombey, and I'll show 
you my 
Alice's first cousin.' 


</p>
            <p>Harriet glanced from the old woman to the lustrous eyes intent upon her face, 
and derived 
corroboration from them. 


</p>
            <p>`What!' cried the old woman, her nodding head bridling with a ghastly vanity. 
`Though I 
am old an ugly now,—much older by life and habit than years though,—I was 
once as 
young as any. Ah! as pretty too, as many! I was a fresh country wench in my 
time, 
darling,' stretching out her arm to Harriet, across the bed, `and looked it, 
too. Down in my 
country, Mrs. Dombey's father and his brother were the gayest gentlemen and 
the 
best-liked that came a visiting from London—they have long been dead, 
though! Lord, 
Lord, this long while! The brother, who was my Ally's father, longest of the 
two.' 


</p>
            <p>She raised her head a little, and peered at her daughter's face; as if from 
the remembrance 
of her own youth, she had flown to the remembrance of her child's. Then, 
suddenly, she 
laid her face down on the bed, and shut her head up in her hands and arms. 


</p>
            <p>`They were as like,' said the old woman, without looking up, `as you could 
see two 
brothers, so near an age—there wasn't much more than a year between them, as 
I 
recollect—and if you could have seen my gal, as I have seen her once, side 
by side with 
the other's daughter, you'd have seen, for all the difference of dress and 
life, that they 
were like each other. Oh! is the likeness gone, and is it my gal—only my 
gal—that's to 
change so!' 


</p>
            <p>`We shall all change, mother, in our turn,' said Alice. 


</p>
            <p>`Turn!' cried the old woman, `but why not hers as soon as my gal's! The 
mother must 
have changed—she looked as old as me, and full as wrinkled through her 
paint—but 
<hi>she</hi> was handsome. What have <hi>I</hi> done, I, what have <hi>I</hi> done 
worse 
than her, that only my gal is to lie there fading!' 


</p>
            <p>With another of those wild cries, she went running out into the room from 
which she had 
come; but immediately, in her uncertain mood, returned, and creeping up to 
Harriet, 
said: 


</p>
            <p>`That's what Alice bade me tell you, deary. That's all. I found it out when I 
began to ask 
who she was, and all about her, away in Warwickshire there, one summer-time. 
Such 
relations was no good to me, then. They wouldn't have owned me, and had 
nothing to 
give me. I should have asked 'em, maybe, for a little money, afterwards, if 
it hadn't been 
for my Alice; she'd a'most have killed me, if I had, I think. She was as 
proud as t'other 
in her way,' said the old woman, touching the face of her daughter fearfully, 
and 
withdrawing her hand, `for all she's so quiet now; but she'll shame 'em with 
her good 
looks yet. Ha, ha! <hi>she'll</hi> shame 'em, will my handsome daughter!' 


</p>
            <p>Her laugh, as she retreated, was worse than her cry; worse than the burst of 
imbecile 
lamentation in which it ended; worse than the doting air with which she sat 
down in her 
old seat, and stared out at the darkness. 


</p>
            <p>The eyes of Alice had all this time been fixed on Harriet, whose hand she had 
never 
released. She said now: 


</p>
            <p>`I have felt, lying here, that I should like you to know this. It might 
explain, I have 
thought, something that used to help to harden me. I had heard so much, in my 
wrongdoing, of my neglected duty, that I took up with the belief that duty 
had not been 
done to me, and that as the seed was sown, the harvest grew. I somehow made 
it out that 
when ladies had bad homes and mothers, they went wrong in their way, too; but 
that their 
way was not so foul a one as mine, and they had need to bless God for it. 
That is all past. 
It is like a dream, now, which I cannot quite remember or understand. It has 
been more 
and more like a dream, every day, since you began to sit here, and to read to 
me. I only 
tell it you, as I can recollect it. Will you read to me a little more?' 


</p>
            <p>Harriet was withdrawing her hand to open the book, when Alice detained it for 
a 
moment. 


</p>
            <p>`You will not forget my mother? I forgive her, if I have any cause. I know 
that she 
forgives me, and is sorry in her heart. You will not forget her?' 


</p>
            <p>`Never, Alice!' 


</p>
            <p>`A moment yet. Lay my head so, dear, that as you read I may see the words in 
your kind 
face.' 


</p>
            <p>Harriet complied and read—read the eternal book for all the weary and the 
heavy-laden; 
for all the wretched, fallen, and neglected of this earth—read the blessed 
history, in which 
the blind lame palsied beggar, the criminal, the woman stained with shame, 
the shunned of 
all our dainty clay, has each a portion, that no human pride, indifference, 
or sophistry, 
through all the ages that this world shall last, can take away, or by the 
thousandth atom of 
a grain reduce—read the ministry of Him who, through the round of human 
life, and all its 
hopes and griefs, from birth to death, from infancy to age, had sweet 
compassion for, and 
interest in, its every scene and stage, its every suffering and sorrow. 


</p>
            <p>`I shall come,' said Harriet, when she shut the book, `very early in the 
morning.' 


</p>
            <p>The lustrous eyes, yet fixed upon her face, closed for a moment, then opened; 
and Alice 
kissed and blest her. 


</p>
            <p>The same eyes followed her to the door; and in their light, and on the 
tranquil face, there 
was a smile when it was closed. 


</p>
            <p>They never turned away. She laid her hand upon her breast, murmuring the 
sacred name 
that had been read to her; and life passed from her face, like light 
removed. 


</p>
            <p>Nothing lay there, any longer, but the ruin of the mortal house on which the 
rain had 
beaten, and the black hair that had fluttered in the wintry wind. 

</p>
         </div>
         <div xml:id="c59" type="chapter">
            <head>CHAPTER LIX</head>
            <head>Retribution</head>
            <p>CHANGES have come again upon the great house in the long dull street, once 
the scene 
of Florence's childhood and loneliness. It is a great house still, proof 
against wind and 
weather, without breaches in the roof, or shattered windows, or dilapidated 
walls; but it is 
a ruin none the less, and the rats fly from it. 


</p>
            <p>Mr. Towlinson and company are, at first, incredulous in respect of the 
shapeless rumours 
that they hear. Cook says our people's credit ain't so easy shook as that 
comes to, thank 
God; and Mr. Towlinson expects to hear it reported that the Bank of England's 
a-going to 
break, or the jewels in the Tower to be sold up. But, next come the Gazette, 
and Mr. 
Perch: and Mr. Perch brings Mrs. Perch to talk it over in the kitchen, and to 
spend a 
pleasant evening. 


</p>
            <p>As soon as there is no doubt about it, Mr. Towlinson's main anxiety is that 
the failure 
should be a good round one—not less than a hundred thousand pound. Mr. Perch 
don't 
think himself that a hundred thousand pound will nearly cover it. The women, 
led by Mrs. 
Perch and Cook, often repeat `a hun-dred thous-sand pound!' with awful 
satisfaction—as if 
handling the word were like handling the money; and the housemaid, who has 
her eye on 
Mr. Towlinson, wishes she had only a hundredth part of the sum to bestow on 
the man of 
her choice. Mr. Towlinson, still mindful of his old wrong, opines that a 
foreigner would 
hardly know what to do with so much money, unless he spent it on his 
whiskers; which 
bitter sarcasm causes the housemaid to withdraw in tears. 


</p>
            <p>But not to remain long absent; for Cook, who has the reputation of being 
extremely 
good-hearted, says, whatever they do, let 'em stand by one another now, 
Towlinson, for 
there's no telling how soon they may be divided. They have been in that house 
(says 
Cook) through a funeral, a wedding, and a running-away; and let it not be 
said that they 
couldn't agree among themselves at such a time as the present. Mrs. Perch is 
immensely 
affected by this moving address, and openly remarks that Cook is an angel. 
Mr. Towlinson 
replies to Cook, far be it from him to stand in the way of that good feeling 
which he 
could wish to see; and adjourning in quest of the housemaid, and presently 
returning with 
that young lady on his arm, informs the kitchen that foreigners is only his 
fun, and that 
him and Anne have now resolved to take one another for better for worse, and 
to settle in 
Oxford Market in the general greengrocery and herb and leech line, where your 
kind 
favours is particular requested. This announcement is received with 
acclamation; and Mrs. 
Perch, projecting her soul into futurity, says, `girls,' in Cook's ear, in a 
solemn 
whisper. 


</p>
            <p>Misfortune in the family without feasting, in these lower regions, Couldn't 
be. Therefore 
Cook tosses up a hot dish or two for supper, and Mr. Towlinson compounds a 
lobster 
salad to be devoted to the same hospitable purpose. Even Mrs. Pipchin, 
agitated by the 
occasion, rings her bell, and sends down word that she requests to have that 
little bit of 
sweet-bread that was left, warmed up for her supper, and sent to her on a 
tray with about 
a quarter of a tumbler-full of mulled sherry; for she feels poorly. 


</p>
            <p>There is a little talk about Mr. Dombey, but very little. It is chiefly 
speculation as to how 
long he has known that this was going to happen. Cook says shrewdly, `Oh a 
long time, 
bless you! Take your oath of that.' And reference being made to Mr. Perch, he 
confirms 
her view of the case. Somebody wonders what he'll do, and whether he'll go 
out in any 
situation. Mr. Towlinson thinks not, and hints at a refuge in one of them 
gen-teel 
almshouses of the better kind. `Ah, where he'll have his little garden, you 
know,' says 
Cook plaintively, `and bring up sweet peas in the spring.' `Exactly so,' says 
Mr. 
Towlinson, `and be one of the Brethren of something or another.' `We are all 
brethren, 
says Mrs. Perch, in a pause of her drink. `Except the sisters,' says Mr. 
Perch. `How are 
the mighty fallen!' remarks Cook. `Pride shall have a fall, and it always was 
and will be 
so!' observes the housemaid. 


</p>
            <p>It is wonderful how good they feel, in making these reflections; and what a 
Christian 
unanimity they are sensible of, in bearing the common shock with resignation. 
There is 
only one interruption to this excellent state of mind, which is occasioned by 
a young 
kitchen-maid of inferior rank—in black stockings—who, having sat with her 
mouth open for 
a long time, unexpectedly discharges from it words to this effect, `Suppose 
the wages 
shouldn't be paid!' The company sit for a moment speechless; but Cook 
recovering first, 
turns upon the young woman, and requests to know how she dares insult the 
family, 
whose bread she eats, by such a dishonest supposition, and whether she thinks 
that 
anybody, with a scrap of honour left, could deprive poor servants of their 
pittance? 
`Because if <hi>that</hi> is your religious feelings, Mary Daws,' says Cook 
warmly, `I 
don't know where you mean to go to.' 


</p>
            <p>Mr. Towlinson don't know either; nor anybody; and the young kitchen-maid, 
appearing 
not to know exactly, herself, and scouted by the general voice, is covered 
with confusion, 
as with a garment. 


</p>
            <p>After a few days, strange people begin to call at the house, and to make 
appointments 
with one another in the dining-room, as if they lived there. Especially, 
there is a 
gentleman, of a Mosaic Abrabian cast of countenance, with a very massive 
watch-guard, 
who whistles in the drawing-room, and, while he is waiting for the other 
gentleman, who 
always has pen and ink in his pocket, asks Mr. Towlinson (by the easy name of 
`Old 
Cock,') if he happens to know what the figure of them crimson and gold 
hangings might 
have been, when new bought. The callers and appointments in the dining-room 
become 
more numerous every day, and every gentlemen seems to have pen and ink in his 
pocket, 
and to have some occasion to use it. At last it is said that there is going 
to be a Sale; and 
then more people arrive, with pen and ink in their pockets, commanding a 
detachment of 
men with carpet caps, who immediately begin to pull up the carpets, and knock 
the 
furniture about, and to print off thousands of impressions of their shoes 
upon the hall and 
staircase. 


</p>
            <p>The council down stairs are in full conclave all this time, and, having 
nothing to do, 
perform perfect feats of eating. At length, they are one day summoned in a 
body to Mrs. 
Pipchin's room, and thus addressed by the fair Peruvian: 


</p>
            <p>`Your master's in difficulties,' says Mrs. Pipchin, tartly. `You know that, I 
suppose?' 


</p>
            <p>Mr. Towlinson, as spokesman, admits a general knowledge of the fact. 


</p>
            <p>`And you're all on the look-out for yourselves, I warrant you,' says Mrs. 
Pipchin, shaking 
her head at them. 


</p>
            <p>A shrill voice from the rear exclaims, `No more than yourself!' 


</p>
            <p>`That's your opinion, Mrs. Impudence, is it?' says the ireful Pipchin, 
looking with a fiery 
eye over the intermediate heads. 


</p>
            <p>`Yes, Mrs. Pipchin, it is,' replies Cook, advancing. `And what then, 
pray?' 


</p>
            <p>`Why, then you may go as soon as you like,' says Mrs. Pipchin, `The sooner 
the better; 
and I hope I shall never see your face again.' 


</p>
            <p>With this the doughty Pipchin produces a canvas bag; and tells her wages out 
to that day, 
and a month beyond it: and clutches the money tight until a receipt for the 
same is duly 
signed, to the last up-stroke; when she grudgingly lets it go. This form of 
proceeding Mrs. 
Pipchin repeats with every member of the household, until are paid. 


</p>
            <p>`Now those that choose can go about their business,' says Mrs. Pipchin, `and 
those that 
choose can stay here on board wages for a week or so, and make themselves 
useful. 
Except,' says the inflammable Pipchin, `that slut of a cook, who'll go 
immediately.' 


</p>
            <p>`That,' says Cook, `she certainly will! I wish you good day, Mrs. Pipchin, 
and sincerely 
wish I could compliment you on the sweetness of your appearance!' 


</p>
            <p>`Get along with you,' says Mrs. Pipchin, stamping her foot. 


</p>
            <p>Cook sails off with an air of beneficent dignity, highly exasperating to Mrs. 
Pipchin, and 
is shortly joined below stairs by the rest of the confederation. 


</p>
            <p>Mr. Towlinson then says that, in the first place, he would beg to propose a 
little snack of 
something to eat; and over that snack would desire to offer a suggestion 
which he thinks 
will meet the position in which they find themselves. The refreshment being 
produced, and 
very heartily partaken of, Mr. Towlinson's suggestion is, in effect, that 
Cook is going, and 
that if we are not true to ourselves, nobody will be true to us. That they 
have lived in that 
house a long time, and exerted themselves very much to be sociable together. 
(At this, 
Cook says, with emotion, `Hear, hear!' and Mrs. Perch, who is there again, 
and full to the 
throat, sheds tears). And that he thinks, at the present time, the feeling 
ought to be `Go 
one, go all!' The housemaid is much affected by this generous sentiment, and 
warmly 
seconds it. Cook says she feels it's right, and only hopes it's not done as a 
compliment to 
her, but from a sense of duty. Mr. Towlinson replies, from a sense of duty; 
and that now 
he is driven to express his opinions, he will openly say, that he does not 
think it 
over-respectable to remain in a house where Sales and such-like are carrying 
forwards. 
The housemaid is sure of it; and relates, in confirmation, that a strange 
man, in a carpet 
cap, offered this very morning to kiss her on the stairs. Hereupon, Mr. 
Towlinson is 
starting from his chair, to seek and `smash' the offender; when he is laid 
hold on by the 
ladies, who beseech him to calm himself, and to reflect that it is easier and 
wiser to leave 
the scene of such indecencies at once. Mrs. Perch, presenting the case in a 
new light, even 
shows that delicacy towards Mr. Dombey, shut up in his own rooms, 
imperatively 
demands precipitate retreat. `For what,' says the good woman, `must his 
feelings be, if he 
was to come upon any of the poor servants that he once deceived into thinking 
him 
immensely rich!' Cook is so struck by this moral consideration that Mrs. 
Perch improves 
it with several pious axioms, original and selected. It becomes a clear case 
that they must 
all go. Boxes are packed, cabs fetched, and at dusk that evening there is not 
one member 
of the party left. 


</p>
            <p>The house stands, large and weather-proof, in the long dull street; but it is 
a ruin, and the 
rats fly from it. 


</p>
            <p>The men in the carpet caps go on tumbling the furniture about; and the 
gentlemen with the 
pens and ink make out inventories of it, and sit upon pieces of furniture 
never made to be 
sat upon, and eat bread and cheese from the public-house on other pieces of 
furniture 
never made to be eaten on, and seem to have a delight in appropriating 
precious articles to 
strange uses. Chaotic combinations of furniture also take place. Mattresses 
and bedding 
appear in the dining-room; the glass and china get into the conservatory; the 
great dinner 
service is set out in heaps on the long divan in the large drawing-room; and 
the 
stair-wires, made into fasces, decorate the marble chimneypieces. Finally, a 
rug, with a 
printed bill upon it, is hung out from the balcony; and a similar appendage 
graces either 
side of the hall door. 


</p>
            <p>Then, all day long, there is a retinue of mouldy gigs and chaise-carts in the 
street; and 
herds of shabby vampires, Jew and Christian, over-run the house, sounding the 
plate-glass 
mirrors with their knuckles, striking discordant octaves on the Grand Piano, 
drawing wet 
forefingers over the pictures, breathing on the blades of the best 
dinner-knives, punching 
the squabs of chairs and sofas with their dirty fists, touzling the feather 
beds, opening and 
shutting all the drawers, balancing the silver spoons and forks, looking into 
the very 
threads of the drapery and linen, and disparaging everything. There is not a 
secret place in 
the whole house. Fluffy and snuffy strangers stare into the kitchen-range as 
curiously as 
into the attic clothes-press. Stout men with napless hats on, look out of the 
bedroom 
windows, and cut jokes with friends in the street. Quiet, calculating spirits 
withdraw into 
the dressing-rooms with catalogues, and make marginal notes thereon, with 
stumps of 
pencils. Two brokers invade the very fire-escape, and take a panoramic survey 
of the 
neighbourhood from the top of the house. The swarm and buzz, and going up and 
down, 
endure for days. The Capital Modern Household Furniture, &amp;c., is on view. 


</p>
            <p>Then there is a palisade of tables made in the best drawing-room; and on the 
capital, 
french-polished, extending, telescopic range of Spanish mahogany 
dining-tables with 
turned legs, the pulpit of the Auctioneer is erected; and the herds of shabby 
vampires, Jew 
and Christian, the strangers fluffy and snuffy, and the stout men with the 
napless hats, 
congregate about it and sit upon everything within reach, mantel-pieces 
included, and 
begin to bid. Hot, humming, and dusty are the rooms all day; and—high above 
the heat, 
hum, and dust—the head and shoulders, voice and hammer, of the Auctioneer, 
are ever at 
work. The men in the carpet caps get flustered and vicious with tumbling the 
Lots about, 
and still the Lots are going, going, gone; still coming on. Sometimes there 
is joking and a 
general roar. This lasts all day and three days following. The Capital Modern 
Household 
Furniture, &amp;c., is on sale. 


</p>
            <p>Then the mouldy gigs and chaise-carts reappear; and with them come 
spring-vans and 
waggons, and an army of porters with knots. All day long, the men with carpet 
caps are 
screwing at screw-drivers and bed-winches, or staggering by the dozen 
together on the 
staircase under heavy burdens, or upheaving perfect rocks of Spanish 
mahogany, best 
rose-wood, or plate-glass, into the gigs and chaise-carts, vans and waggons. 
All sorts of 
vehicles of burden are in attendance, from a tilted waggon to a wheelbarrow. 
Poor Paul's 
little bedstead is carried off in a donkey-tandem. For nearly a whole week, 
the Capital 
Modern Household Furniture, &amp;c., is in course of removal. 


</p>
            <p>At last it is all gone. Nothing is left about the house but scattered leaves 
of catalogues, 
littered scraps of straw and hay, and a battery of pewter pots behind the 
hall-door. The 
men with the carpet caps gather up their screw-drivers and bed-winches into 
bags, 
shoulder them, and walk off. One of the pen-and-ink gentlemen goes over the 
house as a 
last attention; sticking up bills in the windows respecting the lease of this 
desirable family 
mansion, and shutting the shutters. At length he follows the men with the 
carpet caps. 
None of the invaders remain. The house is a ruin, and the rats fly from 
it. 


</p>
            <p>Mrs. Pipchin's apartments, together with those locked rooms on the 
ground-floor where 
the window-blinds are drawn down close, have been spared the general 
devastation. Mrs. 
Pipchin has remained austere and stony during the proceedings in her own 
room; or has 
occasionally looked in at the sale to see what the goods are fetching, and to 
bid for one 
particular easy chair. Mrs. Pipchin has been the highest bidder for the easy 
chair, and sits 
upon her property when Mrs. Chick comes to see her. 


</p>
            <p>`How is my brother, Mrs. Pipchin?' says Mrs. Chick. 


</p>
            <p>`I don't know any more than the deuce,' says Mrs. Pipchin. `He never does me 
the honour 
to speak to me. He has his meat and drink put in the next room to his own; 
and what he 
takes, he comes out and takes when there's nobody there. It's no use asking 
me. I know 
no more about him than the man in the south who burnt his mouth by eating 
cold plum 
porridge.' 


</p>
            <p>This the acrimonious Pipchin says with a flounce. 


</p>
            <p>`But good gracious me!' cries Mrs. Chick blandly. `How long is this to last! 
If my brother 
will not make an effort, Mrs. Pipchin, what is to become of him? I am sure I 
should have 
thought he had seen enough of the consequences of <hi>not</hi> making an 
effort, by this 
time, to be warned against that fatal error.' 


</p>
            <p>`Hoity toity!' says Mrs. Pipchin, rubbing her nose. `There's a great fuss, I 
think, about it. 
It an't so wonderful a case. People have had misfortunes before now, and been 
obliged to 
part with their furniture. I'm sure <hi>I</hi> have!' 


</p>
            <p>`My brother,' pursues Mrs. Chick profoundly, `is so peculiar—so strange a 
man. He is the 
most peculiar man <hi>I</hi> ever saw. Would any one believe that when he 
received news 
of the marriage and emigration of that unnatural child—it's a comfort to me, 
now, to 
remember that I always said there was something extraordinary about that 
child: but 
nobody minds me—would anybody believe, I say, that he should then turn round 
upon me 
and say he had supposed, from my manner, that she had come to my house? Why, 
my 
gracious! And would anybody believe that when I merely say to him, “Paul, I 
may be very 
foolish, and I have no doubt I am, but I cannot understand how your affairs 
can have got 
into this state,” he should actually fly at me, and request that I will come 
to see him no 
more until he asks me! Why, my goodness!' 


</p>
            <p>`Ah!' says Mrs. Pipchin, `It's a pity he hadn't a little more to do with 
mines. They'd have 
tried his temper for him.' 


</p>
            <p>`And what,' resumes Mrs. Chick, quite regardless of Mrs. Pipchin's 
observations, `is it to 
end in? That's what I want to know. What does my brother mean to do? He must 
do 
something. It's of no use remaining shut up in his own rooms. Business won't 
come to 
him. No. He must go to it. Then why don't he go! He knows where to go, I 
suppose, 
having been a man of business all his life. Very good. Then why not go 
there?' 


</p>
            <p>Mrs. Chick, after forging this powerful chain of reasoning, remains silent 
for a minute to 
admire it. 


</p>
            <p>`Besides,' says the discreet lady, with an argumentative air, `who ever heard 
of such 
obstinacy as his staying shut up here through all these dreadful 
disagreeables? It's not as if 
there was no place for him to go to. Of course he could have come to our 
house. He 
knows he is at home there, I suppose? Mr. Chick has perfectly bored about it, 
and I said 
with my own lips, “Why surely, Paul, you don't imagine that because your 
affairs have 
got into this state, you are the less at home to such near relatives as 
ourselves? You don't 
imagine that we are like the rest of the world?” But no; here he stays all 
through, and here 
he is. Why, good gracious me, suppose the house was to be let! What would he 
do then? 
He couldn't remain here then. If he attempted to do so, there would be an 
ejectment, an 
action for Doe, and all sorts of things; and then he <hi>must</hi> go. Then why 
not go at 
first instead of at last? And that brings me back to what I said just now, 
and I naturally 
ask what is to be the end of it?' 


</p>
            <p>`I know what's to be the end of it, as far as <hi>I</hi> am concerned,' replies 
Mrs. Pipchin, 
`and that's enough for me. I'm going to take <hi>myself</hi> off in a 
jiffy.' 


</p>
            <p>`In a which, Mrs. Pipchin,' says Mrs. Chick. 


</p>
            <p>`In a jiffy,' retorts Mrs. Pipchin sharply. 


</p>
            <p>`Ah, well! really I can't blame you, Mrs. Pipchin,' says Mrs. Chick, with 
frankness. 


</p>
            <p>`It would be pretty much the same to me, if you could,' replies the sardonic 
Pipchin. `At 
any rate I'm going. I can't stop here. I should be dead in a week. I had to 
cook my own 
pork chop yesterday, and I'm not used to it. My constitution will be giving 
way next. 
Besides, I had a very fair connexion at Brighton when I came here—little 
Pankey's folks 
alone were worth a good eighty pounds a-year to me—and I can't afford to 
throw it away. 
I've written to my niece, and she expects me by this time.' 


</p>
            <p>`Have you spoken to my brother?' inquires Mrs. Chick. 


</p>
            <p>`Oh, yes, it's very easy to say speak to him,' retorts Mrs. Pipchin. `How is 
it done? I 
called out to him yesterday, that I was no use here, and that he had better 
let me send for 
Mrs. Richards. He grunted something or other that meant yes, and I sent! 
Grunt indeed! If 
he had been Mr. Pipchin, he'd have had some reason to grunt. Yah! I've no 
patience with 
it!' 


</p>
            <p>Here this exemplary female, who has pumped up so much fortitude and virtue 
from the 
depths of the Peruvian mines, rises from her cushioned property to see Mrs. 
Chick to the 
door. Mrs. Chick, deploring to the last the peculiar character of her 
brother, noiselessly 
retires, much occupied with her own sagacity and clearness of head. 


</p>
            <p>In the dusk of the evening Mr. Toodle, being off duty, arrives with Polly and 
a box, and 
leaves them, with a sounding kiss, in the hall of the empty house, the 
retired character of 
which affects Mr. Toodle's spirits strongly. 


</p>
            <p>`I tell you what, Polly, my dear.' says Mr. Toodle, `being now an 
ingein-driver, and well 
to do in the world, I shouldn't allow of your coming here, to be made 
dull-like, if it 
warn't for favours past. But favours past, Polly, is never to be forgot. To 
them which is in 
adversity, besides, your face is a cord'l. So let's have another kiss on it, 
my dear. You 
wish no better than to do a right act, I know; and my views is, that it's 
right and dutiful to 
do this. Good night, Polly!' 


</p>
            <p>Mrs. Pipchin by this time looms dark in her black bombazeen skirts, black 
bonnet, and 
shawl; and has her personal property packed up; and has her chair (late a 
favourite chair 
of Mr. Dombey's and the dead bargain of the sale) ready near the street door; 
and is only 
waiting for a fly-van, going to-night to Brighton on private service, which 
is to call for 
her, by private contract, and convey her home. 


</p>
            <p>Presently it comes. Mrs. Pipchin's wardrobe being handed in and stowed away, 
Mrs. 
Pipchin's chair is next handed in, and placed in a convenient corner among 
certain trusses 
of hay; it being the intention of the amiable woman to occupy the chair 
during her 
journey. Mrs. Pipchin herself is next handed in, and grimly takes her seat. 
There is a 
snaky gleam in her hard grey eye, as of anticipated rounds of buttered toast, 
relays of hot 
chops, worryings and quellings of young children, sharp snappings at poor 
Berry, and all 
the other delights of her Ogress's castle. Mrs. Pipchin almost laughs as the 
fly-van drives 
off, and she composes her black bombazeen skirts, and settles herself among 
the cushions 
of her easy chair. 


</p>
            <p>The house is such a ruin that the rats have fled, and there is not one 
left. 


</p>
            <p>But Polly, though alone in the deserted mansion—for there is no 
companionship in the 
shut-up rooms in which its late master hides his head—is not alone long. It 
is night; and 
she is sitting at work in the housekeeper's room, trying to forget what a 
lonely house it is, 
and what a history belongs to it; when there is a knock at the hall door, as 
loud sounding 
as any knock can be, striking into such an empty place. Opening it, she 
returns across the 
echoing hall, accompanied by a female figure in a close black bonnet. It is 
Miss Tox, and 
Miss Tox's eyes are red. 


</p>
            <p>`Oh, Polly,' says Miss Tox, `when I looked in to have a little lesson with 
the children just 
now, I got the message that you left for me; and as soon as I could recover 
my spirits at 
all, I came on after you. Is there no one here but you?' 


</p>
            <p>`Ah! not a soul.' says Polly. 


</p>
            <p>`Have you seen him?' whispers Miss Tox. 


</p>
            <p>`Bless you,' returns Polly, `no; he has not been seen this many a day. They 
tell me he 
never leaves his room.' 


</p>
            <p>`Is he said to be ill?' inquires Miss Tox. 


</p>
            <p>`No, ma'am, not that I know of,' returns Polly, `except in his mind. He must 
be very bad 
there poor gentleman!' 


</p>
            <p>Miss Tox's sympathy is such that she can scarcely speak. She is no chicken, 
but she has 
not grown tough with age and celibacy. Her heart is very tender, her 
compassion very 
genuine, her homage very real. Beneath the locket with the fishy eye in it, 
Miss Tox bears 
better qualities than many a less whimsical outside; such qualities as will 
outlive, by many 
courses of the sun, the best outsides and brightest husks that fall in the 
harvest of the great 
reaper. 


</p>
            <p>It is long before Miss Tox goes away, and before Polly, with a candle flaring 
on the blank 
stairs, looks after her, for company, down the street, and feels unwilling to 
go back into 
the dreary house, and jar its emptiness with the heavy fastenings of the 
door, and glide 
away to bed. But all this Polly does; and in the morning sets in one of those 
darkened 
rooms such matters as she has been advised to prepare, and then retires and 
enters them 
no more until next morning at the same hour. There are bells there, but they 
never ring; 
and though she can sometimes hear a footfall going to and fro, it never comes 
out. 


</p>
            <p>Miss Tox returns early in the day. It then begins to be Miss Tox's occupation 
to prepare 
little dainties—or what are such to her—to be carried into these rooms next 
morning. She 
derives so much satisfaction from the pursuit, that she enters on it 
regularly from that 
time; and brings daily in her little basket, various choice condiments 
selected from the 
scanty stores of the deceased owner of the powered head and pigtail. She 
likewise brings, 
in sheets of curl-paper, morsels of cold meats, tongues of sheep, halves of 
fowls, for her 
own dinner; and sharing these collations with Polly, passes the greater part 
of her time in 
the ruined house that the rats have fled from: hiding, in a fright at every 
sound, stealing in 
and out like a criminal; only desiring to be true to the fallen object of her 
admiration, 
unknown to him, unknown to all the world but one poor simple woman. 


</p>
            <p>The Major knows it; but no one is the wiser for that, though the Major is 
much the 
merrier. The Major, in a fit of curiosity, has charged the Native to watch 
the house 
sometimes, and find out what becomes of Dombey. The Native has reported Miss 
Tox's 
fidelity, and the Major has nearly choked himself dead with laughter. He is 
permanently 
bluer from that hour, and constantly wheezes to himself, his lobster eyes 
starting out of his 
head, `Damme, Sir, the woman's a born idiot!' 


</p>
            <p>And the ruined man. How does he pass the hours, alone? 


</p>
            <p>`Let him remember it in that room, years to come!' He did remember it. It was 
heavy on 
his mind now; heavier than all the rest. 


</p>
            <p>`Let him remember it in that room, years to come! The rain that falls upon 
the roof, the 
wind that mourns outside the door, may have foreknowledge in their melancholy 
sound. 
Let him remember it in that room, years to come!' 


</p>
            <p>He did remember it. In the miserable night he thought of it; in the dreary 
day, the 
wretched dawn, the ghostly, memory-haunted twilight. He did remember it. In 
agony, in 
sorrow, in remorse, in despair! `Papa! papa! Speak to me, dear papa!' He 
heard the words 
again, and saw the face. He saw it fall upon the trembling hands, and heard 
the one 
prolonged low cry go upward. 


</p>
            <p>He was fallen, never to be raised up any more. For the night of his worldly 
ruin there was 
no to-morrow's sun; for the stain of his domestic shame there was no 
purification; 
nothing, thank Heaven, could bring his dead child back to life. But that 
which he might 
have made so different in all the Past—which might have made the Past itself 
so different, 
though this he hardly thought of now—that which was his own work, that which 
he could 
so easily have wrought into a blessing, and had set himself so steadily for 
years to form 
into a curse: that was the sharp grief of his soul. 


</p>
            <p>Oh! He did remember it! The rain that fell upon the roof, the wind that 
mourned outside 
the door that night, had had foreknowledge in their melancholy sound. He 
knew, now, 
what he had done. He knew, now, that he had called down that upon his head, 
which 
bowed it lower that the heaviest stroke of fortune. He knew, now, what it was 
to be 
rejected and deserted; now, when every loving blossom he had withered in his 
innocent 
daughter's heart was snowing down in ashes on him. 


</p>
            <p>He thought of her, as she had been that night when he and his bride came 
home. He 
thought of her as she had been, in all the home-events, of the abandoned 
House. He 
thought, now, that of all around him, she alone had never changed. His boy 
had faded into 
dust, his proud wife had sunk into a polluted creature, his flatterer and 
friend had been 
transformed into the worst of villains, his riches had melted away, the very 
walls that 
sheltered him looked on him as a stranger; she alone had turned the same mild 
gentle look 
upon him always. Yes, to the latest and the last. She had never changed to 
him—nor had 
he ever changed to her—and she was lost. 


</p>
            <p>As, one by one, they fell away before his mind—his baby-hope, his wife, his 
friend, his 
fortune—oh how the mist, through which he had seen her, cleared, and showed 
him her 
true self! Oh, how much better than this that he had loved her as had hid 
boy, and lost her 
as he had his boy, and laid them in their early grave together! 


</p>
            <p>In his pride—for he was proud yet—he let the world go from him freely. As 
it fell away, he 
shook it off. Whether he imagined its face as expressing pity for him, or 
indifference to 
him, he shunned it alike. It was in the same degree to be avoided, in either 
aspect. He had 
no idea of any one companion in his misery, but the one he had driven away. 
What he 
would have said to her, or what consolation submitted to receive from her, he 
never 
pictured to himself. But he always knew she would have been true to him, if 
he had 
suffered her. He always knew she would have loved him better now, than at any 
other 
time: he was as certain that it was in her nature, as he was that there was a 
sky above 
him; and he sat thinking so, in his loneliness, from hour to hour. Day after 
day uttered this 
speech; night after night showed him this knowledge. 


</p>
            <p>It began, beyond all doubt (however slow it advanced for some time), in the 
receipt of her 
young husband's letter, and the certainty that she was gone. And yet—so 
proud he was in 
his ruin, or so reminiscent of her, only as something that might have been 
his, but was 
lost beyond redemption—that if he could have heard her voice in an adjoining 
room, he 
would not have gone to her. If he could have seen her in the street, and she 
had done no 
more than look at him as she had been used to look, he would have passed on 
with his old 
cold unforgiving face, and not addressed her, or relaxed it, though his heart 
should have 
broken soon afterwards. However turbulent his thoughts, or harsh is anger had 
been, at 
first, concerning her marriage, or her husband, that was all past now. He 
chiefly thought 
of what might have been, and what was not. What was, was all summed up in 
this: that 
she was lost, and he bowed down with sorrow and remorse. 


</p>
            <p>And now he felt that he had had two children born to him in that house, and 
that between 
him and the bare wide empty walls there was a tie, mournful, but hard to rend 
asunder, 
connected with a double childhood, and a double loss. He had thought to leave 
the 
house—knowing he must go, not knowing whither—upon the evening of the day 
on which 
this feeling first struck root in his breast; but he resolved to stay another 
night, and in the 
night to ramble through the rooms once more. 


</p>
            <p>He came out of his solitude when it was the dead of night, and with a candle 
in his hand 
went softly up the stairs. Of all the footmarks there, making them as common 
as the 
common street, there was not one, he thought, but had seemed at the time to 
set itself 
upon his brain while he had kept close, listening. He looked at their number, 
and their 
hurry, and contention—foot treading foot out, and upward track and downward 
jostling one 
another—and thought, with absolute dread and wonder, how much he must have 
suffered 
during that trial, and what a changed man he had cause to be. He thought, 
besides, oh was 
there, somewhere in the world, a light footstep that might have worn out in a 
moment half 
those marks!—and bent his head, and wept as he went up. 


</p>
            <p>He almost saw it, going on before. He stopped, looking up towards the 
skylight; and a 
figure, childish itself, but carrying a child, and singing as it went, seemed 
to be there 
again. Anon, it was the same figure, alone, stopping for an instant, with 
suspended breath; 
the bright hair clustering loosely round its tearful face; and looking back 
at him. 


</p>
            <p>He wandered through the rooms: lately so luxurious; now so bare and dismal 
and so 
changed, apparently, even in their shape and size. The press of footsteps was 
as thick here; 
and the same consideration of the suffering he had had, perplexed and 
terrified him. He 
began to fear that all this intricacy in his brain would drive him mad; and 
that his thoughts 
already lost coherence as the footprints did, and were pieced on to one 
another, with the 
same trackless involutions, and varieties of indistinct shapes. 


</p>
            <p>He did not so much as know in which of these rooms she had lived, when she 
was alone. 
He was glad to leave them, and go wandering higher up. Abundance of 
associations were 
here, connected with his false wife, his false friend and servant, his false 
grounds of pride; 
but he put them all by now, and only recalled miserably, weakly, fondly, his 
two 
children. 


</p>
            <p>Everywhere, the footsteps! They had had no respect for the old room high up, 
where the 
little bed had been; he could hardly find a clear space there, to throw 
himself down, on 
the floor, against the wall, poor broken man, and let his tears flow as they 
would. He had 
shed so many tears here, long ago, that he was less ashamed of his weakness 
in this place 
than in any other—perhaps, with that consciousness, had made excuses to 
himself for 
coming here. Here, with stooping shoulders, and his chin dropped on his 
breast, he had 
come. Here, thrown upon the bare boards, in the dead of night, he wept, 
alone—a proud 
man, even then; who, if a kind hand could have been stretched out, or a kind 
face could 
have looked in would have risen up, and turned away, and gone down to his 
cell. 


</p>
            <p>When the day broke he was shut up in his rooms again. He had meant to go away 
to-day, 
but clung to this tie in the house as the last and only thing left to him. He 
would go 
to-morrow. To-morrow came. He would go to-morrow. Every night, within the 
knowledge 
of no human creature, he came forth, and wandered through the despoiled house 
like a 
ghost. Many a morning when the day broke, his altered face, drooping behind 
the closed 
blind in his window, imperfectly transparent to the light as yet, pondered on 
the loss of his 
two children. It was one child no more. He reunited them in his thoughts, and 
they were 
never asunder. Oh, that he could have united them in his past love, and in 
death, and that 
one had not been so much worse than dead! 


</p>
            <p>Strong mental agitation and disturbance was no novelty to him, even before 
his late 
suffering. It never is, to obstinate and sullen natures; for they struggle 
hard to be such. 
Ground, long undermined, will often fall down in a moment; what was 
undermined here in 
so many ways, weakened, and crumbled, little by little, more and more, as the 
hand 
moved on the dial. 


</p>
            <p>At last he began to think he need not go at all. He might yet give up what 
his creditors 
had spared him (that they had not spared him more, was his own act), and only 
sever the 
tie between him and the ruined house, by severing that other link—— 


</p>
            <p>It was then that his footfall was audible in the late house-keeper's room, as 
he walked to 
and fro; but not audible in its true meaning, or it would have had an 
appalling sound. 


</p>
            <p>The world was very busy and restless about him. He became aware of that 
again. It was 
whispering and babbling. It was never quiet. This, and the intricacy and 
complication of 
the footsteps, harassed him to death. Objects began to take a bleared and 
russet colour in 
his eyes. Dombey and Son was no more—his children no more. This must be 
thought of, 
well, to-morrow. 


</p>
            <p>He thought of it to-morrow; and sitting thinking in his chair, saw in the 
glass, from time 
to time, this picture: 


</p>
            <p>A spectral, haggard, wasted likeness of himself, brooded and brooded over the 
empty 
fireplace. Now it lifted up its head, examining the lines and hollows in its 
face; now hung 
it down again, and brooded afresh. Now it rose and walked about; now passed 
into the 
next room, and came back with something from the dressing-table in its 
breast. Now, it 
was looking at the bottom of the door, and thinking. 


</p>
            <p>—Hush! what? 


</p>
            <p>It was thinking that if blood were to trickle that way, and to leak out into 
the hall, it must 
be a long time going so far. It would move so stealthily and slowly, creeping 
on, with her 
a lazy little pool, and there a start, and then another little pool, that a 
desperately wounded 
man could only be discovered through its means, either dead or dying. When it 
had 
thought of this a long while, it got up again, and walked to and fro with its 
hand in its 
breast. He glanced at it occasionally, very curious to watch its motions, and 
he marked 
how wicked and murderous that hand looked. 


</p>
            <p>Now it was thinking again! What was it thinking? 


</p>
            <p>Whether they would tread in the blood when it crept so far, and carry it 
about the house 
among those many prints of feet, or even out into the street. 


</p>
            <p>It sat down, with its eyes upon the empty fireplace, and as it lost itself in 
thought there 
shone into the room a gleam of light; a ray of sun. It was quite unmindful, 
and sat 
thinking. Suddenly it rose, with a terrible face, and that guilty hand 
grasping what was in 
its breast. Then it was arrested by a cry—a wild, loud, piercing, loving 
rapturous cry—and 
he only saw his own reflection in the glass, and at his knees, his 
daughter! 


</p>
            <p>Yes. His daughter! Look at her! Look here! Down upon the ground, clinging to 
him, 
calling to him, folding her hands, praying to him. 


</p>
            <p>`Papa! Dearest papa! Pardon me, forgive me! I have come back to ask 
forgiveness on my 
knees. I never can be happy more, without it!' 


</p>
            <p>Unchanged still. Of all the world, unchanged. Raising the same face to his, 
as on that 
miserable night. Asking <hi>his</hi> forgiveness! 


</p>
            <p>`Dear papa, oh don't look strangely on me! I never meant to leave you. I 
never thought of 
it, before or afterwards. I was frightened when I went away, and could not 
think. Papa, 
dear, I am changed. I am penitent. I know my fault. I know my duty better 
now. Papa, 
don't cast me off, or I shall die!' 


</p>
            <p>He tottered to his chair. He felt her draw his arms about her neck; he felt 
her put her own 
round his; he felt her kisses on his face; he felt her wet cheek laid against 
his own; he 
felt—oh, how deeply!—all that he had done. 


</p>
            <p>Upon the breast that he had bruised, against the heart that he had almost 
broken, she laid 
his face, now covered with his hands, and said, sobbing: 


</p>
            <p>`Papa, love, I am a mother. I have a child who will soon call Walter by the 
name by 
which I call you. When it was born, and when I knew how much I loved it, I 
knew what I 
had done in leaving you. Forgive me, dear Papa! oh say God bless me, and my 
little 
child!' 


</p>
            <p>He would have said it, if he could. He would have raised his hands and 
besought her for 
pardon, but she caught them in her own, and put them down, hurriedly. 


</p>
            <p>`My little child was born at sea, Papa. I prayed to God (and so did Walter 
for me) to 
spare me, that I might come home. The moment I could land, I came back to 
you. Never 
let us be parted any more, Papa!' 


</p>
            <p>His head, now grey, was encircled by her arm; and he groaned to think that 
never, never, 
had it rested so before. 


</p>
            <p>`You will come home with me, Papa, and see my baby. A boy, Papa. His name is 
Paul. I 
think—I hope—he's like—' 


</p>
            <p>Her tears stopped her. 


</p>
            <p>`Dear Papa, for the sake of my child, for the sake of the name we have given 
him, for my 
sake, pardon Walter. He is so kind and tender to me. I am so happy with him. 
It was not 
his fault that we were married. It was mine. I loved him so much.' 


</p>
            <p>She clung closer to him, more endearing and more earnest. 


</p>
            <p>`He is the darling of my heart, Papa. I would die for him. He will love and 
honour your as 
I will. We will teach our little child to love and honour you; and we will 
tell him, when 
he can understand, that you had a son of that name once, and that he died, 
and you were 
very sorry; but that he is gone to Heaven, where we all hope to see him when 
our time for 
resting comes. Kiss me, Papa, as a promise that you will be reconciled to 
Walter—to my 
dearest husband—to the father of the little child who taught me to come 
back, Papa. Who 
taught me to come back!' 


</p>
            <p>As she clung closer to him, in another burst of tears, he kissed her on her 
lips, and, lifting 
up his eyes, said, `Oh my God, forgive me, for I need it very much!' 


</p>
            <p>With that he dropped his head again, lamenting over and caressing her, and 
there was not 
a sound in all the house for a long, long time; they remaining clasped in one 
another's 
arms, in the glorious sunshine that had crept in with Florence. 


</p>
            <p>He dressed himself for going out, with a docile submission to her entreaty; 
and walking 
with a feeble gait, and looking back, with a tremble, at the room in which he 
had been so 
long shut up, and where he had seen the picture in the glass, passed out with 
her into the 
hall. Florence, hardly glancing round her, lest she should remind him freshly 
of their last 
parting—for their feet were on the very stones where he had struck her in 
his madness—and 
keeping close to him, with her eyes upon his face, and his arm about her, led 
him out to a 
coach that was waiting at the door, and carried him away. 


</p>
            <p>Then, Miss Tox and Polly came out of their concealment, and exulted 
tearfully. And then 
they packed his clothes, and books, and so forth, with great care; and 
consigned them in 
due course to certain persons sent by Florence in the evening, to fetch them. 
And then 
they took a last cup of tea in the lonely house. 


</p>
            <p>`And so Dombey and Son, as I observed upon a certain sad occasion,' said Miss 
Tox, 
winding up a host of recollections, `is indeed a daughter, Polly, after 
all.' 


</p>
            <p>`And a good one!' exclaimed Polly. 


</p>
            <p>`You are right,' said Miss Tox; `and it's a credit to you Polly, that you 
were always her 
friend when she was a little child. You were her friend long before I was, 
Polly,' said 
Miss Tox; `and you're a good creature. Robin!' 


</p>
            <p>Miss Tox addressed herself to a bullet-headed young man, who appeared to be 
in but 
indifferent circumstances, and in depressed spirits, and who was sitting in a 
remote corner. 
Rising, he disclosed to view the form and features of the Grinder. 


</p>
            <p>`Robin,' said Miss Tox, `I have just observed to your mother, as you may have 
heard, that 
she is a good creature.' 


</p>
            <p>`And so she is, Miss.' quoth the Grinder, with some feeling. 


</p>
            <p>`Very well, Robin,' said Miss Tox, `I am glad to hear you say so. Now, Robin, 
as I am 
going to give you a trial, at your urgent request, as my domestic, with a 
view to your 
restoration to respectability, I will take this impressive occasion of 
remarking that I hope 
you will never forget that you have, and have always had, a good mother, and 
that your 
will endeavour so to conduct yourself as to be a comfort to her.' 


</p>
            <p>`Upon my soul I will, Miss,' returned the Grinder. `I have come through a 
good deal, and 
my intentions is now as straightfor'ard, Miss, as a cove's—' 


</p>
            <p>`I must get you to break yourself of that word, Robin, if you please,' 
interposed Miss Tox, 
politely. 


</p>
            <p>`If you please, Miss as a chap's—' 


</p>
            <p>`Thankee, Robin, no,' returned Miss Tox. `I should prefer individual.' 


</p>
            <p>`As a indiwiddle's,' said the Grinder. 


</p>
            <p>`Much better,' remarked Miss Tox, complacently; `infinitely more 
expressive!' 


</p>
            <p> `—can be,' pursued Rob. `If I hadn't been and got made a Grinder on, Miss 
and Mother, 
which was a most unfortunate circumstance for a young co—indiwiddle.' 


</p>
            <p>`Very good indeed,' observed Miss Tox, approvingly. 


</p>
            <p>`—and if I hadn't been led away by birds, and then fallen into a bad 
service,' said the 
Grinder, `I hope I might have done better. But it's never too late for 
a—' 


</p>
            <p>`Indi—' suggested Miss Tox. 


</p>
            <p>`—widdle,' said the Grinder, `to mend; and I hope to mend, Miss, with your 
kind trial; and 
wishing, Mother, my love to father, and brothers and sisters, and saying of 
it.' 


</p>
            <p>`I am very glad indeed to hear it,' observed Miss Tox. `Will you take a 
little bread and 
butter, and a cup of tea, before we go, Robin?' 


</p>
            <p>`Thankee, Miss,' returned the Grinder; who immediately began to use his own 
personal 
grinders in a most remarkable manner, as if he had been on very short 
allowance for a 
considerable period. 


</p>
            <p>Miss Tox, being, in good time, bonneted and shawled, and Polly too, Rob 
hugged his 
mother, and followed his new mistress away; so much to the hopeful admiration 
of Polly, 
that something in her eyes made luminous rings round the gas-lamps as she 
looked after 
him. Polly then put out her light, locked the house-door, delivered the key 
at an agent's 
hard by, and went home as fast as she could go; rejoicing in the shrill 
delight that her 
unexpected arrival would occasion there. The great house, dumb as to all that 
had been 
suffered in it, and the changes it had witnessed, stood frowning like a dark 
mute on the 
street; baulking any nearer inquiries with the staring announcement that the 
lease of this 
desirable Family Mansion was to be disposed of. 

</p>
         </div>
         <div xml:id="c60" type="chapter">
            <head>CHAPTER LX</head>
            <head>Chiefly Matrimonial</head>
            <p>THE grand half-yearly festival holden by Doctor and Mrs. Blimber, on which 
occasion 
they requested the pleasure of the company of every young gentleman pursuing 
his studies 
in that genteel establishment, at an early party, when the hour was half-past 
seven o'clock, 
and when the object was quadrilles, had duly taken place, about this time; 
and the young 
gentleman, with no unbecoming demonstrations of levity, had betaken 
themselves, in a 
state of scholastic repletion, to their own homes. Mr. Skettles had repaired 
abroad, 
permanently to grace the establishment of his father Sir Barnet Skettles, 
whose popular 
manners had obtained him a diplomatic appointment, the honours of which were 
discharged by himself and Lady Skettles, to the satisfaction even of their 
own countrymen 
and countrywomen: which was considered almost miraculous. Mr. Tozer, now a 
young 
man of lofty stature, in Wellington boots, was so extremely full of antiquity 
as to be 
nearly on a par with a genuine ancient Roman in his knowledge of English: a 
triumph that 
affected his good parents with the tenderest emotions, and caused the father 
and mother of 
Mr. Briggs (whose learning, like ill-arranged luggage, was so tightly packed 
that he 
couldn't get at anything he wanted) to hide their diminished heads. The fruit 
laboriously 
gathered from the tree of knowledge by this latter young gentleman, in fact, 
had been 
subjected to so much pressure, that it had become a kind of intellectual 
Norfolk Biffin, 
and had nothing of its original form or flavour remaining. Master Bitherstone 
now, on 
whom the forcing system had the happier and not uncommon effect of leaving no 
impression whatever, when the forcing apparatus ceased to work, was in a much 
more 
comfortable plight; and being then on shipboard, bound for Bengal, found 
himself 
forgetting, with such admirable rapidity, that it was doubtful whether his 
declensions of 
noun-substantives would hold out to the end of the voyage. 


</p>
            <p>When Doctor Blimber, in pursuance of the usual course, would have said to the 
young 
gentleman, on the morning of the party, `Gentlemen, we will resume our 
studies on the 
twenty-fifth of next month,' he departed from the usual course, and said, 
`Gentlemen, 
when our friend Cincinnatus retired to his farm, he did not present to the 
senate any 
Roman whom he sought to nominate as his successor. But there is a Roman 
here,' said 
Doctor Blimber, laying his hand on the shoulder of Mr. Feeder, B.A., 
`<hi>adolescens 
imprimis gravis et doctus</hi>, gentlemen, whom I, a retiring Cincinnatus, 
wish to present 
to <hi>my</hi> little senate, as their future Dictator. Gentleman, we will 
resume our studies 
on the twenty-fifth of next month, under the auspices of Mr. Feeder, B.A.' At 
this (which 
Doctor Blimber had previously called upon all the parents, and urbanely 
explained), the 
young gentlemen cheered; and Mr. Tozer, on behalf of the rest, instantly 
presented the 
Doctor with a silver inkstand, in a speech containing very little of the 
mother-tongue, but 
fifteen quotations from the Latin, and seven from the Greek, which moved the 
younger of 
the young gentlemen to discontent and envy: they remarking, `Oh, ah!It was 
all very well 
for old Tozer, but they didn't subscribe money for old Tozer to show off 
with, they 
supposed; did they? What business was it of old Tozer's more than anybody 
else's? It 
wasn't <hi>his</hi> inkstand. Why couldn't he leave the boys' property alone?' 
and 
murmuring other expressions of their dissatisfaction, which seemed to find a 
greater relief 
in calling him old Tozer, than in any other available vent. 


</p>
            <p>Not a word had been said to the young gentlemen, nor a hint dropped, of 
anything like a 
contemplated marriage between Mr. Feeder, B.A., and the fair Cornelia 
Blimber. Doctor 
Blimber, especially, seemed to take pains to look as if nothing would 
surprise him more; 
but it was perfectly well known to all the young gentlemen nevertheless, and 
when they 
departed for the society of their relations and friends, they took leave of 
Mr. Feeder with 
awe. 


</p>
            <p>Mr. Feeder's most romantic visions were fulfilled. The Doctor had determined 
to paint the 
house outside, and put it in thorough repair; and to give up the business, 
and to give up 
Cornelia. The painting and repairing began upon the very day of the young 
gentlemen's 
departure, and now behold! the wedding morning was come, and Cornelia, in a 
new pair 
of spectacles, was waiting to be led to the hymeneal altar. 


</p>
            <p>The Doctor with his learned legs, and Mrs. Blimber in a lilac bonnet, and Mr. 
Feeder, 
B.A., with his long knuckles and his bristly head of hair, and Mr. Feeder's 
brother, the 
Reverend Alfred Feeder, M.A., who was to perform the ceremony, were all 
assembled in 
the drawing-room, and Cornelia with her orange-flowers and bridesmaids had 
just come 
down, and looked, as of old, a little squeezed in appearance, but very 
charming, when the 
door opened, and the weak-eyed young man, in a loud voice, made the following 
proclamation: 


</p>
            <p>`<hi rend="sc">mr. and mrs. toots</hi>!' 


</p>
            <p>Upon which there entered Mr. Toots, grown extremely stout, and on his arm a 
lady very 
handsomely and becomingly dressed, with very bright black eyes. 


</p>
            <p>`Mrs. Blimber,' said Mr. Toots, `allow me to present my wife.' 


</p>
            <p>Mrs. Blimber was delighted to receive her. Mrs. Blimber was a little 
condescending, but 
extremely kind. 


</p>
            <p>`And as you've known me for a long time, you know,' said Mr. Toots, `let me 
assure you 
that she is one of the most remarkable women that ever lived.' 


</p>
            <p>`My dear!' remonstrated Mrs. Toots. 


</p>
            <p>`Upon my word and honour she is,' said Mr. Toots. `I—I assure you, Mrs. 
Blimber, she's a 
most extraordinary woman.' 


</p>
            <p>Mrs. Toots laughed merrily, and Mrs. Blimber led her to Cornelia. Mr. Toots 
having paid 
his respects in that direction, and having saluted his old preceptor, who 
said, in allusion to 
his conjugal state, `Well, Toots, well, Toots! So you are one of us, are you, 
Toots?'—retired with Mr. Feeder, B.A., into a window. 


</p>
            <p>Mr. Feeder, B.A., being in great spirits, made a spar at Mr. Toots, and 
tapped him 
skilfully with the back of his hand on the breast-bone. 


</p>
            <p>`Well, old Buck!' said Mr. Feeder with a laugh. `Well!Here we are! Taken in 
and done 
for. Eh?' 


</p>
            <p>`Feeder,' returned Mr. Toots. `I give you joy. If you're as—as—as perfectly 
blissful in a 
matrimonial life, as I am myself, you'll have nothing to desire.' 


</p>
            <p>`I don't forget <hi>my</hi> old friends, you see,' said Mr. Feeder. `I ask 'em 
to <hi>my</hi>
wedding, Toots.' 


</p>
            <p>`Feeder,' replied Mr. Toots gravely, `the fact is, that there were several 
circumstances 
which prevented me from communicating with you until after my marriage had 
been 
solemnised. In the first place, I had made a perfect Brute of myself to you, 
on the subject 
of Miss Dombey; and I felt that if you were asked to any wedding of mine, you 
would 
naturally expect that it was <hi>with</hi> Miss Dombey, which involved 
explanations, that 
upon my word and honour, at that crisis, would have knocked me completely 
over. In the 
second place, our wedding was strictly private; there being nobody present 
but one friend 
of myself and Mrs. Toots's, who is a Captain in—I don't exactly know in 
what,' said Mr. 
Toots, `but it's of no consequence. I hope, Feeder, that in writing a 
statement of what had 
occurred before Mrs. Toots and myself went abroad upon our foreign tour, I 
fully 
discharged the offices of friendship.' 


</p>
            <p>`Toots, my boy,' said Mr. Feeder, shaking his hands, `I was joking.' 


</p>
            <p>`And now, Feeder,' said Mr. Toots, `I should be glad to know what you think 
of my 
union.' 


</p>
            <p>`Capital!' returned Mr. Feeder. 


</p>
            <p>`You think it's capital, do you, Feeder?' said Mr. Toots solemnly. `Then how 
capital must 
it be to Me! For <hi>you</hi> can never know what an extraordinary woman that 
is.' 


</p>
            <p>Mr. Feeder was willing to take it for granted. But Mr. Toots shook his head, 
and wouldn't 
hear of that being possible. 


</p>
            <p>`You see,' said Mr. Toots, `what <hi>I</hi> wanted in a wife was—in short, was 
sense. 
Money, Feeder, I had. Sense I—I had not, particularly.' 


</p>
            <p>Mr. Feeder murmured, `Oh, yes, you had, Toots!' But Mr. Toots said: 


</p>
            <p>`No, Feeder, I had <hi>not</hi>. Why should I disguise it? I had <hi>not</hi> I 
knew that 
sense was There,' said Mr. Toots, stretching out his hand towards his wife, 
`in perfect 
heaps. I had no relation to object or be offended, on the score of station; 
for I had no 
relation. I have never had anybody belonging to me but my guardian, and him, 
Feeder, I 
have always considered as a Pirate and a Corsair. Therefore, you know it was 
not likely,' 
said Mr. Toots, `that I should take <hi>his</hi> opinion.' 


</p>
            <p>`No,' said Mr. Feeder. 


</p>
            <p>`Accordingly,' resumed Mr. Toots, `I acted on my own. Bright was the day on 
which I did 
so! Feeder! Nobody but myself can tell what the capacity of that woman's mind 
is. If ever 
the Rights of Women, and all that kind of thing, are properly attended to, it 
will be 
through her powerful intellect.—Susan, my dear!' said Mr. Toots, looking 
abruptly out of 
the window-curtains, `pray do not exert yourself!' 


</p>
            <p>`My dear,' said Mrs. Toots, `I was only talking.' 


</p>
            <p>`But, my love,' said Mr. Toots, `pray do not exert yourself. You really must 
be careful. 
Do not, my dear Susan, exert yourself. She's so easily excited,' said Mr. 
Toots, apart to 
Mrs. Blimber, `and then she forgets the medical man altogether.' 


</p>
            <p>Mrs. Blimber was impressing on Mrs. Toots the necessity of caution, when Mr. 
Feeder, 
B.A., offered her his arm, and led her down to the carriages that were in 
waiting to go to 
church. Doctor Blimber escorted Mrs. Toots. Mr. Toots escorted the fair 
bride, around 
whose lambent spectacles two gauzy little bridesmaids fluttered like moths. 
Mr. Feeder's 
brother, Mr. Alfred Feeder, M.A., had already gone on, in advance, to assume 
his official 
functions. 


</p>
            <p>The ceremony was performed in an admirable manner. Cornelia, with her crisp 
little curls, 
`went in,' as the Chicken might have said, with great composure; and Doctor 
Blimber 
gave her away, like a man who had quite made up his mind to it. The gauzy 
little 
bridesmaids appeared to suffer most. Mrs. Blimber was affected, but gently 
so; and told 
the Reverend Mr. Alfred Feeder, M.A., on the way home, that if she could only 
have seen 
Cicero in his retirement at Tusculum, she would not have had a wish, now, 
ungratified. 


</p>
            <p>There was a breakfast afterwards, limited to the same small party; at which 
the spirits of 
Mr. Feeder, B.A., were tremendous, and so communicated themselves to Mrs. 
Toots that 
Mr. Toots was several times heard to observe, across the table, `My dear 
Susan, 
<hi>don't</hi> exert yourself!' The best of it was, that Mr. Toots felt it 
incumbent on him 
to make a speech; and in spite of a whole code of telegraphic dissuasions 
from Mrs. 
Toots, appeared on his legs for the first time in his life. 


</p>
            <p>`I really,' said Mr. Toots, `in this house, where whatever was done to me in 
the way 
of—of any mental confusion sometimes—which is of no consequence and I 
impute to 
nobody—I was always treated like one of Doctor Blimber's family, and had a 
desk to 
myself for a considerable period—can—not—allow—my friend Feeder to 
be—' 


</p>
            <p>Mrs. Toots suggested `married.' 


</p>
            <p>`It may not be inappropriate to the occasion, or altogether uninteresting,' 
said Mr. Toots 
with a delighted face, `to observe that my wife is a most extraordinary 
woman, and would 
do this much better than myself—allow my friend Feeder to be 
married—especially 
to—' 


</p>
            <p>Mrs. Toots suggested `to Miss Blimber.' 


</p>
            <p>`To Mrs. Feeder, my love!' said Mr. Toots, in a subdued tone of private 
discussion: 
`”whom God hath joined,” you know, “let no man”—don't you know? I cannot 
allow my 
friend Feeder to be married—especially to Mrs. Feeder—without proposing 
their—their—Toasts; and may,' said Mr. Toots, fixing his eyes on his wife, 
as if for 
inspiration in a high flight, `may the torch of Hymen be the beacon of joy, 
and may the 
flowers we have this day strewed in their path, be the—the banishers of—of 
gloom!' 


</p>
            <p>Doctor Blimber, who had a taste of metaphor, was pleased with this, and said, 
`Very good, 
Toots! Very well said, indeed, Toots!' and nodded his head and patted his 
hands. Mr. 
Feeder made in reply, a comic speech chequered with sentiment. Mr. Alfred 
Feeder, M.A., 
was afterwards very happy on Doctor and Mrs. Blimber; Mr. Feeder, B.A., 
scarcely less 
so, on the gauzy little bridesmaids. Doctor Blimber then, in a sonorous 
voice, delivered a 
few thoughts in the pastoral style, relative to the rushes among which it was 
the intention 
of himself and Mrs. Blimber to dwell, and the bee that would hum around their 
cot. 
Shortly after which, as the Doctor's eyes were twinkling in a remarkable 
manner, and his 
son-in-law had already observed that time was made for slaves, and had 
inquired whether 
Mrs. Toots sang, the discreet Mrs. Blimber dissolved the sitting, and sent 
Cornelia away, 
very cool and comfortable, in a postchaise, with the man of her heart. 


</p>
            <p>Mr. and Mrs. Toots withdrew to the Bedford (Mrs. Toots had been there before 
in old 
times, under her maiden name of Nipper), and there found a letter, which it 
took Mr. 
Toots such an enormous time to read, that Mrs. Toots was frightened. 


</p>
            <p>`My dear Susan,' said Mr. Toots, `fright is worse than exertion. Pray be 
calm!' 


</p>
            <p>`Who is it from?' asked Mrs. Toots. 


</p>
            <p>`Why, my love,' said Mr. Toots, `it's from Captain Gills. Do not excite 
yourself. Walters 
and Miss Dombey are expected home!' 


</p>
            <p>`My dear,' said Mrs. Toots, raising herself quickly from the sofa, very pale, 
`don't try to 
deceive me, for it's no use, they're come home—I see it plainly in your 
face!' 


</p>
            <p>`She's a most extraordinary woman!' exclaimed Mr. Toots, in rapturous 
admiration. 
`You're perfectly right, my love, they have come home. Miss Dombey has seen 
her father, 
and they are reconciled!' 


</p>
            <p>`Reconciled!' cried Mrs. Toots, clapping her hands. 


</p>
            <p>`My dear,' said Mr. Toots; `pray do not exert yourself. Do remember the 
medical man! 
Captain Gills says—at least he don't say, but I imagine, from what I can 
make out, he 
means—that Miss Dombey has brought her unfortunate father away from his old 
house, to 
one where she and Walters are living; that he is lying very ill 
there—supposed to be dying; 
and that she attends upon him night and day.' 


</p>
            <p>Mrs. Toots began to cry quite bitterly. 


</p>
            <p>`My dearest Susan,' replied Mr. Toots, `do, do, if you possibly can, remember 
the medical 
man! If you can't, it's of no consequence—but do endeavour to!' 


</p>
            <p>His wife, with her old manner suddenly resorted, so pathetically entreated 
him to take her 
to her precious pet, her little mistress, her own darling, and the like, that 
Mr. Toots, whose 
sympathy and admiration were of the strongest kind, consented from his very 
heart of 
hearts; and they agreed to depart immediately, and present themselves in 
answer to the 
Captain's letter. 


</p>
            <p>Now some hidden sympathies of things, or some coincidences, had that day 
brought the 
Captain himself (toward whom Mr. and Mrs. Toots were soon journeying) into 
the flowery 
train of wedlock; not as a principal, but as an accessory. It happened 
accidentally, and 
thus: 


</p>
            <p>The Captain, having seen Florence and her baby for a moment, to his unbounded 
content, 
and having had a long talk with Walter, turned out for a walk; feeling it 
necessary to have 
some solitary meditation on the changes of human affairs, and to shake his 
glazed hat 
profoundly over the fall of Mr. Dombey, for whom the generosity and 
simplicity of his 
nature were awakened in a lively manner. The Captain would have been very 
low, indeed, 
on the unhappy gentleman's account, but for the recollection of the baby; 
which afforded 
him such intense satisfaction whenever it arose, that he laughed aloud as he 
went along 
the street, and, indeed, more than once, in a sudden impulse of joy, threw up 
his glazed 
hat and caught it again; much to the amazement of the spectators. The rapid 
alternations 
of light and shade to which these two conflicting subjects of reflection 
exposed the 
Captain, were so very trying to his spirits, that he felt a long walk 
necessary to his 
composure; and as there is a great deal in the influence of harmonious 
associations, he 
chose, for the scene of this walk, his old neighbourhood, down among the 
mast, oar, and 
block makers, ship-biscuit bakers, coal-whippers, pitch-kettles, sailors, 
canals, docks, 
swing-bridges, and other soothing objects. 


</p>
            <p>These peaceful scenes, and particularly the region of Lime-house Hole and 
thereabouts, 
were so influential in calming the Captain, that he walked on with restored 
tranquillity, 
and was, in fact, regaling himself, under his breath, with the ballad of 
Lovely Peg, when, 
on turning a corner, he was suddenly transfixed and rendered speechless by a 
triumphant 
procession that he beheld advancing towards him. 


</p>
            <p>This awful demonstration was headed by that determined woman, Mrs. 
MacStinger, who, 
preserving a countenance of inexorable resolution, and wearing conspicuously 
attached to 
her obdurate bosom a stupendous watch and appendages, which the Captain 
recognised at 
a glance as the property of Bunsby, conducted under her arm no other than 
that sagacious 
mariner; he, with the distraught and melancholy visage of a captive borne 
into a foreign 
land, meekly resigning himself to her will. Behind them appeared the young 
MacStingers, 
in a body, exulting. Behind them, two ladies of a terrible and steadfast 
aspect, leading 
between them a short gentleman in a tall hat, who likewise exulted. In the 
wake, appeared 
Bunsby's boy, bearing umbrellas. The whole were in good marching order; and a 
dreadful 
smartness that pervaded the party would have sufficiently announced, if the 
intrepid 
countenances of the ladies had been wanting, that it was a procession of 
sacrifice, and that 
the victim was Bunsby. 


</p>
            <p>The first impulse of the Captain was to run away. This also appeared to be 
the first 
impulse of Bunsby, hopeless as its execution must have proved. But a cry of 
recognition 
proceeding from the party, and Alexander MacStinger running up to the Captain 
with open 
arms, the Captain struck. 


</p>
            <p>`Well, Cap'en Cuttle!' said Mrs. MacStinger. `This is indeed a meeting! I 
bear no malice 
now. Cap'en Cuttle—you needn't fear that I'm a going to cast any 
reflections. I hope to go 
to the altar in another spirit.' Here Mrs. MacStinger paused, and drawing 
herself up, and 
inflating her bosom with a long breath, said, in allusion to the victim, `My 
'usband, 
Cap'en Cuttle!' 


</p>
            <p>The abject Bunsby looked neither to the right nor to the left, nor at his 
bride, nor at his 
friend, but straight before him at nothing. The Captain putting out his hand, 
Bunsby put 
out his; but, in answer to the Captain's greeting, spake no word. 


</p>
            <p>`Cap'en Cuttle,' said Mrs. MacStinger, `if you would wish to heal up past 
animosities, and 
to see the last of your friend, my 'usband, as a single person, we should be 
'appy of your 
company to chapel. Here is a lady here,' said Mrs. MacStinger, turning round 
to the more 
intrepid of the two, `my bridesmaid, that will be glad of your protection, 
Cap'en 
Cuttle.' 


</p>
            <p>The short gentleman in the tall hat, who it appeared was the husband of the 
other lady, 
and who evidently exulted at the reduction of a fellow-creature to his own 
condition, gave 
place at this, and resigned the lady to Captain Cuttle. The lady immediately 
seized him, 
and, observing that there was no tome to lose, gave the word, in a strong 
voice, to 
advance. 


</p>
            <p>The Captain's concern for his friend, not unmingled, at first, with some 
concern for 
himself—for a shadowy terror that he might be married by violence, possessed 
him, until 
his knowledge of the service came to his relief, and remembering the legal 
obligation of 
saying, `I will,' he felt himself personally safe so long as he resolved, if 
asked any 
question, distinctly to reply `I won't'—threw him into a profuse 
perspiration; and rendered 
him, for a time, insensible to the movements of the procession, of which he 
now formed a 
feature, and to the conversation of his fair companion. But as he became less 
agitated, he 
learnt from this lady that she was the widow of a Mr. Bokum, who had held and 
employment in the Custom House; that she was the dearest friend of Mrs. 
MacStinger, 
whom she considered a pattern for her sex; that she had often heard of the 
Captain, and 
now hoped he had repented of his past life; that she trusted Mr. Bunsby knew 
what a 
blessing he had gained, but that she feared men seldom did know what such 
blessings 
were, until they had lost them; with more to the same purpose. 


</p>
            <p>All this time, the Captain could not but observe that Mrs. Bokum kept her 
eyes steadily on 
the bridegroom, and that whenever they came near a court or other narrow 
turning which 
appeared favourable for flight, she was on the alert to cut him off if he 
attempted escape. 
The other lady, too, as well as her husband, the short gentleman with the 
tall hat, were 
plainly on guard, according to a preconcerted plan; and the wretched man was 
so secured 
by Mrs. MacStinger, that any effort at self-preservation by flight was 
rendered futile. This, 
indeed, was apparent to the mere populace, who expressed their perception of 
the fact by 
jeers and cries; to all of which, the dread MacStinger was inflexibly 
indifferent, while 
Bunsby himself appeared in a state of unconsciousness. 


</p>
            <p>The Captain made many attempts to accost the philosopher, if only in a 
monosyllable or a 
signal; but always failed, in consequence of the vigilance of the guard, and 
the difficulty, 
at all times peculiar to Bunsby's constitution, of having his attention 
aroused by any 
outward any visible sign whatever. Thus they approached the chapel, a neat 
whitewashed 
edifice, recently engaged by the Reverend Melchisedech Howler, who had 
consented, on 
very urgent solicitation, to give the world another two years of existence, 
but had 
informed his followers that, then, it must positively go. 


</p>
            <p>While the Reverend Melchisedech was offering up some extemporary orisons, the 
Captain 
found an opportunity of growling in the bridegroom's ear: 


</p>
            <p>`What cheer, my lad, what cheer?' 


</p>
            <p>To which Bunsby replied, with a forgetfulness of the Reverend Melchisedech, 
which 
nothing but his desperate circumstances could have excused: 


</p>
            <p>`D—d bad.' 


</p>
            <p>`Jack Bunsby,' whispered the Captain, `do you do this here, o' your own free 
will?' 


</p>
            <p>Mr. Bunsby answered `No.' 


</p>
            <p>`Why do you do it, then, my lad?' inquired the Captain, not unnaturally. 


</p>
            <p>Bunsby, still looking, and always looking with an immovable countenance, at 
the opposite 
side of the world, made no reply. 


</p>
            <p>`Why not sheer off?' said the Captain. 


</p>
            <p>`Eh?' whispered Bunsby, with a momentary gleam of hope. 


</p>
            <p>`Sheer off,' said the Captain. 


</p>
            <p>`Where's the good?' retorted the forlorn sage. `She'd capter me agen.' 


</p>
            <p>`Try!' replied the Captain. `Cheer up! Come! Now's your time. Sheer off, Jack 
Bunsby!' 


</p>
            <p>Jack Bunsby, however, instead of profiting by the advice, said in a doleful 
whisper: 


</p>
            <p>`It all began in that there chest o' yourn. Why did I ever conwoy her into 
port that 
night?' 


</p>
            <p>`My lad,' faltered the Captain, `I thought as you had come over her; nor as 
she had come 
over you. A man as has got such opinions as you have!' 


</p>
            <p>Mr. Bunsby merely uttered a suppressed groan. 


</p>
            <p>`Come!' said the Captain, nudging him with his elbow, `now's your time! Sheer 
off! I'll 
cover your retreat. The time's a flying. Bunsby! It's for liberty. Will you 
once?' 


</p>
            <p>Bunsby was immovable. 


</p>
            <p>`Bunsby!' whispered the Captain, `will you twice?' 


</p>
            <p>Bunsby wouldn't twice. 


</p>
            <p>`Bunsby!' urged the Captain, `it's for liberty; will you three times? Now or 
never!' 


</p>
            <p>Bunsby didn't then, and didn't ever; for Mrs. MacStinger immediately 
afterwards married 
him. 


</p>
            <p>One of the most frightful circumstances of the ceremony to the Captain, was 
the deadly 
interest exhibited therein by Juliana MacStinger; and the fatal concentration 
of her 
faculties, with which that promising child, already the image of her parent, 
observed the 
whole proceedings. The Captain saw in this a succession of man-traps 
stretching out 
infinitely; a series of ages of oppression and coercion, through which the 
seafaring line 
was doomed. It was a more memorable sight than the unflinching steadiness of 
Mrs. 
Bokum and the other lady, the exultation of the short gentleman in the tall 
hat, or even the 
fell inflexibility of Mrs. MacStinger. The Master MacStingers understood 
little of what 
was going on, and cared less; being chiefly engaged, during the ceremony, in 
treading on 
one another's half-boots; but the contrast afforded by those wretched infants 
only set off 
and adorned the precocious woman in Juliana. Another year or two, the Captain 
thought, 
and to lodge where that child was, would be destruction. 


</p>
            <p>The ceremony was concluded by a general spring of the young family on Mr. 
Bunsby, 
whom they hailed by the endearing name of father, and from whom they 
solicited 
half-pence. These gushes of affection over, the procession was about to issue 
forth again, 
when it was delayed for some little time by an unexpected transport on the 
part of 
Alexander MacStinger. That dear child, it seemed, connecting a chapel with 
tombstones, 
when it was entered for any purpose apart from the ordinary religious 
exercises, could not 
be persuaded but that his mother was now to be decently interred, and lost to 
him for 
ever. In the anguish of this conviction, he screamed with astonishing force, 
and turned 
black in the face. However touching these marks of a tender disposition were 
to his 
mother, it was not in the character of that remarkable woman to permit her 
recognition of 
them to degenerate into weakness. Therefore, after vainly endeavouring to 
convince his 
reason by shakes, pokes, bawlings-out, and similar applications to his head, 
she led him 
into the air, and tried another method; which was manifested to the marriage 
party by a 
quick succession of sharp sounds, resembling applause, and subsequently, by 
their seeing 
Alexander in contact with the coolest paving-stone in the court, greatly 
flushed, and loudly 
lamenting. 


</p>
            <p>The procession being then in a condition to from itself once more, and repair 
to Brig 
Place, where a marriage feast was in readiness, returned as it had come; not 
without the 
receipt, by Bunsby, of many humorous congratulations from the populace on his 
recently-acquired happiness. The Captain accompanied it as far as the 
house-door, but, 
being made uneasy by the gentler manner of Mrs. Bokum, who, now that she was 
relieved 
from her engrossing duty—for the watchfulness and alacrity of the ladies 
sensibly 
diminished when the bridegroom was safely married—had greater leisure to 
show an 
interest in his behalf, there left it and the captive; faintly pleading an 
appointment, and 
promising to return presently. The Captain had another cause for uneasiness, 
in 
remorsefully reflecting that he had been the first means of Bunsby's 
entrapment, though 
certainly without intending it, and through his unbounded faith in the 
resources of that 
philosopher. 


</p>
            <p>To go back to old Sol Gills at the Wooden Midshipman's, and not first go 
round to ask 
how Mr. Dombey fared—albeit the house where he lay was out of London, and 
away on 
the borders of a fresh heath—was quite out of the Captain's course. So he 
got a lift when 
he was tired, and made out the journey gaily. 


</p>
            <p>The blinds were pulled down, and the house so quiet, that the Captain was 
almost afraid 
to knock; but listening at the door, he heard low voices within, very near 
it, and knocking 
softly, was admitted by Mr. Toots. Mr. Toots and his wife had, in fact, just 
arrived there; 
having been at the Midshipman's to seek him, and having there obtained the 
address. 


</p>
            <p>They were not so recently arrived, but that Mrs. Toots had caught the baby 
from 
somebody, taken it in her arms, and sat down on the stairs, hugging and 
fondling it. 
Florence was stooping down beside her; and no one could have said which Mrs. 
Toots 
was hugging and fondling most, the mother or the child, or which was the 
tenderer, 
Florence of Mrs. Toots, or Mrs. Toots of her, or both of the baby; it was 
such a little 
group of love and agitation. 


</p>
            <p>`And is your Pa very ill, my darling dear Miss Floy?' asked Susan. 


</p>
            <p>`He is very, very ill,' said Florence. `But, Susan, dear, you must not speak 
to me as you 
used to speak. And what's this?' said Florence, touching her clothes, in 
amazement. `Your 
old dress, dear? Your old cap, curls, and all?' 


</p>
            <p>Susan burst into tears, and showered kisses on the little hand that had 
touched her so 
wonderingly. 


</p>
            <p>`My dear Miss Dombey,' said Mr. Toots, stepping forward, `I'll explain. She's 
the most 
extraordinary woman. There are not many to equal her! She has always 
said—she said 
before we were married, and has said to this day—that whenever you came 
home, she'd 
come to you in no dress but the dress she used to serve you in, for fear she 
might seem 
strange to you, and you might like her less. I admire the dress myself,' said 
Mr. Toots, `of 
all things. I adore her in it! My dear Miss Dombey, she'll be your maid 
again, your nurse, 
all that she ever was, and more. There's no change in her. But, Susan, my 
dear,' said Mr. 
Toots, who had spoken with great feeling and high admiration, `all I ask is, 
that you'll 
remember the medical man, and not exert yourself too much.' 

</p>
         </div>
         <div xml:id="c61" type="chapter">
            <head>CHAPTER LXI</head>
            <head>Relenting</head>
            <p>FLORENCE had need of help. Her father's need of it was sore, and made the aid 
of her old friend invaluable. Death stood at his pillow. A shade, already, of 
what he had been, shattered in mind, and perilously sick in body, he laid his 
weary head down on the bed his daughter's hands prepared for him, and had 
never raised it since. 


</p>
            <p>She was always with him. He knew her, generally; though, in the wandering of 
his brain, he often confused the circumstances under which he spoke to her. 
Thus he would address her, sometimes, as if his boy were newly dead; and 
would tell her, that although he had said nothing of her ministering at the 
little bedside, yet he had seen it—he had seen it; and then would hide his 
face and sob, and put out his worn hand. Sometimes he would ask her for 
herself. `Where is Florence?' `I am here, Papa, I am here.' `I don't know 
her!' he would cry `We have been parted so long, that I don't know her!' and 
and then a staring dread would be upon him, until she could soothe his 
perturbation; and recall the tears she tried so hard, at other times, to 
dry. 


</p>
            <p>He rambled through the scenes of his old pursuits—through many where 
Florence lost him as she listened—sometimes for hours. He would repeat that 
childish question, `What is money?' and ponder on it, and think about it, and 
reason with himself, more or less connectedly, for a good answer; as if it 
had never been proposed to him until that moment. He would go on with a 
musing repetition of the title of his old firm twenty thousand times, and at 
every one of them, would turn his head upon his pillow. He would count his 
children—one—two—stop, and go back, and begin again in the same way. 


</p>
            <p>But this was when his mind was in its most distracted state. In all the other 
phases of its illness, and in those to which it was most constant, it always 
turned on Florence. What he would oftenest do was this: he would recall that 
night he had so recently remembered, the night on which she came down to his 
room, and would imagine that his heart smote him, and that he went out after 
her, and up the stairs to seek her. Then, confounding that time with the 
later days of the many footsteps, he would be amazed at their number, and 
begin to count them as he followed her. Here, of a sudden, was a bloody 
footstep going on among the others; and after it there began to be, at 
intervals, doors standing open, through which certain terrible pictures were 
seen, in mirrors, of haggard men, concealing something in their breasts. 
Still, among the many footsteps and the bloody footsteps here and there, was 
the step of Florence. Still she was going on before. Still the restless mind 
went, following and counting, ever farther, ever higher, as to the summit of 
a mighty tower that it took years to climb. 


</p>
            <p>One day he inquired if that were not Susan who had spoken a long while 
ago. 


</p>
            <p>Florence said `Yes, dear Papa;' and asked him would he like to see her? 


</p>
            <p>He said `very much.' And Susan, with no little trepidation, showed herself at 
his bedside. 


</p>
            <p>It seemed a great relief to him. He begged her not to go; to understand that 
he forgave her what she had said; and that she was to stay. Florence and he 
were very different now, he said, and very happy. Let her look at this! He 
meant his drawing gentle head down to his pillow, and laying it beside 
him. 


</p>
            <p>He remained like this for days and weeks. At length, lying, the faint feeble 
semblance of a man, upon his bed, and speaking in a voice so low that they 
could only hear him by listening very near to his lips, he became quiet. It 
was dimly pleasant to him now, to lie their, with the window open, looking 
out at the summer sky and the trees: and, in the evening, at the sunset. To 
watch the shadows of the clouds and leaves, and seem to feel a sympathy with 
shadows. It was natural that he should. To him, life and the world were 
nothing else. 


</p>
            <p>He began to show now that he thought of Florence's fatigue: and often taxed 
his weakness to whisper to her, `Go and walk, my dearest, in the sweet air, 
Go to your good husband!' One time when Walter was in his room, he beckoned 
him to come near, and to stoop down; and pressing his hand, whispered an 
assurance to him that he knew he could trust him with his child when he was 
dead. 


</p>
            <p>It chanced one evening, towards sunset, when Florence and Walter were sitting 
in his room together, as he liked to see them, that Florence, having her baby 
in her arms, began in a low voice to sing to the little fellow, and sang the 
old tune she had so often sung to the dead child. He could not bear it at the 
time; he held up his trembling hand, imploring her to stop; but next day he 
asked her to repeat it, and to do so often of an evening: which she did. He 
listening, with his face turned away. 


</p>
            <p>Florence was sitting on a certain time by his window, with her work-basket 
between her and her old attendant, who was still her faithful companion. He 
had fallen into a doze. It was a beautiful evening, with two hours of light 
to come yet; and the tranquillity and quiet made Florence very thoughtful. 
She was lost to everything for the moment, but the occasion when the so 
altered figure on the bed had first presented her to her beautiful mama; when 
a touch from Walter leaning on the back of her chair, made her start. 


</p>
            <p>`My dear,' said Walter, `there is some one down stairs who wishes to speak to 
you.' 


</p>
            <p>She fancied Walter looked grave, and asked him if anything had happened. 


</p>
            <p>`No, no, my love!' said Walter. `I have seen the gentleman myself, and spoken 
with him. Nothing has happened. Will you come?' 


</p>
            <p>Florence put her arm through his; and confiding her father to the black-eyed 
Mrs. Toots, who sat as brisk and smart at her work as black-eyed woman could, 
accompanied her husband down stairs. In the pleasant little parlour opening 
on the garden, sat a gentleman, who rose to advance towards her when she came 
in, but turned off, by reason of some peculiarity in his legs, and was only 
stopped by the table. 


</p>
            <p>Florence then remembered Cousin Feenix, whom she had not at first recognised 
in the shade of the leaves. Cousin Feenix took her hand, and congratulated 
her upon her marriage. 


</p>
            <p>`I could have wished, I am sure,' said Cousin Feenix, sitting down as 
Florence sat, `to have had an earlier opportunity of offering my 
congratulations; but, in point of fact, so many painful occurrences have 
happened, treading, as a man may say, on one another's heels, that I have 
been in a devil of a state myself, and perfectly unfit for every description 
of society. The only description of society I have kept, has been my own; and 
it certainly is anything but flattering to a man's good opinion of his own 
resources, to know that, in point of fact, he has the capacity of boring 
himself to a perfectly unlimited extent.' 


</p>
            <p>Florence divined, from some indefinable constraint and anxiety in this 
gentleman's manner—which was always a gentleman's, in spite of the harmless 
little eccentricities that attached to it—and from Walter's manner no less, 
that something more immediately tending to some object was to follow this. 


</p>
            <p>`I have been mentioning to my friend Mr. Gay, if I may be allowed to have the 
honour of calling him so,' said Cousin Feenix, `that I am rejoiced to hear 
that my friend Dombey is very decidedly mending. I trust my friend Dombey 
will not allow his mind to be too much preyed upon, by any mere loss of 
fortune. I cannot say that I have ever experienced any very great loss of 
fortune myself: never having had, in point of fact, any great amount of 
fortune to lose. But as much as I could lose, I have lost; and I don't find 
that I particularly care about it. I know my friend Dombey to be a devilish 
honourable man; and it's calculated to console my friend Dombey very much, to 
know, that this is the universal sentiment. Even Tommy Screwzer,—a man of an 
extremely bilious habit, with whom my friend Gay is probably 
acquainted—cannot say a syllable in disputation of the fact.' 


</p>
            <p>Florence felt, more than ever, that there was something to come; and looked 
earnestly for it. So earnestly, that Cousin Feenix answered, as if she had 
spoken. 


</p>
            <p>`The fact is,' said Cousin Feenix, `that my friend Gay and myself have been 
discussing the propriety of entreating a favour at your hands; and that I 
have the consent of my friend Gay—who has met me in an exceedingly kind and 
open manner, for which I am very much indebted to him—to solicit it. I am 
sensible that so amiable a lady as the lovely and accomplished daughter of my 
friend Dombey, will not require much urging; but I am happy to know, that I 
am supported by my friend Gay's influence and approval. As in my 
parliamentary time, when a man had a motion to make of any sort—which 
happened seldom in those days, for we were kept very tight in hand, the 
leaders on both sides being regular Martinets, which was a devilish good 
thing for the rank and file, like myself, and prevented our exposing 
ourselves continually, as a great many of us had a feverish anxiety to 
do—as, in my parliamentary time, I was about to say, when a man had leave to 
let off any little private popgun, it was always considered a great point for 
him to say that he had the happiness of believing that his sentiments were 
not without an echo in the breast of Mr. Pitt; the pilot, in point of fact, 
who had weathered the storm. Upon which, a devilish large number of fellows 
immediately cheered, and put him in spirits. Though the fact is, that these 
fellows, being under orders to cheer most excessively whenever Mr. Pitt's 
name was mentioned, became so proficient that it always woke'em. And they 
were so entirely innocent of what was going on, otherwise, that it used to be 
commonly said by Conversation Brown—four-bottle man at the Treasury Board, 
with whom the father of my friend Gay was probably acquainted, for it was 
before my friend Gay's time—that if a man had risen in his place, and said 
that he regretted to inform the house that there was an Honourable Member in 
the last stage of convulsions in the Lobby, and that the Honourable Member's 
name was Pitt, the approbation would have been vociferous.' 


</p>
            <p>This postponement of the point, put Florence in a flutter; and she looked 
from Cousin Feenix to Walter, in increasing agitation. 


</p>
            <p>`My love,' said Walter, `there is nothing the matter.' 


</p>
            <p>`There is nothing the matter, upon my honour,' said Cousin Feenix; `and I am 
deeply distressed at being the means of causing you a moment's uneasiness. I 
beg to assure you that there is nothing the matter. The favour that I have to 
ask is, simply—but it really does seem so exceeding singular, that I should 
be in the last degree obliged to my friend Gay if he would have the goodness 
to break the—in point of fact, the ice,' said Cousin Feenix. 


</p>
            <p>Walter thus appealed to, and appealed to no less in the look that Florence 
turned towards him, said: 


</p>
            <p>`My dearest, it is no more than this. That you will ride to London with this 
gentleman, whom you know.' 


</p>
            <p>`And my friend Gay, also—I beg your pardon!' interrupted Cousin Feenix. 


</p>
            <p>`—And with me—and make a visit somewhere.' 


</p>
            <p>`To whom?' asked Florence, looking from one to the other. 


</p>
            <p>`If I might entreat,' said Cousin Feenix, `that you would not press for an 
answer to that question, I would venture to take the liberty of making the 
request.' 


</p>
            <p>`Do <hi>you</hi> know, Walter?' 


</p>
            <p>`Yes.' 


</p>
            <p>`And think it right?' 


</p>
            <p>`Yes. Only because I am sure that you would too. Though there may be reasons 
I very well understand, which make it better that nothing more should be said 
beforehand.' 


</p>
            <p>`If Papa is still asleep, or can spare me if he is awake, I will go 
immediately,' said Florence. And rising quietly, and glancing at them with a 
look that was a little alarmed but perfectly confiding, left the room. 


</p>
            <p>When she came back, ready to bear them company, they were talking together, 
gravely, at the window; and Florence could not but wonder what the topic was, 
that had made them so well acquainted in so short a time. She did not wonder 
at the look of pride and love with which her husband broke off as she 
entered; for she never saw him, but that rested on her. 


</p>
            <p>`I will leave,' said Cousin Feenix, `a card for my friend Dombey, sincerely 
trusting that he will pick up health and strength with every returning hour. 
And I hope my friend Dombey will do me the favour to consider me a man who 
has a devilish warm admiration of his character, as, in point of fact, a 
British merchant and a devilish upright gentleman. My place in the country is 
in a most confounded state of dilapidation, but if my friend Dombey should 
require a change of air, and would take up his quarters there, he would find 
it a remarkably healthy spot—as it need be, for it's amazingly dull. If my 
friend Dombey suffers from bodily weakness, and would allow me to recommend 
what has frequently done myself good, as a man who has been extremely queer 
at times, and who lived pretty freely in the days when men lived very freely, 
I should say, let it be in point of fact the yolk of an egg, beat up with 
sugar and nutmeg, in a glass of sherry, and taken in the morning with a slice 
of dry toast. Jackson, who kept the boxing-rooms in Bond Street—man of very 
superior qualifications, with whose reputation my friend Gay is no doubt 
acquainted—used to mention that in training for the ring they substituted 
rum for sherry. I should recommend sherry in this case, on account of my 
friend Dombey being in an invalided condition; which might occasion rum to 
fly—in point of fact to his head—and throw him into a devil of a state.' 


</p>
            <p>Of all this, Cousin Feenix delivered himself with an obviously nervous and 
discomposed air. Then, giving his arm to Florence, and putting the strongest 
possible constraint upon his wilful legs, which seemed determined to go out 
into the garden, he led her to the door, and handed her into a carriage that 
was ready for her reception. 


</p>
            <p>Walter entered after him, and they drove away. 


</p>
            <p>Their ride was six or eight miles long. When they drove through certain dull 
and stately streets, lying westward in London, it was growing dusk. Florence 
had, by this time, put her hand in Walter's; and was looking very earnestly, 
and with increasing agitation, into every new street into which they 
turned. 


</p>
            <p>When the carriage stopped, at last, before that house in Brook street, where 
her father's unhappy marriage had been celebrated, Florence said, `Walter, 
what is this? Who is here?' Walter cheering her, and not replying, she 
glanced up at the house-front, and saw that all the windows were shut, as if 
it were uninhabited. Cousin Feenix had by this time alighted, and was 
offering his hand. 


</p>
            <p>`Are you not coming, Walter?' 


</p>
            <p>`No, I will remain here. Don't tremble! there is nothing to fear, dearest 
Florence.' 


</p>
            <p>`I know that, Walter, with you so near. I am sure of that, but——' 


</p>
            <p>The door was softly opened, without any knock, and Cousin Feenix led her out 
of the summer evening air into the close dull house. More sombre and brown 
than ever, it seemed to have been shut up from the wedding-day, and to have 
hoarded darkness and sadness ever since. 


</p>
            <p>Florence ascended the dusky staircase, trembling; and stopped, with her 
conductor, at the drawing-room door. He opened it, without speaking, and 
signed an entreaty to her to advance into the inner room, while he remained 
there. Florence, after hesitating an instant, compiled. 


</p>
            <p>Sitting by the window at a table, where she seemed to have been writing or 
drawing, was a lady, whose head, turned away towards the dying light, was 
resting on her hand. Florence advancing, doubtfully, all at once stood still, 
as if she had lost the power of motion. The lady turned her head. 


</p>
            <p>`Great Heaven!' she said, `What is this?' 


</p>
            <p>`No, no!' cried Florence, shrinking back as she rose up and putting out her 
hands to keep her off. `Mama!' 


</p>
            <p>They stood looking at each other. Passion and pride had worn it, but it was 
the face of Edith, and beautiful and stately yet. It was the face of 
Florence, and through all the terrified avoidance it expressed, there was 
pity in it, sorrow, a grateful tender memory. On each face, wonder and fear 
were painted vividly; each so still and silent, looking at the other over the 
black gulf of the irrevocable past. 


</p>
            <p>Florence was the first to change. Bursting into tears, she said from her full 
heart, `Oh, Mama, Mama! why do we meet like this? Why were you ever kind to 
me when there was no one else, that we should meet like this?' 


</p>
            <p>Edith stood before her, dumb and motionless. Her eyes were fixed upon her 
face. 


</p>
            <p>`I dare not think of that,' said Florence, `I am come from Papa's sick bed. 
We are never asunder now; we never shall be, any more. If you would have me 
ask his pardon, I will do it, Mama. I am almost sure he will grant it now, if 
I ask him. May Heaven grant it to you, too, and comfort you!' 


</p>
            <p>She answered not a word. 


</p>
            <p>`Walter—I am married to him, and we have a son,' said Florence, timidly—`is 
at the door, and has brought me here. I will tell him that you are repentant; 
that you are changed,' said Florence, looking mournfully upon her; `and he 
will speak to Papa with me, I know. Is there anything but this that I can 
do?' 


</p>
            <p>Edith, breaking her silence, without moving eye or limb, answered slowly: 


</p>
            <p>`The stain upon your name, upon your husband's, on your child's. Will that 
ever be forgiven, Florence?' 


</p>
            <p>`Will it ever be, Mama? It is! Freely, freely, both by Walter an by me. If 
that is any consolation to you, there is nothing that you may believe more 
certainly. You do not—you do not,' faltered Florence, `speak of Papa; but I 
am sure you wish that I should ask him for his forgiveness. I am sure you 
do.' 


</p>
            <p>She answered not a word. 


</p>
            <p>`I will!' said Florence. `I will bring it you, if you will let me; and then, 
perhaps, we may take leave of each other, more like what we used to be to one 
another. I have not,' said Florence very gently, and drawing nearer to her, 
`I have not shrunk back from you, Mama, because I fear you, or because I 
dread to be disgraced by you. I only wish to do my duty to Papa. I am very 
dear to him, and he is very dear to me. But I never can forget that your were 
very good to me. Oh, pray to Heaven,' cried Florence, falling on her bosom, 
`pray to Heaven, mama, to forgive you all this sin and shame, and to forgive 
me if I cannot help doing this (if it is wrong), when I remember what you 
used to be!' 


</p>
            <p>Edith, as if she fell beneath her touch, sunk down on her knees, and caught 
her round the neck. 


</p>
            <p>`Florence!' she cried. `My better angel! Before I am mad again, before my 
stubbornness comes back and strikes me dumb, believe me, upon my soul I am 
innocent.' 


</p>
            <p>`Mama!' 


</p>
            <p>`Guilty of much! Guilty of that which sets a waste between us evermore. 
Guilty of what must separate me, through the whole remainder of my life, from 
purity and innocence—from you, of all the earth. Guilty of a blind and 
passionate resentment, of which I do not, cannot, will not, even now, repent; 
but not guilty with that dead man. Before God!' 


</p>
            <p>Upon her knees upon the ground, she held up both her hands, and swore it. 


</p>
            <p>`Florence!' she said, `purest and best of natures,—whom I love—who might 
have changed me long ago, and did for a time work some change even in the 
woman that I am,—believe me, I am innocent of that; and once more, on my 
desolate heart, let me lay this dear head, for the last time!' 


</p>
            <p>She was moved and weeping. Had she been oftener thus in older days, she had 
been happier now. 


</p>
            <p>`There is nothing else in all the world,' she said, `that would have wrung 
denial from me. No love, no hatred, no hope, no threat. I said that I would 
die, and make no sign. I could have done so, and I would, if we had never 
met, Florence.' 


</p>
            <p>`I trust,' said Cousin Feenix, ambling in at the door, and speaking, half in 
the room, and half out of it, `that my lovely and accomplished relative will 
excuse my having, by a little stratagem, effected this meeting. I cannot say 
that I was, at first, wholly incredulous as to the possibility of my lovely 
and accomplished relative having, very unfortunately, committed herself with 
the deceased person with white teeth; because, in point of fact, one does 
see, in this world—which is remarkable for devilish strange arrangements, 
and for being decidedly the most unintelligible thing within a man's 
experience—very odd conjunctions of that sort. But as I mentioned to my 
friend Dombey, I could not admit the criminality of my lovely and 
accomplished relative until it was perfectly established. And feeling, when 
the deceased person was, in point of fact, destroyed in a devilish horrible 
manner, that her position was a very painful one—and feeling besides that 
our family had been a little to blame in not paying more attention to her, 
and that we are a careless family—and also that my aunt, though a devilish 
lively woman, had perhaps not been the very best of mothers—I took the 
liberty of seeking her in France, and offering her such protection as a man 
very much out at elbows could offer. Upon which occasion, my lovely and 
accomplished relative did me the honour to express that she believed I was, 
in my way, a devilish good sort of fellow; and that therefore she put herself 
under my protection. Which in point of fact I understood to be a kind thing 
on the part of my lovely and accomplished relative, as I am getting extremely 
shaky, and have derived great comfort from her solicitude.' 


</p>
            <p>Edith, who had taken Florence to a sofa, made a gesture with her hand as if 
she would have begged him to say no more. 


</p>
            <p>`My lovely and accomplished relative,' resumed Cousin Feenix, still ambling 
about at the door, `will excuse me, if, for her satisfaction, and my own, and 
that of my friend Dombey, whose lovely and accomplished daughter we so much 
admire, I complete the thread of my observations. She will remember that, 
from the first, she and I have never alluded to the subject of her elopement. 
My impression, certainly, has always been, that there was a mystery in the 
affair which she could explain if so inclined. But my lovely and accomplished 
relative being a devilish resolute woman, I knew that she was not, in point 
of fact, to be trifled with, and therefore did not involve myself in any 
discussions, But observing lately, that her accessible point did appear to be 
a very strong description of tenderness for the daughter of my friend Dombey, 
it occurred to me that if I could bring about a meeting, unexpected on both 
sides, it might lead to beneficial results. Therefore, we being in London, in 
the present private way, before going to the South of Italy, there to 
establish ourselves, in point of fact, until we go to our long homes, which 
is a devilish disagreeable reflection for a man, I applied myself to the 
discovery of the residence of my friend Gay—handsome man of an uncommonly 
frank disposition, who is probably known to my lovely and accomplished 
relative—and had the happiness of bringing his amiable wife to the present 
place. And now,' said Cousin Feenix, with a real and genuine earnestness 
shining through the levity of his manner and his slipshod speech, `I do 
conjure my relative, not to stop half way, but to set right, as far as she 
can, whatever she has done wrong—not for the honour of her family, not for 
her own fame, not for any of those considerations which unfortunate 
circumstances have induced her to regard as hollow, and in point of fact, as 
approaching to humbug—but because it <hi>is</hi> wrong, and not right.' 


</p>
            <p>Cousin Feenix's legs consented to take him away after this; and leaving them 
alone together, he shut the door. 


</p>
            <p>Edith remained silent for some minutes, with Florence sitting close beside 
her. Then she took from her bosom a sealed paper. 


</p>
            <p>`I debated with myself a long time,' she said in a low voice, `whether to 
write this at all, in case of dying suddenly or by accident, and feeling the 
want of it upon me. I have deliberated, ever since, when and how to destroy 
it. Take it, Florence. The truth is written in it.' 


</p>
            <p>`Is it for Papa?' asked Florence. 


</p>
            <p>`It is for whom you will,' she answered. `It is given to you, and is obtained 
by you. He never could have had it otherwise.' 


</p>
            <p>Again they sat silent, in the deepening darkness. 


</p>
            <p>`Mama,' said Florence, `he has lost his fortune; he has been at the point of 
death; he may not recover, even now. Is there any word that I shall say to 
him from you?' 


</p>
            <p>`Did you tell me,' asked Edith, `that you were very dear to him?' 


</p>
            <p>`Yes!' said Florence, in a thrilling voice. 


</p>
            <p>`Tell him I am sorry that we ever met.' 


</p>
            <p>`No more?' said Florence after a pause. 


</p>
            <p>`Tell him, if he asks, that I do not repent of what I have done—not yet—for 
if it were to do again to-morrow, I should do it. But if he is a changed 
man—' 


</p>
            <p>She stopped. There was something in the silent touch of Florence's hand that 
stopped her. 


</p>
            <p>`—But that being a changed man, he knows, now, it would never be. Tell him I 
wish it never had been.' 


</p>
            <p>`May I say,' said Florence, `that you grieved to hear of the afflictions he 
has suffered?' 


</p>
            <p>`Not,' she replied, `if they have taught him that his daughter is very dear 
to him. He will not grieve for them himself, one day, if they have brought 
that lesson, Florence.' 


</p>
            <p>`You wish well to him, and would have him happy. I am sure you would!' said 
Florence. `Oh! let me be able, if I have the occasion at some future time, to 
say so?' 


</p>
            <p>Edith sat with her dark eyes gazing steadfastly before her, and did not reply 
until Florence had repeated her entreaty; when she drew her hand within her 
arm, and said, with the same thoughtful gaze upon the night outside: 


</p>
            <p>`Tell him that if, in his own present, he can find any reason to 
compassionate my past, I sent word that I asked him to do so. Tell him that 
if, in his own present, he can find a reason to think less bitterly of me, I 
asked him to do so. Tell him, that, dead as we are to one another, never more 
to meet on this side of eternity, he knows there is one feeling in common 
between us now, that there never was before.' 


</p>
            <p>Her sternness seemed to yield, and there were tears in her dark eyes. 


</p>
            <p>`I trust myself to that,' she said, `for his better thoughts of me, and mine 
of him. When he loves his Florence most, he will hate me least. When he is 
most proud and happy in her and her children, he will be most repentant of 
his own part in the dark vision of our married life. At that time, I will be 
repentant too—let him know it then—and think that when I thought so much of 
all the causes that had made me what I was, I needed to have allowed more for 
the causes that had made him what he was. I will try, then, to forgive him 
his share of blame. Let him try to forgive me mine!' 


</p>
            <p>`Oh Mama!' said Florence. `How it lightens my heart, even in such a meeting 
and parting, to hear this!' 


</p>
            <p>`Strange words in my own ears,' said Edith, `and foreign to the sound of my 
own voice! But even if I had been the wretched creature I have given him 
occasion to believe me, I think I could have said them still, hearing that 
you and he were very dear to one another. Let him, when you are dearest, ever 
feel that he is most forbearing in his thoughts of me—that I am most 
forbearing in my thoughts of him! Those are the last words I send him! Now, 
good-bye, my life!' 


</p>
            <p>She clasped her in her arms, and seemed to pour out all her woman's soul of 
love and tenderness at once. 


</p>
            <p>`This kiss for your child! These kisses for a blessing on your head! My own 
dear Florence, my sweet girl, farewell!' 


</p>
            <p>`To meet again!' cried Florence. 


</p>
            <p>`Never again! Never again! When you leave me in this dark room, think that 
you have left me in the grave. Remember only that I was once, and that I 
loved you!' 


</p>
            <p>And Florence left her, seeing her face no more, but accompanied by her 
embraces and caresses to the last. 


</p>
            <p>Cousin Feenix met her at the door, and took her down to Walter in the dingy 
dining-room: upon whose shoulder she laid her head weeping. 


</p>
            <p>`I am devilish sorry,' said Cousin Feenix, lifting his wrist-bands to his 
eyes in the simplest manner possible, and without the least concealment, 
`that the lovely and accomplished daughter of my friend Dombey and amiable 
wife of my friend Gay, should have had her sensitive nature so very much 
distressed and cut up by the interview which is just concluded. But I hope 
and trust I have acted for the best, and that my honourable friend Dombey 
will find his mind relieved by the disclosures which have taken place. I 
exceedingly lament that my friend Dombey should have got himself, in point of 
fact, into the devil's own state of conglomeration by an alliance with our 
family; but am strongly of opinion that if it hadn't been for the infernal 
scoundrel Barker—man with white teeth—everything would have gone on pretty 
smoothly. In regard to my relative who does me the honour to have formed an 
uncommonly good opinion of myself, I can assure the amiable wife of my friend 
Gay, that she may rely on my being, in point of fact, a father to her. And in 
regard to the changes of human life, and the extraordinary manner in which we 
are perpetually conducting ourselves, all I can say is, with my friend 
Shakespeare—man who wasn't for an age but for all time, and with whom my 
friend Gay is no doubt acquainted—that it's like the shadow of a dream.' 

</p>
         </div>
         <div xml:id="c62" type="chapter">
            <head>CHAPTER LXII</head>
            <head>Final</head>
            <p>A BOTTLE that has been long excluded from the light of day, and is hoary with 
dust and 
cobwebs, has been brought into the sunshine; and the golden wine within it 
sheds a lustre 
on the table. 


</p>
            <p>It is the last bottle of the old Madeira. 


</p>
            <p>`You are quite right, Mr. Gills,' says Mr. Dombey. `This is a very rare and 
most delicious 
wine.' 


</p>
            <p>The Captain, who is of the party, beams with joy. There is a very halo of 
delight round 
his glowing forehead. 


</p>
            <p>`We always promised ourselves, Sir,' observes Mr. Gills, `Ned and myself, I 
mean—' 


</p>
            <p>Mr. Dombey nods at the Captain, who shines more and more with speechless 
gratification. 


</p>
            <p>`—that we would drink this, one day or other, to Walter safe at home: though 
such a home 
we never thought of. If you don't object to our old whim, Sir, let us devote 
this first glass 
to Walter and his wife.' 


</p>
            <p>`To Walter and his wife!' says Mr. Dombey. `Florence, my child'—and turns to 
kiss 
her. 


</p>
            <p>`To Walter and his wife!' says Mr. Toots. 


</p>
            <p>`To Wal'r and his wife!' exclaims the Captain. `Hooroar!' and the Captain 
exhibiting a 
strong desire to clink his glass against some other glass, Mr. Dombey, with a 
ready hand, 
holds out his. The others follow; and there is a blithe and merry ringing, as 
of a little peal 
of marriage bells. 


</p>
            <p>Other buried wine grows older, as the old Madeira did in its time; and dust 
and cobwebs 
thicken on the bottles. 


</p>
            <p>Mr. Dombey is a white-haired gentleman, whose face bears heavy marks of care 
and 
suffering; but they are traces of a storm that has passed on for ever, and 
left a clear 
evening in its track. 


</p>
            <p>Ambitious projects trouble him no more. His only pride is in his daughter and 
her 
husband. He has a silent, thoughtful, quiet manner, and is always with his 
daughter. Miss 
Tox is not unfrequently of the family party, and is quite devoted to it, and 
a great 
favourite. Her admiration of her once stately patron is, and has been ever 
since the 
morning of her shock in Princess's Place, platonic, but not weakened in the 
least. 


</p>
            <p>Nothing has drifted to him from the wreck of his fortunes, but a certain 
annual sum that 
comes he knows not how, with an earnest entreaty that he will not seek to 
discover, and 
with the assurance that it is a debt, and an act of reparation. He has 
consulted with his old 
clerk about this, who is clear it may be honourably accepted, and has no 
doubt it arises 
out of some forgotten transaction in the times of the old House. 


</p>
            <p>That hazel-eyed bachelor, a bachelor no more, is married now, and to the 
sister of the 
grey-haired Junior. He visits his old chief sometimes, but seldom. There is a 
reason in the 
grey-haired Junior's history, and yet a stronger reason in his name, why he 
should keep 
retired from his old employer; and as he lives with his sister and her 
husband, they 
participate in that retirement. Walter sees them sometimes—Florence too—and 
the pleasant 
house resounds with profound duets arranged for the Piano-Forte and 
Violoncello, and 
with the labours of Harmonious Blacksmiths. 


</p>
            <p>And how goes the Wooden Midshipman in these changed days? Why, here he still 
is, 
right leg foremost, hard at work upon the hackney coaches, and more on the 
alert than 
ever, being newly painted from his cocked hat to his buckled shoes; and up 
above him, in 
golden characters, these names shine refulgent, <hi rend="sc">gills and cuttle</hi>. 


</p>
            <p>Not another stroke of business does the Midshipman achieve beyond his usual 
easy trade. 
But they do say, in a circuit of some half-mile round the blue umbrella in 
Leadenhall 
Market, that some of Mr. Gills's old investments are coming out wonderfully 
well; and 
that instead of being behind the time in those respects, as he supposed, he 
was, in truth, a 
little before it, and had to wait the fulness of the time and the design. The 
whisper is that 
Mr. Gills's money has begun to turn itself, and that it is turning itself 
over and over pretty 
briskly. Certain it is that, standing at his shop-door, in his 
coffee-coloured suit, with his 
chronometer in his pocket, and his spectacles on his forehead, he don't 
appear to break his 
heart at customers not coming, but looks very jovial and contented, though 
full as misty as 
of yore. 


</p>
            <p>As to his partner, Captain Cuttle, there is a fiction of a business in the 
Captain's mind 
which is better than any reality. The Captain is as satisfied of the 
Midshipman's 
importance to the commerce and navigation of the country, as he could 
possibly be, if no 
ship left the Port of London without the Midshipman's assistance. His delight 
in his own 
name over the door, is inexhaustible. He crosses the street, twenty times a 
day, to look at 
it from the other side of the way; and invariably says, on these occasions, 
`Ed'ard Cuttle, 
my lad, if your mother could ha' know'd as you would ever be a man o' 
science, the good 
old creetur would ha' been took aback in-deed!' 


</p>
            <p>But here is Mr. Toots descending on the Midshipman with violent rapidity, and 
Mr. 
Toots's face is very red as he bursts into the little parlour. 


</p>
            <p>`Captain Gills,' says Mr. Toots, `and Mr. Sols, I am happy to inform you that 
Mrs. Toots 
has had an increase to her family.' 


</p>
            <p>`And it does her credit!' cries the Captain. 


</p>
            <p>`I give you joy, Mr. Toots!' says old Sol. 


</p>
            <p>`Thank'ee,' chuckles Mr. Toots, `I'm very much obliged to you. I knew that 
you'd be glad 
to hear, and so I came down myself. We're positively getting on, you know. 
There's 
Florence, and Susan, and now here's another little stranger.' 


</p>
            <p>`A female stranger?' inquires the Captain. 


</p>
            <p>`Yes, Captain Gills,' says Mr. Toots, `and I'm glad of it. The oftener we can 
repeat that 
most extraordinary woman, my opinion is, the better!' 


</p>
            <p>`Stand by!' says the Captain, turning to the old case-bottle with no 
throat—for it is 
evening, and the Midshipman's usual moderate provision of pipes and glasses 
is on the 
board. `Here's to her, and may she have ever so many more!' 


</p>
            <p>`Thank'ee, Captain Gills,' says the delighted Mr. Toots. `I echo the 
sentiment. If you'll 
allow me, as my so doing cannot be unpleasant to anybody, under the 
circumstances, I 
think I'll take a pipe.' 


</p>
            <p>Mr. Toots begins to smoke, accordingly, and in the openness of his heart is 
very 
loquacious. 


</p>
            <p>`Of all the remarkable instances that that delightful woman has given of her 
excellent 
sense, Captain Gills and Mr. Sols,' said Toots, `I think none is more 
remarkable than the 
perfection with which she has understood my devotion to Miss Dombey.' 


</p>
            <p>Both his auditors assent. 


</p>
            <p>`Because you know,' says Mr. Toots, `<hi>I</hi> have never changed my 
sentiments 
towards Miss Dombey. They are the same as ever. She is the same bright vision 
to me, at 
present, that she was before I made Walters's acquaintance. When Mrs. Toots 
and myself 
first began to talk of—in short, of the tender passion, you know, Captain 
Gills.' 


</p>
            <p>`Aye, aye, my lad,' says the Captain, `as makes us all slue round—for which 
you'll 
overhaul the book—' 


</p>
            <p>`I shall certainly do so, Captain Gills,' says Mr. Toots, with great 
earnestness; `when we 
first began to mention such subjects, I explained that I was what you may 
call a Blighted 
Flower, you know.' 


</p>
            <p>The Captain approves of this figure greatly; and murmurs that no flower as 
blows, is like 
the rose. 


</p>
            <p>`But Lord bless me,' pursues Mr. Toots, `she was as entirely conscious of the 
state of my 
feelings as I was myself. There was nothing I could tell <hi>her</hi>. She was 
the only 
person who could have stood between me and the silent Tomb, and she did it, 
in a manner 
to command my everlasting admiration. She knows that there's nobody in the 
world I look 
up to, as I do to Miss Dombey. She knows that there's nothing on earth I 
wouldn't do for 
Miss Dombey. She knows that I consider Miss Dombey the most beautiful, the 
most 
amiable, the most angelic of her sex. What is her observation upon that? The 
perfection of 
sense. “My dear, you're right. <hi>I</hi> think so too.”' 


</p>
            <p>`And so do I!' says the Captain. 


</p>
            <p>`So do I,' says Sol Gills. 


</p>
            <p>`Then,' resumes Mr. Toots, after some contemplative pulling at his pipe, 
during which his 
visage has expressed the most contented reflection, `what an observant woman 
my wife 
is!What sagacity she possesses! What remarks she makes! It was only last 
night, when we 
were sitting in the enjoyment of connubial bliss—which, upon my word and 
honour, is a 
feeble term to express my feelings in the society of my wife—that she said 
how 
remarkable it was to consider the present position of our friend Walters. 
“Here,” observes 
my wife, “he is, released from sea-going, after that first long voyage with 
his young 
bride”—as you know he was, Mr. Sols.' 


</p>
            <p>`Quite true,' says the old Instrument-maker, rubbing his hands. 


</p>
            <p>`”Here he is,” say my wife, “released from that, immediately; appointed by 
the same 
establishment to a post of great trust and confidence at home; showing 
himself again 
worthy; mounting up the ladder with the greatest expedition; beloved by 
everybody; 
assisted by this uncle at the very best possible time of his fortunes”—which 
I think is the 
case, Mr. Sols? My wife is always correct.' 


</p>
            <p>`Why yes, yes—some of our lost ships, freighted with gold, have come home, 
truly,' 
returns old Sol, laughing. `Small craft, Mr. Toots, but serviceable to my 
boy!' 


</p>
            <p>`Exactly so,' says Mr. Toots. `You'll never find my wife wrong. “Here he is,” 
says that 
most remarkable woman, “so situated,—and what follows? What follows?” 
observed Mrs. 
Toots. Now pray remark, Captain Gills, and Mr. Sols, the depth of my wife's 
penetration. 
“Why that, under the very eye of Mr. Dombey, there is a foundation going on, 
upon which 
a—an Edifice;” that was Mrs. Toots's word,' says Mr. Toots exultingly, `”is 
gradually 
rising, perhaps to equal, perhaps excel, that of which he was once the head, 
and the small 
beginnings of which (a common fault, but a bad one, Mrs. Toots said) escaped 
his 
memory. Thus,” said my wife, “from his daughter, after all, another Dombey 
and Son will 
ascend”—no “rise;” that was Mrs. Toots's word—“triumphant.”' 


</p>
            <p>Mr. Toots, with the assistance of his pipe—which he is extremely glad to 
devote to 
oratorical purposes, as its proper use affects him with a very uncomfortable 
sensation—does such grand justice to this prophetic sentence of his wife's, 
that the 
Captain, throwing away his glazed hat in a state of the greatest excitement, 
cries: 


</p>
            <p>`Sol Gills, you man of science and my ould pardner, what did I tell Wal'r to 
overhaul on 
that there night when he first took to business? Was it this here quotation, 
“Turn again 
Whittington, Lord Mayor of London, and when you are old you will never depart 
from 
it?” Was it them words, Sol Gills?' 


</p>
            <p>`It certainly was, Ned,' replied the old Instrument-maker. `I remember 
well.' 


</p>
            <p>`Then I tell you what,' says the Captain, leaning back in his chair, and 
composing his 
chest for a prodigious roar. `I'll give you Lovely Peg right through; and 
stand by, both on 
you, for the chorus!' 


</p>
            <p>Buried wine grows older, as the old Madeira did, in its time; and dust and 
cobwebs 
thicken on the bottles. 


</p>
            <p>Autumn days are shining, and on the sea-beach there are often a young lady, 
and a 
white-haired gentleman. With them, or near them, are two children: boy and 
girl. And an 
old dog is generally in their company. 


</p>
            <p>The white-haired gentleman walks with the little boy, talks with him, helps 
him in his 
play, attends upon him, watches him, as if he were the object of his life. If 
he be 
thoughtful, the white-haired gentleman is thoughtful too; and sometimes when 
the child is 
sitting by his side, and looks up in his face, asking him questions, he takes 
the tiny hand 
in his, and holding it, forgets to answer. Then the child says: 


</p>
            <p>`What, grandpapa! Am I so like my poor little uncle again?' 


</p>
            <p>`Yes, Paul. But he was weak, and you are very strong.' 


</p>
            <p>`Oh yes, I am very strong.' 


</p>
            <p>`And he lay on a little bed beside the sea, and you can run about.' 


</p>
            <p>And so they range away again, busily, for the white-haired gentleman likes 
best to see the 
child free and stirring; and as they go about together, the story of the bond 
between them 
goes about, and follows them. 


</p>
            <p>But no one, except Florence, knows the measure of the white-haired 
gentleman's affection 
for the girl. That story never goes about. The child herself almost wonders 
at a certain 
secrecy he keeps in it. He hoards her in his heart. He cannot bear to see a 
cloud upon her 
face. He cannot bear to see her sit apart. He fancies that she feels a 
slight, when there is 
none. He steals away to look at her, in her sleep. It pleases him to have her 
come, and 
wake him in the morning. He is fondest of her and most loving to her, when 
there is no 
creature by. The child says then, sometimes: 


</p>
            <p>`Dear grandpapa, why do you cry when you kiss me?' 


</p>
            <p>He only answers, `Little Florence! Little Florence!' and smooths away the 
curls that shade 
her earnest eyes. 

</p>
         </div>
         <trailer>THE END</trailer>
      </body>
  </text>
</TEI>
